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Daniela Schillaci
IN COLLABORAZIONE Non ci fermeremo mai! con il patrocinio Non deporremo mai la nostra cetra. La nostra voce si alzerà pura e soave per cantare la nostra umanità. Saremo testimoni di bellezza per un sentimento di vera rinascita Premio Lirico e il nostro canto entrerà nei cuori dei buoni Internazionale e farà breccia in quelli di pietra. MARCELLA I nostri giorni saranno cantare e danzare l’amicizia tra i popoli. POBBE Insieme vedremo l’aurora di un nuovo tempo 2020 lasciando nell’aria il profumo della vita. Young Opera Project 2020 CON IL SOSTEGNO Daniela Schillaci Teatro Olimpico di Vicenza Sabato 19 Settembre 2020 ore 21.00 Daniela Schillaci, diplomata in canto al Conservatorio Gioacchino Premio Lirico Internazionale Rossini di Pesaro con il massimo dei voti, vince quale Migliore giovane can- tante il concorso Giuseppe Di Stefano di Trapani nel 1998. MARCELLA POBBE 2020 Inizia immediatamente una brillante carriera che la vede debuttare in Così Gala fan tutte (Despina) all’Opera Giocosa di Savona; Werther (Sophie) a Spoleto; Un ballo in maschera (Oscar) a Venezia e Catania; La sonnambula (Lisa) a Roma, Messina e Palermo; Il cappello di paglia di Firenze (Elena) a Messina e Comitato d’Onore all’Opéra de Lausanne; Turandot (Liù) a Seoul; I Lombardi alla prima crocia- Concert ta al Maggio Musicale Fiorentino; Ariane et Barbe-bleu, Thaïs e Peter Grimes Francesco Rucco a Torino, Elektra e Die Frau ohne schatten al Maggio Musicale Fiorentino; Il Sindaco di Vicenza Silvia Bonino telefono di Menotti (Lucy) a Catania; Carmen all’Opera di Roma, all’Arena di Verona e ad Ascoli Piceno; La serva padrona (Serpina) a Firenze e Roma. -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
Agosto-Setembro
GIANCARLO GUERRERO REGE O CONCERTO PARA PIANO EM LÁ MENOR, DE GRIEG, COM O SOLISTA DMITRY MAYBORODA RECITAIS OSESP: O PIANISTA DMITRY MAYBORODA APRESENTA PEÇAS DE CHOPIN E RACHMANINOV FABIO MARTINO É O SOLISTA NO CONCERTO Nº 5 PARA PIANO, DE VILLA-LOBOS, SOB REGÊNCIA DE EDIÇÃO CELSO ANTUNES Nº 5, 2014 TIMOTHY MCALLISTER INTERPRETA A ESTREIA LATINO-AMERICANA DO CONCERTO PARA SAXOFONE, DE JOHN ADAMS, COENCOMENDA DA OSESP, SOB REGÊNCIA DE MARIN ALSOP OS PIANISTAS BRAD MEHLDAU E KEVIN HAYS APRESENTAM O PROGRAMA ESPECIAL MODERN MUSIC RECITAIS OSESP: JEAN-EFFLAM BAVOUZET, ARTISTA EM RESIDÊNCIA 2014, APRESENTA PEÇAS PARA PIANO DE BEETHOVEN, RAVEL E BARTÓK MÚSICA NA CABEÇA: ENCONTRO COM O COMPOSITOR SERGIO ASSAD O QUARTETO OSESP, COM JEAN-EFFLAM BAVOUZET, APRESENTA A ESTREIA MUNDIAL DE ESTÉTICA DO FRIO III - HOMENAGEM A LEONARD BERNSTEIN, DE CELSO LOUREIRO CHAVES, ENCOMENDA DA OSESP ISABELLE FAUST INTERPRETA O CONCERTO PARA VIOLINO, DE BEETHOVEN, E O CORO DA OSESP APRESENTA TRECHOS DE ÓPERAS DE WAGNER, SOB REGÊNCIA DE FRANK SHIPWAY CLÁUDIO CRUZ REGE A ORQUESTRA DE CÂMARA DA OSESP NA INTERPRETAÇÃO DA ESTREIA MUNDIAL DE SONHOS E MEMÓRIAS, DE SERGIO ASSAD, ENCOMENDA DA OSESP COM SOLOS DE NATAN ALBUQUERQUE JR. A MEZZO SOPRANO CHRISTIANNE STOTIJN INTERPRETA CANÇÕES DE NERUDA, DE PETER LIEBERSON, SOB REGÊNCIA DE LAWRENCE RENES MÚSICA NA CABEÇA: ENCONTRO COM O COMPOSITOR CELSO LOUREIRO CHAVES JUVENTUDE SÔNICa – UM COMPOSITOR EM Desde 2012, a Revista Osesp tem ISSN, BUSCA DE VOZ PRÓPRIA um selo de reconhecimento intelectual JOHN ADAMS 4 e acadêmico. Isso significa que os textos aqui publicados são dignos de referência na área e podem ser indexados nos sistemas nacionais e AGO ago internacionais de pesquisa. -
