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Sonification As a Means to Generative Music Ian Baxter
Sonification as a means to generative music By: Ian Baxter A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts & Humanities Department of Music January 2020 Abstract This thesis examines the use of sonification (the transformation of non-musical data into sound) as a means of creating generative music (algorithmic music which is evolving in real time and is of potentially infinite length). It consists of a portfolio of ten works where the possibilities of sonification as a strategy for creating generative works is examined. As well as exploring the viability of sonification as a compositional strategy toward infinite work, each work in the portfolio aims to explore the notion of how artistic coherency between data and resulting sound is achieved – rejecting the notion that sonification for artistic means leads to the arbitrary linking of data and sound. In the accompanying written commentary the definitions of sonification and generative music are considered, as both are somewhat contested terms requiring operationalisation to correctly contextualise my own work. Having arrived at these definitions each work in the portfolio is documented. For each work, the genesis of the work is considered, the technical composition and operation of the piece (a series of tutorial videos showing each work in operation supplements this section) and finally its position in the portfolio as a whole and relation to the research question is evaluated. The body of work is considered as a whole in relation to the notion of artistic coherency. This is separated into two main themes: the relationship between the underlying nature of the data and the compositional scheme and the coherency between the data and the soundworld generated by each piece. -
High-Fidelity-1980-1
S1.50 NOVEMBER 1980 HIGH FIDELIT HIGH-TECH RECORDS Are they worth them ey? Double - blindtests reveal the truth I e cg 111. AUDIO AT HOME N oon? How good? ^ .c 40' ooi'9 --- -1 o.ISTENING REPORTS Vssexy cassette deck y's "robot" turntable F...rs top -value receiver 11 it 01 0839E IF ALL $200TURNTABLES HAVE THE SAME SPECS, HOWCOME THE PL -400 SOUNDS BETTER? Il MEN -WPC IWO AL 4 MilmiiiiM . 1111111.1111111.11.1.111111111101 .TE Alzr 'T % 'I iv'.,.r I 1 1 IPATING 0 et.N\ qZ, r3lczbrowecont (= NS 4.0 VI, A _,.. joimma, 7 0,0 ;a! 11.111,, " "'".11"1"' The best for both worlds The culmination of 30 years of Audio Engineer- A fresh new breakthrough in cartridge de- ing leadership-the new Stereohedron velopment designed specifically as an answer for the low impedance moving coil cartridge- XSV/5000 XLZ/7500S One of the most dramatic developments of car- tridge performance was the introduction of the The advantages of the XLZ/7500S are that it offers - ,. Pickering XSV /3000. It offered the con- characteristics exceeding even the best of moving 'lila coil cartridges. Features such as an openness of sound and extremely fast risetime, less than 10µ, to provide a new crispness in sound reproduction. At the same tine, the XLZ/7500S provides these features without any of the disadvantages of ringing, undesirable spurious harmonics which are often characterizations of moving coil pickups. The above advantages provide a new sound experience while utilizing the proven advantages of the Stereohedron stylus, a samarium sumer a first 'generation of cartridges, combining 1.\\_ both high tracking ability and superb frequency response. -
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music Matthew A. Bardin Experimental Music & Digital Media Center for Computation & Technology Louisiana State University Baton Rouge, Louisiana 70803 [email protected] ABSTRACT the 'play head' was utilized to reverse the process and gen- The purpose of this paper is to provide a historical context erate the output's audio signal [8]. Looking at figure 1, from to some of the common schools of thought in regards to museumofmagneticsoundrecording.org (Accessed: 03/20/2020), tape composition present in the later half of the 20th cen- the locations of the heads can be noticed beneath the rect- tury. Following this, the author then discusses a variety of angular protective cover showing the machine's model in the more common techniques utilized to create these and the middle of the hardware. Previous to the development other styles of music in detail as well as provides examples of the reel-to-reel machine, electronic music was only achiev- of various tracks in order to show each technique in process. able through live performances on instruments such as the In the following sections, the author then discusses some of Theremin and other early predecessors to the modern syn- the limitations of tape composition technologies and prac- thesizer. [11, p. 173] tices. Finally, the author puts the concepts discussed into a modern historical context by comparing the aspects of tape composition of the 20th century discussed previous to the composition done in Digital Audio recording and manipu- lation practices of the 21st century. Author Keywords tape, manipulation, history, hardware, software, music, ex- amples, analog, digital 1. -
