Leijptttnn Bpraui Suspends Bus Service

Total Page:16

File Type:pdf, Size:1020Kb

Leijptttnn Bpraui Suspends Bus Service f ' * ',55 PAGE TH m iY-TW O - MANCHESTER EVENING HERALD, Manchester, Conn., Fri., Nov. M, 1W2 Days Tlie Weather ShiiMd Law Cloudy tonight, chance of rain ► o rf developing toward morning, P a s s a g e lEiJptttnn BpraUi ' low in the low 30s. Sunday win­ Bumelte Ingram Howard N. MacFarlanb dy with rain possibly heavy at HEBRON - Burnette Ingram, TALCOTTVILLE - Howard P^redicted Mimrhesler Court date is Dec. 1$ in Circuit Oiislina times, h i^ 45 to 50. 80, of Hartford, father of Mrs. Nelson MacFarlane, 56,. of Real R. Turcotte, 23, of Ident Court 12. MANCHESTER, CONN., SATURDAY, NOVEMBER25,1972 VOL. X O I. No. 47 MANCHESTER — 4 City o f Village Charm Evelyn Cannon of Hebron, died Wethersfield, brother of BRISTOL (AP) - The Rd., South Windsor, was SI!«T.EEN PAGES - 2 TV - 2 MINI PAGES PRICE FIFTEEN CENTS Tuesday at a Hartford Lawrence MacFarlane of General Assembly is likely to arrested Wednesday at 11 p.m. Three Hartford residents convalescent home. Talcottville, died Wednesday at pass a- law protecting news on a Circuit Court warrant were charged with conqdncy charging him with two counts of Bom in Evergreen, Ala., he his home. reporters from revealing their and a fourth charged with bad lived in Alabama most of Bora in Montville, he had sources if Gov. Thomas J. third-degree burgiary, first- illegal possession of prescrip­ degree iarceny, and third- his life before moving to lived in Wethersfield 21 years. Meskill doesn’t interfere,, ac­ tion drugs and criminal degree larceny. Hartford six months ago. He Prior to his retirement, he was cording to a Democratic ^ te impersonation and forgery in a letter carrier for the u! S. the "third degree, Wednesday. was an Army veteran of World senator about to begin his Lt. John Krinjak of the War I. Postal Department. Patricia A. Jefferson was fourth term. Manchester Police Department Other survivors include his charged on the three counts Suspends Bus Service Other survivors include his “ If Meskill does not do any said “ further arrests will be wife, a son, and another after she attmpted to cash a wife, six sons, two other arm twisting on this as he made,” in connection with two brother. check at Sufaeme Foods, 485 daughters; five grandchildren promised he wouldn’t, I have breaks and thefts totaling $7,100 Hartford Rd., and it was r i and a great-grandchild. Funeral arrangements are Teasn to expect one (a shield in Manchester Oct. 30. The funeral and burial will be incomplete. Calling hours are law) would be passed,” ia y » recognized as similar to a in Evergreen, Ala. There are no today from 7 to 9 p.m. at Taylor Sen. .Toseph J. Dinielli, D- Lt. Krinjak said a check which was cashed there ' i- V Smouldering Crisis calling hours. The James and Modeen Funeral Home, 136 Bfistol. combination of merchandise three months before that ILissiiiger-Tho Secret Talks Funeral Home, 2016 Main St., S. Main St., West Hartford. He does not speculate on the and cash with a total value of proved to be forged. Roy Clenuuu, Sonia J. Rose and Comes To A Head Hartford, is in charge of possibility of a Meskill veto $7,100 were taken in breaks at Interrupted Until Dec. 4 arrangements. Mrs. Mary Nasramheni should a shield law get through Manchester Tobacco Co. and Terry L. Thomas were charged By THE ASSOCIATED PRESS In a report of the death of the 1973 General Awm bly. White Glass Co., Bissell St. with conspiracy. Court date is Diana G . Dubois Mrs. Mary T. Nascambeni in Dinielli also says he may Approximately 1,000 cartdns set for Dec. 4 in Circuit Court Pickets marched at Connecticut Co. garages in 12. IRAKIS (A P) — North Vietnam announced today that the on the talks in what Ziegler said COLUMBIA - Mrs. Diana Wednesday’s Herald, her introduce Shield law legislation of cigarettes and some money Hartford, New Haven and Stamford today as a marathon was a different format — “ a Guilbeault Dubois, 79, of ... surviving son, Daniel J. himself: were taken from Manchester w r e t peace talks between Henry A. Kissinger and Le Due bus crisis climaxed in a strike against the state’s largest Aaron Prestridge of 24 Silver smaller group.” Willimantic, mother of Mrs. Nascambeni of Rockville, was If he does, he is likely to have Tobacco Co. and about $100 was TTio are being interrupted until Dee. 4. bus company. Lane, East Hartford, was At th^end" they agreed to Charles Sadlon of Columbia, incorrectly identified as David. the support of Bristol’s three taken from White Glass Co. charged with concealmrat