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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Call Letter Changes Arzedeler
Call Letter Changes New Location Old Palm Springs, CA KDES KDES-FM AM Stations San Rafael, CA KTIM-FM KWVF Lompoc, CA KLLB KTME Security, CA KWYD KWYD-FM Palm Springs, CA KKAM KDES Cross City, FL New WDFL-FM Bushnell, FL WWLB WBEA Indianapolis, IN WEAG WKLR Orlando, FL WWMA WHO() Weir, KS KJWR KRPS Albany, GA WQDE WANL Lincoln, ME WLKN-FM WGUY Joliet, IL WJRC WWHN Salisbury, MD New WDIH Monticello, ME WOZW WREM Little Falls, MN New KFML Marshall, MI WELL WALM Faribault, MN KDHL-FM KOFN Flemington, NJ New WJHR Billings, MT KKLO KOHZ Knoxville, TN WKGN WLIQ Las Vegas, NV New KLRV Waynesboro, TN WNBG WTNR Pleasantville, NJ WLQE WMID-FM San Angelo, TX KQSA KIXY Tupper Lake, NY WTPL-FM WRGR West Allis, WI WAWA WLUM Big Flats, NY New WNBR Florence, OR KDUK KWOW FM Stations Ontario, OR KXBQ KSRV-FM Fort Mitchell, AL New WAGH Gallatine, TN WWKX WGFX Oracle, AZ KTTZ KHYT-FM Bremerton, WA KHIT KNUA Humnoke, AR New KZIX Milwaukee, WI WBGK WZTR Freedom, CA New KLZC Milwaukee, WI WLUM WLUM-FM the car window and mime the dribbling of a U.S. use a mere seventeen formats. I be- basketball and shoot for the hoop! lieve him. Here they are: country 2305; Many of us keep track of stations the way adult contemporary, 1950; middle-of-the- Maurie Webster keeps track of formats- road, 934; contemporary hit radio, 836; re- radio station formats. Webster can pretty ligious, 487; easy listening, 405; news/talk, much tell you anything you want to know 271; album -oriented rock, 253; variety, about formats according to a recent article in 221; oldies, 161; black music/pre-Mo- Insight. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Christopher Cross Biography Christopher Cross Is a Music Icon. in 2011, the Oscar and Five-Time Grammy Winning Artist Is Back W
Christopher Cross Biography Christopher Cross is a music icon. In 2011, the Oscar and five-time Grammy winning artist is back with an amazingly crafted new album, Doctor Faith. It’s his first album of new and original material in over 12 years. Cross' 1980 self-titled debut album rocketed to the #2 spot. Breaking out as the biggest new star of that year, he virtually defined adult contemporary radio with a series of smoothly sophisticated ballads including the #1 hit, "Sailing." If the charts weren’t evidence enough, at the 1981 Grammy Awards Christopher walked off with an unprecedented and record-setting five Grammys, including Best New Artist and Song of the Year for "Sailing." The self-titled debut album, featuring lead single "Ride Like the Wind," and the massively successful second single "Sailing" made Cross a superstar. In the wake of two more Top 20 hits, "Never Be the Same" and "Say You'll Be Mine,” he soon scored a second #1, as well as an Academy Award, with "Arthur's Theme (Best That You Can Do)," which he co-wrote with Burt Bacharach, Carole Bayer Sager, and Peter Allen for the smash Dudley Moore film Arthur. Christopher's much-anticipated second album Another Page was released in 1983 and produced the hits "All Right," "No Time for Talk," and a Top Ten entry for "Think of Laura. He charted 8 songs into the Billboard Top-40 charts between 1980 and 1983. Four years, two albums, eight hit singles, several world tours, five Grammy's, and one Oscar marked Christopher's meteoric rise to the top. -
Reading Activity Title: Yngwie J. Malmsteen Level. Intermediate +
