Carlos Montezuma Papers: Guide to Microfilm Collection
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Developing a Voice the Evolution of Self-Determination in an Urban Indian Community David R
Developing a Voice The Evolution of Self-Determination in an Urban Indian Community David R. M. Beck ore American Indians live in urban areas than anywhere Melse in the United States, a fact that the larger American population has been slow to comprehend. Over the past half century this demograph- ic shift from reservation to city has been a factor of steadily increasing significance in shaping the modern Indian experience in America. The implications have been broad-ranging at the community level on reser- vations and in urban centers, and on the individual level for tribal members in both reservation and nonreservation communities. The American Indian population, despite a significant growth spurt,1 has remained below 1 percent of the total U.S. population. Not- withstanding these small numbers, tribes that are federally or state- recognized have been able to advocate with some success for their own needs. They do this based on the semisovereign status accorded to them under the law. Tribes’ ability to do this improved markedly in the era of self-determination, which encompasses the last quarter to third of the twentieth century, although gaps still exist among tribes and in terms of definitions of sovereign rights. WICAZO SA REVIEW 117 “Self-determination” is in the narrow sense a term with legal im- plications in which the federal government recognizes the authority of tribes to govern themselves under the political and judicial definitions of limited sovereignty. In a larger sense, self-determination means the 2002 FALL ability of a people to determine the direction of their own society and community in political, economic, social, and spiritual arenas. -
Final Copy Abstract
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE “ABORIGINALLY YOURS”: THE SOCIETY OF AMERICAN INDIANS AND U.S. CITIZENSHIP, 1890-1924 A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By PATRICIA LEE FURNISH Norman, Oklahoma 2005 UMI Number: 3203322 Copyright 2005 by Furnish, Patricia Lee All rights reserved. UMI Microform 3203322 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 “ABORIGINALLY YOURS”: THE SOCIETY OF AMERICAN INDIANS AND U.S. CITIZENSHIP, 1890-1924 A Dissertation APPROVED FOR THE DEPARTMENT OF HISTORY BY ______________________________ Gary C. Anderson ______________________________ R. Warren Metcalf ______________________________ Clara Sue Kidwell ______________________________ David W. Levy ______________________________ Karl F. Rambo © Copyright by PATRICIA LEE FURNISH 2005 All Rights Reserved Acknowledgements I am indebted to my late parents, children of the Great Depression, for encouraging my studies. As their only child, I know they believed education to be central to my economic security as an adult. A small handful of public school teachers helped me learn how to learn, what should be one of the foundational features of education. They are Mrs. Taylor, Mrs. Retter, Mrs. Cantrell, Mrs. Barnocky, and most influential, Mrs. Sarah Miller and Mr. Vernon Taylor (both history teachers). I must also credit the late Norma Krider for teaching me how to type. Thanks to Mitzi Foster, Lt. Col. John Regal, Shearle Furnish, Joe Mitchell, Michelle Yelle, Ron Hunt, Heather Clemmer, Sara Eppler Janda, Brett Adams, Lance Allred, Katie Oswalt, Jacqueline Rohrbaugh, Richard Atkins, Susan Kendrick, Geneva and Wayne Beachum, and Jackie Young. -
The Last Show – a Prairie Home Companion»
KirchenKino – 21. Mai 2007 in Bern Impulsreferat «The Last Show – A Prairie Home Companion» Charles Martig «The Last Show» (USA 2006) ist ein Film des Abschieds – ein wehmütiger Blick zurück auf eine Lebenswelt, die es nicht mehr gibt. Eingeführt werden wir durch eine Stimme aus dem Off: Es handelt sich um einen schwarz gekleideten, etwas dubiosen Privatde- tektiv mit dem sprechenden Namen «Guy noir». Diese Kunstfigur, die direkt dem Film noir entsprungen scheint, weiss, dass heute Abend die letzte Vorstellung der Live- Radio-Show statt findet. Er kommentiert dieses Faktum mit einem lakonischen Ton in der Stimme und mit einer seltsam überheblichen Distanziertheit. Mit dem Hausdetektiv betreten wir das Fitzgerald Theater in St. Paul, Minnesota und lungern mit ihm hinter den Kulissen herum. Der eitle Trottel vom Dienst steht eigentlich allen im Weg und be- wegt sich so ungeschickt durch das Set, dass wir bald Schmunzeln, bald Mitleid haben mit dieser Figur. Es handelt sich um eine umwerfende Satire des «Private Eye», der alles im Griff haben will und doch immer nur von den Ereignissen getrieben wird. Denn am Lauf der Dinge kann auch er nichts ändern. Es handelt sich um eine satirische Ü- berhöhung des Privatdetektivs, den Robert Altman bereits in den «The Long Goodbye» aufs Korn nahm. Mit «Guy Noir» sind wir bereits mitten in der Geschichte. Sie spielt sich vor allem hinter den Kulissen ab. Da befinden wir uns unverhofft in den Requisiten und Garderoben von «A Prairie Home Companion» – wörtlich beim Gefährten in der Prärie, der das eigentli- che Zuhause in den weiten des mittleren Westens ausmacht. -
