Dirigenten, Und Regisseure Sowie Neue Ensemblemitglieder
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Whrb 95.3 Fm
N December 2019 January/February 2020 Volume 48, No. 2 95.3 FM Pachelbel: Canon and Gigue in D; King, Musica da Camera (Linn) Schumann: Carnaval, Op. 9; Uchida (Philips) Brahms: Symphony No. 2 in D, Op. 73; Munch, Boston Sym- phony Orchestra (Erato LP) Vaughan Williams: The Lark Ascending; Brown, Marriner, Academy of St. Martin-in-the-Fields (London) WHRB Mozart: Eine kleine Nachtmusik; Koopman, Amsterdam Bar- oque Orchestra (Erato) Vivaldi: The Four Seasons; Shaham, Orpheus Chamber Orches- 95.3 FM tra (DG) Fauré: Pavane, Op. 50; Orpheus Chamber Orchestra (DG) ® Holst: The Planets, Op. 32; Holst, London Symphony Orchestra Legend has it that the WHRB Orgy tradition began over (Koch) seventy-five years ago, in the spring of 1943. At that time, it is said that one Harvard student, then a staff member of WHRB, returned to the station after a particularly difficult exam and Monday, December 2 played all of Beethoven’s nine symphonies consecutively (from 78 rpm records) to celebrate the end of a long, hard term of midnight SCIENTOLOGY: A MUSICAL EXPLORA- ® TION studying. The idea caught on, and soon the Orgy concept was The Scientology Orgy is an in-depth exploration of songs expanded to include live jazz, rock, hip-hop, blues, and even about scientology and by scientologists, spanning time and sports Orgies. The Orgy® tradition lives on even today at WHRB. genre. Scientology is part of a new wave of religious exploration During the Reading and Exam Periods of Harvard College, and was created in response to the more traditional religions. In essence, religion is a way to explain humankind and its reactions WHRB presents marathon-style musical programs devoted to a to the world including love, pain, excitement, and anger, just to single composer, performer, genre, or subject. -
Ariadne Auf Naxos
ARIADNE AUF NAXOS Royal Scottish National Orchestra 25, 27, 29 Aug 7.30pm Edinburgh Academy Junior School The performance lasts approx. 2hrs 15mins with no interval. Sung in German with English supertitles Supported by Dunard Fund James and Morag Anderson Please ensure all mobile phones and electronic devices are turned off or put on silent. ARIADNE AUF NAXOS Royal Scottish National Orchestra Lothar Koenigs Conductor Louisa Muller Staging Cast includes Dorothea Röschmann Ariadne David Butt Philip Bacchus Brenda Rae Zerbinetta Catriona Morison Composer Martin Gantner Music Master Peter Bronder Dancing Master Joshua Hopkins Harlequin Alexander Sprague Scaramuccio Barnaby Rea Truffaldino Sunnyboy Dladla Brighella Liv Redpath Naiad Claire Barnett-Jones Dryad Soraya Mafi Echo Jonathan McGovern Wigmaker Ossian Huskinson Lackey Filipe Manu Officer Thomas Quasthoff Major-Domo SYNOPSIS Prologue In the house of the wealthiest man in Vienna, two theatrical groups are making last-minute preparations for the entertainments they have been asked to provide to follow a sumptuous banquet. The Major-Domo explains to the Music Master that the performance of Ariadne auf Naxos, his pupil’s opera seria, is to be followed by a comic entertainment before a firework display at nine o’clock. The Music Master objects, but the Major- Domo replies that his master has paid for the entertainment so he can call the tune. The Composer wants a final rehearsal of his opera, but is told that the musicians are playing during dinner. The Dancing Master comments cynically as the leading members of each company make absurdly fussy demands. Chaos ensues. The prima donna comments furiously on the presence of the comedy troupe and their leading lady, Zerbinetta. -
JOHN RELYEA Four Villains... Four
