Annual Report

Home , Chiura Obata, Ellsworth Kelly, Stephen Parrish, Ute Lemper

The Cleveland Museu m of A r t annual repor t july 1, 2006– J une 30, 2007

Annual Report

July 1, 2006–June 30, 2007 Annual Report July 1, 2006–June 30, 2007 The Cleveland Museum of Art 11150 East Boulevard Cleveland, Ohio 44106-1797 Copyright © 2007 The Cleveland Museum of Art All rights reserved. No portion of this publication may be reproduced in any form whatsoever without the prior written permission of the Cleveland Museum of Art. Cover: The construction of the transparent connection between the new east wing and the 1916 building, November 2006. Title page: The replacement of the 1916 building skylights, December 2006. The Annual Report was produced by the Cleveland Museum of Art. Writing: Individual departments and Gregory M. Donley, with contributions by Tom Catalioti and Sue Schieman Editing: Barbara J. Bradley and Amy Sparks Design: Thomas H. Barnard Production: Charles Szabla Printing: Great Lakes Integrated The type is Bembo and TheSans adapted for this publication. For photography credits, see p. 112

2 4 Board of Trustees 5 Trustee Committees 6 Director 10 Co-Chairmen 12 President 14 Renovation and Expansion 18 Collections 46 Exhibitions 55 Performing Arts, Music, and Film 60 Community Support 96 Education, Public Programs, and Outreach 10 8 Staff 113 Financial Report 114 Treasurer

3 Board of Trustees

Officers Standing Trustees Trustees Emeriti Alfred M. Rankin Jr., Virginia N. Barbato Peter B. Lewis President James T. Bartlett Michael Sherwin James T. Bartlett, James S. Berkman Chair Life Trustees Charles P. Bolton Michael J. Horvitz, Elisabeth H. Chair Sarah S. Cutler Alexander Sarah S. Cutler, Helen Forbes-Fields Quentin Alexander Vice President Robert W. Gillespie Leigh Carter Ellen Stirn Mavec, George Gund III James H. Dempsey Jr. Vice President Michael J. Horvitz Mrs. Edward A. James A. Ratner, Charles S. Hyle Kilroy Jr. Vice President Anne Hollis Ireland Jon A. Lindseth Stephen J. Knerly Jr., Adrienne Lash Jones Morton L. Mandel Secretary Susan Kaesgen Mrs. Alfred M. Roberto A. Prcela, Rankin Assistant Secretary Robert M. Kaye of the Board Nancy F. Keithley Edwin M. Roth Janet G. Ashe, Jeffrey D. Kelly Frances P. Taft Treasurer R. Steven Kestner Paul J. Vignos, M.D. Edward Bauer, Alex Machaskee Alton W. Whitehouse Assistant Treasurer William P. Madar Dr. Norman W. Zaworski Ellen Stirn Mavec S. Sterling McMillan III Honorary Trustees Rev. Dr. Otis Moss Jr. Mrs. Noah L. Butkin Stephen E. Myers Ellen Wade Chinn Alfred M. Rankin Jr. Mrs. John Flower James A. Ratner Mrs. Robert I. Gale Jr. Donna S. Reid Robert D. Gries William R. Agnes Gund Robertson Mrs. John Hildt Elliott L. Schlang Ward Kelley David M. Schneider Dr. Sherman E. Lee Mark Schwartz Milton Maltz Eugene Stevens Eleanor Bonnie Richard T. Watson McCoy John C. Morley Mary Schiller Myers Ex Officio Timothy Rub, Jane Nord Director and CEO James S. Reid Linda McGinty, Barbara S. Robinson Womens Council Viktor Schreckengost Laura Siegal Two visitors examine Evan Hopkins Turner one of the finer points in the exhibition Iris Wolstein Barcelona & Modernity.

4 Trustee Committees

Standing Executive Advisory African American Charles S. Hyle Lucy Weller Committees Alfred M. Rankin Jr., Committees Community Task Alex Machaskee Dr. Norman W. Chair Force William P. Madar Zaworski Collections Accessions Adrienne Lash Jones, James T. Bartlett, Leon M. Plevin Alfred M. Rankin Jr., Nancy F. Keithley, Vice-Chair Nancy F. Keithley, Chair ex officio Chair Chair Alfred M. Rankin Jr. Michael J. Horvitz, Helen Forbes-Fields, Charles P. Bolton, Vice-Chair Charles P. Bolton, Vice-Chair Donna S. Reid Legislative Affairs Vice-Chair Vice-Chair Virginia N. Barbato Montrie Rucker David M. Schneider Robert W. Gillespie, Virginia N. Barbato Elisabeth H. Adams Chair Sarah S. Cutler James T. Bartlett Alexander June S. Antoine Education Alex Machaskee, Helen Forbes-Fields Helen Forbes-Fields Quentin Alexander Emma Benning Virginia N. Barbato, Vice-Chair Nancy F. Keithley Chair George Gund III Virginia N. Barbato Albert Bright James T. Bartlett Jeffrey R. Kelly James T. Bartlett Susan Kaesgen, Michael J. Horvitz Robert M. Kaye Margot Copeland Vice-Chair R. Steven Kestner Mrs. Noah L. Butkin Rev. Dr. Otis Moss Jr. Ellen Stirn Mavec James Crosby Hedy Adler Ellen Stirn Mavec Katherine Dunlevey Alfred M. Rankin Jr. Stephen E. Myers Giesele Greene, M.D. James S. Berkman James A. Ratner Helen Forbes-Fields Barbara S. Robinson Donna S. Reid Bert Laurelle G. Holt Jeannette Grasselli William R. George Gund III David M. Schneider Elliott L. Schlang Robertson Bracy Lewis Brown Mark Schwartz Robert Herbst Franklin Martin Leigh Carter Mrs. John Hildt Library Eugene Stevens Finance Rev. Marvin Sr. Maureen Doyle Stephen E. Myers, Alfred M. Rankin Jr., Jeffrey R. Kelly, Marguerite Humphrey McMickle Dr. Carol S. Franklin Chair Chair ex officio Robert H. Jackson A. Grace Lee Mims Deborah Guren Joanne D. Eustis, Charles S. Hyle, Susan Kaesgen Steven A. Minter Adrienne Lash Jones Ph.D. Committee on Vice-Chair Robert M. Kaye Rev. Dr. Otis Moss Jr. Malcolm Kenney Trustees Virginia N. Barbato Susan W. MacDonald Mrs. Edward A. Greg Reese Mary Ann Liljedahl Sarah S. Cutler, James T. Bartlett S. Sterling Co-Chair Kilroy Jr. Andrew Venable McMillan III Jon A. Lindseth Robert M. Kaye Charles P. Bolton, Karen Krause Alfred M. Rankin Jr., Rev. Dr. Otis Moss Jr. Nancy-Clay Nancy F. Keithley Co-Chair Jon A. Lindseth ex officio Frances P. Taft Marsteller, Ph.D. William P. Madar Helen Forbes-Fields Tamar Maltz Susan H. Turben Dr. Richard E. Robert W. Gillespie William R. Ellen Stirn Mavec Cleveland Museum Rubin Robertson of Art Building Paul J. Vignos, M.D. Charles S. Hyle Mary Schiller Myers Paul J. Vignos, M.D. Alfred M. Rankin Jr., Oversight Sally H. Wertheim R. Steven Kestner Stephen E. Myers Michael J. Horvitz, Alfred M. Rankin Jr., ex officio Alfred M. Rankin Jr., ex officio Ellen Stirn Mavec Donna S. Reid Chair ex officio William R. Investment Mrs. Alfred M. James A. Ratner, Marketing Vice-Chair Fine Arts Garden Robertson Michael J. Horvitz, Rankin Mark Schwartz, James T. Bartlett, Chair Charles Rosenblatt James T. Bartlett Ruth Eppig, Chair Chair ex officio James T. Bartlett, Edwin M. Roth Alfred M. Rankin Jr. Elisabeth H. Dennis Barrie Vice-Chair Alexander Michael J. Horvitz, Elliott L. Schlang Donna S. Reid Fred Bidwell ex officio Robert W. Gillespie Terri Hamilton Mark Schwartz Lauren Rich Fine Alfred M. Rankin Jr., Anne Hollis Ireland Campaign Cabinet Brown Eugene Stevens Elizabeth T. Fowler ex officio S. Sterling Ellen Stirn Mavec, Perrin Carpenter McMillan III Frances P. Taft Chair Ellen Wade Chinn David Geyer Compensation James A. Ratner Paul J. Vignos, M.D. R. Steven Kestner, Jennifer Coleman David Ricanati Alfred M. Rankin Jr., Iris Wolstein Vice-Chair Fluker W. Allen Shapard Chair William R. Robertson Dr. Norman W. James T. Bartlett Mrs. Morley Hitchcock Eugene Stevens James T. Bartlett Elliott L. Schlang Zaworski Sarah S. Cutler John G. Michalko Alfred M. Rankin Jr., Michael J. Horvitz David M. Schneider Alfred M. Rankin Jr., Robert W. Gillespie Donald Morrison ex officio Jeffrey D. Kelly ex officio Alfred M. Rankin Jr., Michael J. Horvitz Natalie Saiklay ex officio Clara D. Sherwin

5 From the Director

By any measure, it has been an extraordinary year for the Cleveland Museum of Art. If our members and visitors expected things to slow down as we proceeded with the renovation and expansion project, I am sure they were more than pleasantly surprised by all we were able to accomplish while still operating under what can only be described as reduced circumstances. In 2006–2007 we featured two major loan exhibitions, Barcelona & Modernity and Monet in Normandy, both organized either wholly or in part by our staff. Together these shows attracted more than 200,000 visitors to the museum and encouraged more than 9,000 new members to join the CMA. We also, much to the delight of the community, continued to share some of the great strengths of our collection through exhibitions such as Icons of American Photography and Impressionist and Modern Masters at a time

The museum’s La Vie, Picasso’s iconic Blue Period painting, was a centerpiece of the Barcelona & Modernity exhibition.

6 Renovated classrooms opened in July and kids from all over town went right back to work.

when the galleries remain closed to the public. The renovation and expansion of these spaces also presented our staff with a rare opportunity: to share significant parts of the collection with audiences elsewhere. Dur- ing the past year our rich holdings of late 19th- and early 20th-century European art were seen by nearly 700,000 visitors in Tokyo, Seoul, and Vancouver, and selections from our world-renowned collection of medieval art have been greeted with acclaim in Munich and Los Angeles. These traveling exhibitions have richly demonstrated to others what Clevelanders already know: that the Cleveland Museum of Art has a truly exceptional collection in terms of its scope and quality. The strength of our collection and all it enables us to do is something we do not take for granted. It represents the cumulative efforts of several generations of dedicated curators and directors and, even more significant, the sustained commitment of a community of collectors who have un- derstood the value of acquiring great works of art and sharing them with the public. We continue to honor that commitment today through the focused development of a collection that has few peers in this country and remains our single most important resource. Among the highlights of the year was the purchase of an extraordinary Indian sculpture in granite, Shiva as Brahma, created by an artist of the Chola dynasty and dating to the late 10th century. We also added several important etchings by Rembrandt, including one of his acknowledged masterpieces, Christ Presented to the People (1655), to a collection that was already strong in works by the greatest artist in the history of printmaking. The wonderful late drawing by Thomas Gainsborough, Herds- man with Three Cows by an Upland Pool, dating to the middle of the 1780s,

7 reveals both the artist’s lifelong interest in technical innovation and his extraordinary sensitivity—virtually unmatched in the late 18th century—to the landscape. Our holdings of modern art were strength- ened in many different ways, most notably by the purchase of a fine group of 171 photographs, assembled by the noted collector David Raymond, that demonstrate the powerful influence of Surrealism on this medium in the 1920s and 1930s, and by the celebrated From or by Marcel Duchamp or Rrose Sélavy (1935–40, 1963–66), a major work by one of the most influential figures in 20th-century art, Marcel Duchamp. Of

Two visitors pause comparable significance were the purchases of A Paramount Picture (1934), between paintings of one of Reginald Marsh’s finest works and a superb addition to our hold- the great limestone arch at étretat ings of American Scene paintings; Jacob Lawrence’s Fulton and Nostrand during the Monet in Normandy members (1958); and, in the field of African art, an important Leopard Caryatid Stool opening. from the Bandjoun Kingdom in the grasslands of modern-day Cameroon. The most important and in many respects the most vital way we have continued to engage audiences here in Cleveland during the construction and refurbishing is through educational activities and programming. The CMA’s acclaimed VIVA! and Gala Around Town series again took advantage of the temporary loss of Gartner Auditorium, which is under- going an extensive renovation, to present a superlative season of music and dance in venues throughout Cleveland that were as delightful to our audiences as they were unexpected. And our education staff continued to do what they always have: bring the community together with the arts through traditional but still vital means such as studio art classes, teacher training, and educational outreach, and take the resources of the Cleveland Museum of Art to communities around the world through innovative programming such as Parade the Circle and new technologies.

Visitors enjoy the Monet in Normandy members opening, with the banners for the Icons of American Photography show serving as a backdrop.

8 Finally, we have continued to build for the future: The most important story of the past year was undoubtedly the continuing progress of our renovation and expansion. We are now approaching the end of Phase I, which includes the refurbishing of the 1916 building and the 1971 addition by Marcel Breuer, the expansion of the parking garage, and the construction of the first of three new wings designed by architect Rafael Viñoly. As this work has taken shape, our many friends and members have begun both to appreciate how necessary it is to care for what we now have and to realize what the enterprise means for the future of this institution. To undertake a project of this scope at such a critical moment in the history of our city reflects an understanding of our responsibility as the stewards of one of Cleveland’s finest resources and a strong belief in the future and the central role the Cleveland Museum of Art will play in the cultural life of this community. With the Phase I goal of $160 million

The Building for the Future exhibition tells the story of the museum’s evolution over the decades and describes the current project in detail.

attained this past summer and fundraising toward the Phase II goal of $100 million well under way, I am confident we will continue to make progress in the current year and fulfill our obligation to prepare this institution to serve the needs of Cleveland and northeast Ohio in the years to come. None of this would be possible without the support of our members, our many generous donors, and the enlightened leadership of our Board of Trustees. To all of them, we owe our deepest thanks, and most especially to the co-chairmen of our Board of Trustees, Michael J. Horvitz and James T. Bartlett, and to our new president, Alfred M. Rankin Jr.

Timothy Rub Director

9 from the co-Chairmen

The Cleveland Museum of Art’s founders envisioned an institution “for the benefit of all the people forever” that would reflect and embellish the city’s prominent place as a strong and increasingly prominent industrial power in this country, a place where hard work, innovation, prosperity, and culture all found a home. Now, nearly a century after those early plans took shape, Cleveland is blessed with a museum that is even finer than its founders could possibly have imagined. The Cleveland Museum of Art has become not only a flagship institution within this city, but also an international model of what a comprehensive art museum can be. One goal the founders had in mind was to improve the quality of work produced by the artisans in our region by bringing to Cleveland the finest examples of stone and metalwork from the past. Our much beloved The monumental Armor Court was intended to fulfill that objective. That gallery and its South Indian sculpture Shiva as Brahma glimmering contents remain an inspiration for the community today. But took up residence in this dual commitment to excellence and relevance went much further. a temporary special exhibition space. Not only is every part of the collection in the Cleveland Museum of Art defined by masterworks of the highest caliber, but our city and region have also benefited throughout the museum’s history from an extensive offering of educational programs designed to help all of our citizens appreciate the works of art we hold in trust for the public and to engage in a deeper exploration of their meaning and value to society.

Board of Trustees Chairman Michael J. Horvitz and outgoing President James T. Bartlett address guests at the annual Founders Dinner.

10 The exhibition Barcelona & Modernity included a number of architectural works borrowed from private owners and even public parks.

As the collection continued to be built with objects carefully selected by a skilled curatorial staff working under the outstanding leadership of a handful of internationally acclaimed directors, the museum’s global stature steadily grew so that, today, mention of the Cleveland Museum of Art in the international art community commands instant attention. Witness the reception that the traveling exhibitions from our collection have earned during their recent world tours: The Modern Masters exhibition that was seen in Beijing, Tokyo, and Seoul was hailed as one of the most important exhibitions of modern European art to have been presented in East Asia, while in Vancouver it was greeted by the press as a “once-in-a-lifetime opportunity.” Thanks to our predecessors, the superb works of art presented in this exhibition are part of Cleveland’s heritage, available here free of charge for anyone who wishes to stroll in and enjoy them. A combination of hard work, astute and often brilliant judgments, financial commitment, and good fortune has blessed us with these treasures. Now it falls to us to preserve and enhance them for future generations, making sure that the citizens of tomorrow—here at home and the world over—will be able to experience to the fullest the rich world that is the Cleveland Museum of Art.

James T. Bartlett Michael J. Horvitz

11 from the President

Board president Alfred M. Rankin Jr. addresses the Donors Circle reception before the opening of Icons of American Photography.

I am delighted to report at the conclusion of my first year as the president of the Board of Trustees of the Cleveland Museum of Art that the museum is both in good hands and proceeding forward soundly at an exciting juncture in its history. Any visitor to University Circle can see that the east wing of the CMA’s expansion project is very near its final form. Likewise, a visitor to the inside of the adjoining 1916 building would also see that the antiquated heating, ventilation, and electrical systems of that landmark structure have been updated and that the walls and floors are nearing readiness for the installation of key elements of our magnificent collection. The reopening of the main floor of that building in June 2008 will be the first in a sequence of openings that will give Cleveland cause for periodic celebration in anticipation of the grand festival marking the completion of the entire project, which is expected some four years from now. After a decade of intensive planning and, more recently, fundraising, renovation, and construction, it is wonderful to see these investments of Capping an underused capital, time, and effort come to fruition. courtyard with a clerestory roof created In proceeding with this project, the museum has embarked on the a delightful public most ambitious capital project ever undertaken by a cultural institution in reading room in the new home of the Ohio. As momentum and excitement continue to build, I am delighted Ingalls Library. to say that we’ve completed fundraising for Phase I of the project and are aggressively moving into Phase II. The degree of support that has gathered behind this project has been both gratifying and humbling for those who are deeply involved with this institution. We understand that extraordinary commitments have been made to move this great endeavor forward, and we take very seriously the responsibility that comes with each gift.

12 The Cleveland Museum of Art, with its internationally renowned collections, has long been a civic treasure in this city as well as one of our country’s top museums. As the new museum opens in phases over the coming years, Cleveland and, more generally, people around the world will see that this institution has reached new heights of excellence. One of the finest art collections anywhere will be presented in expanded and beautifully restored galleries designed to bring people and art together in a more effective way than ever before, and the museum will be positioned for a stronger role as a major center of cultural activity for the city and the region. In carrying out these two missions—artistic and civic—the museum is poised to lead the way in this new century, as it did in the last. I especially thank the many donors who have already put their support behind this project, and I thank in advance those whose contributions are yet to come. Future generations will have all of you to thank for enhanc- ing both the Cleveland Museum of Art and the remarkable high quality of life that can be enjoyed here in Cleveland.

Alfred M. Rankin Jr.

Truckloads of granite and marble facing stone were installed on the exterior walls of the new east wing, November 2006.

13 renovation and expansion

The pedestrian allée The renovation and expansion project made enormous and highly visible that will skirt the eastern edge of the strides between July 2006 and June 2007. The Breuer wing reopened central atrium, January in phases in the summer and fall, with renovated classrooms and offices 2007. and refurbished lecture and recital halls. (Gartner Auditorium is a separate project to be completed next year.) A centerpiece of the new Art and Education center is the Ingalls Library, relocated to the Breuer wing and reconfigured with an eye toward broader public service. Central to that mission—figuratively and literally—is a bright and airy public reading room on the top floor. A grand opening celebration in mid October corresponded with the opening of the exhibition Barcelona & Modernity.

14 The granite and marble facing stone of the new east addition being installed, late fall 2006.

The new east wing, meanwhile, went from being a large hole in the ground filled with concrete walls and steel frames to a real building along East Boulevard. Rafael Viñoly’s witty paraphrase of Marcel Breuer’s granite “pinstripes” at the north end of his new addition, which incrementally gives way along the eastern facade to more and more white marble as it approaches the original 1916 building, has already become one of the most instantly recognizable architectural statements in Cleveland. Inside the new wing are similarly dramatic views, as the strong axial plan of its galleries and corridors begins to hint at the

The glass connector experience of these new galleries, with long vistas through aligned between the east wing doorways and frequent views to the exterior. and the 1916 building, summer 2007. The restoration of the 1916 building exterior also neared completion, with new skylights and all heating, ventilation, electrical, and communication systems brought up to contemporary standards. The glass connector that joins the east wing and the 1916 building is now in place, showing how visitors will move between these two buildings through a transparent corridor that will help orient them while providing marvelous views to the south and east. In these and many other ways, the new museum is taking shape before our eyes. When completed, the museum will have been greatly enlarged with the addition of new galleries, innovative facilities for education and interpretation, greatly improved visitor amenities, and gracious public spaces suffused with a new sense of air and light.

15 A Behind-the-Scenes Tour with Tom Catalioti

Throughout the course of the building Yet when asked by Diane DeBevec, and renovation project, the attention the museum’s associate director of of Facilities Director Tom Catalioti Volunteer Initiatives, to lead a tour for has been focused on the many details the Womens Council, Tom paused to required to keep up with the installa- reconsider. His articles for the Womens tion of new mechanical, electrical, and Council’s newsletter about progress on plumbing systems. In addition, the the project had been warmly received existing systems, which are still neces- (and Diane’s offer of a plate of choco- sary to support the untouched part of late brownies as a bribe did not hurt). the complex, had to be kept wheezing, The tour consisted of two groups of coughing, and sputtering toward their about 15 people. Despite the fact that near and final rest. These responsibili- Tom was understandably more familiar ties provided Tom if not a justifiable with the building’s mechanical com- reason then at least a defensible ex- ponents and reasoning than with its cuse for declining to lead, as many architectural and design intricacies and others so ably did, any of the multitude logic, he managed to extol the project’s of building tours designed to keep virtues. For their part, the tour takers the museum’s community and donors all seemed suitably impressed, if not by in intimate touch with the project. their guide’s eloquence then certainly

16 by the spacious galleries and lab spaces through which they were led. As a special (and unplanned) perk at the conclusion of the tour, Tom led the groups through the back-of-house basement of the renovated 1916 building, an area not usually included on the scripted itinerary. The detour allowed Tom to reveal, proudly, the new complex’s behind-the-scenes workings, with a brief look down a long back corridor filled with the air handlers, flash tanks, control panels, and ductwork that normally constitute his day’s concerns. Asked afterward about the day, Tom admitted his early misgivings were unfounded and that, for him, the tours had been thoroughly enjoyable experiences—which is a good thing, since he never got the brownies.

17 Collections

Shiva as Brahma; late Major acquisitions in 2006–2007 represent many eras, geographic loca- 900s; South India, Chola dynasty; granite; 162.6 tions, and cultural sources. The most ancient of them is a fine addition x 48 x 80 cm; Leonard to the Ancient American collection, a gourd-shaped vessel created by C. Hanna Jr. Fund, this work was accepted an artist of the ancient Recuay people in the Peruvian Central Andes in honor of Stanislaw Czuma in recognition of between 100 bc and 700 ad. Little is known about the Recuay, save his long service to the that they created one of the ancient Andes’s most distinctive ceramic CMA 2007.155. traditions. This work—with its painted motifs representing powerful supernatural beings and a charming small figure (probably a kinkajou) molded into the handle—is a lovely example of Recuay artistry and a wonderful addition to a collection that was weak in this area. The past year also saw the acquisition of a work of great rarity: an Indian temple sculpture, Shiva as Brahma, dating to the late 10th century. This masterfully modeled life-size sculpture of one of the principal deities in the Hindu pantheon is among the best stone sculptures of the Chola period in any public collection in this country. Its assured treatment of sculptural form is achieved with seeming ease in a stone that is among the most difficult to carve. The supple torso and serene countenance of the god exudes a gracious presence; and with the fine polish of the surface and precise rendering of the ornaments, there is a perfect balance between physical beauty and spiritual content, between refinement and power in the representation of the form of divinity. Incorporating harmoniously the iconographical features of two deities, this fascinating image underscores what Curator Emeritus Stanislaw Czuma refers to as “the dual nature of Shiva, the all-knowing who at once destroys and creates the universe.”

Dipper; 100 BC–AD 700; Peru, North Highlands, Recuay people; ceramic, slip; 25.5 x 17.5 x 10 cm; Alma Kroeger Fund 2006.157.

18 19 Bartolommeo Caporali (Italian, Perugia, about 1420–about 1505), assisted by Giapeco Caporali (Italian, Perugia, d. 1478); Decorated Initial T[e igitur] (full page), from Missale; 1469; ink, tempera, and burnished gold on vellum; 35 x 25 cm; John L. Severance Fund 2006.154.186.a.

Unkoku Togan (Japanese, 1547–1618); Su Shi (Sotoba) (right) Joining the collection of medieval manuscripts is a missal illuminated and Pan Lang (Hanro) (below) early 1600s; in 1469 for the Franciscan convent of S. Francesco di Montone near Momoyama period; pair of six-fold screens; Perugia in central Italy. The buildings of this convent still stand, and the ink, light color, and missal very likely was intended for use on the church’s high altar. The il- gold on paper; 155.5 x 360 cm (each); John luminations are extensive for a missal, and include a luxuriously decorated L. Severance Fund opening page (ordo missalis) and the volume’s masterpiece, a two-page 2006.135.1–2.

20 deluxe opening to the Canon of the Mass with a Calvary scene and an elaborate Te igitur. The latter is composed of a large decorated initial T with highly involved foliate decoration and putti and birds. The artist, Bartolommeo Caporali, an important documented panel painter and miniaturist, was likely assisted by his brother, Giapeco, also a Perugian miniaturist. In the early 17th century, the great Japanese painter Unkoku Togan made the pair of six-fold screens, Su Shi (Sotoba) and Pan Lang (Hanro), that recently joined the collection. The ideals of becoming one with nature and of detachment from worldly affairs are essential to these works. The subject and style of both screens are distinctly Chinese, deliberately recalling the continental origins of such themes. The Japanese adaptation of China’s past, or transformation of Chinese historical figures into ideal- ized models, was to provide a metaphor of “aesthetic reclusion” in which scholars abandon society and pursue Zen Buddhist enlightenment through nature and art. Equally significant is the eccentric mood the paintings convey, clearly indicated by the bizarre expressions of the human figures and the whimsical appearances of the donkeys. Unkoku Togan, a master of screen and sliding-door paintings in Momoyama Japan, was known especially for his revival of the painting style of Toya Sesshþ (1420–1506), the foremost Japanese master of monochrome ink painting.

21 Ottoman Cushion Cover; early 17th century; Turkey, Istanbul, Ottoman period; combination of two weaves (lampas), satin weave and twill weave; silk and gilt-metal thread; 141 x 68.4 cm; Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.1.

22 A stunning example of the technical brilliance and opulence of Ottoman textiles was recently added to the collection in the early 17th- century Ottoman Silk Cushion Cover, which combines silk and gilt-metal thread in a medallion pattern for a cushion that would have been used, along with others, on the divans of a sultan or aristocrat. Rembrandt’s Christ Presented to the People, dating to 1655, was executed entirely in drypoint, and is widely considered one of Rembrandt’s largest and most important prints. It depicts the culmination of the interroga- tions, trials, and persecutions that followed the arrest of Jesus. Because the Roman ruler in Jerusalem customarily released a prisoner in a gesture of clemency on Passover, in this scene the Roman governor Pontius Pilate asks the crowd (and the religious authorities who are inciting them) to

Rembrandt van Rijn (Dutch, 1606–1669). Christ Presented to the People; 1655; drypoint; 35.9 x 45.6 cm; White and Boon 76, state V/ VIII; Leonard C. Hanna Jr. Fund 2006.155.

choose between two prisoners, Jesus and Barabbas. Barabbas, the leader of a bloody insurrection, is freed while Jesus is condemned to death by crucifixion. Reflecting the strong Netherlandish pictorial tradition that emphasized how common humanity condemned Christ, the first five states of this print focus as much on the figures in the crowd below the platform as they do on the main actors in this great religious drama. This, the fifth state, exemplifies Rembrandt’s great gift of characterization and the varied reactions of different individuals to consequential events. From Cameroon in West Africa comes the Leopard Caryatid Stool from the Bandjoun Kingdom, where stools and thrones wrapped in cotton and covered in animated patterns of glass beads are among the most prevalent

23 El Lissitzky (Russian, 1890–1941); Mannequin; 1920s; gelatin silver print from photogram negative; 29.4 x 23.5 cm; John L. Severance Fund 2007.147.

forms of royal art. A symbol of high rank and once part of a king’s treasury, this object is probably a so-called travel stool, designed for use in conjunction with private and minor ceremonies or rituals. The museum’s photography collection, already very strong, became even stronger with the acquisition of a important private collection of works that were strongly influenced by Surrealism and related movements. The 171 photographs in this collection assembled by David Raymond represent the work of dozens of photographers from various countries whose works were not previously represented in Cleveland’s collection.

Raoul Ubac (Belgian, 1910–1985); The Battle of the Penthesilea (Le Combat de Penthesiliées); 1937; gelatin silver print; 17 x 22.9 cm; John L. Severance Fund 2007.154.

24 Reginald Marsh (1898–1954); A Paramount Picture; 1934; tempera on Masonite; 90.8 x 70.5 cm; Leonard C. Hanna Jr. Fund 2006.137.

Two paintings by American artists also deserve special mention. The first, by Reginald Marsh, is one of his most admired and widely reproduced paintings. A Paramount Picture is an extraordinary example of his artistic skill and an especially distinguished American Scene painting in terms of its quality and subject matter. It depicts figures waiting outside a movie theater in New York showing Cecil B. DeMille’s Cleopatra: a weary working-class woman stands near the entrance, next to a well-to-do couple whose presence injects a note of social commentary into this work. The distractions of the city and its entertainments are obvious, but the tired woman remains existentially “alone in the crowd,” a strikingly modern condition. Marsh’s unabashed interest in commercial

25 Jacob Lawrence (1917–2000); Fulton and Nostrand; 1958; tempera on Masonite; 60.9 x 76.2 cm; Mr. and Mrs. William H. Marlatt Fund 2007.158.

art and popular culture—unusual among artists of his time—significantly presaged the Pop Art movement nearly three decades later. Almost all of Marsh’s major paintings are already ensconced in museum collections, so the museum was most fortunate to be able to acquire this delightful painting. Considered by many to have been the most talented African American painter of the 20th century, Jacob Lawrence brought to life important contemporary subjects through an arresting style of elemental forms and expressive colors. A superb example of his mature cubist-inspired work, Fulton and Nostrand evokes the vibrant life of the Bedford-Stuyvesant neighborhood of Brooklyn where he lived in the late 1950s. The street

26 teems with life, as the more than 40 figures populating the scene stroll, shop, and drive automobiles. Storefronts and signage in the background frame the activities; a slender streetlight in the immediate foreground bisects the composition just to the right of its center. Between 1935 and 1940 and again in the 1960s, the great avant-garde artist Marcel Duchamp created precisely detailed miniature versions of his paintings and famed “readymades” and then “installed” them in elaborate handmade boxes, creating in effect small, portable museums of his artistic career. The CMA is delighted to welcome an especially fine example to the collection: From or by Marcel Duchamp or Rrose Sélavy, 1935–40, 1963–66 (Series F), is a visually sumptuous and fascinating red leather box containing 80 objects, wittily embodying Duchamp’s ideas about the commodification of art. The contemporary collection saw the addition of Under the Gowanus on Hamilton Avenue, a major work by Rackstraw Downes. Dating to 1990, this complex four-part painting renders a subject that for most viewers would seem to have little pictorial interest: a nondescript network of surface roads under an urban expressway in Brooklyn. Through a pains- taking process of developing a complex set of multiple views of the same site and rendering the particulars of the scene and the effects of light and atmosphere on it, Downes created a masterpiece of modern landscape painting and demonstrated the continuing relevance of this genre in the

Rackstraw Downes modern world. (American, b. 1939); Under the Gowanus at Hamilton Avenue; 1999; oil on canvas; 4 panels; l. 532.7 cm overall; Purchase from the J. H. Wade Fund 2007.159.a–d.

27 Marcel Duchamp celluloid, wood, objects (French, 1887–1968); of glass, oilcloth, From or by Marcel ceramic, and collotype, Duchamp or Rrose letterpress, pouchoir, Sélavy; 1935–40, and lithographic prints; 1963–66 (Series F); red 41.5 x 38.4 x 9.9 cm; leather box containing Andrew R. and Martha 80 objects; gouache, Holden Jennings Fund green lacquer, varnish, 2007.157.

28 29 Serendipitous Acquisition

Last year’s acquisition of the Leopard Once Venable and Rub had been Caryatid Stool from Cameroon offers a persuaded, the work was brought to good glimpse into the process by which Cleveland for examination in the mu- works of art come into the collection. seum’s conservation labs. This critical To begin, every curatorial office has step in the acquisition process verifies a strategy written down in a report authenticity, evaluates what kind of that assesses the collection as it is, with modifications or repairs might have notes on where improvements could been made over the object’s history, be made. Curators sometimes search and assesses its overall condition. for an object of a specific type, scouring The final step before an object is the auction catalogues or asking deal- acquired is an appearance before the ers for help. But more often, a certain Accessions Committee of the Board of amount of serendipity comes into play. Trustees, by which time its inherent Constantine Petridis, Associate Cura- quality and how it fits in and adds to the tor of African Art, recalls: “I found the collection are well established and its stool completely by chance at a dealer market value justified. All went well for open house in Paris.” Petridis had not the stool; its acquisition was approved gone to Paris to find a beaded stool and the accession number 2006.138 from Cameroon, “so I discussed it with added to its record. Charles Venable and Timothy Rub, While a beaded leopard stool was saying, ‘Even though this is not really never on his department’s “wish list,” what I told you I was going to look for, Petridis points out: “You may start with aesthetically it’s the best of its kind. a kind of profile of the works you would It has a great story, covers gaps in our like to acquire, but it is also important collection, effectively stands for an en- to be open-minded, to be receptive to tire area of African art, and reveals the adding things that are out of the norm, extent to which African cultures were beyond expectations. This is what engaged in long distance trade. It defies makes our collection unique and gives expectations in a very positive way.’ ” it its character.”

30 Leopard Caryatid Stool; possibly 19th century; Cameroon, Bandjoun Kingdom; wood, cotton fabric, and glass beads; 51 x 43 cm; Severance and Greta Millikin Purchase Fund 2006.138.

31 Acquisitions

Durga Slaying the Buffalo Demon Mahisha; 800s; India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; Gift of Dr. Norman Zaworski 2006.204.

Equestrian Figure; possibly 18th century; Nigeria, Yoruba people; copper alloy (brass?); 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 2007.160.

African Art Art of the Ancient Americas Equestrian Figure; possibly 18th century; Dipper; 100 BC–AD 700; Peru, North High- Nigeria, Yoruba people; copper alloy (brass?); lands, Recuay people; ceramic, slip; 25.5 x 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 17.5 x 10 cm; Alma Kroeger Fund 2006.157. 2007.160. Textile Fragments; about AD 50–650; Peru, Leopard Caryatid Stool; possibly 19th century; North Coast, Moche people; cotton warp, Cameroon, Bandjoun Kingdom; wood, camelid fiber weft; John L. Severance Fund 40 cotton fabric, and glass beads; 51 x 43 cm; x 25.4 cm; 2007.2.1. 39.4 x 27.9 cm; 2007.2.2. Severance and Greta Millikin Purchase Fund 38.7 x 29.3 cm; 2007.2.3. 40.6 x 30.5 cm; 2006.138. 2007.2.4. 43.2 x 27.6 cm; 2007.2.5. 40 x 29.3 Wig Headdress; possibly early to mid 20th cen- cm; 2007.2.6. tury; Democratic Republic of the Congo or Angola, Chokwe people; fiber, animal pelt, Asian Art and clay; 12.7 x 24.8 x 27.3 cm; The Jane B. Durga Slaying the Buffalo Demon Mahisha; 800s; Tripp Charitable Lead Annuity Trust 2007.1. India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; American Art Gift of Dr. Norman Zaworski 2006.204. Jacob Lawrence (1917–2000); Fulton and Krishna Supporting Mt. Govardhana; 1700s; Nostrand; 1958; tempera on Masonite; 60.9 x India, Rajasthan, Bundi school; ink and color 76.2 cm; Mr. and Mrs. William H. Marlatt with shell gold on paper; 32.3 x 24.1 cm; Fund 2007.158. Gift of Eugene and Joan Savitt in memory of Reginald Marsh (1898–1954); A Paramount Dr. and Mrs. E. K. Zaworski, her grandparents Picture; 1934; tempera on Masonite; 90.8 2006.203. x 70.5 cm; Leonard C. Hanna Jr. Fund Peaches and Bats; 1600s; China, Qing dynasty; 2006.137. jade; 9.9 x 13.5 x 11.5 cm; Gift of William Charles L. Sallée Jr. (1911–2006); Bedtime; Kelly Simpson in memory of his wife, 1940; oil on canvas; 79 x 66.2 cm; Gift of Marilyn M. Simpson, and her grandparents June Sallee Antoine in honor of our parents, Mr. and Mrs. John D. Rockefeller Jr. 2006.141. Charles Louis Sallee Sr. and Cora Nell Collier Sallee 2006.202.

32 Seated Guanyin, Bodhisattva of Compassion; Unkoku Togan (Japanese, 1547–1618); Su Shi 1368–1644; China, Ming dynasty; gilt-bronze (Sotoba) and Pan Lang (Hanro); early 1600s; with pigment; 30.2 x 19.3 x 20.4 cm; Gift Momoyama period; pair of six-fold screens; of William Kelly Simpson in memory of his ink, light color, and gold on paper; 155.5 wife, Marilyn M. Simpson, and her grand- x 360 cm (each); John L. Severance Fund parents Mr. and Mrs. John D. Rockefeller Jr. 2006.135.1–2. 2006.140. Shiva as Brahma; late 900s; South India, Chola Contemporary Art dynasty; granite; 162.6 x 48 x 80 cm; Leonard Rackstraw Downes (American, b. 1939); Under C. Hanna Jr. Fund, this work was accepted the Gowanus at Hamilton Avenue, 1999; oil on in honor of Stainslaw Czuma in recognition of canvas; 4 panels; l. 532.7 cm overall; Purchase his long service to the CMA 2007.155. from the J. H. Wade Fund 2007.159.a–d. Kano Naonobu (Japanese, 1607–1650); Pedestrian Crossing at W. 9th Street Looking Winter Scene with Plum Trees and Pheasants; Northwest; 38.4 x 79.2 cm. Pedestrian Crossing at early 1600s; early Edo period; pair of six- Garnet Street Looking Southeast; 46.6 x 89 cm. fold screens; mineral pigments and gold leaf Untitled; 46.6 x 89 cm. On the Median Strip at on paper; 170.2 x 369.4 cm (each); Gift of W. 9th Street Looking Southeast; 38.4 x 79.5 cm. William Kelly Simpson in memory of his Joseph O’Sickey (American, b. 1918); Untitled, wife, Marilyn M. Simpson, and her grand- late 1950s to early 1960s; oil on canvas; 101.5 x parents Mr. and Mrs. John D. Rockefeller Jr. 80.6 cm; Bequest of Shuree Abrams 2007.168. 2006.142.1–2.

Joseph O’Sickey (American, b. 1918); Untitled; late 1950s to early 1960s; oil on canvas; 101.5 x 80.6 cm; Bequest of Shuree Abrams 2007.168.

33 Kano Naonobu (Japanese, 1607–1650); Winter Scene with Plum Trees and Pheasants; early 1600s; early Edo period; pair of six- fold screens; mineral pigments and gold leaf on paper; 170.2 x 369.4 cm (each); Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.142.1–2.

Decorative Art and Design Shape designers Gale Turnbull (American, American Chinaware Corporation (Sebring, 1889–1962) and Jane Bennison (1913–2001), Ohio, active 1929–32); “Nouvelle” Shape pattern designer Rockwell Kent (1882–1971), Covered Casserole Dish; designed about 1929; manufactured by Vernon Kilns (Vernon, earthenware with printed decoration; h. with California, active 1916–60); Our America Din- cover 15.3 cm, diam. with handles 24.5 cm; nerware; about 1937; earthenware with printed Gift of Martin K. Webb and Charles L. decoration; 2.6 x 34.9 cm; Gift of Martin K. Venable 2006.144.a–b. Webb and Charles L. Venable 2006.145.1–5. Ott & Brewer Company (Trenton, New Jersey, 1871–93); Tray; 1882–90; porcelain Drawings with gilt decoration; 7 x 38 x 40 cm; Gift of Thomas Gainsborough (British, 1727–1788); the Foster Family Foundation 2007.161. A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened Designed by Harold Stabler (British, with white chalk on paper and varnished; 21.3 1872–1945), manufactured by J. R. O & Sons x 30.5 cm; Purchase from the J. H. Wade Fund (British), retailed by Ogdens (British); Tea 2006.156. Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken John Jackson (American, 1955–2006); Green Memorial Fund 2007.3.1–5. Goddess; 2005; watercolor, gouache, charcoal, and graphite with collage; 91 x 124.9 cm; Design attributed to Gale Turnbull Gift of Achala Wali in memory of the artist (American, 1889–1962), manufactured 2007.169. by Leigh Potters (Alliance, Ohio, active 1926–about 1934);“The Aristocrat” Covered Jane Kent (American, b. 1952); The Blue Casserole Dish; designed about 1932; earthen- Optimist; 2006; watercolor, black ink, and ware with printed decoration; h. with cover graphite; 59.7 x 46 cm; Gift of The Print Club 13.5 cm, diam with handles 23.7 cm; Gift of Cleveland 2007.16. of Martin K. Webb and Charles L. Venable Richard Pousette-Dart (American, 1916–1992); 2006.143.a–b. Untitled; 1977; graphite on paper prepared with gesso; 57 x 76.2 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2007.162.

Designed by Harold Stabler (British, 1872–1945), manufactured by J. R. O & Sons (British), retailed by Ogdens (British); Tea Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken Memorial Fund 2007.3.1–5.

34 Islamic Art Medieval Art John L. Severance Fund 2006.154. Fol. 9: Illuminated Folios from the Bustan of Sa‘di; 2 Filigree Disk Brooch with Central Boss; late 600s; Ordo Missalis (full borders); 2006.154.9.a. Fol. folios; about 1520; Iran, Safavid period; opaque Frankish (late Merovingian); metalwork 22: Nativity; 2006.154.22.a. Fol. 22v: Foliage watercolor, ink, gold, and silver on paper; 30.1 (gilt-silver, copper alloy, glass, almandine); with Fish; 2006.154.22.b. Fol. 25: St. John with x 19 cm overall; Gift of William Kelly Simpson 4.2 x 4.3 x 1.8 cm; Andrew R. and Martha Eagle; 2006.154.25.a. Fol. 30v: Adoration of the in memory of his wife, Marilyn M. Simpson, Holden Jennings Fund 2007.163. Magi; 2006.154.30.b. Fol. 116: St. Matthew with Angel; 2006.154.116.b. Fol. 124v: Christ and her grandparents Mr. and Mrs. John D. Parade Halberd (from the bodyguard of Ludwig Rockefeller Jr. 2006.147.a–b and 2006.148.a–b. Holding the Cross; 2006.154.124.b. Fol. 131: Rudolf, Duke of Brunswick-Wolfenbüttel St. Luke with Bull; 2006.154.131.a. Fol. 141v: A Prince and Lady, Dressed in White, Seated in [1671–1735]); dated 1717; Germany; blued, St. John with Eagle; 2006.154.141.b. Fol. 183: a Palace with Musicians and Attendants (from etched, and gilded steel, wood haft, silk Foliage Decoration; 2006.154.183.a. Fol. 183v: the Khamsa of Nizami); about 1560–80; Iran, fringe; l. 276.9 cm; Alma Kroeger Fund Cross, Foliage; 2006.154.183.b. Fol. 184: Foli- Shiraz, Safavid period; opaque watercolor, ink, 2007.164. age; 2006.154.184.a. Fol. 184v: Cross, Foliage; and gold on paper; 30.7 x 19.7 cm overall; Gift Parade Partisan (from the bodyguard of August 2006.154.184.b. Fol. 185v: Crucifixion with of William Kelly Simpson in memory of his Wilhelm, Duke Brunswick-Wolfenbüttel Borders (full page); 2006.154.185.b. Fol. 186: wife, Marilyn M. Simpson, and her grand- [1662–1731]); dated; 1718; Germany; blued, Decorated Initial T[e igitur] (full page); parents Mr. and Mrs. John D. Rockefeller Jr. etched, and gilded steel, wood haft, silk 2006.154.186.a. Fol. 193v: Resurrection of 2006.146.a–b. fringe; l. 258.5 cm; Alma Kroeger Fund Christ; 2006.154.193.b. Fol. 208v: Ascension of Two Ducks (from the Manafi’ al-Haywan of Abu 2007.165. Christ; 2006.154.208.b. Fol. 214: Pentecost; Sai’d ’Ubayd Allah ibn Bakhtishu’); late 1200s; Bartolommeo Caporali (Italian, Perugia, 2006.154.214.a. Fol. 222: Chalice with Host; Iran; opaque watercolor, ink, and gold on about 1420–about 1505), assisted by Giapeco 2006.154.222.a. Fol. 259: St. Andrew; paper; 25.7 x 18.5 cm overall; Gift of William Caporali (Italian, Perugia, d. 1478); Missale 2006.154.259.a. Fol. 260: Foliage with Fruit; Kelly Simpson in memory of his wife, Marilyn (400 vellum leaves; 3 full-page illuminations; 2006.154.260.a. Fol. 263: St. Thomas; M. Simpson, and her grandparents Mr. and 31 historiated initials); 1469; ink, tempera, and 2006.154.263.a. Fol. 270: Presentation of Christ Mrs. John D. Rockefeller Jr. 2006.149.a–b. burnished gold on vellum; 35 x 25 cm (folios) to Simeon; 2006.154.270.a. Fol. 275v: Annun-

Thomas Gainsborough (British, 1727–1788); A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened with white chalk on paper and varnished overall; 21.3 x 30.5 cm; Purchase from the J. H. Wade Fund 2006.156.