of A communique of the North Vietnamese delegation, resume meeting Dec. 4 In died Thursday at Wjndham A surviving brother, Joseph state representatives, all Turcotte was released on leased property. He was Paris. John Thompson, head of the Amalgamated Transit Community Memorial Hospital. Lucas of Bridgeport, was in­ Democrats. $5,000 non-surety bond and was issued a few hours after Kissinger and the Hanoi envoy release on a $500 non-surety Ziegler said Kissinger Union, said the union, which has been working on a day-to- She was the widow of Ernest correctly identified as John Gardner Wright says he ordered to appear in Circuit met for the sixth time in succession, said Tlio and his Lucas. bond. Court date is Dec. 4 at reported to the President by O. Duboi and had iived in would co-sponsor a shield law Court 12, Dec. 11. day basis since last year’s contract expired Sept. 30, has Circuit Court 12. fellow negotiator Xuan Thuy “will meet Dr. Kissinger cable to his hotel suite at the Willimantic many years. ilmiH J. .Sinilli measure or, if necessary, given the state and local governments enough time to solve agaih on Dec. 4, 1972.” Waldorf-Astoria in New York, Other survivors include a Hans J. Smith, 84, of Hart­ introduce one himself. Richard T. Goilmitzer of 101 the problem of subsidies. Police report breaking and In New York, meanwhile. Asked if some obstacles had where Nixon is staying. son; 3 other daughters; 4 ford, brother of Mrs. Annie “ A shield law, I hope, would ^ I p h Rd., was charged with entering at an apartment at 137 White House P r ^ Secretary Kissinger was to arrive at The union and the company sisters; 3 brothers; 24 Taylor of Manchester, died prevent the press from intoxication Thursday following been encountered in the efforts and the Greater Hartford Bissell St. Deborah Howe, who Ronald 23egler said Kissinger is New York’s John F. Kennedy had reportedly agreed on grandchildren and 5 Wednesday at Hartford becoming a spokesman for an accident on Downey Dr. to reach a cease-fire Transit District and state of­ resides at that address, said returning to the United States airport about 10 p.m. tonight. provisions for a new contract greatgrandchildren. Hospital whoever is in a position of when a car operated by agreement, Ziegler said, “ I ficials said they were in contact stereo speakers and a portable tonight to consult with He was to report immediately but ConnCo, claiming weekly The funeral will be Monday at He had lived in Hartford all authority.” Gollmitzer struck a parked car would caution you against any with other towns. colored television were taken'' President Nixon on the status of afterwards to the President. losses of $10,000, refused to sign 9:U a.m. at the Bacon Funeral his life. Prior to his retirement leased by John P. Tomik of 133 excessive speculation.” He The towns want the state to from her apartment Tuesday negotiations. Nixon and his without a written promise of H o m e , 71 P r o s p e c t S t ., in 1955, he had been a meat Downey Dr. The Gollmitzer car added that both sides “are There were widespread pay the subsidies out of the afternoon. family are spending the state or local subsidies. Willimantic. Burial will be in cutter at the former D. F. Rancher was towed from the scene. negotiating seriously.” reports Friday that Kissinger Public Service Trust Fund, but weekend in New York. The largest bus company in Sacred Heart Cemetery, Burns Grocery Store. The presidential spokesman and Tho had run into serious Gov. Thomas J, meskill has Theft of an electric guitar - Zie^er also said that the the state, ConnCo carries Wauregan. Other survivors include a said it had been mutually difficulties after talking for a refused to pay more than 25 per Kills from the kitchen of a home on peace talks had been recessed 100,000 passengers daily, run­ Calling hours are Saturday daughter, two other sisters, agreed “ not to discuss the sub­ total of more than 20 hours in cent. 81 Birch St., was reported by until Dec. 4. ning 190 b u ses a d a y in from 7 to 9 p.m. and Sunday five grandchildren and nine stance of the talks or what Kissinger said would be Meanwhile, small bus Lynne Derrick the juvenile owner. Ite also said the President Hartford, 105 in New Haven and from 2 to 4 and 7 to 9 p.m. great-grandchildren. Five Men characterize them in any way the final secret session to companies are trying to handle 42 in Stamford. The funeral is Saturday at 9 Student Director has agraed to meet early next whatsoever.” It was the U.S. clarify minor points in the the 50,(XI0 daily fares of the L a r e d o , T ex.
