De Ghost Army En De Tweede Wereldoorlog: Misleiding Werd Een Onderdeel Van De Amerikaanse Oorlogvoering

Total Page:16

File Type:pdf, Size:1020Kb

De Ghost Army En De Tweede Wereldoorlog: Misleiding Werd Een Onderdeel Van De Amerikaanse Oorlogvoering [‘By a marvelous system of camouflage, a complete tactical surprise was achieved in the desert’ – Winston Churchill] De Ghost Army en de Tweede Wereldoorlog Misleiding werd een onderdeel van de Amerikaanse oorlogvoering Tom Hovestad Inhoud Inleiding ................................................................................................................................................... 4 Werking van misleiding ........................................................................................................................... 5 Het Amerikaanse leger en misleiding ...................................................................................................... 7 23rd headquarters Special Troops ........................................................................................................ 10 Probleemstelling .................................................................................................................................... 12 Vraagstelling .......................................................................................................................................... 12 Opzet scriptie ........................................................................................................................................ 12 1. Militaire misleiding en het Amerikaanse leger .............................................................................. 14 Militaire misleiding ............................................................................................................................ 14 Donald Daniel and Katherine Herbig ............................................................................................. 14 Michael I. Handel ........................................................................................................................... 16 John Latimer .................................................................................................................................. 17 Barton Whaley ............................................................................................................................... 18 Jock Haswell................................................................................................................................... 18 Vormen van militaire misleiding ....................................................................................................... 19 Methoden van militaire misleiding ................................................................................................... 21 Actieve misleiding .......................................................................................................................... 21 Passieve misleiding ........................................................................................................................ 23 Operationele militaire misleiding ...................................................................................................... 23 2. Het verzet van het Amerikaanse leger tegen misleiding ................................................................... 26 Een concept dat ingaat tegen de Amerikaanse traditie .................................................................... 26 Amerikaanse stijl van oorlogvoering ............................................................................................. 26 Professionele officiersklasse ......................................................................................................... 27 Moreel Amerikaans leger .............................................................................................................. 28 Amerikaanse militaire cultuur ........................................................................................................... 29 De Amerikaanse Field Manuals ..................................................................................................... 30 De gestage groei van Misleiding binnen de Amerikaanse militaire cultuur .................................. 34 Misleiding en de militaire cultuur ..................................................................................................... 36 3. Het Amerikaanse leger gaat over op misleiding ................................................................................ 39 Amerikaanse leger maakt gebruik van misleiding ............................................................................. 39 1 Amerikaanse officieren Veranderen van mening over misleiding .................................................... 40 4. De 23rd Headquarters Special Troops de Ghost Army ...................................................................... 46 De onderdelen van de 23rd HQ ......................................................................................................... 46 De 603rd Engineer Camouflage Battalion Special ......................................................................... 47 De 244th Signal Company Special ................................................................................................. 47 De 3132 Signal Service Company Special ...................................................................................... 48 De 406th Engineer Combat Company Special ............................................................................... 48 Opbouw en training van de 23rd HQ ................................................................................................ 49 Operaties van de Ghost Army ........................................................................................................... 52 Operatie Elephant (Cerisy) ............................................................................................................ 52 Operatie Brest ............................................................................................................................... 53 Operatie Bettembourg .................................................................................................................. 55 Operatie Metz-I ............................................................................................................................. 58 Operatie Flaxweiler ....................................................................................................................... 59 Operatie Bouzonville ..................................................................................................................... 