Annual Report
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Come to the Cabaret.” Marxist Revolution for Both Society and the Theater — in Sardonic Music-Dramas That Could Be Performed in Small, Club-Like Venues
nov. 8, 9, 10 classical series SEGERSTROM CENTER FOR THE ARTS Renée and Henry Segerstrom Concert Hall Concert begins at 8 p.m. Preview Talk with Alan Chapman begins at 7 p.m. presents 2012-2013 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES CARL ST.CLAIR • conductor UTE LEMPER • vocalist | HUDSON SHAD • vocal quartet Kurt Weill GeorGe GersHWin (1900-1950) die sieben todsünden (1898-1937) An American in Paris libretto by (the seven deadly sins) Bertholt Brecht Prologue GeorGe GersHWin Faulheit (Sloth) lyrics by ira Gershwin I Got rhythm / naughty Baby Stolz (Pride) and desmond carter Ute Lemper Zorn (Anger) arr. Mark lambert Völlerei (Gluttony) unzucht (lust) norBert GlanZBerG Habsucht (Covetousness) (1910-2001) Padam Padam (Thump Thump) neid (envy) lyrics by Henry contet Ute Lemper epilogue Arr. Bruno Fontaine Ute Lemper Hudson Shad Jacques Brel (1929-1978) ne Me quitte Pas (don’t leave Me) Arr. Bruno Fontaine Ute Lemper interMission ÉditH PiaF (1915-1963) l’accordéoniste (the accordionist) Arr. Bruno Fontaine Ute Lemper louiGuY The enhancements in this program are made possible by a (1916-1991) La vie en rose (life through generous grant from the andrew W. Mellon Foundation, lyrics by Édith Piaf (Rose-Colored Glasses) awarded to the symphony in support of innovative and thematic programming. Arr. Bruno Fontaine Ute Lemper PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS official airline official Hotel official television station Pacific symphony broadcasts are made possible by a generous grant from the saturday, nov. 10, performance is broadcast live on Kusc, the official classical radio station of Pacific symphony. the simultaneous streaming of this broadcast over the internet at kusc.org is made possible by the generosity of the musicians of Pacific symphony. -
Annual Report 2016
Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2016 Annual Report 4 21 10 2 Message from the Chair 3 Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 18 22 36 The Year in Numbers Cover: Kettle (detail), 1978, by Philip Guston (Bequest of Daniel W. Dietrich II, 2016-3-17) © The Estate of Philip Guston, courtesy McKee Gallery, New York; this spread, clockwise from top left: Untitled, c. 1957, by Norman Lewis (Purchased with funds contributed by the Committee for Prints, Drawings, and Photographs, 2016-36-1); Keith and Kathy Sachs, 1988–91, by Howard Hodgkin (Promised gift of Keith L. and Katherine Sachs) © Howard Hodgkin; Colorscape (detail), 2016, designed by Kéré Architecture (Commissioned by the Philadelphia Museum of Art for The Architecture of Francis Kéré: Building for Community); rendering © Gehry Partners, LLP; Inside Out Photography by the Philadelphia Museum of Art Photography Studio A Message A Message from the from the Chair Director and the President The past year represented the continuing strength of the Museum’s leadership, The work that we undertook during the past year is unfolding with dramatic results. trustees, staff, volunteers, city officials, and our many valued partners. Together, we Tremendous energy has gone into preparations for the next phase of our facilities have worked towards the realization of our long-term vision for this institution and a master plan to renew, improve, and expand our main building, and we continue reimagining of what it can be for tomorrow’s visitors. -
Collection Highlights Since Its Founding in 1924, the Kalamazoo Institute of Arts Has Built a Collection of Nearly 5,000 Artworks
Collection Highlights Since its founding in 1924, the Kalamazoo Institute of Arts has built a collection of nearly 5,000 artworks. Enjoy an in-depth exploration of a selection of those artworks acquired by gift, bequest, or purchase support by special donors, as written by staff curators and guest editors over the years. Table of Contents KENOJUAK ASHEVAK Kenojuak Ashevak (ken-OH-jew-ack ASH-uh-vac), one of the most well-known Inuit artists, was a pioneering force in modern Inuit art. Ashevak grew up in a semi-nomadic hunting family and made art in various forms in her youth. However, in the 1950s, she began creating prints. In 1964, Ashevak was the subject of the Oscar-nominated documentary, Eskimo* Artist: Kenojuak, which brought her and her artwork to Canada’s—and the world’s—attention. Ashevak was also one of the most successful members of the Kinngait Co-operative, also known as the West Baffin Eskimo Co-operative, established in 1959 by James Houston, a Canadian artist and arts administrator, and Kananginak Pootoogook (ka-nang-uh-nak poo-to-guk), an Inuit artist. The purpose of the co-operative is the same as when it was founded—to raise awareness of Inuit art and ensure indigenous artists are compensated appropriately for their work in the Canadian (and global) art market. Ashevak’s signature style typically featured a single animal on a white background. Inspired by the local flora and fauna of the Arctic, Ashevak used bold colors to create dynamic, abstract, and stylized images that are devoid of a setting or fine details. -