Recommended publications
  • The Last Show – a Prairie Home Companion»
    KirchenKino – 21. Mai 2007 in Bern Impulsreferat «The Last Show – A Prairie Home Companion» Charles Martig «The Last Show» (USA 2006) ist ein Film des Abschieds – ein wehmütiger Blick zurück auf eine Lebenswelt, die es nicht mehr gibt. Eingeführt werden wir durch eine Stimme aus dem Off: Es handelt sich um einen schwarz gekleideten, etwas dubiosen Privatde- tektiv mit dem sprechenden Namen «Guy noir». Diese Kunstfigur, die direkt dem Film noir entsprungen scheint, weiss, dass heute Abend die letzte Vorstellung der Live- Radio-Show statt findet. Er kommentiert dieses Faktum mit einem lakonischen Ton in der Stimme und mit einer seltsam überheblichen Distanziertheit. Mit dem Hausdetektiv betreten wir das Fitzgerald Theater in St. Paul, Minnesota und lungern mit ihm hinter den Kulissen herum. Der eitle Trottel vom Dienst steht eigentlich allen im Weg und be- wegt sich so ungeschickt durch das Set, dass wir bald Schmunzeln, bald Mitleid haben mit dieser Figur. Es handelt sich um eine umwerfende Satire des «Private Eye», der alles im Griff haben will und doch immer nur von den Ereignissen getrieben wird. Denn am Lauf der Dinge kann auch er nichts ändern. Es handelt sich um eine satirische Ü- berhöhung des Privatdetektivs, den Robert Altman bereits in den «The Long Goodbye» aufs Korn nahm. Mit «Guy Noir» sind wir bereits mitten in der Geschichte. Sie spielt sich vor allem hinter den Kulissen ab. Da befinden wir uns unverhofft in den Requisiten und Garderoben von «A Prairie Home Companion» – wörtlich beim Gefährten in der Prärie, der das eigentli- che Zuhause in den weiten des mittleren Westens ausmacht.
    [Show full text]
  • Carlos Montezuma Papers: Guide to Microfilm Collection
    GUIDE TO THE SCHOLARLY RESOURCES MICROFILM EDITION OF THE PAPERS OF CARLOS MONTEZUMA, M.D. including THE PAPERS OF MARIA KELLER MONTEZUMA MOORE and THE PAPERS OF JOSEPH W. LATIMER The Papers of Carlos Montezuma microfilm edition described and indexed in this guide was made possible through grants from the National Historical Publications and Records Commission. Also, the support of the American Historical Association, Klein Independent School District (Spring, Texas) and the University of Wisconsin-LaCrosse is gratefully acknowledged. Researchers citing materials in this edition of the Papers of Carlos Montezuma should use the following format: Papers of Carlos Montezuma, John William Larner, Jr., Editor, Scholarly Resources Inc. Quotations for publication or further reproduction of materials contained within the Scholarly Resources edition of the pa1ers of Carlos Montezuma, except for purposes of scholarly criticism or comment, require specific permission from owners of original documents and copyright holders. Each document's repository is indicated by an acronym target; acronyms are decoded in the section of the guide entitled “Acronyms Decoded”. ~ 1984 by Scholarly Resources Inc. All rights reserved First published 1984 Printed in the United States of America SCHOLARLY RESOURCES INC. 104 Greenhill Avenue Wilmington, Delaware 19805 GUIDE AND INDEX to the PAPERS OF CARLOS MONTEZUMA, M.D., 1871-1952 including the papers of MARIA KELLER MONTEZUMA MOORE, 1910-1952 and JOSEPH W. LATIMER, 1911-1934 Editor John William Larner, Jr. Assistant Editor Thomas C. Huppert Editorial Assistants Sammetta P. Banks Thelma M. Schwartz “It is that crawling, sneaking, squeezing, lapping, and sucking, devilish vampire of civilization.” Carlos Montezuma, Fragment State Historical Society of Wisconsin Box 10, Folder 4 PREFACE The Papers of Carlos Montezuma offer researchers an important collection of Native American history sources from the 1890s through the 1920s, most of the material created by Indians themselves.