spring 2012 | volume 19 | number 3 Catherine Malfitano Born into the right trunk! John relyea Four Villains... Four signatures alan held a DouBle Bill oF sun anD shaDow happy BirthDay Myth Manifest enseMble CirCle Zhang huan’s Semele A MESSAge From THe generAl DireCTor aleXander neef spring into opera Photo: Rider Dyce Opera is such a collaborative business great Canadian bass-baritone Gary A gift to our friends that great artists make very specific Relyea, performed many times with Editorial Board: decisions about who they want to work the COC over the years. I am very robert lamb, with and where they want to work. As proud to have the Relyeas join Louis Managing Director roberto mauro, more of the world’s best artists choose and Gino Quilico, and Victor and Artistic Administrator us, you, the audience, are the ultimate Russell Braun as COC father-son Jeremy elbourne, beneficiary; the better the artists, opera stars. Director of Marketing the better the art on stage. Is it any Claudine Domingue, Director of Public Relations wonder why welcoming new artists to Opera is a synthesis of many art forms, and a huge part of its presentation is Christie Darville, our company is a particular pleasure Director of Development the theatrical and visual aspect. Zhang of mine? Editors: Huan, our Semele director, is a visual suzanne vanstone, This spring it is our privilege to have artist of great renown and his ability Senior Communications Manager, Editorial the legendary Catherine Malfitano to merge art forms is second nature. gianna Wichelow, join us to direct our new double bill – Zhang has placed this production of Senior Communications Manager, Creative Zemlinsky’s A Florentine Tragedy Handel’s Baroque masterpiece within Editors E-mail: [email protected] and Puccini’s Gianni Schicchi. -
2013·2014Eview Season Pr a MESSAGE from GENERAL DIRECTOR ALEXANDER NEEF Be Part of the Experience!
winter 2013 | volume 20 | number 2 The SellArS/violA World of TrisTan und isolde divided loyAlTieS Mozart’s la clemenza di TiTo WelCoMeS ANd fAreWellS tHE CoC BOARD ShooTiNg starS MiCHaEl CoopEr's 30 yEars as CoC proDuCtion pHotograpHEr ial spEC 2013·2014EviEw Season pr A MESSAGe FROM GENERAl DIRECTOR ALEXANDER NEEF Be PArT of The eXPerieNCe! or better or worse, we live in an age when virtually any form of Fentertainment can be downloaded directly onto your computer, beamed into your television or your local cinema, or experienced on your smartphone as you are walking down the street; an age that has drastically altered how quickly and easily we can consume culture. And, as convenient as that is, the sheer ease of it serves to remind us how vital it is to be an active participant in culture and the arts. Because, in the end, it is the electric exchange between artists and the audience that makes the art come alive. There is simply nothing like being A gift to our friends in a great opera house and hearing a phenomenal singer live; you get goose Editorial Board: robert lamb, bumps, you are moved in body and soul Speaking of relationships, I am very Managing Director by the immediate, emotional core of the pleased and proud that Johannes’s contract roberto mauro, work. The very fact that you share the has been extended through the 2016/2017 Artistic Administrator space with the artists makes you become season. He brings such energy, talent and Jeremy elbourne, Director of Marketing part of the action, part of the work, leadership to our company, there is no limit Claudine Domingue, and finally, part of the art itself. -
Wwciguide April 2019.Pdf
