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I664 Wm I Am LETTERS, NOTES, and ANSWERS
I664 Wm I_am LETTERS, NOTES, AND ANSWERS. [Nov. 19,. lgo.. COLLOIDS. DR. H. OPPENHEIMER (London) writes: " D.G.D." will find an Br Med J: first published as 10.1136/bmj.2.2603.1664-a on 19 November 1910. Downloaded from account, by Dr. Max Joseph, of colloids, including colloidal calomel, in Dermatologisches Zentralblatt, vol. x. CoMmunIATIoNs respecting Editorial matters should be addressed to . AUSTRALIA FOR ASTHMATIC PATIENTS. the Editor, 429, Strand, London, W.C.: those coneerning business F. A. writes: In reply to "L. I. C." (BRITISH MEDICAL JOURNAL, matters, advertisements, non-delivery of the JouxNAL, etc.. should November 5th, p. 1480), I resided in Melbourne, Australia, for addressed to the Office, 429, Strend, London, W.C. some years, and remember the case of an old gentleman, a be sufferer from asthma, which may be of use. He was com- pelled to leave Melbourne and live in Ballarat, an elevated country town. While there he was quite free from his com- Er Queries, answers, and communication relating to subjects plaint, but staying only a single night in Melbourne invariably to which-special departments of the BRITISH MEDICAL JOURNAL brought on a recurrence. Melbourne is only a few miles from are devoted wiU be found under their respective headings. the sea. QUERIES, !LTTURK. NOT!E. RTC. ARTHRITIS writes: I am anxious to have some help in the ERRATA.-In the artiole by Drs. D. A. Welsh and H. G. Chapman treatment of a troublesome case of rheumatoid arthritis. A " On the- Interpretation of the Precipitin Reaction," in the slight temperature is running, the right knee and right elbow JOURNAL of November 12th, p. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Revisiting Irish poetic modernisms Author(s) Whittredge, Julia Katherine Publication date 2011-03 Original citation Whittredge, Julia Katherine, 2011. Revisting Irish Poetic Modernisms. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b2006564~S0 version Access to the full text of the published version may require a subscription. Rights © 2011, Julia Katherine Whittredge http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Pages 25-346 have been restricted Item downloaded http://hdl.handle.net/10468/324 from Downloaded on 2021-10-01T07:01:51Z Revisiting Irish Poetic Modernisms Dissertation submitted in candidacy for the degree of doctor of philosophy at the School of English, College of Arts, National University of Ireland, Cork, by Julia Katherine Whittredge, MA Under the Supervision of Professor Patricia Coughlan and Professor Alex Davis Head of Department: Professor James Knowles March 2011 Over years, and from farther and nearer, I had thought, I knew you— in spirit—I am of Ireland. Thomas MacGreevy, “Breton Oracles” 2 For John 3 ACKNOWLEDGEMENTS Thanks to my parents for their encouragement, endless support, love, and for sharing their own love of books, art and music, for being friends as well as amazing parents. And for understanding my love for a tiny, rainy island 3,000 miles away. Thank you to my sister, Em, for her life-long friendship. Her loyalty and extraordinary creative and artistic talent are truly inspiring. -
Trauma and Memory: an Artist in Turmoil
TRAUMA AND MEMORY: AN ARTIST IN TURMOIL By Angelos Koutsourakis Konrad Wolf’s Artist Films Der nackte Mann auf dem Sportplatz (The Naked Man on the Sports Field, 1973) is one of Konrad Wolf’s four artist films. Like Goya (1971), Solo Sunny (1978), and Busch singt (Busch Sings, 1982)—his six-part documentary about the German singer and actor Ernst Busch, The Naked Man on the Sports Field focuses on the relationship between art and power. In Goya, Wolf looks at the life of the renowned Spanish painter—who initially benefited from the protection of the Spanish king and the Catholic church—in order to explore the role of the artist in society, as well as issues of artistic independence from political powers. In Solo Sunny, he describes a woman’s struggle for artistic expression and self-realization in a stultifying world that is tainted by patriarchal values; Sunny’s search is simultaneously a search for independence and a more fulfilling social role. Both films can Film Library • A 2017 DVD Release by the DEFA be understood as a camouflaged critique of the official and social pressures faced by East German artists. The Naked Man on the Sports Field can be seen this way as well, and simultaneously explores questions of trauma and memory. The film tells the story of Herbert Kemmel (played by Kurt Böwe), an artist uncomfortable with the dominant understanding of art in his country. Kemmel is a sculptor in turmoil, insofar as he seems to feel alienated from his social environment, in which people do not understand his artistic works. -