61 De lessen uit misleiding ..................................................................................................................... 62 5. Operatie Viersen als kroon op het werk ............................................................................................ 65 Operatie Plunder om de laatste barrière van het Duitse leger te slechten ...................................... 65 Viersen als ultiem bewijs dat misleiding werkt ................................................................................. 69 Conclusie ............................................................................................................................................... 74 Bijlages ................................................................................................................................................... 77 Bijlage 1: Elephant ............................................................................................................................. 77 Bijlage 2: Brest ................................................................................................................................... 78 Bijlage 3: Bettembourg ...................................................................................................................... 79 Bijlage 4: Flaxweiler ........................................................................................................................... 80 Bijlage 5: Bouzonville ......................................................................................................................... 81 Bijlage 6: Viersen ............................................................................................................................... 82 Literatuurlijst ......................................................................................................................................... 83 Artikelen ............................................................................................................................................ 83 Boeken ............................................................................................................................................... 84 Internet .............................................................................................................................................. 86 Overige bronnen................................................................................................................................ 88 2 Primaire bronnen .............................................................................................................................. 88 Scripties ............................................................................................................................................. 89 3 Inleiding In 2015 is het zeventig jaar geleden dat de Tweede Wereldoorlog eindigde. Daarom wil ik in mijn scriptie een onderbelichte kwestie behandelen die met deze oorlog verband houdt. De in 2013 uitgebrachte documentaire, The Ghost Army, inspireerde mij een scriptie te schrijven over de door de 23rd Headquarters Special
Recommended publications
  • Jasper Maskelyne Was a Thames
    JASPER MASKELYNE THE MAGICIAN WHO FOILED HITLER’S ARMY Admiral Graf Spee at Spithead, 1937. he Second World War plummeted the world into chaos, so it’s really no surprise that tales shoelaces embedded with wire strong and sharp at Lake Mariout were switched on. From 8,000 T of paranormal activity, supernatural events, and enough to saw through bars; packs of playing feet above in the dark, the Luftwaffe were unable unsolved mysteries continue to surface from a time of cards containing maps of the surrounding areas; to tell the difference, and proceeded to attack the : such trauma. Rumoured to be staunch believers in the board games with local currency; cricket bats fake harbour. To give the illusion that they were occult, Hitler and the Nazi party have since been tied concealing weapons in the handle and blades engaged in battle, ground troops feigned fighting to stories of otherworldly pursuits. You’d be correct to shaped in a way that allowed them to be used as back with fake shells. Meanwhile, a team used think that the influence behind Indiana Jones and The Last shovels. It has also been reported that a map was truck-loads of papier-mache bricks and painted Crusade isn’t purely fiction. While they didn’t confront hidden inside a gramophone record, concealed bomb craters to create the illusion of a devastat- a whip-wielding archaeologist, the Nazis did spend so carefully that it’s unlikely the prisoners ever ed harbour at the real Alexandria in anticipation time searching for religious artefacts, including the would have found it if it hadn’t accidentally been of reconnaissance aircraft the following morning.
    [Show full text]
  • Annual Report 2016
    Collecting Exhibiting Learning Connecting Building Supporting Volunteering & Publishing & Interpreting & Collaborating & Conserving & Staffing 2016 Annual Report 4 21 10 2 Message from the Chair 3 Message from the Director and the President 4 Collecting 10 Exhibiting & Publishing 14 Learning & Interpreting 18 Connecting & Collaborating 22 Building & Conserving 26 Supporting 30 Volunteering & Staffing 34 Financial Statements 18 22 36 The Year in Numbers Cover: Kettle (detail), 1978, by Philip Guston (Bequest of Daniel W. Dietrich II, 2016-3-17) © The Estate of Philip Guston, courtesy McKee Gallery, New York; this spread, clockwise from top left: Untitled, c. 1957, by Norman Lewis (Purchased with funds contributed by the Committee for Prints, Drawings, and Photographs, 2016-36-1); Keith and Kathy Sachs, 1988–91, by Howard Hodgkin (Promised gift of Keith L. and Katherine Sachs) © Howard Hodgkin; Colorscape (detail), 2016, designed by Kéré Architecture (Commissioned by the Philadelphia Museum of Art for The Architecture of Francis Kéré: Building for Community); rendering © Gehry Partners, LLP; Inside Out Photography by the Philadelphia Museum of Art Photography Studio A Message A Message from the from the Chair Director and the President The past year represented the continuing strength of the Museum’s leadership, The work that we undertook during the past year is unfolding with dramatic results. trustees, staff, volunteers, city officials, and our many valued partners. Together, we Tremendous energy has gone into preparations for the next phase of our facilities have worked towards the realization of our long-term vision for this institution and a master plan to renew, improve, and expand our main building, and we continue reimagining of what it can be for tomorrow’s visitors.