    [Show full text]
  • “So Much Water So Close to Home”: Een Vergelijkende Analyse Van
    Faculteit Letteren en Wijsbegeerte Academiejaar 2008-2009 “So Much Water So Close to Home”: een vergelijkende analyse van Raymond Carvers kortverhaal met de filmadaptaties Short Cuts (1993) van Robert Altman en Jindabyne (2006) van Ray Lawrence Verhandeling voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad van master in de taal- en letterkunde: vergelijkende moderne letterkunde door Jade Corbeij Promotor: prof. dr. Jürgen Pieters 0 Inhoudsopgave 1. Voorwoord ......................................................................................................................... 3 2. Inleiding ............................................................................................................................. 4 3. Raymond Carver ................................................................................................................ 6 3.1. Leven (Halpert 1995), (Champion 1999) en (Wikipedia.org).................................... 6 3.2. Werk ........................................................................................................................... 7 3.2.1. Overzicht ............................................................................................................ 7 3.2.2. Minimalist, precisionist of realist? ..................................................................... 8 3.2.3. Wereldbeeld ..................................................................................................... 11 3.2.3.2. De Carverchronotoop: wanhoop en ironie in Amerika
    [Show full text]
  • Special Collections Library
    SPECIAL COLLECTIONS LIBRARY UNIVERSITY OF MICHIGAN ROBERT ALTMAN ARCHIVE: PERSONAL AND EARLY PROJECTS, 1945-2007 21 linear feet Call No.: Altman ACQUISITION: The archive was acquired from the Altman family, 2007-2008, ACCESS: The records are open for research. PHOTOGRAPHS: COPYRIGHT: Permission to publish material from this collection must be obtained from the University of Michigan Special Collections Library and the individual copyright holder. PROCESSED BY: Personal series: Heather Norris, Ray Barker, 2011; Early Projects: Sarah Hegge, 2010 Robert Altman Archive Abstract The Robert Altman Personal series (14 linear feet, 3 oversized boxes) ranges in date from 1945-2007. The series includes correspondence, legal, and medical documents, topical and award-related material, early work, interviews and clippings, as well as photographs. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Scope and Content Note The Robert Altman Personal series (14 linear feet, 3 oversized boxes) is comprised of personal material ranging in date from 1945-2007. The material consists of correspondence, legal and medical documents, topical and award related material, early work, interviews and clippings, as well as photographs. The correspondence sub-series include letters and cards from friends, co-workers and acquaintances, as well as fan mail. Early work is comprised of music, poetry, scripts, and short stories ranging in date from 1945-1965. Documents such as marriage certificates, birth certificates and passports can be found in the legal and other documents sub-series while Robert Altman's wills are in the legal-Jerome Walsh sub-series.
