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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Constructing and Consuming an Ideal in Japanese Popular Culture
Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Iikbillboard
CANADA (Courtesy The Record) As of 6/13/85 AUSTRALIA (Courtesy Kent Music Report) As of 6/17/85 lir SINGLES 1 5 SINGLESUSSUDIO PHIL COLLINS ATLANTIC /WEA 1 1 WOULD I LIE TO YOU EURYTHMICS RCA 2 1 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 2 7 ANGEL MADONNA SIRE VERTIGO/POLYGRAM 3 3 WE ARE THE WORLD USA FOR AFRICA CBS 3 2 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN / POLYGRAM 4 9 50 YEARS UNCANNY X -MEN MUSHRO OM 4 3 NIGHT DEBARGE GORDY /QUALITY RHYTHM OF THE 5 17 LIVE IT UP MENTAL AS ANYTHING REGULAR 5 6 COLUMBIA /CBS EVERYTHING SHE WANTS WHAM! 6 5 RHYTHM OF THE NIGHT DEBARGE ORDr 6 11 WOULD I RCA - LIE TO YOU EURYTHMICS 7 6 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN NEW 7 NEVER SURRENDER COREY HART AQUARIUS /CAPITOL 8 4 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 8 17 BLACK CARS GINO VANNELLI POLYDOR/POLYGRAM MERCURY 9 12 A VIEW TO A KILL DURAN DURAN CAPITOL 9 8 WE CLOSE OUR EYES GO WEST CHRYSALIS 10 7 WALKING ON SUNSHINE KATRINA & THE WAVES ATTIC /A &M 10 10 19 PAUL HARDCASTLE CHRYSALIS 11 4 CRAZY FOR YOU MADONNA SIRE /WEA 11 2 CAN'T FIGHT THIS FEELING REO SPEEDWAGON EPIC 12 8 SMOOTH OPERATOR SADE PORTRAIT /CBS 12 NEW WALKING ON SUNSHINE KATRINA &WAVES CAPITOL 13 15 AXEL F HAROLD FALTERMEYER MCA 13 NEW A VIEW TO A KILL DURAN DURAN EMI 14 13 OBSESSION ANIMOTION MERCURY / POLYGRAM 14 18 WE WILL TOGETHER EUROGLIDERS CBS 15 NEW RASPBERRY BERET PRINCE & THE REVOLUTION PAISLEY PARK /WEA 15 14 WIDE BOY NIK KERSHAW MCA 16 16 HEAVEN BRYAN ADAMS A &M 16 12 NIGHTSHIFT COMMODORES MOTOWN 17 10 TEARS ARE NOT ENOUGH NORTHERN LIGHTS COLUMBIA /CBS 17 13 JUST A GIGOLO DAVID LEE ROTH WARNER 18 14 WE ARE THE WORLD USA FOR AFRICA COLUMBIA /CBS 18 11 THE HEAT IS ON GLENN FREY MCA 19 18 TOKYO ROSE IDLE EYES WEA 19 15 ONE MORE NIGHT PHIL COLLINS WEA Wi's: POWER STATION PARLOPHONE 20 20 THINGS CAN ONLY GET BETTER HOWARD JONES WEA 20 16 SOME LIKE IT HOT %..Copyright 1985, Billboard Publications, Inc. -
Reading Activity Title: Yngwie J. Malmsteen Level. Intermediate +
Reading activity Title: Yngwie J. Malmsteen Level. Intermediate + Objective. To practice reading comprehension and identify the past form of the verb and the regular and irregular forms. Instructions: Read the text carefully and answer the questions below. Yngwie J. Malmsteen Yngwie Johann Malmsteen (born Lars Johann Yngve Lannerbäck, June 30, 1963) is a Swedish guitarist, composer and bandleader. Widely recognized as a virtuoso, Malmsteen achieved widespread acclaim in the 1980s due to his technical proficiency and his pioneering neo-classical metal. Guitar One magazine rated him the third fastest guitar shredder in the world after Michael Angelo Batio and Chris Impellitteri. Born into a musical family in Stockholm, Yngwie was the youngest child in the family. At an early age, he showed little interest in music. It wasn't until September 18, 1970 when at age seven he saw a TV special on the death of Jimi Hendrix that Malmsteen became obsessed with the guitar. To quote his official website, "The day Jimi Hendrix died, the guitar-playing Yngwie was born". He claims his first name in Swedish means "young Viking chief". Actually, it is a variation of Yngvi, who founded the House of Yngling, which is the oldest known Swedish dynasty. Malmsteen was in his teens when he first encountered the music of the 19th- José Ramón Montero Del Angel | Universidad Veracruzana century violin virtuoso Niccolò Paganini, whom he cites as his biggest classical influence. It has been rumoured that Yngwie believes himself to be the reincarnation of the temperamental, often criticized,and widely misunderstood violinist from Genoa. Through his emulation of Paganini concerto pieces on guitar, Malmsteen developed a prodigious technical fluency. -
Meyer Tech Pak012617.Indd