Labriola Center Newsletter, Summer 1997 - ASU Libraries
Labriola Center Newsletter, Summer 1997 - ASU Libraries Summer 1997 Newsletter Vol. V No. 2 University Libraries Arizona State University Box 871006 Tempe, Arizona 85287-1006 [email protected] Patricia A. Etter, Curator CONTENTS Labriola's Web Site - Update First Year Comp - For Native Americans Only Labriola Receives Lantern Slide Collection Wassaja History & Language Retention Program at ASU Native American Authors Website Announced Genealogy Resources in the Labriola Center Davis Produces American Indian Gaming Bibliography Native Language Preservation Labriola Web Site - Update http://www.asu.edu/lib/archives/labriola.htm The new Labriola web site appears to be of interest to many. In addition to hundreds of visits to the site, we have received a number of e-mail inquiries for reference assistance. We plan very soon to include some photographs and several more publications but are always happy to hear from readers who might have suggestions about the site. Back to Contents First Year Comp - For Native Americans Only At the beginning of each semester, G. Lynn Nelson, Associate Professor of English at Arizona State University, brings his students to the Labriola Center for an orientation to the library and introduction to the variety of material available to help them with their assignments. This is not a typical English class, however. Nelson has designed a unique program exclusively for Native Americans. He calls it the "Rainbow Section." According to a recent article in ASU's student newspaper, State Press (March 24, 1997), Nelson not only http://www.asu.edu/lib/archives/summer97.htm[9/9/2011 8:59:45 AM] Labriola Center Newsletter, Summer 1997 - ASU Libraries teaches his students how to write, but how to write from the heart. -
The Other Arizona, Redux
The Other Arizona, Redux THOMAS E. SHERIDAN In 1871 an O’odham war party slipped north of the Salt River and attacked a group of Yavapais below Four Peaks in the Mazatzal Moun- tains. The Pimas killed most of the adults but took the children captive, including a little boy named Wassaja. They sold him to an Italian pho- tographer named Carlos Gentile for thirty dollars, and Gentile renamed him Carlos Montezuma. That name encompassed a world of changing meaning for Wassaja and Indian children like him. Gentile gave the boy his first name, but the second was generic Indian, harkening back to an Aztec past that had nothing to do with the Yavapais of central Arizona. Wassaja would never see his immediate family again. His mother was shot by army scouts while searching for her children. His father died on the San Carlos Reservation. His sisters were sold to a man who took them to Mexico. It was a time of diaspora and disintegration, when the Anglo world felt justified in taking Indian children away from their parents to “civilize” them. Wassaja grew up in Illinois and New York, far from his kinsmen and the sacred mountains of his people. When he returned to Arizona thirty years later, Carlos Montezuma was a physician and a leader in the emerging pan-Indian movement. One of the first Native Americans to receive a medical degree, he spent seven years working for the Bureau of Indian Affairs (BIA) on reservations across the West. His experiences gave him an abiding contempt for the BIA and its reservation system. -
2021 Martinez CV
David Martínez (Akimel O’odham/Hia Ced O’odham/Mexican) American Indian Studies Arizona State University Discovery Hall 356 PO Box 874603 Tempe, AZ 85287-4603 Office: (480) 727-9818 Fax: (480) 965-2216 [email protected] Department web-site: https://americanindian.asu.edu/ ASU iSearch: https://isearch.asu.edu/profile/1099665 Academia.edu page: https://asu.academia.edu/DavidMart%C3%ADnez Education 1997 PhD, Philosophy, State University of New York at Stony Brook, Dissertation title: The Epic of Peace: Poetry as the Foundation of Philosophical Reflection, Edward S. Casey (director). 1993 MA, American Indian Studies, University of Arizona, Thesis title: The Epiphany of the Earth: An O’odham Environmental Ethic, Ofelia Zepeda (director). 1990 MA, Philosophy, State University of New York at Stony Brook. 1988 BA, Philosophy, University of Rhode Island Employment History 2007-Present Associate Professor (tenured 2011), American Indian Studies (Full Appointment), Arizona State University, Tempe Campus. Affiliated faculty with the School of Historical, Philosophical, and Religious Studies; and, the Center for Archaeology and Society. Fellow of the Institute for the Future of Innovation and Society. Website: https://isearch.asu.edu/profile/1099665 2000-2007 Assistant Professor, American Indian Studies (Full Appointment), American Studies (Adjunct), Chicano Studies (Adjunct) and Philosophy (Adjunct), University of Minnesota, Twin Cities Campus. 2003-2004 CIC Faculty Fellow, The Newberry Library, The D’Arcy McNickle Center for American Indian History. 1999-2000 One-Year-Only Visiting Instructor, Philosophy and Religious Studies, Mesa Community College. 1998-1999 Francis Berry Chair of Native American Studies, Verde Valley School (Sedona, Arizona) 1997-1998 Grant Writer, American Indian Studies, University of Arizona. -