    [Show full text]
  • John Williams Og Robert Altman
    John Williams og Robert Altman: En liten klype modernisme The Long Goodbye | 1973 Ti år før John Williams ble introdusert for en ung og lovende Steven Spielberg, hadde han knyttet seg til en annen idiosynkratisk regissør: Robert Altman. Samarbeidet skulle thor joachim haga medieviter og redaktør for vare over flere tv-episoder, en kortfilm og to spillefilmer, men filmhistorisk har dette filmmusikk-nettstedet Celluloid kunstnerisk ambisiøse og eksperimentelle uttrykket stått fullstendig i skyggen av | 33 Tunes.no Williams’ mer kommersielle suksesser som Star Wars, Harry Potter og Jurassic Park. Av Thor Joachim Haga Jeg synes det er like morsomt hver gang: Når av Kraft Television Theater, en serie som hadde gått hovedsakelig krim- eller mysteriepreg. Forskjellen Selv om episoden er forholdsvis tradisjonelt fortalt, kritiske røster rakker ned på Williams’ forkjærlighet på amerikanske tv-skjermer siden slutten av 40- er at John Williams nå var involvert helt fra starten. er det lett å observere små, altmanske drypp i for det neoromantiske tonespråket og påståtte tallet. Som sedvanlig praksis på denne tiden hentet Han skrev et pulserende, nesten aleatorisk tema – klipperytme og iscenesettelse: håndholdte kameraer, mangel på originalitet, slamrer jeg Altman-sam- man inn episoder fra andre Revue-produserte et sted i krysningspunktet mellom jazz og samtids- uortodokse utsnitt eller fremmedgjørende lydklipp arbeidet demonstrativt på bordet: En oppvisning i serier for å fylle den tilmålte episodekvoten i den musikk – og gjorde for øvrig 17 episoder i sesong – som fra Smalleys uheldige drap til en flokk gjess abstrakte, dissonante uttrykksformer som ofte har tredje og siste sesongen – i dette tilfellet antologi- én og 2 episoder i sesong to.
    [Show full text]
  • Interruptingmytrainofthought W
    editorial input: scott woods and tim powis cover illustration: karen watts foreword: rob sheffield Copyright © 2014 Phil Dellio All rights reserved. No part of this publication may be reproduced or trans- mitted in any form or by any means, electronic or mechanical, including scanning, photocopying, recording or any information storage and retrieval system, without permission in writing from the publisher. Typesetting and layout by Vaughn Dragland ([email protected]) ISBN: 978-1-5010-7319-9 and your mother, and your dad patricia dellio (1932 – 2009) peter dellio (1934 – 2003) contents foreword i introduction iii the publications v show no traces 1 the last phase of yours and yours and mine 31 whole new kinds of weather 49 some place back there 73 rain gray town 105 long journeys wear me out 123 fragments falling everywhere 159 if anything should happen 201 always window shopping 269 constantly aware of all the changes that occur 291 people always live and die in 4/4 time 331 in and around the lake 361 a friend i’ve never seen 415 appendix 435 acknowledgements 437 foreword The first thing I noticed about Phil Dellio was that he sure liked Neil Diamond. The second thing I noticed was that I liked Neil Diamond a lot better after reading what Phil had to say. I was reading a copy of Phil’s fanzine Radio On for the first time, riding a Charlottesville city bus in early 1991, wondering if my mind was playing tricks on me. This guy had provoc- ative comments on recent hits by C&C Music Factory and the KLF; he also wrote about musty 1960s ballads by Herb Alpert or the Vogues.
    [Show full text]
  • Sports Executives Address Athletic Issues GTE Call Waiting Ads
    Scoring in the Rain Junior Chris Yankee score THE CHRONICLE to THURSDAY, SEPTEMBER 26,1991 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 20 Sports executives address athletic issues Grad dean By MIKE FINLON and GEOFFREY has forced schools to hire lawyers the main reasons that Florida "Basketball is quickly becom­ GREEN to insure their compliance with State was added over Syracuse ing a global sport. The NBA is advocates Universities must address de­ regulations. University, Corrigan said. best poised to exploit [this] and clining revenues in collegiate Schools are now trying to Professional sports leagues in become a worldwide leader." sports, the Atlantic Coast Con­ downscale their athletic opera­ the United States can only ex­ A great future lies ahead for rebudgeting ference Commissioner told a tions without sacrificing the qual­ pand revenues by seeking inter­ the NBA in Europe and Asia. The By MATT STEFFORA group of graduate students ity or quantity of different sports, national markets, said New York development overseas is continu­ A rebudgeting proposal Wednesday. Corrigan said. Knicks President David ing much as it did in the United put forth by the Graduate Six sports executives from It will take more than reducing Checketts. "Everybody is asking, States, Checketts said. School may draw more across the country explored this "NBA games will be shown on graduate students to the and other issues facing the future television in over 80 countries" if University and could be of professional and collegiate things go as planned, he added. implemented as early as the sports markets at the 1991 Sports "International and globally based 1992-93 year.