Applied Tape Techniques for Use with Electronic Music Synthesizers. Robert Bruce Greenleaf Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1974 Applied Tape Techniques for Use With Electronic Music Synthesizers. Robert Bruce Greenleaf Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Music Commons Recommended Citation Greenleaf, Robert Bruce, "Applied Tape Techniques for Use With Electronic Music Synthesizers." (1974). LSU Historical Dissertations and Theses. 8157. https://digitalcommons.lsu.edu/gradschool_disstheses/8157 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. A p p l ie d tape techniques for use with ELECTRONIC MUSIC SYNTHESIZERS/ A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the Doctor of Musical Arts In The School of Music by Robert Bruce Greenleaf M.M., Louisiana State University, 1972 A ugust, 19714- UMI Number: DP69544 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI DP69544 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
Latin American Nimes: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century
Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century Martín Matus Lerner Desarrollos Tecnológicos Aplicados a las Artes EUdA, Universidad Nacional de Quilmes Buenos Aires, Argentina [email protected] ABSTRACT 2. EARLY EXPERIENCES During the twentieth century several Latin American nations 2.1 The singing arc in Argentina (such as Argentina, Brazil, Chile, Cuba and Mexico) have In 1900 William du Bois Duddell publishes an article in which originated relevant antecedents in the NIME field. Their describes his experiments with “the singing arc”, one of the first innovative authors have interrelated musical composition, electroacoustic musical instruments. Based on the carbon arc lutherie, electronics and computing. This paper provides a lamp (in common use until the appearance of the electric light panoramic view of their original electronic instruments and bulb), the singing or speaking arc produces a high volume buzz experimental sound practices, as well as a perspective of them which can be modulated by means of a variable resistor or a regarding other inventions around the World. microphone [35]. Its functioning principle is present in later technologies such as plasma loudspeakers and microphones. Author Keywords In 1909 German physicist Emil Bose assumes direction of the Latin America, music and technology history, synthesizer, drawn High School of Physics at the Universidad de La Plata. Within sound, luthería electrónica. two years Bose turns this institution into a first-rate Department of Physics (pioneer in South America). On March 29th 1911 CCS Concepts Bose presents the speaking arc at a science event motivated by the purchase of equipment and scientific instruments from the • Applied computing → Sound and music German company Max Kohl. -
Seminars&Workshops
Seminars&workshops TEMA Arbeta för ett välkomnande Europa med jämlikhet för flyktingar och migranter – kämpa mot alla former av rasism och diskriminering. THEME 9 Working for a Europe of inclusiveness and equality for refugees and migrants – fighting against all forms of racism and discrimination. TEMAN THEMES Forumets seminarier, möten och övriga aktiviteter The seminars, meetings and other activities during the Forum are structured along these themes: har delats in i följande teman: 1 Arbeta för social inkludering och 6 Bygga fackliga strategier för 1 Working for social inclusion and 6 Building labour strategies for sociala rättigheter – välfärd, offentlig anständiga arbeten och värdighet för social rights – welfare, public services decent work and dignity for all – against service och gemensamma tillgångar för alla – mot utsatthet, otrygghet och and common goods for all. precarity and exploitation. alla. exploatering. 2 Working for a sustainable world, 7 Economic alternatives based on 2 Arbeta för en hållbar värld, mat- 7 Ekonomiska alternativ grundade food sovereignity, environmental and peoples needs and rights, for economic suveränitet och för ett rättvist miljö- och på människors behov och rättigheter, climate justice. and social justice. klimatutrymme. för ekonomisk och social rättvisa. 3 Building a democratic and rights 8 Democratizing knowledge, culture, 3 Bygga ett demokratiskt och rättig- 8 Demokratisera kunskap, kultur, based Europe, against “securitarian” education information and mass media. hetsbaserat Europa, mot övervaknings- utbildning, information och massmedia. policies. For participation, openness, samhället och rådande säkerhetspolitik. equality, freedom and minority rights. 9 Working for a Europe of inclu- För deltagande, öppenhet, jämlikhet, 9 Arbeta för ett välkomnande Eu- siveness and equality for refugees and frihet och minoriteters rättigheter. -
