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{PDF EPUB} Hexwood by Diana Wynne Jones Hexwood
Read Ebook {PDF EPUB} Hexwood by Diana Wynne Jones Hexwood. This is, unfortunately, a book with too many good ideas and not enough structure or characterization. I say unfortunately because some of the ideas are great. I can't talk about all of them, since piecing them together is a substantial part of the plot and probably the best part of the book, but there's ancient powerful machinery, a fair bit of fiddling about with time (time travel just isn't the right term), some nice non-linear exposition, a galaxy-spanning empire secretly well-established on Earth, some truly nice mind-link telepathy, and a really fun take on magic. On top of that, though, there's also a bit of an Arthurian, some badly done political intrigue and infighting, dragons, badly handled mind control, angst about a dark past, mythical nature, and robots. You may be seeing what I mean about too many ideas. There's something of an overall structure that allows one to sensibly mash all of this stuff together, but it still feels like a disjointed hodge-podge. Worse, though, is that due to the machine-gun speed at which ideas, plot elements, and bits of background are introduced, the really good ones don't get explored. One is left with an extensive list of things in the "this could have been cool if anything had really been done with it" category. I wish some of this could have been spread out across two or three completely different books so that I could have enjoyed a fully-fleshed version. -
Diana Wynne Jones Saying That Her Novels ‘Provide a Space Where Children Can
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2009 "Mum’s a silly fusspot”: the queering of family in Diana Wynne Ika Willis University of Bristol, [email protected] Publication Details I. Willis (2009). "Mum’s a silly fusspot”: the queering of family in Diana Wynne. University of the West of England, Bristol, 4 July. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "Mum’s a silly fusspot”: the queering of family in Diana Wynne Abstract In Four British Fantasists, Butler cites Diana Wynne Jones saying that her novels ‘provide a space where children can... walk round their problems and think “Mum’s a silly fusspot and I don’t need to be quite so enslaved by her notions”‘ (267). That is, as I will argue in this paper, Jones’ work aims to provide readers with the emotional, narrative and intellectual resources to achieve a critical distance from their families of origin. I will provide a brief survey of the treatment of family in Jones’ children’s books, with particular reference to Charmed Life, The Lives of Christopher Chant, The grO e Downstairs, Cart and Cwidder, Drowned Ammet, The omeH ward Bounders and Hexwood, and then narrow my focus to two of Jones’ classic 4 treatments of family: Eight Days of Luke and Archer’s Goon. I will read these books in terms of the ways in which their child protagonists reposition themselves in relation to family in the course of their narratives. -
Accelerated Reader Book List
Accelerated Reader Book List Book Title Author Reading Level Point Value ---------------------------------- -------------------- ------- ------ 12 Again Sue Corbett 4.9 8 13: Thirteen Stories...Agony and James Howe 5 9 1621: A New Look at Thanksgiving Catherine O'Neill 7.1 1 1906 San Francisco Earthquake Tim Cooke 6.1 1 1984 George Orwell 8.9 17 20,000 Leagues Under the Sea (Un Jules Verne 10 28 2010: Odyssey Two Arthur C. Clarke 7.8 13 3 NBs of Julian Drew James M. Deem 3.6 5 3001: The Final Odyssey Arthur C. Clarke 8.3 9 47 Walter Mosley 5.3 8 4B Goes Wild Jamie Gilson 4.6 4 The A.B.C. Murders Agatha Christie 6.1 9 Abandoned Puppy Emily Costello 4.1 3 Abarat Clive Barker 5.5 15 Abduction! Peg Kehret 4.7 6 The Abduction Mette Newth 6 8 Abel's Island William Steig 5.9 3 The Abernathy Boys L.J. Hunt 5.3 6 Abhorsen Garth Nix 6.6 16 Abigail Adams: A Revolutionary W Jacqueline Ching 8.1 2 About Face June Rae Wood 4.6 9 Above the Veil Garth Nix 5.3 7 Abraham Lincoln: Friend of the P Clara Ingram Judso 7.3 7 N Abraham Lincoln: From Pioneer to E.B. Phillips 8 4 N Absolute Brightness James Lecesne 6.5 15 Absolutely Normal Chaos Sharon Creech 4.7 7 N The Absolutely True Diary of a P Sherman Alexie 4 6 N An Abundance of Katherines John Green 5.6 10 Acceleration Graham McNamee 4.4 7 An Acceptable Time Madeleine L'Engle 4.5 11 N Accidental Love Gary Soto 4.8 5 Ace Hits the Big Time Barbara Murphy 4.2 6 Ace: The Very Important Pig Dick King-Smith 5.2 3 Achingly Alice Phyllis Reynolds N 4.9 4 The Acorn People Ron Jones 5.6 2 Acorna: The Unicorn Girl -