    [Show full text]
  • EDISON's Warriors
    EDISON’S WaRRIORS Christoph Cox Real security can only be attained in the long run through confusion. — Hilton Howell Railey, commander of the Army Experimental Station1 Simulantur quae non sunt. Quae sunt vero dissimulantur. — Motto of the 23rd Special Troops2 In “The Invisible Generation,” an experimental text from 1962, William S. Burroughs unveiled a proposal to unleash urban mayhem via the use of portable tape recorders. “Now consider the harm that can be done and has been done when recording and playback is expertly carried out in such a way that the people affected do not know what is happening,” he wrote. “Bands of irresponsible youths with tape recorders playing back traffic sounds that confuse motorists,” Burroughs gleefully imagined, could incite “riots and demonstrations to order.”3 Championing the productive (and destructive) powers of portable audio, “The Invisible Generation” is an emblematic text in the history of sound art and DJ culture. Yet, nearly 20 years earlier, Burroughs’s vision had already been conceived and deployed by none other than the United States Army, whose “ghost army,” the 23rd Special Troops, included several units dedicated to “sonic deception” and its results: enemy confusion and carnage.4 The first division in American Armed Forces history assigned exclusively to camouflage and deception, the 23rd was a military oddity. Despite the centrality of deception in the history of warfare from the Trojan Horse on, soldiers drilled in the West Point code of duty, honor, trust, and integrity were ill-suited to a life of simulation and dissimulation; and American officers tended to dismiss deceptive tactics as underhanded, a sign of weakness in every sense.5 It’s not surprising, then, that the 23rd consisted primarily of a population with an occupational predisposition to deception, invention, and fabrication: artists.
    [Show full text]
  • The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online
    XumZy [Read now] The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online [XumZy.ebook] The Ghost Army of World War II: How One Top- Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Pdf Free Rick Beyer, Elizabeth Sayles DOC | *audiobook | ebooks | Download PDF | ePub #19765 in Audible 2016-01-08Format: UnabridgedOriginal language:EnglishRunning time: 252 minutes | File size: 67.Mb Rick Beyer, Elizabeth Sayles : The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery before purchasing it in order to gage whether or not it would be worth my time, and all praised The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery: 46 of 46 people found the following review helpful. A MUST READ FOR ANY FAN OF WWIIBy RC MayerImagine, captured German maps showing 15,000 Allied troops in a location that there were no troops. Imagine, Nazirsquo;s keeping their soldiers out of position opposite what they think are thousand of enemy troops. Imagine, they can hear the US tanks lining up on the opposite riverbank. They can even here the soldiers yell ldquo;Hey Private! Put out that cigarette! Therersquo;s gas tanks over there!rdquo; Imagine, Nazi civilian spys transmitting radio broadcasts to Berlin that they overheard conversations in a pub in from soldiers in 4th Infantry Division that they were moving into Metz this evening.
    [Show full text]
  • National Ghost Army Annotated Bibliography 15 May 2021
    Ghost Army: Deceptive Communication and the Power of Illusion Caleb Sinnwell Junior Division Individual Website Website Words: 1200 Media Time: 3:00 Process Paper Words: 500 In July, I began my National History Day project by looking for a topic concerning my greatest interest area, the military. While there were many appealing possibilities, I wanted a lesser known topic with a strong theme connection. After an extensive search, I knew I had found the perfect topic after watching an incredible film clip showing soldiers lifting and moving a realistic looking inflatable tank during World War II. They were part of the Ghost Army, a top secret U.S. Army unit that impersonated Allied troops and performed deceptions to mislead the enemy. I was immediately hooked and couldn’t wait to learn more. I began research by obtaining books and journal articles to gain a strong understanding of my topic. One specific book, The Ghost Army of World War II: How One Top-secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery, by Rick Beyer and Elizabeth Sayles, provided a comprehensive account of my topic and sparked an ongoing email exchange and personal interview with Mr. Beyer, who directed me to primary sources at the National Archives, and connected me with a 97-year-old Ghost Army veteran to interview. Also, the University of Northern Iowa librarian helped me find the few available newspaper articles from the time period on this top secret topic, and “The Official History of the 23rd Headquarters Special Troops,” by Lt.
    [Show full text]
  • Ghost Army Generic Release
    New Documentary Reveals the Amazing Story of the Secret WWII Unit That Duped Hitler’s Army — With Rubber Tanks, Sound Effects and Multimedia Illusions War, deception and art come together in Rick Beyer’s documentary The Ghost Army, the astonishing true story of American G.I.s — many of whom would go on to have illustrious careers in art, design and fashion — who tricked the enemy with rubber tanks, sound effects, and carefully crafted illusions during the Second World War. The Ghost Army tells a remarkable story of a top-secret mission that was at once absurd, deadly and amazingly effective. An inflatable tank designed to fool German soldiers. Credit: National Archives In the summer of 1944, a handpicked group of G.I.s landed in France to conduct a special mission. Armed with truckloads of inflatable tanks, a massive collection of sound effects records, and more than a few tricks up their sleeves, their job was to create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. From Normandy to the Rhine, the 1100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret and their story was hushed up for decades after the war’s end. Each deception required that they impersonate a different (and vastly larger) U.S. unit. Like actors in a repertory theater, they would mount an ever-changing multimedia show tailored to each deception.