This Is the Published Version of a Chapter Published in Russische Und Sowjetische Geschichte Im Film
http://www.diva-portal.org This is the published version of a chapter published in Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n. Citation for the original published chapter: Kotljarchuk, A. (2016) Invisible Victims: The Cold War and Representation of the Roma Genocide in Soviet Feature Films, Teleplays and Theater Performances. In: Alexander Friedman ; Frank Jacob (ed.), Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n (pp. 129-150). New York: ALTIJA N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32100 Powered by TCPDF (www.tcpdf.org) RUSSISCHE UND SOWJETISCHE GESCHICHTE IM FILM Von bolschewistischen Revolutionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ Alexander FRIEDMAN und Frank JACOB (Hrsg.) New York Geschichte und Film, Bd. 1 Hrsg. Frank JACOB und Alexander FRIEDMAN Alexander Friedman und Frank Jacob: Russische und Sowjetische Geschichte im Film: Von bolschewistischen Revolu- tionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ © ALTIJA, Frank Jacob, New York 2016. Coverdesign: Judith Weber / Smakelig ISBN: 978-1541360853 Inhaltsverzeichnis 1. Kino als „wichtigste aller Künste“: Einleitung Alexander FRIEDMAN und Frank JACOB 5 2. „Das weite Land und die Reichtümer der Rus lockten die Eroberer an“ – Das bedrohte Russland im Film Alexander QUERENGÄSSER 15 3. The Images of Dying and New Jewish Worlds in the Soviet Ci- nema: “The Jews on the Land” versus “Jewish Luck (Menachem Mendel)” Andrei ZAMOISKI 33 4. „Kube, Hitlers Gauleiter in Minsk, war der leibhaftige Teufel“. -
Babi Yar, the Tragedy of Kiev's Jews
Brandeis Graduate Journal http://www.brandeis.edu/gradjournal 2004, Volume 2 All Rights Reserved Babi Yar, the Tragedy of Kiev’s Jews Victoria Khiterer Near Eastern and Judaic Studies Department, Graduate School of Arts and Sciences Brandeis University The mass murder of European Jews by the Nazis gathered momentum in September 1941 at the ravine of Babi Yar in Kiev, the capital of Ukraine, then in the Soviet Union, which had just been occupied by the German Army. Here is where the Nazis had their first experience with luring tens of thousands of Jews into a trap from which escape was practically impossible and death almost certain. In a few days the Nazis killed over a 100 thousand Jews, practically the entire Jewish population of Kiev at that time. A careful examination the events surrounding the Babi Yar massacre provides insight into the development of the tricks used by the Germans during the Holocaust to entice Jews to leave their homes and go to the designated gathering places from which they were ushered to their execution. In spite of the importance of Babi Yar as a testing ground for the Nazi’s vile chicanery and limitless cruelty, surprisingly little serious scholarly research been published about these tragic events at the end of the summer of 1941. My article uncovers details essential to understanding the actions of the Jewish victims, their German executioners as well as the local collaborators who assisted the Nazis. The sparse literature about the horrifying events at Babi Yar includes George St. George’s1 book “The Road -
Year Book 1951