Reading activity Title: Yngwie J. Malmsteen Level. Intermediate + Objective. To practice reading comprehension and identify the past form of the verb and the regular and irregular forms. Instructions: Read the text carefully and answer the questions below. Yngwie J. Malmsteen Yngwie Johann Malmsteen (born Lars Johann Yngve Lannerbäck, June 30, 1963) is a Swedish guitarist, composer and bandleader. Widely recognized as a virtuoso, Malmsteen achieved widespread acclaim in the 1980s due to his technical proficiency and his pioneering neo-classical metal. Guitar One magazine rated him the third fastest guitar shredder in the world after Michael Angelo Batio and Chris Impellitteri. Born into a musical family in Stockholm, Yngwie was the youngest child in the family. At an early age, he showed little interest in music. It wasn't until September 18, 1970 when at age seven he saw a TV special on the death of Jimi Hendrix that Malmsteen became obsessed with the guitar. To quote his official website, "The day Jimi Hendrix died, the guitar-playing Yngwie was born". He claims his first name in Swedish means "young Viking chief". Actually, it is a variation of Yngvi, who founded the House of Yngling, which is the oldest known Swedish dynasty. Malmsteen was in his teens when he first encountered the music of the 19th- José Ramón Montero Del Angel | Universidad Veracruzana century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical influence. It has been rumoured that Yngwie believes himself to be the reincarnation of the temperamental, often criticized,and widely misunderstood violinist from Genoa. Through his emulation of Paganini concerto pieces on guitar, Malmsteen developed a prodigious technical fluency. -
Platinum Titles
Platinum Titles TITLE ARTIST SONG # TITLE ARTIST SONG # 1, 2, 3, 4 (I Love You) 7 Days Plain White T's 09457 David, Craig 02031 100 Years 7-Rooms of Gloom Five For Fighting 09378 Four Tops, The 08075 100% Chance Of Rain 9 To 5 Morris, Gary 08309 Parton, Dolly 06768 1-2-3 96 Tears Berry, Len 03733 Question Mark & The Mysterians 06338 Estefan, Gloria 01072 99 Luftballoons 18 And Life Nena 04685 Skid Row 09323 99.9% Sure (I've Never Been Here Before) 18 Days McComas, Brian 08438 Saving Abel 09415 A Horse With No Name 19 Somethin' America 08602 Wills, Mark 08422 A Little Too Not Over You 1979 Archuletta, David 09428 Smashing Pumpkins 01289 A Very Special Love Song 1982 Rich, Charlie 08861 Travis, Randy 06799 ABC 1985 Jackson Five, The 07415 Bowling For Soup 09379 Abide With Me 19th Nervous Breakdown Traditional 00792 Rolling Stones 01390 Abracadabra 2 Become 1 Steve Miller Band, The 07900 Spice Girls 01564 Abraham, Martin And John 2 In The Morning Dion 07847 New Kids On The Block 09445 Absolute 20 Days & 20 Nights Fray, The 09447 Presley, Elvis 03598 Absolutely (Story Of A Girl) 20th Century Fox Nine Days 08712 Doors 02281 Aces 24 Hours At A Time Bogguss, Suzy 00902 Marshall Tucker Band, The 05717 Achy Breaky Heart 25 Or 6 To 4 Cyrus, Billy Ray 00927 Chicago 07361 Achy Breaky Song 26 Cents Yankovic, 'Weird Al' 00539 Wilkinsons 00350 Acquiesce 3:00 AM Oasis 02724 Matchbox Twenty 01624 Across The River 32 Flavors Hornsby, Bruce 02139 Davis, Alana 01673 Across The Universe 4 Seasons Of Loneliness Apple, Fiona 02722 Boyz II Men 02639 Act Naturally -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
Icons of Music Auction Ii to Benefit Music Rising on Saturday May 31, 2008 to Be Held at Hard Rock Cafe New York