Issue 39½ (PDF)
Volume 14 No. 1 PLOKTA JANUARY 2009 Colophon This is issue 39½ of Plokta, edited by CONTENTS Steve Davies, Alison Scott and Mike Scott. It is available for letter 3. <plokta.con> 8. Why It Is of comment (one Some actual news about Impossible to Write copy to Mike’s the convention. address is fine), trade Good Things about (copies to each of our addresses if possible, 4. Editorial Diana Wynne please), contribution, Jones editorial whim, or for By Michael Abbott $1 trillion of bank 5. Plokta People preference shares. By Mike Scott In which Michael contradicts himself by Steve Davies No one mention the “f” word. writing good things about Diana Wynne Jones. 6. Plokta Tips for 11. Lokta Plokta Alison Scott the Credit Crunch No WAHF column this By Flick & the Cabal issue, as either our Our credit has been correspondents are Mike Scott crunched too, so here’s getting wittier or our how we’re coping. standards are slipping. [email protected] www.plokta.com Separated at Birth? The cabal also includes Flick, Giulia De Cesare, Sue Mason, and Steven, Marianne & Jonathan Cain. Art by Alison Scott (cover), Leonard Kirk (2), ormsqueak (3), Sue Mason (7). Photos by the Cabal (2), Caro Wilson (4) Dr Plokta Dr Plokta 2 JANUARY 2009 PLOKTA Volume 14 No. 1 <plokta.con> We’re pleased to announce that we have To repeat the basic information from last two guests of honour for <plokta.con> time, the convention will be held at Release 4.0. Diana Wynne Jones will be Sunningdale Park in Berkshire from our guest for the Saturday, and Paul Saturday 23 May 2009 to Monday 25 Cornell on the Sunday. -
Diana Wynne Jones Conference Schedule
Diana Wynne Jones Conference Schedule Friday 3rd July 2.00-3.15pm, Room 3D36 Registration and Refreshments 3.15-4.30pm, Room 3D33 Charlie Butler: Welcome to the Conference! Charlie Butler is Senior Lecturer in English at the University of the West of England, Bristol. Charlie is the author of six fantasy novels for children and young adults, as well as the academic study Four British Fantasists: Place and Culture in the Children’s Fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones and Susan Cooper (2006), and numerous articles and chapters on children’s literature. Deborah Kaplan: Disrupted expectations: young/old protagonists in Diana Wynne novels. The works of Diana Wynne Jones consistently break genre expectations regarding the age of the protagonists and a secondary characters. Some texts, such as Dark Lord of Derkholm with its cross-generational heroes, violate the genre’s expected relationship between the age of the implied reader and that the protagonists. In other other texts, including Hexwood, the protagonist’s true age is hidden from everyone, including the protagonist himself. These two texts aren’t unusual in a body of work which includes timeshifting flashbacks, adults regressed to toddlers, and a century-old adolescent. This paper explores the function of age and expectation in Jones’ works, primarily focused on this pair of texts. It examines how a text with an adult or age-shifting protagonist implies a child reader in a genre with fairly solid conventions for protagonist age. It examines the texts’ building of sympathy for mixed- generational groups, instead of presenting adults as antagonists, mentors, or parental figures. -
Agency and Subversion of Genre in Diana Wynne Jones’S