EDISON's Warriors
EDISON’S WaRRIORS Christoph Cox Real security can only be attained in the long run through confusion. — Hilton Howell Railey, commander of the Army Experimental Station1 Simulantur quae non sunt. Quae sunt vero dissimulantur. — Motto of the 23rd Special Troops2 In “The Invisible Generation,” an experimental text from 1962, William S. Burroughs unveiled a proposal to unleash urban mayhem via the use of portable tape recorders. “Now consider the harm that can be done and has been done when recording and playback is expertly carried out in such a way that the people affected do not know what is happening,” he wrote. “Bands of irresponsible youths with tape recorders playing back traffic sounds that confuse motorists,” Burroughs gleefully imagined, could incite “riots and demonstrations to order.”3 Championing the productive (and destructive) powers of portable audio, “The Invisible Generation” is an emblematic text in the history of sound art and DJ culture. Yet, nearly 20 years earlier, Burroughs’s vision had already been conceived and deployed by none other than the United States Army, whose “ghost army,” the 23rd Special Troops, included several units dedicated to “sonic deception” and its results: enemy confusion and carnage.4 The first division in American Armed Forces history assigned exclusively to camouflage and deception, the 23rd was a military oddity. Despite the centrality of deception in the history of warfare from the Trojan Horse on, soldiers drilled in the West Point code of duty, honor, trust, and integrity were ill-suited to a life of simulation and dissimulation; and American officers tended to dismiss deceptive tactics as underhanded, a sign of weakness in every sense.5 It’s not surprising, then, that the 23rd consisted primarily of a population with an occupational predisposition to deception, invention, and fabrication: artists. -
The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online
XumZy [Read now] The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online [XumZy.ebook] The Ghost Army of World War II: How One Top- Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Pdf Free Rick Beyer, Elizabeth Sayles DOC | *audiobook | ebooks | Download PDF | ePub #19765 in Audible 2016-01-08Format: UnabridgedOriginal language:EnglishRunning time: 252 minutes | File size: 67.Mb Rick Beyer, Elizabeth Sayles : The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery before purchasing it in order to gage whether or not it would be worth my time, and all praised The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery: 46 of 46 people found the following review helpful. A MUST READ FOR ANY FAN OF WWIIBy RC MayerImagine, captured German maps showing 15,000 Allied troops in a location that there were no troops. Imagine, Nazirsquo;s keeping their soldiers out of position opposite what they think are thousand of enemy troops. Imagine, they can hear the US tanks lining up on the opposite riverbank. They can even here the soldiers yell ldquo;Hey Private! Put out that cigarette! Therersquo;s gas tanks over there!rdquo; Imagine, Nazi civilian spys transmitting radio broadcasts to Berlin that they overheard conversations in a pub in from soldiers in 4th Infantry Division that they were moving into Metz this evening. -
November 5, 2009