    [Show full text]
  • Catalogue 194 JULY 2016
    1 Catalogue 194 JULY 2016 The Butlers 2 Glossary of Terms (and conditions) INDEX Returns: books may be returned for refund within 7 days and only if not as described in the catalogue. NOTE: If you prefer to receive this catalogue via email, let us know on CATEGORY PAGE [email protected] My Bookroom is open each day by appointment – preferably Aviation 3 in the afternoons. Give me a call. Espionage 4 Abbreviations: 8vo =octavo size or from 140mm to 240mm, ie normal size book, 4to = quarto approx 200mm x 300mm (or coffee table size); d/w = dust wrapper; pp = pages; vg cond = (which I thought was self explanatory) very good condition. Military Biography 6 Other dealers use a variety including ‘fine’ which I would rather leave to coins etc. Illus = illustrations (as opposed to ‘plates’); ex lib = had an earlier life in library Military General 7 service (generally public) and is showing signs of wear (these books are generally 1st editions mores the pity but in this catalogue most have been restored); eps + end papers, front and rear, ex libris or ‘book plate’; indicates it came from a Napoleonic, Crimean and Victorian Eras 9 private collection and has a book plate stuck in the front end papers. Books such as these are generally in good condition and the book plate, if it has provenance, Naval 10 ie, is linked to someone important, may increase the value of the book, inscr = inscription, either someone’s name or a presentation inscription; fep = front end paper; the paper following the front cover and immediately preceding the half title Special Forces & Airborne 12 page; biblio: bibliography of sources used in the compilation of a work (important to some military historians as it opens up many other leads).
    [Show full text]
  • Thoughts About Paintings Conservation This Page Intentionally Left Blank Personal Viewpoints
    PERSONAL VIEWPOINTS Thoughts about Paintings Conservation This page intentionally left blank Personal Viewpoints Thoughts about Paintings Conservation A Seminar Organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001 EDITED BY Mark Leonard THE GETTY CONSERVATION INSTITUTE LOS ANGELES & 2003 J- Paul Getty Trust THE GETTY CONSERVATION INSTITUTE Getty Publications 1200 Getty Center Drive, Suite 500 Timothy P. Whalen, Director Los Angeles, CA 90049-1682 Jeanne Marie Teutónico, Associate Director, www.getty.edu Field Projects and Science Christopher Hudson, Publisher The Getty Conservation Institute works interna- Mark Greenberg, Editor in Chief tionally to advance conservation and to enhance Tobi Levenberg Kaplan, Manuscript Editor and encourage the preservation and understanding Jeffrey Cohen, Designer of the visual arts in all of their dimensions— Elizabeth Chapín Kahn, Production Coordinator objects, collections, architecture, and sites. The Institute serves the conservation community through Typeset by G&S Typesetters, Inc., Austin, Texas scientific research; education and training; field Printed in Hong Kong by Imago projects; and the dissemination of the results of both its work and the work of others in the field. Library of Congress In all its endeavors, the Institute is committed Cataloging-in-Publication Data to addressing unanswered questions and promoting the highest possible standards of conservation Personal viewpoints : thoughts about paintings practice. conservation : a seminar organized by The J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001 /volume editor, Mark Leonard, p.