The Pharos/Spring 2019 9 Carlos Montezuma Was a Yavapai Indian
Leon Speroff, MD Dr. Speroff is Professor Emeritus, Obstetrics and American Indian physician. This distinction belongs to Gynecology, Oregon Health & Science University, Portland, Susan La Flesche Picotte, a member of the Omaha tribe, Oregon. He is the recipient of the 2018 AΩA Robert H. who graduated from the Women’s Medical College of Moser Essay Award. Pennsylvania in Philadelphia (now the Medical College of Pennsylvania–Hahneman University). Unlike Montezuma, arlos Montezuma was a Yavapai Indian from she confined her efforts to her own tribe and was little Arizona who grew up in white society and was the known nationally. first Indian student to attend the Chicago Medical Montezuma devoted his life to fighting for American CCollege, which became Northwestern University School Indians. His straightforward, strongly held views, and his of Medicine. He graduated at 23-years-old on March 26, personality and character, were formed by his identity 1889, losing by two weeks the distinction of being the first as an American Indian. This identity was not a simple Photo: Carlos Montezuma, 1896. Collections of the National The Pharos/Spring 2019 Anthropological Archives, Smithsonian Institution. (PD-US expired) 9 pp 9-16 Montezuma SP19 REDO.indd 9 5/28/19 9:52 AM Carlos Montezuma, MD commitment; it was total and pas- knives, stones, and tomahawks, most sionate dedication that empowered of the old men, women, and children Montezuma to make his people proud were killed (the young men had left of him; to direct his abilities to help- camp for a peace conference). The ing the American Indian (especially camp was burned and looted, and 13 his Yavapai tribe); to never deny who children were taken captive. -
“So Much Water So Close to Home”: Een Vergelijkende Analyse Van
Faculteit Letteren en Wijsbegeerte Academiejaar 2008-2009 “So Much Water So Close to Home”: een vergelijkende analyse van Raymond Carvers kortverhaal met de filmadaptaties Short Cuts (1993) van Robert Altman en Jindabyne (2006) van Ray Lawrence Verhandeling voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad van master in de taal- en letterkunde: vergelijkende moderne letterkunde door Jade Corbeij Promotor: prof. dr. Jürgen Pieters 0 Inhoudsopgave 1. Voorwoord ......................................................................................................................... 3 2. Inleiding ............................................................................................................................. 4 3. Raymond Carver ................................................................................................................ 6 3.1. Leven (Halpert 1995), (Champion 1999) en (Wikipedia.org).................................... 6 3.2. Werk ........................................................................................................................... 7 3.2.1. Overzicht ............................................................................................................ 7 3.2.2. Minimalist, precisionist of realist? ..................................................................... 8 3.2.3. Wereldbeeld ..................................................................................................... 11 3.2.3.2. De Carverchronotoop: wanhoop en ironie in Amerika -
Carlos Montezuma Lantern Slide Collection Relating to Native Americans, Circa 1871-1913
Carlos Montezuma lantern slide collection relating to Native Americans, circa 1871-1913 Sarah Ganderup 2015 National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Call Number(s)....................................................................................................... 2 Varying Form of Title....................................................................................................... 2 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 General note.................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Carlos Montezuma lantern slide collection relating to Native Americans NAA.PhotoLot.73 Collection Overview Repository: National Anthropological Archives Title: Carlos Montezuma lantern slide collection relating to Native Americans Identifier: NAA.PhotoLot.73 Date: circa 1871-1913 Extent: -
Curious Kid, Unconventional Scientist Acclaimed Scientist to Lead the New Department of Biochemistry and Molecular Genetics and Halt Cancer