1 Concert 2 – Nordic Triumph November 16, 2019 Overture To
Concert 2 – Nordic Triumph November 16, 2019 Overture to Maskarade —Carl Nielsen Carl Nielsen is now acknowledged as Denmark’s most distinguished composer, and more than deserving to take his place with Grieg and Sibelius in the pantheon of Scandinavia’s long-revered composers. It was not always so, of course, and it was not until the middle of the twentieth century that his music enjoyed broad admiration, study, and performance. Not that he ever languished in obscurity, for by his forties, he was regarded as Denmark’s leading musician. He grew up in modest circumstances— certainly not a prodigy—studied assiduously, played in several unpretentious ensembles on various instruments, and began composing in small forms. He was intellectually curious, reading and pondering philosophy, history, and literature, and it must be said, was profoundly aided in his overall growth as a composer and in general intellectual sophistication by his long marriage to a remarkable woman. His wife, Anne Marie Brodersen, was a recognized major sculptor, a “strong- willed and modern-minded woman” who was relentless in the pursuit of her own, very successful career as an artist. Her independence—and penchant for frequently leaving the family to pursue her own career—impacted the tranquility of the marriage, without doubt. But, she was a stimulating, strong partner that unquestionably aided in his development into an artist of spiritual depth and sophistication. Nielsen’s reputation outside of Denmark is largely sustained by his six symphonies—Leonard Bernstein was an influential international champion of them—but he composed actively in almost all major genres. -
Edvard Grieg: Between Two Worlds Edvard Grieg: Between Two Worlds
EDVARD GRIEG: BETWEEN TWO WORLDS EDVARD GRIEG: BETWEEN TWO WORLDS By REBEKAH JORDAN A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Rebekah Jordan, April, 2003 MASTER OF ARTS (2003) 1vIc1vlaster University (1vIllSic <=riticisIll) HaIllilton, Ontario Title: Edvard Grieg: Between Two Worlds Author: Rebekah Jordan, B. 1vIus (EastIllan School of 1vIllSic) Sllpervisor: Dr. Hllgh Hartwell NUIllber of pages: v, 129 11 ABSTRACT Although Edvard Grieg is recognized primarily as a nationalist composer among a plethora of other nationalist composers, he is much more than that. While the inspiration for much of his music rests in the hills and fjords, the folk tales and legends, and the pastoral settings of his native Norway and his melodic lines and unique harmonies bring to the mind of the listener pictures of that land, to restrict Grieg's music to the realm of nationalism requires one to ignore its international character. In tracing the various transitions in the development of Grieg's compositional style, one can discern the influences of his early training in Bergen, his four years at the Leipzig Conservatory, and his friendship with Norwegian nationalists - all intricately blended with his own harmonic inventiveness -- to produce music which is uniquely Griegian. Though his music and his performances were received with acclaim in the major concert venues of Europe, Grieg continued to pursue international recognition to repudiate the criticism that he was only a composer of Norwegian music. In conclusion, this thesis demonstrates that the international influence of this so-called Norwegian maestro had a profound influence on many other composers and was instrumental in the development of Impressionist harmonies. -