    [Show full text]
  • Untitled Essay, 1946 Intelligence Overload These Days
    CONTENTS OVERVIEW ................................................................. vi INTRODUCTION: The Name of the Game: Let’s Define Our Terms ........... vii CHAPTER 1 HOW TO DECEIVE: Principles & Process 1.1 Deception as Applied Psychology....................................... 1 1.2 The Basic Principle: Naturalness........................................ 6 1.3 The Structure of Deception ............................................ 7 1.4 The Process of Deception............................................ 13 CHAPTER 2 INTERFACE: Deceiver versus Detective 2.1 Weaving the Web .................................................. 16 2.2 Unraveling the Web................................................. 17 CHAPTER 3 HOW TO DETECT: 10 General Principles 3.1 Cognitive Biases that Inhibit Detection .................................. 20 3.2 Overcoming Information Overload...................................... 20 3.3 The Analysts: Minimalists versus Compleatists ........................... 22 3.4 The Analyst’s Advantage............................................. 23 3.5 Categories ........................................................ 24 3.6 Know Your Enemy: Empathy & Inference................................ 32 3.7 Channels ......................................................... 34 3.8 Senses & Sensors.................................................. 35 3.9 Cultural Factors.................................................... 39 3.10 Asymmetries: Technological & Cognitive ................................ 40 CHAPTER 4 HOW TO DETECT: 20
    [Show full text]
  • Ellsworth Kelly : a Retrospective
    Digitized by the Internet Archive in 2013 http://archive.org/details/ellswoOOkell ELLSWORTH KELLY ELLSWORTH KELLY: A RETROSPECTIVE Edited by Diane Waldman GUGGENHEIM MUSEUM Guggenheim Foundation, ELLSWORTH KELLY: A RETROSPECTIVE ©1996 The Solomon R. New York. All rights reserved. Organized by Diane Waldman Kelly. All Ellsworth Kell) works ©1996 Ellsworth Solomon R. Guggenheim Museum, New York Used by permission. All rights reserved. October 18, 1996-January 15, 1997 ISBN 0-8 HN hS c>~-5 (hardcover) The Museum of ( ontemporary Vrt, I os Angeles ISBN 0-8920- 177-x (softcover) February 16-May is. 1997 Guggenheim Museum Publications rallery, L ondon 1D"1 Fifth Avenue |une 12-September 7, 1997 New York, New York 10 1 2* Haus der Kunst, Munich Hardeover edition distributed In November 1997-Januarj 1998 Harry N. Abr.ims, Inc. 100 Fifth Avenue Nev. York. Nev. York 10011 Design In Matsumoto Incorporated, New York Cover by Ellsworth Kelly Printed m Germany by C antz 10 Ellsworth Kelly Contents Diane Waldman 40 Ellsworth Kelly's Multipanel Paintings Roberta Bernstein 56 Ellsworth Kelly's Curves Carter Ratcliff 62 Experiencing Presence Mark Rosenthal oloi Kelly's "1 ine, Form and ( 66 At Play with Vision: Ellsworth Clare Bell 81 Painting and Sculpture 2 5 3 Works on Paper 3 1 3 Chronology 320 Exhibition History and Bibliography Josette Lamoureux 333 Index of Reproductions This exhibition is sponsored by HUGO BOSS provided by Significant additional support lias been The Riggio Family and Stephen and Nan Swid. part by grants from the 1 his project is supported in National Endowment tor the Arts and The Owen Cheatham Foundation.
    [Show full text]
  • Annual Report
    July 1, 2007–June 30, 2008 AnnuAl RepoRt 1 Contents 3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support 116 Education and Public Programs Cover: Banners get right to the point. After more than 131 Staff List three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave T with supplementary weft Prober patterning; silk, gilt-metal . J en thread, and peacock- V E feathered thread; 184 x : ST O T 129 cm; Norman O. Stone O PH and Ella A. Stone Memorial er V O Fund 2007.216. C 2 Board of Trustees Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W.
    [Show full text]
  • The Ghost Army of World War II
    Publicity contact: Diane Levinson / [email protected] The Ghost Army of World War II How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery By Rick Beyer and Elizabeth Sayles 8 X 10 IN / 20 X 25.5 CM 256 PP / PHOTOS AND ILLUSTRATIONS THROUGHOUT HARDCOVER ISBN 978-1-61689-318-7 $40.00 / £25.00 PUBLICATION DATE: APRIL 2015 In the summer of 1944, a hand-picked group of young GIs landed in France to conduct a secret mission. Armed with rubber tanks, fake artillery, and more than a few tricks up their sleeves, their job was to create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. From Normandy to the Rhine, the 1,100 men of the Twenty-Third Headquarters Special Troops, known as the “Ghost Army,” conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Many of the deceivers were recruited from art schools, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, and Art Kane. As they traveled across Europe, they filled their duffel bags with the drawings and paintings they created between missions. Based on meticulous research and interviews with surviving members of the Ghost Army, and lavishly illustrated with the soldiers’ original artwork and never-before published documents, The Ghost Army of World War II tells the riveting true story of a group of young artists and engineers who wielded imagination, paint, and bravado to save thousands of American lives and help win the war.
    [Show full text]