Winter 2014-15 Volume 02, Number 01 A publication for the alumni and friends of Northwestern University Feinberg School of Medicine P.20 Curious Kid, Unconventional Scientist Acclaimed scientist to lead the new Department of Biochemistry and Molecular Genetics and halt cancer. P.14 P.24 Zeroing In On 2O14 Quality Care Activities & Accomplishments By Design ADDRESS ALL CORRESPONDENCE TO: Northwestern University Call or e-mail us at 312.503.1246 or Feinberg School of Medicine [email protected] Office of Communications ©2014 Northwestern University. 420 E. Superior Street Northwestern Medicine® is a federally Rubloff 12th floor registered trademark of Northwestern Chicago, IL 60611 Memorial HealthCare and is used by Northwestern University. TKTKTKTKTKTK Northwestern Medicine 02 Northwestern Medicine Leadership Message WINTER 2014-15 Magazine Remarkable progress over last three years VOLUME 02, NUMBER 01 Campus News 03 Three Gifts Will Help Fund New Biomedical Research Building 04 3-D Printed Models for Pediatric Surgical Training Northwestern Medicine Magazine is 06 Faculty Awards and Honors published quarterly for alumni and friends 08 Leon Platanias Named to Head Robert H. Lurie Comprehensive of Northwestern University Feinberg Cancer Center of Northwestern University School of Medicine, Northwestern 09 Tackling Gender and Sex Issues in Medical Education Memorial HealthCare, and the McGaw 10 Research Briefs Medical Center of Northwestern University. 12 Media Highlights Material in Northwestern Medicine Magazine may 12 Features -
Special Collections Library
SPECIAL COLLECTIONS LIBRARY UNIVERSITY OF MICHIGAN ROBERT ALTMAN ARCHIVE: PERSONAL AND EARLY PROJECTS, 1945-2007 21 linear feet Call No.: Altman ACQUISITION: The archive was acquired from the Altman family, 2007-2008, ACCESS: The records are open for research. PHOTOGRAPHS: COPYRIGHT: Permission to publish material from this collection must be obtained from the University of Michigan Special Collections Library and the individual copyright holder. PROCESSED BY: Personal series: Heather Norris, Ray Barker, 2011; Early Projects: Sarah Hegge, 2010 Robert Altman Archive Abstract The Robert Altman Personal series (14 linear feet, 3 oversized boxes) ranges in date from 1945-2007. The series includes correspondence, legal, and medical documents, topical and award-related material, early work, interviews and clippings, as well as photographs. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Scope and Content Note The Robert Altman Personal series (14 linear feet, 3 oversized boxes) is comprised of personal material ranging in date from 1945-2007. The material consists of correspondence, legal and medical documents, topical and award related material, early work, interviews and clippings, as well as photographs. The correspondence sub-series include letters and cards from friends, co-workers and acquaintances, as well as fan mail. Early work is comprised of music, poetry, scripts, and short stories ranging in date from 1945-1965. Documents such as marriage certificates, birth certificates and passports can be found in the legal and other documents sub-series while Robert Altman's wills are in the legal-Jerome Walsh sub-series. -
John Williams Og Robert Altman
John Williams og Robert Altman: En liten klype modernisme The Long Goodbye | 1973 Ti år før John Williams ble introdusert for en ung og lovende Steven Spielberg, hadde han knyttet seg til en annen idiosynkratisk regissør: Robert Altman. Samarbeidet skulle thor joachim haga medieviter og redaktør for vare over flere tv-episoder, en kortfilm og to spillefilmer, men filmhistorisk har dette filmmusikk-nettstedet Celluloid kunstnerisk ambisiøse og eksperimentelle uttrykket stått fullstendig i skyggen av | 33 Tunes.no Williams’ mer kommersielle suksesser som Star Wars, Harry Potter og Jurassic Park. Av Thor Joachim Haga Jeg synes det er like morsomt hver gang: Når av Kraft Television Theater, en serie som hadde gått hovedsakelig krim- eller mysteriepreg. Forskjellen Selv om episoden er forholdsvis tradisjonelt fortalt, kritiske røster rakker ned på Williams’ forkjærlighet på amerikanske tv-skjermer siden slutten av 40- er at John Williams nå var involvert helt fra starten. er det lett å observere små, altmanske drypp i for det neoromantiske tonespråket og påståtte tallet. Som sedvanlig praksis på denne tiden hentet Han skrev et pulserende, nesten aleatorisk tema – klipperytme og iscenesettelse: håndholdte kameraer, mangel på originalitet, slamrer jeg Altman-sam- man inn episoder fra andre Revue-produserte et sted i krysningspunktet mellom jazz og samtids- uortodokse utsnitt eller fremmedgjørende lydklipp arbeidet demonstrativt på bordet: En oppvisning i serier for å fylle den tilmålte episodekvoten i den musikk – og gjorde for øvrig 17 episoder i sesong – som fra Smalleys uheldige drap til en flokk gjess abstrakte, dissonante uttrykksformer som ofte har tredje og siste sesongen – i dette tilfellet antologi- én og 2 episoder i sesong to.