• Technical Information • Policies & Procedures • Fee Schedule for Rental & Services LOAD-IN AREA The loading dock is located on stage level, directly off upstage right. The dock has one 8’-0” wide x 10’-0” high (2.44m x 3.05m) overhead door. Dock height is 24” (.61m). There is NO leveler, and there is NO truck ramp. The loading area is 16’ wide x 22’ long with 12’ ceilings, in a wedge shape. Access to stage is through a 10’ wide x 11’ high overhead door upstage right. Access to the dressing rooms is by stairs or by elevator. CARPENTRY Seating Capacity Maximum Capacity: 1011 Orchestra 537 Grand Tier: 90 Mezzanine: 384 Handicapped Accessible: 8 Additional on Grand Tier Level Stage Dimensions Proscenium w: 49’-6” (15.09m) h:23’-0” (7.01m) Depth (plaster to back wall) 28’-0” (8.53m) Apron Curved 5’-0” (1.52m) at centerline Wing Space • Stage right 10’-0” (~3.05m) • Stage left 13’-0” (~3.96m) Orchestra Pit none Stage to Audience 4’-0” (1.21m) NFORMATION Stage Floor Material: 1/4” hardboard (Duron) I Color: Black Condition: Good Sub floor: 1 layer of 3/4” plywood 2x4 sleepers (24” O.C.) on resilient pads House Drapery: House Curtain- Scarlet; Manual Fly Item Number Material WxH Legs 8 black velour 10’ x 25’ (3.05m x 7.62m) Borders 4 black velour 60’ x 10’ (18.23m x 3.05m) Full Black 2 black velour 60’ x 25’ (18.23m x 7.62m) Line Set Data: Grid height: 53’-9” (16.38m) High trim: 50’-11” (15.52m) Low trim: 5’-8” (1.72m) Total Line Sets: 26 single purchase Arbor Capacity: 1500 lbs (680kg) ECHNICAL Weight Available: 8702 lbs (3947kg) Weight Size: 19 lbs (8.6 kg) Pipe Length: 60’-0” (18.29m) T Pipe size: 26 @ 1-1/2” Schedule 40 Lock Rail: Stage Left, stage level Line Plot: Enclosed Shop Area: There is NO on-site scenery shop, and there is no off-stage area for working on scenery. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
March 20, 1982 FORIUNE MAGAZME ^APRODUCT OFIHEYEAR- MH/I MUSK TELEVISION
March 20, 1982 FORIUNE MAGAZME ^APRODUCT OFIHEYEAR- MH/i MUSK TELEVISION Of the countless products and services introduced in 1981, FORTUNE masazine chose just 10 that deserved special attention. And one of them was MTV: Music Television. MTV was sinsled out for providing a unique and innovative contribution to the American marketplace. But more than FORTUNE has smiled on us. Now MTV is a full member of the music community All around the industry the impact has been dramatic— on record retailers, radio programming, concert promotion. According to FORTUNE, video music on cable is big news. We’re working to make it big business— for us, and for all our friends in music. MUSIC TELEVISION Warner Amex Satellite Enterta inmen! Company © 1982 WASEC VOLUME XLIII — NUMBER 43 — March 20, 1982 THE INTERNATIONAL MUSIC RECORD WEEKLY dSH BOX GEORGE ALBERT President and Publisher NICK ALBARANO Vice President EDITORML Sneak Preview ALAN SUTTON In this time of economic hardship, perhaps a scious effort to add new product and accessory Vice PrestdenI and Editor In Chief lesson can be drawn from the independent retailers lines. While the emphasis is still on pre-recorded J.B. CARMICLE Vice President and General Manager. East Coast —the mom-and-pop stores that represent what may music, there is also a strong commitment to ex- JIM SHARP be the industry’s closest contact with the mass of perimenting with other leisure-related products. Vice President. Nashville As gets tighter and tighter and Without the major resources of corporate or chain RICHARD IMAMURA consumers. money Managing Editor sales refuse to improve, many of the mom-and- headquarters to provide a cushion, the mom-and- MARK ALBERT pops have had to adjust their outlook on the industry pops have had to make do with imagination, in- Marketing Director to stay afloat. -
Cash Box Introduced the Unique Weekly Feature
MB USA FOR AFRICA DISBURSES FUNDS RIAA RESPONDS TO EXPLICIT LYRICS’ OUTCRY GUEST EDITORIAL: PAIN ERIC BEHIND THE BULLETS: METAL ACTS TAKE OVER new laces to n September 10, 1977, Cash Box introduced the unique weekly feature. New Faces To Watch. Debuting acts are universally considered the life blood of the recording industry, and over the last seven years Cash Box has been first to spotlight new and developing artists, many of whom have gone on to chart topping successes. Having chronicled the development of new talent these seven years, it gives us great pleasure to celebrate their success with our seventh annual New Faces To Watch Supplement. We will again honor those artists who have rewarded the faith, energy, committment and vision of their labels this past year. The supplemenfs layout will be in easy reference pull-out form, making it a year-round historical gudie for the industry. It will contain select, original profiles as well as an updated summary including chart histories, gold and platinum achievements, grammy awards, and revised up-to-date biographies. We know you will want to participate in this tribute, showing both where we have been and where we are going as an industry. The New Faces To Watch Supplement will be included in the August 31st issue of Cash Box, on sale August The advertising deadline is August 22nd. Reserve Advertising Space Now! NEW YORK LOS ANGELES NASHVILLE J.B. CARMICLE SPENCE BERLAND JOHN LENTZ 212-586-2640 213-464-8241 615-244-2898 9 C4SH r BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.