35 Louis Marcoussis (French, 1883–1941); Night Café (Café de la nuit); about 1923; oil on canvas; 70.5 x 88.1 cm; Given in loving memory of W. Chave and Mary Tyler McCracken by their daughters 2006.139.

ciation; 2006.154.275.b. Fol. 287: St. John Photography 2007.28.5. 6; 11.7 x 7.8 cm; 2007.28.6. 7; the Baptist; 2006.154.287.a. Fol. 290v: Berenice Abbott (American, 1898–1991); 2 11.7 x 7.7 cm; 2007.28.7. 8; 11.6 x 7.8 cm; Sts Peter and Paul; 2006.154.290.b. Fol. 306: gelatin silver prints; John L. Severance Fund. 2007.28.8. 9; 11.6 x 7.6 cm; 2007.28.9. 10; Assumption of the Virgin; 2006.154.306.a. Fol. Hudson River Bridge; 1930–36; 23.7 x 17.3 cm; 11.5 x 7.8 cm; 2007.28.10. 311v: St. Anne Holding the newborn Virgin; 2007.20. Starrett Lehigh Building; 1936; 19.8 x Herman Berkman (German); The Film 2006.154.311.b. Fol. 318v: St. Francis; 24.5 cm; 2007.21. (Der Film); 1930; gelatin silver print; 29.8 x 2006.154.318.b. Fol. 322v: The Virgin among Manuel Alvarez Bravo (Mexican, 1902–2002); 23.9 cm; John L. Severance Fund 2007.29. the Apostles and Saints; 2006.154.322.b. Fol. 2 gelatin silver prints; John L. Severance Fund. Ilse Bing (American, b. Germany, 1899– 324v: St. Martin; 2006.154.324.b. Fol. 327: The Balloon Seller; 1947; 16.3 x 11 cm; 2007.25. 1998); 3 gelatin silver prints; John L. St. Bartholomew; 2006.154.327.a. Fol. 387v: Ladder of Ladders (Escala de Escalas); 1931; 24.4 Severance Fund. Balancoire, Amusement Park Death Represented as a Skeleton with a Sickle; x 18.3 cm; 2007.142. Ride; 1933; 28.3 x 22.3 cm; 2007.30. Laundry; 2006.154.387.b. Folio 400: Colophon; 1929; 11.5 x 17.4 cm; 2007.32. Paris; 1933; 2006.154.400.a. Herbert Ascherman Jr. (American, b. 1947); Viktor Groschedl; 2005; platinum print; 24.5 x 21.6 x 28.3 cm; 2007.31. Modern European Art 19.5 cm; Gift of the Artist 2006.189. Théodore Blanc (French, 1898–1985) and Marcel Duchamp (French, 1887–1968); From Eugène Atget (French, 1857–1927); Mullein in Antoine Demilly (French, 1892–1964); Sign or by Marchel Duchamp or Rrose Sélavy (La Bôite- Bloom (Bouillon Blanc en Fleur); 1900; albumen with Hat; 1935; gelatin silver print; 29.7 x 29.6 en-valise); 1935–40, 1963–66 (Series F); red print; 21.8 x 17.6 cm; John L. Severance Fund cm; John L. Severance Fund 2007.33. leather box containing 80 objects; gouache, 2007.26. Erwin Blumenfeld (American, b. Germany, green lacquer, varnish, celluloid, wood, ob- Edouard Baldus (French, 1813–1889); Portrait 1897–1969); John L. Severance Fund. Boxers jects of glass, oilcloth, ceramic, and collotype, of Paul Chenevard; from the series “Histoire des Over New York; 1920; collage; gelatin silver letterpress, pouchoir, and lithographic prints; Artistes Vivants”; about 1852; salt print from print and photomechanical reproductions; 41.5 x 38.5 x 9.9 cm; Andrew R. and Martha wet collodion negative; 17.6 x 13.2 cm; Alma 19.4 x 24.4 cm; 2007.34. Profile Study; about Holden Jennings Fund 2007.157. Kroeger Fund 2006.164. 1944; gelatin silver print, ferrotyped; 31.6 x 26.4 cm; 2007.35. Louis Marcoussis (French, 1883–1941); Night Hans Bellmer (German, 1902–1975); The Doll Café (Café de la nuit); about 1923; oil on can- (La Poupée); 1936; gelatin silver print; 7.8 x Bill Brandt (British, b. Germany, 1904–1983); vas; 70.5 x 88.1 cm; Given in loving memory 11.8 cm; John L. Severance Fund 2007.27. John L. Severance Fund. Barcelona; 1932; gela- of W. Chave and Mary Tyler McCracken by tin silver print; 29.3 x 22 cm; 2007.143. Nude, Hans Bellmer; The Doll (La Poupée); 1936; 10 their daughters 2006.139. Vasterival, Normandy; 1954 (printed mid to late gelatin silver prints; John L. Severance Fund. 1950s); gelatin silver print with hand-applied 1; 11.7 x 7.8 cm; 2007.28.1. 2; 11.7 x 7.9 cm; surface manipulation; 23 x 19.6 cm; 2007.36. 2007.28.2. 3; 11.7 x 7.9 cm; 2007.28.3. 4; 11.8 x 7.8 cm; 2007.28.4. 5; 11.6 x 7.8 cm;

36 Brassaï (French, b. Austria-Hungary, 1899– Horacio Coppola (Argentinean, b. 1906); on magazine paper; 27 x 17.7 cm; 2007.51. 1984); 5 gelatin silver prints, ferrotyped; John Royal Wedding; 1934; gelatin silver print; 13.5 Bra and Girdle; 1961; collage; photomechanical L. Severance Fund. At the White Ball, Mont- x 20.4 cm; John L. Severance Fund 2007.45. reproductions; 34.6 x 19.2 cm; 2007.50. Bride; parnasse (Á la Boule Blanche, Montparnasse); Louise Dahl-Wolfe (American, 1895–1989); 1937; collage; photomechanical reproductions 1932; 24 x 18.1 cm; 2007.39. A Two in One Fashion Study; 1930s; gelatin silver print; 23.8 on magazine paper; 25 x 17.3 cm; 2007.52. Suit; 1932 (printed mid 1950s); 29.8 x 22.1 x 42.6 cm; John L. Severance Fund 2007.46. The First Inspection of the Castle (D’emblée en cm; 2007.40. Fireworks at Longchamps; 1930s; Visiste au Chateâu); 1930s; collage; photo 17.6 x 23.2 cm; 2007.37. Two Acrobats, Cirque Larry Fink (American, b. 1941); The Oscar mechanical reproductions on magazine paper; Medrano; 1932–33; 27.7 x 23.4 cm; 2007.38. A Photographs Portfolio (printed 2005); 12 inkjet 21.3 x 14.8 cm; 2007.49. The Architect of Mage Couple at the Ball Quat’z’ Arts (Un Couple le Bal prints, Epson; Gift of Mark Schwartz and (L’architect du Mage); 1935; collage; photo des Quatre Arts); 1931 (printed 1950s); 28.5 x Bettina Katz in honor of Timothy Rub. mechanical reproductions on drawing (graph- 20.9 cm; 2007.144. Anjelica Houston and Her Husband, Robert ite, watercolor, black pen, and ink); 31.5 x Graham; 2002; 81.4 x 81.4 cm; 2006.190.1. Joseph Breitenbach (American, b. Germany, 22.7 cm; 2007.53. My Travels Brought Me Here Graydon Carter’s Fiancé, 2004; 81.4 x 81.4 (Mes d’ambulations m’amenent); 1930s; collage; 1896–1984); John L. Severance Fund. Electric cm; 2006.190.4. Man Looking into the Camera; Back; 1947; montage; gelatin silver print; 34.2 gelatin silver print and photomechanical 2005; 81.4 x 68.5 cm; 2006.190.6. Matching reproductions; 20.3 x 19.5 cm; 2007.148. x 26.8 cm; 2007.145. Fireworks; late 1930s; Dresses; 2000; 81.4 x 81.4 cm; 2006.190.10. photogram; gelatin silver print; 35.4 x 27.9 Two Women; 1934; collage; photomechanical The Oscar; 2005; 81.4 x 81.4 cm; 2006.190.9. reproductions; 16.4 x 12.5 cm; 2007.48. cm; 2007.41. Table at Vanity Fair Oscar Party; 2003; 81.4 Horace Bristol (American, 1908–1997); For- x 81.4 cm; 2006.190.2. Two Men Embracing; Michael Kenna (British, b. 1953); The Rouge, tune Teller with Glass; 1940s; gelatin silver; 5.6 2000; 81.4 x 81.4 cm; 2006.190.3. Two Study #41; 1994; gelatin silver print; 19.2 x 19 x 5.6 cm; John L. Severance Fund 2007.42. Women with Handbags; 2001; 81.4 x 81.4 cm; cm; Gift of John C. Williams in honor of Audrey and Albert Ratner 2006.187. Robert Capa (American, b. Hungary, 1913– 2006.190.5. Waitress Holding a Tray; 2005; 81.4 1954); Hyppique, Paris; 1936–37; gelatin x 81.4 cm; 2006.190.12. Warren Beatty Speaking André Kertész (American, 1894–1985); Clock silver print, ferrotyped; 24 x 17.2 cm; John L. to Woman; 2001; 81.4 x 81.4 cm; 2006.190.7. and Rope; 1928; gelatin silver print; 22.5 x Severance Fund 2007.43. Woman in a Revealing Dress; 2004; 81.4 x 13.4 cm; John L. Severance Fund 2007.55. 81.4 cm; 2006.190.11. Women Appraising One Willy Kessels (Belgian, 1898–1974); Untitled; Keith Carter (American, b. 1948); 2004; 2 Another; 2004; 65.1 x 81.4 cm; 2006.190.8. gelatin silver prints; Gift of the Contem- 1960s; photogram; gelatin silver print; 23.2 x porary Art Society. Fishbowl; 38.7 x 38.9 Lee Friedlander (American, b. 1934); 1995; 10 17.5 cm; John L. Severance Fund 2007.56. cm; 2006.167. Thirty Plates; 38.6 x 39 cm; gelatin silver prints; The George Gund Foun- Edmund Kesting (German, 1892–1970); 2006.168. dation Collection in honor of David Bergholz, Dean Goodelle; 1930; montage; gelatin silver The Cleveland Museum of Art. Encore Manu- Père Català-Pic (Spanish, 1889–1971); Untitled print; 23.7x 18.9 cm; John L. Severance Fund facturing; 26.1 x 26.1 cm; 2006.208. Horsburgh 2007.57. (image montage); 1930; gelatin silver print; 13 x & Scott; 26.2 x 26 cm; 2006.216. Hugo Boss; 9.3 cm; John L. Severance Fund 2007.109. 26.1 x 26 cm; 2006.212. Lincoln Electric; 26.1 x François Kollar (French, 1904–1979); Wood Paula Chamlee (American, b. 1944); 2 gela- 25.9 cm; 2006.215. LTV Steel; 26.1 x 26 cm; Milne; 1930; montage; gelatin silver print; 37.5 tin silver prints; Michael A. Smith and Paula 2006.214. NASA Lewis Research Center; x 28.1 cm; John L. Severance Fund 2007.58. Chamlee. Big Bend, Texas; 1998; 19.5 x 24.4 26.2 x 26 cm; 2006.217. University Hospitals of Vasilij Komardenkov (Russian, 1897–1973); cm; 2006.205. Near Vaiano, Umbria; 1999; 9.4 Cleveland; 25.2 x 25.6 cm; 2006.209. Vocation- Kino Design; early 1920s; collage; photo x 12 cm; 2006.206. al Guidance Services; 26.2 x 26 cm; 2006.210. mechanical reproductions; 41.5 x 30.7 cm; Paula Chamlee; 3 gelatin silver prints; The Vocational Guidance Services; 26.2 x 26 cm; John L. Severance Fund 2007.59. Jane B. Tripp Charitable Lead Annuity Trust. 2006.211. Vocational Guidance Services; 26.2 x Nikolai Koubeev (Russian, 1910–1956); High Plains Farm, Adrian, Texas, 1994; 19.4 26 cm; 2006.213. Pervoie Maiav Krasnoj Stolitse; 1932; gelatin x 24.3 cm; 2007.7. High Plains Farm, Adrian, Viktor Groschedl (Austrian, 1954–2006); silver print; 15.3 x 22.2 cm; John L. Severance Texas, 1995; 19.4 x 24.3 cm; 2007.8. San 1997; 3 gelatin silver prints; Gift of Herb Fund 2007.60. Rafael Valley, Arizona, 1990; 19.5 x 24.3 cm; Ascherman Jr., Robert and Jane Herbst, Germaine Krull (Polish, 1897–1985); 2 gelatin 2007.9. Chanho and Sung-a Park, James R. Schutte, silver prints; John L. Severance Fund. And by Lynne Cohen (American, b. 1944); Classroom, and Jerald Smith and Susan Starett. Untitled; Chance (Et du Hasard); 1930s; 15.2 x 22 cm; Beauty School, 1979; gelatin silver print; 19.1 23.7 x 36.2 cm; 2006.160. Untitled; 26 x 2007.62. Hands and Noose; 1928; 22.8 x 13.2 x 24.4 cm; Gift of Friends of Photography; 38.1 cm; 2006.161. Untitled; 36.3 x 24.8 cm; cm; 2007.61. 2006.162. 2007.177. Jacques-Henri Lartigue (French, 1894–1986); Gregory Conniff (American, b. 1944); 1996; 8 John Gutmann (American, b. Germany, 1931; 5 toned gelatin silver prints; John L. gelatin silver prints; The George Gund Foun- 1905–1998); That Inward Eye; 1940s; montage; Severance Fund. With Lulu in the Woods of dation Collection in honor of David Bergholz, gelatin silver print; 22.7 x 17.5 cm; John L. Boulogne (Avec Lulu au Bois du Boulogne); 26 x The Cleveland Museum of Art. E. 84th and Severance Fund 2007.140. 24.4 cm; 2007.63. In the Studio (Dans l’atelier); Wade Park; 24.7 x 24.9 cm; 2006.222. E. 84th Heinz Hajek Halke (German, 1898–1983); 7.8 x 13 cm; 2007.64. The Crystal Ball (La and Wade Park; 24.7 x 24.7 cm; 2006.223. E. The Princess in the Backyard; 1930; montage; Boule de Verre); 23.7 x 30 cm; 2007.149. Paint- 92nd and Parkgate; 24.6 x 24.9 cm; 2006.225. gelatin silver print; 23.3 x 17.5 cm; John L. ing of a Necklace (Tableau au Collier); 13.8 x 7.8 E. 114th between St. Clair and Sellers; 24.6 x Severance Fund 2007.47. cm; 2007.65. Socoa; 7.7 x 13.5 cm; 2007.66. 24.9 cm; 2006.218. E. 125th and Mayfield; 24.6 Fan Ho (Chinese, b. 1937); 2 gelatin silver Guy LeBoyer (French); Headlight, Paris; 1940s; x 24.6 cm; 2006.220. Elmwood and W. 117th; prints; 49.4 x 39.1 cm; Dudley P. Allen Fund. gelatin silver print; 22.9 x 17 cm; John L. 24.6 x 24.9 cm; 2006.224. W. 38th and Down, 1961; 2006.166. The Omen; 1964; Severance Fund 2007.141. Franklin; 24.6 x 24.6 cm; 2006.219. W. 38th 2006.165. and Franklin; 24.6 x 24.6 cm; 2006.221. Marcel G. Lefrancq (Belgian, 1916–1974); George Hugnet (French, 1906–1974); John L. With the Hands of Light (Aux Mains du Lumière); Erich Consemüller (German, 1902–1957); Severance Fund. Angkor Wat; 1930s; collage; 1948; 25 gelatin silver prints, ferrotyped; John Bauhaus Sculptural Study; 1927; gelatin silver photomechanical reproductions and gallery L. Severance Fund. Countryside (Paysage); 20.6 print; 10.6 x 7.6 cm; John L. Severance Fund announcement; 13.1 x 10 cm; 2007.54. Beach; x 16.4 cm; 2007.67.7. Crystallized Countryside 2007.44. 1937; collage; photomechanical reproductions (Paysage Cristallisé); 13.9 x 16.4 cm; 2007.67.14.

37 Elected (Elue); 22.9 x 15.4 cm; 2007.67.5. End- print; 24 x 26.3 cm; 2007.74. Repent for the less Repetition (Eternal Retour); 22.8 x 15.5 cm; Kingdom of Heaven is at Hand; 1934; gelatin 2007.67.25; The Enemy (L’Ennemi); 11.9 x 16.4 silver print; 28.4 x 23.9 cm; 2007.70. Row of cm; 2007.67.22. Eulogy of Carnage (Eloge du Aquariums; 1930; gelatin silver print, ferro- Carnage); 10.7 x 16.4 cm; 2007.67.12. Exercise typed; 20.3 x 18.3 cm; 2007.78. Sky Pinwheels in Purity (Exercice de la Pureté); 22 x 16.1 cm; and Bottles; 1930s; gelatin silver print, ferro- 2007.67.23. Haunted Eyes; 22.8 x 16.4 cm; typed; 20.5 x 18.3 cm; 2007.81. Stairwell and 2007.67.2. Head of Christ (Tête de Christ); 22.5 Plants in Covent Gardens; 1934; gelatin silver x 16.1 cm; 2007.67.10. Heide; 11.9 x 16.3 cm; print, ferrotyped; 28 x 24 cm; 2007.76. Street 2007.67.8. Photogram (Photogramme); 22.9 x Orchestra, Blind Musicians; 1934; gelatin silver 16.4 cm; 2007.67.9. Hope is Out the Window print; 32 x 28.4 cm; 2007.89. Three Covered (L’Espoir est au-delà de la Fenêtre); 22.9 x 15.2 Statues; 1930s; gelatin silver print; 39.9 x 29.8 cm; 2007.67.11. Illustration for ‘The Adventures cm; 2007.87. Trees and Ominous Sky (Looking of A.G. Pym’ by E. A. Poe; 11 x 16.4 cm; Up); 1934; gelatin silver print, ferrotyped; 28.2 2007.67.19. In a Far Off Country (En Pays x 24 cm; 2007.82. Lointain); 22.8 x 15.7 cm; 2007.67.20. Large René Magritte (Belgian, 1898–1967); Net to Capture the Wind (Grands Filets à Capturer Georgette at the Table; 1933–35; gelatin silver le Vent); 12.2 x 16.5 cm; 2007.67.16. The Law print, chlorobromide emulsion; 8 x 6 cm; John of Coincidence (La Loi des Coïncidences); 19.7 x L. Severance Fund 2007.90. 16.4 cm; 2007.67.6. The Melancholy Door (La Porte Triste); 17.6 x 16.4 cm; 2007.67.1. Scien- Man Ray (Emmanuel Rudnitzky) (American, tific Objectivity (Objectivité Scientifique); 22.8 x 1890–1976); John L. Severance Fund. Lee 16.3 cm; 2007.67.3. Small Fairy in a Park (Petite Miller; 1930; gelatin silver print; 8.8 x 6.2 cm; Fée dans un Parc); 22.7 x 16.1 cm; 2007.67.18. 2007.92. Untitled (Rayograph); 1928; photo- Smoking (Fumée); 11 x 16.3 cm; 2007.67.4. gram; gelatin silver print; 16.5 x 12.3 cm; The Song of the Roofs (La Chanson des Toits); 2007.91. 22.8 x 15.3 cm; 2007.67.13. Spray of Sunshine Marcel Marien (Belgian, 1920–1993); A Pair (Poussière de Soleil); 22.8 x 15.2 cm; 2007.67.24. of Shoes Climbing a Staircase (Paire de Chausseurs Statue of Snow (Statue de Neige); 22.8 x 16.4 cm; Semblant Monter un Escalier); 1949 (printed 2007.67.17. Study of Form I (Etude de Forme I); later); gelatin silver print; 12.7 x 8.8 cm; John 17.6 x 16.4 cm; 2007.67.21. Study of Form V L. Severance Fund 2007.93. Alexander Rodchenko (Etude de Forme V); 22.7 x 16 cm; 2007.67.15. Herbert Matter (American, 1907–1984); Dolls; (Russian, 1891–1956); El Lissitzky (Russian, 1890–1941); Mannequin; 1930s; gelatin silver print; 20.2 x 25.8 cm; At the Telephone; 1928; 1920s; gelatin silver print from photogram John L. Severance Fund 2007.94. gelatin silver print; 13.8 x negative; 29.4 x 23.5 cm; John L. Severance Cecil McDonald (American, b. 1965); 1200 8.9 cm; John L. Severance Fund 2007.147. Fund 2007.146. Meditation, Things My Mother Gave Me; 2005; Herbert List (German, 1903–1975); Sant inkjet print, Epson, edition 1/12; 43.5 x 59.9 Angelo, Ischia; 1937; gelatin silver print; 22.7 cm; Gift of Friends of Photography 2007.178. x 27.8 cm; John L. Severance Fund 2007.68. Cecil McDonald; Frances Before Dinner; 2006; Eli Lotar (French, 1905–1969); Tomorrow inkjet print, Epson, edition 1/12; 46.7 x 60.9 (Lendemain); late 1920s; gelatin silver print; cm; Gift of the Artist and Catherine Edelman 15.6 x 22. cm; John L. Severance Fund Gallery, Chicago 2007.171. 2007.69. Edouard Léon Théodore Mesens (Belgian, Dora Maar (French, 1907–1997); John L. 1903–1971); Untitled Photogram; 1925; photo- Severance Fund. Beggar Woman, Barcelona; gram; collodion silver printing out paper; 17.9 1932; gelatin silver print, ferrotyped; 24.2 x x 23.8 cm; John L. Severance Fund 2007.95. 17.9; 2007.83. Carousel at Night; 1930; gelatin Auguste Mestral (French, 19th century); silver print, ferrotyped; 25 x 19.8 cm; 2007.79. Statue of the Virgin, Notre Dame de Paris; 1853; Crowd in Front of Car; 1934; gelatin silver print; salted paper print from paper negative; 35.2 18.1 x 26.6 cm; 2007.72. Couple Kissing; 1930s; x 25.8 cm; Andrew R. and Martha Holden gelatin silver print, ferrotyped; 19.1 x 17.4 cm; Jennings Fund 2007.12. 2007.80. Child Playing (Enfant Jouant); 1932; László Moholy-Nagy (American, 1895–1946); gelatin silver print; 29 x 27.3 cm; 2007.71. Mother Europe Cares for Her Colonies; 1925; Fashion Study; 1936; gelatin silver print; 27.7 gelatin silver print; 16.1 x 12.3 cm; John L. x 22.2 cm; 2007.84. Gypsy Palmist; 1932; Severance Fund 2007.96. gelatin silver print, ferrotyped; 26.8 x 24 cm; 2007.150. Headstand, Barcelona; 1932; gelatin Monsieur X (French, 20th century); Three silver print, ferrotyped; 27.5 x 24 cm; 2007.86. Graces; 1925; gelatin silver print; 18 x 23.9 cm; Horse and Carriage; 1934; gelatin silver print; John L. Severance Fund 2007.97. 23.6 x 17.6 cm; 2007.77. Forbidden Games ( Jeux Oskar Nerlinger (German, 1893–1969); Ar- Interdits); 1935; gelatin silver print; 28 x 21.6 rival at Sea; 1928; photogram; gelatin silver cm; 2007.85. The Girner (La Grimace); 1935; print; 17.6 x 22.8 cm; John L. Severance Fund gelatin silver print, ferrotyped; 28.2 x 22.9 cm; 2007.98. 2007.88. Medically Unfit; 1934; gelatin silver Jean Painlevé (French, 1902–1989) and Eli print, ferrotyped; 18.2 x 22.7 cm; 2007.75. Lotar (French, 1905–1969); Lobster Claw Plant and Window Study; 1930s; gelatin silver (Pincer d’Homard); 1929; gelatin silver print; print, ferrotyped; 22.5 x 26.5 cm; 2007.73. 22.9 x 17.3 cm; John L. Severance Fund Plants in Covent Gardens; 1934; gelatin silver 2007.99.

38 Gaston Paris (French, 20th century); gelatin mount; 37.8 x 28.2 cm; 2007.118. Stuttgart Unidentified photographer (American, 19th silver prints; John L. Severance Fund. Central Station; 1930s; gelatin silver print; 23.2 century); Incline on the Morris and Essex Canal, Entertainers; 1930s; 23.9 x 17.5 cm; 2007.100. x 17.4 cm; 2007.119. Newark, New Jersey; about 1870; albumen print Manikin (Dali); 1938; 19.7 x 18 cm; 2007.101. Michael A. Smith (American, b. 1942); Near from wet collodion negative; 24.6 x 19.2 cm; Roger Parry (French, 1905–1977); John L. Pienza, Tuscany; 2000; gelatin silver print; 19.3 Dudley P. Allen Fund 2006.163. Severance Fund. Carousel Horse; 1930; gelatin x 50 cm; Michael A. Smith and Paula Willem van de Poll (Dutch, 1895–1970); silver print; 22.5 x 16.8 cm; 2007.151. Dirty Chamlee; 2006.207. Moulin Rouge; about 1930; montage; gelatin Sink (Cuvette Sale); 1930–31; gelatin silver Michael A. Smith; 3 gelatin silver prints; The silver print, ferrotyped; 17.3 x 23.6 cm; John print; 23.5 x 17.1 cm; 2007.104. Hands with Jane B. Tripp Charitable Lead Annuity Trust. L. Severance Fund 2007.131. Crystal Ball, Variation (Mains avec Boule de From Cortona, Tuscany; 1999; 19.3 x 50 cm; Emil van Moerkerken (Dutch, 1916–1995); Cristal Variante); 1930; gelatin silver print; 2007.6. Spider Rock, Canyon de Chelly, Arizona; Happening with Van Geel; 1938; gelatin silver 17.7 x 23.9; 2007.107. Still Life (Nature Morte); 1993; 44.5 x 54.8 cm; 2007.4. Yosemite, print; 22.8 x 17.7 cm; John L. Severance Fund 1930; gelatin silver print mounted on board; California; 1988; 19.6 x 49.7cm; 2007.5. 2007.132. 23 x 17.4 cm; 2007.105. Still Life; 1930; gelatin silver print; 22.4 x 16.5 cm; 2007.103. Surim- Rosalind Solomon (American, b. 1930); 2 Garie Waltzer (American, b. 1947); Aguas pression (Robert Couturier); 1931; gelatin silver gelatin silver prints (printed 1993); Gift of Calientes, Baths; 2005; inkjet print; 56.3 x 55.7 print, montage; 17.4 x 22.9 cm; 2007.106. Friends of Photography. Boy with Coke and cm; Gift of the Artist; 2006.188. Surimpression (Woman on Bed); 1933; montage; Cotton Candy, Scottsboro, Alabama; 1976; 38.5 Garie Waltzer; Shanghai Overpass #1; 2005; gelatin silver print; 16.6 x 23 cm; 2007.108. x 38.5 cm; 2007.175. House with a Double inkjet print, Epson; 56.3 x 56.1 cm; Gift of Untitled, Nude; 1930; gelatin silver print; 23.7 Tombstone, Sand Mountain, Alabama; 1977; Linda Butler, William S. Lipscomb, and Judith x 17.6 cm; 2007.102. 38.3 x 38.3 cm; 2007.176. McMillan 2006.159. Eugène Piot (French, 1812–1891); Parthenon; Emmanuel Sougez (French, 1889–1972); William E. Williams (American, b. 1950); 2 1852; salted paper print from waxed paper Untitled (Film Strip); late 1920s; camera-less gelatin silver prints; Gift of Friends of Photog- negative; 22.8 x 32.9 cm; Alma Kroeger Fund photograph; gelatin silver print; 28.7 x 22.4 raphy. Arlington National Cemetery, Section 27, 2006.158. cm; John L. Severance Fund 2007.121. Arlington, Virginia; 2000 (printed 2001); 20.4 x Edward W. Quigley (American, 1898–1977); Anton Stankowski (German, 1906–1998); 20.5 cm; 2007.174. Jamestown Island, Virginia; Photogram (Number 9); 1930s; photogram; John L. Severance Fund. Eye; 1927; montage; 1996 (printed 1998); 19.2 x 19.3 cm; 2007.173. gelatin silver print; 20.7 x 16.6 cm; John L. gelatin silver print; 10.9 x 14.5 cm; 2007.122. Paul Wolff (German, 1887–1951); John L. Severance Fund 2007.110. Self Portrait “Der Trager”; 1930; gelatin silver Severance Fund. Airship Hindenberg; 1930s; print; 16.9 x 11.9 cm; 2007.152. Albert Renger-Patzsch (German, 1897–1966); gelatin silver print; 23.4 x 17.4 cm; 2007.134. 1920s; 3 gelatin silver prints; John L. André Steiner (Austrian, 1901–1978); Untitled; Wire Strainers (Drahtsiebe); 1937; gelatin silver Severance Fund. Cactus/Close Up; 17 x 23 cm; 1940s; gelatin silver print; 18.9 x 18 cm; John print, ferrotyped; 23.8 x 17.9 cm; 2007.133. 2007.23. Leaves; 17 x 23 cm; 2007.24. Pine- L. Severance Fund 2007.123. Wolfgang Schulze Wols (German, 1913– apple; 23.1 x 16.9 cm; 2007.22. Mark Steinmetz (American, b. 1961); 2 gelatin 1951); John L. Severance Fund. Antique Seller, Alexander Rodchenko (Russian, 1891–1956); silver prints; 30.4 x 41.9 cm; Gift of Friends of Paris; 1930s; gelatin silver print; 23.4 x 17.2 At the Telephone; 1928; gelatin silver print; 13.8 Photography. Athens, Georgia; 1996; 2007.17. cm; 2007.136. Posts (Poteaux); 1933; gela- x 8.9 cm; John L. Severance Fund 2007.146. Bourbon Street, New Orleans; 1995; 2007.18. tin silver print, ferrotyped; 29.6 x 24.2 cm; Carl Struwe (German, 1898–1988); John 2007.135. Untitled Portrait; 1938; gelatin silver Franz Roh (German, 1890–1965); John print; 22.2 x 25.8 cm; 2007.137. L. Severance Fund. Fitness Training in Den L. Severance Fund. Chlorophyll; 1928; gela- Kolonien; 1930; collage; photomechanical tin silver print, micrographed; 36 x 29 cm; René Zuber (French, 1902–1979); Grid over reproductions; 14.8 x 18.8 cm; 2007.114. The 2007.124. The Spiral (Die Spirale); 1935 Coins (Quadrillage sur Pieces); 1932; gelatin Isolation of the Narzisms (Die Einsamkeit de (printed 1950); gelatin silver print, ferrotyped; silver print; 22.8 x 17.3 cm; John L. Severance Narzisms); 1930; collage; photomechanical 23.4 x 18 cm; 2007.126. Crystal Formation Fund 2007.138. reproductions; 9.2 x 15.8 cm; 2007.113. Nude (Konstruktionsform Crystal); 1933; gelatin silver Piet Zwart (Dutch, 1885–1977); Typographic in Light; 1925; montage; gelatin silver print; print, micrographed; 18 x 22.6 cm; 2007.125. Composition; 1931; gelatin silver print; 17.4 x 14.5 x 21.2 cm; 2007.111. Woman with a Comb; Maurice Tabard (French, 1897–1984); John L. 12.3 cm; John L. Severance Fund 2007.139. 1930; gelatin silver print from a negative Severance Fund. Dancer George Pomies; 1931; image; 23.6 x 18.6 cm; 2007.112. montage; gelatin silver print; 23.7 x 17.5 cm; Prints Werner Rohde (German, 1906–1990); John L. 2007.127. Portrait of a Man/Self Portrait; 1930; Shusaku Arakawa (American, b. Japan, 1936); Severance Fund. Dompteuse (Renata); 1930–32; gelatin silver print; 22.6 x 17 cm; 2007.153. Iris Field: I See the Ceiling from My Bed; color gelatin silver print; 30 x 21.7 cm; 2007.115. Roger Tepe (b. 1915); 1900s; 2 silver prints on lithograph, screenprint, and embossing; 76 x Rule Brittania; late 1950s–early 1960s; photo- printing out paper; John L. Severance Fund. 106.4 cm; Gift of Mitzie Verne in memory of collage; gelatin silver prints; 39.5 x 29.1 cm; Birdsnest with Eggs; 11.7 x 16.5 cm; 2007.129. Dr. Daniel Verne 2006.195. 2007.116. Eggs on Ground; 11.7 x 16.8 cm; 2007.128. Mary Lee Bendolph (American, b. 1935); Thurman Rotan (American, 1905–1991); New Raoul Ubac (Belgian, 1910–1985); 2 gelatin Housetop Blocks/Purple; 2005; color aquatint York Montage; 1928; montage; gelatin silver silver prints; John L. Severance Fund. The and softground etching; 60.4 x 60.6 cm; Gift print; 11.5 x 8.2 cm; John L. Severance Fund Battle of the Penthesilea (Le Combat de Penthesil- of Thomas R. Roese 2006.198. 2007.117. iées); 1937; 17 x 22.9 cm; 2007.154. Manikin Louis-Marin Bonnet (French, 1736–1793); Tokihiro Sato (Japanese, b. 1957); 2 gelatin (André Masson); 1937; 22.8 x 9.4 cm; 2007.130. Love Requests Venus to Return His Weapons silver prints; The Jane B. Tripp Charitable Brian Ulrich (American, b. 1971); Cleveland, to Him (L’Amour Prie Vénus de Lui Rende ses Lead Annuity Trust. #375 Sakatashibi 3; 1999; OH (Disney); 2004 (printed 2007); chromoge- Armes) (after François Boucher); 1768; color 53.7 x 43.2 cm; 2007.10. Nikko 3; 2001; 43.2 nic process color print; 110.6 x 132.1 cm; Gift chalk-manner etching and engraving; 27.3 x x 54 cm 2007.11. of Katherine Solender and William E. Katzin 36.7 cm; Herold 17, state I/V; James Parmelee Fund 2006.182. Ernst Schieron (German); John L. Severance 2007.170 Fund. Montage; 1920s; montage; gelatin silver Brian Ulrich; Lyndhurst, OH (Guns); 2004 print; 17.1 x 23.2 cm; 2007.120. Reflection in (printed 2007); chromogenic process color Mirror; 1930; gelatin silver print on artist’s print; 110.6 x 132.1 cm; Gift of Friends of Photography 2007.172

39 Charles Burwell (American, b. 1905); Pink 1802; softground etching and aquatint printed Henri Charles Guérard (French, 1846–1897); Ground and Two Figures; 2005; color digital in brown; 22.9 x 49.1 cm; Abbey 102, 9 with- Punchinello, after Meissonier (Polichinelle, d’après print; 15.2 x 15.2 cm; Gift of Sandra and out letters; 2006.228. View of Pont au Change, Meissonier); 1876; etching; 9 x 5.7 cm; Bertin Gary Kaufman in honor of the Fine Print Fair the City Theatre, Pont Neuf, Conciergerie Prison, 11, state I/III; Gift of Bernard Derroitte and 2006.199. &c Taken from Pont Notre Dame (aquatint by Sonia Kupfer in honor of Celine Deroitte Philibert Louis Debucourt (French, 1755– Frederick Christian Lewis I [British, 1779– 2006.193. Punchinello on Stilts (Polichinelle sur 1832); Annette and Lubin (Annette et Lubin); 1856]); 1803; softground etching and aquatint des Echasses); about 1888; etching; 26.2 x 7.7 1789; color engraving and etching; 40.8 x 30.9 printed in brown, hand-colored with water- cm; Bertin 117, state II/of II?; Gift of cm; Fenaille 22, state II/V; L. E. Holden Fund color; 30.2 x 56.2 cm; Abbey 102, 9 with let- Elizabeth Carroll Shearer in memory of 2006.172. ters; 2006.227. View of the Pont de la Tournelle Robert Lundie Shearer 2006.192. Punchinello, & Notre Dame Taken from the Arsenal (aquatint Three-quarters to the Right (Polichinelle, de trios- Sonia Delaunay (Russian, 1885–1979); by Frederick Christian Lewis I [British, quart à droite); about 1887; color etching, Untitled; etching and aquatint; 69.2 x 49.7 cm; 1779–1856]); 1802; softground etching and aquatint, and roulette; 16 x 8 cm; Bertin 116, Gift of Helen A. Weinberg in memory of her aquatint printed in brown, hand-colored proof, state III/III; Gift of Elizabeth husband, Kenneth G. Weinberg 2006.271. with watercolor; 22.7 x 53.8 cm; Abbey 102, Carroll Shearer in honor of Heather John Girtin (British, about 1780–after 1820); 11 with letters; 2006.230. View of Pont de la Lemonedes 2006.191. A Selection of Twenty of the Most Picturesque Tournelle & Notre Dame Taken from the Arse- Philip Guston (American, 1913–1980). A Suite Views in Paris, and Its Environs; 1803; engrav- nal (aquatint by Frederick Christian Lewis of Ten Lithographs by Philip Guston: Untitled ings; Gift of John Bonebrake. Dedication Page; I [British, 1779–1856]); 1802; softground #10; 1966; lithograph; 51 x 68.3 cm; L. E. 34.5 x 42.5 cm; Abbey 102 with letters; etching and aquatint printed in brown; Holden Fund 2006.176. 2006.239. Title Page; 33 x 40.5 cm; Abbey 102 15.1 x 44.5 cm; Abbey 102, 11 without let- with letters; 2006.238. ters; 2006.243. View of St. Cloud and Mount Wilhelm Heise (German, 1892–1965); Calvary Taken from the Pont de Sêve (aquatint Konigskerzen; lithograph; 48.7 x 30.8 cm; L. E. Thomas Girtin (British, 1775–1802); A Selec- Holden Fund 2006.181. tion of Twenty of the Most Picturesque Views in by Frederick Christian Lewis I [British, Paris, and Its Environs; 18 prints; Gift of John 1779–1856]); 1802; softground etching and William Holman Hunt (British, 1827–1910); Bonebrake. View from Palace Terrace, at St. aquatint printed in brown; 12.7 x 48 cm; The Father’s Leave-Taking; 1879; etching; 19.1 Germain en Laye, with Aqueduct of Marli Seen in Abbey 102, 18 without letters; 2006.241. x 25 cm; Bronkhurst App. B26; L. E. Holden the Distance (aquatint by Joseph Constantine View of St. Cloud & Mount Calvary Taken from Fund 2006.173. Stadler [German, active 1780–1812]); 1803 Pont de Sêve (aquatint by Frederick Christian Juste de Juste (French, 1505–1559); Pyramid of (printed 1810 or after); softground etching Lewis I [British, 1779–1856]); 1802 (printed Five Men; about 1543; etching; 27.8 x 20.7 cm; and aquatint printed in brown, hand-colored 1810 or after); softground etching and aqua- Zerner J.5; Alma Kroeger Fund 2007.167. tint printed in brown, hand-colored with with watercolor; 22.6 x 53.7 cm; Abbey 102, Ellsworth Kelly (American, b. 1923); Suite of watercolor; 20.1 x 53.6 cm; Abbey 102, 18 16 with letters; 2006.236. View of Belle Vue & Plant Lithographs: Pear III (Poire III); 1965–66; with letters; 2006.233. View of the Village of Pont de Sêve Taken from the Terrace near Pont de lithograph; 49 x 50 cm; Axsom 47; Mr. and Chaillot, &c Taken from Pont de la Concorde St Cloud (aquatint by Frederick Christian Mrs. Richard W. Whitehill Art Purchase (aquatint by Frederick Christian Lewis I Lewis I [British, 1779–1856]); 1802; soft- Endowment Fund 2006.184. ground etching and aquatint printed in [British, 1779–1856]); 1803 (printed 1810 brown, hand-colored with watercolor; 22.5 x or after); softground etching and aquatint Jane Kent (American, b. 1952); 2 color aqua- 54 cm; Abbey 102, 13 with letters; 2006.234. printed in brown, hand-colored with water- tints, mezzotint, and roulette; 38.1 x 30.2 View of Belle Vue & Pont de Sêve (aquatint color; 20.1 x 55.1 cm; Abbey 102, 17 with cm; The Print Club of Cleveland Publication by Frederick Christian Lewis I [British, letters; 2006.235. View of the Village of Chail- Number 85, 2007. Gift of The Print Club of 1779–1856]); 1802; softground etching and lot, &c Taken from Pont de la Concorde (aqua- Cleveland. The Blue Optimist; 2006; 2007.14. aquatint printed in brown; 14.5 x 46.5 cm; tint by Frederick Christian Lewis I [British, The Blue Optimist, B.A.T.; 2005; 2007.15. Abbey 102, 13 without letters; 2006.244. View 1779–1856]); 1802; softground etching and Maxime Lalanne (French 1827–1886); 14 of the Gate of St. Denis Taken from the Suburbs aquatint printed in brown; 5 x 19 cm; Ab- etchings; Gift of John Bonebrake. At Harlem (aquatint by Frederick Christian Lewis I bey 102, 17 without letters; 2006.242. The (Holland) (À Haarlem [Hollande]); 1877; 20.9 [British, 1779–1856]); 1803; softground etch- Water Mill above the Bridge at Charenton (aqua- x 30.3 cm; Villet 121, state I/III; 2006.248. ing and aquatint, hand-colored with water- tint by Frederick Christian Lewis I [British, Boulevard Montmartre; 1884; 20.1 x 25.6 cm; color; 23 x 49.3 cm; Abbey 102, 10 without 1779–1856]); 1803 (printed 1810 or after); Villet 155, state II/II; 2006.245. Conflagration letters; 2006.229. View of the Louvre & Bridge softground etching and aquatint printed in in the Port of Bordeaux (Incendie dans le Porte of the Thuilleries Taken from Pont Neuf (aquatint brown, hand-colored with watercolor; 20.6 x de Bordeaux); 1869; 15.8 x 23.8 cm; Villet by J. B. Harraden [British]); 1802; softground 33 cm; Abbey 102, 20 with letters; 2006.232. 50, state III/III; 2006.251. Demolition for the etching and aquatint printed in brown, hand- The Water Works at Marli, and St. German en Opening of Boulevard St. Germain (Demolitions colored with watercolor; 25.1 x 52.6 cm; Laye seen in the distance (aquatint by J. B. pour le Percement du Boulevard St. Germain); Abbey 102, 2 with letters; 2006.237. View of Harraden [British]); 1803; softground etching 1862; 32.1 x 24.4 cm; Villet 2, state IV/IX; the Palace & Village of Choisi on the Banks of the and aquatint printed in brown, hand-colored 2006.253. Demolition for the Opening of the Rue Seine (aquatint by Frederick Christian Lewis I with watercolor; 22.7 x 54.5 cm; Abbey 102, des Écoles (Demolitions pour le Percement de la [British, 1779–1856]); 1802; softground etch- 15b with letters; 2006.226. Rue des Écoles); 1862; 23.8 x 32 cm; Villet 3, ing and aquatint printed in brown; 15 x 46 Natalia Gontcharova (Russian, 1881–1962); state II/VI; 2006.249. Paris in 1867, View from cm; Abbey 102, 14 without letters; 2006.240. The Fourth Bauhaus Portfolio: Female Half Figure the Trocadero (Paris en 1867, Vue Prise du Tro- View of the Pantheon Taken from the Arsenal (Weibliche Halbfigur); 1922–23 (printed 1924); cadéro); 1867; 43.7 x 66.8 cm; Villet 41, state (aquatint by Frederick Christian Lewis I color lithograph; 50.4 x 33.9 cm; L. E. Holden II/III; 2006.254. Paris, View from the Concorde [British, 1779–1856]); 1803; softground Fund 2006.180. Bridge (Paris, Vue Pris du Pont de la Concorde); 1866; 20.1 x 25.6 cm; Villet 40, state III/III; etching and aquatint printed in brown, hand- Arshile Gorky (American, b. Armenia, 1904– 2006.258. Richmond; 1871; 18.2 x 26.7 cm; colored with watercolor; 22.6 x 53.6 cm; 1948); Mannikin; 1931; lithograph; 37.2 x 28.9 Villet 82, state III/III; 2006.247. Rue des Abbey 102, 12 with letters; 2006.231. View cm; Miller pp. 57–61; Andrew R. and Martha Marmousets (Old Paris) (Rue des Marmousets of Pont au Change (aquatint by Frederick Holden Jennings Fund 2007.166. Christian Lewis I [British, 1779–1856]); about [Vieux Paris]); 1862; 26 x 8 cm; Villet 1, state III/VII; 2006.255. Ruins of the Gallien Palace in

40 Jacques Villon (French, 1875–1963); The Little Girls’ Cake Walk (Le Cake Walk des Petites Filles); 1904; Ginestet and Pouillon 102, state IV/IV; color drypoint, aquatint, and roulette; 30.5 x 42.3 cm; Gift of The Print Club of Cleveland 2006.273.10.