ATTACHMENT 2 L ANDMARKSLPC 01-07-10 Page 1 of 18 P RESERVATION C OMMISSION Notice of Decision MEETING OF: November 5, 2009 Property Address: 2525 Telegraph Avenue (2512-16 Regent Street) APN: 055-1839-005 Also Known As: Needham/Obata Building Action: Landmark Designation Application Number: LM #09-40000004 Designation Author(s): Donna Graves with Anny Su, John S. English, and Steve Finacom WHEREAS, the proposed landmarking of 2525 Telegraph Avenue, the Needham/Obata Building, was initiated by the Landmarks Preservation Commission at its meeting on February 5, 2009; and WHEREAS, the proposed landmarking of the Needham/Obata Building is exempt from CEQA pursuant to Section 15061.b.3 (activities that can be seen with certainty to have no significant effect on the environment) of the CEQA Guidelines; and WHEREAS, the Landmarks Preservation Commission opened a public hearing on said proposed landmarking on April 2, 2009, and continued the hearing to May 7, 2009, and then to June 4, 2009; and WHEREAS, during the overall public hearing the Landmarks Preservation Commission took public testimony on the proposed landmarking; and WHEREAS, on June 4, 2009, the Landmarks Preservation Commission determined that the subject property is worthy of Landmark status; and WHEREAS, on July 9, 2009, following release of the Notice of Decision (NOD) on June 29, 2009, the property owner Ali Elsami submitted an appeal requesting that the City Council overturn or remand the Landmark decision; and WHEREAS, on September 22, 2009, the City Council considered Staff’s -
Yosemite Guide Yosemite
Yosemite Guide Yosemite Where to Go and What to Do in Yosemite National Park October 7, 2015 - December 8, 2015 8, December - 2015 7, October Park National Yosemite in Do to What and Go to Where Butterfly basket made by Julia Parker. Parker. Julia by made basket Butterfly NPS Photo / YOSE 50160 YOSE / Photo NPS Volume 40, Issue 8 Issue 40, Volume America Your Experience Yosemite, CA 95389 Yosemite, 577 PO Box Service Park National US DepartmentInterior of the Year-round Route: Valley Yosemite Valley Shuttle Valley Visitor Center Upper Summer-only Routes: Yosemite Shuttle System El Capitan Fall Yosemite Shuttle Village Express Lower Shuttle Yosemite The Ansel Fall Adams l Medical Church Bowl i Gallery ra Clinic Picnic Area l T al Yosemite Area Regional Transportation System F e E1 5 P2 t i 4 m e 9 Campground os Mirror r Y 3 Uppe 6 10 2 Lake Parking Village Day-use Parking seasonal The Ahwahnee Half Dome Picnic Area 11 P1 1 8836 ft North 2693 m Camp 4 Yosemite E2 Housekeeping Pines Restroom 8 Lodge Lower 7 Chapel Camp Lodge Day-use Parking Pines Walk-In (Open May 22, 2015) Campground LeConte 18 Memorial 12 21 19 Lodge 17 13a 20 14 Swinging Campground Bridge Recreation 13b Reservations Rentals Curry 15 Village Upper Sentinel Village Day-use Parking Pines Beach E7 il Trailhead a r r T te Parking e n il i w M in r u d 16 o e Nature Center El Capitan F s lo c at Happy Isles Picnic Area Glacier Point E3 no shuttle service closed in winter Vernal 72I4 ft Fall 2I99 m l E4 Mist Trai Cathedral ail Tr op h Beach Lo or M ey ses erce all only d R V iver E6 Nevada To & Fall The Valley Visitor Shuttle operates from 7 am to 10 pm and serves stops in numerical order. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
Bury the Dead Review on Theatermania.Com
Bury the Dead: Review on TheaterMania.com 11/10/08 6:40 AM LOG IN FOR MEMBER BENEFITS | JOIN FOR FREE! SEARCH BROADWAY SHOWS • KIDS • FORUMS • VIDEO • STORE search for... BOSTON CHICAGO DC METRO FLORIDA LAS VEGAS LONDON LOS ANGELES NEW YORK PHILADELPHIA SAN FRANCISCO SEATTLE -more places- HOME NEW YORK SHOWS & TICKETS • DISCOUNT BROADWAY TICKETS • NEWS • REVIEWS • VIDEO • KIDS • NIGHTLIFE • RESTAURANTS • GOLD CLUB • EXCLUSIVE THEATER DISCOUNTS • MONTHLY GIVEAWAYS SIGN UP FOR FREE enter your email address ABOUT THE SHOW R E V I E W S Synopsis Theater Location Bury the Dead Schedule Reviewed By: Andy Propst · Nov 10, 2008 · New York Add Your Review Joe Calarco brings Irwin Shaw's 1936-anti war play Bury the Dead to life Buy Tickets with marvelous and affecting simplicity in a novel production for the Transport Group, now at the Connelly Theatre. While written nearly three- quarters of a century ago in a time of peace, the work easily manages to have the power to move 21st-century audiences who are living through a time of war. Shaw's drama -- considered absurdist for its time -- centers on a war that's La Damnation de Faust REVIEWS » run into its second year with no end in sight. When a group of soldiers Bolton, Gaines, Regan, Shelley, et al. Set for attempts to bury a half-dozen men killed in battle, the corpses rise up in the Project Shaw's Geneva THEATER NEWS » mass grave into which they've been placed, refusing to be interred. This act of posthumous civil disobedience sends military leaders into panic mode. -
Topical Weill