From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center This month, we are excited to bring you a sweeping new adaptation of Victor Hugo’s 5400 North Saint Louis Avenue Chicago, Illinois 60625 classic novel Les Misérables. This new six-part series, featuring an all-star cast including Dominic West, David Oyelowo, and recent Oscar winner Olivia Colman, tells the story of fugitive Jean Valjean, his relentless pursuer Inspector Javert, and other colorful characters Main Switchboard (773) 583-5000 in turbulent 19th century France. We hope you’ll join us on Sunday nights for this epic Member and Viewer Services drama, and explore extra content on our website including episode recaps and fact vs. (773) 509-1111 x 6 fiction. If spring is a time of renewal, that is also certainly true of some of WTTW’s offerings Websites wttw.com in April, including eagerly awaited new seasons of three very different British detective wfmt.com series – Father Brown, Death in Paradise, and Unforgotten – and Mexico: One Plate at a Time, Jamestown, and Islands Without Cars. On wttw.com, as American Masters features Publisher newspaper magnate Joseph Pulitzer, we profile Chicago winners of the journalism and Anne Gleason arts award that bears his name, and highlight some extraordinary African American Art Director Tom Peth entrepreneurs in Chicago. WTTW Contributors WFMT will present the annual Rising Stars concert of the Ryan Opera Center, and Julia Maish Dan Soles organist Nathan Laube’s four-part international organ festival on Friday evenings, All the WFMT Contributors Stops with Nathan Laube. -
Ambur Braid Soprano 2017
Ambur Braid soprano 2017 – 2018 Season Columbia Artists Vocal LLC 1790 Broadway | New York, NY 10019 telephone: (212) 841-9685 | fax: (212) 841-9557 www.cami.com Personal Direction: Damon Bristo, Vice President [email protected] Updated August 2017 Please destroy all previous press materials Columbia Artists Management LLC 1790 Broadway, New York, NY 10019-1412 The Creative Source for the Performing Arts (212) 841-9500 • Fax (212) 841-9744 • www.cami.com Ambur Braid soprano Ambur Braid has been praised as a “powerful soprano” by the New York Times and “a class unto herself” (Frankfurter Allgemeine), delivering her portrayals with an “unhinged intensity.” In the 2017-2018 season, Ambur will sing her first performances of Puccini’s iconic Tosca in a return to the Calgary Opera and will debut with the National Arts Centre Orchestra in Ottawa singing Beethoven’s Symphony No. 9. She recently appeared as The Queen in a new production of Křenek’s Das geheime Königreich at Oper Frankfurt, a thrilling performance the Frankfurter Allgemeine called “a mixture of Zerbinetta, Kundry, and Lady Macbeth.” In the 2018-2019 season, Ambur will join the ensemble at Oper Frankfurt singing leading roles of her repertoire in exciting new productions. Recently, Ambur returned to the Canadian Opera Company as the Queen of the Night in Die Zauberflöte conducted by Bernard Labadie and a highly-acclaimed portrayal of Dalinda in Richard Jones’s production of Ariodante conducted by Johannes Debus. She made her UK debut as a formidable Queen of the Night in Simon McBurney's production of The Magic Flute at the English National Opera, a role she also sang for Calgary Opera and her German debut at Oper Frankfurt. -
Louis Riel Tosca
LOUIS RIEL TOSCA PROGRAM SPRING 2017 CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF LOUIS RIEL 12 HONOURING INDIGENEITY NEW EXPERIENCES, IN LOUIS RIEL NEW INITIATIVES 14 COMPOSER HARRY SOMERS This spring we celebrate the return ADOPTS A MODERN TONE IN of an iconic Canadian opera, Harry LOUIS RIEL Somers’ Louis Riel. 15 THE NISGA’A HISTORY OF THE “KUYAS” ARIA The fact that 50 years ago Somers and Moore made the bold decision 16 A CANADIANIZED RIEL: to focus their work on the struggles MAKING SPACE FOR MÉTIS of Riel and the Métis Nation against TO SPEAK Canada’s colonial government serves as a challenge for present and future WHAT’S PLAYING: TOSCA Great opera 18 understandings of our country. In Canada’s