Bordeaux (Ruines du Palais Gallien à Bordeaux); Adolphe Martial Potemont (French, 1828– 1866–68; 35.2 x 26 cm; Villet 45, state V/VII; 1883); Siège de la Société des Aquafortistes; 1864; 2006.256. A Street in Rouen (Une rue de Rouen); etching; 28.5 x 38.9 cm; Mr. and Mrs. 1884; 28 x 19.7 cm; Villet 152, state II/II; Richard W. Whitehill Art Purchase Endow- 2006.250. Traité de la Gravure à l’Eau-Forte: ment Fund 2006.183. Traveler on a Road in a Forest; 1866; etching and Rembrandt van Rijn (Dutch, 1606–1669). drypoint; 18.3 x 11.6 cm; Villet 32, state IV/ Abraham’s Sacrifice; 1655; etching and dry- VI; 2006.257. View from St. Michel Bridge (Vue point; 15.6 x 13.2 cm; White and Boon 35; Prise du Pont St. Michel); 1865; 24.8 x 33.4 cm; Andrew R. and Martha Holden Jennings Villet 22, state I/VI; 2006.252. View from the Fund 2007.156. Louvre (Vue Prise du Louvre); 1822; 18.5 x 28.7 cm; Villet 146, state II/III; 2006.246. Rembrandt van Rijn. Christ Presented to the People; 1655; drypoint; 35.9 x 45.6 cm; White Ethel Mars (American, 1876–1959); Head of a and Boon 76, state V/VIII; Leonard C. Hanna Woman; 1907–10; color woodcut; 12 x 7.5 cm; Jr. Fund 2006.155. L. E. Holden Fund 2006.169. Linda Schwarz (German, b. 1963); Sign Todd Norsten (American, b. 1967); Untitled; Language; 2002; etching, hand-colored 2003; etching with chine collé (recto) and with watercolor; 76.3 x 57.4 cm; Gift of 24 color spit bite (verso); 39.1 x 29.9 cm; Gift of members of The Print Club of Cleveland’s 24 members of The Print Club of Cleveland’s 2006 Minneapolis Trip 2006.196. 2006 Minneapolis Trip 2006.197. Armand Seguin (French, 1869–1903); Trees Chiura Obata (American, b. Japan, at Night (Arbres au soir); about 1894; etching 1885–1975); World Landscape Series: Evening (sugar-lift aquatint?); 16.5 x 25 cm; Field, Glow at Yosemite Falls; 1930; color woodcut Strauss, Wagstaff 74A; Gift of the Estate of with mica; 39.9 x 27.8 cm; Mr. and Mrs. Charles F. Brush 2006.177. William E. Ward Collection Fund 2007.19. Alois Senefelder (German, 1771–1834); 2 Johann Friedrich Overbeck (German, plates from Art of the Lithograph; published 1789–1869); 1826; 2 etchings; L. E. Holden 1819; L. E. Holden Fund. Dedication Sheet, Fund. A Praying Monk (Ein betender Pilge); Plate VII (Dédicace); lithograph; 21.2 x 14.2 11.4 x 7.6 cm; Nagler 1; 2006.174. St. Philip cm; Winkler 711-48.7,VII; 2006.179. Psalter— Neri (S. Filippo Neri); 14.1 x 8.3 cm; Nagler 2; Initial B, Plate VIII (Psalter—Initial B); color 2006.175. lithograph; 14.5 x 22.2 cm; Winkler 711-48.8; Stephen Parrish (American, 1846–1938); 4 2006.178. etchings; Gift of Carole W. and Charles B. Alois Senefelder; Art of the Lithograph; Rosenblatt. Farm Near a Pond; 10.5 x 17.1 published 1819; Gift of Susan Schulman Print cm; 2006.265. Gale at Fecamp; 34.8 x 40.2 seller and Carolyn Bullard Fine Prints in cm; 2006.268. Harbor Scene; 14.1 x 20 cm; honor of Jane Glaubinger. Volume I; 2006.266. On the Thames; 13.5 x 23.3 cm; 2006.194.1. 15 lithographs from Volume II. 2006.267. Albanian, Plate XVIII (Albanier); 7.2 x 11.2 cm;

41 Winkler 711-53.18; 2006.194.14. Four 2006.273.5. Color drypoint, aquatint, and Engraving Samples: War Tent, Map of Toni, Bird, roulette, hand-colored with watercolor; 31 x Dutch Farmer and Woman (Vier Gravurproben: 42.3 cm; state III/IV; 2006.273.6. Drypoint, Kriegszelt, Karte von Toni, Vogel, holländischer aquatint, and roulette; 30.9 x 42.5 cm; state Bauer und Frau); 19.8 x 17.5 cm; Winkler IV/IV; 2006.273.7. Color drypoint, aqua- 711-53.19; 2006.194.15. Head of an Amazon, tint, and roulette; 31 x 42.5 cm; state IV/IV; Plate XIV (Amazonenkopf); 16.8 x 13.9 cm; 2006.273.8. Color drypoint, aquatint, and Winkler 711-50.14; 2006.194.10. Italian Church roulette, hand-colored with watercolor; 31 x Ruin, Plate XVII (Italienische Kirchenruine); 17.6 42.3 cm; state IV/IV; 2006.273.9. Color dry- x 15.7 cm; Winkler 711-53.17; 2006.194.13. point, aquatint, and roulette; 30.5 x 42.3 cm; Landeck in Tirol, Plate III (Landeck in Tirol); state IV/IV; 2006.273.10. 15.3 x 20.7 cm; Winkler 711-44.3; Edouard Vuillard (French, 1868–1940); Cook- 2006.194.4. Madonna and Child on the Clouds, ing: The Cook (Cuisine: La Cuisinière); 1934; Plate II (Madonna und Kind auf den Wolken); lithograph; 33.1 x 25.6 cm; Roger-Marx 11.5 x 17 cm; Winkler 711-44.2; 2006.194.3. 57, proof, state II/III; L. E. Holden Fund Printing Letters, Plate XV (Schriftumdrucke): 2006.171. Transport 1. fresh proof (d’une epreuve fraiche); 30 x 23.3 cm; 2. an old book (d’un ancien livre); 6.5 Levon West (American, 1900–1968); 6 etch- x 8.5 cm; 3. writing with chemical ink (d’une ings and drypoint. Gift of Carole W. and ecriture a l’encre chimique); 4.3 x 13.3 cm; Charles B. Rosenblatt. The Blizzard; 1935; Winkler 711-51.15, XV; 2006.194.11. Printing 22.8 x 37.8 cm; not in Torrington; 2006.263. Press (Kurbel-Reiberpresse); 19.2 x 15.6 cm; The Eagle; 1927; 20.1 x 33.9 cm; Torrington Winkler 11-54.20; 2006.194.16. River 98, state IV/IV; 2006.260. English Bay; 1927; Landscape, Plate XIII (Flusslandschaft); 10.9 x 22.8 x 27.3 cm; Torrington 91, state II/II; 16.3 cm; Winkler 711-50.13; 2006.194.9. Saint 2006.259. Fishing Schooners, Havana; 1930; Cecily, Plate XII (Hl. Cäcilie mit der harfe); 21.1 23.6 x 32.7 cm; not in Torrington; 2006.261. x 16.3 cm; Winkler 711-49.12; 2006.194.8. La Punta; 1927; 31.8 x 16.5 cm; Torrington Title Page, Plate I (Titel), 18 x 16 cm; Winkler 94, proof, state I/III; 2006.262. Sawback Val- 711-43.1; 2006.194.2. Three Designs from ley; 1928; 9.1 x 11.6 cm; Torrington 114, state Dürer’s Prayer Book, Plate V (Drei Zeichnungen II/II; 2006.264. A Prince and Lady, aus Dürers Gebetbuch); 20.5 x 15.9 cm; Winkler Anders Zorn (Swedish, 1860–1920). 2 Dressed in White, 711-46.5; 2006.194.5. Three Engraving etchings. Gift of Carole W. and Charles B. Seated in a Palace Examples, Plate XI (Drei Gravur-Beispiele); 16.8 Rosenblatt. Beadle; 1911; 16 x 11.8 cm; Hjert with Musicians and x 7.8 cm; Winkler 711-49.11; 2006.194.7. and Hjert 154, state III/III; 2006.269. Ols Attendants (from the Toning Samples, Plate XVI (Abtönungsproben); Maria; 1919; 20 x 29.7 cm; Hjert and Hjert Khamsa of Nizami); 17.2 x 13.4 cm; Winkler 711-52.16; 167; 2006.270. about 1560–80; Iran, 2006.194.12. Transfer of a Wood Engraving, Plate Shiraz, Safavid period; VI (Umdruck eines Holzstiches); 9.5 x 13.3 cm; Textiles opaque watercolor, ink, Winkler 711-47.6; 2006.194.6. Canopy; 16th century; India, Sultanate period; and gold on paper; 30.7 combination of two weaves (lampas), satin x 19.7 cm overall; Gift of James Siena (American, b. 1957); No Man’s weave and twill weave; silk; 177.8 x 185.4 cm; William Kelly Simpson Land; 2004; engraving with chine collé; 28.3 Purchase from the J. H. Wade Fund 2006.136. in memory of his wife, x 22.3 cm; Jo Hershey Selden Fund 2006.185. Marilyn M. Simpson, Shahzia Sikander (Pakistani, b. 1969); Afloat; Ikat Textiles; Central Asia, Bukhara, present- and her grandparents 2001; color screenprint; 88 x 60.8 cm; Jo day Uzbekistan; Gift of Dr. Guido Goldman. Mr. and Mrs. John D. Hershey Selden Fund 2006.186. Panel; third quarter of 19th century; velvet ikat, velvet weave; silk; 69.2 x 33.7 cm; Rockefeller Jr. Phyllis Sloane (American, b. 1921); Helen; 2006.153. Wall Hanging; first half of 19th cen- 2006.146.a. 1969; screenprint; 43.2 x 53.5 cm; Gift of tury; warp ikat, warp-faced plain weave; silk Helen A. Weinberg in memory of her hus- warp, cotton weft (5 panels); modern lining; band, Kenneth G. Weinberg 2006.272. 208.9 x 141.6 cm; 2006.150. Wall Hanging; Fabien Vieillard (called Fabien Launay) first half of 19th century; warp ikat, warp- (French, 1877–1904); Before the Bath (Avant faced plain weave; silk warp, cotton weft (5 Le Bain); about 1895; woodcut, hand-colored 1/2 half panels); lining: block-printed plain with watercolor; 23.4 x 30.7 cm; L. E. Holden weave; cotton (3 panels); 180.3 x 128.9 cm; Fund 2006.170. 2006.151. Wall Hanging; third quarter of 19th Jacques Villon (French, 1875–1963); The Little century; warp ikat, warp-faced plain weave; Girls’ Cake Walk (Le Cake Walk des Petites silk warp; cotton weft (5 panels); lining: Filles); 1904; 10 prints; Ginestet and Pouil- printed plain weave; cotton (2 panels); 192.4 x lon 102; Gift of The Print Club of Cleveland. 144.2 cm; 2006.152. Color drypoint and aquatint, hand-colored Long Shawl with Woven Figures and Animals; with watercolor; 34.7 x 45.3 cm; state I-II/ about 1855; India, Kashmir; 2/2 twill tapes- IV; 2006.273.1. Color drypoint, aquatint, try, pieced; goat hair wool; 354.3 x 141.6 cm; and graphite; 34.7 x 45.3 cm; state I-II/IV; Gift of Arlene C. Cooper 2006.200. 2006.273.2. Color drypoint, aquatint, and Main Carpet of the Saryk Tribe; 1870s; roulette, hand-colored with watercolor; 34.2 Turkmenistan, Turkmen people; wool and x 45.4 cm; state II/IV; 2006.273.3. Drypoint, silk; 257.7 x 250.2 cm; Gift of Arlene C. aquatint, and roulette; 34.2 x 45.6 cm; state Cooper 2006.201. II-III/IV; 2006.273.4. Drypoint, aquatint, and roulette; 28.6 x 41.4 cm; state II-III/IV;

42 Ottoman Cushion Cover; early 17th century; Turkey, Istanbul, Ottoman period; combination of two weaves (lampas), satin weave and twill weave; silk and gilt-metal thread; 141 x 68.4 cm; Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.1. Striped Surround (frame) for Ottoman Cushion Cover; Iran, Safavid period, late 17th–early 18th century; plain weave with inner warps and continuous and discontinuous supplemen- tary wefts bound in plain and 1/3 Z twill order; silk and silver-metal thread; 142.2 cm. x 23.5 cm overall. Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.2–5.

Education Art Collection Album of Japanese Paintings: Copies of Works by Sesshu and Korin; late 1800s or early 1900s; Japan; ink on paper; 39.4 x 49.5 cm; Gift of Mitzie Verne in memory of Dr. Daniel Verne 2006.1002. Bowl; 1900s; China; porcelain with Ch’ing Pei type glaze; diam. 20.7 cm; From Krakatoa Asian Art, Gallery Group Fund 2007.1012. Calligrapher Set (modern reproduction); 1900s; Korea; reproduction of original 12th-century set made by Professor Kim Ik-young of Kook- min University, Seoul, Korea; blue-gray porcelain; wood box; Gift of The National Mu- seum of Korea at the opening of “5000 Years of Korean Art” exhibition in 1980 2007.1010. Chariot-Shaped Vessel, Reproduction of Catalogue no. 54; 1900s; Korea; stoneware, ash-glazed; 16.2 x 11.9 cm; Gift of The National Museum of Korea at the opening of “5000 Years of Ko- rean Art” exhibition in 1980 2007.1011. Chrysanthemum Patterned Lidded Box Containing Four Smaller Lidded Boxes; early 1900s; Japan; lacquer; 1.1 x 11.9 x 9.2 cm; Bequest of Lillian M. Kern 2007.1009.1–5. Female Imperial Portrait; 1900s; China; ink on paper; 38.5 x 34.3 cm; Bequest of Lillian M. Kern 2007.1003. Vishnu and Lakshmi; late 1800s or early 1900s; Main Carpet of the Ibeji (Twin Figure); late 1800s; Africa, Yoruba India, Pahari Hills; color and gold on pa- Saryk Tribe; 1870s; people; wood, pigment, and beads; 27 x 6.9 per; 7.9 x 7 cm; Bequest of Lillian M. Kern Turkmenistan, x 8.7 cm overall; Bequest of Lillian M. Kern 2007.1006. Turkmen people; wool 2007.1007. George G. Adomeit (American, 1879–1967); and silk; 257.7 x 250.2 Letter from Matsumoto (February 6, 1912); Japan, Process Kit–Winter Landscape Scene; about cm; Gift of Arlene C. Nagoya; ink on paper; 30 x 20.4 cm; Bequest 1940; copper plate, four-color etching process Cooper 2006.201. of Lillian M. Kern 2007.1008. kit with each color step print and final art- Male Imperial Portrait; late 19th century; China; ist’s proof; 18.2 x 15.7 cm; Anonymous Gift paper; 35.7 x 33.8 cm; Bequest of Lillian M. 2007.1014.1–12. Kern 2007.1004. Paul Beaver Arnold (American, b. 1918); Narasimha Killing Hiranyakasipu; late 1800s or Thai Grocery; 2000; color woodcut; 16.2 x early 1900s; India, Pahari Hills; color and gold 33.7 cm; Gift of The Print Club of Cleveland on paper; 8.2 x 6.7 cm; Bequest of Lillian M. 2007.1000. Kern 2007.1005. Henry G. Keller (American, 1869–1949); Wild Scroll; late 1800s or early 1900s; Ethiopia; 2 Horses; 1900s; lithograph; 34.4 x 48.2 cm; drawings; ink or pigment on vellum; Gift of Gift of The Cleveland Museum of Art Ingalls Steven E. Sender and family in memory of Library 2007.1001. Lester E. and Ann M. Sender. 195 x 15 cm; Laurent Schkolnyk (French, b. 1953); Le Vase 2006.1000. 213.3 x 15 cm; 2006.1001. au Poisson; about 1975; color mezzotint; 12.8 x Sword (reproduction); early 20th cenury; 18.8 cm; Gift of Mr. and Mrs. Thomas French, bronze; h. 55.9 cm; Gift of Jeff Rick in memory of Barbara Wamelink 2007.1002. 2007.1013.

43 Loans to Other World Tour How-to Institutions

Bard Graduate Center for Studies in the Musée Fabre, Montpellier; Musée de Grenoble The idea sounds simple: while the mu- L’Impressionnisme vu d’Amérique Decorative Arts, New York City seum is under construction, send parts Sheila Hicks, Small Works: Substance of Illusion, 1956–2006 Museu Picasso, Barcelona; Fondation Pierre of the collection around as exhibitions. Gianadda, Martigny, Switzerland Making the idea a reality—as the mu- Picasso and the Circus Cleveland Museum of Natural History seum has done these past two years— John James Audubon: American Artist and Naturalist Museum of Fine Arts, Boston; National was, and is, a considerable undertaking. Gallery of Art, Washington; The Art Institute First, the curators developed con- of Chicago Columbus Museum of Art, Ohio cepts that gathered together groups Edgar Degas: The Last Landscapes Edward Hopper of works into coherent presentations. Dallas Museum of Art The Museum of Fine Arts, Houston; Curator of Modern European Art Van Gogh’s Sheaves of Wheat Los Angeles County Museum of Art The Modern West: American Landscapes, William Robinson, for example, came Freer Gallery of Art and Arthur M. Sackler 1890–1950 up with the Impressionist and Modern Gallery, Smithsonian Institution, Washington Masters exhibition that toured Asia National Gallery of Art, Washington Encompassing the Globe: Portugal and the World last year and is still traveling in North in the 16th and 17th Centuries Jasper Johns: An Allegory of Painting, 1955–1965 America. Before anything could go The Frick Collection, New York City Royal Academy of Arts, London anywhere, the Conservation Division Chola: Sacred Bronzes of Southern India Domenico Tiepolo: A New Testament had to prepare each object for travel or Governor’s Residence Foundation, Salvador Dalí Museum, St. Petersburg, Florida decide, in some cases, that a work of Bexley, Ohio Dalí and the Spanish Baroque art was too fragile to leave the muse- Long-term loan Solomon R. Guggenheim Museum, um. Further, Collections Management High Museum of Art, Atlanta; Museum of New York City department staff had to confirm that Contemporary Art San Diego; Hirshhorn Spanish Painting from El Greco to Picasso: none of the works in question were Time, Truth, and History Museum and Sculpture Garden, Smithsonian already committed for loan elsewhere. Institution, Washington Morris Louis Now: An American Master Revisited Western Reserve Historical Society, Once the final checklist was verified, Cleveland the Exhibitions Office then contacted Isabella Stewart Gardner Museum, Boston Hanna House, long-term loan A Bronze Menagerie: Mat Weights of Early China museums around the world to create the actual tour. To host the show, a Japan Society Gallery, New York City Awakenings: Zen Figure Painting in Medieval Japan venue had to have a spot in its exhibition schedule that aligned with open Long Beach Museum of Art, California slots at the other venues. Some venues, Painting with Fire: Masters of Enameling in America, 1930–1980 not surprisingly, asked for fewer works because of space restrictions, while Massillon Museum of Art, Ohio; Riffe others requested additional works. All Gallery, Columbus, Ohio Midwestern Visions of Impressionism the venues were required to provide detailed reports about their security The Metropolitan Museum of Art, and climate control systems to assure New York City Set in Stone: The Face in Medieval Sculpture

Michael C. Carlos Museum, Emory University, Atlanta Long-term loan

Milwaukee Art Museum Biedermeier: The Invention of Simplicity

MOCA Cleveland Short-term loans

Musée Cernuschi, Paris; Asia Society Galleries, New York City Les Perses Sassanides ou les Fastes d’un empire oublié

44 Art handlers Hannah Ries and John Beukemann ready Byzantine and medieval objects for the tour of the exhibition Sacred Gifts and Worldly Treasures.

the CMA of the safety of its works of Museum in Los Angeles—garnering art. As usual, this process demanded in- considerable acclaim for the Cleveland ternational travel as museum represen- Museum of Art along the way. The story tatives visited potential exhibition sites of the medieval works’ tour comes full to verify the conditions and confer with circle in 2009 when the objects return colleagues at those institutions and from a third venue to be installed in the review design schemes for the exhibi- lower level of the museum’s 1916 south tion layout. Laboriously, contracts were building, their permanent home. signed and all the individual details and negotiations needed to produce the tour were eventually put in place. But the work was far from finished. There remained the matter of safely delivering hundreds of works of art to places halfway around the world. As the opening date of the first venue approached, the museum’s art handlers and packers swung into action. Custom shipping cases were built and packed, some housing individual works, others containing multiple pieces. Art handlers and staff members from Collections Management, Conservation, and the curatorial office traveled with the shipment every step of the way to its destination, where they watched over the unpacking and installation. For Sacred Gifts and Worldly Trea- sures, the exhibition of masterworks from Cleveland’s medieval collection, a similar process took that show to the Bayerisches Nationalmuseum in Munich and then to the J. Paul Getty

45 Exhibitions

Years before the renovation and expansion project began, the museum began planning a pioneering exhibition for the fall of 2006. Fittingly, that show was to signal the reopening of the museum after a six-month closure as well as establish new benchmarks in scholarship and public understanding of an important subject. Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (October 15, 2006–January 7, 2007) was organized by the Cleveland Museum of Art and New York’s Metropolitan Museum of Art in association with Barcelona’s Museu Nacional d’Art de Catalunya. Curated by William H. Robinson with the assistance of Cleveland Fellow Jordi Falgàs, it was the first exhibition in North America to examine a remarkable period of time—beginning in 1868 and ending with the fall of the Spanish Second Republic in 1939, when Barcelona changed from a provincial city at the margins of modern Euopean culture into one of the most dynamic centers of art and architecture in the world. More than

Barcelona & Modernity Visitors enjoy The welcomed visitors Bohemian by Ramon back after a six-month Casas. The man museum closure. A depicted is the private collector lent composer Erik Satie this distinctive screen in Monmartre, Paris, by Antoni Gaudí. and the painting was borrowed from the library of Northwestern University in Chicago.

46 Visitors patiently 350 works of art in diverse media were borrowed from museums and waited to see Miro’s The Farm, on loan from private collections; a substantial number came from our own collection. the National Gallery Original documentary materials and innovative computer interactives of Art in Washington, his portrait E. C. Ricart provided contextual information about Barcelona and its art. Total from the Museum attendance was 67,312. The exhibition then traveled to the Met, where of Modern Art (both above), and Dalí’s Soft it boasted the highest attendance of any show of the past two years. Construction with Boiled Beans (Premonition of Civil War) from the Philadelphia Museum of Art (below).

47 Next came even bigger crowds—141,463 visitors to be exact—for Monet in Normandy (February 18–May 28, 2007). For the great French Impressionist Claude Monet the coast of Normandy served as a lifelong inspiration and the subject of many of his revered masterworks. The exhibition celebrated his enduring affinity for this region’s rugged shore- line, rocky beaches, spectacular cliffs, and countryside of abundant fields and picturesque villages. The CMA was one of only three venues in the world to host this magnificent exhibition of 51 paintings, which included a number that were on view only in Cleveland. Another collaborative effort, Monet in Normandy was organized with the North Carolina Mu- seum of Art and the Fine Arts Museums of San Francisco and curated in Cleveland by Heather Lemonedes. Marketing efforts for both exhibitions reached Akron, Canton, Columbus, Dayton, Cincinnati, Toledo, Detroit, Buffalo, and Pittsburgh. Significant printed pieces included a direct mail brochure for each show as well as a full-page New York Times insert. The Barcelona exhibition not only earned media coverage in greater Cleveland, but also drew strong interest from a host of media outlets around the globe, especially in Spain. Overall coverage reached an audience of more than 23 million. Monet in Normandy generated even more attention, reaching more than 47 million people. That exhibition also helped to re-engage the Cleveland television market. The ABC affiliate aired a series of stories, and FOX and NBC affiliates broadcast live remote segments. Following these exhibitions was a spectacular show drawn entirely from our collection: Icons of American Photography ( June 24–September 16, 2007), curated by Tom Hinson. The photography collection of the Cleveland Museum of Art is composed of a highly selective group of masterworks spanning the history of the medium. This exhibition includ- Associate Curator ed more than 100 iconic images from the museum’s remarkable holdings of Drawings Heather Lemonedes of American photographs made between 1850 and 1960, illustrating the introduces the Monet development of an art form and a nation in one exhibition. As is true of in Normandy show. the museum’s collection as a whole, its development in this area has always emphasized quality over quantity. From daguerreotype portraits and massive glass-plate landscapes of the 1800s to spontaneous street shots from the mid 20th century, each photograph is a superlative creative achievement. Similarly, the more than 60 artists represented (every major American photographer) included Ansel Adams, Margaret Bourke-White, Imogen Cunningham, Walker Evans, Robert Frank, Dorothea Lange, Helen Levitt, Gordon Parks, Aaron Siskind, Edward Steichen, Alfred Stieglitz, Paul Strand, Carleton Watkins, Weegee, and Edward Weston. At the same time, our close neighbor the Cleveland Institute of Art collaborated with the museum by co-presenting Ansel Adams: A Legacy (May 20–August 19, 2007), which featured nearly 120 majestic landscapes,

48 intimate texture studies, portraits, and architectural views spanning the career of one of the great masters of American photography. Although the negatives were created during a period of 60 years, the prints themselves were made primarily between the 1960s and early 1980s and reveal the preference for strong contrast and large-format pictures that characterize Adams’s late work. Originally from the collection of the California-based Friends of Photography, one of several organizations Adams helped create to promote fine photography, the photographs are now in the collection of Lynn and Tom Meredith of Austin, Texas. Building for the Future: The Renovation and Expansion of the Cleveland Museum of Art opened on May 8 with illustrations, text, and multimedia offering a comprehensive look at the $258 million renovation and expan-

The CMA’s Water Lilies sion, which will completely transform the museum and enable it to main- took an entire wall in the final gallery of the tain its rank as one of the most important art museums in the country. Monet in Normandy show. A small exhibition of five sculptures from the collection focusing on manifestations of the supreme Hindu deity Shiva opened June 24. Built around a new acquisition, Shiva as Brahma (South India, Chola period, 900–early 1000s) acquired in spring 2007, the show included other Chola pieces: Shiva’s Gajasura—Samharamurti (Slayer of the Elephant Demon); Shiva as Tripuravijaya, Victor of the Three Cities; Nataraja: Shiva as the King of Dance; and Trident with Shiva as Ardhanari, Half Woman. Three traveling exhibitions of works from the permanent collection continued to tour the world. Impressionist and Modern Masters, which opened in China last year, traveled to Japan, Korea, and then Canada, attracting nearly 700,000 visitors along the way. Acclaimed as the most

49 important show of modern European art ever to appear in China, the show earned the same accolade at the Vancouver Art Gallery in British Columbia. Masterpieces of European Painting from the Cleveland Museum of Art appeared at the Frick Collection in New York (November 8, 2006–January 28, 2007) and at the Maltz Museum of Jewish Heritage in Beachwood, Ohio (March 29–July 8, 2007), with paintings by Andrea del Sarto, Annibale Carracci, El Greco, Caravaggio, Peter Paul Rubens, Frans Hals, Rembrandt van Rijn, Nicolas Poussin, Sir Thomas Lawrence, Jacques- Louis David, and Joseph Mallord William Turner, among others. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art was on view at the Bayerisches Nationalmuseum in Munich (May 10–September 16, 2007). It then traveled to the J. Paul Getty Museum, Los Angeles, in the fall. Robert P. Bergman Curator of Medieval Art Holger Klein organized this exhibition, drawing from Conservator Bruce one of the world’s finest and most comprehensive collections of Early Christman and the museum’s Renoir Christian, Byzantine, and Western Medieval art: ours. Sacred Gifts and portrait Romaine Worldly Treasures is the museum’s first traveling exhibition to focus on a Lacaux were a news worthy event in Seoul, significant number of its medieval masterpieces. The paintings, sculp- South Korea. tures, decorative arts, textiles, and illuminated manuscripts offer a fascinating glimpse into the arts and culture of medieval Europe from the Late Antique period to the beginning of the Renaissance. Another University Circle institution, MOCA Cleveland, presented a series of installations of CMA works after The Persistence of Geometry closed in the summer of 2006. Richard Long’s Cornwall Circle (1991) was on view September 28–December 30, 2006; untitled works by John Chamberlain (from 1958–59) and Richard Stankiewicz (from 1961) were on view January 25–May 13, 2007; and Anthony Caro’s Wending Back (1969–70) was at MOCA May 31–September 2, 2007.

Curator of Photography Tom Hinson welcomes visitors to the Icons of American Photography exhibition.

50 Oberlin College’s Allen Memorial Art Museum presented American Masterworks from the Cleveland Museum of Art, August 29–December 17, 2006: four portraits by colonial artists: Nathaniel Hurd (about 1765) and Catherine Greene (about 1769) by John Singleton Copley, Elizabeth Shewell West and Her Son, Raphael (about 1770) by Benjamin West, and Elizabeth Beltzhoover Mason (about 1803–5) by Gilbert Stuart. These paintings reveal indigenous developments as well as continental influences and the exhibition complemented the American and European works on display from the Oberlin museum’s permanent collection.

A selection of CMA’s Old Master paintings visited the Frick Collection in New York and later the Maltz Museum of Jewish Heritage in Beachwood.

51 Loan Exhibitions PER M ANENT COLLECTION EXHIBITIONS

Barcelona & Modernity: Picasso, Gaudí, Monet in Normandy Icons of American Photography Miró, Dalí February 18–May 28, 2007 June 24–September 16, 2007 October 15, 2006–January 7, 2007 Monet in Normandy was the first scholarly The photography collection of the Cleveland Organized by the Cleveland Museum of exhibition to celebrate the intimate relation- Museum of Art is a highly selective group Art and the Metropolitan Museum of Art in ship between Monet and his native landscape. of masterworks spanning the history of the New York, in association with the Museu Although he was born in Paris, Monet moved medium. This exhibition gathered 116 iconic Nacional d’Art de Catalunya in Barcelona, with his family to Le Havre, a charming town images from the museum’s remarkable this exhibition was the first in North America on the Normandy coast, when he was a small American photographs from 1850 to 1960, to examine the remarkable 71-year period child, and thus began the artist’s enduring illustrating the development of an art form and (1868–1939) during which Barcelona changed relationship with the region. The rugged coast, a nation in one exhibition. Like the museum’s from a city of provincial culture into one of rocky beaches, spectacular cliffs, and the other holdings, Cleveland’s photography col- the most dynamic centers of modernist art countryside with abundant wheat and poppy lection is built on quality over quantity. From and architecture in Europe. The exhibition fields and picturesque villages populate daguerreotype portraits and massive glass-plate featured more than 350 works of art in a his paintings throughout his career. The landscapes of the 1800s to spontaneous street variety of media: paintings, sculptures, posters, exhibition was organized geographically, shots from the mid 20th century, each pho- photographs, textiles, furniture, decorative beginning with the artist’s earliest depictions tograph is a superlative creative achievement. objects, and architectural designs and models. of the resort town of Sainte-Adresse on Similarly, the more than 60 artists represented Masterworks were borrowed from museums the Norman coast overlooking the English (every major American photographer) in- and private collections around the world, Channel and continuing with increasingly clude Ansel Adams, Margaret Bourke-White, including a substantial number from our own abstract, atmospheric descriptions of sea and Imogen Cunningham, Walker Evans, Robert collection. Original documentary materials sky painted from the town of Fécamp; views Frank, Dorothea Lange, Helen Levitt, Gordon and innovative computer interactives provided of the cliffs of Pourville; and several paintings Parks, Aaron Siskind, Edward Steichen, Alfred contextual information about Barcelona and of the fishermen’s tiny church of Varengeville. Stieglitz, Paul Strand, Carleton Watkins, its art. The exhibition traveled to the Monet’s views of the famous rock formations Weegee, and Edward Weston. Curated by Metropolitan Museum of Art, New York, of Étretat as well as examples from his famous Tom E. Hinson. March 5–June 3, 2007. Curated by William series paintings—the Grain Stacks, Poplars, This exhibition is supported in part by an award Robinson. and Rouen Cathedral, all done in Normandy from the National Endowment for the Arts. The Cleveland presentation of this exhibition is in the 1890s—were among the highlights of sponsored by Baker Hostetler. The exhibition the exhibition. Late works depicting the artist’s garden at Giverny brought the exhibition to was organized by The Cleveland Museum of Focus Exhibitions Art and The Metropolitan Museum of Art, a close. Monet in Normandy was also on view New York, in association with Museu Nacional at the Fine Arts Museums of San Francisco, Building for the Future: The Renovation d’Art de Catalunya, Barcelona, and supported June 17–September 17, 2006, and the North and Expansion of the Cleveland Museum in part by an indemnity from the Federal Carolina Museum of Art, Raleigh, October of Art Council on the Arts and the Humanities, 15, 2006–January 14, 2007. Curated by Opened May 8, 2007 Heather Lemonedes. and through grants from the Institut Ramon Building for the Future provides a comprehen- Llull and the Generalitat de Catalunya, the This exhibition was organized by the sive look at the $258 million renovation and National Endowment for the Arts, and the Cleveland Museum of Art, the Fine Arts expansion, which will completely transform Getty Research Institute. Additional funding is Museums of San Francisco, and the North the museum and enable it to maintain its rank provided in part by the generous support of the Carolina Museum of Art and supported in part as one of the most important art museums in citizens of Cuyahoga County. The Barcelona by an indemnity from the Federal Council the country. The project’s architect, Rafael & Modernism Symposium was presented on the Arts and the Humanities and by the Viñoly, has developed a thoughtful design that through the generous support of the Institut generous support of the citizens of Cuyahoga both responds to the history of this institu- Ramon Llull. The Ohio Arts Council helped County and the Board of Commissioners. tion and, at the same time, clearly looks to fund this exhibition with state tax dollars to The Ohio Arts Council helped fund this the future. This exhibition informs the public encourage economic growth, educational exhibition with state tax dollars to encourage about the project and the significant progress excellence, and cultural enrichment for all economic growth, educational excellence, and we have already made toward its realization. Ohioans. Promotional support provided by cultural enrichment for all Ohioans. Educa- Curated by Timothy Rub. Continental Magazine, 89.7 WKSU, 107.3 The tion and public programs for the exhibition are Wave WNWV, and the Cleveland Convention supported in part through a grant from Giant and Visitor’s Bureau. Eagle. Promotional support provided by Continental Magazine, 89.7 WKSU, The Wave 107.3, WNWV, and the Cleveland Conven- tion and Visitor’s Bureau.

52 A visitor hears about the museum’s painting The Dream, by Salvador Dalí, using the Barcelona & Modernity exhibition audio tour.

Shiva: A Recent Acquisition CMA@ CIA Opened June 24, 2007 Cleveland Institute of Art, Reinberger Galleries The five sculptures in this exhibition focus on the supreme deity Shiva and his many Ansel Adams: A Legacy manifestations in the religion of Shaivism. A May 20–August 19, 2007 new acquisition, Shiva as Brahma (South India, The 117 images on view—majestic vistas, Chola period, 900–early 1000s), acquired intimate texture studies, portraits, and in spring 2007, joins Shiva’s Gajasura— architectural views—span the career of Ansel Samharamurti (Slayer of the Elephant Demon) Adams (1902–1984), the grand master of (South India, Chola period, 1000s), Shiva as American landscape photography. While the Tripuravijaya, Victor of the Three Cities (South images cover 60 years, the prints themselves India, Chola period, 900–1200s), Nataraja: were made primarily between the late 1960s Shiva as the King of Dance (South India, Chola and early 1980s, and show the strong contrast period, 900–1200s) and Trident with Shiva as and large size Adams preferred during those Ardhanari, Half Woman (South India, Chola Sacred Gifts and Worldly Treasures: years. Originally from the collection of period, 900–1200s). Medieval Masterworks from the California’s Friends of Photography, one of Cleveland Museum of Art several organizations Adams helped create to Bayerisches Nationalmuseum, Munich, May promote fine photography, the photographs 10–September 16, 2007 are now in the collection of Lynn and Tom CMA Traveling Exhibitions Meredith of Austin, Texas. The exhibition J. Paul Getty Museum, Los Angeles, October Masterpieces of European Painting from appeared at the Cleveland Institute of Art, 30, 2007–January 20, 2008 the Cleveland Museum of Art which is a co-presenter with the Cleveland The Frick Collection, New York City, Drawn from one of the world’s finest and most Museum of Art. Curated by Tom E. Hinson. November 8, 2006–January 28, 2007 comprehensive collections of Early Christian, Byzantine, and Western Medieval art, Sacred Maltz Museum of Jewish Heritage, Gifts and Worldly Treasures is the museum’s first Beachwood, Ohio, March 29–July 8, 2007 CMA@ MOCA traveling exhibition to focus on its medieval Main galleries, MOCA Cleveland The paintings in this exhibition range in date masterpieces. The paintings, sculptures, deco- from the early Renaissance to the mid 19th rative arts, textiles, prints, and illuminated Richard Long’s “Cornwall Circle” century and explore challenges to faith, medi- manuscripts offer a fascinating glimpse into September 28–December 30, 2006 tations on human suffering, and astonishing arts and culture from the Late Antique period stories of devotion and betrayal. Most of the through the Age of Humanism. Produced in John Chamberlain’s “Untitled” works were acquired through a fund estab- continental Europe, the British Isles, and the Richard Stankiewicz’s “Untitled” lished by Leonard C. Hanna Jr. In New York, Mediterranean basin from the 3rd through the January 25–May 13, 2007 the CMA paintings were installed alongside early 16th century, most of the works of art works from the same periods from the Frick were acquired over a 90-year period by two Anthony Caro’s “Wending Back” Collection. The gracious and flexible exhibi- of America’s most distinguished medievalists: May 31–August 19, 2007 tion space at the Maltz, a new museum in the museum’s second director, William M. Beachwood, provided a temporary home for Milliken, and the collection’s former curator, the paintings by Andrea del Sarto, Annibale William D. Wixom. The show allows visitors CMA@ Oberlin Carracci, El Greco, Caravaggio, Peter Paul to explore aspects of patronage, gifts and gift- Allen Memorial Art Museum, Oberlin College Rubens, Frans Hals, Rembrandt van Rijn, giving, public and private devotion, courtly Nicolas Poussin, Sir Thomas Lawrence, life, and medieval warfare as well as witness the American Masterworks from the Jacques-Louis David, and Joseph Mallord rise of a decidedly Christian culture through Cleveland Museum of Art William Turner, among others. Curated by some of the most lavish and prized examples August 29–December 17, 2006 William Robinson. of artistic production to survive. Curated by The four portraits by colonial American artists The Ohio Arts Council helped fund this ex- Holger A. Klein. on view during the fall months of 2006— hibition with state tax dollars to encourage Nathaniel Hurd (about 1765) and Catherine economic growth, educational excellence, and Greene (about 1769) by John Singleton Copley cultural enrichment for all Ohioans. (1738–1815), Elizabeth Shewell West and Her Son, Raphael (about 1770) by Benjamin West (1738–1820), and Elizabeth Beltzhoover Mason (about 1803–5) by Gilbert Stuart (1755–1828)—reveal indigenous developments as well as continental influences. The show complemented the American and European works on display from the Allen Memorial Art Museum’s collection. Curated by Mark Cole.

53 Beating drums carried on their heads, the Royal Drummers of Burundi process onto the John Hay High School auditorium stage.

54 Performing Arts, Music, and Film

Building on the success of the first season, the Performing Arts, Music, and Film division presented its second season of VIVA! & Gala Around Town, which continued engaging new audiences and occurred in five new performing spaces. Attendance increased by 15% over the first season, with 11 sold-out performances. The highlights were many. The ethereal blend of the women’s voices of Trio Mediæval reverberated in the sanctuary at Trinity Cathedral. One of four performances presented at the newly renovated John Hay High School, Tango Fire passionately danced for the capacity crowd. After a sold-out performance in the first season, Le Mystère des Voix Bulgares returned to the Shrine Church of Saint Stanislaus for a special holiday program. The audience burst into enthusiastic applause following each piece the Eroica Trio performed at Plymouth Church of Shaker Heights. Iranian musician and composer Hossein Alizadeh offered new interpretations of classical Persian songs with the Hamavayan Ensemble at the Cleveland Play House. At Hilarities 4th Street Theatre, cabaret chanteuse Ute Lemper captivated the audience with her unamplified encore (serendipity thanks to a power failure). East met West as members of the Silk Road Ensemble performed works of Bartók, Alizadeh, Komitas, and Kalhor at Reinberger Chamber Hall. The concerts were promoted with a multifaceted strategy that incorporated advertising and public service announcements on radio and public TV, the direct mailing of a comprehensive season brochure and postcards for individual concerts, e-mail broadcasts, and print advertising, including ethnic-specific publications where applicable. The series enjoyed strong and favorable media coverage from a host of regional outlets in Cleveland, Akron, and in between. Continuing its tradition of presenting innovative musical experiences, the museum presented three programs—each performed twice—in the special exhibition galleries to complement the Monet in Normandy exhibition. The gallery concerts offered audiences an opportunity to experience works by Debussy, Ravel, Fauré, and Takemitsu in a unique setting, and to gain insight into some of the interplay between the visual arts and music. Joshua Smith, principal flute of the Cleveland Orchestra, compiled and performed in the series. The Musart Society sponsored the concerts, which were free to patrons with their exhibition tickets.

55 The department completed its extensive search for a new associate director for music and announced the appointment of Thomas M. Welsh. Director of Performing Arts, Music, and Film Massoud Saidpour appeared in numerous interviews with local and national media including the Plain Dealer, WCPN radio’s Around Noon, WCLV, and Inside Arts, the bi-monthly magazine of the Association of Performing Arts Presenters. The museum’s Panorama Film Series screened 67 different feature films (or feature-length programs of short films) in 138 separate screenings. Forty-seven of the presentations were exclusive Cleveland-area first- Joshua Smith, principal run films. Associate Director for Film John Ewing continued to present flute of the Cleveland Orchestra, performed movies despite construction and program displacement during the year. music of Debussy for a gallery concert during From July through October, movies were shown in Strosacker Auditorium the Monet in Normandy on the campus of Case Western Reserve University. In November, exhibition. the film program returned to a renovated space at the museum proper. Special guests during the year included Oberlin College theater professor Roger Copeland, who showed the Cleveland premiere of his

Tango Fire performed to a sold-out house at the recently renovated John Hay High School auditorium.

new 9/11-inspired feature film The Unrecovered in September. Later that month, Eva Mozes Kor, a Holocaust survivor who is the subject of the documentary Forgiving Dr. Mengele, talked about the movie, her life, and her advocacy for forgiveness during a heated postfilm discussion. In October Jeannie Pool, a Los Angeles music historian and composer, presented her new film about centenarian saxophonist and bandleader Peggy Gilbert. In March, the museum sponsored a film at the Cleveland International Film Festival in downtown Cleveland: The Rape of Europa, a new documentary about Nazi war loot. It sold out its three screenings at Tower City Cinemas. In June, Sebastian Birch, an Ohio composer and Kent State music professor, provided live piano accompaniment for the Czech silent film The Kreutzer Sonata.

56 An Era Recorded Karel PAUKERT Organ

At the end of 2004, Curator of Musical Arts and organist Karel Paukert retired after 30 extraordinarily prolific years at the museum. Those three decades coincided almost exactly with the era of the McMyler organ’s original installation in Gartner Auditorium. Through hours of practice every day, Karel and that instrument—made by Skinner and rebuilt by Cleveland’s Walter “Chick” Holtkamp when it was moved Bach S. J. to the new Marcel Breuer–designed auditorium—came to know each other very well. Paukert constantly explored and pushed the instrument’s expressive museum released Organ Music from J. S. Bach, 2007. capabilities, the organ responded to Prague, featuring works by composers the maestro’s virtuosity, and Gartner from Paukert’s native Czech Republic. Auditorium contributed a distinctive Finally, a recording of works by J. S. Bach dry acoustical environment. It was not will be released at the end of 2007. only Paukert’s retirement that brought Each of these CDs stands alone as this era to a close, but also the current a presentation of a particular theme; renovation of Gartner Auditorium. While taken together, they offer a record of that work will provide many necessary an era in the musical life of Cleveland acoustical and practical improvements, when a gifted musician and a unique it will change the character of the hall instrument created memorable sounds and the sound of the organ within it. over 30 years. “This instrument is promi- A few years ago the museum’s classi- nent in the history of organ building,” cal music support group, the Musart says Paukert, “and this project will bring Society, decided to fund a series of a sonic picture of the instrument as it recordings and CD releases that would was during this time. Listening to these stand as a record of the relationship recordings now, it is clear to me that I between this musician and this instru- adjusted the interpretations to the low ment. First, in 2004, came Noëls, with a reverberation of the room and therefore delightful selection of French music for played with faster tempi. I would love to the Christmas season, spanning three play the organ again once the renova- centuries. Aubade, from 2005, gathered tion is finished. We did a lot of research works by Ohio composers, including into how to improve the sound of the several world premieres. In 2006 the hall and I think it will be wonderful.”

Noëls, 2004. Aubade, 2005. Organ Music from Prague, 2006.

57 Two visiting film professionals presented special screenings during the year. In February, John Columbus, the co-founder and director of the New Jersey-based Black Maria Film and Video Festival, introduced selections from the latest edition of this internationally known short-film competition named after Thomas A. Edison’s first film studio. In May, Dave Filipi, Curator of Film/Video at the Wexner Center for the Arts in Columbus, presented his fourth annual selection of cinematic rarities from the National Baseball Hall of Fame in Cooperstown, NY. As part of the museum’s ongoing renovation and expansion, the lecture hall on the lower level of the Breuer building was outfitted with new seats, stereo sound system, video projector, projection screen, and curtains and masking. One of the museum’s two sets of 35mm film projectors was installed in the booth. The renovated room reopened in November and, with Gartner Auditorium still closed, became the primary venue for film and video screenings. John Ewing was a regular guest on WCPN’s daily arts-oriented radio show Around Noon. He also remains director of the Cleveland Institute of Art Cinematheque. The museum’s films are regularly highlighted in the area’s weekly entertainment publications including the Free Times and Scene Magazine.

The ethereal voices of Trio Mediæval filled Trinity Cathedral during a November 2006 performance.

58 Performing Arts, VIVA! & Gala Around Town Complete film listing: 49 Up; 51 Birch Street; Hossein Alizadeh & Ensemble: “Ancient New “The 2005 Academy Award Nominated Music, and Film Songs”; Anonymous 4: “Long Time Travel- Animated Short Films”; “The 2006 Academy ing”; Artemis String Quartet; Bayanihan Award Nominated Animated Short Films”; Philippine National Dance Company; Guy “The 2006 Academy Award Nominated Doc- Bovet; The Bulgarian State Opera: “Marriage umentary Short Subjects”; “The 2006 Acad- of Figaro”; Eroica Trio; “In Concert with emy Award Nominated Live-Action Short Members of the Silk Road Ensemble”; Leahy; Films”; “2007 Black Maria Film & Video Ute Lemper; Le Mystère des Voix Bulgares; Festival”; Ansel Adams: A Documentary Film; “Masters of Improvisation”: Kayhan + Erdal; Antonio Gaudí; Army of Shadows; Barcelona; Ana Moura: “Passion Songs of Portugal”; The Beales of Grey Gardens; “Best of the Dulce Pontes: “Songs from Portugal”; The Ottawa International Animation Festival Royal Drummers of Burundi and Mombasa 2006”; Blackballed: The Bobby Dukes Story; Party; Akiko Suwanai and Akira Eguchi; The Bobo; The Case of the Grinning Cat; Tango Fire; Trio Mediæval; Todd Wilson. Cavite; China Blue; Come Early Morning; David Hockney: The Colors of Music; The Death of Monet in Normandy Gallery Concerts Mr. Lazarescu; The Devil’s Backbone; The Devil’s Compiled by Joshua Smith, Cleveland Or- Miner; The Distant Journey; Faithless Marijka; chestra. “Exotic Dreams” (Joshua Smith, flute; Film Geek; Food of Love; Forgiving Dr. Mengele; Charles Bernard, cello; Christina Dahl, piano; Gaudí Afternoon; A Grin Without a Cat; Head- Chris Trakas, voice); “Inspired by Debussy” ing South; Heave Ho!; The Hermitage Dwell- (Joshua Smith, flute; Yolanda Kondonassis, ers; Histoire(s) du Cinéma; In Search of Mozart; harp; Joanna Patterson, viola); “Teacher and Interkosmos; The Ister; The Kreutzer Sonata; Pupil: Two Piano Trios” (Stephen Rose, vio- The Lady in Question Is Charles Busch; Land lin; Charles Bernard, cello; Christina Dahl, and Freedom; L’Auberge Espagnole; “Manhattan piano). Short Film Festival 2006”; Matthew Barney: No Restraint; Men at Work; Monet’s Palate: A Gastronomic View from the Gardens of Giverny; Panorama Film Series Off the Black; On the Sunny Side; The Pas- Series of note: “Barcelona as Backdrop,” seven senger; Peggy Gilbert & Her All-Girl Band; The films set in the picturesque Spanish city spot- Photographer, His Wife, Her Lover; Psychopathia lighted in the exhibition Barcelona & Modernity; Sexualis; The Puffy Chair; “Rare Films from “The 2006 Academy Award Nominated Short the Baseball Hall of Fame 4”; The Ritchie Boys; Films,” three programs of Oscar-nominated The River; Shakespeare Behind Bars; Stolen; Such shorts in three categories (animated, live- Is Life; Tibet: A Buddhist Trilogy; The Tiger and action, documentary); and “Czech Modern- the Snow; Un Chien Andalou and L’Age d’Or; ism,” seven visually stunning Czech classics The Unrecovered; Vajra Sky Over Tibet; Verdict made during the 1920s, 1930s, and 1940s, all on Auschwitz; Who the #$&% Is Jackson presented in 35mm prints from the National Pollock?; Wondrous Oblivion. Film Archive in Prague. Individual films of note: Stolen, an investiga- tion into the 1990 art heist at Boston’s Isabella Stewart Gardner Museum; The Ister, an epic “philosophical travelogue” that traverses the heart, history, and soul of 20th-century Europe; 49 Up, the latest in Michael Apted’s acclaimed, decades-long documentary series; Antonio Gaudí, a mesmerizing 1984 nonfic- tion film that was shown seven times during the Barcelona & Modernity show; The Hermitage Dwellers, a behind-the-scenes look at the revered St. Petersburg museum; Who the #$&% Is Jackson Pollock?, a funny and fascinating look at how art works are authenticated; The Tiger and the Snow, the latest romantic comedy from Oscar-winner Roberto Benigni; Histoire(s) du Cinéma, Jean-Luc Godard’s landmark, eight- part reflection on world cinema; In Search of Mozart, the first feature-length documentary on the life of the great composer; David Hockney: The Colors of Music, a documentary co-sponsored by Opera Cleveland’s Operatic Adventures; Monet’s Palate, a mouth-watering look at the connection between fine art and fine cuisine, shown 24 times during the Monet in Normandy exhibition; and Ansel Adams: A Documentary Film, a Ric Burns movie that complemented the Ansel Adams photography show.