    [Show full text]
  • Robert Altman - Muszkieter
    Altman Rafał Syska Robert Altman - muszkieter Gracz Jego odporność na wszelkie niepowodzenia obrosła już anegdotami. Jako miłośnik przeróżnych gier hazardowych zawsze ryzykował i nierzadko przegrywał w pokera, w ruletkę, na wyścigach konnych. Zakładał własne wytwórnie filmowe i bankruto­ wał, kręcił dzieła, z których amerykańska publiczność wychodziła zakłopotana, cza­ sem firmował projekty interesujące wyłącznie garstkę pasjonatów. W chwilach klęski zwykł nonszalancko wzruszać ramionami i wracać do gry, by na rubieżach Holly­ woodu zrealizować kolejny film. Na gruncie amerykańskiego kina Robert Altman był postacią szczególną, emblematem filmowego autora, nestorem wśród klasyków kontestacji, a zarazem filmowcem do ostatnich lat życia zachwycającym żywotnością i pomysłowością. W swej postawie bywa wiązany z europejskim wyobrażeniem reżysera-indywi- dualisty, choć paradoksalnie tematyka jego utworów, społeczno-polityczna refleksja i barwna mitologia wypływały z amerykańskiej kultury, z niej czerpiąc materiał do satyr i ironii. Wprawdzie w filmografii Altmana Znajdziemy utwory reprezentujące niemal wszystkie gatunki filmowe, ale reżyser zawsze traktował tradycję kina holly­ woodzkiego jedynie w kategoriach matrycy zjadliwej krytyki. Stąd filmy Altmana rzadko stawały się komercyjnymi sukcesami, a sam reżyser nigdy nie sięgnął po I 214 Rafał Syska regulaminowego Oscara — choć przez krytykę już w latach siedemdziesiątych zo­ stał uznany za mistrza filmowej narracji, wprowadzającego niemal awangardowe rozwiązania dramaturgiczne i trudną do podrobienia poetykę. Robert Altman zajął więc poczesne miejsce w klubie wielkich-pominiętych (obok takich klasyków jak: Howard Hawks, Charles Chaplin czy Alfred Hitchcock — a współcześnie obok: Stanleya Kubricka, Sidneya Lumeta czy Johna Boormana), którzy choć wprowa­ dzili do twórczości hollywoodzkiego kina blask geniuszu, liczyć mogą co najwyżej na statuetkę za całokształt (co w przypadku Altmana zdarzyło się w 2006 roku).
    [Show full text]
  • ALTMAN Year: 2014 / Running Time: 95 Min / DCP / Colour / B&W / 5.1 Producer and Director: Ron Mann
    ALTMAN! ! Year: 2014 / Running Time: 95 min / DCP / Colour / B&W / 5.1! Producer and Director: Ron Mann! " Download press kit and images:! http://filmswelike.com/films/altman! ! CANADIAN DISTRIBUTION CONTACT Films We Like, Mike Boyuk, mike@filmswelike.com, 416.971-9131 (Canadian Publicity) V Kelly & Associates, Inc. [email protected] 416.466-9799 ! filmswelike ALTMAN Page #1 of #7 !SYNOPSIS! Ron Mann's new documentary "ALTMAN" is an in-depth look at the life and times of filmmaker Robert Altman (M*A*S*H, McCabe and Mrs. Miller, Nashville, The Player, Gosford Park, and many more.) While refusing to bow down to Hollywood's conventions, or its executives, Altman's unique style of filmmaking won him friends and enemies, earned him world-wide praise and !occasionally scathing criticism, and proved that it IS possible to make truly independent films.! ! !INTRODUCTION! Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. !Director. Artist.! Robert Altman$s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. Altman, Canadian director Ron Mann$s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and !influential filmmakers in the history of the medium.! The very term “Altmanesque” has come to denote a cinematic style characterized by dark humor, chaotic choreography, overlapping and sometimes murky dialogue, multi-layered storylines, iconoclastic characters, omniscient cinematography, and a seat-of-the-pants ensemble approach to imagining and crafting a film.