Motezuma Por Alan Curtis Jóvenes Cuartetos Festivales De
REVISTA DE MÚSICA Año XXI - Nº 208 - Mayo 2006 - 6,30 € DOSIER Festivales de verano ENTREVISTAS Elisabeth Leonskaja Kaija Saariaho ACTUALIDAD Richard Goode Masaaki Suzuki Bernarda Fink Hervé Niquet DISCOS Nº 208 - Mayo 2006 SCHERZO Motezuma por Alan Curtis Jóvenes cuartetos AÑO XXI - Nº 208 - Mayo 2006 - 6,30 € 2 OPINIÓN Discos del mes 64 CON NOMBRE SCHERZO DISCOS PROPIO Sumario 65 6 Richard Goode Javier Alfaya DOSIER Festivales de verano 113 8 Giuliano Carmignola Enrique Martínez ENCUENTROS Kaija Saariaho 9 Bernarda Fink Bruno Serrou 142 Rafael Banús Irusta REPORTAJE 10 Hervé Niquet La fuente del canto moderno Pablo J.Vayón Arturo Reverter 146 11 Massaki Suzuki EDUCACIÓN Alfredo Brotons Muñoz Pedro Sarmiento 148 12 JAZZ AGENDA Pablo Sanz 150 18 ACTUALIDAD NACIONAL LIBROS 152 46 ACTUALIDAD INTERNACIONAL LA GUÍA 156 60 ENTREVISTA CONTRAPUNTO Elisabeth Leonskaja Norman Lebrecht 160 Juan Antonio Llorente Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Rodrigo Carrizo Couto, Rafael Díaz Gómez, Patrick Dillon, Pedro Eías Mamou, José Luis Fernández, Fernando Fraga, Joa- quín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Pedro Mombiedro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Francisco Ramos, Arturo Reverter, Barbara Röder, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, Susan Stendec, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Saison 2021/22 Kunst, Design Antiquitäten 17
SAISON 2021/22 KUNST, DESIGN ANTIQUITÄTEN 17. – 21. Jhdt. RESTAURIERUNGEN Martin Jegge | Obergasse 4 + 10 a | 2502 Biel / Bienne Tel. +41 32 323 49 58 | [email protected] gewoelbegalerie.ch | Instagram: gewoelbegalerie SAISON 2021/22 INHALT CONTENU 7 EDITORIAL PREMIEREN UND KONZERTE 10 PREMIÈRES ET CONCERTS OPER 13 OPÉRA 14 CASANOVA IN DER SCHWEIZ 16 I CAPULETI E I MONTECCHI 18 EIGER 20 MAZEPPA 22 LES LIAISONS DANGEREUSES 25 DINO ARICI-STIPENDIUM BOURSE DINO ARICI SCHAUSPIEL 27 THÉÂTRE 30 NICHTS GESCHENKT! فرفری FERFERI 32 34 BRAVE NEW LIFE 36 DIE MARQUISE VON O… 38 FAUST I 40 DER EINGEBILDETE KRANKE 42 DIE JAHRESZEITEN TANZ INKLUSIV 45 DANSE INCLUSIVE 46 INKLUSION INCLUSION 47 BARRIEREFREIHEIT ACCESSIBILITÉ 48 COMPANY IDEM 49 SOLOTHURNER TANZTAGE 50 STEPS: ANNIE HANAUER 2 Oper 51 OpéraASPHALT PILOTEN Saison 21/22 KONZERT 53 CONCERT 58 SOMMERKONZERTE CONCERTS D’ÉTÉ 61 SINFONIEKONZERTE CONCERTS SYMPHONIQUES 73 KAMMERMUSIKKONZERTE CONCERTS DE MUSIQUE DE CHAMBRE 75 CHORKONZERTE CONCERTS AVEC CHŒUR 77 ÖFFENTLICHE GENERALPROBEN RÉPÉTITIONS GÉNÉRALES PUBLIQUES JUNGES PUBLIKUM UND SCHULEN 79 JEUNE PUBLIC ET ÉCOLES 80 WONDERLAND 82 JUNGES THEATER BIEL JEUNE THÉÂTRE BIENNE JTB 83 JUNGES THEATER SOLOTHURN JTS 84 THEATER UND SCHULE THÉÂTRE ET ÉCOLE 86 FILIPA UNTERWEGS 87 ORCHESTER UND SCHULE ORCHESTRE ET ÉCOLE 88 BÉBÉKONZERTE CONCERTS BÉBÉ 91 EXTRAS 92 WERKEINFÜHRUNGEN INTRODUCTIONS AUX ŒUVRES 92 LUNCHTIME-OPERA 93 HINTER DEN KULISSEN DANS LES COULISSES 93 FÜHRUNGEN VISITES GUIDÉES 95 MIETEN SIE DAS THEATER LOUEZ LE THÉÂTRE Oper 3 95 OpéraMASTERCLASS Saison 21/22 KOOPERATIONEN 97 COOPÉRATIONS 99 TOBS AUF GASTSPIEL TOBS EN TOURNÉE 100 WEITERE KONZERTE UND VORSTELLUNGEN AUTRES CONCERTS ET REPRÉSENTATIONS TEAM 105 ÉQUIPE FÖRDERER 115 DONATEURS 125 SERVICE 126 BILLETTKASSE BILLETTERIE 130 ABO 143 TICKETS 144 DANK REMERCIEMENTS 145 IMPRESSUM KONTAKT / CONTACT 146 LAGEPLÄNE PLANS DES VILLES 148 SAALPLÄNE PLANS DES SALLES 4 Oper Opéra Saison 21/22 Bei uns spielen Sie die Hauptrolle. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Carmen EC 20|12|02 4:13 PM Page 8