59 Community Support

Nearly two years after breaking ground for the museum’s renovation and expansion project, the community continued to show strong and generous support in the form of gifts and pledges to the Campaign for the Cleveland Museum of Art, which includes the museum’s capital campaign and annual operating fund. This historic campaign, the first significant fundraising effort in the museum’s 90-year history and the largest ever undertaken by a cultural institution in the state of Ohio, gained momentum and as of June 30, 2007 had realized more than $156 million in capital campaign commitments from individuals, corporations, foundations, and government enti- ties. Among these commitments were 40 gifts for $1 million or more, including five in excess of $10 million. To date, corporate gifts designated for the museum’s building project total more than $7 million. Capital funds secured from foundations during the fiscal year included a $2 million Capital Challenge Grant from the Kresge Foundation. An outgrowth of the foundation’s mission “to strengthen nonprofit organizations that advance the well-being of humanity,” Kresge’s prestigious challenge grant program is designed to provide endorsement, opportunity, and leverage to ensure the success of nonprofits’ capital campaigns. Other foundation support for the campaign included a gift of $1 million from the David and Inez Myers Foundation, a $500,000 award from the Louise H. and David S. Ingalls Foundation for costs associated with construction of the spectac-

The three co-chairs, Ann Gillespie (left), trustee Sally Cutler (center), and Jennifer Langston (right), toast the success of the Womens Council’s “Pink Martini” benefit in September. The recording artists Pink Martini provided the entertainment during the two-evening event.

60 The reopening of the Breuer building was celebrated at “Pink Martini,” the first of four Womens Council “Just 4 Openers” events marking building project milestones. Tamar Maltz and Viki Rankin along with their spouses, Milton Maltz and Alfred M. Rankin Jr., served as honorary co-chairs. Mr. Maltz and Mr. Rankin are museum trustees.

ular new Ingalls Library in the Breuer building, a $350,000 gift from the Abington Foundation and Allen H. Ford to name the Connie Towson Ford Educators’ Academy, and a $300,000 commitment from the Eva L. and Joseph M. Bruening Foundation for the renovation of the museum’s education wing. On the operating side of fundraising activities, annual support remained strong among the museum’s constituencies. Donations from individuals once again surpassed the previous year’s gifts, with the Donor Circles program bringing in a total of nearly $2 million and ending the year with its largest roster—more than 460 members. Further, under the leadership of immediate past board president and current co-chairman, James T. Bartlett, and new president, Alfred M. Rankin Jr., trustee giving reached a historic high of almost $1 million. Museum members remained extraordinarily loyal, even at a time when the galleries were closed and the collection removed from public view. Two major exhibitions, Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí in the fall of 2006 and Monet in Normandy in the spring of 2007, brought nearly 9,000 new members to the museum, ending the year with an impressive total approaching 24,000 members, well over projections. As always, member preview parties for exhibitions were popular events. The museum welcomed into the Legacy Society 17 new members; their thoughtful generosity and foresight through deferred gifts and estate planning brought the total number of members to 550. In October, William H. Robinson, curator of Modern European Art, spoke about Barcelona & Modernity to a record number of 155 guests attending the Legacy Society’s annual luncheon. All in all, planned giving activities for the year benefited the museum by $3.2 million and included the establishment of one new endowment, the Jean Astrup Faubel Blanche Endowment Fund, and nine gift annuities.

61 In its second year, the Business Leadership Council, chaired by trustee Charles S. Hyle, explored ways in which the museum could more effectively engage greater Cleveland’s corporate community. The initiatives of the council, along with other capital fundraising efforts, included corporate memberships and exhibition and program sponsorships, realiz- ing a total of $632,750 in support. Several significant gifts included Baker Hostetler’s sponsorship of the exhibition Barcelona & Modernity. Other corporate gifts, particularly Medical Mutual of Ohio’s sponsorship of Parade the Circle, brought the museum’s community arts programs to more than 70,000 children and adults throughout Northeast Ohio. As part of a major commitment spanning five years, National City Bank sponsored a collaborative initiative between the museum’s Education and Public Programs Division and the Cleveland Metropolitan School District’s Cleveland School of Architecture and Design at John Hay High School. The John Hay advisory committee, chaired by Timothy Rub, CMA director, and Paul Clark, president of National City Bank, brings Trustee Adrienne Jones and her husband, together key school personnel and representatives from the mayor’s Morris, were among office and a network of area businesses, universities, and cultural institu- 550 guests who enjoyed cocktails, tions: the American Institute of Architects, Cleveland Institute of Art, dinner, and a live performance by the Cleveland Museum of Art, Cleveland School of the Arts, Cleveland musical group Pink Teachers Union, Kent State University, National City Bank, and Martini. University Circle Inc. Support from foundation and government grant-making sources accounted for revenue of $1.8 million. Once again, general operating support from the Ohio Arts Council (OAC) represented the museum’s largest source of unrestricted funds for the year. OAC grants recognize cultural organizations that encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Foundation gifts to the museum’s annual fund totaled $373,250 and included 31 contributions

In the courtyard, the museum was stylishly awash in pink to light up the evening and mark the occasion of the reopening celebration for the Breuer building.

62 ranging from $250 to $150,000 from 26 different trusts, foundations, and funds. At the same time, foundation support came in the form of grants from new and familiar sources earmarked for a diverse array of museum programs and activities. The Tiffany & Co. Foundation provided important, early support with a grant of $100,000 for Artistic Luxury: Fabergé, Tiffany, Lalique, an exhibition scheduled to open in October 2008. The Henry Luce Foundation elected to support the reinstallation and reinterpretation of the museum’s fine collection of American works in the renovated 1916 building with a grant of $150,000. The Samuel H. Kress James Cuno, director of the Art Institute Foundation invested in the museum’s efforts to conserve and reassemble of Chicago, spoke at the exquisite Rottière room within a dedicated Neoclassical decorative the annual Founders Society dinner. arts gallery set to open in the restored 1916 building. This grant was awarded through the foundation’s competitive Old Masters in Context initiative. Closer to home, the museum received important support from the board of the Cuyahoga County Commissioners. In recognizing the potential to generate significant economic impact for the region, Monet in Normandy was selected for generous Destination Cleveland support; promotional activities for Barcelona & Modernity were made possible by money granted through the county’s Arts and Culture as Economic (ACE) Development program. In July 2006, the museum welcomed guests back to the reopened museum for the Summer in the Courtyard series of live music and dining Wednesday and Friday evenings. Forty-six community leaders and museum donors were invited to participate in Museum Associates, a series of six classes exploring the museum’s various departments and programs. And far from home, 35 people toured Russia and the Ukraine through the museum’s unique travel program. Seattle, Vancouver, and Barcelona rounded out the year’s travel offerings. The internship program brought 43 students from colleges and graduate schools across the United States, including the Case Western Reserve Trustee Steven Kestner, University and CMA cooperative programs in art history and museum executive partner of Baker & Hostetler LLP, studies. They worked in Ingalls Library and in the Collections Manage- and his wife, Denise, ment office, with the Distance Learning program and other Education joined director Timothy Rub at a preview party Division departments, and in curatorial offices and Performing Arts. for Baker, sponsors of Barcelona & Modernity. CMA volunteers proved to be among the most hard-working and loyal volunteers of greater Cleveland nonprofit institutions. Not only did 530 people donate their time, they did so working around the inconve- niences of a construction site. Among them were 144 members of the Womens Council, who also provided 28,000 volunteer hours. At the national value of a volunteer hour, the total of 42,000 hours represented more than $750,000 of donated efforts. A highlight of the year’s special events was the “Pink Martini” benefit on September 9 and 10. Organized by the Womens Council, it was the first in a series of four fundraisers called “Just 4 Openers.” Both evenings

63 Womens Council members gathered at a reception in May to honor outgoing chair, Linda McGinty. Former chairs from left to right, Viki Rankin, Linda McGinty, Peta Moskowitz, Carol Michel, Janet Coquillette, and incoming chair, Kate Stenson.

featured the international recording artists Pink Martini performing hybrids of jazz, Latin, and other ethnically influenced music along with their own compositions. Dinner followed in what had been the special exhibition gallery, which was transformed with light and audio visual shows, pink and black ladders, and fabulous floral arrangements. The evening ended with an auction to raise money for Fund-a-Project, benefiting three programs: Art To Go, Distance Learning, and Musical Arts. In other Womens Council activities, new programs supporting the museum’s mission of outreach included events with Fairhill Intergenera- tional School, CWRU Lerner College Medical Students, and Museum Ambassadors, which continued back at the museum despite closed galleries. The council is spearheading a program called “Circle Neighbors” that presents twice-yearly programs to University Circle volunteers on topics of interest such as building in the circle and institutional collabora- tions that affect the whole area. Further, renowned artists Christo and Jeanne-Claude were the featured speakers on May 23 at Severance Hall as part of the council’s ongoing Speaker Series. At the Womens Council’s annual meeting and in culmination of the year’s fundraising activities, Linda McGinty, outgoing chair, presented Timothy Rub with a check for $250,000, raised through a very successful subscription series and benefit, to be used for the building campaign. An additional $58,000 was present- Guests got in the spirit and Jeffrey Rusnak ed to help finance Art To Go, Distance Learning, Museum Ambassadors, by dressing in black with honorary trustee and white at the Circles Barbara Robinson (top, and Parade the Circle. party for the opening left to right). Stanley of Icons of American and Hope Adelstein Photography. Suzanne (bottom).

64 Art To Go

The museum’s first director, Frederic innovative ways, helping visitors of all Allen Whiting, was hard at work devel- ages envision the peoples, places, oping innovative education programs materials, and techniques associated by 1914, two years before the doors with each work of art. opened to the public. One of those The children in these photographs initiatives was to develop an “exten- are from the South Euclid–Lyndhurst sion collection” of art objects intended school district. Teacher Sue Foley especially for teaching and exhibition reported, “Art to Go really engages in schools and libraries. Today these the kids in a direct and dramatic way works of art make up the Education Art because they’re actually holding these Collection, which includes more than works of art. In fact, they can’t believe 18,000 objects. Bringing these objects they’re even allowed to touch them. to schools, the Art To Go program And then when they find out how old currently offers 18 presentations by some of these things are, a lot of trained staff and volunteers to students them just hold their breaths. The fact throughout the region. Each lesson that the museum actually brings Students at Greenview gives participants a tactile and memo- these things out to where we are, Upper Elementary, South Euclid–Lyndhurst rable connection to art and the cultures right into our classroom—that’s the School District had that created it. Participants choose biggest thing.” the opportunity to from a variety of topics designed to handle works of art connect with State of Ohio standards in from the Education Art Collection. science, social studies, math, language arts, and the visual arts, as appropriate for various age ranges. The program was sponsored this year by Dominion, whose Cleveland philanthropy manager Terry Bishop says: “Most of our arts and culture grants are to support education outreach programs. Art To Go was especially attractive because it really kills three birds with one stone: it helps the art museum reach into the community, it helps get the arts into the schools in a time when many chools are cutting back on the arts, and it helps let people know that we at Dominion are active in supporting these kinds of programs.” The Education Art Collection will soon add a “dine in” service to complement the “to go” program. One element of the building renovation and expansion is an important installation near the Breuer building’s north door—the Lifelong Learning Center. This new program will provide further opportunity to use the Education Art Collection in

65 DONORS OF WORKS OF ART

John Jackson (American, 1955–2006); Green Goddess; 2005; watercolor, gouache, charcoal, and graphite with collage; 91 x 124.9 cm; Gift of Achala Wali in memory of the artist 2007.169.

The Cleveland Museum Linda Butler, William Sandra and Gary Mark Schwartz and Mitzie Verne in of Art wishes to thank S. Lipscomb, and Kaufman in honor of Bettina Katz in honor memory of Dr. Daniel the following individu- Judith McMillan the Fine Print Fair of Timothy Rub Verne als, and/or their es- The Cleveland Bequest of Lillian M. Steven E. Sender and Achala Wali in tates, whose generous Museum of Art Kern family in memory of memory of the artist gifts of art enrich the Ingalls Library From Krakatoa Asian Lester E. and Ann M. [John Jackson] museum’s collection. Contemporary Art Art, Gallery Group Sender Garie Waltzer 24 members of Society Fund Elizabeth Carroll the Print Club of Helen A. Weinberg Arlene C. Cooper In loving memory of Shearer in honor of in memory of her Cleveland’s 2006 Heather Lemonedes Minneapolis Trip Bernard Derroitte W. Chave and Mary husband, Kenneth G. Tyler McCracken by Elizabeth Carroll Weinberg Anonymous Gift and Sonia Kupfer in honor of Celine their daughters Shearer in memory Martin K. Webb and Bequest of Shuree Derroitte Cecil McDonald and of Robert Lundie Charles L. Venable Abrams Shearer Foster Family Catherine Edelman John C. Williams in June Sallee Antoine Foundation Gallery, Chicago William Kelly Simpson honor of Audry and in honor of our in memory of his wife, Mr. and Mrs. Thomas The National Albert Ratner parents, Charles Louis Museum of Korea at Marilyn M. Simpson, Sallee Sr. and Cora French, in memory of and her grandparents Dr. Norman Zaworski Barbara Wamelink the opening of “5000 Nell Collier Years of Korean Art” Mr. and Mrs. John D. Herbert Ascherman Jr. Friends of exhibition in 1980 Rockefeller Jr. Photography Herb Ascherman Jr., The Print Club of Michael A. Smith and Robert and Jane The George Cleveland Paula Chamlee Gund Foundation Herbst, Chanho and Jeff Rick Katherine Solender Sung-a Park, James Collection in honor a nd Wi l l ia m E. K atzin of David Bergholz, Thomas R. Roese R. Schutte, and Jerold Susan Schulman Smith and Susan The Cleveland Carole W. and Museum of Art Printseller and Starett Charles B. Rosenblatt Carolyn Bullard Fine John Bonebrake Dr. Guido Goldman Eugene and Joan Prints in honor of Estate of Charles F. Savitt in memory Jane Glaubinger Brush of Dr. and Mrs. E. K. Zaworski, her grandparents

66 CAPITAL PROJECTS SUPPORT

As of June 30, 2007, the Anonymous (8) Mrs. Ellen Wade Garden Club of Charles S. Hyle and The George R. and following individuals, The Abington Chinn Cleveland Charlene Hyle Constance P. Lincoln corporations, and foun- Foundation Dr. Alfred J. Mr. and Mrs. Robert Louise H. and David Family Foundation dations have provided Emily A. Adams Cianflocco and Ms. W. Gillespie S. Ingalls Foundation Dr. Gisela Luther+ generous support of Mary Anne Garvey The Gogate Edward F. and Mary William P. and $500 or more to ongo- Quentin and The Cleveland Foundation F. Intihar Charitable Amanda C. Madar ing capital projects Elisabeth Alexander Foundation Remainder Trust and/or the Viñoly build- Mr. and Mrs. B. Gretchen H. Green The Maltz Family ing endowment. Charles Ames The George W. Mr. and Mrs. Robert Anne Hollis Ireland Foundation Codrington Charitable D. Gries James D. Ireland III The Mandel Elizabeth L. Foundation Armington Mary T. Gruber+ Mr. and Mrs. Donald Foundations The Helen C. Cole M. Jack Jr. Nancy-Clay Baker & Hostetler Charitable Trust John and Christiane Founders Trust Guinness John C. Jackson+ Marsteller, Ph.D. The Collacott S. Livingston Mather B a ker & Ho st et ler L LP Foundation Agnes Gund and Drs. Morris and Daniel Shapiro Adrienne Jones Charitable Trust Mr. and Mrs. James T. Mr. and Mrs. Gerald Bartlett Ann and Graham Trevor and Jennie Mr. and Mrs. Bruce V. A. Conway Mavec Mr. and Mrs. Fred G. Gund Jones Mr. and Mrs. Kathryn Arns May+ Behm William E. Conway Geoffrey Gund Jones Day Mary and William James and McKey Mrs. Barbara L. Cross George Gund III and Dr. and Mrs. Donald Berkman Iara Lee W. Junglas McClung Alexander M. and Eleanor Bonnie Dr.+ and Mrs. Sarah S. Cutler The George Gund Mr. and Mrs. Dieter Norman E. Berman Foundation Kaesgen McCoy and Sevier Mr. and Mrs. David Bonnie Jr.+ John Black A. Daberko Gordon and Llura The Kangesser Gund Foundation Foundation Sarah Holden Peter Black Mr. and Mrs. Peter McLaren Richard J. Blum and W. Danford Hahn Loeser + Parks Mr. and Mrs. LLP Sidmond J. Kaplan Mr. and Mrs. S. Harriet L. Warm Dr. and Mrs. Eric Sterling McMillan III Dr. and Mrs. Mr. Robert M. Mrs. Lawrence Davidson Mellen Foundation Blumenthal Shattuck Hartwell Kaye and Ms. Diane Peter and Margaret Upright Elizabeth Briggs Alfred C. Body Trust Dobbins Henry H. Hawley Mr. and Mrs. Joseph Merry+ Mr. and Mrs. Charles Mr. and Mrs. John D. Mr. and Mrs. Kenneth F. Hegyes P. Keithley Steve and Dolly P. Bolton Drinko Minter Ms. Ann S. Higgins Horace Kelley Art Helen and Albert Eaton Corporation Foundation The William A. and Borowitz Dr. and Mrs. Lloyd Dorothy Tremaine Margaret N. Mitchell Hildt Mr. and Mrs. Jeffrey Robert Brooks H. Ellis Jr. D. Kelly Family Jeanette G. and Edith Virginia Tom E. Hinson and Helen M. Moise Diana S. Tittle Steven and Denise Glenn R. Brown Enkler+ Kestner The John C. and Dr. Gerhard Willard Brown Mrs. Morris Everett Key Foundation Sally S. Morley Sr. Hoffmann+ and Family Foundation Eva L. and Joseph M. Mrs. Lee Hoffmann+ Thea Klestadt+ Bruening Foundation Frances Fangboner+ Donald W. Morrison Holden Parks Trust Mr. and Mrs. Stephen Mrs. Noah L. Butkin Dr. and Mrs. Robert J. Knerly Jr. Joan R. Mortimer, Feldman Arthur and Arlene Ph.D. Linda R. Butler and Holden Jr. Mrs. Arthur Steven E. Nissen, Darrell A. Fields and Kozlow+ Dr. and Mrs. Roland M.D. Helen Forbes-Fields Constance Holden- W. Moskowitz Somers Charlotte R. Kramer Peter A. and Rita M. Maxeen and John Reverend Dr. and Carfagna Flower Mr. and Mrs. Michael The Kresge Mrs. Otis Moss J. Horvitz Foundation Leigh and Mary Allen H. Ford Brian and Cynthia Carter The HRH Family Mr. and Mrs. Murphy The Harry K. Foundations Gregory G. Kruszka Charter One Fox and Emma John P. Murphy Foundation R. Fox Charitable Rita Hubar The Ku las Found at ion Foundation The museum makes Katherine and Lee Foundation Laura A. Hugus+ Helen A.+ and every effort to ensure Murlan and Margaret Chilcote Foundation Patience and George Fredrick S. Lamb that donor lists are Mr. and Mrs. Robert Murphy Sr. M. Humphrey II Maxine Goodman complete and accurate. S. Friedman Mr. and Mrs. Paul J. Levin+ If you believe there may Fusco Sandstone Mr. and Mrs. G. Murphy be an error or omission, T he GA R Fou nd at ion Richard Hunter Jr. Peter B. Lewis Ray and Katie please notify us. John Huntington Art Murphy & Polytechnic Trust + deceased

67 The Musart Society Barbara S. Robinson Superior Electric David and Inez Myers Mr. and Mrs. Company Foundation William H. Roj Frances P. and Seth Myers Industries, Inc. Mr. Paul Rolnick Taft Mrs. David N. Myers Charles B. and Carole Mr.+ and Mrs. Thomas E. Taplin Sr. Mr. and Mrs. Stephen W. Rosenblatt E. Myers The Leighton A. Susan and John Turben Foundation NACCO Industries, Rosenthal Family Inc. Foundation U.S. Department of Transportation Lucia S. Nash Edwin M. Roth Alice O. Vana+ National City Bank Mr. and Mrs. Robert C. Ruhl Mr. Robert A. Mrs. Hilda E. Vertocnik Nieman+ Sage Cleveland Foundation Courtney and David The Norweb Watson Foundation Mr. and Mrs. James Schattinger Mr. and Mrs. Mrs. Elizabeth G. Richard T. Watson Norweb+ and Family Mr. and Mrs. Elliott L. Schlang Raymond John Wean Ohio Historical Foundation Society Mr. and Mrs. David M. Schneider Mr. and Mrs. Alton F. J. O’Neill Charitable W. Whitehouse Jr. Corporation Mr. and Mrs. Viktor Schreckengost Mrs. McKinley Henry Ott-Hansen The Sears-Swetland Whittlesey The Payne Fund Family Foundation Womens Council James Edward Peck+ Second Foundation of The Cleveland Museum of Art The Perkins Mr. and Mrs. David Charitable Foundation Selman Mr. and Mrs. Alfred Estate of Peter Pfouts C. Woodcock Rembrandt van Rijn John L. Selman The Plain Dealer Paul D. Wurzburger (Dutch, 1606–1669); Mrs. Harry Setnik Charitable Remainder Mr. and Mrs. Leon Abraham’s Sacrifice; Shaker Lakes Garden Trust 1655; etching and M. Plevin Club Dr. Norman W. drypoint; 15.6 x 13.2 cm; Stanley M. Proctor Sherwick Fund Zaworski White and Boon 35; Mrs. Alfred M. Andrew R. and Martha Mr. and Mrs. Michael Mr. and Mrs. Rankin Holden Jennings Fund Sherwin William L. Ziegler Mr. and Mrs. Alfred 2007.156. Shifrin Family Helen Zmek+ M. Rankin Jr. Foundation Bruce T. Rankin Laura and Alvin A. Mr. and Mrs. James Siegal Ratner Morris Siegel+ Andy Rayburn and The Naomi G. and Heather Guess Edwin Z. Singer Donna and James Family Fund Reid Mr. and Mrs. Edward Katharine Lee and C. Smith Bryan S. Reid The Kelvin and Reinberger Eleanor Smith Foundation Foundation Sarah P. and William State of Ohio R. Robertson Paula and Eugene Stevens Howard F. Stirn The Estate of Irving Sunshine

68 INDIVIDUAL GIVING

Annual operating gifts Circles Leadership Individual Giving $10,000 to $24,999 provide essential, un- Committee Mr. and Mrs. B. restricted support that Leon Plevin, Chair $50,000 or more Charles Ames enables the museum to Naomi G. Singer, Mr. and Mrs. Michael Dr. Ronald and direct dollars where the President’s Circle J. Horvitz Mrs. Diane Bell need is greatest. We Chair Peter B. Lewis are particularly grate- Mr. and Mrs. James ful to our Donor Circles Lee Warshawsky, Mr. and Mrs. Alfred S. Berkman members, Annual Director’s Circle M. Rankin Jr. Richard J. Blum and Fund donors, Patron Chair Harriet L. Warm $25,000 to $49,999 and Contributing level James T. Bartlett Mr. and Mrs. Charles Mr. and Mrs. Randall museum members, and Richard E. Beeman P. Bolton Corporate members. J. Barbato Suzanne Blaser Mrs. Noah L. Butkin Thank you for such an Mr. and Mrs. James enduring demonstra- William R. Calfee T. Bartlett Mrs. Ellen Wade tion of support during Chinn Deborah W. Cowan Mr. and Mrs. Leigh the 12-month period Carter Mrs. M. Roger Clapp from July 1, 2006 to Peter and Margaret June 30, 2007. Dobbins Alexander M. and Mr. and Mrs. Gerald Barbara Galvin Sarah S. Cutler A. Conway Mr. and Mrs. Robert Mr. and Mrs. Robert Maxeen and John N. Gudbranson W. Gillespie Flower Anne W. Higerd George Gund III and Mr. and Mrs. Robert D. Gries Donald M. Jack Jr. Iara Lee Marilyn Harris Candace M. Jones Janice Hammond and Edward Hemmelgarn Dorothy Hildt Adrienne L. Jones Lillian L. Hudimac Anne Hollis Ireland Jon A. Lindseth Mr. Robert M. Kaye James D. Ireland III Randall D. Luke and Ms. Diane Mr. and Mrs. Dieter Arshile Gorky Katherine Moroscak Upright Kaesgen (American, b. Armenia, Michael J. Peterman Mr. and Mrs. Joseph Mr. and Mrs. 1904–1948); Mannikin; Florence KZ Pollack P. Keithley Douglas A. Kern 1931; lithograph; 37.2 x 28.9 cm; Miller pp. Mr. and Mrs. Frank Mr. and Mrs. Alex Mr. and Mrs. Edward Machaskee 57–61; Andrew R. H. Porter Jr. A. Kilroy Jr. and Martha Holden Alfred M. Rankin Jr. William P. and Mr. and Mrs. Alan M. Jennings Fund 2007.166. Amanda C. Madar Barbara S. Robinson Krause Mr. and Mrs. Milton Elliott L. Schlang Jon and Virginia Maltz Lindseth David L. Selman Barbara and Morton Nancy-Clay W. Allen Shapard L. Mandel Marsteller, Ph.D. Kate Stenson Mr. and Mrs. Bruce Mr. and Mrs. Herbert Mr. and Mrs. V. Mavec McBride William W. Taft Mrs. Alfred M. Mr. and Mrs. William Joyce B. Weidenkopf Rankin C. McCoy Jr. Hannah Weil Mr. and Mrs. James Mr. and Mrs. S. A. Ratner Trudy Wiesenberger Sterling McMillan III Donna and James John Michael Zayac Mr. and Mrs. Harold Reid Paula D. Zeisler S. Minoff Sarah P. and William Mr. and Mrs. John C. R. Robertson Morley Barbara S. Robinson Mary Schiller Myers Mr. and Mrs. David Mr. and Mrs. Stephen M. Schneider E. Myers Mr. and Mrs. Michael Lucia S. Nash Sherwin Mr. and Mrs. Eric T. Mr. and Mrs. Eugene Nord Stevens

+ deceased

69 Mr. and Mrs. Albert Marguerite B. Mr. and Mrs. Charles Mr. and Mrs. Robert B. Ratner Humphrey D. Weller A. Goodman Dr. and Mrs. Ronald Charles S. Hyle and Mr. and Mrs. Loyal Mr. and Mrs. Andrew J. Ross Charlene Hyle W. Wilson L. Green Edwin M. Roth Mr. and Mrs. Donald Iris Wolstein Elaine Grasselli Mr. and Mrs. Elliott M. Jack Jr. Mrs. Paul Hadden L. Schlang Helen Kangesser Wurzburger+ Mr. and Mrs. Henry Dr. Gerard and Mr. and Mrs. John E. Dr. Norman W. R. Hatch III Phyllis Seltzer Kohl Zaworski Mr. and Mrs. James J. Laura and Alvin A. Mr. and Mrs. Dennis Mr. and Mrs. Heusinger Siegal W. LaBarre Kenneth Zeisler Elizabeth A. Holan Mr. and Mrs. Edward Mr. and Mrs. Arthur Carmela Catalano Laundy C. Smith J. Lafave Jr. Zoltoski Mr. and Mrs. Arthur Mr. and Mrs. Steven Mrs. Jack W. Lampl Jr. S. Holden Jr. $2,500 to $4,999 Spilman Toby Devan Lewis Joan E. Horvitz Anonymous Mr. and Mrs. John F. Mr. and Mrs. Edward Susan and Stanley Turben A. Lozick Mr. and Mrs. Paul R. Jaros Abbey Mr. and Mrs. Mr. and Mrs. Joseph Drs. Morris and Richard T. Watson B. Milgram Jr. Mr. and Mrs. Richard Adrienne Jones B. Ainsworth Jr. Edith D. Miller Mr. and Mrs. Thomas $5,000 to $9,999 Mr. and Mrs. A. Fisher Kahn Mr. and Mrs. Mrs. R. Henry Chace Anderson Norweb Jr.+ Mr. and Mrs. Walter Quentin Alexander Elizabeth L. E. Kalberer Mr. and Mrs. Seated Guanyin, Mr. and Mrs. Daniel Armington William J. O’Neill Jr. Mr. and Mrs. John E. Bodhisattva of F. Austin William P. Blair III Katzenmeyer Compassion; 1368–1644; Henry Ott-Hansen Mr. and Mrs. Dean Robert L. and Nancy Mr. and Mrs. John D. China, Ming dynasty; C. Barry Mr. and Mrs. Jon H. H. Bostwick Koch gilt-bronze with Erva L. Barton Outcalt pigment; 30.2 x 19.3 Mr. and Mrs. Edward Mr. and Mrs. Marvin Mr. and Mrs. Paul S. Mr. and Mrs. Leon B. Brandon L. Lader x 20.4 cm; Gift of M. Plevin William Kelly Simpson Brentlinger Mr. and Mrs. John G. Mr. and Mrs. Kurt in memory of his wife, Mr. and Mrs. Mr. and Mrs. Larry I. Breen Liljedahl Pollock Marilyn M. Simpson, William R. Calfee Maria and Laura Mr. and Mrs. Randall and her grandparents Mr. and Mrs. Morton Rosella M. Puskas Cashy D. Luke Mr. and Mrs. John D. Cohen Mr. and Mrs. Thomas Rockefeller Jr. 2006.140 Drs. William A. Mr. and Mrs. William Dr. Dale Cowan A. Quintrell Chilcote Jr. and E. MacDonald III Mr. and Mrs. Robert Blanche Rakita Barbara S. Kaplan Mr. and Mrs. David R. Cull Mr. and Mrs. Bryan Mr. and Mrs. Charles T. Morgenthaler Tamara Durn and S. Reid D. Clark Mr. and Mrs. Richard Rick Doody Mr. and Mrs. Dr. and Mrs. John J. Moroscak Dr. and Mrs. Henry Timothy Rub Collis Mr. and Mrs. Thomas Eisenberg Mr. and Mrs. James Mr. and Mrs. W. Morris Charles D. and A. Saks William E. Conway Donald W. Morrison Charlotte A. Fowler Leonard S. Schwartz Mr. and Mrs. William Creighton B. Murch Mr. and Mrs. Robert and Charlotte R. H. Coquillette and Janice A. Smith Kramer S. Friedman Deborah W. Cowan Susan B. Murphy Mrs. Robert I. Gale Jr. Mark Schwartz and Mrs. George N. Dr. Bettina Katz John G. and Karen R. Mr. and Mrs. Robert Daniels Nestor J. Garon Mr. and Mrs. Boake Lois J. Davis A. Sells Mr. and Mrs. William Mr. and Mrs. Peter and Margaret M. Osborne Jr. Richard C. Gridley Mr. and Mrs. David Dobbins L. Selman Mr. and Mrs. Richard Mr. and Mrs. Robert Mr. and Mrs. Robert P. Price John L. Selman N. Gudbranson P. Duvin Mr. and Mrs. Paul J. Mr. and Mrs. David Richard A. Statesir Scott Fine Schlather H. Gunning and Georganne Vartorella Allen H. Ford Mr. and Mrs. Viktor Dr. and Mrs. Schreckengost Dr. Paul J. Vignos Jr. Leah S. Gary Shattuck Wellman John and Sally Hartwell Jr. Mr. and Mrs. David Mr. and Mrs. Adi F. Gazdar Schulze Mrs. Charles Hickox Haber Warshawsky Judith Gerson Mr. and Mrs. Edwin Mrs. Harry Richard Z. Singer Horvitz

70 Mr. and Mrs. David Marilyn and Mr. and Mrs. Mrs. George Foley Mr. and Mrs. B. Scott Dr. Alvin and Lorrie W. Sloan Lawrence A. Blaustein Frederick W. Clarke IV Dr. and Mrs. Ronald Isquick Magid Barbara and John Mrs. Lawrence Mr. and Mrs. Michael G. Fountain Mr. and Mrs. Edwin Alan Markowitz, M.D. Smeltz Blumenthal A. Clegg Mr. and Mrs. Earl R. T. Jeffery Jr. and Cathy Pollard Mr. and Mrs. Jeffrey Dr. and Mrs. Jeffrey Mr. and Mrs. Victor Franklin Candace M. Jones Dr. and Mrs. Sanford H. Smythe L. Blumer J. Cohn Mr. and Mrs. John R. Trevor and Jennie E. Marovitz Brit and Kate Stenson Mrs. Jerome Boron Richard A. and Fraylick Jones Dr. Harold and Mr. and Mrs. Donald Helen and Albert Diane L. Collier Mr. and Mrs. Ted H. Dr. and Mrs. Donald Suzanne Mars W. Strang Jr. Borowitz Mr. and Mrs. Owen Frost W. Junglas Mrs. Walter A. Mr. and Mrs. Joseph Loretta and Jerome M. Colligan Mr. and Mrs. Glenn Henri Pell Junod Jr. Marting D. Sullivan Borstein Mr. and Mrs. Robert Gali Mr. and Mrs. Nicole Visconsi Mr. and Mrs. Mr. and Mrs. Richard D. Conrad Mr. and Mrs. Peter L. Richard Kaplan Mawby William W. Taft E. Boyatzis Mr. and Mrs. Evan Galvin Mrs. George M. Julien L. McCall Nelson S. Talbott James J. Branagan and R. Corns Alison W. Gee Kaufman Mr. and Mrs. Mr. and Mrs. Neil Mary Lou Stricklin Mr. and Mrs. Alfred Mr. and Mrs. David Susan and James William K. McClung Thompson Emily H. Brasfield G. Corrado Geyer Kendis Dr. and Mrs. Stephen Charles L. Venable Mr. and Mrs. Mr. and Mrs. Edward Dr. and Mrs. Victor Hilary and Robert McClure and Martin K. Webb Benjamin Brick G. Cowan M. Goldberg Kendis Mrs. Frederick S. Dr. Steven Ward and Dr. Margaret Brooks- Mr. and Mrs. Thomas Sally A. Good Mr. and Mrs. Bruce McConnell Jr. W. Cristal Dr. Barbara Brown Terr y Mr. and Mrs. James Kendrick Mr. and Mrs. Nancy N. West Mr. and Mrs. Patricia F. Cusick B. Griswold Steven and Denise Christopher McKenna Mr. and Mrs. Steven Kenneth L. Brown Mrs. S. L. Dancyger Mrs. Jerome Grover+ Kestner Mr. and Mrs. Anthony R. Michel R. Wiesenberger Marshall and Brenda Dr. and Mrs. Robert Mr. and Mrs. Peter Mr. and Mrs. Robert Mr. and Mrs. Bret Brown B. Daroff Guren J. Kichler Dr. and Mrs. Beno Michel Williams Mr. and Mrs. Stephen Bernice M. Davis Mr. and Mrs. Ann F. Kiggen R. Brown Shirley B. Dawson Richard H. Hahn Kenneth H. Kirtz Mr. and Mrs. John $1,000 to $2,499 M. Mino Cynthia and Robert Dr. Diane De Grazia Mr. and Mrs. Thomas Dr. and Mrs. William Mr. and Mrs. Peter Bruml Steve and Dolly Albert J. DeGulis C. Hallisy S. Kiser W. Adams Mr. and Mrs. Stephen Minter Mr. and Mrs. David Dr. and Mrs. Allan Mr. and Mrs. Stephen Stanley and Hope J. Bucchieri H. Harris J. Knerly Jr. Mr. and Mrs. A. Adelstein L. Deming Malachi Mixon III Dr. and Mrs. Harvey Mr. and Mrs. Robert Mr. and Mrs. Stewart Catherine C. Alfred Buchanan Mr. and Mrs. Samuel Beth E. Mooney Dolinsky L. Hartford Kohl Mr. and Mrs. Thomas Richard Bull Craig M. Moore Marian Drost Mr. and Mrs. Donald Dr. and Mrs. Adrian Stewart Allen Linda R. Butler and F. Hastings G. Krudy Mr. and Mrs. Richard Mr. and Mrs. Steven E. Nissen, M.D. Mr. and Mrs. George Keith Morgan J. Dunn Mr. and Mrs. Dr. and Mrs. John Norman W. Allison William E. and Kenneth F. Hegyes T. Lai Mr. and Mrs. Susan R. Dunn Janet G. and Gregory Patricia A. Butler Mr. and Mrs. Mr. and Mrs. Albert William J. Morse J. Ashe Margaret Lang Dr. and Mrs. Lloyd Richard A. Heimlich Wade Laisy Dr. and Mrs. Roland H. Ellis Jr. Thomas J. Baechle Callinan Mr. and Mrs. Oliver Dr. and Mrs. Michael W. Moskowitz Mr. and Mrs. Henry Mrs. Thomas F. Mr. and Mrs. Robert C. Henkel Jr. E. Lamm Bert W. Moyar A. Ellis T. Barratt Campbell Mr. and Mrs. Jeffrey Mrs. Samuel H. Mr. and Mrs. Patrick Dennis Barrie and Mr. and Mrs. Harry Mr. and Mrs. J. Higerd Lamport S. Mullin Douglas V. Epp Kathleen H. Coakley Carlson Edith F. Hirsch Ellen and Howard Mr. Murlan J. Barrie Ruth Anna Carlson Dr. and Mrs. R. Landau Murphy Jr. Bennett Eppes Mr. and Mrs. Richard Mr. and Mrs. James and Albert Leonetti R. Hollington Mr. and Mrs. Robert Mr. and Mrs. Robert L. Bayman Mr. and Mrs. Donald Mr. and Mrs. Frank Richard A. Horvitz Larson D. Neary Mr. and Mrs. Eli C. H. Carpenter Esarove Madeline Huber and Deborah L. and Larry Mrs. James Nelson Becker Mr. and Mrs. Kevin Mr. and Mrs. Warren A. Latson, M.D. W. Farr Jr. Merritt Neal Rains Mr. and Mrs. Francis Mr. and Mrs. M. Carr Dr. and Mrs. Stephen Wynne Neville Richard E. Beeman Mr. and Mrs. Gene Mr. and Mrs. Mr. and Mrs. George Norman Hyams F. Lau Mr. and Mrs. Charles Mr. and Mrs. Jules B. Chapman Jr. A. Faubel Mr. and Mrs. E. Dale Mr. and Mrs. John N. J. Nock Jr. Belkin Corning Chisholm Mr. and Mrs. Louis Lauer A. Femec Inkley Mr. and Mrs. Brad Jane E. Betz Mr. and Mrs. Homer Alan Gordon Lipson Norrick Darrell A. Fields and Dr. and Mrs. Scott R. Mr. and Mrs. D. W. Chisholm Inkley and Judith D. Harris Mr. and Mrs. Frederick E. Bidwell Helen Forbes-Fields Mr. and Mrs. Robert Mr. and Mrs. Fred Ann Halle Little William H. North Jr. Mr. and Mrs. T. A. W. Clark Lauren Fine and Gary Giller Isenstadt Mr. and Mrs. Biskind William Litzler Mr. and Mrs. Mr. and Mrs. James Mrs. Sidney Lobe D. Blaser Frederick Floyd Mr. and Mrs. Michael D. Lundin

71 Parade Halberd (from Robert A. Novak Mr. and Mrs. Oliver Mr. and Mrs. Joseph Babin the bodyguard of George Oliva Jr. E. Seikel Leonard K. Tower Wilma S. Bartholomay of Ludwig Rudolf, Mrs. Donald C. Mr. and Mrs. Thomas Christopher O. Tracy Arthur W. Bayer Jr. Duke of Brunswick- Opatrny W. Seitz Mrs. Richard Barclay Wolfenbüttel [1671– Mr. and Mrs. James Dinah Seiver and Tullis 1735]); dated 1717; Bob and Trisha Pavey H. Berick Thomas E. Foster Germany; blued, Steve and Polly Percy Constance M. Turski Leon W. Blazey Jr. etched, and gilded Mr. and Mrs. John A. Mr. and Mrs. Robert Mr. and Mrs. Michael Shields Rabbi and Mrs. steel, wood haft, silk J. Peterman F. Vail Jr. Richard A. Block fringe; l. 276.9 cm; Mr. and Mrs. Joseph Dr. and Mrs. Mr. and Mrs. Peter Dr. and Mrs. Henry Alma Kroeger Fund Shrier van Dijk 2007.164. Franklin H. Plotkin H. Bohlman Gary and Evelyn Tinkham Veale II Florence KZ Pollack Siegel Barbara J. Bradley Dr. and Mrs. Harry Catherine and Dale Mrs. Morris A. Mr. and Mrs. Veres W. Pollock Lawrence N. Siegler Bradley II Linda A. Pontikos Mr. and Mrs. R. Elaine E. Brookes Mr. and Mrs. David Charles VerMerris Mr. and Mrs. Frank L. Simon J. C. and Helen Mrs. Daniel Verne H. Porter Jr. Dr. Marie A. Simon Rankin Butler Stanley M. Proctor and John Michael Mrs. Myron Viny Mr. and Mrs. Marie Quintana and Zayac Mr. and Mrs. Paul J. William C. Butler Robert Sikora Phyllis Sloane Volpe Elizabeth and Webb Cynthia E. Rallis Gretchen D. Smith Dr. and Mrs. Richard Chamberlain A. Walsh Bruce T. Rankin Mr. and Mrs. Judson Mary Ellen A. E. Smith Mr. and Mrs. Carl and Robert S. Mr. and Mrs. Edward Walter Colquhoun+ J. Riley Jr. Richey and Sandra William K. Wamelink Betty Cope Richard G. and Smith Patricia S. Robertson Katherine Solender Doris H. and Russell Mr. and Mrs. J. Warren William B. Cornell Dr. and Mrs. T. C. and Dr. William E. Rohweder Katzin Mr. and Mrs. David Mr. and Mrs. D. Watson Richard F. Coyne Charles B. and Dr. Joseph A. Sopko Carole W. and Dr. Elizabeth Dr. and Mrs. Leslie T. Mrs. J. Kenneth Rosenblatt MacIntyre Webster Jr. Cozier+ Mr. and Mrs. Dr. and Mrs. Mr. and Mrs. David Mr. and Mrs. Edward Robert J. Roth Gottfried K. Spring W. Weidenkopf F. Crawford Judge Betty R. Thomas and Meg Mr. and Mrs. Michael Mr. and Mrs. David Willis Ruben and Harris Stanton R. Weil A. Daberko Professor Alan Mr. and Mrs. Anne W. Weinberg Dr. Frank J. D’Amico Miles Ruben Leonard Stein-Sapir Mr. and Mrs. Jerome Mr. and Mrs. Peter Mr. and Mrs. Vaughn Dr. Timothy Stephens A. Weinberger W. Danford P. Rubin Mr. and Mrs. Harry Constance S. White, Dr. Ranajit K. Datta Jocelyn C. Ruf H. Stone M.D. Marilyn P. Demeter Mr. and Mrs. Robert John D. Strautnieks Mrs. McKinley Dr. and Mrs. Paul E. S. Rutledge Jeffrey and Heidi Whittlesey DiCorleto Florence Brewster Strean James A. Williams Edward J. Donnelly Rutter Mr. and Mrs. Arthur Donald and Francille and Mary Kay Marjorie Bell Sachs M. Stupay Willis DeGrandis Steven Sagri and Mr. and Mrs. John E. Mrs. James A. Winton Mr. and Mrs. Marian Dieter Sulak Molly H. Young Christopher T. Clarine Saks Sandra S. Sullivan Dunworth Mr. and Mrs. Marc Mr. and Mrs. Daniel $500 to $999 Mr. and Mrs. John Saltzberg C. Sussen Mr. and Mrs. Thomas Ertz W. Adler Mr. and Mrs. Mary E. Suzor Mr. and Mrs. John Mr. and Mrs. John Ferchill Raymond T. Sawyer Mr. and Mrs. Seth Allega Mr. and Mrs. Thomas C. Taft Dr. and Mrs. Sanford Dr. James M. A. Fox J. Scanlon Mr. and Mrs. Bruce Anderson Robin and Andrew E. Taylor David Fresco and Dr. and Mrs. Albert Katherine Offutt Schachat Martha P. Thompson C. Antoine Linda M. Schlageter Helen N. Tomlinson Mrs. David Seidenfeld Patricia M. Ashton

72 Robert Friedman Mr. and Mrs. John Mr. and Mrs. Daniel Kenneth E. Taylor Parade Partisan (from and Elizabeth R. Kelly B. Ornt Mr. and Mrs. Mark the bodyguard of MacGowan Mr. and Mrs. Eric J. Mary Grace Pattison Taylor August Wilhelm, Duke Brunswick- Kim and Jim Gamellia Klieber Mr. and Mrs. James Ronald E. Teare Wolfenbüttel [1662– Mr. and Mrs. Mr. and Mrs. Charles R. Pender Mr. and Mrs. Craig 1731]); dated; 1718; Edmond Gerard J. Koch Mr. and Mrs. W. Tooker Germany; blued, Mr. and Mrs. Robert David B. Krakowski Graham A. Peters Robert M. Torok etched, and gilded M. Ginn Mr. and Mrs. Scott Mrs. Charles E. Dorothy J. Troph steel, wood haft, silk Matthew Gobec and Kreidler Petot fringe; l. 258.5 cm; Alma Doris Clinton-Gobec Mr. and Mrs. John H. Kroeger Fund 2007.165. Mr. and Mrs. Jean Z. Piety Vinton David Goodman and William Lafave Steve and Susan Barbara Hawley Honorable and Mr. and Mrs. Thomas Potter Mrs. William F. B. Dr. Kathleen S. J. LaFond Robert W. Price Vodrey Grieser Mr. and Mrs. Michael Doris M. Pudloski Eileen J. Walsh Mr. and Mrs. Dale E. G. Lann George W. Reese Mr. and Mrs. Charles Griffen Carol A. Latham Mr. and Mrs. Robert W. Walton Mr. and Mrs. John E. Mr. and Mrs. Henry Guinness J. Reid Mrs. James L. G. Laub Wamsley Jr. Mr. and Mrs. David Dr. Robert W. Ray and Jennifer Reynolds Mr. and Mrs. E. Halasz Leach Beth and David Gregory W. Ward Ellen E. Halfon and Doris Linge Richard Leibovich Ricanati William B. Watterson Mr. and Mrs. Neil F. Mrs. Martin and Melissa K. Mr. and Mrs. David Luria Richmond P. Handke Jr. Rosskamm Alice D. Malone Dr. and Mrs. H. Mrs. John D. Hansen Suzanne Cushwa Mr. and Mrs. Andrew Rusnak and Jeffrey Arthur Weldon Mr. and Mrs. Joseph Margolius D. Rusnak Mrs. Donald K. D. Harnett Dr. and Mrs. Martin James R. Schutte Wilson Mr. and Mrs. Robert A. Markowitz Adrian L. Scott Mr. and Mrs. E. Harris Theodore K. Dr. and Mrs. James S. Mr. and Mrs. Thomas Charles Duane Marshall Zampetis Hartman W. Seabright Charlotte M. Genevieve Zarnick Steven C. Hartman Dr. John R. Sedor Masterson and Geralyn Presti Mr. and Mrs. Mr. and Mrs. Jean Palmer Messex William L. Ziegler Jonathan C. Hatch Mr. and Mrs. Larry David Michel and M. Shane Lois C. Hawn Lynne Killgore Lisa Shifrin and Jerry Special Projects, Elizabeth Hecht and Robert Moll and William Programming, and Pete Savoy Maura Hughes Dr. and Mrs. Howard Exhibitions Mr. and Mrs. Gerald Marie Morelli Siegel L. Herschman Malcolm E. Kenney Thomas and Carsten Sierck and Mr. and Mrs. John J. Katharine Morley Allen Shapard Hetzer Andrea A. Morris Mr. and Mrs. Jeffrey Robert T. Hexter Mr. and Mrs. Warren C. Sinclair Mr. and Mrs. Eric A. L. Morris Mr. and Mrs. Hillenbrand Mr. and Mrs. Scott Raymond E. Smiley Mr. and Ms. Don C. C. Mueller Bryan Smith Iler Sarah Yoshiko Mr. and Mrs. Dr. Terence Isakov Murakami Timothy P. Smucker Mr. and Mrs. Norbert Richard J. Murway Patrick T. Soltis R. Jaworowski Mr. and Mrs. Rod Mrs. Richard W. Carl M. Jenks Naro Spurney Michael T. and Sally Dr. Carolyn Nemec Mr. and Mrs. A. Julian and Erin Schikowski Thomas Stafford Mr. and Mrs. Derek Mr. and Mrs. T. F. Mr. and Mrs. John Kaesgen Neubecker M. Stickney Mr. and Mrs. Salim Stuart and Ellen Neye Jack Stinedurf and A. Kafiti Esq. Terry Novak Lori Locke Mr. and Mrs. Julian Lanie Strassburger Kahan Debra G. Strassman Mr. and Mrs.