BETTER AND HAPPIER AND FREER THAN BEFORE1: AGENCY AND SUBVERSION OF GENRE IN DIANA WYNNE JONES’S HOWL’S MOVING CASTLE, CASTLE IN THE AIR, AND HOUSE OF MANY WAYS by Janet Elizabeth Robbins Eastwood B.A., Kwantlen Polytechnic University, 2012 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2014 © Janet Elizabeth Robbins Eastwood, 2014 Abstract This thesis examines the ways in which Diana Wynne Jones’s Howl’s Moving Castle, Castle in the Air, and House of Many Ways challenge and subvert the genres of fairy tale, Arabian Nights romance, and Victorian sensibility, respectively, and the ways in which the protagonist of each tale defies the constraints imposed by family and her or his own internal narrative to gain self-knowledge and agency. Jones’s protagonists, Sophie, Abdullah, and Charmain, are initially stifled by cultural and familial expectations and by their own internalization of these norms. It is not until they are forced into circumstances far different from those they are used to that Sophie, Abdullah, and Charmain begin to question their beliefs about their own potential and about the world around them. During their adventures, they apply pre- existing skills and gain new practical abilities and knowledge, developing a stronger sense of identity, a surer command of language, and the ability to perceive truth amid pretense. Sophie, Abdullah, and Charmain subvert their own expectations and genres to gain agency. Jones uses wordplay and humour throughout her protagonists’ journeys, and visually represents magic, creativity, and freedom through the use of colour, particularly blue and multi-coloured objects, and through flowers and gardens. -
'Growing Up' and 'Falling Down'
ARBOREAL THRESHOLDS – THE LIMINAL FUNCTION OF TREES IN TWENTIETH-CENTURY FANTASY NARRATIVES by MARY-ANNE POTTER submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject English at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROF. DEIRDRE BYRNE September 2018 DECLARATION Name: Mary-Anne Potter Student number: 3251-495-6 Degree: Doctor of Literature and Philosophy (D Litt et Phil) Exact wording of the title of the thesis or thesis as appearing on the copies submitted for examination: Arboreal Thresholds: The Liminal Function of Trees in Twentieth-Century Fantasy Narratives I declare that the above thesis is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ________________________ 2018-09-26 SIGNATURE DATE i ACKNOWLEDGEMENTS I would like to express my heartfelt gratitude to my supervisor, Professor Deirdre Byrne of the University of South Africa, whose guidance both challenged and encouraged me in this endeavour, and whose patience and care throughout the process of writing and revising is truly appreciated as it enabled me to complete this work. Your mentorship, not only in developing this thesis, but in all the years that you have served as my ‘Yoda’, have inspired me. ‘May the force be with you, always’. I must also acknowledge the contribution made by Professor Ivan Rabinowitz and Professor David Levey in offering further guidance and encouragement as mentors on this doctoral journey. Your pointing me in the right theoretical direction has been invaluable in adding quality to my understanding of the arboreal symbol. -
1 Martha P. Hixon
Martha P. Hixon Professor of English Middle Tennessee State University Murfreesboro, TN 37132 615-898-2599 / [email protected] Education Ph.D. in Literature, University of Southwestern Louisiana (now University of Louisiana, Lafayette), May 1997 Major field: children's and young adult literature. th Other areas: 19 century British and American literature, folktales and literature, medieval literature DISSERTATION: Awakenings and Transformations: Re-Visioning the Tales of "Sleeping Beauty," "Snow White," "The Frog Prince," and "Tam Lin." An analysis of how modern authors of children's literature and fantasy reinterpret the core motifs inherent in the classic literary versions of these three fairy tales and one ballad story. M.A. in English, Northeast Louisiana University (now University of Louisiana, Monroe), Aug 1980 B.A. in English Education/Library Science, Northeast