Volume 20 Number 2 topical Weill Fall 2002 A supplement to the Kurt Weill Newsletter news &news events The Threepenny Opera Thrives Seventy-four years after its Berlin premiere, Die Dreigroschenoper remains contem- porary to audiences all around the world, as attested by recent performances in Bucharest, Ankara, Ljubljana, Izmir, and Rio de Janeiro. In Germany, new produc- tions open this fall in Wiesbaden (28 September) and Augsburg (23 November), among others; and on 21 December Landestheater Linz revives its lauded 2001–2002 season production (see review, p. 3a). HK Gruber continues his concert performances of the work with Ensemble Modern, begun in Weill’s centenary year, at the Cologne Philharmonie (6 November), the Frankfurt Alte Oper (7 November), the Dortmund Konzerthaus (8 November), and the Baden-Baden Festspielhaus (9 November). Pittsburgh Opera Center will showcase its young artists in The Threepenny Opera 27 February–2 March 2003. The Royal National Theatre’s education department will tour a new production throughout the UK from October 2002–February 2003, after which it will have a limited run in the Cottesloe Theatre at the National Theatre in London. In Scotland, the Dundee Firebrand on Broadway, 1945 Repertory Theatre will present the work 7 April–31 May 2003, in Dundee and on tour. Weill in Concert The Firebrand of Florence Notable upcoming Weill concert offerings include the New Year’s Eve concert of is Published the Berlin Philharmonic, conducted by Sir Simon Rattle and including Walt Whitman songs and excerpts from Street Scene. Thomas Hampson, Kim Criswell, European American Music Audra McDonald, and Brent Barrett will be among the concert soloists. -
Vancouver Opera Foundation, and Our Government Partners: the Canada Council for the Arts, the British Columbia Arts Council, and the City of Vancouver
28 APRIL – 13 MAY THREE NEW OPERA PRODUCTIONS PLUS DOZENS OF EVENTS OVER 16 DAYS OTELLO DEAD MAN WALKING THE MARRIAGE OF FIGARO plus PAUL WONG, UTE LEMPER, TANYA TAGAQ and more 2016 – 2017 SEASON SPONSOR A SPECIAL EDITION OF PLAYBOARD MAGAZINE O N W E S T VA NCOUVER'S WATERFRONT, TWO OF CANADA'S F O R E M O S T MOD ERNIST S WILL BE CELEBRATED G O R DON SMITH AND DOUGLAS COUPLAND HAVE CREATED S IGN IFI C ANT ORIGI NAL WORKS FOR THE RESIDENTIAL LOBBIES A N D PUBLIC SPACES AT GROSVENOR AMBLESIDE Clockwise from top left: Public Art by Douglas Coupland; Residential Lobby Art by Gordon Smith; 98 Individually-Designed Residences by James KM Cheng and Mitchell Freedland 10 RESIDENCES R E MAIN. ARRANGE YOUR PRI VATE APPOINTMENT TOD AY. 604.265.5509 | GrosvenorAmbleside.com The developer reserves the right to make changes to the information contained herein without notice. Renderings may not be accurate. E.&O.E. Kim Gaynor, General Director O N W E S T VA NCOUVER'S WATERFRONT, TWO OF CANADA'S Jonathan Darlington, Music Director F O R E M O S T MOD ERNIST S WILL BE CELEBRATED Under the Distinguished Patronage of Her Honour the Honourable Judith Guichon, OBC, G O R DON SMITH AND DOUGLAS COUPLAND HAVE CREATED Lieutenant Governor of British Columbia CONTENTS S IGN IFI C ANT ORIGI NAL WORKS FOR THE RESIDENTIAL LOBBIES A N D PUBLIC SPACES AT GROSVENOR AMBLESIDE 8 Festival Site Map 51 MOZART | THE VO Administration and 9 Calendar of Events MARRIAGE OF FIGARO Ticket Centre 12 Ticket Information 52 The Cast The Michael and Inna O’Brian Centre 54 Synopsis -
Chiura Obata (1885-1975)
Chiura Obata (1885-1975) Teacher Packet ©️2020 1 Table of Contents Biography - Chuira Obata 3 Lesson 1 : Obata Inspired Landscape Art (grades K -12) 3 Lesson 2 : Obata-Inspired Poetry (grades 2 - 7) 7 Lesson 3 : Environmentalism “Can Art Save the World?” (grades 4-8) 10 Lesson 4 : 1906 San Francisco Earthquake (grades 4 and above) 13 Lesson 5 : Japanese Incarceration Experience and Political Art (grades 6-12) 18 Resources 22 2 Biography - Chuira Obata Chiura Obata (1885-1975) was a renowned landscape artist, professor, and devoted environmentalist. Born 1885, in Japan, Obata studied ink painting before immigrating to California in 1903. After settling in Japantown in San Francisco, Obata established himself as an artist and took on large-scale commissioned art projects. After an influential trip to Yosemite in 1928, Obata began devoting his art to portraying landscapes and the beauty of nature. Throughout the next decade, Obata continued to earn recognition, but like many Japanese Americans during WWII, his life was violently uprooted as his family was interned, first at Tanforan and then at Topaz. During his imprisonment, Obata was able to start art schools at both camps, teaching hundreds of students and even holding an exhibition in 1942. After the end of the war, Obata returned to lecture at UC Berkeley, joined the Sierra Club’s environmentalist efforts, and consistently celebrated Japanese aesthetics until his death. Over the course of a seven-decade career, Obata became a prominent educator at UC Berkeley and a central leader in