73 CORPOR ATE SUPPORT MATCHING GIFT COMPANIES

Business Leadership Corporate Patron Corporate Associate Nordson Corporation Aetna Foundation The New York Council (4,500 to $9,999) ($1,000 to $2,999) Northern Trust Bank The Andrew W. Times Company Foundation Charles S. Hyle, Anonymous Alliance Capital Noveon, Inc. Mellon Foundation Chair, KeyCorp Management LP Nordson Corporation Christie’s Ohio CAT AT&T Services, James T. Bartlett, AmTrust Incorporated The Pfizer Dominion QT Equipment Inc. Primus Venture Applied Industrial BD Foundation Partners Fifth Third Bank Richard Fleischman Technologies, Inc. BP Foundation, Inc. Pitney Bowes Marc S. Byrnes, Jones Day Architects, Inc. Blue Point Capital Caterpillar Tractor Preformed Line Oswald Cos. Keithley Instruments, Partners SE Blueprint Products Inc. Company William R. Calfee, Bonfoey Company Sebesta Blomberg Progressive Insurance Cleveland-Cliffs, Inc. KPMG LLP Associates Dominion Foundation CBIZ, Inc. Foundation Stephen J. Knerly Jr., Lamson & Sessions STERIS Corporation Eaton Corporation The Chilcote Rockwell Hahn Loeser + Parks MTD Products Inc. Strang Corporation Emerson Electric International LLP Company Company Northern Haserot Co. Vorys, Sater, Seymour Corporation Trust Ray Leach, Jumpstart Chubb Group of Energizer Oswald Companies Insurance Companies and Pease LLP Saint-Gobian Inc. Eric and Jane Nord Prince & Izant Weston Hurd LLP Corporation City Architecture, Inc. Foundation Foundation Company Cohen & Company Corporate Donors First Data Corporation SBC Foundation Operating Support Rockwell Automation Cuyahoga (under $1,000) FirstEnergy Select Equity Group, The Sherwin- Community College Ohio Envelope Foundation Corporate Sustainer Incorporated Williams Company Degussa Construction Manufacturing Co. ($25,000 or more) FM Global The Stanley Works Squire, Sanders & Chemicals, Inc. Bank of America Gould Electronics Foundation Foundation Trust Dempsey, LLP Dix & Eaton, Inc. Inc. Cleveland Clinic GE Foundation Thrivent Financial Foundation Corporate Dollar Bank Goodrich Foundation for Lutherans NACCO Industries, Contributor ($3,000 Findley Davies Inc. IBM Corporation UBS Foundation to $4,999) Special Projects, USA Matching Gift Inc. FirstEnergy Corp. Key Foundation Brush Engineered Programming, and Program GE Consumer & Exhibitions Dr. and Mrs. John Corporate Founder Materials, Inc. Verizon Foundation Industrial Baker & Hostetler LLP T. Lai ($15,000 to Cleveland-Cliffs, Inc. Wachovia Foundation Great Lakes Integrated Eaton Corporation The Lamson & $24,999) Deloitte & Touche Baker & Hostetler LLP Herbruck, Alder & Ford Motor Sessions Foundation W. W. Grainger Inc. Institutional Capital Company Company The Lubrizol Hahn Loeser + Parks Corporation LLP IBM Corporation Gallery Group, Inc. Foundation Lincoln Electric International McMaster-Carr Company Giant Eagle Corporate Management Group Foundation Supply Company Macy’s Benefactor ($10,000 The J. M. Smucker Great Lakes Brewing Mellon Financial to $14,999) The Millcraft Group Company Company Corporation American Greetings Panzica Construction JoAnn Stores, Inc. Foundation Corporation Key Foundation Company Johnson Controls, Inc. Moen, Incorporated Ernst & Young LLP Margaret W. Wong & Parker Hannifin Kinetico Incorporated Associates, Co., LPA NACCO Industries, Giant Eagle, Inc. Corporation Inc. Landau Public Medical Mutual of Goldman, Sachs & Co. Plain Dealer Relations Ohio Publishing Co. KeyCorp Lubrizol Corporation National City Richey Industries, Inc. McMaster-Carr Luce, Smith & Scott, Timken Company Supply Company Thompson Hine LLP Inc. Ulmer & Berne, LLP Marcus Thomas Margaret W. Wong & Associates, Co., LPA Morgan Litho, Inc.

74 FOUNDATION AND GOVERNMENT SUPPORT

Unrestricted The Payne Fund $2,500 to $4,999 Special Projects, Operating Support The Leighton A. The Thomas Hoyt Programming, and Rosenthal Family and Katharine Exhibitions $150,000 or more Foundation Brooks Jones Family $150,000 or more Ohio Arts Council SCH Foundation Foundation Institut Ramon Llull The Kelvin and S. K. Wellman John P. Murphy Eleanor Smith Foundation Foundation Institute of Museum Foundation The Perkins and Library Services $5,000 to $9,999 Charitable Foundation The Henry Luce $25,000 to Collacott Foundation Foundation $149,999 Sherwick Fund The EWR Lois C. and U.S. Department of Helen Wade Greene Education Charitable Trust Foundation Thomas G. Stauffer Hankins Foundation Foundation Sage Cleveland $25,000 to $149,999 Foundation The Katherine $1,000 to $2,499 Cuyahoga Kenyon Lippitt County Board of $10,000 to $24,999 Foundation George M. and Pamela S. Humphrey Commissioners George W. The Murch Fund Jimmy Dimora Codrington Charitable Foundation Timothy F. Hagan Foundation David and Inez Myers Peter Lawson Jones George Garretson Foundation Corinne L. Dodero Wade Charitable The Samuel H. Kress Trust for the Arts and Trust #2 Foundation Sciences WCLV Foundation The Tiffany & Co. S. Livingston Mather Wright Foundation Foundation Charitable Trust $1,000 to $24,999 American Architectural Foundation Andrews Foundation Laub Foundation

Krishna Supporting Mt. Govardhana; 1700s; India, Rajasthan, Bundi school; ink and color with shell gold on paper; 32.3 x 24.1 cm; Gift of Eugene and Joan Savitt in memory of Dr. and Mrs. E. K. Zaworski, her grandparents 2006.203.

75 PLANNED GIVING

Planned Giving M. Elizabeth Legacy Society Flora Blumenthal Council Monihan The Cleveland Museum Mr. and Mrs. Alfred Stephen H. Gariepy, Patrick S. Mullin of Art thanks the many C. Body+ Chair Joseph V. Pease Jr. members of the Legacy John C. Bonebrake Richard E. Beeman, Andrew I. Press Society, including those Helen and Albert Vice Chair who wish to remain Borowitz Charles L. Ratner anonymous, for their Richard B. Ruth Gedeon Boza Ainsworth Jr. Richard C. Renkert generosity, kindness, and support. Legacy Barry W. Bradley Thomas S. Allen Frank M. Rizzo Society members have Gracey Bradley Gordon A. Anhold Sara K. Robechek included the museum Louise Bradley James S. Aussem James D. Roseman in their estate plans or Patrick J. Saccogna created endowment Mrs. Wilbert S. P. Thomas Austin funds. These planned Brewer+ Bradley J. Schlang Molly Balunek gifts help ensure the Helen E. Brown+ Filigree Disk Brooch Laurence A. Bartell Paul J. Schlather museum’s future for generations to come. Jeanette Grasselli with Central Boss; Gary B. Bilchik Walter S. Schwartz Brown and Glenn R. late 600s; Frankish Gary S. Shamis Brown (late Merovingian); Terry L. Bork John F. Shelley Anonymous metalwork (gilt-silver, Herbert L. Braverman Ronald and Isabelle Martha Aarons Brown+ copper alloy, glass, David J. Brown Roger L. Shumaker almandine); 4.2 x 4.3 Mrs. Shuree Pauline and Clark J. Donald Cairns Mark A. Skvoretz x 1.8 cm; Andrew R. Abrams+ Evans Bruner+ John E. Smeltz and Martha Holden Peter H. Calfee Carolyn Adelstein Dr. and Mrs. Harvey Jennings Fund 2007.163. Richard T. Spotz Jr. Angela G. Carlin Norman W. and Buchanan Mark F. Swary Peter J. Chudyk Helen T. Allison Rita Whearty Robert A. Valente Ronald B. Cohen Hazel M. Anchor Buchanan Missia H. Vaselaney David E. Cook Herbert Ascherman Jr. Fred and Linda Catherine G. Veres Buchler Hedy T. Demsey Marjorie Weil Rebecca H. Dent Gloria A. Walas Aurbach+ Alexander W. Budden Carina S. Diamond Richard T. Watson Frances and Andrew Sally M. Buesch Gary L. Dinner Jeffry L. Weiler D. Babinsky Marcia J. Wexberg Doris Govan Honnie and Stanley Emily A. Drake Busch Drew E. Wright Ballengee+ Heather Roulston Pauline Bushman Ettinger Alan E. Yanowitz Laurence and Nancy Bartell Milan and Jeanne+ Georgia A. Froelich Gary A. Zwick James T. and Hanna Busta Robert R. Galloway H. Bartlett Charitable Mary Luetkemeyer James A. Goldsmith Trust Cahan and Alfred Sally L. Gries Norma E. Battes Cahan Ellen E. Halfon Mrs. Matthew A. Barbara A. Chambers, Ed.D. David P. Handke Jr. Baxter+ Mr. and Mrs. Behm Mrs. Ellen Wade Oliver C. Henkel Jr. Chinn Carolyn H. Bemis Kenneth G. Hochman Ray W. Clarke Gregory T. Holtz Nancy Harris Beresford Betsy Nebel Cohen William J. Hyde Dorothy A. and Don Karen M. and Brian J. Jereb A. Berlincourt Kenneth L. Conley Mark A. Kikta Mildred K. Bickel+ Martine V. and Gerald A. Conway Stephen J. Knerly Jr. Valentine Bikerman+ James R. Komos Mr. and Mrs. Dr. Harold and Kenneth Cooley Roy A. Krall Lillian Bilsky George B. Coombe+ Neil B. Kurit Catherine F. Paris Biskind Mrs. John (Louise) Donald W. Laubacher Cooper Jean A. Blanche Robert K. Lease Robert and Reed Herbert B. Levine Costa Wayne D. Minich + deceased Vincent R. Crew

76 William S. Cumming Heather Roulston Rocco Gioia Mr. and Mrs. Wade Jarmila Hyncik+ Patricia Kelley Ran K. Datta Ettinger Gladys B. Goetz+ Farley Helms Dr. and Mrs. Scott R. John Kelly Barbara Ann Davis Eleanor Everett Leonard C. Gradeck Dorothy P. Herron+ Inkley Bruce and Eleanor Bernice M. and Patricia J. Factor Ruth Thompson Rice Hershey Edward F. and Mary Kendrick David E.+ Davis Arline C. Failor+ Grandin Dorothy Tremaine F. Intihar+ Malcolm E. Kenney Carol J. Davis Hubert L. Fairchild+ Elaine Harris Green Hildt B. Scott Isquick Patricia Kenney E. Barbara Davis Jane Iglauer Fallon+ Mr. and Mrs. Mary C. Hill+ Donald M. Jack Jr. Lillian M. Kern+ Margie K. Davis+ Frances Fangboner+ Richard C. Gridley Tom Hinson and John C. Jackson+ Nancy H. Kiefer Diana Tittle Mary Kay DeGrandis Elizabeth Ludwig Anne Groves Karen L. Jackson Mr. and Mrs. Edward and Edward J. Fennell+ Mary T. Gruber+ Dr. Gerhard Sharon Faith Jacobs A. Kilroy Jr. Donnelly Hoffmann+ and S. Jay Ferrari Mr.+ and Mrs. David Mrs. Lee Hoffmann+ Robert J. Jergens Mary F. King+ Helen+ and Al Mr. and Mrs. C. J. L. Grund Tom L. Johnson+ Kenneth Kirtz DeGulis Mr. and Mrs. Arthur Fiordalis Agnes Gund and S. Holden Jr. Drs. Morris and Mr. and Mrs. G. Mrs. John B. Marilyn L. Fisher Daniel Shapiro Adrienne Jones Robert Klein+ Dempsey+ Dr. and Mrs. Ralph Maxeen and John Graham Gund F. Hollander+ Mr. and Mrs. E. Jay Robert Klein Edna H. Doller+ Flower Joseph E. Guttman+ Dr. Gertrude Bradley Jones Thea Klestadt+ Mark Dreger in Virginia Foley Mr. and Mrs. James Seymour Hornung+ Virginia Jones+ Gina and Richard memory of Kelly C. Hageman+ Dreger Richard Lee Francis Mr. and Mrs. Louis D. Kacalieff, Klym Edward Halbe Michael J. Horvitz M.D.+ Elizabeth Drinko Edward L. Franke+ Margery A. Kowalski Mrs. Ralph I. Fried+ Marvin G. Halber+ Patience Cameron David and Gloria Mrs. Arthur Kozlow+ Mr. and Mrs. Robert Hoskins Kahan Duvin Leonard F. and Virginia Halvorson+ Dr. Tom and Barbara Catherine L. Fuller+ James J. Hamilton Elizabeth A. Hosmer Etole and Julian Kuby Bernard and Sheila Kahan Eckstein Barbara and Peter David A. Hardie and Virginia Hubbell+ Helen A.+ and Andrew Kahane Caroline Emeny+ Galvin Howard John Link+ Laura A. Hugus+ Fredrick S. Lamb Audrey Regan Elaine S. Engeln Mrs. Carl H. Jane Hanson Harris+ Mr. and Mrs. George Dr. Joan P. Lambros Ganzenmueller M. Humphrey II Kardos+ Edith Virginia Thomas and Joan Carolyn C. Lampl Phyllis Asquith Gary Hartshorne Carola B. Hunt Aileen and Julian Enkler+ Kassen Mrs. Samuel H. James E. Gibbs, M.D. D. J. Hassler Grace Ellen Huntley+ Lamport Dr. and Mrs. Michael Mr. and Mrs. Joseph D. Eppig James W. Gifford+ Masumi Hayashi+ Mary E. Huth+ F. Keithley+ Mildred Lerch+ F. David Gill

Canopy (detail); 16th century; India, Sultanate period; combination of two weaves (lampas), satin weave and twill weave; silk; 177.8 x 185.4 cm; Purchase from the J. H. Wade Fund 2006.136.

77 Roger J. Lerch Alice Mitchell Audra L. and George Naomi G. Singer Ruth Lessam+ Mr. and Mrs. M. Rose Alden and Ellen D.+ Maxine Goodman William A. Mitchell Jackie+ and Norton Smith Levin+ Mary B. Moon+ Rose Kathleen E. Smith+ Ellen Levine+ Beryl and Irv Moore Carole W. and Katherine Solender Charles B. Rosenblatt Jon and Virginia Geraldine M. Moose and Dr. William E. Lindseth Dr. and Mrs. Ronald Katzin Bessie Corso J. Ross Tommy and Gill Morgan+ Rochelle A. Solomon Aurelie A. Sabol LiPuma Dr. Joan R. Mortimer Dr. and Mrs. Marjorie Bell Sachs Gottfried K. Spring Dr.+ and Mrs. Sidney Gordon K. Mott+ Lobe Mr. and Mrs. James Lia N. Staaf J. P. Mower+ Martin A. LoSchiavo A. Saks Barbara J. Stanford Margaret and James Dalton Dr. Gisela Luther+ Werner+ Mueller Lois C. and Thomas Saunders G. Stauffer Nancy+ and Byron Susan B. Murphy Lutman Dr. Franklin+ and Dr. Willard D. Steck Anthony C. Nassif, Helen Charnes Carolyn White M.D. Schaefer Saundra K. Stemen MacNaughton+ Egbert and Hilda James Scheid Ester R. Stern+ Alice D. Malone Nieman+ Elliott L. and Gail C. Dr. Myron B. and Jack N. Mandel Mr. and Mrs. George Schlang Helene Stern Charles L. Sallée Jr. Robert A. Mann Oliva III A. Benedict Eleanor E. Stone+ (1911–2006); Bedtime; Mr. and Mrs. Samuel George Oliva Jr. Schneider, M.D.+ Lois and Stanley M. 1940; oil on canvas; 79 Mann Marilyn B. Opatrny Dina Schoonmaker Stone x 66.2 cm; Gift of June Karen Lee Marano Mrs. James M. Zenta Sulcs+ Sallee Antoine in honor Bryan K. Schwegler Kate M. Markert Osborne+ The Irving Sunshine of our parents, Charles Elizabeth Wade Family Louis Sallee Sr. and Wilbur J. Markstrom Aurel F. Ostendorf+ Sedgwick Cora Nell Collier Sallee Dr. and Mrs. Sanford Frederick Ralph and Roslyn Karen K. Sutherland 2006.202. E. Marovitz Woodworth Pattison Seed Frances P. and Seth Mr. and Mrs. Anthony Robert De Steacy Dr. Gerard and Taft M. Martincic Paxton+ Phyllis Seltzer Josephine+ and Isabel Marting+ James Edward Peck+ Mrs. William H. Nelson Talbott Mr. and Mrs. Bruce Mrs. Rudolph J. Shackleton Susan and Andrew V. Mavec Pepke+ Larry and Margaret Talton Kathryn Arns May+ Mrs. A. Dean Perry+ Shaffer Frank E. Taplin Jr.+ Malcolm L. McBride+ Mr. and Mrs. Peter Dr. and Mrs. Daniel Charles H. Teare J. Shapiro Mary W. and Pfouts+ Fred+ and Betty William K. McClung Emily M. Phillips Elizabeth Carroll Toguchi Shearer Eleanor Bonnie Florence KZ Pollack Mrs. William C. Dr. Walter Sheppe Treuhaft+ McCoy Jean C. Price+ Kathleen Burke Mr.+ and Mrs. Marguerite H. Lois S.+ and Stanley Sherwin+ Richard B. Tullis McGrath M. Proctor Michael and Carol Dorothy Ann Turick Judith and Ted Dr. and Mrs. Frank Sherwin McMillan Rack+ Brenda and Evan Patricia and Asa+ Turner William W. and M. Neal Rains Pamela M. McMillan Shiverick Mr. and Mrs. Robert Mrs. Alfred M. Mr. and Mrs. Joseph A. Urban Elizabeth Briggs Rankin Merry+ Shrier Mary Louise Vail+ Donna and James Miriam, Stanley and Robert+ and Laura Reid Alice O. Vana+ Messing Kenneth Shuler Robert S. and Sylvia Marshall A. Veigel Rosalind and Sidney Ivan Mezi K. Reitman Elliot Veinerman H. Silber+ Edith and Ted+ Barbara S. Robinson Nicholas J. Velloney+ Miller Adele Z. and Daniel+ David Rollins+ Silver Catherine G. Veres Mark J. Miller James J. Roop Dr. and Mrs. John A. Lynn Underwood Sims Minnich

78 Dr. and Mrs.+ Paul Named Endowment $250,000 to Endowment Funds $100,000 to Frank and Margaret J. Vignos Jr. Funds for Art $399,999 Specific Purpose $249,999 Hyncik Memorial William E. Ward+ Purchase, Specific Hershey Family Fund Anonymous** Fund $1,000,000 and Elizabeth H. and Purpose, and Louis Severance Mr. and Mrs. Dr. and Mrs. Scott R. more David H. Warshawsky Operations Higgins Matthew Andrews Inkley in memory of The following list Robert P. Bergman, Katharine Newcomer Isidore Warshawsky+ Jane B. Tripp Curatorial Chair for Ronald and Isabelle salutes the individuals, G. Brown Albertha T. Jennings Mr. and Mrs. John families, and organiza- Edward L. Medieval Art Musical Arts C. Wasmer Jr. Whittemore John and Helen tions whose named Robert P. Bergman Ellen Bonnie Mandel Mrs. Daniel T. endowment funds for Memorial Fund Collis Family $100,000 to Children’s Education Weidenthal art purchase, specific Marie K. and Hubert Fine Arts Garden Fund purpose, and opera- $249,999 Lucile Weingartner L. Fairchild Fund** Dr. Gerhard and Mrs. Robert A. Mann tions provide an as- Charlotte Ekker and Lee K. Hoffmann Mr. and Mrs. sured source of income Charlotte Vanderveer Ernest L. and Louise Herman R. Marshall Frederick Weizman M. Gartner Fund L. E. Holden for the museum and Maria J. and William Memorial Dr. Joyce West serve as a lasting legacy Aubrey Hall** Andrew W. Mellon Gertrude S. Hornung Malcolm Martin to their generosity and Foundation** Marcia J. Wexberg L. E. Holden Zane Bland Ethel Cable McCabe and Kenneth D. foresight. Based on Andrew W. Mellon Odenkirk and Singer market value as of Louis D. Kacalieff, Foundation Fund Magdalena Maillard Thomas Munro June 30, 2007. M.D. Memorial Fund Marilyn J. White for Publications and Odenkirk **new fund or activity Alma and Robert Research Charlotte F. J. S. Louise Pattison Mr. and Mrs. Alton in 2006–7 Milne W. Whitehouse Jr. Reinberger Vanderveer Preservation and James A. Parmelee Foundation H. E. Weeks Conservation of Hugh and Sherry Asian Paintings Whiting Charles B. and Carole John and Frances Memorial for Art and W. Rosenblatt** Sherwin Fine Arts Architecture Mr. and Mrs. Edd A. Douglas Wick Endowment Funds Judith and James A. Garden Womens Council Ruggles Memorial Alan and Merry Art Purchase Saks in memory of The Paul J. and Edith Flower Fund Fund Wilde Lynn and Dr. Joseph Ingalls Vignos Jr. Adolph Benedict and $10,000,000 and Burt T. Williams Tomarkin** Curator of European Up to $99,999 Ila Roberts Schneider more Anne Elizabeth Painting Lydia May Ames Memorial Music Mrs. Lewis C. Leonard C. Hanna Jr. Wilson Fund Fund Williams Bequest Valentine Bikerman Mr. Meredith $500,000 to Scholarship Fund Charles Frederick Mr. and Mrs. William Up to $99,999 $999,999 Williams Robert Blank Art Schweinfurth H. Marlatt Fund George P. Bickford, Scholarship Mr. and Mrs. Roy L. John Cook Memorial Scholarship Fund Severance A. and Fund Curatorial Chair for Mary H. White Williams Indian and Southeast Arthur, Asenath, and Greta Millikin A. W. Ellenberger Sr. Mary Jo Wise+ Asian Art Walter H. Blodgett Dorothy H. Zak Ruthe and Heinz Lenora R. Wolf+ $1,000,000 to Ellen Wade Chinn Memorial Fund Eppler Nancy L. Wolpe $6,999,999 Harold T. Clark Kelly Dreger Julius L. Greenfield Dorothea Wright Educational Louise M. Dunn Donald F. Hamilton Woodcock Lawrence Hitchcock Extension Fund Fund Andrew R. and Tom L. Johnson Rufus M. Ullman** Netta Faris Mrs. Paul Martha Holden Wurzburger+ G. M. and J. R. Nicholas J. Velloney** The Gallery Group Jennings Kelly** Helen Zmek+ Delia H. White Gilpin Scholarship Alma Kroeger Mr. and Mrs. Roger J. Dr. William F. Anton and Rose Fund of Karamu Lerch in memory of Carl House Zornow+ $400,000 to Zverina Music Fund J. Lerch and Winifred J. Mr. and Mrs. James Frances R. Zverina $999,999 Lerch** Delia E. Holden $250,000 to C. Hageman in Mary Spedding $499,999 memory of Mrs. Elta Lillian M. Kern Milliken Memorial Albaugh Schleiff Memorial Fund Mildred K. Bickel Dr. Gerard and The Noah L. Butkin Charlotte L. Halas Edwin R. and Phyllis Seltzer Harriet Pelton Fund Flora E. Hard Elizabeth Carroll Perkins The FUNd Memorial Fund Shearer Mr. and Mrs. Richard Marianne Millikin Guerdon Stearns Nicholas J. Velloney W. Whitehill Hadden Fund Holden Mr. and Mrs. Malcolm E. Kenney Dorothy Humel William E. Ward Special Exhibitions** Hovorka Musical Arts Fund F. J. O’Neill Rose E. Zverina

79 Endowment Funds $250,000 to Mrs. Harold T. Clark Operating $499,999 Memorial Elizabeth G. Drinko Mary Elder Crawford $10,000,000 and Richard B. and Nancy W. Danford more Chaille H. Tullis Leonard C. Hanna Jr. Bernard and Sheila Bequest G. Garretson Wade Eckstein Membership Lewis C. and Lydia Adele C. and Howard Endowment Williams P. Eells Jr. Eleanor and Morris $1,000,000 to $100,000 to Everett $249,999 $6,999,999 Robert I. Gale Jr. and Dorothea Wright Quentin and Frances W. Gale Elisabeth Alexander Hamilton Mr. and Mrs. Arthur Leonard C. Hanna Jr. Julia and James S. Holden Jr. Dempsey Benjamin S. Hubbell Ralph and Mildred Family Fund Elsa C. and Warren Hollander C. Fargo Andrew R. and Mr. and Mrs. Michael Martha Holden Newman T. and J. Horvitz Virginia M. Halvorson Jennings James D. and William G. Mather Frances W. and David Cornelia W. Ireland S. Ingalls Mr. and Mrs. James James Endowment** S. Reid Jr. Mr. and Mrs. Edward A. Kilroy Jr. Martin A. LoSchiavo** Katherine Holden Caroline Thayer Ada E. Koehler Memorial MacNaughton Silvia and Justin Mr. and Mrs. Mr. and Mrs. Zverina Fund in Severance A. Millikin memory of Lillie and William H. Marlatt Adolph Wunderlich Fund David and Dorothy Estate of Malcolm L. Morris Memorial $500,000 to McBride Mr. and Mrs. George Jane Kent (American, b. $999,999 Ruth K. McDonough Oliva Jr. 1952); The Blue Optimist; Charles R. and Laurence H. Norton Rudolph J. Pepke 2006; watercolor, black Emma M. Berne Memorial Helen G. and A. ink, and graphite; 44.7 Memorial Fund Dean Perry Mr. and Mrs. Alfred x 34.6 cm; Gift of The George P. Bickford M. Rankin William B. Sanders Print Club of Cleveland Roberta Holden Bole 2007.16. Mr. and Mrs. Louis Margaret E. and Rorimer Memorial** Julia Cobb and Frank E. Taplin Jr. Benedict Crowell Glenn C. Sheidler Memorial Fund Paul J. and Edith Ingalls Vignos Francis M. and Josephine P. and Margaret Halle Dorothy B. Everett Alton and Helen Sherwin Whitehouse Charles W. Harkness James N. and Lewis B. and Helen Kathleen B. Sherwin Louise H. and David C. Williams S. Ingalls Jane B. Tripp Alison Loren and Up to $99,999 George Garretson Leslie Burt Fund in Jean Astrup Faubel Wade Memorial memory of Albert Blanche** Worcester Reed and and Doris Glaser Arthur, Asenath, and Cornelia Blakemore Margaret Huntington Walter H. Blodgett Warner Memorial Smith McCarthy Memorial Fund Paul D. and Odette F. J. O’Neill Mr. and Mrs. Wilbert V. Wurzburger Anna L. Vanderwerf S. Brewer Memorial Fund Noah and Muriel Mr. and Mrs. Richard Butkin W. Whitehill Julius Cahan

80 Individual and Frank E. and Edith S. Harley C. and W. Dominick Benes Nathan L. Dauby I. T. Frary Memorial Contributing Taplin Memorial Elizabeth K. Lee Memorial Memorial Karen Freeman Endowments Mr. and Mrs. Thomas Helen S. Leisy George P. and Clara Bernice and David E. Miriam and Harry For General V. H. Vail Memorial G. Bickford Davis M. Friedman Operations Dr. William F. Robert Arthur Mann George T. Bishop Elaine Davis Memorial Edward M. Fritz The following list Zornow Samuel and Grace Memorial Helen and Albert Memorial salutes the individuals, Mann Roberta Holden DeGulis W. Yost Fulton families, and organiza- $10,000 to $24,999 Judith K. and S. Sterling Bole Memorial Elizabeth Brainard tions whose named Anonymous #3 Frederick William membership endow- McMillan III** Alfred M. and Thomson Denison Gehring Memorial Anonymous #9** Palmyre C. Bonhard Memorial ment funds for opera- Donna and Ruben Hulda B. Gehring tions provide an as- Raymond Q. and Mettler Memorial Edwin A. Dodd Myron E. and Rose sured source of income Elizabeth Riely Marilyn B. Opatrny Helen and Albert Mr. and Mrs. John R. for the museum and Armington Borowitz B. Glass Aurel F. Ostendorf Donnell serve as a lasting legacy Barbara J. and Alva Bradley Mary G. and Frances to their generosity and S. V. Palda Memorial Daniel W. Dority K. Glidden Memorial Matthew A. Baxter Memorial Memorial foresight. Based on Franklin and Helen George C. Gordon cumulative giving as of Virginia R. Mr. and Mrs. Morris Mr. and Mrs. Robert Billinghurst Memorial Elizabeth Rockefeller A. Bradley Mr. and Mrs. Herbert June 30, 2007. Memorial P. Duvin Eleanor and Sevier Emma G. Brassington G. Goulder Memorial **New fund or activity Daniel and Adele Z. William Joseph in 2006–7 Bonnie Memorial Eastman Memorial Mr. and Mrs. Gary Silver Graffman Frances Kelleher Arthur L. and Ella C. Edison $25,000 to $49,999 Bradner Chester D. Tripp Virginia Brockway C. A. Grasselli Maud Stager Anonymous #5 Linda Bole Brooks Atheline M. and John Arthur D. and Memorial S. Wilbur Eells and Howard Marie N. Agee Memorial Marion W. Brooks Parmelee Edward Grasselli Arthur, Asenath, Louise Brown Womens Council Memorial Memorial of the Cleveland Mr. and Mrs. and Walter Blodgett Polly S. and Clark E. The Oliver and Frederick L. Emeny Mr. and Mrs. Jerome Memorial Museum of Art Harriet G. Brooks Gratry Bruner Sam W. and Florence Myrta Jones Cannon Susan Barber Memorial John Adam Green Katherine Ward Woodhill Memorial Taylor Emerson Howard Melville Burrell Glenn and Jenny Martina D. Grenwis Dr. and Mrs. E. K. Brown Dr. and Mrs. Michael Hanna III Memorial The Champney Fund D. Eppig Mr. and Mrs. Zaworski Memorial Helen C. Brown Lawrence Hitchcock Harold T. Clark Alwin C. and Richard C. Gridley Ezra and Rose Memorial Cleveland-Cliffs Charlotte F. Ernst Mr. and Mrs. Frank Brudno Memorial K. Greisinger David H. Jacobs Foundation Up to $9,999 Memorial Laura Merryweather Franny Tewksbury Phyllis G. and Jacob Anonymous #1 Neil and Marian Frank J. and Anastasia Burgess Memorial Evans M. Grossman and Ralph T. King D. Cox Jr. Memorial Anonymous #2 Memorial Mr. and Mrs. Mr. and Mrs. Harold Memorial** Mrs. John B. Dempsey Anonymous #8 Courtney Burton Fallon Mrs. Ray J. Groves G. Robert and Mary Estelle M. and Alton Anonymous #10 Alice Carothers Elizabeth Klein C. Dustin Memorial Adolph J. and Esther Mr. and Mrs. David Jack and Carolyn Frances Adams and Memorial S. Farber Memorial L. Grund Pamela Humphrey Mary E. Adams Lampl Katherine Hodell Paul Louis and Agnes Gund Firman Memorial Chilcote Memorial Edith Lehman Feiss Memorial Patricia C. LeMaster Mr. and Mrs. J. Memorial Walter S. and Mabel Alvah Stone and Memorial George Gund III, Harrington Glidden Croston Adams Adele Corning James Edward Ferris Agnes Gund, Gordon Aline McDowell Edgar A. Hahn Memorial Alfred S. and Estelle Chisolm Memorial Memorial Gund, Graham de C. Robert L. and Lois G. Andrews Kenneth L. and C. J. and Elizabeth Gund, Geoffrey de Mr. and Mrs. Eugene M. Hays R. Miles Stella Minor Karen M. Conley Fiordalis C. Gund, and Louise Mr. and Mrs. George Arntisdale L. Gund Charles E. Cooper Royal and Pamela H. Ralph J. Mueller M. Humphrey II Memorial Eva M. Baker Delos and Anita Firman Jr. Mr. and Mrs. James C. George M. and Memorial Hageman** Carl L. and Florence Cosgrove Flesheim Foundation Pamela S. Humphrey S. Prentiss Baldwin Georgia S. Haggerty B. Selden Tina V. Cowgill Mr. and Mrs. Walter Albert S. Ingalls Memorial John and Frances W. Mrs. Harry J. L. Flory Bertha Halber David S. Ingalls Jr. Mr. and Mrs. A. Sherwin Crawford Mary Eileen Fogarty Eugene S. and Ruthalia Keim Beverly Barksdale Blanche R. Halle Mr. and Mrs. Nelson Harris Creech Kate L. Fontius Esther K. and Memorial S. Talbott Fund in Richard and Gina Mary Elizabeth Memorial Elmer G. Beamer memory of Mr. and Klym Crawford Croxton Helen C. Halle Mrs. Edwin Kirk Foundation Dr. and Mrs. Finley M. K. Foster Salmon P. Halle Large Mr. and Mrs. Arnold Memorial Bellowe

81 Harold A. and Louise Delaney Thomas S. and Walter Ross Samuel H. and Trust Fund Income Claribel B. Hallstein Kiphuth Memorial Marie E. Milliken Walter D. Sayle Bessie Shaw Urdang for Art Purchase, Memorial Memorial Florence A. Hamilton Jessie Effler Kneisel Mrs. William Cramp Specific Purpose, Colburn Haskell Ella Konigslow Julia Severance Scheetz Jr. Dorothy T. Van and Operating Millikin Loozen Memorial Memorial Elroy J. Kulas Else Schmelzer The following list Mr. and Mrs. Robert Memorial Anna Willett Miter Visible Language acknowledges the and Harry Fancher Heinz Schneider individuals and families Heller Dr. and Mrs. Victor George Garretson Memorial Ellen Schultz Wade Memorial whose trusts provided Birdie B. Herzog C. Laughlin income to the museum Memorial Fanny Hanna Moore Charles P. and Ella R. Whitney and Caral Gimbel Scovill Memorial in 2006–7. Laurence A. and Lebworth Mrs. J. E. Morley Florence S. Warner Margarete S. Higgins Mrs. Cox Morrill The Sears-Swetland Memorial Art Purchase Mr. and Mrs. Elmer Foundation Eleanor Hilliard Lindseth Gordon K. Mott Mr. and Mrs. John C. Dudley P. Allen Memorial Elizabeth and Ellery Wasmer Jr. Karl B. Goldfield Dr. and Mrs. Sidney Mr. and Mrs. Werner Sedgwick Mrs. J. Howard Lobe D. Mueller Sada D. Watters Severance and Greta Mary H. Severance Memorial Holan William A. Lowry Jeanie C. Murray Millikin Memorial Mrs. Daniel T. Elinor Irwin Holden Mr. and Mrs. George Mary and Louis S. John L. Severance Memorial Samuel Paisley Shane Weidenthal C. Lucas Memorial Myers Foundation Memorial Norman O. Stone Allen C. and Louise Mr. and Mrs. Robert and Ella A. Stone Mr. and Mrs. John S. Robert C. Norton Perin Shirley L. Weston Q. Holmes Lucas Memorial Harry D. and Blanche Memorial Roy M. Wheeler Helen Chisholm Marilyn Lurie E. Norvell J. H. Wade Hord Vladimir G. and Memorial Memorial John O’Connor Mary Kingsbury Kathleen F. Whidden Specific Purpose Mr. and Mrs. Bird W. Charlmer F. Lutz Simkhovitch Housum Memorial Crispin and Kate Memorial Leonard C. Hanna Jr. Memorial Oglebay Memorial Memorial Mrs. Gene C. Martha W. White Hermon A. Kelley Hilda B. Lyman Mr. and Mrs. George Allard and Margaret Hutchinson Memorial E. Smith Miriam Norton Art Library Oliva III White Albert S. Ingalls Jr. Isabel Marting James A. and P. J. McMyler Memorial William M. O’Neill Roland W. White Musical Endowment Grace Harman Elizabeth B. D. Smith Jane Taft Ingalls Marion A. and Memorial Memorial Mather Memorial Amelia G. Parsons Operating Richard Inglis Nathalie C. Spence Walter C. White Katherine L. Mather Memorial Memorial Harry F. and Edna J. Memorial Memorial Memorial Burmester G. G. G. Peckham Mr. and Mrs. Hugh Dr. and Mrs. Scott R. William G. and Memorial Marion H. Spiller Caroline E. Coit Inkley R. Whiting Elizabeth R. Mather Mrs. Heaton Louis Stearn Helen C. Cole Ireland Foundation Mr. and Mrs. Mike Matsko Pennington Avery L. Sterner Douglas Wick Henry G. Dalton Paul F. and Lucretia Memorial Drake T. Perry Memorial B. Ireland R. C. Williams General Endowment Ruth A. Matson Mr. and Mrs. M. H. Nathalie B. Steuer Mr. and Mrs. Henry Memorial Captain and Mrs. Guerdon S. Holden Kathryn Arns May Pierce Thomas Wilson L. Jackson Judith Helen and John Huntington Art Clara Mayer Mary B. S. Pollock Memorial and Polytechnic Trust Ann J. and E. Bradley Memorial Martha A. Stewart Jones Mr. and Mrs. Henry Memorial Boris Witzer Hinman B. Hurlbut William B. F. Pope Memorial Issac and Jennie B. McAllister Memorial Mr. and Mrs. John Horace Kelley Art Joseph Memorial Eda Sherwin Prescott M. Stickney Elbert C. and Foundation Malcolm L. and Lucia John B. Putnam Henrietta S. Wixom Louis D. Kacalieff, McCurdy McBride Morris and Maxeen Memorial William Curtis M.D. Memorial Stone Morton, Maud Ellen E. and Lewis A. Frank J. and Rita M. J. D. Wright Morton, and I. Theodore Kahn McCreary Memorial Selina J. Sullivan Rack Memorial Clara Gordon York Kathleen Morton Mrs. I. Theodore Mr. and Mrs. S. Kahn Lucille Ralls Seth and Frances Taft Wilbur H. and Elisabeth Severance Sterling McMillan Memorial Robert L. Zink Prentiss Samuel S. and Moselle Taylor Meals Mr. and Mrs. Charles Dorothy D. Kates Robert S. and Sylvia Farrand Taplin William H. and Katherine Holden Dr. and Mrs. Harvey K. Reitman Bertha S. Zink Thayer Fund #3 Marie and John Kern J. Mendelsohn Stan Thomas Memorial Memorial James McElroy John Mason Walter Frederick Metcalf Richardson Brenda and Evan and Jeanne M. Walter Charles G. King III Memorial Memorial Turner Building Memorial Memorial Endowment H. Oothout Milliken Lillian Rosenbaum Joseph and Edwin William E. Ward Mr. and Mrs. W. Memorial Memorial Upson Memorial Contributors Griffin King Jr. GAR Foundation Hugh K. Milliken Dr. and Mrs. Ronald Mary Southworth Memorial J. Ross Upson

82 TRIBUTE

Gifts in Honor of Nicki and Robert Healthcare Gudbranson, wedding Executive Network Pat Ashton, in anniversary (HEN) and the appreciation and thanks Evelyn K. Prince Cleveland Clinic for the private tour of the executives who Monet in Normandy Dieter Kaesgen, 70th shared their exhibit birthday experiences Harvard Club of MTD Products Inc. (including Roberto Northeast Ohio Lamas, Mike Joann Lafferty, docent O’Boyle, Dr. Pat Ashton, Congratu- who spoke to the Martin Harris, Dr. lations on your big day Sisterhood Jonathan Schaffer, Sari and Randall PEO Sisterhood, George Takla, and Luke Chapter CA Ohio Dr. Mike Roizen) Troy and Christina Peggy and Bill Chuck Rosenblatt, Ayers, wedding day Lipscomb, wedding 80th birthday Christina Vernon Mr. and Mrs. Eli C. Mr. and Mrs. (on behalf of friends Becker Nicholas T. George and family) Randall and Sari Luke Mr. and Mrs. James Bartlett Mr. and Mrs. Paul Sanford Jacobs AIA Cleveland E. Freehling Mr. and Mrs. William Rosenblatt Diane Bell, Bat Lorrie and Alvin Magid Mitzvah Donna Moss and Ruth Viny and Douglas and Laura Al Kraut Mort Mandel Bell, Lisa Bell and Mrs. Robert L. Greg Benedetto, Elise Newman, 85th Wolpe Carolyn and Steve birthday Geldermann, Mr. and Mrs. Timothy Rub John Bell Maurice L. Heller Mr. and Mrs. Stephen Donadio Richard J. Blum and Parade the Circle staff Harriet L. Warm (Ms. Emmie and volunteers for all Donadio) Mr. and Mrs. their help Frick Art Collection Thomas M. Forman Mr. and Mrs. Mr. and Mrs. James Richard M. Wittig The Intown Club W. Morrissey Harriet Margolis Leon Plevin Mr. and Mrs. Mrs. S. L. Dancyger The Nelson Gallery William J. Morse Foundation Marjorie Bell Sachs Fran Porter Park Synagogue Illuminated Folio from Connie and Russ Sisterhood the Bustan of Sa‘di; about Mr. and Mrs. Elliott Lincoln L. Schlang 1520; Iran, Safavid period; Mr. and Mrs. Marjorie Sachs, 80th opaque watercolor, Alan and Judy Sogg Charles Mlakar Jr. birthday ink, gold, and silver on Mrs. Jamie Douglas and Laura paper; 30 x 19 cm; Gift of Vandenberg Alfred M. Rankin Jr. on Bell, Lisa Bell and William Kelly Simpson his birthday Greg Benedetto, in memory of his wife, CMA Michel and Jim Carolyn and Steve Marilyn M. Simpson, Annette B. Phillips Williams Geldermann, John and her grandparents Bell Mr. and Mrs. John D. Stan and Ingrid Czuma Clara T. Rankin, 90th Sally and Ronnie Rockefeller Jr. 2006.147.a. Jack and Jeanette birthday Gottfried Walton Mr. and Mrs. Thomas E. Taplin Sr. Alan and Judy Sogg Ann Friedman, 80th birthday Bill Robinson, in Barbara Smeltz Boots Haber appreciation and Jay, Julie, Hannah, thanks for the private and Andrew Marriage of Mr. and tour of Barcelona and Mrs. Joshua Glazer Laura Welz, 90th Modernity birthday Mr. and Mrs. Peter Harvard Club of D. Freimark Mr. and Mrs. Northeast Ohio Stephen G. Ludick