YEAR BOOK 1951 EDITED BY W. R. PRICE. F.L.S. BOTANICAL SOCIETY of the BRITISH ISLES Victoria regis Floreat Flora YEAR BOOK 1951 EDITED BY W. R. PRICE AUGUST 1951 Printed for the Society by T. Buncle & Co. Ltd., Market Place, Arbroath, Angus. OBTAINABLE FROM THE BOTANICAL SOCIETY OF THE BRITISH ISLES, c/o DEPARTMENT OF BOTANY, THE UNIVERSITY. OXFORD. PRICE 7/6 i — CONTENTS i'AGE OFFiCEiis, Council and Committeeh ... ... ... ... ... 5 Editoiual 7 List oe Membehs and Subschujeks to 31st Mahch 1951 ... ... 8 Minutes of Annual Genekal Meeting^ 30th Makch 1950 ... ... 21 Annual Genehal Meeting, 14th Apiul 1951 ... ... ... ... 25 Oeeicers' 1 Reports for 1950 ... ... ... ... ... ... 27 Field Meeting 1949 37 Field Meetings; 1950 ... 66 Conference, 31st March to 2nd April 1950 , ... ... 74 « Exhibition Meeting^ 1950 ... ... ... ... ... ... 75 " " Victoria iiegia The Emblem of the Society ... ... 89 Notices to Members : Miscellaneous ... ... ... ... ... ... ... 96 List of County Floras in Preparation ... ... ... 99 Local Secretaries and Recorders ... ... ... ... 101 Panel of Specialists ... ... 103 Programme of Field Meetings for 1951 ... 106 Personalia , ... 107 Obituaries ... 109 News of Other Societies ... ... ... ... ... ... 112 International Botanical Congress, Stockholm, 1950 ... 114 Coupe Botanique des Alpeis, 1950 116 'Distributor's Report for 1950 119 Rules ;.VUv 126 OFFICERS. COUNCIL AND COMMITTEES BOT.ANICAL SOCIETY of the BRITISH ISLES rafroiiess : H.ll.H. The Princess Ixoyal OFFICERS FOR 1951-52 ELFXTED AT THE ANNUAL GENERAL MEETING, APRIL 14th, 1951 President: Rev. Canon C. E. Raven Vice-Presidents : Dr R. W. B n teller ; J. F. G. Chappie; J. S. Jj. Gilmour Honorary General Secretary J. E. Lonsley Honorary Treasurer E. L. Swann Honorary Editor Dr E. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Glossary of Spiritualist Terms and Techniques
A PPENDIX A Glossary of Spiritualist Terms and Techniques automatic writing. A Spirit uses the medium’s hand to write replies to any number of questions posed; also practiced by amateurs as a way of strengthening their spiritual powers. As an added feature, a magic pencil sometimes floats. In such instances, the Spirits are asking the medium to begin writing. How it is done: The pencil hangs on thin metal or glass wires. clairgustance or clairlience. A taste or smell associated with the Spirit. For example, if you are trying to contact your mother, who was fond of gardening, a waft of rose water might be introduced. How it is done: aromatherapy. dermography, also known as skin writing. The Spirits literally write words or pictures on the medium’s flesh. How it is done: Invisible ink, likely lemon juice, is used. When held up to a candle, the ink grows increasingly visible. ectoplasm. A pale, filmy materialization of the soul, produced by the medium when in a trance state. Likely invented by Leah Fox (circa 1860). The last manifestation of ectoplasm seems to have taken place in 1939. Cambridge University has a sample; it looks and feels like cheesecloth or chiffon. Female mediums sometimes stuffed ectoplasm in their vaginas, necessitating strip- searches. See also soul and Spirit’s progress. lampadomancy. Flame reading. The messages might be conveyed by changes in flame intensity, color, or direction. How it is done: Chemicals can be added to a segment of the candle to make the flame flicker or change color. On the direction of the flame: a small hole in the table may allow 164 Glossary of Spiritualist Terms and Techniques for a flue to affect air- current. -
The Ferocious Reticence of Georgette Heyern (Sunday Her Daughter Eustachia (Who Nq&.Es), and the Events Which Spring from Times Magazine [London], 5 October 1975, Pp
I GEQRGMTE HEYER: A CRITICAL RETROSPECTIVE , I I Dragonmede, a selection this past spring of the American Literary Guild, muttered by the narrator are totally out of keeping with her supposed is an example. It is peculiarly undistinguished, mwkd only by a certain station, time and education, although they do add a certain spice to the imitative crispness. The plot has everything, including insanity, almost unimaginable blancmange that is the texture of the book. fratricide, and significant, deliberate, plotted coincidences, as well as I The real interest of this slight work is in the indisputable fact that it judicious doses of the 'purple heart throbs": i will have so many readers. And this in spite of the fact that unlike the I best romantic thrillers or romantic novels Dragonmede neither delights With one swift movement I was off the couch, us with facts or technical descriptions of specialized groups in society, restoring order to my disarranged skirts, smoothing nor interests us in the development and conflict of characters. Its only my hair, turning my back upon him as I drew my tom virtue is that it is smoothly and grammatically written, seldom a feature bodice over my breasts and hid from him the teqs of the present-day romantic novel. The lowest common denominators of which disillusion brought. the genre will interest future social and cultural historians; the authors' assumptions about what women really want to read, at least, are accurate It is an ingredient of such novels that 9e characters, unlike those of enough. It is Janet and John with sex thrown in, and if the results read as Mi% Heyer, exist in a vacuum, the subject of the novel being only their though they were written by committee or computer, it is this which own domestic needs and emotions. -