For Immediate Release: Caroline Galloway Meredith Miesieski Lori Earl Music Rising/Gibson Guitar Coyne PR CodeBlue Media 615-423-4904 973-316-1665/732-619-4355 818-704-1200 [email protected] [email protected] [email protected] ICONS OF MUSIC AUCTION II TO BENEFIT MUSIC RISING ON SATURDAY MAY 31, 2008 TO BE HELD AT HARD ROCK CAFE NEW YORK UNPRECEDENTED COLLECTION OF MUSIC MEMORABILIA TO BE OFFERED IN A LIVE AND TELEVISED AUCTION EVENT Hosted by U2’s the Edge with special performance by Aaron Neville New York, NY, April 24, 2008 -- U2’s the Edge announced the Icons of Music Sale II to benefit Music Rising to be held on Saturday, May 31, 2008 at Hard Rock Cafe New York in Times Square. This second annual auction event, hosted by Julien’s Auctions (www.juliensauctions.com), will of fer one of the most significant collections of music memorabilia from many of m usic’s greatest legends with proceeds benefiting Music Rising (www.musicrising.org), a cam paign co-founded by U2’s the Edge, legendary producer Bob Ezrin and Gibson Guitar Chairman and CEO Henry Juszkiewicz in 2005 to aid m usicians of the Gulf Coast Regi on in regaining thei r livelihood after the devastation of Hurricanes Katrina and Rita. Four time Grammy Award winner Aaron Neville, who h as joined the Music Rising campaign and helped bring m ajor attention to some of the charity work being done in New Orleans today, will appear at th e Icons of Music Sale II and pe rform at the evening session. -
A Memoir. by Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016
Just Between You and Me: A Memoir. By Myles Goodwyn. Toronto, Ontario: Harper Collins, 2016. 379 pp. ISBN 978-1- 44344-670-9. Reviewed by: David Montgomery, York University Libraries1 The story arc of any rock memoir is predictable. It begins or ends with substance abuse, there are troubled family relationships, extra-marital affairs, betrayals, friends left behind, “musical differences,” management conflicts, and of course, as in any bildungsroman the vicissitude of fortune. The guitar slinger turned raconteur is duty-bound to caution that even modest fame comes at a price, that “rock and roll is a vicious game.” Like the music, the memoir embraces the cliché. On his third go at rehab, April Wine frontman Myles Goodwyn reflects, “Things come in threes” (341). Goodwyn tells us that the goal of his unvarnished memoir was to set the record straight, and not to settle old scores. Neither as beloved as Rush, nor as emblematic as The Tragically Hip, April Wine was nonetheless quintessentially Canadian. With roots in the Maritimes and Quebec, the band regularly toured Ontario rock circuits in the early 1970s, expanding its range to the rest of Canada by the end of the decade. It peaked in the early 1980s, with modest success in England and the US, and garnered worldwide sales of 20 million albums—a solid career. Yet, despite winning several Juno awards and in 2010 being inducted into the Canadian Music Hall of Fame, April Wine may also be a candidate for a quick fade. While songs such as “Weeping Widow,” “Oowatanite,” and “Roller” may resonate with the home demographic, future induction into Cleveland’s Rock & Roll Hall of Fame is unlikely. -
On a Cold Road: Tales of Adventure in Canadian Rock. by Dave Bidini
On a Cold Road: Tales of Adventure in Canadian Rock. By Dave Bidini. Toronto: McClelland & Stewart, 1998. 278 p-, ill. ISBN 0771014562. $19.99 When the Tragically Hip embarked on its a table with a bunch of posters in fiont of him. Trouble in the Henhouse tour in the winter of His skin looked blue and he could barely keep 1996, the Rheostatics were invited to be the his head up ... 