83 GIFTS TO INGALLS LIBRARY

Gifts in Memory of In loving memory of Individuals Institutions and Centre d’Arts Fondation Pierre my parents, Harold Ann B. Abid Organizations Contemporains de Gianadd Patricia Beall Terry Clark and Mary A.I.R. Gallery Bordeaux Freer Gallery of James D. Akins Jr. Saunders Clark, and Margot Baldwin A. S. Pushkin State Chinese University Art, Smithsonian Mary Ann Marie Odenkirk Clark Hillary Bober Museum of Fine Arts of Hong Kong, Art Institution Crowther Brennan William Sanders William S. Clark Museum Abegg-Stiftung Fundação Calouste Mrs. John H. Clark Mark Cole Riggisberg Christie’s, New York Gulbenkian Dingle Grandma Natalie Stan Czuma Ackland Art Museum Chrysler Museum Galerie Brusberg Mr. and Mrs. Marshall Cohen James Edmonson Cincinnati Art Berlin Richard A. Manuel Matthew Cohen Akron Art Museum Ruth Epigg Museum Galerie Maurice Mrs. Walter A. Allentown Art Garnier Marting Hilda Cooney, mother Jordi Falgas Museum The Cleveland Institute of Art Gallerie di Palazzo of Pat Brownell Walter Gibson Amon Carter Museum The McNulty Theresa Downing Leoni Montanari Family Jane Glaubinger Cleveland Public Amos Andersonin Library Garth Clark Gallery Anne Parker William De Lappa Robin Hanson Taidemuseo Oliver H. Perry Cleveland State The George Gund Sarah W. Stephens Henry Hawley Anchorage Museum University Library Foundation Elementary School of History and Art Mr. and Mrs. Robert E. Hiedemann Collections Baur Germanisches Thomas W. Sumner Tom Gelder Apex Art Tom Hinson College of Fine Nationalmuseum Virginia Warschauer Art Gallery of New Lynne S. Killgore and Performing Gosudarstvennyi Dr. Norman E. Berman South Wales Joanne Z. Berman Jeannette Gerbi Louise Mackie Arts, University of Ermitazh Lucille T. Severance Art Gallery of Nebraska, Lincoln Grace Tsumugi Fine Lois Bialosky Dorothy J. McNulty Ontario Seymour Simon Corning Museum of Art, Ltd. Elaine Bercu John Ellis Art League of Glass Montgomery Graphische Amy E. Brierly Dr. Raymond Cincinnati Courtauld Institute Sammlung der ETH Glaubinger Guillaume Nicoud Sally F. Burton Auckland Art Gallery of Art Haags Nancy G. Daunton Lois J. Davis Constantine Petridis Badisches Cuyahoga County Gemeentemuseum Landesmuseum Mrs. John C a s m i r C a s e y G r a d o m s k David Raymond Public Library, Hallie Ford Museum Drollinger Jr. Richard Spivak and Mr. and Mrs. Charles The Baltimore Mayfield Regional of Art Museum of Art Library Iris and Mark Wendy M. Shaw, B. Rosenblatt Hamburger Edelman and family M.D. Gretchen Weiss Barakat Gallery Dallas Museum of Kunsthalle Art Bernice Goldberg Jane Herget Bayerische Henie-Onstad Staatsgemalde- The Dayton Art Joyce G. Gordon Dr. and Mrs. Kunstsenter sammlungen Institute Julian P. Kanter Shattuck Wellman Henry Art Gallery Hartwell Jr. Berlinische Galerie Des Moines Art Dr. and Mrs. Joseph Herbert F. Johnson Bibliothèque des Center F. Kelley Anna E. Joy Museum of Art, Musées de Strasbourg Dickinson Roundell Cornell University Miriam and Robert Mr. and Mrs. John Bibliothèque Jean Inc. Snider H. Opdycke Hessisches Laude Dokuritsu Shojindan Landesmuseum Mr. and Mrs. Marge Potocnik Birmingham City Foundation Darmstadt William W. Taft Mr. and Mrs. John Council, England Emanuel von Baeyer, Hetjens-Museum Bryna Webber and Warner Bridgestone Museum London Dick Tompkins High Museum of Art James F. Rudisille of Art Erasmus Antiquariaat Yolanda M. Van Honolulu Academy Marjorie J. Heppner Brooklyn Museum en Boekhandel BV Hecke of Fine Arts of Art Essen Museum Philip Washburn Harry Setnik Hood Museum of Art Busan Biennial Folkwang Mr. and Mrs. Mrs. Harry Setnik Everson Museum of Houston Center for Organizing Photography Charles A. Weisberg Sadie Taylor Committee Art Hovikodden Mrs. Lester S. Harriet Peters Fine Arts Museum The Butler Institute Artcenter Zavelson of American Art of San Francisco, Grace Weidenthal Indianapolis Museum Mr. and Mrs. Canadian Association California Palace of Thomas Zavelson Maurice D. the Legion of Honor of Art Weidenthal for Conservation of Cultural Property Flanders Institut Royal du Harlan Bradley Contemporary Art Patrimoine Artistique Susan Goldenberg Shari Wong Centraal Museum, Mee Jean Chin and Utrecht Florida State International Family University, Museum Research Center for of Fine Arts Japanese Studies

84 Ishibashi Museum Musée d’Art Muzej Mimara Philbrook Museum Spencer Museum of University Art of Art Moderne de Saint- Muzeum Narodowe of Art Art, University of Museum, University The Israel Museum Etienne Metropole w Krakow The Phillips Kansas of California at Berkeley Iziko Museums of Musée d’Art Muzeum Narodowe Collection Sprengel Museum Cape Town Moderne Lille w Warszawie Portland Art Museum Springfield Art University Art Metropole Museum Museum, University Jason McCoy, Inc. Muzeum Narodowe Portland Museum of of California at Santa Musée des Arts we Wroclawiu Art, Maine Staatliche Kunsthalle John D. and Catherine Décoratifs, Paris Barbara T. MacArthur Nara National Provinciaal Museum Baden-Baden Musée des Beaux- University Museum, Foundation Museum van Drenthe Staatliche Kunsthalle University of Tokyo Arts de Bordeaux Karlsruhe Joy of Giving Narodna Galerija Queensland Art University of Haifa, Something, Inc. Musée des Beaux- Gallery and Cultural Staatliche Arts de Dijon Narodni Galerie v Reuben and Edith Kestner-Museum Praze Center Kunstsammlungen Hecht Museum Hannover Musée des Beaux- Renaissance Society Dresden Arts de Lyon Nasjonalmuseet for University of Kunstgeschichte mit Kunst, Arkitektur, og at the University of Staatliche Museen Hawaii at Manoa, Kustodie Friedrich Museen der Stadt Design Chicago Preussischer Department of Köln Kulturbesitz Schiller-Universitat National Gallery, Rhode Island School Sociology Kunsthalle Bremen Musées de la Ville de London of Design Art Staatsgalerie Stuttgart University of Iowa Troyes Museum Kunsthaus Zurich National Gallery of Städtische Galerie im Museum of Art Musées Royaux d’Art Art, Washington Rijksmuseum, Lenbachhaus University of Kunsthistorisches et d’Histoire, Brussels Amsterdam Museum Wien, National Gallery of Städtisches Museum Maryland Art Bibliothek Musées Royaux Canada Rose Art Museum, Braunschweig Gallery/Art Library des Beaux-Arts de Brandeis University Kunstmuseum Basel National Gallery of Stadtmuseum Linz University of Belgique Royal Ontario Washington Libraries Kunstmuseum Bern Scotland, Edinburgh Statens Museum for Musei Civici di Arte Museum Kunst Vancouver Art Kunstsammlung National Gallery of Antica S.A.R.L. Culture- Gallery Nordrhein-Westfalen Victoria Sterling and Francine Museo de Arte en Factory Clark Art Institute Victoria and Albert Kyoto National National Library of Vidrio de Alcorcon Sadberk Hanim Museum Museum Russia Stichting de Appel Museo de Arte Muzesi Virginia Museum of Kyoto University, Iberico “El National Museum of Stiftung Wilhelm Modern Art, Tokyo Salander-O’Reilly Lehmbruck Museum Fine Arts Graduate School of Cigarralejo” Galleries, Inc. Letters National Museum of Suermondt-Ludwig- Wadsworth Atheneum Museo del Prado Saint Louis Art Laguna Art Museum Western Art, Tokyo Museum und Walker Art Center Museo Venanzo Museum Museumsverein Los Angeles County Crocetti National Palace Williams College Museum, Taipei Salzburger Szepmuveszeti Museum of Art Museum of Art Museu de les Arts Barockmuseum National Research Muzeum, Budapest Winnipeg Art Magyar Nemzeti Decoratives Santa Barbara Galeria Institute of Cultural Tate Library at Tate Gallery Museum Kunst Palast Properties Museum of Art Britain Mainfrankisches Museum Rietberg Sayyad Mojtaba Museum Nationalmuseum, Tel-Aviv Museum der Stadt Zurich Stockholm Musavi Lari of Art Mary Ryan Gallery Museum für The Nelson-Atkins Schweizerisches Terra Foundation for Mendel Art Gallery Angewandte Kunst Museum of Art Institut für American Art Kunstwissenschaft Milwaukee Art Museum of Art Neos Edizioni The Textile Museum Museum and Archaeology, Schweizerisches University of New Orleans Landesmuseum, Teylers Museum Minneapolis Institute Museum of Art of Arts Missouri Zurich Tochigi Prefectural The Newark Museum of Fine Arts Mint Museum of Art Museum of Schwerin Staatliches Contemporary Art, Museum Museum Tokyo National Mitchell Museum Los Angeles North Carolina Seattle Art Museum Museum Mobile Museum of Museum of Museum of Art Toledo Museum of Art Setagaya Art Museum Contemporary Ny Carlsberg Art Morris Museum of Photography, Glyptotek Smithsonian Institution Umeleckoprumyslove Art Chicago Österreichische muzeum v Praze Sordoni Art Gallery Musée Cernuschi Museum of Fine Arts, Galerie Belvedere University Art Musée d’Art Boston Palmer Museum of Southeast Museum Museum, Long Moderne The Museum of Fine Art of Photography, Beach, California Daytona Beach Arts, Houston Philadelphia Museum State University The Museum of of Art SPACES Gallery Modern Art

85 BENEFACTORS

The Cleveland Museum The HRH Family State of Ohio Mr. and Mrs. Thomas Raymond Q. Mrs. Lee W. of Art recognizes the Foundations Lockwood A. Mann and Elizabeth R. Lockwood cumulative giving of in- Virginia Hubbell Thompson William G. Mather Armington Rosemarie and dividuals, corporations, David S. Ingalls and Mr. and Mrs. Mr. and Mrs. Bruce Pamela Pratt Leighton R. Longhi and organizations. We family Richard Whitehill V. Mavec Auchincloss and Robert A. Mann extend our deepest Garner Tullis appreciation to these Louise H. and David Womens Council Metropolitan Bank S. Livingston Mather Baker Hostetler LLP generous donors. S. Ingalls Foundation of The Cleveland & Trust Charitable Trust Institute of Museum Museum of Art John P. Murphy Louis Dudley MBNA America Patron Benefactor and Library Services Mr. and Mrs. Paul D. Foundation Beaumont Systems ($1,000,000 or Andrew R. and Wurzburger NACCO Industries, The Louis D. Mellen Foundation more) Martha Holden Justin and Silvia Inc. Beaumont Foundation Anonymous Elizabeth Briggs Jennings Zverina Lucia S. Nash Mike and Annie Merry Mr. and Mrs. B. Belkin Mr. and Mrs. Joseph National Endowment Thomas P. Miller Charles Ames Foundation P. Keithley for the Humanities Emma R. Berne Benefactor India E. Minshall The Mildred KeyBank Emily E. and Dudley Andrews Fund ($500,000 to Mr. and Mrs. Eric T. Mr. and Mrs. Stephen Lila Wallace-Reader’s Nord S. Blossom Jr. Ann Baumann $999,999) Myers Digest Fund Anonymous (2) Mr. and Mrs. R. Martha and Thomas Mr. and Mrs. George Carter Ohio SchoolNet Mr. and Mrs. Milton Hanna H. and James Henry Norweb Commission P. Bickford Maltz Mr. and Mrs. Warren T. Bartlett Francis F. Prentiss The Payne Fund Helen E. Brown The Mandel H. Corning Jeanne Miles The Print Club of Mr. and Mrs. Frank Mr. and Mrs. Noah Foundations Blackburn Cleveland CVJ Corporation L. Butkin H. Porter Mr. and Mrs. BP America PTS Foundation Mr. and Mrs. John D. The Cleveland William H. Marlatt Drinko Leonna Prasse Hon. Joseph P. Grace Rainey Rogers Foundation The Andrew W. Robert H. Ellsworth Mildred Andrews Carroll and Mrs. SBC Communications Putnam Marie and Hubert Mellon Foundation Carroll Josephine P. and Fairchild Inc. Peter Putnam Mr. and Mrs. Leigh and Mary Dorothy Burnham Thomas L. Fawick Severance A. Millikin Mr. and Mrs. David Everett Mr. and Mrs. Alfred Carter M. Schneider Mr. and Mrs. The David and Inez Bruce Ferrini M. Rankin Jr. Charter One Citizens Mark Schwartz and Lawrence A. Myers Foundation Financial The J. Paul Getty Sarah P. and William Fleischman Bettina Katz R. Robertson National City Mrs. Ellen Wade Trust Mr. and Mrs. Ernest Mr. and Mrs. Ellery David Rollins National Endowment Chinn Sedgwick Jr. Mr. and Mrs. Robert L. Gartner for the Arts W. Gillespie Alexandre P. Alexander M. and The Sherwick Fund Mr. and Mrs. Ohio Arts Council Sarah S. Cutler Morton Glaser Rosenberg Alexander Ginn Elizabeth M. Skala Georgia O’Keeffe Eaton Corporation Gladys B. Goetz Carole and Charles Helen Wade Greene Squire Sanders & Rosenblatt The F. J. O’Neill The Freeman Dempsey Mr. and Mrs. Graham Mr. and Mrs. James Charitable Foundation Gund Edwin Roth C. Gruener United Technologies Corporation The GAR Henry Hawley The Sears-Swetland Agnes Gund Corporation Family Foundation Mr. and Mrs. A. Foundation Mr. and Mrs. Arthur The George Gund Dean Perry U.S. Department of Mr. and Mrs. James Nelson Goodman Education S. Holden Foundation Elisabeth Severance N. Sherwin George Gund III and Nicholas J. Velloney Susan and Dieter Dorothea Wright Prentiss Iara Lee Kaesgen John and Frances M. Hamilton Mr. and Mrs. Alfred Dr. and Mrs. Paul J. Sherwin Hahn Loeser + Parks Vignos Jr. Malcolm E. Kenney Mrs. Leonard C. M. Rankin LLP Laura and Alvin A. Hanna Mrs. J. H. Wade The Kresge Siegal Mr. and Mrs. James Peter and Peggy Foundation Leonard C. Hanna Jr. S. Reid Jr. Horvitz Dr. Norman W. William Kelly Zaworski Mrs. Arthur Kozlow Simpson Mr. Stanley Hess The Reinberger Anne Hollis Ireland Foundation Helen A. and Nancy Baxter Dr. Gerhard James D. Ireland III Fredrick S. Lamb Hoffmann and Mrs. Benefactor Fellow Skallerup John L. Severance ($250,000 to Lee Hoffmann Mr. and Mrs. Dr. and Mrs. Kathleen E. Smith Carol and Michael William Powell Jones $499,999) Sherman E. Lee Mrs. Liberty E. Sherwin Mr. and Mrs. Eugene Lillian M. Kern Anonymous (4) Peter B. Lewis Holden Mr. and Mrs. Kelvin Stevens Alma Kroeger Mr. and Mrs. Jon and Virginia Lois U. Horvitz Smith Quentin Alexander Katherine Holden William P. and Lindseth Thayer Mr. and Mrs. Michael The Kelvin and Andrews Foundation J. Horvitz Eleanor Smith Amanda C. Madar Mr. and Mrs. Thomas Mrs. Chester D. Foundation LiPuma Tripp

86 U.S. Department of Mrs. Harold T. Clark The Giant Eagle George M. and Commerce The Cleveland Clinic Foundation Pamela S. Humphrey Evelyn S. and Foundation William J. Gordon Fund William E. Ward Cleveland Society for The Florence Gould Mrs. Albert S. Ingalls William E. Ward Contemporary Art Foundation Institut Ramon Llull Katherine C. White The George Mr. and Mrs. Robert International Business Mr. and Mrs. Lewis W. Codrington T. Gow Machines Corp. C. Williams Charitable Foundation Elizabeth Firestone Mr. and Mrs. James Helen C. Cole Graham Foundation D. Ireland Peaches and Bats; in memory of his wife, Endowment The Collacott Edward B. Greene Charles Isaacs and 1600s; China, Qing Marilyn M. Simpson, Benefactor Foundation Ann and Richard Carol Nigro dynasty; jade; 9.9 x and her grandparents ($100,000 to Mildred Constantine Gridley John C. Jackson 13.5 x 11.5 cm; Gift of Mr. and Mrs. John D. $249,999) William Kelly Simpson Rockefeller Jr. 2006.141. Anonymous (2) Mr. and Mrs. Gerald Lucile and Robert H. Barbara Jacobs A. Conway Gries Charity Fund The Abington Jewish Community Foundation Arlene Coper Mr. and Mrs. Robert Federation D. Gries Dudley P. Allen Mr. and Mrs. Virginia Jones Benedict Crowell Mr. and Mrs. John E. Mr. and Mrs. Margaret H. S. James Parmelee American Greetings Guinness Corporation Cuyahoga William Jurey McCarthy Robert deSteacy County Board of Mr. and Mrs. Gordon Louis D. Kacalieff, Eleanor Bonnie Paxton AT&T Foundation Commissioners Gund M.D. McCoy James Edward Peck Bank One, N.A. Henry G. Dalton Musa Gustan The Kangesser Mrs. Norman F. Mrs. Rudolph J. Mr. and Mrs. Randall Dorothy Dehner Carl E. Haas Foundation McDonough J. Barbato Pepke Mr. and Mrs. James The Hadden Robert M. Kaye and Sarah Holden Mary Witt Perkins Mr. and Mrs. Clinton H. Dempsey Jr. Foundation Diane Upright McLaren E. Barry Francine and Benson Mrs. John B. Dempsey Mr. and Mrs. John Ellsworth Kelly Mr. and Mrs. S. Ann Bassett Pilloff Edna H. Doller Hadden Sr. Foundation, Inc. Sterling McMillan Vernon W. Baxter Mr. and Mrs. Leon Dominion East Ohio Maria Hall George S. Kendrick Judith K. and S. M. Plevin Maud K. Bell Sterling McMillan III Zoann and Warren Mrs. Salmon P. Halle Mr. and Mrs. Edward Mr. and Mrs. Max Mr. and Mrs. James Dusenbury Mr. and Mrs. A. Kilroy Jr. Mrs. P. J. McMyler Ratner S. Berkman Louise Rorimer Newman T. Ralph Thrall King Moselle Taylor Meals Larry and Barbara S. Mildred K. Bickel Dushkin Halvorson Fred W. Koehler Mr. and Mrs. Edward Robinson The Family of Mrs. Edith Virginia Enkler Janice Hammond and The Samuel H. Kress H. Merrin The Samuel Robert H. Bishop Edward Hemmelgarn Ernst & Young LLP Foundation Samuel Merrin Rosenthal Elizabeth B. Blossom Mrs. Charles W. The Kulas William Mathewson Foundation Mr. and Mrs. Harkness Mrs. Benjamin P. Raymond F. Evans Foundation Milliken Mr. and Mrs. Bole Mr. and Mrs. Edward Mr. and Mrs. Jack W. David and Lindsay Albrecht Saalfield Eleanor and Morris S. Harkness Mr. and Mrs. Charles Everett Lampl Jr. Morgenthaler Mr. and Mrs. James P. Bolton Dr. and Mrs. Harley C. Lee Sally S. and John C. A. Saks Jane Iglauer Fallon Shattuck Wellman John C. Bonebrake Mr. and Mrs. Herbert Morley Mr. and Mrs. Paul H. Mr. and Mrs. James Hartwell Jr. Sampliner Eva L. and Joseph M. E. Ferrell F. Leisy Barrie Morrison Bruening Foundation Rudolf J. Heinemann Mr. and Mrs. Gilbert FirstEnergy Mildred Lerch Gordon K. Mott The Britton Fund The Hershey Family P. Schafer Maxeen and John T. Dixon Long MTD Products, Inc. Jeanette Grasselli Dorothy Hildt Mr. and Mrs. Elliott Flower Henry Luce The Murch L. Schlang Brown and Glenn R. Mr. and Mrs. Foundation, Inc. Foundation Brown Allen H. Ford Lawrence Hitchcock Mr. and Mrs. Ralph Forest City Mr. and Mrs. John D. Louis S. and Mary S. Schmitt Ronald and Isabelle Michael Hoffman MacDonald Schiller Myers Brown Enterprises Charitable Ethelyne Seligman Foundation, Inc. Constance Holden- Caroline Nordson Corporation Mr. and Mrs. Willard Sommers MacNaughton Boake and Marian Brown Hollis French Mrs. R. Henry Sells Mr. and Mrs. James Elizabeth Ring Norweb Jr. Ella Brummer Robert and Ann Horner Dr. Gerard and Friedman Mather and William Mr. and Mrs. George E. Rhodes and Dr. Gertrude Gwinn Mather Fund Phyllis Seltzer Charles and Oliva Jr. Leona B. Carpenter Hornung Stephan Mazoh Mrs. John L. Foundation Marguerite C. Lillian and Derek Severance Galanie Lillian L. Hudimac Mrs. Malcolm Ostergard The Chubb Patience and George McBride Mr. and Mrs. Francis Corporation Mr. and Mrs. Robert Park-Ohio Holdings M. Sherwin I. Gale Jr. M. Humphrey II

87 John and Frances W. Benefactor Central National Bank Ford Motor Sherwin ($50,000 to Mr. and Mrs. M. Company Rabbi Daniel and $99,999) Roger Clapp The Harry K. Adele Silver Anonymous (3) Mr. and Mrs. Harold Fox and Emma Phyllis Sloane 1525 Foundation Terry Clark R. Fox Charitable Foundation Mr. and Mrs. Charles Abel Cleveland-Cliffs, Inc. Howard F. Stirn Mrs. Robert J. Shuree Abrams Mr. and Mrs. Ralph Frackelton Louise Hawley Stone M. Coe Accenture LLP The Family of Norman W. and Ella Robert H. Adams Mr. and Mrs. Ralph Elizabeth Ege A. Stone F. Colin Mrs. Frances Almirall Freudenheim The Irving Sunshine Stella M. Collins Amica Insurance GE Consumer & Family Mrs. John Lyon Industrial Mitsuru Tajima Mrs. and Mrs. Collyer Matthew Andrews Marian Sheidler Mr. and Mrs. Frank Daniel S. Connelly Gilbert E. Taplin Jr. Mr. and Mrs. Arnold S. Askin George B. Coombe Lucille F. Goldsmith Textile Arts Alliance Lester P. and Mrs. James W. (Lady) Marie Louise The Tiffany & Co. Marjorie W. Aurbach Corrigan Gollan Foundation Mrs. S. Prentiss Alan Covell and K. Joseph T. Gorman The Emily Baldwin Pak-Covell Mr. and Mrs. Hall Tremaine Mr. and Mrs. Wilbur Richard I. Goss Foundation, Inc. Bank Leu AG A. Cowett Josephine Grasselli Mrs. Henry Dr. Kathleen L. Barber Mr. and Mrs Robert Geoffrey Gund Trenkamp Jr. R. Cull Mr. and Mrs. Theodore S. and Thomas M. Hague Marcella M. Bard Mr. and Mrs. David Textile Fragment; Richard B. Tullis A. Daberko Edgar A. Hahn about AD 50–650; Dr. Ronald and Mrs. Susan and John David E. and Bernice Mrs. Howard M. Peru, North Coast, Diane Bell Turben Foundation Sapirstein Davis Hanna Moche people; cotton Charlotte Vander Milena M. Mr. and Mrs. warp, camelid fiber Benesovsky Helen and Albert J. Veer DeGulis Osborne Hauge weft; 40 x 25.4 cm; BF Goodrich John L. Severance Fund G. Garretson Wade Frances F. Dickenson Mr. and Mrs. Victor Company/Tremco Hauge 2007.2.1. George Garretson Foundation Dr. and Mrs. Richard Wade Charitable C. Distad Ruth C. Heede Trust #2 Richard J. Blum and Harriet L. Warm William Dove Mrs. Charles Hickox Mr. and Mrs. Jeptha Sheila Hicks H. Wade III Ruth Blumka Dr. and Mrs. Paul G. Ecker Hiroshi Hirota Worcester R. Warner Mrs. Chester C. Bolton Mr. and Mrs. Liberty E. Holden Mrs. Worcester R. Howard P. Eells Jr. Warner Kathryn G. Bondy Dr. and Mrs. Ralph Natasha Eilenberg F. Hollander Mr. and Mrs. David Mr. and Mrs. Paul S. Haber Warshawsky Brentlinger A. W. Ellenberger Sr. Mr. and Mrs. John H. Hord Mr. and Mrs. Mr. and Mrs. Wilbert Heinz Eppler Richard T. Watson S. Brewer Joseph M. Erdelac Dr. and Mrs. Roger Y. K. Hsu The Raymond John Mrs. Carol Brewster Mr. and Mrs. Wean Foundation Dr. and Mrs. Jerald S. Giuseppe Eskanazi Mr. and Mrs. Brodkey Benjamin S. Hubbell The S. K. Wellman Dr. and Mrs. Warren Jr. Foundation Louise Ingalls Brown C. Fargo Dr. and Mrs. William Mr. and Mrs. Alton Brush Engineered Mr. and Mrs. Arthur L. Huffman W. Whitehouse Jr. Materials, Inc. L. Feldman Marguerite B. Mr. and Mrs. Lewis Edith Burrous Ferro Corporation Humphrey B. Williams Margaret Uhl Fifth Third Bank Helen Humphreys Mary Jo Wise Burrows Pamela Humphrey Huntington National Janette Wright Julius Cahen Firman Bank Mrs. Henry White The Ford Foundation Jarmila Hyncik Cannon Mrs. James Albert David S. Ingalls Jr. Ford

88 Dr. and Mrs. Scott R. Rogerio Lam Kathryn Arns May Mr. and Mrs. Peter Mr. and Mrs. Viktor Toshiba International Inkley The Lamson & Elizabeth McBride Pfouts Schreckengost Foundation The Gilbert Sessions Foundation Adelaide McCracken Hobson L. Pittman Florence B. Selden Mr. and Mrs. W. and Louise William C. Treuhaft Mr. and Mrs. Oscar McDonald John and Mary John L. Selman Ireland Humphrey J. Lange Preston TRW Foundation Foundation Investments Isosuke Setsu The Laub Foundation Aline McDowell Mr. and Mrs. Albert Takako and Iwao Brenda and Evan Kate Ireland B. Ratner Turner Mrs. Raymond E. McMaster-Carr Setsu Mr. and Mrs. R. Lawrence Mr. and Mrs. James Mr. and Mrs. Thomas Livingston Ireland Supply Company Sherwin-Williams Mary B. Lee Ratner Company V. H. Vail Mr. and Mrs. Dr. and Mrs. Ruben Toby Devan Lewis F. Mettler Louise S. Richards Asa and Patricia Mrs. Jacob W. Raymond T. Jackson Vanderwerf Linden Trust Dr. Leo Mildenberg Mr. and Mrs. Thomas Shiverick The Japan Foundation R. Riley Mitzie Verne The Katherine Mr. and Mrs. Eugene Morris Siegel Mr. and Mrs. Homer RJF International Gertrude L. Vrana H. Johnson Kenyon Lippitt R. Miles Mrs. Aye Simon Foundation Mr. and Mrs. John D. Mildred E. Walker Jones Day Mr. and Mrs. Joseph Mr. and Mrs. Edward Jack B. List B. Milgram Jr. Rockefeller III C. Smith Pamela Ward The Joyce Foundation Testamentary Trust Mr. and Mrs. Robert John D. Rockefeller Jr. Mr. and Mrs. Steven Helen B. Warner Dr. and Mrs. Donald Mr. and Mrs. Herbert D. Milne Rockwell Spilman W. Junglas The Weatherhead M. Litton Mr. and Mrs. Harold Automation Mr. and Mrs. Herbert Foundation Mr. and Mrs. Paul Mr. and Mrs. S. Minoff Mr. and Mrs. James J. A. Spring Jr. Kaminsky Mr. and Mrs. Charles William Litzler Mr. and Mrs. Rorimer Mr. and Mrs. Donald D. Weller John Kelly LTV Steel Company William A. Mitchell Milton C. Rose W. Strang Mr. and Mrs. Fred Harry D. Kendrick Lubrizol Foundation Mrs. Paul Moore Mr. and Mrs. Charles Lillian and Henry White Jr. Mr. and Mrs. Mr. and Mrs. Nellie W. Morris S. Roseman Steinberg Mrs. Windsor T. Douglas A. Kern Theodore M. Luntz Dr. and Mrs. Thomas Rosenberg and Mr. and Mrs. Oscar White Mr. and Mrs. R. Mr. and Mrs. Alex Munro Stiebel Inc. H. Steiner Mr. and Mrs. Hugh Steven Kestner Machaskee Ray and Katie Mr. and Mrs. J. King Frank Stella R. Whiting Mrs. Ralph Thrall Brian and Florence Murphy Rosendale Ester R. Stern Edward L. King Mahony Klaus F. Naumann Dr. and Mrs. Ronald Mr. and Mrs. Donald Whittemore Irene Kissell J. Ross Mr. and Mrs. Paul Mr. and Mrs. James W. Strang Doris and Ed Wiener R. P. Kitaj Mallon A. Nelson Gloria Ross Mr. and Mrs. Seth Ralph L. Wilson Mr. and Mrs. G. Jack and Lilyan Nestlé RPM, Inc. C. Taft John Wise Robert Klein Mandel Laurence H. Norton Arthur Sachs Mr. and Mrs. Nelson Young Friends of Mr. and Mrs. J. J. Joseph and Florence S. Talbott David Z. Norton Mr. and Mrs. CMA Mr. and Mrs. Klejman Mandel Maurice Saltzman Mr. and Mrs. Thomas William L. Ziegler The Norton-White- Mr. and Mrs. Stephen Nancy-Clay William B. Sanders E. Taplin Sr. Helen B. Zink J. Knerly Jr. Marsteller, Ph.D. Gale Trust Martha Bell Sanders Textile Arts Club Helen Zmek Kotecki Monuments, Samuel Mather Earle W. Oglebay SCH Foundation Mr. and Mrs. Eugene Tessim Zorach Inc. Mrs. William G. Henry Ott-Hansen Victor Thaw KPMG LLP Mather Mr. and Mrs. Dr. and Mrs. Robert Anton and Rose Schermer The Timken Zverina Fund William Krause Virginia Hosford Frederick S. C. Perry Company Frances S. Zverina Mr. and Mrs. Dennis Mathis Dr. and Mrs. Harlan Mr. and Mrs. Paul W. LaBarre R. Peterjohn Tishman

Wig Headdress; possibly early to mid 20th century; Democratic Republic of the Congo or Angola, Chokwe people; fiber, animal pelt, and clay; 12.7 x 24.8 x 27.3 cm; The Jane B. Tripp Charitable Lead Annuity Trust 2007.1.

89 Affiliated Organizations

Contemporary Art Friends of African Deborah Pinter Painting and The Print Club of Society and African- Mark Schwartz Drawing Society Cleveland Board of Trustees American Art Nancy Stuart Board of Directors Board of Trustees Board of Trustees Robert H. Jackson, Michael Weil Tony Brant, President Charles Rosenblatt, President Helen Forbes-Fields, President John Williams Gert Chisholm, Barbara Robinson, President Secretary Kenneth Hegyes, Tom Hinson, Vice President Cynthia Samples, Al DeGulis, Treasurer Vice President Vice President Museum Advisor Dian Disantis, Anne Ames Henry Ott-Hansen, Secretary Alfred Bright, Martha Lattie, Treasurer Affiliate Group Patricia Ashton Sanford Fox, Secretary Mary Kay DeGrandis Coordinator Pat Brownell Treasurer Gayle Goodwin Carter Edman Smith, Treasurer Joan Fountain Albert Albano Musart Society Barbara Galvin Franklin Martin Ann Gridley Kathleen Coakley Board of Trustees Mary Anne Garvey Barrie Charles Burkett Henry Ott-Hansen Robert Schneider, Robert Getscher Robert Bostwick Mark Cole, Museum President Patricia Stillman Pearl Hachen Rosalie Cohen Advisor James Dickinson, Nancy West Donald Jack Richard Ferris Constantine Petridis, Esq., Secretary Norman Zaworski Museum Advisor William Martin Jean Harriet Goldberg Shattuck W. Hartwell Martha Lattie, Martha Lattie, Jr., Advisory Trustee Irving Kushner John Katzenmeyer Affiliate Group Affiliate Group Mrs. Alfred Rankin, Coordinator Gloria Plevin Robert Kiwi Coordinator Advisory Trustee Neal Rains Ellen Landau Curators The Fine Print Fair— A. Chace Anderson, Larry Santon the 22nd annual benefit Beno Michel Friends of Treasurer Mark Cole, Associate Photography Judith Sogg for the Department of Peta Moskowitz Virginia Belveal Curator of American Prints organized by the Board of Trustees Painting and Sculpture Patricia Stillman Stephanie Wiles Mary E. Davis Print Club of Cleveland, Bob Herbst, President Heather Lemonedes, Allie Wallace with support from Tom Hinson, Samuel E. Henes Jennie Jones, Vice Associate Curator of Lois Weiss Key Private Bank— Museum Advisor President Walter Holtkamp Jr. Prints and Drawings was held in October Trudy Wiesenberger Martha Lattie, Katherine Solender, Eleanor Bonnie William Robinson, at Corporate College in Nancy Wolpe Affiliate Group Secretary McCoy Curator of Modern Warrensville Heights. Coordinator Jane Glaubinger, Charles Burkett, Toni S. Miller European Art Fourteen dealers Museum Advisor exhibited and sold fine Treasurer Charles H. Teare Martha Lattie, prints, from Old Master Linda Butler Carolyn F. Wipper to contemporary, Affiliate Group Abbie Klein plus drawings and Coordinator photographs.

90 Textile Art Alliance Cleveland Trudy Ramos Museum Associates Board of Trustees Councilmember Ruth M. Rubio-Pino Richard Ainsworth Jr. Sabra Pierce-Scott Katherine Dunlevey, Avis V. Sanchez Joan Ainsworth Greg Reese President Joe Santiago Karen Ashby Gia Hoa Ryan Martha Young, Vice Arf Shafik Leon Bibb President Emmett Saunders Dinah Smith Marguerite Bibb Louise W. Mackie, Janus Small Lorraine Vega Caprice Bragg Treasurer Andrew Venable Catherine Keith, Helen Butler Parma Heights Mayor Monet and Assistant Treasurer J. C. Butler Martin Zanotti Normandy Jan Gibson, Cleveland Exhibition Advisory Deborah Cowan Recording Secretary Councilmember Matt Committee Mary Kay DeGrandis Catherine Lee, Zone Anne Ames Edward Donnelly Communications Vicki Bell Richard Fearon Linda McGinty, Janet Coordinator Barcelona and Coquillette, and Kate Mary Brennan Robyn Fearon Leslie Alperin Modernity Stenson (left to right) Charlotte Fowler Charlotte Ballas Exhibition Advisory Christopher Chambers proudly presented a Committee Janet Cherne Charles Fowler check for $250,000 to Mary Ann Conn- Timothy Rub at the Brody Rose M. Rodriguez Vicki Dansby Anne Higerd Bardwell Womens Council’s Doris Hill Luke Davis Jeffrey Higerd annual meeting in Brian Bethune Karen Hoffman Robin Davis Dale Kates May. Designated Andre Burton for the museum’s Susan McNamara Mary Kay DeGrandis Georginna Kates Zuelma Carreon capital campaign and Jean Sommer Ed Donnelly Constance Kopec Mirna Carzias education programs, Carlyn Yanda Anne Helmreich Abelino Lopez these funds were raised Hector Castellanos Martha Lattie, Sally Henkel Alicia Lopez through various council Su Lin Chung projects and events Affiliate Group Annie Holden Janette Louard Jenice Contreras throughout the year. Coordinator Gillian Irwin Randall Luke Veronica Isabel Deirdre Vodanoff, Paul Irwin Saralee Luke Curatorial Assistant Dahlberg Nancy Jacobson Tracy Martin Vicki Dansby Bruce Johnson Michael Marting Convening the Rafael Reyez Davila Community Stephen Knerly Leslie Marting Advisory Council Susana Ebert Yannick Le Couedic Christopher Anita Brindza, Barbara Esperon Mary Anne Liljedahl McKenna Co-Chair Father David Fallon Bill Lipscomb Laura McKenna Adrienne Jones, Luis Freire Co-Chair Linda McGinty Bishoy Mikhail Reynaldo Galindo Christina M. Bruch John Merriweather Sharon Milligan Delia V. Galvan Joseph Calabrese Leon Plevin Sean Mullen Luis Gomez Jeri Chaikin Emilie Powa Lara Mullen Andres Gonzalez Cleveland Margo Roth Deborah Paris Salvador Gonzales Councilmember Janus Small Zachary Paris Kevin Conwell Miriam Gonzalez- James Ratner Lugo William Walker Margo James Susan Ratner Copeland Antonio Hernandez Garie Waltzer Brian Robinson Deborah Daberko Carrie Hooks Jeff Rusnak Ella Fong Mark Krzysiak Suzanne Rusnak Kathryn Hall Carolina Leid James Saks Latisha James Adrian Maldonado Judith Saks Franklin Martin Maria Delia Adrian Thompson Joseph Meissner Monteagudo Steven Wiesenberger Stanley Miller Daniel Porras Trudy Wiesenberger Kathleen O’Brien Lissette Prepenburg Enrijue Rame

91 Museum Jo Ann Lowe Bethany Kazimic, Christine Norman, Ready Volunteers, Beth Desberg Ambassadors Linda McGinty Valley Forge Treasurer Melinda Holmes Susan Deutsch Schools and Faculty Dede Moore Brittany Keating, Marianne Speakers Series, Peter Dobbins Bedford Bernadotte, Assistant Josie Anderson and Bedford High School: Kathy Rockman Erwin A. Edelman Dagmar Clements Beatrice Luu, Treasurer Marianne Bernadotte Sandra Rueb Joan S. Fletcher Cleveland Metropol Strongsville Special Decorations, Gail Schlang Standing/Special Cathy Miller and Jane Anne S. Frank itan School of the Andrea McGhee, Committees Arts: Ms. Evan Ruthie Stone Strongsville Thomas Linda Friedman Advocacy, Pat Plotkin Koehler Rachel Miller, Study Groups, June Gail S. Garon Master Ambassadors and Ellen Schermer Nosan and Margie Padua Franciscan Strongsville Lowell K. Good High School: Laurie Lindsay Brom, Padua Affiliates, Dinny Bell Moskovitz Robert Reese, Shaw and Margie Sachs Kermit W. Greeneisen Strompfel and Mary Catherine Campbell- Subscriptions/Capital Remington Courtney Archives, Carolyn Campaign, Janet Marsha Gross Morrison, Shaker Richardson, Bedford Shaker Heights Shanklin Coquillette and Joan Joyce S. Hackbarth Kristen Rachel Rosenberg, High School: Eileen Community Arts, Fountain Karen Hahn Campobenedetto, Strongsville Blattner, Jasmene Padua Dorothy Ceruti and Members Services, Maya Hercbergs Corbitt, Ms. Freddie Rebecca Schmaltz, Dosie Rymond Carolyn Horn Robert Crump, Shaw J. Jackson III Holman, Gerimae Normandy Database/Roster, Trips, Nancy Shalimma Fadzl, Kleiman, Renee Gabrielle Scibana, Debbie Latson and Goldberg and Donna Gwen Johnson Bedford Larue, R. Jeffrey Bedford Joanne Cowan Walsh Joan E. Kohn Lewis, Dr. Ronald Deontay Foster, Shaw Bridget Sykes, Padua Hospitality, Lois Youth Initatives, Gail Joann Lafferty Morgan, and Dave Tiffany Hall, School Peterjohn Allison Stasick, Padua Davis and Joan Schlang Mary Anne Liljedahl of the Arts Fitchet Shaw High School: Talea Tucker, Shaw Sandra Littman Therese Hood, Shaw Information Desk, Docent Association Irene Chudzik Kelsey Walker, Padua Diane Maher Alex Lubera, Valley Sabrina Inkley and Officers Strongsville High Forge Sidney Walker, Shaw Joanne Cowan Patricia Markey School: Ellen Peter Dobbins, Sara Massey, Valley Ellen Weber, Membership President Maguy Mavissakalian Goodworth, Terri Normandy Harbart, Joanna Forge Department Liaison, Kate Stenson, Vice George Frederic Pusti, and Kristi Sam Rutchick, Harrison Werner, Louinia Mae President McCann Whittlesey Trussa Shaker Bedford Linda Friedman, Mary McClung Museum Ambassadors, Valley Forge High Jessica Tuma, Padua Greg Williams, Treasurer Nancy Mino Adrienne Rasmus, School: Karen Fulop, Shaker Erva Barton, Adrienne Starr, Shaw Ellen Bishko, and Helene Morse Andrea Harchar, and Jocelyn Williams, Corresponding Lauren Weinberger, Diane Stupay Kim Weber School of the Arts Secretary William Ott Shaker New Members, Pam Erwin A. Edleman Anne C. Owens Porshia Wesley, Isquick and Judy Womens Council Womens Council and Patricia Markey, Robin Ritz Facilitators and School of the Arts of the Cleveland Bourne Recording Secretaries Catherine Rose Volunteers Museum of Art Newsletter, Lucia Joann M. Broadbooks, Interns Officers Jezior Lourdes Sanchez Ellen Bishko, Mary McClung, Erika Kranek, Susan Schloss Co-Chair Linda McGinty, Nominating, Donna Nancy Mino, and Strongsville Adrienne Rasmus, Chair Walsh Susan Schloss, Sally Schwartz Co-Chair Dan Shinkle, Shaker Kate Stenson, First Orientation, Mary Members-at-Large: Patricia Diane Stupay, Vice Chair Anne Liljedahl and Simpfendorfer Apprentice Ambassadors Co-Chair Joanne Cowan, Christy Bittenbender Docent Corps Margaret Sloan June Antoine Datwan Brooks, Second Vice Chair Pedestal Arrangers, Stephen Badman School of the Arts Sabrina Spangler Thomasine Clark Betsi Morris, Third Dorie Farley Erva Barton Terrell Blake, Shaw Jacqueline Spieler Durga Chandran Vice Chair Photographers, Sharon Bell Ann Marie Carl, Margie Moskovitz Kate Stenson Karen Chinnici Margaret Wilson, Anne Berk Padua Corresponding and Lucia Jezior Mary Ann Stepka- Arlene Bialic Diane Collier Gerald Clarke, Secretary Product Warner Jane A. Bondi Barbara Davis Bedford Anne Ginn, Assistant Development, Lorelei Kathy Vilas Marilyn Doman Lauren Dombrowski, Corresponding Stein-Sapir and Joann M. Broadbooks Ann Walling Ruthe Stone Elaine Gross Strongsville Secretary Karen Bourquin Margaret W. Walton Programs, Kate Maryanne Hertzer Kaleigh Eichel, Ryn Clarke, Claire Brugnoletti Strongsville Recording Secretary Stenson Caroline Horn Gail B. Calfee Amber Esner, Parma Emily Brasfield, Provisionals, Mary Ann Margaret Wilson Ran Datta Cara Garrett, Bedford Assistant Recording Katzenmeyer Secretary Marie Dellas

92 Volunteers Judy Bourne Sarah Czika Ann Gillespie Anne Adamson Karen and Butch Deborah Daberko Anne Ginn Carolyn Adelstein Bourquin Susan Dahm Carol Godes Lisa Alexander Kevaly Bozes Faye D’Amore Nancy Goldberg Sawsan Alhaddad Barbara Bradley Ranajit Datta Lowell Good Thon Alicia- Emily Brasfield Barbara Davis Sally Good Burlingame Amanda Brewton Lois Davis Ann and Kermit Gail Ames Joan and John Kit DeFazio Greeneisen Brickley Bill Anderson Marie Dellas Patty Griebel Joann Broadbooks Josie Anderson Hedda Dempsey Carolyn Griffen Mebby Brown Lorraine Anderson Beth Desberg Elaine Gross Pat Brownell Scott Anderson Bonnie Dick Marsha Gross Claire Brugnoletti June Antoine Sam Dittmar Emily Grossrosenblatt Pam Buffington Rita Atlagovich Pete Dobbins Lois Guren Marilyn Butler Ann Austin Jackie Dohoda Pearl Hachen Pat Butler Stephen Badman Patricia Dolak Joyce Hackbarth Grace Bynum Michael Bailis Kay Donovan Susan Haders Gail Calfee Margot Baldwin Molly Downing Karen Hahn Lynn Cameron Museum staff members Alice and Bob Jeffrey Doyne Haidi Haiss Diane DeBevec and Liz Barfoot Margaret Carpenter Linda Easton Nola Haiss Pim (standing), with Pam Barragate JoAnn Carr volunteers Barbara Erwin Edelman Rick Hamilton Erva Barton CWRU, Case for Walker and her Betsy Eells Margit Harris daughter Rita Cerne, Barbara Baskin Community Day Lee Ensign Shannon Harris welcomed nearly 100 Rita Cerne Dee Beacham Bill Hartshorn museum volunteers Kimberly Ertz Aerielle and Tom Dorothy Ceruti who lent a hand at Traci Haynes Bedell Durga Chandran Pam Esch the annual Parade the Betsy Hegyes Dinny Bell Helen Cherry Leigh Fabens Circle community arts Bettyann Helms celebration in June. Katie Bell Camille Chesley Mary Louise Falkner Maya Hercbergs Sharon Bell Karen and Joe Doris Farley Chinnici Dorothy Farley Pauline and Robert Vicki Bell Hermann Nancy Clark Bonnie Femec Anne Berk Maryanne Hertzer Kathryn Clarke Keith Filip Marianne Bernadotte Patty Hester Lou Clay Jamie and Ronald Arlene Bialic Kathleen Hickman Phyllis Cleary Fish Lois Bialosky Martha Hickox Sue Clegg Carol and Daniel Joanne Billiar Fishwick Ingrid Hoegner Julie Clemens Dean Birchfield Joan Fitchet Carol Holder Margaret Collings Ellen Bishko Mary Lou Foley Melinda Holmes Kathy Colquhoun Christy Bittenbender Joan Fountain Jann Holzman Hilary Colvin Paige Blackburn Ann Fox Elaine Hopkins Deanne Conley Dorothy Blaha Anne Frank Carolyn Horn Marty Conway Suzanne Blaser Barbara Franklin Barbara Houghton Janet Coquillette Phyllis Blau Susan and Leonard Jim Hubert Inez Corrado Gert Bleisch Freed Lisa Hudson Mary Kay Covington Carol Blixen Linda Friedman Katharine Hungate Joanne Cowan Susan Block Barbara Galvin Sabrina Inkley Eloise A. Coxe Flora Blumenthal Gail Garon Pamela Isquick Lois Crawford Joyce Bock Marjorie Garrett Marta Jack Shirley Culbertson Muffy Boland Phyllis Asquith Gary James Jackson Phyllis Cunningham Laura Borns Carey Gibbons Laurie Jacobs Maria Cutler Elda Borroni Debra Gill Lucia Jezior

93 Gwendolyn Johnson Debra Light Emily Mueller Claire Rogers Lorelei Stein-Sapir Susan Kaesgen Mary Anne Liljedahl Lara Mullen Anne Rogoff Kate Stenson Ann Kahn Sandra Littman Loretta Neal Vivian Rokfalusi Mary Ann Stepka- Toula Kalatzis Nan Lowerre Janet Neary Carole Rosenblatt Warner Richard Karberg Idarose Luntz Elise Newman Sandra Rueb Ruthe Stone Carolyn Karch Barbara Lurie Gail Newman Mary and Kevin Jess Stork Wilma Kasper Keith Lutz Lila Newman Ryan Diane Stupay Joan Kassen Kathleen Lyons- Christine Norman Dosie Rymond Alexa Sulak Donna Kasunic Henderson June Nosan Aurelie Sabol Mary Lou Sullivan Blanche and Dudley Lorrie Magid Alyce Nunn Marjorie Sachs Edith Taft Katz Diane Maher Lisa O’Brien Clarine Saks May Targett Mary Ann Tehnyat Majeed Sandra Ong Mitzi Sands John Tatarko Katzenmeyer Carole Majewski Helen Orton Ellen Schermer Michael J. Tevesz Cathy Keith Marvin Mandel Anne Owens Gail Schlang Jane Thomas Patricia Kelley Susan Manross Denese Pappas Susan Schloss Susan and Tom Judith Kessler Smith Thomas Janet Maranciak Rita Pearlman Nancy Schneider Key Bank, Neighbors Jean Thorrat Teri Markel Ethel Pearson Barbara and Arnold Make a Difference Schreibman Melissa Titman Patricia Markey Mary Ann Perry Pallavi and Ani Sally Schwartz Diana Tittle Khandekar Laura Martin Peg and Bill Petrovic Betty Jo Scurei David Tomberg Evelyn Kiefer Audrey and Russell Nina Pettersson Marxen Linda Sebok Teri Tomberg Carol Klomfas Emily Phillips George McCann Lynda Seidel Ruth Toth Joan Kohn Carole Phipps Dwan Mcclendon Karen Sethman Gail and Marty Alex Kosenko Suzanne Piazza Mary McClung Carolyn Shanklin Trembly Elaine Koskie Susan Pim Linda McGinty Jane Shapard Rob Tweddle Kathleen and Erica Cheryl Piper Patricia McIlraith Laura Shields Christine Vilas Kovacik Patricia Plotkin Jacklynn McKenney Dorothy Shrier Kathy Vilas Sara Kraber Margaret Plumpton Judith McMillan Patricia Simpfendorfer Pamela Vizdos Margaret Krudy Anne Poirson Reathel McWhorter Shelly Singleton Annie Wainwright Mark Krzysiak Elinor Polster Carol Mealy Marguerite Skorepa Robert Walcott Mina Kulber Frankie Polster Cathy Mecaskey Margaret Sloan Barbara Walker Peggy Kundtz Fran Porter Sandra Melsop Barbara Smeltz Ann Walling Julie Kurtock Charlene Powers Lorna Mierke Chuck Smick Donna Walsh Pilar LaBianca Ella Quintrell Betty Miller Billie Smith Hunter Walter Sally Lacombe Zsuzsanna Racz Catherine Miller Janice Smith Dave Walters Joann Lafferty Adrienne Rasmus Eugenia Miller Nan Smith Margaret Walton JoAnne Lake Virginia Ratcliffe Suzanne Miller Sally Smith Marie Walzer Carolyn Lampl Susan Rathbone Nancy Mino Linda Smith- Hannah Weil Miranda Lange Colleen Reiner Dolly Minter Richardson Lois Weiss Barbara Langlotz Howard Reinmuth Marie Morelli Melinda Smyth Lisa Wells Jennifer Langston Mary Reynolds Kathy Moroscak Becky Smythe Joyce Wells-Corrigan Kim Lansdowne Richelle Rhoden Andrea Morris Jean Sommer Suzanne Westbrook Debbie Latson Shirley Ann Ricketts Betsi Morris Sabrina Spangler Linda Wetzel Bonnie Lau Robin Ritz Helene Morse Diane Spelic Lori Whittington Megan and Michael Jen Robare Lau Marjorie Moskovitz Judith Spencer Louinia Mae Georgianna Roberts Whittlesey Freda Levenson Sheila Motter Daryle Spero Michael Roche Whole Foods Market, Sheila Levine Mary Jo Mudgett Mary Stark Rocky River High Staff Volunteers Susan Lewis School, Fine Arts Betty Williams Cathy Lewis-Wright Club Marjorie Williams

94 Courtyard Music

Anne Wilson Peter Moore Visitors have enjoyed the summertime Jack Wilson Colleen O’Malley tradition of dining and music in the Joan Wilson Ariel Pruitt outdoor courtyard for many years, and Margaret Wilson Jennifer Reeves the past two summers were no excep- Monica Wilson Margaret Roulett tion. Despite the challenges of working Emily Wollaeger Raymond Rozman in and around a construction zone, the Nancy Wolpe SunYoung Shin museum continued to present—and Kathleen Wood Amber Stitt visitors continued to enjoy, free of Claudia Woods Erin Valentine charge—a lively selection of area musi- Darden Wylean Lisa Volpe cians performing on Wednesday and Sana Yared Joseph Weber Friday evenings. These audiences have Miriam Younan Stacy Wideman had regular opportunities to hear first- Renate Zeissler Jerry Wisniewsky hand the wonderful range of musical Yi Zhang Esther Wysong talent that thrives in Northeast Ohio, Susan Ziegler and those musicians have been able to Richard Zupanic reach new ears.

