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SPECIAL COLLECTIONS LIBRARY UNIVERSITY OF MICHIGAN ROBERT ALTMAN ARCHIVE: PERSONAL AND EARLY PROJECTS, 1945-2007 21 linear feet Call No.: Altman ACQUISITION: The archive was acquired from the Altman family, 2007-2008, ACCESS: The records are open for research. PHOTOGRAPHS: COPYRIGHT: Permission to publish material from this collection must be obtained from the University of Michigan Special Collections Library and the individual copyright holder. PROCESSED BY: Personal series: Heather Norris, Ray Barker, 2011; Early Projects: Sarah Hegge, 2010 Robert Altman Archive Abstract The Robert Altman Personal series (14 linear feet, 3 oversized boxes) ranges in date from 1945-2007. The series includes correspondence, legal, and medical documents, topical and award-related material, early work, interviews and clippings, as well as photographs. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Scope and Content Note The Robert Altman Personal series (14 linear feet, 3 oversized boxes) is comprised of personal material ranging in date from 1945-2007. The material consists of correspondence, legal and medical documents, topical and award related material, early work, interviews and clippings, as well as photographs. The correspondence sub-series include letters and cards from friends, co-workers and acquaintances, as well as fan mail. Early work is comprised of music, poetry, scripts, and short stories ranging in date from 1945-1965. Documents such as marriage certificates, birth certificates and passports can be found in the legal and other documents sub-series while Robert Altman's wills are in the legal-Jerome Walsh sub-series. The family sub-series is comprised of material relating to Dana Altman and Signe Corriere, as well as an undated family tree. The medical sub-series contain medical records and bills. Name and topical is the largest sub-series and includes documents pertaining to the Directors Guild of America, letters of recommendation, and Robert Altman's honorary doctorate from the University of Michigan. This sub-series also includes material from people such as Tom Hanks, John Kerry, Richard Nixon, Martin Scorsese, and Tim Robbins. The awards, events and festivals sub-series contain material from Robert Altman's 2006 Academy of Motion Picture Arts and Sciences Lifetime Achievement Awards, the Lincoln Center Tribute Gala and the Cannes Film Festival. The interviews sub-series include documents from various magazines and newspapers including Cinema Journal and Time Out London. Clippings is a sub-series ranging in date from 1968-2006 and include various articles about Robert Altman. The photographs sub-series contains photographs from Robert Altman's early, middle and later years as well as family-related photographs, negatives, and slides. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Bodyguard is a 1948 movie based on a story by Altman starring Lawrence Tierney as an insubordinate police officer who takes work protecting a woman played by Elisabeth Risdon. Altman wrote, directed, and produced a story about rebellious teens called The Delinquents (1957). Altman also directed a 1957 documentary, The James Dean Story. During this period Altman worked on several TV shows. In Whirlybirds criminals were pursued with the aid of helicopters. Bolt from the Blue was an episode of the popular TV show Maverick that Altman wrote and directed. He also directed the episode Access by Consent for the series Bus Stop and wrote and directed several episodes of The Roaring 20's, and Bonanza. Altman wrote and directed several episodes of the TV series Combat! before being fired from the show over creative differences involving the episode "Survival." A letter from composer Leonard Rosenman is included which may be in reference to a proposal to extend Survival into a full length feature. The collection includes the script for the episode Cat and Mouse. Two of Altman's TV efforts were made into full length films. Once Upon a Savage Night was originally an hour long piece made for Kraft Suspense Theater and was later expanded into a feature length picture for NBC Nightmare in Chicago. Savage Night is notable for being the first entertainment film to use Eastman high-speed color film type 5258 allowing for film to be shot at night in very low light. A two hour pilot for the show i Robert Altman Archive Nightwatch was aired as a movie after the show was not picked up. It was also known as Chicago, Chicago or A Walk in the Night. The Lili project and The Party were two short films meant to be shown on video jukeboxes. The Color-Sonics film jukebox was released in 1966 with films printed on 8 mm magnetic-sound film cartages. These were made by Official Films at Paramount Studios. Additionally an unknown number of these shorts were made into 16 mm prints for the Scopitone jukebox. The Party was set to a Herb Alpert & the Tijuana Brass song titled Bittersweet Samba and was also known as In Crowd. Altman made two of these films with the