Louisiana University, May 1977 TEACHING / RELATED EXPERIENCE Middle Tennessee State University, 1999-present. Courses include graduate and undergraduate courses in children’s literature, folk and fairy tales, and children’s film, as well as several graduate directed readings on various topics. Also, freshman composition and sophomore literature, both Honors and non-Honors sections. Tenured and promoted to Associate Professor in August 2004; promoted to Professor in August 2009 named to Honors Faculty in Spring 2000 and Graduate Faculty in Fall 2000 Previous teaching and professional positions: Louisiana State University at Eunice, 1998-1999 University of Southwestern Louisiana, 1997-1999 Pima Community College, Tucson, Arizona, 1990-1993 National Wetlands Research Center, Lafayette, LA, 1997-1999. Technical Editor/Writer and Education Specialist PUBLICATIONS AND RESEARCH PROJECTS Books and articles: “’Whose Woods These Are I Think I Know’: Narrative Theory and Diana Wynne Jones’s Hexwood.” Telling Children Stories: Narrative Theory and Children’s Literature. -
Booklist 2018 Year 7-8.Xlsx
2018 Years 7-8 Booklist Author Book Title ISBN Year Level Aaron, Moses Lily and Me 9780091830311 7-8 Abdel-Fattah, Randa The Friendship Matchmaker 978-1-86291-920-4 5-6, 7-8 Abdel-Fattah, Randa The Friendship Matchmaker Goes Undercover9781862919488 5-6, 7-8 Abela, Deborah Max Remy Super Spy series 5-6, 7-8 Abela, Deborah In Search of the Time and Space Machine 978-1-74051-765-2 5-6, 7-8 Abela, Deborah New City 9781742758558 5-6, 7-8 Abela, Deborah Teresa 9781742990941 5-6, 7-8 Abela, Deborah; Warren, Johnny Jasper Zammit Soccer Legend series 5-6, 7-8 Adams, Michael The Last Girl Trilogy series 7-8, 9-10 Adams, Michael The Seven Signs series 7-8, 9-10 Adams, Richard Watership Down 978-0-06-093545-0 7-8 Adamson, Joy Born Free 978-0-375-71438-2 7-8 Adornetto, Alexandra The Lampo Circus 978-0-7322-8619-4 7-8 Adornetto, Alexandra Von Gobstopper's Arcade 978-0-7322-8663-7 7-8 Adornetto, Alexandra The Shadow Thief 978-0-7322-8618-7 7-8 Aiken, Joan Foot in the Grave 978-0-670-84169-1 7-8 Aiken, Joan The Wolves of Willoughby Chase 978-0-09-941186-4 7-8 Aldridge, James The Girl from the Sea 978-0-14-300112-6 7-8 Aldridge, James The True Story of Lilli Stubeck 978-0-14-012328-9 7-8 Aldridge, James The True Story of Spit MacPhee 978-0-14-010590-2 7-8 Aldridge, James Wings of Kitty St Clair 978-0-14-300492-9 7-8 Alexander, Goldie Transported 978-0-439-98114-9 7-8 Alexander, Goldie Surviving Sydney Cove: the Diary of Elizabeth978-1-86504-267-1 Harvey, Sydney, 1790 5-6, 7-8 Alexander, Goldie Hanna My Holocaust Story 9781743629673 7-8, 9-10 Alexander, -
Disrupted Expectations: Young/Old Protagonists in Diana Wynne Jones's Novels
Disrupted Expectations: Young/old Protagonists in Diana Wynne Jones’s Novels Deborah Kaplan THE WORKS OF DIANA WYNNE JONES SHOW A CONTINUING THEME OF DIS- guised age and age disruption. This question of disguised ages fits within larger concerns with disguise and complex time travel, examined in great detail in the chapter “Time Games” in Farah Mendlesohn’s Diana Wynne Jones: Children’s Literature and the Fantastic Tradition. Questions of age confusion are particularly notable in works for young readers, for whom age is considered a pressing concern. More than twenty years ago, the research of Dale Johnson, Gary Peer, and Scott Baldwin gave solid academic support to the premise that young readers read books with protagonists their own age or a few years older. “If your target audience is seven, make your hero nine, if your audience is fourteen, make your heroine seventeen,” says Eugie Foster, in an essay about how to write for children. A substantial minority of authors have ignored this guideline, with varying success, and as the market for crossover fiction grows (Falconer 2), the age of the implied reader becomes a fuzzier concept. Jones’s works, in particular, have never fallen tidily into categories defined by protagonist and implied reader age. In an interview with the BBC, Jones directly addressed the reader/ protagonist age truism, writing that “it was thought at one time that the main characters always had to be children. This turns out not to be true” (“Writ- ing”). Many Jones books play with the very concept of age: protagonists who age in more than one direction, protagonists who don’t know their own age, protagonists in disguise as characters older or younger than themselves. -