Interns Liza Bergrin Michael Birkas Brad Blahnik Genny Boccardo- Dubey Antoinett Brown Christopher Bruns Hannah Bures Michael Cale Megan Carpenter Pangyen Cheng Danielle Clement Phillip Cox Julie Dansereau Jazz violinist Reed Simon Monet ’til Midnight Jim Miller Band, Stephanie Dowling performs for Summer in Vicki Chew & Dave Mo’ Mojo Mama Reagen Duplisea the Courtyard in 2007. Huddleston, Tony Band, Nighthawk, Patty Edmonson Pulizzi. Northcoast Jazz Collective, Trisha Michael Falkenstein Road to Barcelona O’Brien Quintet, Matthew Fantone The George Foley PanicSteel Drum, Big Band, Grupo Erica Fisher Tony Pulizzi, Bobby Fuego, Carlos Jones Selvaggio, Dave Jessica Goodworth and the PLUS Band, Sterner Quintet, Up Caroline Guscott La Vie Folk Funk, Ensemble. Caitlin Jenkins Latin Jazz Crew. Summer in the SeJeong Kim Summer in the Courtyard 2007 Robert Klayman Courtyard 2006 (to 30 June) (1 July–20 September) Alexandria Kotoch Ryann Anderson, Eddie Baccus Eddie Baccus Christina Larson Quartet, Harry Quartet, Cats on Amy Marshalek Bacharach, Blue Holiday, Kassaba, Alisa McCusker Lunch, Cats on Mo’ Mojo Mama Holiday, Sammy Sara Meade Band, Northcoast DeLeon, Haywire, Jazz Collective, Panic Thomas Mendenhall JT3, The Kingbees, Steel Drum, Reed Tami Miller Ernie Krivda, Simon. Latin Jazz Project,

95 Education and Public Programs

The staff of the Education and Public Programs Division moved back into the refurbished Breuer wing in July and celebrated the opening of the Arts and Education Center on October 15 with a Sunday afternoon program including family studios and music and dance presentations by Omo Ilu (Children of the Drum), the Jazz Poets, Mt. Zion Congrega tional Church Choir, Motivation through Excellence, and Junior Panic Steel Band. The Distance Learning staff demonstrated the use of video conferencing technology to teach students around the United States. Special appearances by Art Crew characters and giant puppets inspired by Romare Bearden and Antoní Gaudí enlivened the afternoon. An estimated 600 people attended the programs. The museum’s commitment to the education of Cleveland urban youth took an exciting new form in a partnership with the Cleveland Metropolitan School District to create the Cleveland School of Archi The Circle of Masks tecture and Design, one of the small schools within University Circle’s festival kicks off Parade the Circle newly renovated John Hay High School, which reopened in August season. 2006. Museum educators designed and co-taught an innovative curricu lum that features art and architecture in every discipline. This endeavor is a true collaboration: organizations working together to establish common goals around core principles of education, academic excellence, and community engagement. Community partners are working with the

While the permanent collection galleries are closed, objects from the Art To Go program are used in Museum Art Classes, which are now held in the Breuer building’s renovated classrooms.

Opposite: Students from the Cleveland School for the Arts paint building-themed murals.

96 97 The annual Chalk Festival brought vibrant color to the paving stones of the south terrace.

school to develop curricula and identify summer internships for youth, who will learn life skills in real work environments. This collaboration won national recognition and a cash award when it was presented with the Award of Merit for Best Practice in K-12 Architectural Education by the American Architectural Foundation in Washington, DC. The annual Chalk Festival once again attracted enthusiastic participants and spectators to decorate the pavement to the south of the museum. University Circle’s Holiday CircleFest and the museum’s contribution to it, the Winter Lights Lantern Festival, were both presented in early De cember as usual, though construction projects around Wade Oval necessitated some variations on the usual offerings. Parade the Circle celebrated its 18th year in 2007. Because of the con struction, the tents for the event were located near the Cleveland Museum of Natural History. A distinguishing characteristic of the parade continues

98 to be the pairing of artists from Cleveland and other countries (Trinidad and Tobago, Canada, and Brazil) with community groups. International connections with Brazil are expected to grow because two guests— Sergio SeLeitao, assistant to Gilberto Gil, the Brazilian national minister of culture, and Fabio Cesnik, director of the law firm representing the ministry—were here for the second time to explore possible exchanges between the museum and Brazil in the area of artists and performing arts. The event has transformed University Circle and our relationships with community groups. Leaders of University Circle institutions and others have always marched in the parade, and this year our director marched twice—once with the directors ensemble and a second time on stilts! A combination of print, radio, and e-mail communication promoted the parade, along with grass-roots efforts in combination with Univer The museum sity Circle Inc. and the other institutions around the circle. More than completed the first year of a collaboration 40 stories ran in the regional media, reaching almost 6.5 million readers, with Cleveland’s John listeners, and viewers. The Education Division continues to work with Hay High School. the Marketing Department to encourage media coverage that helps more people learn about the museum’s many educational opportunities. In February, 52 new docents joined the program, bringing a variety of experiences: 13 have been teachers, 4 have art history backgrounds, 2 are artists, and 6 have previous docent experience at other institutions. Our dynamic group of people includes a former FBI agent, a flight in structor and a flight attendant, an architect, a translator, a tennis coach, and a choir director. The Distance Learning program was named the Content Provider of the Year by teachers voting in the 2006 Polycom Teacher’s Choice competition, Fine Art Museum category.

In May, the Museum Ambassadors program presented its annual Community Day, in which the students invite their home communities to the museum and present a full day of activities.

99 Chris Ronayne, president of University Circle Inc., roller skates in Parade the Circle. The event attracted more than 55,000 people to Wade Oval on the second Saturday in June.

Concentrated activity took place within the Education Art Collection. More than 3,600 textiles were reviewed by renowned curator and textiles expert John Vollmer from the Royal Ontario Museum; Louise Mackie, curator of Textiles and Islamic Art, coordinated the effort assisted by reg istrars, art handlers, and Art To Go staff members. Currently, 19 suitcase presentations are in circulation in the Art To Go program. Artifacts from the museum’s Education Art Collection are the basis for suitcases. Staff members write the curriculum, train the volunteers, and lead presenta tions in various settings located within a 45-minute drive of the museum. Presentations make connections to official state standards in science, social studies, mathematics, language arts, and the visual arts, demonstrating the value of the arts in teaching a wide variety of subjects.

100 In the area of community engagement, the museum continued to concentrate on serving visitors within a one-mile radius of the museum while seeking to define key people and organizations from schools, churches, and grass-roots groups in places within a two-hour drive from the museum along freeways or easily accessible by public transportation. As the museum’s renovation and expansion project continues, the division looks forward to bringing more and more programs back to full strength and into new territory—within the museum as well as in the community.

101 Adult Programs Exhibition tours: MOCA Cleveland: Persistence of Geometry, Emerging Artist Series: Sarah Kabot, Art and Fiction Book Club and Transitions: Linda Butler and Phillip Brutz Education Department and Ingalls Library Photographs. Maltz Museum of Jewish Heritage: staff: The Da Vinci Code, Dan Brown; Masterpieces of European Painting from the Michelangelo and the Pope’s Ceiling, Ross King; Cleveland Museum of Art Picasso: A Biography, Patrick O’Brien; The Rescue Artist, Edward Dolnick; Shogun, James Exhibition Programs Clavell; The Egyptologist, Arthur Phillips; Ansel Adams: A Legacy and Icons of American Frida: A Biography of Frida Kahlo, Hayden Photography Herrera; and The Painted Kiss, Elizabeth Lectures: Anne Helmreich, Case Western Hickey. Reserve University: “American Landscapes: CCMA@ Starbucks: The Girl with a Pearl From the Picturesque to the Sublime”; Gary Earring, Tracy Chevalier; and Death and Sampson, Cleveland Institute of Art: “Ansel Restoration, Iain Pears. Adams and the Group f.64 Aesthetic”; Alan Ross, photographer: “Working with the Book Signings Master”; Mark Cole, CMA: “Kindred Spirits: Creative Essence: Cleveland’s Sense of Place, Nina American Painters and Photographers”; Tom Freedlander Gibans; and Toshiko Takaezu: The E. Hinson, CMA: “American Icons: Building Earth in Bloom, Toshiko Takaezu and J. a Collection.” Stanley Yake. Barcelona & Modernity Symposium. “Art, Culture, and Social Con Continuing Education Courses flict in the City of Bombs,” with international Education Department staff: Case Western scholars Santiago Alcolea, Institut Amatller Reserve University, Cuyahoga Community d’Art Hispanic; Robert Lubar, New York College, Cleveland College Club, and University; Gary McDonogh, Bryn Mawr National Council of Jewish Women. College; and Josep Miguel Sobrer, Indiana University. Moderater: Mary Ann Newman, Docent Program Institut Ramon Llull. Presentations to: Alcazar Hotel group; Ameri Lectures. Bradley Epps, Harvard University: can Association of University Women; Clifton “Between the Rose of Fire and the City of Club (West Side study group); Community Ivory: Barcelona and Modernity”; and Jordi Options (Jewish Community Federation); Falgás, CMA: “Picasso in 1906: Savoring the Corporate College West, Encore Group; Delta Secrets of the Mysterious Land.” Kappa Gamma International, Tau Chapter; Epworth-Euclid United Methodist Church; Monet in Normandy Franciscan Village Senior Complex; Garfield Arielle Levine offers Lectures: S. Hollis Clayson, Northwestern Memorial United Methodist Church; Hamlet University: “Monet Amid Tourists”; Heather a distance learning Village Retirement Community; Institute lesson. Lemonedes, CMA: “The Exhibition Monet for Learning in Retirement; Judson Manor; in Normandy” and “Monet’s Water Lilies”; John Lakewood Art League; Mt. Zion Congrega House, Courtauld Institute of Art: “Monet’s tional Church; Notre Dame College (con Two Normandies”; Richard Thomson, tinuing education); Pi Beta Phi Alumnae University of Edinburgh: “Monet: The Club, Chapter II; RapArt Center; Single Life Seine and the Sea”; Anne Helmreich, Case at the Federated Church in Chagrin Falls; Western Reserve University: “Monet and the Shaker Heights Rotary Club; Westlake Center Mediterranean”; Paul Tucker, University for Community Services; Willoughby Fine of Massachusetts: “Monet, Modernism, Arts Women’s Committee; and A Woman’s Normandy and La France”; Marjorie Williams, Philanthropic and Educational Organization. CMA: “The Japanese Influence on the Art of Claude Monet.”

New docents spend a year learning about the collection, using the resources of Ingalls Library. Seasoned docents use the library as well to accumulate interesting facts to share with those who take their tours.

102 IMLS Grant Program Free public workshops Education Department staff: “Destinations in let familes assemble Art: England, Mesoamerica, and the Maya.” their own lanterns for the museum’s Lecture Courses Winter Lights Lantern Dale Hilton, “America’s Stories”; Seema Rao, Festival during Holiday “Tibetan Art”; Michael St. Clair, “Architec CircleFest. ture Thursdays: The Architecture of Cleveland in Walking Tours”; Education Department staff and Curator Jane Glaubinger: “A Day with Monet”; Education Department staff: “Introduction to Non-Western Art,” “Barce lona Modernism,” and “Monet in Normandy.”

Studio Classes Susan Gray Bé: Drawing and Painting from Life, Composition in Oil; Kate Hoffmeyer: Introduction to Drawing, Introduction to Printmaking; Barbara Kathman: Tapestry Weaving Made Simple; Mitzi Lai, Chinese Brush Painting; Jesse Rhinehart: Advanced School Tour Program Cuyahoga Falls City, Cuyahoga Valley Watercolor, Beginning Watercolor, Watercolor Christian Academy, Nordonia Hills City, Old in the Evening, Drawing. Ohio counties and school districts: Allen: Perry Local; Clark: Northwestern Local; Trail School, Springfield Local, St. Vincent– Columbiana: Salem City; Cuyahoga: Bay St. Mary High School, Stow–Munroe Falls Village City, Birchwood School, Broadview City, Tallmadge City, Twinsburg City, West Family and Youth Heights, Chagrin Falls Exempted Village, ern Reserve Academy, Woodridge Local; Cleveland Catholic Diocese, Cleveland Trumbull: Champion Local; Tuscarawas: Distance Learning Heights–University Heights, Cleveland Garaway Local, Champion Local; Wayne: Presented 759 distance learning sessions and 11 Metropolitan School District (CMSD), Green Local, North Central Local, and Tri custom lessons for client schools in 25 states. Cuyahoga Heights Local, Cuyahoga Valley way Local. Career Center, Eleanor Gerson High School, Other states, counties and school districts: Early Learning Initiative Euclid City, Hathaway Brown School, Holy Michigan: Lapeer; New York: Buffalo; Ohio: Cultural institutions: Children’s Museum Rosary Montessori School, Horizon Sci Columbus, Hanoverton, Hinkley, Richfield, of Cleveland, Cleveland Botanical Garden, ence Academy Cleveland, Jewish Education Springfield, Wooster; Pennsylvania: Cleveland Institute of Music, Cleveland Center of Cleveland, Lakewood City, Laurel Beallsville, Edinboro, Erie, Grove City, Museum of Art, Cleveland Museum of Natural School, Lawrence School, Montessori Chil Hermitage, and Pittsburgh. History, Cleveland Orchestra, Cleveland dren’s School, North Olmsted City, North Play House, Nature Center at Shaker Lakes, Royalton City, Olmsted Falls City, Orange Teacher Resource Center Western Reserve Historical Society, and City, Parma City, Parma Heights Christian Workshop instructors: Rene Culler, Diane Joy University Circle Inc. Academy, Pepper Pike, Ratner School, Rocky Stone, George Woidek, Education Depart Day care centers: Church of the Covenant, River City, Shaker Heights City, Solon City, ment staff. Cleveland Music School Settlement, Cleveland South Euclid–Lyndhurst City, Strongsville Sight Center, HealthSpace Cleveland, Karamu City, University School, Westlake City; Erie: Art To Go and the Education Art Collection House, University Hospitals KinderCare, Berlin–Milan Local, Margaretta Local, Conducted 373 suitcase presentations for 7,667 Wade Day Care Center, and centers at Perkins Local, Vermilion Local; Franklin: students in 55 different schools. Dublin City; Geauga: Cleveland Catholic Cleveland Metropolitan School District Presentation topics: Ancient Americas: elementary schools Bolton, Cleveland School Diocese, Hawken School, West Geauga Local; Jefferson: Buckeye Local; Knox: East Art from Mesoamerica; The Art of Writing: of the Arts (Dike campus), Early Childhood The Origin of the Alphabet; Artists of Development Center, Giddings, Daniel E. Knox Local; Lake: Andrews School, Kirtland Local, Madison Local, Painesville City Our Region; China: Art and Technology; Morgan, Louis Pasteur, John W. Raper, and Classical Art: Ancient Greece and Rome; Wade Park. Local, Painesville Township Local, Peaceful Children Montessori, Perry Local, Phillips- Cool Knights: Armor from the European Instructor: Kate Hoffmeyer. Osborne School, Willoughby–Eastlake Middle Ages and Renaissance; Diego Rivera: City; Lorain: Avon Lake City, Avon Local, A Mexican Hero and His Culture; Early Museum Art Classes Cleveland Catholic Diocese, Columbia Local, America: Artistry of a Young Nation; Journey Instructors: Debbie Apple-Presser, Candice Elyria City, Lake Ridge Academy, Midview to Africa: Art from Central and West Africa; Dangerfield, Pamela Dodds, Dessi Ehrlich, Local, North Ridgeville City; Lucas: Toledo Journey to Asia; Journey to Japan: A Passport Jeanna Forhan, Lisa Focaretto, Ashley Gerst, City, Toledo School for the Arts; Mahoning: to Japanese Art; Let’s Discover Egypt; Masks: Shana Henry, Kate Hoffmeyer, Shari Boardman Local, Campbell City, Jackson– Let’s Face It; Materials and Techniques of the Jamison, Christie Klubnik, Katie Loesel, Milton Local, Lowellville Local, Youngstown Artist; The Museum Zoo: Animals in Art, Michaelle Marschall, Aileen McKimm, City; Medina: Brunswick City, Wadsworth Native American Art: Clues from the Past; Colleen O’Malley, Carol Pressler, Alex City; Portage: Aurora City, Ravenna City, Oodles and Oodles of Lines and Shapes; Prudic-Dennis, Shawn Prudic-Dennis, Joann Streetsboro City, Waterloo Local; Richland: Problem Solving: What in the World? Rencz, Mary Ryan, Pamela Sika, Dave Shaw, Mansfield Christian High School; Stark: CMSD participants: Almira Elementary, Case Elizabeth Stanbro, and Jess Stork. Canton City, Jackson Local, North Canton Elementary, Cleveland School of the Arts, Supervisor: Dyane Hronek Hanslik. City, Perry Local, Tuslaw Local, Youngstown Eleanor Gerson High, Emile B. deSauze Con Diocese; Summit: Akron City, Cleveland temporary Academy, Euclid Park Elementary, Catholic Diocese, Copley–Fairlawn City, John Hay High, Louisa May Alcott Elemen

103 Artists and support staff: Gerald Abt, Sarah tary, Marion Seltzer Elementary, McKinley Alhaddad, Debbie Apple-Presser, Chris Elementary, Mound Elementary, Paul L. Begay, Sue Berry, Hector Castellanos-Lara, Dunbar Elementary, Robert Fulton Elemen Michael Crouch, Maureen Dixon, Nan tary, and Tremont Elementary. Eisenberg, JoAnn Giordano, Dana Hardy, Other sites: Birchwood Elementary; D. Scott Heiser, Vicki Isphording, Buff Jozsa, Citizen’s Academy; Forestlawn Elementary; Wendy Mahon, Julia Pankhurst, Ian Petroni, Fuchs Mizrachi of Cleveland; Gates Mills Nancy Prudic, Jesse Rhinehart, Story Elementary; Grant Elementary; Green Rhinehart, Lizzie Roche, Donna Spiegler, Valley Elementary; Greenview Upper Jan Stickney, Chuck Supinski, Gail Trembly, Elementary; Hathaway Brown; Hawken Rafael Valdivieso, Robin VanLear, Bill Wade, School, Lower-Middle Campus; Hershey and Craig Woodson. Montessori; Highland Drive Elementary; 2007 poster and T-shirt: Jill VanOrden. Hilltop Elementary; Holy Cross Elementary; Holy Redeemer; Holy Trinity; Hope University Circle Inc. (UCI) member insti Academy; Horizon Montessori; Horizon tution groups: Abington Arms, Cleveland Science Academy Cleveland; Hudson Middle; Museum of Art (CMA), Cleveland Museum Knollwood Elementary; Laurel School; of Natural History (CMNH), Cleveland Noble Elementary; Parma Heights Christian Public Library (CPL), Cleveland Sight Cen Studio art classes ter (CSC), Judson Services Inc., Lake View often begin with a Academy; Parma High; Parma, Snow Branch Library; Roxboro Elementary; Royal Cemetery, Mt. Zion Congregational Church, close look at works St. Adalbert, and the Womens Council of the from the collection. Redeemer Lutheran Elementary; Shaker Heights Middle; Shaker Heights Public Cleveland Museum of Art. Library; Solon High; St. Ann’s; St. Charles Directors ensemble: City of Cleveland Borromeo Elementary; St. Mary’s School; (Patricia J. Britt, councilmember, Ward 6), Tennyson Elementary; University School, Cleveland Botanical Garden (CBG) Lower Campus; Valley Forge High School; (Natalie Ronayne, executive director), Washington Park Community Elementary; Cleveland Hearing & Speech Center and Westpark Community School. (Bernard P. Henri, executive director), Cleveland Music School Settlement (CMSS) (Charles Lawrence, executive director), Community Arts Cleveland Play House (CPH) (Kevin Moore, managing director), CMA (Timothy Rub, Chalk Festival director) and Womens Council of the CMA Featured chalk artists: Barbara Chira, George (Kate Stenson, chair), CPL (Andrew Venable, Kozmon, Story Rhinehart, Dante Rodriguez, director), CSC (Michael E. Grady, director); Jan Stickney, and Robin VanLear. Dunham Tavern Museum (Marsha French, co-president), Epworth-Euclid United Meth Musicians: Blues de Ville and DubFlex. odist Church (L. Chris Martin, pastor), Judson Participating groups: Arts Collinwood, Services Inc. (Cynthia H. Dunn, president Brownie Troop 348 (Wickliffe), Bruns and CEO), Lake View Cemetery (Gerald D. wick High School, Firelands High School Wantz, president and CEO), Maltz Museum (Oberlin), Hershey Montessori Farm School of Jewish Heritage (Judi Feniger, executive (Huntsburg), Lake Center Christian School director), Medical Mutual of Ohio (Debra (Hartville), Mayfield High School Italian Green, director of community relations), class, North Olmsted Schools, and Ted Strick MOCA Cleveland (Jill Snyder, executive land for Governor. Student volunteers: Rocky director), Mt. Zion Congregational Church River High School Art and Service Learning (Paul Hobson Sadler Sr., pastor), Musical Arts Clubs. Association (Gary Hanson, executive direc A Sparx Gallery Hop featured event. tor), UCI (Chris Ronayne, president), and Western Reserve Historical Society (WRHS) Circle of Masks Festival (Gainor Davis, president & CEO). Artists: Michael Guy-James and Lizzie Roche. School and education groups: Bedford City Schools: Carylwood Intermediate, Bedford Movement Performers: Inlet Dance Theatre, High; Cleveland Heights–University Heights Verse Story Rhinehart. Schools: Canterbury Elementary, Coventry Elementary, Fairfax Elementary, Gearity Parade the Circle Elementary, Noble Elementary, Oxford Guest artists: “Cacau” Arcoverde (Brazil), Elementary, Cleveland Heights High School Michael Bodel (New York), Kelvin Keli Art Club and Stilt-Walking Troupe; CMA Cadiz (Trinidad and Tobago), Anne Cubberly Museum Ambassadors: Bedford High School, (Connecticut), Michael Guy-James (Trinidad Strongsville High School, Valley Forge High and Tobago), Lacey Harrington Hammond School (Parma Schools); CMSD: John Hay (Canada), Brad Harley (Canada), Ana Paula Campus–Cleveland School of Architecture Jones (Brazil), Nkhruma Potts (Trinidad and and Design, Motivation through Excellence Tobago), Myra Rasmussen (Oregon), Inskip Program (students from Audubon Elementary, Rochford (Trinidad and Tobago), Rick Simon Mary M. Bethune Elementary, George (Canada), and Rudolph “Murphy” Winters Washington Carver Elementary, Early Child (Trinidad and Tobago). hood Development Center); Hawken School;

104 Holy Name Elementary; Mayfield Middle Sponsors: CMA Community Arts Partner Community Arts Appearances School; Old Brooklyn Community School; Medical Mutual of Ohio and the Womens Allen Memorial Art Museum Chalk Festival Peaceful Children Montessori School; Council of the Cleveland Museum of Art. Ad and Workshop (Oberlin), Arts Collinwood St. Adalbert School; and Strongsville Schools: ditional support from the Ohio Arts Council; Holiday Artist Sale, Big Parade Workshop Chapman Elementary, Strongsville High the Cleveland Coca-Cola Bottling Company; (Oberlin), Burning River Fest, Chagrin Falls School. University Hospitals Case Medical Center; Blossom Time Festival, Cleveland Heights– Community groups: Abington Arms Art Cleveland City Council members Patricia University Heights Library Re-opening, Therapy Program, Art House, Artistas Latinos J. Britt (Ward 6), Sabra Pierce Scott (Ward Cleveland Metroparks Boo at the Zoo (8 Unidos (ALU), Arts Collinwood, Beck Center 8), and Kevin Conwell (Ward 9); Cuyahoga days), CMA Barcelona Opening Events (3 for the Arts, Bellaire–Puritas Development County Board of Commissioners Jimmy appearances), CMA Museum Ambassadors, Corporation, Boy Scout Troop 22 (Cleveland Dimora, Timothy F. Hagan, and Peter Lawson CMA Pink Martini (2 appearances), CMA Heights), Broadway Public Art, Broadway Jones; and Cleveland Museum of Natural His Re-opening Open House, CMA Summer United Methodist Church, Cleveland Peace tory. Promotional support provided by 89.7 in the Courtyard (2 appearances), Cleveland Action, Cleveland Public Theatre Brick City WKSU, Cleveland Magazine and Mix 106.5. State University Black Studies Program, Theatre, CMNH Book Explorers, Committee Special thanks to Charlie’s Fabrics, Distillata, Clifton Arts Festival, Coventry Village Arts of 500 Years of Dignity and Resistance, CPL, Glidden House, Ohio City Bicycle Co-op, Festival (3 appearances), El Dia de los Muer CSC, C-Space, Drums along the Ohio, Ex and Whole Foods Market. tos, 11th Congressional District Labor Day tended Family, Federation of India Commu Parade, Fernway Elementary School Fall nity Association, Geneva (city), Geneva Winter Lights Lantern Festival Festival, Heights Arts at Cedar/Fairmount, Art Walk Committee, Geneva Business Environment of Lights installation artists: Heights Arts at the Library, Ingenuity Festival Association, Geneva High School, Geneva Ian Petroni, Jesse Rhinehart, and Robin (3 days), Jewish Community Federation Yom Mural Committee, Girl Scouts of Lake Erie VanLear. Technical assistance: Scott Heiser. Ha’atzmaut (Israel Independence Day) Cele Council Troop 576 (Strongsville) and Troop Music: Joe DeJarnette and Friends. Puppets: bration, Mt. Olive Missionary Baptist Church 598 (Olmsted Falls), Golden Ciphers, Hessler Judah Arnold, Joshua Brown, Niah Bystrom, Juneteenth Celebration, North Union Farm Neighborhood Association, Indian Museum of Ian Petroni, Nick Stagno, and Bill Wade. ers Market at Shaker Square (2 appearances), Lake County, J. R. Coleman Childcare Dancers: Melanie Fioritto, Story Rhinehart, ParkWorks Meet Me on Mall (3 appearances), and Family Center, Judson at University and Lizzie Roche. Umbrella dancers: Leah ParkWorks Movie under the Stars (2 appear Circle, Lake Erie Native American Council, Clark, Mikaela Clark, Ashley Harper, and ances), Phillis Wheatley Association Benefit, Mt. Zion Congregational Church, Native Leah Harper. Royal pair: Allison Prucha and Play until Dark @Wendy Park, Resonance American Indian Culture Center, New Life Chuck Supinski. World Music Festival (2 days), Shaker Solstice Community, Passport Project, Phoenix Coffee, Guest lantern artists: Debbie Apple-Presser, Festival, Slavic Village May Show, Sparx Gal Rainey Institute, Raízes da Tradição Institute Anna Arnold, Michael Bodel, Michael lery Hop at the Galleria (2 days), Sparx Street (Brazil), Riverside Park Community Center, Crouch, JoAnn Giordano, Dana Hardy, Scott Beats (4 appearances), Stan Hywet Hall and St. Vincent’s Charity Hospital Building Heiser, Story Rhinehart, Dante Rodriquez, Gardens Scarecrows, Tremont Arts and Cul Healthy Communities–EMBRACE, Standing and Rafael Valdivieso. tural Festival (2 days), UCI Fall for the Circle, Rock Cultural Arts, and Woodbury Road UCI Wade Oval Wednesdays, UCI Scare Winter Lights lantern making workshops. Neighbors. crows, University Heights Memorial Day Art Crew. Art Stories with celebrity readers: Music and dance groups: Cleveland Saxtet, Parade, Walk and Roll in Rockefeller Park (2 Eleanor Hayes, Ohio News Now; George appearances), and Whole Foods Market. Crooked River Dance Troupe, Cuyahoga Fraser, FraserNet Inc.; Yvonne Pointer, City Community College Eastern Campus of Cleveland Community Relations; Salvador Caribbean Ensemble, Cuyahoga Commu Gonzalez, CMA. Art To Go Demonstrations: nity College Metro Campus Tankagle Mask Greece and Rome, Chroma Key Technology: Dancers, Gypsy Soul, Hareem Shar’eem, Inlet Wanna Be in Pictures?, and Fabric Decorat Dance Theatre, Kent African Drum Com ing: Creating Holiday Squares. munity, Mystic Motions, Panic Steel Ensemble, The Winter Lights Lantern Festival was Pick Up Stix; Polyrhythmics, Sutphen School supported by the Womens Council of the of Music at Phillis Wheatley Association, and Cleveland Museum of Art. Wall of Sound. Circle Village activities presenters: American Heart Association, CBG, Children’s Museum of Cleveland, CIM, Cleveland Hearing & Speech Center, Cleveland Orchestra, CMA, A magical lantern CMNH, CMSS, CPH, CPL, CSC, Cuyahoga procession concluded Valley National Park Association, Dunham Holiday CircleFest. Tavern Museum, Epworth-Euclid United Methodist Church, Famicos Foundation, Invest in Children, Lake View Cemetery, Maltz Museum of Jewish Heritage, MOCA Cleveland, Park Lane Villa, Rainbow Babies & Children’s Hospital, Ronald McDonald House of Cleveland, WRHS, Womens Council of the CMA, Young Audiences of Greater Cleveland. Pole banner artists (new banners): City of Geneva Mural Committee; CMA Museum Ambassadors: Bedford High; CSC; Hathaway Brown; Hawken School; Horizon Science Academy; Vicki Isphording; Seema Rao; Ronald McDonald House.

105 Claymation

The advent of the inexpensive digital camera has led to an unexpected renaissance in the use of this low-tech medium. “No matter how old and low- resolution a digital camera is,” says Ashley Gerst, a 2007 graduate of the Cleveland Institute of Art who teaches the museum’s claymation classes, “it’s still much better than television or HDTV.” With a digital camera and a few cardboard set pieces, the students start shooting away, 15 frames per second. The images are doubled to get up to the digital video standard of 29.97 frames per second, and thus it requires about 900 still images to get a full minute of animation. In the final step, Gerst edits the images together on a computer. Generally, the classes attract teenagers but are difficult for younger One of the oldest forms of film ani- students. “If you’re younger than about mation involves building clay figures 10,” says Gerst, “you can’t see a desk around a flexible metal armature and in a store and put it in a room in your shooting one frame at a time, moving mind. Not having that spatial capacity the figure(s) slightly between frames. makes it frustrating. But the older When the film is projected at regular kids—there was a piece done in the last running speed the figures appear to session that was really amazing, with move. From King Kong to Tim Burton stars falling from the sky onto the back movies and recent Ardman Animation of a unicorn. It was beautiful and a little features such as Chicken Run, claymation sad—the kids said the unicorn had to has had a long and distinguished place die at the end.” in the history of film.

106 Summary of Attendance, 2006–2007

Total Attendance, Museum 281,412 Performing Arts, Music, and Film Serials VIVA! & Gala Around Town 11,919 Total serial titles 3,161 Monet Gallery Concerts 1,560 Current subscriptions and memberships 1,665 Education and Public Programs Panorama Film Series 3,640 New subscriptions 8 Total 17,119 Current serials gifts and exchanges 465 Community Arts Total serial issues received 5,397 Chalk Festival 13,500 Total serials holdings 60,595 Circle of Masks 700 Ingalls Library Volumes bound 2,773 Community Arts (offsite events) 162,991 Parade the Circle 57,000 Web Site 1,812,428 visits SCIPIO (Sales Catalog Index Project Input Winter Lights Lantern Festival 60,000 Top three requested items, in order: image Online) Total 294,191 collection, book collection, and May Show Sales catalogs received and database records added 2,227 Total records in online system 87,220 School and Teacher Services Art To Go 7,652 Book Library Asian Odyssey 760* Image Services Distance Learning 14,729 Cataloging Books cataloged 8,526 titles in 7,684 items Images downloaded from catalog 3,324 Docent-guided groups (children) 11,497 Total images digitized 62,636 IMLS grant teacher programs 50 includes books, serials, electronic resources, microforms, scores, and video and audio BackStage digitization project 38,741 John Hay High School project 1,839* For patrons/CWRU faculty 23,885 School studio programs 129 recordings, in Roman and CJK scripts Volume count as of 30 June 2007 Self-guided groups (children) 1,771 CMA image catalog and storage facilities Staff-guided groups (children) 576 328,746 titles in 431,961 volumes Book repairs 3,990 Records in Zoph (images) only 240,857 Teacher Resource Center 200 Records with metadata 180,000 Teacher Resource Center (offsite) 53 Headings added to ArtNACO 34 Total 39,256 Acquisitions Acquisitions Books ordered 3,638 Digital images purchased 287 Family and Youth Programs Books received 3,888 Community outreach programs 340 Gifts received 759 Family workshops 768 Exchanges received 248 Archives High school programs 301* Records accessioned 79 cubic feet in 37 Museum Art Classes 5,557* Public Services accessions SLAM IT! (IMLS program) 284 Staff use 2,381 Records processed 46 cubic feet Special youth programs 1,797* Nonstaff users registered 2,759 Total holdings as of Special days 1,307 Book circulation 25,435 30 June 2007 2,404 cubic feet Breuer Open House Grand Museum staff 16,494 Plus 65 drawers of architectural drawings, Opening Day 600 CWRU 6,997 20 drawers of oversized material in flat files, Bravo Barcelona Family Day 276 Museum members 314 and 57 linear feet of oversized material on Monet Family Day 356 Other researchers 1,630 shelves and electronic records Photo Family Day 75 Books shelved 17,817 Total 10,354 Reference questions answered 2,298 Finding aids/box lists prepared 4 including 315 email questions Record schedules implemented 1 For Adults Website questions answered 129 Reference questions answered 261 CWRU classes 3,360* Books handled via courier run 6,386 Museum staff 194 CWRU audit classes for museum Interlibrary loans 927 Public 67 members 210* 210 as borrower, 717 as lender Docent-guided groups 721 Gallery talks by staff 442 Gallery talks by docents 2,522 Lifelong learning programs 46 Public lectures 1,229 Self-guided groups 55 Staff-guided groups 2,762 Staff-guided (offsite) 527 Studio classes 633* Studio classes (offsite) 127* Total 12,634

Grand Total, Public Programs 356,435

*reflects multi-attendance

107 Director’s Office Operations Division Grounds Maria Aras,+ Louris Malaty, Staff Security Officer Security Officer Timothy Rub, Facilities Thomas Hornberger, Director Grounds Supervisor Kyle Arney, Security Candice Matthews, Thomas Catalioti, Officer* Security Officer* Judy Bennington, Director of Facilities Ronald L. Crosby, Executive Assistant Group Leader/ William Auzenne, Jacqueline Matthews, (until April 2007) Paul Krenisky, Groundskeeper Security Officer* Security Officer* Associate Director of Jackie Kelling, Facilities Allen C. Jesunas, Victor Barnett, Thomas McGee, Executive Assistant Grounds Assistant Security Officer* Security Officer* Tonya Pileski, Roberto Prcela, Coordinator Lott Crosby, Ivan Bercian, James McNamara, Assistant Secretary of Groundskeeper Security Officer* Security Officer the Board Construction Services William Foster, Bruce Briggs, Salwa Melek, Mark Unick, Groundskeeper Security Officer Security Officer Administration Foreman, Joseph L. Hrovat, Michael Browne, Donald Miller, Janet Ashe, Deputy Construction Services Groundskeeper Security Officer* Security Officer* Director of Administration and Dominique Halley, John Sawicki, Frank Cacciacarro, Teresa Najarro, Treasurer Construction Services Groundskeeper Security Officer Security Officer Technician Mervin Clary, Timothy Roach, Cindy Ross, Protection Services Executive Assistant Security Officer Security Officer Engineering Pete Mroczkiewicz, Joseph Z. Jamrus, Ronald Cox, Anthony Robinson, Design and Architecture Director of Security Officer* Security Officer* Division Engineering Protection Services Supervisor Dexter Davis, Carlton Rowdy,+ Jeffrey Strean, Carol Camloh, Security Officer Security Officer* Director of Design Anthony Lee, Coordinator Facilities Technician Andrew Demjanczuk, Jason Rudolf, and Architecture Salvador Gonzalez, Security Officer* Security Officer* Rusty Culp, Frank Babudar, Operations Manager Engineer Earl Dunklin, Albert Russell, Associate Director Jaime Juarez, Security Officer* Security Officer* of Design and Thomas J. Cari, Operations Manager Architecture Engineer William Emerson, Abram Shneyder, Jeff Cahill, Security Security Officer* Security Officer Andrew Gutierrez, Anthony Ceo, Manager Exhibition Designer Engineer Carolyn Ernst, Scott Sykes, Security Carolyn M. Ivanye, Security Officer* Officer* Amy Draves, Fred E. Sanders, Security Manager Administrative Engineer Michael Evans, Martin Tkac Jr., Frederick D. Martin Security Officer Security Officer Assistant Ibn Taylor, Engineer Jr., Security Manager Derrick Fields, Michael Turner, Design Building Services Steven Witalis, Security Officer Security Officer* Security Manager Lizzy Lee, Graphic Joe Savage, Building Jerome Fitz, Security Alexander Verni, Designer Services Supervisor Robert Andrews, Officer* Security Officer Security Supervisor Terra Pileski, Shawn Burns, Ted Frisco, Security Janet Voss, Security Production Designer General Cleaner James Donovan, Officer* Officer Security Supervisor Mary Thomas, LaTonya Cozart, Leonard Gipson Jr., Timothy Waddell, Production Designer* General Cleaner Charles Ellis, Security Officer Security Officer Security Supervisor Exhibition Production Brian Ferguson, Kevin Grays, Security Thomas Wallace, General Cleaner Ken Haffner, Officer* Security Officer* Jeff Falsgraf, Chief Security Supervisor of Exhibition Brian Fields, General Alexander Gulkin, Darryl Williams, Cleaner Carol Meyers, Security Officer Security Officer* Production Security Supervisor Robin Roth, Rebecca Harrison, Clifford Hicks, Antoine Winston, General Cleaner Basil Reynolds, Security Officer Security Officer* Graphics Technician Security Supervisor Philip Brutz, Deanna Miller, Demario Higgins, George Youssef, General Cleaner David Setny, Security Security Officer* Security Officer Installation Technician Supervisor Mark McClintock, Bobby Shoulders, Walter Karoly, Alton Avery, Night General Cleaner John Williams, Security Officer* Watch Person Installation Security Supervisor Technician John Weems, General Dwayne Kirkland, Vincent D’Amico, Cleaner Eugene Irwin, Security Officer Night Watch Person Dante Rodriguez, Parking Manager Installation Cynthia Wiggins, Gary Lambert, Lawrence Fitch, General Cleaner Reginald Sturdivant, Security Officer* Night Watch Person Technician Parking Supervisor Robin Presley, Avila Winston, Calvin Lampkin, Lee Hebebrand, General Cleaner William McGee, Security Officer* Night Watch Person Facilities Painter Electronic Security Coordinator Michael Layton, Leonard Kile, Night Security Officer* Watch Person Kamilia Abadier, Security Officer Clark Loving, Dwayne Kirkland, * part-time Security Guard* Night Watch Person + deceased

108 No matter what is going on in the galleries or around the world, works of art are always getting a little (or a lot) of TLC in the museum’s conservation labs.