sesquicentennial year, these 24 A PASSION FOR PUCCINI: CONDUCTOR KERI-LYNN challenges remain at the forefront of WILSON our country’s conversations, particularly as part of the ongoing Truth and lives here. 28 GET TO KNOW ADRIANNE Reconciliation process. PIECZONKA With this new production of Louis 32 BACKSTAGE AND BEYOND Riel, we have taken the opportunity to expand our base of creative knowledge with not-for-profit arts groups, 34 BIOGRAPHIES: LOUIS RIEL and perspectives to include musical community partners, and social and performance practices that service organizations in Ontario BIOGRAPHIES: TOSCA 42 wouldn’t have been a part of the artistic to offer more than 1,000 people conversation in 1967. the opportunity to experience our EVERY NOTE COUNTS 45 mainstage programming free of 46 MEET A BOARD MEMBER: Building broader awareness of the charge. -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
2016/2017 Annual Report
2016/2017 ANNUAL REPORT “The Canadian Opera Company has been doing attention-grabbing work.” The New York Times 2016/2017 SEASON AT A GLANCE 142,572 598 Total attendance and reach combining the Number of performances, community COC’s mainstage programming (99,296), concerts, and events showcasing the Education and Outreach events (31,807), transformative power of operatic and Free Concert Series in the Richard theatre. Bradshaw Amphitheatre (11,469). 10 YEARS 22,705 KM Our 16/17 season marked 10 years since The distance travelled by COC sets the opening of the Four Seasons Centre and costumes in the past season, as for the Performing Arts, a decade of our work reached destinations like unprecedented artistic momentum and Amsterdam, Barcelona, and Chicago. accomplishment. 2 CENTURIES 6 CONTINENTS From Handel’s Ariodante to Harry Somers’ We had visitors from all 13 provinces and Louis Riel, we presented a range of operatic territories in Canada, 36 American states repertoire spanning 232 years of human and territories, as well as 36 countries creativity. representing six continents. ACTIVITY HUB The Four Seasons Centre for the Performing Arts and the Joey and Toby Tanenbaum Opera Centre host diverse activities featuring performing arts companies, non-profit organizations, and a range of marquee events, making the COC a key facilitator for Toronto’s rich cultural and civic life. Our 16/17 partners include: Against the Grain Theatre George Brown College Singing with Parkinson’s Atelier Lyrique de l’Opéra Jeunes Ambassadeurs Lyrique Stratford -
The Magic Flute
WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Lothar Koenigs Saturday, January 4, 2020 production 8:00–9:45 PM Julie Taymor set designer Last time this season George Tsypin costume designer Julie Taymor lighting designer Donald Holder The abridged production of puppet designers The Magic Flute was made possible by a Julie Taymor Michael Curry gift from The Andrew W. Mellon Foundation choreographer and Bill Rollnick and Nancy Ellison Rollnick Mark Dendy The original production of revival stage director David Kneuss Die Zauberflöte was made possible by a gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and general manager Nancy Ellison Rollnick, Mr. and Mrs. William R. Peter Gelb Miller, Agnes Varis and Karl Leichtman, and jeanette lerman-neubauer music director Mr. and Mrs. Ezra K. Zilkha Yannick Nézet-Séguin 2019–20 SEASON The 459th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S the magic flute conductor Lothar Koenigs in order of vocal appearance tamino spirits Paul Groves* David Katzman Eliot Flowers first l ady N. Casey Schopflocher Gabriella Reyes** spe aker second l ady Dwayne Croft* Megan Esther Grey** sar astro third l ady Soloman Howard Renée Tatum* priests papageno Christopher Job Will Liverman Scott Scully queen of the night papagena Kathryn Lewek Ashley Emerson* sl aves guards Stephen Paynter Arseny Yakovlev** Kurt Phinney Richard Bernstein Craig Montgomery monostatos Rodell Rosel solo dancer Maria Phegan The Magic Flute is pamina flute solo presented without Ying Fang* Stephanie C. -