Diana Wynne Jones Essex IG10 1EF, UK Charlie Butler
Vector The critical journal of the British Science Fiction Association No. 268 AUTUMN 2011 £4.00 Vector 268 The Critical Journal of the British Science Fiction Association CONTENTS Vector 2011 BSFA Awards http://vectoreditors.wordpress.com Donna Scott .................................................................. 4 Features, Editorial Shana Worthen An Excerpt from a Conversation and Letters: 127 Forest Road, Loughton, With Diana Wynne Jones Essex IG10 1EF, UK Charlie Butler ............................................................... 5 [email protected] Book Reviews: Martin Lewis Translating Diana Wynne Jones 14 Antony House, Pembury Gili Bar-Hillel Semo .................................................... 8 Place, London, E5 8GZ Diana Wynne Jones in the Context Production: Martin McGrath of Children’s Fantasy [email protected] Jessica Yates ................................................................ 11 The Mistress of Magic British Science Fiction Association Ltd Meredit MacArdle ..................................................... 15 The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Registered in On Screen: Two Filmed Versions of England. Limited by guarantee. Books by Diana Wynne Jones BSFA Website www.bsfa.co.uk Gill Othen ................................................................... 18 Company No. 921500 Registered address: 61 Ivycroft Road, Warton, Tamworth, Diana Wynne Jones: A BSFA Staffordshire, B79 0JJ Discussion President Stephen Baxter -
Sophie's Journey Towards Self-Recognition in Howl's Moving
Maturing the Old: Sophie’s Journey towards Self-Recognition in Howl’s Moving Castle by Diana Wynne Jones English and German Philology and Translation and Interpreting Department B. A. in English Studies 2016/2017 AUTHOR BEATRIZ SAN JUAN GARCÍA TUTOR RAÚL MONTERO GILETE Abstract The proliferation of the Children’s Literature novels by Diana Wynne Jones has converted her into a prominent figure in the fantastic genre. Although several scholars have researched diverse aspects of Jones’s narratives, there may still be approaches to adopt. Thus, the aim of this dissertation is to analyse the book Howl’s Moving Castle (1986) by the abovementioned author and examine the protagonist Sophie’s transition from having a self-imposed personality to finding her true identity. To that end, we will firstly examine the biography of the author. Secondly, we will briefly explain the categorisation of Fantasy, followed by a contextualisation of this literary genre in the second half of the 20th century in comparison with Jones’s own standpoint as an avant-garde writer. Thirdly, we will focus on the aforesaid novel in relation to the importance of names, the opposition of fate and free will, and finally, Sophie’s search of her original identity. Lastly, we will provide a summary of the main conclusions we have previously come to regarding the entire journey. Key words: Fantasy, Children’s Literature, loss, identity, Diana Wynne Jones. 2 Table of Contents Abstract ..................................................................................................................... 2 1. Introduction ............................................................................................................... 4 2. Diana Wynne Jones .................................................................................................. 5 3. Context: Fantasy literature......................................................................................... 8 3.1. Categorisation of Fantasy ................................................................................... 8 3.2.