famous stripper Lili St. Cyr called Speak Low and Ebb Tide. The collection contains photographic materials from the set of Ebb Tide. Fashion Fair is a 30-minute fashion show the Altman worked on with Nellie Don, a large mid-priced Kansas City-based fashion company and a woman who started the company. This was part commercial and part TV show. The other two commercials have not been identified. ii Robert Altman Archive Box No. Description - Personal Correspondence Box 1 Undated (2 folders) Altman, Stephen, undated 1945 1981-1989 (7 folders) 1990-1993 (9 folders) 1994-1998 (8 folders) 2000-2006 (7 folders) Fan mail, 2005-2006 (2 folders) Early work Music Lyrics, ca. 1950 Sheet music, ca. 1950 (9 folders) Novella Untitled, undated (3 folders) Poetry "Answer to Ogden Nash's Question: 'How Does One Become A Capable Liar?'" "Illusion" "Shame of Immortal Man, The" Miscellaneous, undated Radio plays "Control" and "Fear" (co-authored by George W. George) (2 folders) A Dramatic Program without the Disadvantage of Plot (2 folders) "Trip to the Moon" Scripts "Equal by Day," "Equal by Law," and "Lesson for Tomorrow" outlines "Hey Sis!" The Kinsey Problem (co-authored by James Rickard) Monsieur Paree outline Production Procedure Proper Girl Untitled, undated (4 folders) Best Place to Hit by Richard Casper Sarafian Short stories "Agent, The" "Dark Conviction" (co-authored by James Rickard) "Encore" "Freddy's Masterpiece" Box 2 "Fractured" (2 folders) "Johnny Alias" "Red" "Siren, The" "Some Hands Are Different" "Throw-Off, The" "Woman without a Mouth" Untitled Fragments, notes, drafts and proposals, ca. 1955 (6 folders) 1 Robert Altman Archive Box No. Description - Television The Troubleshooters production plan proposal, 1958 "Rumors are Flying" (co-authored by James Rickard) (2 folders) Film industry workshop, Los Angeles, California, November 13, 1963 "My Speech," filmmaker's workshop, Kansas City, Missouri, February 9, 1965 Calvin Company Workshop notebook, 1955 and correspondence, 2003 Self-portrait illustration, 1943 "Miscellaneous material," 1945-1960 Legal and other documents Marriage certificates, 1945-1966 Decree of Divorce, 1952 Visa, France, 1986 Passports, 1985, 1995, 2005, 2006 (2 folders) Birth certificate, photocopies, 1985 Good conduct certificate, 1986 Photocopies of wallet contents, 1995, 1996, 1997, 1998, 2000, 2001, 2002, 2003, 2004, 2005 (7 folders) Lantana Center lease, 1998 Voter registration, 2000 Power of Attorney, 2000 Huntsman, et al. v. Soderbergh, et at. Litigation, 2003-2005 (2 folders) Warner Books publishing agreement, book outline and potential co- authors, 2006 (2 folders) Legal-Walsh, Jerome Altman, Robert, will 1993 1997 (2 folders) 2002 2003 Family Altman, Dana, 1994 (3 folders) Altman, Reed, undated Corriere, Signe, 1994-1995 (3 folders) Family tree, undated Medical Test results and diagnoses, 1984-1993 (6 folders) Claims and receipts, 1988-1989, 1993-1996 (5 folders) Box 3 Bills and receipts, 1993-1996 Records and notes, 1993-2004 (12 folders) Contacts, 1995-1998 American College of Cardiology, 2002-2003 (2 folders) Memorials and condolences 2007 (2 folders) Name and topical Academy of Motion Picture Arts and Sciences Correspondence, 1991 Voting materials, 1994 Consideration letters, 1998-1999 "Screeners" and Altman nominations, 2003 2 Robert Altman Archive Box No. Description - Allen, Woody, 1997 All Star Baby Proofing, 2000 American Program Bureau, 2003 Anthology Film Archives, 2002 Antonioni, Michelangelo, 1994 Appraisals: art and jewelry,1972-1991, 2003 (2 folders) Archive of Contemporary Music, 1989-1990 (2 folders) Arnaz, Lucie, 1992 Art of Doodle, The (includes Altman illustration), 2002-2003 Arthur, Wren, 1998-1999 (3 folders) Artists, 1983, 1989 Babbitt, Bruce and Harriet, 1988-1989 Basinger, Kim and Baldwin, Alec, 1995 Beaver, Frank, University of Michigan, 1983, 1992 Belafonte, Harry, 2003 Biographies and filmographies (4 folders) Biskind, Peter, 1997-1998 Box 16 (o.s.) Blueprints: Malibu Cove Colony house (1977); Sandcastle 5 office (Park Avenue, NYC, 1994); Sandcastle 5 office (Paris, plans by Stephen Altman, 1985) Box 17 (o.s.) Box Office, 1945-1950, 1962 Box 3 Boylan, Paul, University of Michigan, 1983-2006 Bragg, Charles, 1994 British Film Commission, 2002 Busby, Gerald, 2005 Camerlo, Humbert, 1991 Cartier, 2000 Box 17 (o.s.) Cartoons Five pen and ink, some with watercolor, by "Shaw," (1950's/1960's) Three watercolor, pencil and pen and ink, [artist unknown,] undated Ink on a napkin, by "Norland," September 26, 1992 Pen and ink, by J. Jensen Crayon on paper, by Jesse James, 1997 Box 3 Cassavetes, Alexandra, 2003 Cats, 1985 Committee for a Fair Deal, 2000 Connick, Jr., Harry, 2005 Construction, 2004 Contemporary Arts Center, undated Converse, Celia, 1993-1994 (5 folders) Crosby, Cathy Lee, 1998 Demme, Jonathan, 1994 Dern, Laura, 2003 Directors Guild of America D.W. Griffith Award, 1994 Director's retreat and correspondence, 1997 DGA Honors, 2003 3 Robert Altman Archive Box No.
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