THE POLITICAL THOUGHT of the THIRD WORLD LEFT in POST-WAR AMERICA a Dissertation Submitted
LIBERATION FROM THE AFFLUENT SOCIETY: THE POLITICAL THOUGHT OF THE THIRD WORLD LEFT IN POST-WAR AMERICA A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Benjamin Feldman, M.A. Washington, DC August 6, 2020 Copyright 2020 by Benjamin Feldman All Rights Reserved ii LIBERATION FROM THE AFFLUENT SOCIETY: THE POLITICAL THOUGHT OF THE THIRD WORLD LEFT IN POST-WAR AMERICA Benjamin Feldman, M.A. Thesis Advisor: Michael Kazin, Ph.D. ABSTRACT This dissertation traces the full intellectual history of the Third World Turn: when theorists and activists in the United States began to look to liberation movements within the colonized and formerly colonized nations of the ‘Third World’ in search of models for political, social, and cultural transformation. I argue that, understood as a critique of the limits of New Deal liberalism rather than just as an offshoot of New Left radicalism, Third Worldism must be placed at the center of the history of the post-war American Left. Rooting the Third World Turn in the work of theorists active in the 1940s, including the economists Paul Sweezy and Paul Baran, the writer Harold Cruse, and the Detroit organizers James and Grace Lee Boggs, my work moves beyond simple binaries of violence vs. non-violence, revolution vs. reform, and utopianism vs. realism, while throwing the political development of groups like the Black Panthers, the Young Lords, the League of Revolutionary Black Workers, and the Third World Women’s Alliance into sharper relief. -
Holmes Electronic and Experimental Music
C H A P T E R 2 Early Electronic Music in Europe I noticed without surprise by recording the noise of things that one could perceive beyond sounds, the daily metaphors that they suggest to us. —Pierre Schaeffer Before the Tape Recorder Musique Concrète in France L’Objet Sonore—The Sound Object Origins of Musique Concrète Listen: Early Electronic Music in Europe Elektronische Musik in Germany Stockhausen’s Early Work Other Early European Studios Innovation: Electronic Music Equipment of the Studio di Fonologia Musicale (Milan, c.1960) Summary Milestones: Early Electronic Music of Europe Plate 2.1 Pierre Schaeffer operating the Pupitre d’espace (1951), the four rings of which could be used during a live performance to control the spatial distribution of electronically produced sounds using two front channels: one channel in the rear, and one overhead. (1951 © Ina/Maurice Lecardent, Ina GRM Archives) 42 EARLY HISTORY – PREDECESSORS AND PIONEERS A convergence of new technologies and a general cultural backlash against Old World arts and values made conditions favorable for the rise of electronic music in the years following World War II. Musical ideas that met with punishing repression and indiffer- ence prior to the war became less odious to a new generation of listeners who embraced futuristic advances of the atomic age. Prior to World War II, electronic music was anchored down by a reliance on live performance. Only a few composers—Varèse and Cage among them—anticipated the importance of the recording medium to the growth of electronic music. This chapter traces a technological transition from the turntable to the magnetic tape recorder as well as the transformation of electronic music from a medium of live performance to that of recorded media. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Party Organisation and Party Adaptation: Western European Communist and Successor Parties Daniel James Keith UNIVERSITY OF SUSSEX Thesis submitted for the degree of Doctor of Philosophy, April, 2010 ii I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature :……………………………………… iii Acknowledgements My colleagues at the Sussex European Institute (SEI) and the Department of Politics and Contemporary European Studies have contributed a wealth of ideas that contributed to this study of Communist parties in Western Europe. Their support, generosity, assistance and wealth of knowledge about political parties made the SEI a fantastic place to conduct my doctoral research. I would like to thank all those at SEI who have given me so many opportunities and who helped to make this research possible including: Paul Webb, Paul Taggart, Aleks Szczerbiak, Francis McGowan, James Hampshire, Lucia Quaglia, Pontus Odmalm and Sally Marthaler. -
Future Party Leaders Or Burned Out?