'Joey. It's me, Dave.' He had opening act. The offer was a dream come true no idea who I was. I left the store. Outside, for the self-described "Canadian Shield art the rain felt like spiders." rock band." Dave Bidini, a rhythm guitarist and founding member of the Rheostatics, In Toronto Bidini arrives at a different decided he would also take the opportunity to point on the musical spectrum. Inspired by write about his experiences. Thanks to Mitch the "poignant heaviness" of My Stompin' Potter, the Toronto Star ran some excerpts Grounds he sets out to find the self-exiled from Bidini's tour diary in December of 1996. Stompin' Tom Connors. Protesting what he This exposure interested McClelland & perceived as an American bias in the Canadian Stewart which, two years later, published On music industry, Stompin' Tom had stepped a Cold Road: Tales ofAdventure in Canadian out of the Canadian music scene in 1977. Rock. After a long and dogged search, Bidini gets a lead from an employee at Connors' record The adventures begin in Vancouver and label in Mississauga. Armed with a "Tom, take the reader eastward across the Prairies. -
Concert: Ithaca College Jazz Workshop Ithaca College Jazz Workshop
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 12-6-1991 Concert: Ithaca College Jazz Workshop Ithaca College Jazz Workshop Steve Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Jazz Workshop and Brown, Steve, "Concert: Ithaca College Jazz Workshop" (1991). All Concert & Recital Programs. 5453. https://digitalcommons.ithaca.edu/music_programs/5453 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. >- C .. N .2 ::s 0) .. ..C 0) 1! ...I .Q N ITHAO\ CONSERVATORY ut MUSIC.,.,. la aca 0) CIO =lo" - '- a 0 ... Ithaca College founder W. Grant Egbert on the steps of the Ithaca Conservatory of Music with student Helen Doyle Durrett · 13 Early catalog cover design ITHACA COLLEGE JAZZ WORKSHOP Tuesday-Thursday Jazz Lab Steve Brown, Musical Director Phil Markowitz, Guest Piano Soloist Carol Kagy, Vocalist Blues In Hoss Flat Frank Foster With My Eyes Closed Ray Brown Life With Thilo Bob Mintzer Prelude, Fugue, and Riffs Leonard Bernstein Everytime We Say Goodbye Cole Porter arranged by Steve Brown City Medley Ray Brown INTERMISSION The Lamp Is Low Parish/DeRose/Shefter arranged by Steve Brown Circular Motion Phil Markowitz Summer Night Dubin/Warren arranged by Steve Brown Paul's Call Bob Mintzer Cherokee Sketches FritzPauer arranged by Ray Brown Walter B. Ford Hall Auditorium Friday, December 6, 1991 8:15 p.m. -
Cameo You Make Me Work Mp3, Flac, Wma
Cameo You Make Me Work mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: You Make Me Work Country: Canada Released: 1988 Style: Breaks, Electro, Funk MP3 version RAR size: 1957 mb FLAC version RAR size: 1104 mb WMA version RAR size: 1895 mb Rating: 4.8 Votes: 772 Other Formats: RA ASF AA DXD WMA DMF WAV Tracklist Hide Credits A You Make Me Work 4:40 Dkwig B 4:39 Written-By – N. Leftenant*, T. Jenkins* Companies, etc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Produced For – Atlanta Artists Productions Produced For – Atlanta Artists Records Mastered At – Sterling Sound Pressed By – Specialty Records Corporation Published By – All Seeing Eye Music Published By – PolyGram Music Publishing, Inc. Published By – Better Days Music Published By – PolyGram Songs, Inc. Credits Design – Reiner Design Consultants, Inc. Management – Q Prime Inc. Producer, Written-By – L. Blackmon* Notes From the album Machismo 836 002-1 Barcode and Other Identifiers Barcode: 0 422-870587-7 Matrix / Runout (Etched Runout Area Side A): 870-587-7-88CS-873-SP Matrix / Runout (Stamped Runout Area Sides A & B): Sterling, Specialty Records Logo Matrix / Runout (Etched Runout Area Side B): 870-587-7-88CS-874-SP Matrix / Runout (Label side A): 88 CS 873 Matrix / Runout (Label side B): 88 CS 874 Rights Society: ASCAP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year 870 587-7 Cameo