110238-39 bk Carmen EC 20|12|02 4:13 PM Page 8 the officers, with whom he has fellow feeling as a this dangerous place and calling on Heaven to protect ADD warrior in the bull-ring. He then concentrates his her. 7 The voice of Escamillo is heard, exciting his Great Opera Recordings attention on Carmen, who rejects his advances. & rival’s jealousy, when he tells Don José of his love for 8.110238-39 When Escamillo and the officers have gone, Lillas Carmen. They fight and Escamillo slips and falls, but Pastia calls in two smugglers, planning to bring their quarrel is interrupted by the appearance of Carmen contraband into Spain from Gibraltar. Carmen at first and the smugglers. 8 Micaëla approaches, challenged 2 CDs refuses to join the enterprise, since she is in love with by one of the smugglers. She tells Don José of his BIZET Don José. * The smugglers try to persaude her to enrol mother’s mortal illness and her desire to see him before Don José in their enterprise. ( She dances for him, ) she dies. Carmen, supported by Escamillo, tells Don and persuades him to ignore the call back to barracks. ¡ José to go away with her, which he does, hesitating as Carmen He tells her of his love for her, recalling the flower that he goes. she had thrown him. ™ She reproaches him for not Solange Michel • Raoul Jobin • Martha Angelici • Michel Dens loving her, trying to persuade him to join her and the Act IV smugglers £ but he refuses, vowing to leave her, until Chorus and Orchestra of the Opéra-Comique, Paris the voice of Zuniga is heard, calling for Carmen. -
Scangate Document
Guy De Mey - Sylvia Traey - Raphaella Smits A recital of English Songs 21 februari 93 Lieder Guy De Mey, tenor - Sylvia Traey, piano Raphaella Smits, gitaar Program m a Pauze Five Elisabethan Songs John Dowland (1563-1626) Benjamin Britten (1913-1976) Come again Songs from the Chinese, opus 58 Flow my tears ■ The big Chariot (from ‘The Book of Songs’) What if I never speed - The old Lute (Po-Chii-i) - The Autumn Wind (Wu-ti) Anoniem - The Herd-Boy (Lu Yu) The Willow Song - Depression (Po Chu-i) John Bartlet (17e eeuw) - Dance Song (from ‘The Book of Songs’) All my wits hath will enwrapped Folk Song Arrangements Joseph Haydn (1732-1809) - The Plough Boy Five original Canzonettas - O can ye sew cushions? - Piercing eyes - The Lincolnshire poacher - She never told her love - The foggy, foggy dew • Up in the morning early - The brisk young Widow - Fidelty - The Ash Grove - Sailor’s Song - Little Sir William - Sweet Polly Oliver William Walton (1902-1983) - The Salley Gardens Four Lyrics - Oliver Cromwell - O stay, sweet love - Lady, when I behold the roses - My love in her attire To couple is a costume inleidend gesprek door Magda de Meester Michael Tippett f 1905) Foyer Rode Zaal 19.15 uur Songs for Ariel - Come unto these yellow sands aanvang concert 20.00 uur - Full fathom five pauze 20.45 uur - Where the bee sucks einde concert 21.45 uur Guy De Mey De Belgische tenor Guy de Mey behoort internatio- naal tot een der meest aangezochte zangers van de jongere generatie. Hij studeerde bij Stella Dalberg, Erna Spoorenberg, Sir Peter Pears en Eric Tappy.