David Robbins, Renee Suich, Christine Hoge, Collections Care Shezza Edris, Maria C. Downey, Night Watch Person Warehouse Supervisor Endowment Division Circulation Assistant Serials Librarian Accountant Adam Schonhiutt, Exhibition Office Beverly Essinger, Michael Becroft, Night Watch Person Distribution Services Karen Lind, Accounts Circulation Assistant Serials Assistant Heidi Domine John Somogyi, Night Wanda Irwin, Receivable Specialist Jennifer Smith, Lori Thorrat, Distribution Services Strean, Director of Watch Person Patricia Wilson, Exhibitions Library Assistant Associate Librarian Supervisor Payroll Coordinator for Bibliographic Morena Carter, Helen f. Carter, Museum Store Kimberly Grice, Assistant Librarian for Access Distribution Services Human Resources Exhibition Catherine Surratt, Coordinator Acquisitions Christine Bardwell, Manager, Retail and Associate Division Library Technician* Rachel Duszynski, Marsha Morrow, Merchandising Michael Meredith, Sharon Reaves, Acquisitions Assistant Violet Ryder, Library Assistant Supervisor Director of Human Exhibition Assistant* John Baburek, Tyler Trolio, Technician* Buyer/Product of Shipping and Resources Receiving Ingalls Library and Acquisitions Joanna Maniglia, Developer Sara Hodgson, Archives Assistant* Cataloger* Dedeja Tsiranany, Human Resources Finance Division Administrator Library Paula Blackman, Stacie A. Murry, Office Coordinator/ Acquisitions Cataloging Assistant Retail Analyst Accounting Carla Petersen, Elizabeth A. Lantz, Assistant* Melanie Seal, Hedvig Novota, Ed Bauer, Assistant Benefits Specialist Director of Library and Archives Frederick Friedman- Cataloger Senior Assistant Treasurer and Romell, Systems Manager Controller Elizabeth Berke, Margaret Castellani, Librarian and Interim Cataloger* Lucy Abadier, Russ Klimczuk, Collections and Administrative Image Librarian Programs Assistant Museum Store Manager of Financial Steven Szatmary, Archives Charles Venable, Supervisor Planning Louis Adrean, Systems Librarian* Ph.D., Deputy Leslie Cade, Archivist Rachel Coon, Sales Kimberly Cerar, Associate Librarian Director for Jennie Devaney, and Records Manager Assistant* Assistant Controller for Reader and Collections and Circulation Services Image Digitizer* Hillary Bober, Marvin Mandel, Sales Amy Butinski, Programs Becky Bristol, Image Assistant Archivist Assistant* Construction/ Christine Edmonson, Lynn Cameron, Manager Development Reference/ Donna Kasunic, Sales Executive Assistant William Kennedy, Assistant* Accountant Interlibrary Loan Librarian Image Cataloger Tony Shields, Sales Erin Robinson, Assistant* Jennifer Vickers, Circulation Manager Image Cataloger*

109 Stiltwalking workshops help everyone from local schoolkids to museum directors get ready for Parade the Circle.

Publications Tracy Sisson, Jennifer Perry, Curatorial Division Contemporary Art and Medieval Art Art Movement Associate Conservator Photography Laurence Channing, African Art Holger Klein, Ph.D., Director of Supervisor of Asian Paintings Tom E. Hinson, The Robert P. Publications Joseph R. Blaser Jr., Robin Hanson, Constantine Petridis, Curator of Bergman Curator of Art Handler Associate Conservator Ph.D., Associate Photography Medieval Art Barbara J. Bradley, Curator Senior Editor Hannah Ries, Art of Textiles Robin Koch, Stephen N. Fliegel, Handler Dana Norris, Lisa Simmons, Curatorial Assistant Curator Jane Takac Panza, Curatorial Assistant Editor Assistant Conservator Elizabeth Saluk, Photographic and of Objects Alisa McCusker, Decorative Art and Curatorial Assistant Digital Imaging Services Research Assistant* Design Collections Management Jim George, Virginia Brilliant, Howard T. Agriesti, Stephen Harrison, Mary E. Suzor, Conservation Ancient Art Ph.D., Cleveland Director of Collec Chief Photographer Technician Curator Curatorial Fellow for tions Management Gary Kirchenbauer, Michael Bennett, Carol A. Ciulla, Joan Neubecker, Ph.D., Curator of Medieval Art Gretchen Shie Miller, Associate Conservation Curatorial Assistant Photographer Greek and Roman Prints and Drawings Associate Registrar Technician Art Catherine Walworth, for Loans David Brichford, Elizabeth C. Wolfe, Cleveland Fellow for Jane Glaubinger, Photo and Digital David Smart, Ph.D., Decorative Art and Ph.D., Curator of Bridget Weber, Textile Conservation Curatorial Assistant Assistant Registrar Imaging Technician Technician Design Prints Bruce Shewitz, Katarina Heather Lemonedes, Kathleen Kornell, Art of the Ancient European and American Assistant Manager Kirchenbauer, Ph.D., Associate Rights and Americas Art Reproductions Senior Conservation Susan E. Bergh, Curator of Drawings Coordinator Conservation Assistant William H. Joan Brickley, Ph.D., Associate Robinson, Ph.D., Division Aleksandra Curatorial Assistant Andrea S. Bour, Curator Curator of Modern D. Bruce Christman, Carapella, Mellon Assistant Registrar Lisa Simmons, European Art for Collections Chief Conservator Fellow Paintings Textiles and Islamic Art Curatorial Assistant Mark Cole, Ph.D., Information* Moyna Stanton, Conservator Louise W. Mackie, Associate Curator of Conservator of Paper Juliette Jacqmin, Asian Art Curator Katherine Gundlach, American Painting Kress Fellow Registrarial Marcia Steele, Anita Chung, Ph.D., and Sculpture Deirdre Vodanoff, Assistant* Conservator of Conservator of Associate Curator of Curatorial Assistant June De Phillips, Paintings Objects Chinese Art Alexandria Kotoch, Curatorial Assistant Tehynat Majeed, Registrarial Sari Uricheck, Nancy Grossman, Ph.D., Cleveland Jordi Falgás, Assistant* Associate Conservator Curatorial Assistant Fellow for Islamic Art Cleveland Fellow for of Objects Larry Sisson, Packing Modern Art Specialist

110 Education and Public Mary Ryan, Jackie Kelling, John Kelly, Marketing Information Programs Division Assistant* Campaign Membership Assistant Rebecca Murphy, Technology Coordinator and Marjorie Williams, Cavana Faithwalker, Joi Melillo, Associate Director, Information Services Director, Education Assistant Director, Division Manager Membership Assistant Marketing (until April 2007) Douglas Hiwiller, and Public Programs Community Thomas H. Barnard Outreach Linda Goldstein, Information Services Kathleen Colquhoun, Constituent III, Senior Graphic Manager Special Projects Joellen DeOreo, Executive Assistant Relations Division Designer Coordinator Associate Director, Robert Hlad, Systems Karen Carr, Director Gregory M. Donley, Coordinator Claire Rogers, Exhibitions and Adult Development of Constituent Senior Writer/ Associate Director, Programs Division Relations, Protocol, Designer Allison Hegedus, Jack Stinedurf, and Events User Support School and Family Seema Rao, Charles Szabla, Director, Specialist Services Coordinator, Special Margaret Day, Web Production Manager Programs Development Event Coordinator Marvin Richardson, Alice Barfoot, Mel Horvath, Printer Scheduling Michael St. Clair, Constance Kopec, and Administrative User Support Administrator Department Head, Associate Director, Assistant Blaine Stojkov, Press Specialist Operator Sarah Dagy, Assistant* AV Services Corporate Relations Judy Fredrichs, Special Events IT Department Les Vince, AV Thomasine Clark, Guest and Member Michael Starinsky, Ann Koslow, Administrator Associate Director, Assistant Corporate Relations Services Coordinator Manager, Special Education Art Timothy Harry, AV Events John Alan, Manager, New Media Initiatives Collection Assistant* Cindy Naegele, Guest and Member Associate Director, Eliza Parkin, Senior Holly Witchey Ph.D., Jinai Amos, Robin VanLear, Services Development Special Events Director of New Administrtive Artistic Director, Services Coordinator JC Dunigan, Ticket Media Initiatives Assistant Community Arts Center Assistant Patricia J. Butler, John Royak, Food Michael Hilliard, Alicia Hudson Garr, Nan Eisenberg, Supervisor Support Services Service Manager Assistant Manager, Assistant Director, Coordinator, LaTonya Gibson, New Media Administrator Terry Bistricky, Food Art To Go Community Arts Ticket Center Initiatives Ali Lombardo, Service Supervisor Karen Bourquin, Gail Trembly, Assistant Supervisor Research Associate Hunter Walter, Assistant, Art To Go* Assistant Gina Desantis, Network Services Assistant Manager, Joyce Wells- Karen Wellman, Ticket Agent* Tom Hood, Network Development Conferences & Corrigan, Assistant Performing Arts, Manager Assistant Special Events Patricia Dolak, Art To Go* Music, and Film Ticket Agent* Robert Nuhn, Division Joanie O’Brien, Martha Lattie, Assistant Network Erin Perme, Assistant, Affiliate Group Susan Flickinger, Art To Go* Massoud Saidpour, Associate Director, Manager Grants and Coordinator Ticket Agent* Dale Hilton, Director, Performing Arts, Music, and Film Government Ramon McCall, Martha Jacoby, Department Support Associate Director, Relations Ticket Agent* John Ewing, Food Service Specialist Distance Learning Representative* Program Associate Director, Rachel Rosenzweig, Erin Murray, Ticket Dave Andrews, Film Ph.D., Foundations Maketa White, Agent* Department David Shaw, Distance Relations Michael McKay, Food Service Ariel Pruitt, Ticket Support Specialist Learning Technical Coordinator Representative* (Administration)+ Support Manager Manager, Office Agent* Operations Amy Martin, Faye Grinage, Adam LaPorta, Arielle Levine, Volunteer Initiatives Associate Director, Switchboard Department Support Distance Learning Caren Babich, Diane DeBevec, Individual Giving Operator Specialist (Digital Instructor Administrative Associate Director, Emily Goodyear, Imaging) Assistant Volunteer Initiatives Caroline Guscott, Individual Giving Outreach and Audience Kyra Burton, Linda Wetzel, Assistant* Coordinator Elizabeth Pim, Development Department Production Manager Volunteer Placement Barbara Kathman, Joan Ainsworth, Cathy Lewis- Support Specialist Manager Assistant Director, Major Gifts Officer Wright, Associate (Development/ Docent Program Bishoy Mikhail, Director, Audience External Affairs and Development and External Affairs Jennie Devaney, Associate Director, Development Education) External Affairs Division Assistant* Planned Giving Susan Stevens Jaros, Donna Brock, Shannon Masterson, Deputy Director, Kathleen Branscomb, Associate Director, Director of External Development and Planned Giving Affairs Educator and External Affairs Coordinator Exhibition Programs James Kopniske, Laurie Klingensmith, Julie Gunn, Membership Assistant Director, Associate Director, Communications Assistant* Capital Campaign Mary Wheelock, Associate Director, Robine Andrako, Dyane Hanslik, Susan Schieman, Assistant Director, Membership External Affairs Manager, Assistant Family and Youth Development Maureen Kelly, Programs Communications Senior Membership Assistant

111 Works of art in the collection were photographed (both), 46 (both), 47 (bottom), 49, 53, 91, 93, by Cleveland Museum of Art photographers 96 (both), 97, 98 (both), 99 (left), 100 (all); 101 Howard Agriesti and Gary Kirchenbauer; the (top left and bottom), 102 (bottom), 103, 104, museum holds the copyright to these photo 105; Chosun.com: p. 50 (left); Kenneth Cohen: graphs. The works of art themselves may be p. 90; Greg Donley: pp. 7, 15 (bottom), 54, 56 protected by copyright in the United States or (left), 57 (left), 95; Sue Foley: p. 65 (both); abroad and may not be reproduced in any form courtesy the Frick Collection: p. 51; Robert A. or medium without permission from the copy Muller: pp. 8 (both), 10 (both), 12–13 (top), 48, right holders. The following photographers are 50 (bottom), 60, 61, 62 (both), 63 (both), 64 acknowledged: Howard Agriesti: pp. 6 (all), 9, (left, both), 99 (bottom); Geoffrey Pankhurst: 30 (all), 47 (top), 56 (center), 58, 109, 110, p. 101 (bottom); © Yvonne R. Sanderson, 112; David Brichford: covers, copyright and Focal Plane Photography LLC: title page; Les contents pages, and pp. 4, 11, 12 (left), 13 (bot Vince: pp. 102 (left), 106 (both); Deirdre tom), 14, 15 (top), 16 (both), 17 (both), 44, 45 Vodanoff: p. 64 (top).

112 Financial Report

Years Ended June 30, 2007 and 2006 TREASURER

Fiscal year 2007 was an excellent one for the museum in numerous ways. We opened our doors in the middle of 2006 when the renovation of the Marcel Breuer building was complete. Although the permanent collection remained in storage, the museum displayed two very successful special exhibitions, Barcelona & Modernity and Monet in Normandy. Both were well received, bolstered by the strong support that we continue to receive from the community, especially our members. Having part of the museum open again plus two great exhibitions resulted in a strong financial year. We realized a significant revenue increase from ticket sales, retail sales, increased membership, and increased donor circle contributions. The museum’s combined endowment topped $800 million for the first time, having grown 13% (after fees and withdrawals). This growth continues to keep the museum in a strong financial position. The renovation and expansion project progressed as the final stages of Phase I near completion. During 2007, approximately $55 million was spent for the renovation of the 1916 building and the east building addition, both of which will be turned over to the museum in late 2007. These completions will allow the museum to start the next fiscal year with some of the permanent collection on view. Finally, our traveling exhibitions were a tremendous success around the world, bringing considerable international recognition as well as revenue. With the continuation of the Modern Masters tour nationally and old favorites being reinstalled, we look forward to the coming year.

Janet G. Ashe Deputy Director of Administration and Treasurer

114 Revenue

Investments—general and specific purpose 59%

Contributions and membership 12%

Special exhibition revenue 13%

Programs revenues and other support 10%

Stores, cafe, and parking 6%

Expense

Curatorial, conservation General and and programs 14% administrative 13%

Special exhibitions 11% Building facilities and security 29%

Education, library, and community programs 12%

Development and Stores, cafe, and membership services 16% parking 5%

Summary of Key Finance Data Unaudited Audited year Audited year 12 months Audited years ended June 30 ended June 30 ended June 30 ended December 31 (in thousands) 2007 2006 2005 2004 2003 Investment $454,814.1 $402,671.6 $382,052.4 $388,322.3 $368,099.9 Charitable perpetual trusts 365,875.8 323,698.5 302,479.0 307,080.2 289,775.5 Total 820,689.9 726,370.1 684,531.4 695,402.5 657,875.4

Art Purchases 16,130.1 4,748.3 6,820.1 13,878.6 8,404.7 Unrestricted revenue and support 36,020.7 29,481.3 32,430.7 31,607.9 33,904.6 Operating expenses 35,992.2 29,479.7 34,223.5 31,584.9 33,850.0 Excess (deficiency) of operating revenue and support over operating expenses 28.5 1.6 (1,792.8) 23.0 54.6 Less one-time expenses 2,390.0A Comparative annualized operating position excluding one-time charge 28.5 1.6 597.2 23.0 54.6 Five-year average (excluding one-time charge) 141.0 A. Includes one-time charges for building depreciation, severance.+

115 Report of Independent Auditors

We have audited the accompanying statements of financial position of the Cleveland Museum of Art (the Museum) as of June 30, 2007 and 2006, and the related statements of activities and cash flows for the years then ended. These financial statements are the responsibility of the Museum’s management. Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. We were not engaged to perform an audit of the Museum’s internal control over financial reporting. Our audits included consideration of internal control over financial reporting as a basis for designing audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the Museum’s internal control over financial reporting. Accordingly, we express no such opinion. An audit also includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audits provide a reasonable basis for our opinion. In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of the Museum as of June 30, 2007 and 2006, and the changes in its net assets and its cash flows for the years then ended, in conformity with accounting principles generally accepted in the United States. As discussed in Note 7 to the financial statements, effective June 30, 2007, the Museum changed its method of accounting for pension and other postretirement medical benefits.

November 28, 2007

116 Statements of Financial Position

June 30, 2007 June 30, 2006 Assets Current assets: Cash and cash equivalents $ 2,971,337 $ 3,347,921 Short-term investments 25,910,771 26,749,248 Funds held by bond trustee — 32,231,871 Accounts receivable 1,150,122 399,430 Inventories 339,197 220,763 Other current assets 42,121,120 49,075,284 Total current assets 72,492,547 112,024,517

Investments 454,814,111 402,671,629

Buildings and equipment: Buildings and improvements 43,153,693 41,470,755 Equipment 14,338,773 13,875,258 Construction-in-progress 135,296,570 79,774,186 192,789,036 135,120,199 Less accumulated depreciation 38,566,768 36,751,197 Total buildings and equipment—net 154,222,268 98,369,002

Other assets: Deferred issuance costs—net 953,796 985,127 Charitable perpetual trusts 365,875,787 323,698,463 Pledges receivable 38,584,455 25,547,379 Other 1,728,519 2,621,113 Total other assets 407,142,557 352,852,082

Total assets $ 1,088,671,483 $ 965,917,230

June 30, 2007 June 30, 2006 Liabilities and net assets Current liabilities: Accounts payable and accrued expenses $ 13,922,685 $ 12,166,648 Deferred revenue 1,712,945 1,146,558 Other current liabilities 41,018,607 47,567,023 Total current liabilities 56,654,237 60,880,229

Long-term debt 90,000,000 90,000,000

Other liabilities: Accrued postretirement medical benefits 3,157,521 5,256,711 Accrued pension obligation 2,349,924 — Other 1,431,314 1,955,350 6,938,759 7,212,061 Total liabilities 153,592,996 158,092,290

Net assets: Unrestricted 201,851,318 180,244,347 Temporarily restricted 347,607,125 284,137,873 Permanently restricted 385,620,044 343,442,720 Total net assets 935,078,487 807,824,940 Total liabilities and net assets $ 1,088,671,483 $ 965,917,230

See notes to financial statements.

117 Statement of Activities Year Ended June 30, 2007

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Endowment and trust income $ 19,858,532 $ 1,599,053 — $ 21,457,585 Contributions and membership 4,163,981 35,012,864 — 39,176,845 Gifts, grants, and other revenue for special exhibitions 4,560,589 — — 4,560,589 Program revenues and other support 2,670,019 2,028,814 — 4,698,833 Stores, café, parking, and products 2,322,016 — — 2,322,016 Net assets released from restrictions used for operations 2,445,597 (2,445,597) — — Total revenues and support 36,020,734 36,195,134 — 72,215,868

Expenses Curatorial, conservation, and registrar 4,898,075 — — 4,898,075 Special exhibitions 4,055,212 — — 4,055,212 Education, library, and community programs 4,471,965 — — 4,471,965 Marketing and communications 1,212,579 — — 1,212,579 Development and membership services 4,416,963 — — 4,416,963 General and administrative 4,539,312 — — 4,539,312 Building facilities and security 8,928,544 — — 8,928,544 Stores, café, parking, and products 1,653,933 — — 1,653,933 Depreciation 1,815,572 — — 1,815,572 Total expenses 35,992,155 — — 35,992,155 Excess of revenues and support over expenses before changes in net assets 28,579 36,195,134 — 36,223,713

Other changes in net assets Trust revenue designated for art purchases — 5,326,603 — 5,326,603 Investment return designated for art purchase — 11,530,352 — 11,530,352 Proceeds from the sale of art objects — 1,349,560 — 1,349,560 Net assets released from restrictions used to fund acquisition of art objects 16,130,125 (16,130,125) — — Expenditures for the acquisition of art objects (16,130,125) — (16,130,125) Gifts, contributions, and other changes 881,938 2,612,103 — 3,494,041 Investment return after amounts designated 22,171,095 22,585,625 — 44,756,720 Change in fair value of derivative instrument (743,288) — — (743,288) Change in fair value of charitable perpetual trusts — — $ 42,177,324 42,177,324 Adoption of FASB Statement No. 158 for pension benefits (Note 7) (2,499,228) — — (2,499,228) Adoption of FASB Statement No. 158 for postretirement medical benefits (Note 7) 1,767,875 — — 1,767,875 Increase in net assets 21,606,971 63,469,252 42,177,324 127,253,547 Net assets at beginning of year 180,244,347 284,137,873 343,442,720 807,824,940

Net assets at end of year $ 201,851,318 $ 347,607,125 $ 385,620,044 $ 935,078,487 See notes to financial statements.

118 Statement of Activities Year Ended June 30, 2006

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Endowment and trust income $ 20,417,805 $ 1,209,120 — $ 21,626,925 Contributions and membership 3,433,861 13,224,067 — 16,657,928 Gifts, grants, and other revenue for special exhibitions 249,462 — — 249,462 Program revenues and other support 1,801,181 1,186,643 — 2,987,824 Stores, café, parking, and products 691,691 — — 691,691 Net assets released from restrictions used for operations 2,887,296 (2,887,296) — — Total revenues and support 29,481,296 12,732,534 — 42,213,830

Expenses Curatorial, conservation, and registrar 4,428,876 — — 4,428,876 Special exhibitions 1,405,134 — — 1,405,134 Education, library, and community programs 4,464,611 — — 4,464,611 Marketing and communications 1,042,004 — — 1,042,004 Development and membership services 3,948,400 — — 3,948,400 General and administrative 4,513,325 — — 4,513,325 Building facilities and security 6,962,413 — — 6,962,413 Stores, café, parking, and products 929,970 — — 929,970 Depreciation 1,784,922 — — 1,784,922 Total expenses 29,479,655 — — 29,479,655 Excess of revenues and support over expenses before changes in net assets 1,641 12,732,534 — 12,734,175

Other changes in net assets Trust revenue designated for art purchases — 4,867,654 — 4,867,654 Investment return designated for art purchase — 2,605,053 — 2,605,053 Proceeds from the sale of art objects — 415,800 — 415,800 Net assets released from restrictions used to fund acquisition of art objects 4,748,300 (4,748,300) — — Expenditures for the acquisition of art objects (4,748,300) — — (4,748,300) Gifts, contributions, and other changes 91,622 1,055,891 — 1,147,513 Investment return after amounts designated 7,358,762 16,909,089 — 24,267,851 Change in fair value of derivative instrument 1,820,971 — — 1,820,971 Change in fair value of charitable perpetual trusts — — $ 18,219,418 18,219,418 Cumulative effect of change in accounting principle (477,845) — — (477,845)

Increase in net assets 8,795,151 33,837,721 18,219,418 60,852,290 Net assets at beginning of year 171,449,196 250,300,152 325,223,302 746,972,650

Net assets at end of year $ 180,244,347 $ 284,137,873 $ 343,442,720 $ 807,824,940 See notes to financial statements.

119 Statements of Cash Flows

Year Ended Year Ended June 30, 2007 June 30, 2006 Reconciliation of change in net assets to net cash provided by operating activities Increase in net assets $ 127,253,547 $ 60,852,290 Adjustments to reconcile increase in net assets to cash provided by operating activities: — Depreciation and amortization 1,846,902 1,784,923 Change in fair value of derivative instrument 743,288 (1,820,971) Cumulative effect of change in accounting principle 477,845 Net realized and unrealized gains on long-term investments (63,527,022) (36,021,786) Changes provided by (used in) operating assets and liabilities: Increase in accounts receivable (750,692) (260,374) Decrease in inventories and other current assets 6,835,730 3,980,861 (Increase) decrease in pledges receivable (13,037,076) 5,338,686 Decrease (increase) in other assets 149,306 (195,818) Increase in accounts payable and accrued expenses 1,756,037 7,287,164 Increase in deferred revenue 566,387 763,711 Decrease in other current liabilities (7,139,590) (3,986,243) Increase in other liabilities 317,872 157,003 Net cash provided by operating activities 55,014,689 38,357,291

Financing activities Proceeds from long-term debt — 90,000,000 Deferred issuance costs — (985,127) Payments on short-term borrowings — (10,000,000) Net cash provided by financing activities — 79,014,873

Investing activities Purchases of buildings and equipment (57,668,837) (58,960,596) Decrease (increase) in short-term investments 838,477 (25,168,300) Decrease (increase) in funds held by bond trustee 32,231,871 (32,231,871) Increase in fair value of charitable perpetual trusts (42,177,324) (18,219,418) Proceeds from sales and maturities of investments 16,239,962 19,936,004 Purchases of investments (4,855,422) (4,533,485) Net cash used in investing activities (55,391,273) (119,177,666)

Net decrease in cash and cash equivalents (376,584) (1,805,502) Cash and cash equivalents at beginning of year 3,347,921 5,153,423

Cash and cash equivalents at end of year $ 2,971,337 $ 3,347,921 See notes to financial statements.

120 Notes to Financial Statements June 30, 2007 and 2006

1. Organization The Cleveland Museum of Art (the Museum) maintains in the City of Cleveland a museum of art of the widest scope for the benefit of the public.

2. Significant Use of Estimates collections, which were acquired via purchases Accounting Policies The preparation of financial statements in con- and contributions, are not recognized as assets formity with accounting principles generally on the statements of financial position. accepted in the United States requires management to make estimates and assumptions that Cash Equivalents affect the amounts reported in the financial Cash equivalents are highly liquid investments statements and accompanying notes. Actual with a maturity of three months or less when results could differ from those estimates. purchased. Cash equivalents are measured at fair value in the statements of financial position Temporarily and Permanently Restricted Net As- and exclude amounts restricted or designated for sets long-term purposes. Temporarily restricted net assets are used to differentiate resources, the use of which is re- Short-Term Investments stricted by donors or grantors to a specific time Short-term investments (maturities of three to period or for a specific purpose, from resources twelve months) are liquid investments which on which no restrictions have been placed or are readily convertible into cash, with limited that arise from the general operations of the risk of change in value because of interest rate Museum. Temporarily restricted gifts, grants, changes. and bequests are recorded as additions to temporarily restricted net assets in the period re- Inventories ceived. When restricted net assets are expended Inventories consist of merchandise available for for their stipulated purpose or time restriction sale and are stated at the lower of average cost or expires, temporarily restricted net assets be- market. come unrestricted net assets and are reported in Investment Income the statements of activities as net assets released Investment income, including realized gains from restrictions. For temporarily restricted (losses), is added to (deducted from) the ap- net assets used for major capital projects, the propriate unrestricted or temporarily restricted Museum records the additions to temporarily net assets. Unrealized gains (losses) are added restricted net assets and then records a reclas- to (deducted from) the applicable unrestricted, sification to unrestricted net assets as net assets temporarily, or permanently restricted net assets. released from restrictions for an amount equal to annual depreciation. There were no such Financial Instruments reclassifications in the 2007 or 2006 statements The carrying values of cash equivalents, short- of activities. term investments, accounts receivable, accounts Permanently restricted net assets consist of payable, and accrued expenses are reasonable amounts held in perpetuity. Earnings on in- estimates of their fair value due to the short- vestments, unless restricted by donors, are term nature of these financial instruments. included in unrestricted revenues and other Investments are reported at fair value. The car- changes in net assets. Restricted earnings are rying value of the Museum’s long-term debt classified as temporarily restricted net assets approximates fair value. until amounts are expended in accordance with the donors’ specifications. Donated Services No amounts have been reflected in the financial Art Collection statements for donated services. The Museum The Museum’s collections are made up of art pays for most services requiring specific exper- objects and artifacts of historical significance tise. However, many individuals volunteer their that are held for educational, research, scientif- time and perform a variety of tasks that assist the ic, and curatorial purposes. Each of the items is Museum with various programs. cataloged, preserved, and cared for, and activities verifying their existence and assessing their Special Exhibitions condition are performed continuously. Other current assets and deferred revenue include expenditures and revenues in connection Purchases for the collection are recorded as with the development of special exhibitions. expenditures for the acquisition of art objects Revenues and expenses are recognized pro rata in the statements of activities in the year in over the life of the exhibition. Revenues include which the objects are acquired. Proceeds from such items as corporate and individual sponsor- the deaccession of art objects are recorded as ships. The expenditures generally include such temporarily restricted net assets and are re- items as research, travel, insurance, transporta- stricted to the acquisition of other art objects. tion, and other costs related to the development In keeping with standard museum practice, the and installation of the exhibition.

121 Contributions certain securities in the Museum’s portfolio Unconditional pledges to give cash, market- were loaned to other institutions generally able securities, and other assets are reported at for a short period of time. The Museum re- fair value and discounted to present value at ceives as collateral the market value of securi- the date the pledge is made to the extent esti- ties borrowed plus a premium approximating mated to be collectible by the Museum. Con- 2% of the market value of those securities. In ditional promises to give and indications of accordance with Statement of Financial Ac- intentions to give are not recognized until the counting Standards (SFAS) No. 140, Account- condition is satisfied. Pledges received with ing for Transfers and Servicing of Financial Assets donor restrictions that limit use are reported and Extinguishment of Liabilities, the Museum as either temporarily or permanently restricted recorded the collateral received as both a cur- support, or other changes in net assets if des- rent asset and a current liability since the Mu- ignated for long-term investment. When a seum is obligated to return the collateral upon donor restriction expires, that is, when a stipu- the return of the borrowed securities. Also lated time restriction ends or purpose restric- included in other current assets are deferred tion is accomplished, temporarily restricted exhibition expenses of $0.9 million and $0.9 net assets are reclassified to unrestricted net million, grants and other receivables of $0.1 assets and reported in the statements of activi- million and $0.3 million, and prepaid expenses ties as net assets released from restrictions. of $0.4 million and $0.3 million as of June 30,

June 30, 2007 June 30, 2006 Pledges due: In less than one year $ 6,311,885 $ 4,023,558 In one to five years 30,920,063 19,903,059 Greater than five years 8,470,930 7,361,049 45,702,878 31,287,666 Present value discount on pledge (3.25%–5.38% discount rate) (7,118,423) (5,740,287)

$ 38,584,455 $ 25,547,379

Funds received on pledges receivable will be 2007 and 2006, respectively. Also included in used primarily for long-term purposes; there- other current liabilities is the current portion fore, pledges receivable are classified as long- of accrued postretirement medical benefits of term in the statements of financial position. $0.3 million. Buildings and Equipment Asset Retirement Obligations Buildings and equipment are carried at cost. Asset retirement obligations (ARO) are legal Expenditures which substantially increase the obligations associated with the retirement of useful lives of existing assets are capitalized. long-lived assets. These liabilities are initially Routine maintenance and repairs are expensed recorded at fair value and the related asset re- as incurred. Depreciation is computed by tirement costs are capitalized by increasing the the straight-line method using the estimated carrying amount of the related assets by the useful lives of the assets. Buildings and im- same amount as the liability. Asset retirement provements are assigned a useful life of up to costs are depreciated over the useful lives of the 40 years. Equipment is assigned a useful life related assets. Subsequent to initial recognition, ranging from three to five years. Interest cost the Museum records year-to-year changes in incurred on borrowed funds during the period the ARO liability resulting from the passage of construction of capital assets is capitalized of time and revisions to either the timing or as a component of the cost of acquiring those the amount of the original estimate of undis- assets. counted cash flows. The Museum is undertaking a major construc- Derivative Instruments and Hedge Activities tion, renovation, and expansion project. In The Museum follows SFAS No. 133, Accounting total, approximately $133.5 million and $77.8 for Derivative Instruments and Hedging Activities, million have been expended and included in which was amended by SFAS No. 138, Account- construction-in-progress related to the expan- ing for Certain Derivative Instruments and Hedging sion and renovation project at June 30, 2007 Activities, to account for its derivative instru- and 2006, respectively. At June 30, 2007, the ments. SFAS No. 133 requires the Museum to Museum had commitments for construction recognize its derivative instrument as either and other related capital contracts of approxi- an asset or liability in the statements of finan- mately $24.0 million. cial position at fair value. The gain or loss on Other Current Assets and Liabilities the derivative instrument is recognized in the Other current assets and liabilities at June 30, statements of activities in the period of change. 2007 and 2006, include $40.7 million and $47.6 million, respectively, of collateral investments related to securities lending whereby

122 3. Temporarily June 30, 2007 June 30, 2006 Restricted Net Acquisition of art $ 202,656,416 $ 181,960,459 Assets Specific operating activities: Temporar ily Curatorial and conservation 18,807,897 16,179,861 restricted net assets Education and extensions 4,070,228 4,027,713 are available for the Library 3,575,802 2,078,214 following purposes: Publications, printing, and photography 5,155,403 4,723,490 Musical programming 4,480,090 3,787,719 Buildings, grounds, and protection services 102,012,807 65,688,414 Fine Arts Garden 3,173,808 3,144,151 Sundry 3,674,674 2,547,852

Total temporarily restricted net assets $ 347,607,125 $ 284,137,873

June 30, 2007 June 30, 2006 4. Permanently Purchase of art $ 133,380,816 $ 116,661,201 Restricted Net Specific operating activities 5,506,191 5,018,741 Assets General operating activities 246,733,037 221,762,778 Permanently restricted net assets Total permanently restricted net assets $ 385,620,044 $ 343,442,720 are amounts held in perpetuity, the income from which is expendable to support the following purposes:

5. Net Assets Year Ended June 30, 2007 June 30, 2006 Released From Restrictions Acquisition of art $ 16,130,125 $ 4,748,300 Net assets were released from Specific operating activities: restrictions by Curatorial and conservation $ 1,420,024 $ 1,256,144 incurring expenses Education and extensions 532,298 685,997 or making capital Library 60,368 61,358 expenditures Musical programming 209,579 186,717 satisfying the Fine Arts Garden 172,209 595,001 restricted purposes Sundry 3,635 21,195 as follows: Buildings, grounds, and protection services 47,484 80,884 Net assets released from restrictions used for operations $ 2,445,597 $ 2,887,296

123 6. Investments The fair value of Museum investments is based event driven, macro, relative value, and arbi- and Charitable on quoted market prices, except for other trage strategies) that may include the use of op- Perpetual Trusts investments, primarily limited partnerships or tions, futures, and other derivative instruments. limited liability corporations (i.e., alternative The fair value of limited partnerships and simi- investments), for which fair value is estimated lar nonmarketable equity interests that invest in in an unquoted market. Fair value of alternative both publicly and privately owned securities is investments is generally determined by princi- based on estimates and assumptions of general pal market makers or an investment manager partners or partnership valuation committees in of the individual investment fund. The finan- the absence of readily determined market val- cial statements of the investee funds are audited ues. Such valuations generally reflect discounts annually by independent auditors. Generally, for illiquidity and consider variables such as fair value of alternative investments reflects net financial performance of investments, recent contributions to the investee and an ownership sales prices of investments, and other pertinent share of realized and unrealized investment information. Because alternative investments income and expenses. Certain alternative in- are not readily marketable, their estimated fair vestments held by the Museum have withdraw- value is subject to uncertainty and therefore al restrictions. At June 30, 2007, the Museum is may differ from the value that would have been committed to invest an additional $58 million used had a ready market for such investments in alternative investments; however, it is uncer- existed. Such difference could be material. tain as to the timing or level of additional con- The Museum is the sole income beneficiary of tributions that will ultimately be made. several charitable perpetual trusts and a partial Alternative investments include certain inter- income beneficiary of other charitable perpet- ests in absolute return, hedged equity, private ual trusts. Because the trusts are not controlled equity, or fixed income depending on the legal by the Museum, the assets are classified as per- structure, and investment strategy of the un- manently restricted net assets. The charitable derlying manager. The investee funds employ perpetual trusts are presented at the fair value various strategies, including traditional strate- of the Museum’s portion of the underlying gies (long only) in readily marketable securities trust assets. The change in the fair value of (liquid equities or bonds traded on exchanges) the charitable perpetual trusts is classified as and others which employ less traditional strate- a change in permanently restricted net assets gies (long and short equity or fixed income, within the statements of activities.

June 30, 2007 June 30, 2006 Museum investments Cash and cash equivalents $ 4,140,332 $ 6,254,585 consist of the follow- Bonds and combined bond funds 28,238,639 27,502,807 ing: Stocks and combined stock funds 233,287,790 238,046,695 Alternative investments 189,147,350 130,867,542 454,814,111 402,671,629 Charitable perpetual trusts 365,875,787 323,698,463

$ 820,689,898 $ 726,370,092

Temporarily Permanently The following Year ended June 30, 2007 Unrestricted Restricted Restricted summarizes returns Dividends and interest $ 2,332,375 $ 2,540,650 — from the Museum’s Realized and unrealized gains net of realized and investments and unrealized losses 30,543,633 32,983,389 — charitable perpetual Change in fair value of charitable perpetual trusts — — $ 42,177,324 trusts and the related classifications in Investment return 32,876,008 35,524,039 42,177,324 the statements of Investment return designated for current operations (10,704,913) (1,408,062) — activities: Investment return designated for art purchase — (11,530,352) — Investment income after amounts designated $ 22,171,095 $ 22,585,625 $ 42,177,324

Year ended June 30, 2006 Dividends and interest $ 2,016,165 $ 2,174,978 — Realized and unrealized gains net of realized and unrealized losses 17,652,487 18,369,299 — Change in fair value of charitable perpetual trusts — — $ 18,219,418 Investment return 19,668,652 20,544,277 18,219,418 Investment return designated for current operations (12,309,890) (1,030,135) — Investment return designated for art purchase — (2,605,053) —

Investment income after amounts designated $ 7,358,762 $ 16,909,089 $ 18,219,418

124 The Museum uses the spending rule concept quarter average ended March 31, 2006 for fis- in making distributions from its investments. cal year ended June 30, 2007 and March 31, In doing so, the Museum takes into account 2005 for the fiscal year ended June 30, 2006, the distributions from the charitable perpetual as adjusted (subject to certain limitations) for trusts. Under this method, a portion of its inflation and additional contributions. For fis- investment earnings is recorded as unrestricted cal 2007 and 2006, the calculations resulted in revenue. The amount of investment income an annual spending rate of 5.0%. Investment used by the Museum for its operations and returns in excess of (less than) amounts des- purchases of art is calculated using a spending ignated for current operations are classified as rate of between 4.5% and 5.5% of the market other changes in net assets in the statements of value of the investments for the prior 20- activities.

7. Benefit Plans The Museum converted from a contributory the net unrecognized actuarial losses and un- defined benefit pension plan for eligible em- recognized prior service costs, which were ployees to a noncontributory defined benefit previously netted against the funded status in pension plan (the Pension Plan) on January 1, the statements of financial position in accor- 2002. Eligible participants in the Pension Plan dance with SFAS No. 87, Employers’ Account- on December 31, 2001 were given the option ing for Pensions, and SFAS No. 106, Employers’ of continuing to contribute to the Pension Accounting for Postretirement Benefits Other Than Plan. For those employees not making this Pensions. These amounts will be subsequently election, their accumulated benefit was con- recognized as net periodic benefit costs as they verted to the noncontributory defined benefit are amortized. Further, actuarial gains and plan. For either contributing or noncontribut- losses that arise in subsequent periods that are ing participants, benefits under the Pension not recognized as net periodic benefit cost in Plan are based on years of service and the the same periods will be recognized as a com- final five-year average compensation. It is the ponent of unrestricted net assets. policy of the Museum to fund with an insur- The incremental effects of adopting the provi- ance company at least the minimum amounts sions of Statement No. 158 on the Museum’s required by the Employee Retirement Income statement of financial position are presented Security Act. Pension Plan assets are invested in the following table. The adoption of State- in group annuity contracts. ment No. 158 did not impact the excess of The Museum provides health care benefits revenues and support over expenses, any prior upon retirement to certain employees meeting periods presented, and any financial covenants. eligibility requirements as of December 31, Included in unrestricted net assets at June 30, 2001, and contractually required additions. 2007 are the following amounts that have not No other employees are eligible to receive yet been recognized in net periodic benefit these postretirement heath care benefits. The cost: unrecognized actuarial loss of $2,438,183 Museum’s policy is to fund the annual costs of and unrecognized net prior service cost of these benefits from unrestricted net assets of $61,045 for the Pension Plan and unrecognized the Museum. actuarial loss of $208,416 and unrecognized net On June 30, 2007, the Museum adopted the prior service credit of $1,976,291 for the post- recognition and disclosure provisions of SFAS retirement medical plan. The actuarial loss and No. 158, Employers’ Accounting for Defined Ben- prior service cost for the Pension Plan that will efit Pension and Other Postretirement Plans, an be amortized from unrestricted net assets into

Prior to Application of Effect of Adopting As Reported at Statement No. 158 Statement No. 158 June 30, 2007 Defined benefit pension plan Prepaid (accrued) retirement cost $ 149,304 $ (2,499,228) $ (2,349,924) Postretirement medical plan: Accrued postretirement cost (current and long-term) (5,220,983) 1,767,875 (3,453,108) Change in unrestricted net assets 17,520,717 (731,353) 16,789,364

Amendment of FASB Statements No. 87, 88, periodic benefit cost over the next fiscal year 106, and 132(R). This Statement required the are $0 and $52,000, respectively. The actuarial Museum to recognize in the statement of fi- loss and prior service credit for the postretire- nancial position the funded status of its defined ment medical plan that will be amortized benefit pension and postretirement medical from unrestricted net assets into periodic plans, measured as the difference between benefit cost over the next fiscal year are $0 and the fair value of plan assets and the benefit $196,000, respectively. obligation, with a corresponding adjustment The Museum uses June 30 as the measurement to unrestricted net assets. The adjustment to date for the pension and postretirement medi- unrestricted net assets at adoption represents cal plans.

125 June 30, 2007 June 30, 2006 The following Change in benefit obligation: table sets forth the Benefit obligation at beginning of fiscal year $ 22,163,299 $ 22,312,669 actuarial present Service cost 631,868 682,046 value of benefit Interest cost 1,346,050 1,250,773 obligations and Actuarial losses (gains) 1,339,819 (942,850) aggregate funded Benefits paid (1,145,098) (1,223,914) status of the Participant contributions 77,928 84,575 Pension Plan: Benefit obligation at end of fiscal year 24,413,866 22,163,299

Change in plan assets: Fair value of plan assets at beginning of fiscal year 21,589,528 22,252,106 Actual return (loss) on plan assets 993,083 (168,581) Employer contributions 548,501 645,342 Benefits paid (1,145,098) (1,223,914) Participant contributions 77,928 84,575 Fair value of plan assets at end of fiscal year 22,063,942 21,589,528 Underfunded status of the plan (2,349,924) (573,771) Unrecognized net actuarial loss — 610,033 Unrecognized prior service cost — 113,040

(Accrued) prepaid pension obligation $ (2,349,924) $ 149,302

Accumulated benefit obligation $ 21,699,759 $ 20,059,336

June 30, 2007 June 30, 2006 Weighted-average Discount rate—liability 6.25% 6.25% assumptions are as Discount rate—cost 6.25% 5.75% follows: Expected rate of return on plan assets 7.00% 7.00% Compensation growth rate 3.50% 3.00%

The assumptions used in the actuarial valu- return on plan assets was established using the ations were established by the Museum in Museum’s target asset allocation for equity and conjunction with its actuary. The weighted- fixed income and the historical average rates average rates of increase in compensation of return for equity and fixed income adjusted were established based upon the Museum’s by an assessment of possible future influences long-term internal compensation plans. The that could cause the returns to trail long-term expected long-term weighted-average rate of patterns.

Year Ended June 30, 2007 June 30, 2006 Components of net periodic benefit cost recognized in the statements of activities: Service cost $ 631,868 $ 682,046 Interest cost 1,346,050 1,250,773 Expected return on plan assets (1,481,412) (1,535,288) Amortization of prior service cost 51,995 51,995

$ 548,501 $ 449,526

The Pension Plan invests in an unallocated immediate participation guarantee group annuity contract with John Hancock Life Insurance Company (the Insurer). The Insurer credits the Pension Plan’s deposits that are intended to provide future benefits to present employees to an account that is invested with other assets of the Insurer. The account is credited with its share of the Insurer’s actual investment income. The actual asset alloca- tions by asset category are as follows:

126 June 30, 2007 June 30, 2006 Debt securities 94% 94% Equity securities 2 2 Real estate 2 2 Other 2 2

Total 100% 100%

The Museum expects to make a contribu- In addition, effective January 1, 2002, the Mu- tion of $750,000 to the Pension Plan in 2008. seum initiated a 401(k) savings plan. The Mu- Benefit payments over the next five fiscal years seum matches employee contributions at a rate are estimated as follows: 2008—$1,260,470; of 50% of the first 4% of total compensation. 2009—$1,270,930; 2010—$1,330,714; The Museum’s contributions to the 401(k) 2011—$1,365,048; 2012—$1,395,101; and plan were $191,822 and $175,478 for the years in the aggregate for the five years thereafter is ended June 30, 2007 and 2006, respectively. $7,732,794.

June 30, 2007 June 30, 2006 The following infor- Change in benefit obligation: mation is provided Benefit obligation at beginning of fiscal year $ 4,783,686 $ 5,604,373 for the Museum’s Plan amendments (1,759,367) — postretirement Interest cost 286,020 294,991 medical benefits plan: Actuarial losses (gains) 438,288 (712,449) Benefits paid (378,640) (421,304) Retiree drug subsidy 53,105 — Participant contributions 30,015 18,075 Benefit obligation at end of fiscal year 3,453,107 4,783,686

Change in plan assets: Fair value of plan assets at beginning of fiscal year — — Participant contributions 30,015 18,075 Employer contributions 348,625 403,229 Benefits paid (378,640) (421,304) Fair value of plan assets at end of fiscal year — —

Underfunded status of the plan (3,453,107) (4,783,686) Unrecognized net actuarial gain — (229,871) Unrecognized prior service cost — (243,154)

Accrued postretirement medical benefits $ (3,453,107) $ (5,256,711)

Beginning in January 2007, the Museum no cost trend rate used is 11.0% for fiscal year 2007 longer offers prescription drug coverage to declining to 5.5% by 2014. A one-percentage- Medicare eligible retirees. point increase or decrease in the health care The discount rate used in determining the cost trend rate would have increased or de- accumulated postretirement benefit obligation creased the fiscal 2007 service and interest costs at June 30, 2007 and 2006 and the 2007 net in total by $23,763 and $21,125, respectively, periodic benefit cost was 6.25% (5.50% for the and would have increased or decreased the ac- 2006 net periodic benefit cost). The health care cumulated postretirement benefit obligation by $273,224 and $243,854, respectively.

Year Ended June 30, 2007 June 30, 2006 Components of net periodic benefit cost recognized in the statements of activities: Interest cost $ 286,020 $ 294,991 Amortization of prior service cost (26,230) (26,230)

$ 259,790 $ 268,761

127 The gross benefits expected to be paid in Unamortized financing costs are amortized each year for the fiscal years 2008–2012 are over the period the obligation is outstanding $304,684, $316,359, $329,766, $332,719, using the bonds outstanding method. and $341,085, respectively. The anticipated benefits to be paid in the five years from Interest Rate Swap 2013–2017 are $1,554,155. In connection with the $90,000,000 Cultural Facility Revenue Bonds, the Museum entered into a floating-to-fixed rate swap to manage 8. Financing Arrangements and Long- the risk of increased debt service costs result- Term Obligations ing from rising interest rates. The swap con- sists of a $90 million 8-year floating-to-fixed Operating Leases rate swap whereby the Museum pays a fixed In fiscal 2005, the Museum entered into a rate of 3.341% and receives 70% of 1-month three-year operating lease for office space, LIBOR (London Interback Offer Rate). The with an option for an additional two years. nominal amount of the swap will begin to Total rental expense for the years ended decline on July 1, 2008 and will continue to June 30, 2007 and 2006 was $426,540 and decline until maturity on January 1, 2014. $402,690, respectively. Minimum operating This derivative instrument is not designated lease payments for the next fiscal year are ap- as a hedging instrument. At June 30, 2007 proximately $348,000. and 2006, the fair value of the swap agree- In fiscal 2007, the Museum entered into a ment, based on mid-market levels as of the four-year operating lease for warehouse and close of business that day, was $1,077,683 and carpentry and paint workshop space, with an $1,820,971, respectively, due from the coun- option for three sequential, additional terms terparty and has been recorded in other assets of one-year. Total rental expense for the years on the statements of financial position. The ended June 30, 2007 and 2006 was $62,015 change in fair value of the swap agreement is and $55,167, respectively. Minimum operating recorded in other changes in net assets on the lease payments for each of the next four fiscal statement of activities. Net interest (benefit) years are approximately $61,200. cost incurred under the swap agreement was $(399,677) and $55,187 for fiscal 2007 and Cultural Facility Revenue Bonds 2006, respectively, and was capitalized as an In October 2005, pursuant to certain agree- addition to construction-in-progress. ments between the Museum and the Cleveland–Cuyahoga Port Authority, the Interest Cleveland–Cuyahoga Port Authority issued Interest paid was approximately $2.9 million $90 million in variable rate, tax exempt Cul- and $2.3 million in fiscal 2007 and 2006, tural Facility Revenue Bonds (The Cleveland respectively. Capitalized interest was approxi- Museum of Art Project) (the Bonds), Series mately $2.9 and $1.2 million, net of interest 2005, payable October 1, 2040. The pro- income earned on the investment of bond ceeds of the Bonds will be used to finance proceeds of $.65 million and $1.5 million in the Museum’s construction, renovation, and fiscal 2007 and 2006, respectively. expansion project. The Bonds were issued in four series (i) the Series A Bonds in the 9. Income Taxes principal amount of $30,000,000, (ii) the The Museum is a nonprofit organization and Series B Bonds in the principal amount of is exempt from federal income taxes on related $20,000,000, (iii) the Series C Bonds in the income under Section 501(c)(3) of the Internal principal amount of $20,000,000 and (iv) Revenue Code. the Series D Bonds in the principal amount 10. Subsequent Event of $20,000,000. The Bonds have adjustable During July 2007, the Museum’s interest in methods of interest rate determination and one of its alternative investments sustained an interest payment dates, and were in weekly irreversible loss of approximately $10 million variable rate mode on June 30, 2007 bearing from the June 30, 2007 fair value. Because the interest at 3.73% (range from 3.35% to 3.95% loss related to events occurring subsequent to during the year ended June 30, 2007). The in- June 30, 2007, the Museum recorded this real- terest rate is determined by an external agent. ized loss in July 2007. While the Cultural Facility Revenue Bonds are not a direct indebtedness of the Museum, the loan agreement with the Cleveland– Cuyahoga Port Authority obligates the Mu- seum to make payments equal to the principal of and premium, if any, and interest on the respective Bonds, whether at maturity, upon acceleration, or upon redemption. Bond Service Charges due on the Bonds will be required to be made by the Museum as loan payments under the agreement. Interest only payments are required to be made until Octo- ber 1, 2036.

128

The Cleveland Museu m of A r t annual repor t july 1, 2006– J une 30, 2007

Annual Report

July 1, 2006–June 30, 2007