Years of Stagnation (1969–1985) Cultural Policy the Cultural
CHAPTER TEN YEARS OF STAGNATION (1969–1985) Cultural Policy The cultural Thaw that began after Stalin’s death did not give way to a summer. The campaign of harassment against the Nobel prize-winner Boris Pasternak and his novel Doktor Zhivago in the late 1950s showed that the Party had no intention of relaxing its ideological monopoly, and the fall of Nikita Khrushchev in 1964 meant a serious setback for all hopes of liberalisation. Two trials in the mid-60s imposed further boundaries on the freedom of writers. The future Nobel laureate Joseph Brodsky was sentenced to internal exile for ‘parasitism’, while Andrey Sinyavsky and Yury Daniėl, who had dared to publish uncensored works in Western Europe under pseudonyms, received seven and five years hard labour, respectively, for ‘anti-Soviet behaviour’. Aleksandr Solzhenitsyn, hailed as a great bearer of truth on his debut in 1961, found himself five years later deprived of the opportunity to conduct his examination of Stalin- ism in public. The year 1970 saw the fall of the last bastion of the Thaw, the magazine New World (Novy mir), when its editor-in-chief Aleksandr Tvardovsky was forced to resign. In the field of children’s literature, events were not quite so spectac- ular. The magazine Youth did suffer a setback in 1969, when a number of prominent figures from the Thaw years were purged from its edito- rial team, but, on the other hand, Youth could by then no longer be seen as a forum for youth literature. Nor did the wave of emigration in the 1970s and 1980s have the same devastating effect on children’s literature as it had on adult writing; Anatoly Kuznetsov, Anatoly Gladilin and Vasily Aksyonov had already given up writing for young people before they decided to leave the Soviet Union. -
Werner Huber, Sandra Mayer, Julia Novak (Eds.)
Werner Huber, Sandra Mayer, Julia Novak (eds.) IRELAND IN/AND EUROPE: CROSS-CURRENTS AND EXCHANGES Irish Studies in Europe Edited by Werner Huber, Catherine Maignant, Hedwig Schwall Volume 4 Werner Huber, Sandra Mayer, Julia Novak (eds.) IRELAND IN/AND EUROPE: CROSS-CURRENTS AND EXCHANGES Wissenschaftlicher Verlag Trier Ireland in/and Europe: Cross-Currents and Exchanges / Werner Huber, Sandra Mayer, Julia Novak (eds.). - Trier: WVT Wissenschaftlicher Verlag Trier, 2012 (Irish Studies in Europe; vol. 4) ISBN 978-3-86821-421-5 Umschlaggestaltung: Brigitta Disseldorf © WVT Wissenschaftlicher Verlag Trier, 2012 ISBN 978-3-86821-421-5 Alle Rechte vorbehalten Nachdruck oder Vervielfältigung nur mit ausdrücklicher Genehmigung des Verlags WVT Wissenschaftlicher Verlag Trier Bergstraße 27, 54295 Trier Postfach 4005, 54230 Trier Tel.: (0651) 41503, Fax: 41504 Internet: http://www.wvttrier.de E-Mail: [email protected] CONTENTS ACKNOWLEDGEMENTS 9 Werner Huber (Vienna), Sandra Mayer (Vienna), Julia Novak (Vienna) INTRODUCTION 11 Seamus Heaney (Dublin) MOSSBAWN VIA MANTUA: IRELAND IN/AND EUROPE: CROSS-CURRENTS AND EXCHANGES 19 Barbara Freitag (Dublin) HY BRASIL: CARTOGRAPHIC ERROR, CELTIC ELYSIUM, OR THE NEW JERUSALEM? EARLY LITERARY REPRESENTATIONS OF THE IMAGINARY BRASIL ISLAND 29 Eglantina Remport (Budapest) “MY CHANGE OF CHARACTER”: ROUSSEAUISME AND MARIA EDGEWORTH’S ENNUI 41 Gabriella Vö (Pécs) THE RISE OF THE HUNGARIAN DANDY: OSCAR WILDE’S CONTRIBUTION TO THE EXPERIENCE OF MODERNITY IN EARLY-TWENTIETH-CENTURY HUNGARY 51 Sandra Andrea O’Connell (Dublin) PUBLISHED IN PARIS: SAMUEL BECKETT, GEORGE REAVEY, AND THE EUROPA PRESS 65 Ute Anna Mittermaier (Vienna) FRANCO’S SPAIN: A DUBIOUS REFUGE FOR THE POETS OF THE ‘IRISH BEAT GENERATION’ IN THE 1960S 79 Sarah Heinz (Mannheim) FROM UTOPIA TO HETEROTOPIA: IRISH WRITERS NARRATING THE SPANISH CIVIL WAR 93 Michael G.