DER KREIDEKREIS ALEXANDER VON ZEMLINSKY Dauer: Ca
20. JANUAR BIS 1. FEBRUAR 2018 DER KREI DEK REIS DER KREIDEKREIS ORCHESTER, ALEXANDER VON ZEMLINSKY KINDERCHOR UND STUDIO DER MUSIKALISCHE LEITUNG OPERA DE LYON LOTHAR KOENIGS NEUPRODUKTION REGIE © Corentin Fohlen RICHARD BRUNEL DER KREIDEKREIS Oper in drei Akten und sieben Bildern, 1933 Libretto von Klabund In deutscher Sprache DER KREIDEKREIS ALEXANDER VON ZEMLINSKY Dauer: ca. 2.30h Ticketpreise von 10 bis 108€ Neuproduktion Ein Meisterwerk zu neuem Leben erweckt Alexander von Zemlinsky wurde 1871 in Wien geboren, war mit Schönberg verschwägert, mit Mahler befreundet, Komponist und Dirigent, Direktor Musikalische Leitung: der Deutschen Oper in Prag und lebte im Zentrum der mitteleuropäischen Lothar Koenigs Moderne. Am Ende der 1920er Jahre schloss er sich dem Avantgarde-Ensemble Regie: Richard Brunel Otto Klemperers in der Krolloper in Berlin an und dirigierte dort insbesondere Dramaturgie: die Premiere von Bertold Brechts und Kurt Weills Oper Mahagonny. Unter Catherine Ailloud-Nicolas Bühnenbild: Anouk Dell’Aiera diesem Einfluss komponierte er dann seine Oper Kreidekreis nach dem Stück Kostüme: Benjamin Moreau von Klabund (Pseudonym des Schriftstellers und Dichters Alfred Henschke), Licht: Laurent Castaingt das auch Brecht 1954 zu seinem Kaukasischen Kreidekreis anregte und auf das chinesische Drama Houei-lan-tsi von Ling Sing-Tao aus dem 13. Jahrhundert Tschang-Ling : Lauri Vasar Mr Ma: Martin Winkler zurückgeht. Yü-Pei: Nicola Beller Carbone Tschang-Haitang : Ilse Eerens Jazzanklänge und fernöstliches Kolorit Prinz Pao: Stephan Rügamer Zemlinksy, der bis dahin in der postromantischen Operntradition verhaftet Tschao: Zachary Altman Tong : Paul Kaufmann war, glückt in diesem Werk eine neuartige Verbindung von Jazzklängen und Mrs Tchang : Doris Lamprecht fernöstlichem Kolorit. Es handelt sich dabei um die letzte vollendete Oper Hebamme: Hedwig Fassbender des Komponisten. -
Program Spring 2016
PROGRAM SPRING 2016 CARMEN MAOMETTO II Reaching their Someday is music to everyone’s ears. The hard work, perseverance and vision of emerging artists demonstrate the power of having – and the joy of realizing – a Someday™. Together with programs like the Ensemble Studio at the Canadian Opera Company, we support a diverse range of Canadian talent in communities across the country through the RBC Emerging Artists Project. TM ® / ™ Trademark(s) of Royal Bank of Canada. VPS93138 39782A (05/2015) CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF CARMEN 10 CARMEN FULL CIRCLE: As we bring our 2015/2016 season to a DIRECTOR JOEL IVANY close, we can look back on a year to be proud of, both on and off the stage. WHAT’S PLAYING: 14 MAOMETTO II The COC continued to cement its 20 SERIOUSLY... reputation as a centre for artistic ROSSINI’S MAOMETTO II excellence and a go-to destination for some of the world’s top operatic talent. 24 GET TO KNOW... This past fall, the world premiere of LUCA PISARONI Pyramus and Thisbe was a landmark production for the COC, while La 26 TOWARDS A NEW ERA OF LOWER TICKET PRICES Traviata met with rave reviews from critics and audiences alike. Our 28 BACKSTAGE AND BEYOND Siegfried featured one of the strongest casts you’re likely to hear anywhere 30 SHIFTING INTO HIGH GEAR in the world, and Claus Guth’s take on Mercedes-Benz at the COC The Marriage of Figaro had audiences laughing and talking! 31 BIOGRAPHIES: CARMEN BIOGRAPHIES: MAOMETTO II The unparalleled artistic achievement 35 continues this spring.