Lund University STVM25 Department of Political Science Tutor: Michael Hansen/Moira Nelson Future party leaders or burned out? A mixed methods study of the leading members of the youth organizations of political parties in Sweden Elin Fjellman Abstract While career-related motives are not given much attention in studies on party membership, there are strong reasons to believe that such professional factors are important for young party members. This study is one of the first comprehensive investigations of how career-related motives impact the willingness of Swedish leading young party members to become politicians in the future. A unique survey among the national board members of the youth organizations confirms that career-related motives make a positive impact. However, those who experienced more internal stress were unexpectedly found to be more willing to become politicians in the future. The most interesting indication was that the factor that made the strongest impact on the willingness was the integration between the youth organization and its mother party. Another important goal was to develop an understanding of the meaning of career-related motives for young party members. Using a set of 25 in-depth interviews with members of the youth organizations, this study identifies a sense among the members that holding a high position within a political party could imply professional reputational costs because some employers would not hire a person who is “labelled as a politician”. This notation of reputational costs contributes importantly to the literature that seeks to explain party membership. Key words: Sweden, youth organizations, political recruitment, career-related motives, stress, party integration Words: 19 995 . -
Installation and Operation Guide
www.aja.com Published: 3/31/11 Installation and Operation Guide Because it matters. ii Trademarks AJA®, KONA®, Ki Pro®, KUMO® and XENA® are registered trademarks of AJA Video, Inc. Ki Pro Mini™, Io Express™, Io HD™ ,Io™ and “Work. Flow.” are trademarks of AJA Video, Inc. Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac, and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2011 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. Contacting Support To contact AJA Video for sales or support, use any of the following methods: Telephone: 800.251.4224 or 530.274.2048 Fax: 530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] Limited Warranty AJA Video warrants that the product, will be free from defects in materials and workmanship for a period of three years from the date of purchase. If a product proves to be defective during this warranty period, AJA Video, at its option, will either repair the defective product without charge for parts and labor, or will provide a replacement in exchange for the defective product. To obtain service under this warranty, the Customer must notify AJA Video of the defect before expiration of the warranty period and make suitable arrangements for the performance of service by contacting AJA Video support through the channels set forth on the support contacts web page at http://www.aja.com/support/index.php. -
Ei Ihan Teorian Mukaan
Onko työväenliike vain menneisyyttä? Miten punaisten surmapaikoilla on muisteltu? Mitä paljastuu Hampurin arkisen talon taustalta? Miten brittiläinen ammattiyhdistysmies näki talvisodan? Ei ihan teorian mukaan Mihin historiaa käytetään Namibiassa? Miten David Oistrah pääsi soittamaan länteen? Miksi Anna Ahmatova koskettaa? Miten Helsingin katujen hallinnasta kamppailtiin 1962? Tällaisiin ja moniin muihin kysymyksiin haetaan vastauksia tämän kirjan artikkeleissa, jotka liittyvät työväenliikkeen, kommunismin ja neuvostokulttuurin vaiheisiin. Suomalaisten asiantuntijoiden rinnalla kirjoittajia on Ranskasta, Britanniasta ja Norjasta. Aiheiden lisäksi kirjoituksia yhdistää historiantutkija Tauno Saarela, jonka teemoja lähestytään eri näkökulmista. Ei ihan teorian mukaan – asiat ovat usein menneet toisin kuin luulisi. Ei ihan teorian mukaan Toimittaneet Mikko Majander ja Kimmo Rentola TYÖVÄEN HISTORIAN JA PERINTEEN TUTKIMUKSEN SEURA Ei ihan teorian mukaan Ei ihan teorian mukaan Toimittaneet Mikko Majander ja Kimmo Rentola Kollegakirja Tauno Saarelalle 28. helmikuuta 2012 Työväen historian ja perinteen tutkimuksen seura Yhteiskunnallinen arkistosäätiö Helsinki 2012 Toimituskunta: Marita Jalkanen, Pirjo Kaihovaara, Mikko Majander, Raimo Parikka, Kimmo Rentola Copyright kirjoittajat Taitto: Raimo Parikka Kannen kuva: Nuoren työläisen joulu 1926, kansikuva, piirros L. Vickberg Painettua julkaisua myy ja välittää: Unigrafian kirjamyynti http://kirjakauppa.unigrafia.fi/ [email protected] PL 4 (Vuorikatu 3 A) 00014 Helsingin yliopisto ISBN 978-952-5976-01-4