    [Show full text]
  • Who Is David Berkowitz? Your Neighbors^ Views: Today’S Question: ^H a T W 88 Your M08t a Photo-Feature of Brief Commenta on Topica of the Day
    PAGE EIGHT-B - MANCHESTER EVENING HERALD, Manchester. Conn., Fri., Aug. 12, 1977 Who is David Berkowitz? Your neighbors^ views: Today’s question: ^h a t W 88 yOUr m08t A photo-feature of brief commenta on topica of the day. ------------memorable vacation? NEW YORK (UPI) - Who is David revolver. this," said Schilkraut. “He may have very familiar with police procedure "changed man” when he returned Berkowitz in more than three years, Five young women and one man Berkowitz? appeared strange, but he was never and terms. from serving in Korea. said he and many of Berkowitz’ old died in the attacks. Seven others At times. David Berkowitz has violent.” He entered the Army in 1973 and An old friend who asked not to be friends avoided him after he been a soldier, cab driver, private were wounded. Co-worker Fred Ponterotto, 27, served three years, one in South identified said Berkowitz "was very returned from the Army. security guard, auxiliary policeman David Schilkraut, 58, of the Bronx, said: "You wouldn’t get much words Korea. much involved in a reality-fantasy “He tried very, very hard to keep and postal worker. remembers Berkowitz as a “ loner” out of him. He was always alone.” Berkowitz also worked as an un­ conflict. the friendship going,” the friend Always. David Berkowitz was who lived with his adoptive parents Berkowitz attended Columbus High armed guard for IBI Security Service "It was very hard for him to said, “but 1 felt very uncomfortable alone. in a Co-Op City building. Berkowitz’ School in the Bronx and Bronx Com­ before joining the post office in differentiate between what was real around him ..
    [Show full text]
  • Moma PAYS TRIBUTE to MAVERICK FILMMAKER ROBERT ALTMAN with a CAREER RETROSPECTIVE
    MoMA PAYS TRIBUTE TO MAVERICK FILMMAKER ROBERT ALTMAN WITH A CAREER RETROSPECTIVE Robert Altman Retrospective to Feature 50 Programs Robert Altman December 3, 2014–January 17, 2015 The Roy and Niuta Titus Theaters NEW YORK, October 9, 2014—The Museum of Modern Art presents a career retrospective of the maverick film and television director Robert Altman (American, 1925–2006)—comprising 50 programs, including theatrical features, television films, cable series, and rarely seen music videos, industrial shorts, and documentary pieces—from December 3, 2014, to January 17, 2015. Altman’s work over four decades, beginning in the 1970s, came to define the spirit of American independent film. His essential films include the groundbreaking anti-war satire MASH (1970); the unorthodox Western McCabe and Mrs. Miller (1971); the disaffected portrait of Bicentennial America Nashville (1975); the film noir update The Long Goodbye (1973); the avant-garde picture 3 Women (1977); the waggish Hollywood exposé The Player (1992); the adaptation of stories by Raymond Carver Short Cuts (1993); and his final work, A Prairie Home Companion (2006), a collaboration with radio personality Garrison Keillor. Distancing himself from mainstream Hollywood formulas, Altman produced films in what has been described as “anti-genres,” including revisionist takes on romantic comedy (A Perfect Couple, 1979), teen films (O.C. & Stiggs, 1987), psychological thrillers (Images, 1972), and historical dramas (Buffalo Bill and the Indians, or Sitting Bull’s History Lesson, 1976). His penchant for improvisation and innovative use of natural, overlapping dialogue became directorial signatures, most elegantly realized in his later film Gosford Park (2001), which served as a model for writer Julian Fellowes’s successful ITV/PBS series Downton Abbey (2010–).
    [Show full text]