Eine Architektur-Exkursion Nach Mitteldeutschland
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MITTEILUNGEN Des Museumsverbandes in Mecklenburg-Vorpommern E.V
2019MITTEILUNGEN DES MUSEUMSVERBANDES IN M-V MITTEILUNGEN des Museumsverbandes in Mecklenburg-Vorpommern e.V. des Museumsverbandes inMecklenburg-Vorpommern 2019 MITTEILUNGEN des Museumsverbandes in Mecklenburg-Vorpommern e.V. 2019 IMPRESSUM Mitteilungen des Museumsverbandes in Mecklenburg-Vorpommern e.V. 28. Jahrgang, 2019 Herausgeber Museumsverband in Mecklenburg-Vorpommern e.V. Vorsitzende: Dr. Kathrin Möller Koordinationsbüro Burgwall 15 18055 Rostock Telefon: 0381.81706180 Fax: 0381.81706181 E-Mail: [email protected] www.museumsverband-mv.de Text- und Bildredaktion Dr. Peter Danker-Carstensen E-Mail: [email protected] Redaktionsschluss: 1.10.2019 Lektorat Dr. Stefan Knüppel Erscheinungsweise: jährlich © für die Abbildungen bei den jeweiligen Autoren bzw. bei den durch sie vertretenen Institutionen. Frühere Ausgaben der Mitteilungen können im Koordinationsbüro angefordert werden. Schutzgebühr 7,50 € zuzüglich Versand- kosten. Für Mitglieder des Museumsverbandes sind die Hefte kostenfrei. Nachdruck mit Genehmigung des Vorstandes. Hergestellt mit Förderung durch das Ministerium für Bildung, Wissenschaft und Kultur des Landes Mecklenburg-Vorpommern. Umschlagbild Die Kunsthalle Rostock im Winter 1970. Foto: Jürgen Sindermann Gestaltung Marco Pahl (www.grafikagenten.de) Druck Druckerei Weidner, Rostock INHALT VORWORT 5 BEITRÄGE 6 Bildende Kunst am Meer des Friedens. Die Biennale der Ostseeländer als Ursprung der Kunsthalle 6 Rostock Elke Neumann „Ein halbes Jahrhundert für die Kunst“: Die Kunsthalle Rostock hat 50 Jahre wechselvolle -
Bibliografie Zu Kunst Und Architektur in Der DDR Mit Dem Schwerpunkt Baubezogene Kunst Und Kunst Im Öffentlichen Raum
Bibliografie zu Kunst und Architektur in der DDR mit dem Schwerpunkt baubezogene Kunst und Kunst im öffentlichen Raum Erstellt und gepflegt von Ben Kaden Kontakt: https://www.facebook.com/ben.kaden bzw. https://twitter.com/bkaden Stand: 20.01.2018 Lizenz: CC-BY 2.0 / https://creativecommons.org/licenses/by/2.0/de/ Ergänzungen und Hinweise können in diesem Etherpad hinterlegt werden: https://etherpad.wikimedia.org/p/kunst-der-ddr-literatur Publikationsansicht: https://docs.google.com/document/d/e/2PACX-1vT_pKJwDp80gX7SLdt0jRxCg8iH8-rdZSZbkhEicZ8iokemaO6FzW9 arwl0XkgmWaLzfVhqqyApfdK7/pub Die Sammlung befindet sich im Aufbau. Weitere Quellen werden skuzessive ergänzt. Die Auswahl ist subjektiv und keineswegs auf Vollständigkeit angelegt. Ziel der Sammlung ist es, eine Zusammenstellung zu den genannten Themen für die Erleichterung von Recherchen anzubieten. Die Titelaufnahmen sind nicht konsistent und in Entsprechung zu bibliothekarischen oder wissenschaftlichen Standards. Ihr Zweck ist allein, passende Stichwörter und Angaben für weiterführende Recherchen und die Identifikation von Quellen zu liefern. Die bibliografischen Angaben sind eine private Zusammenstellung, angelehnt an einem individuellen Interessenfeld und dienen zur Orientierung. Eine durchgängige Fehlerfreiheit kann nicht garantiert werden. Im Zweifelsfall wird immer ein Blick in die jeweilige Originalquelle empfohlen. Bei Monografien, Sammelbänden u.ä. Verlagspublikationen wird, sofern vorhanden, das bei der Deutschen Nationalbibliothek hinterlegte Inhaltsverzeichnis -
Volume 6. Weimar Germany, 1918/19–1933 Bruno Taut, Program of the “Arbeitsrat Für Kunst" (1918)
Volume 6. Weimar Germany, 1918/19–1933 Bruno Taut, Program of the “Arbeitsrat für Kunst" (1918) “Arbeitsrat für Kunst" in Berlin Convinced that the recent political revolution must be used to free art from decades of domination, a circle of like-minded artists and art lovers has congregated in Berlin. This circle is striving to collect all scattered and splintered forces committed to moving beyond the preservation of one-sided occupational interests, in order to cooperate in rebuilding our entire art world. In close touch with the elected governments and with like-minded associations such as the Art Council in Munich, Dresden, etc., the Arbeitsrat für Kunst hopes to be able to succeed in its immediate goals in the near future. The goals are outlined in the following program excerpt. Above all, this slogan guides us: Art and people must form a unity. Art should no longer be the pleasure of a few but should bring joy and sustenance to the masses. The goal is the union of the arts under the wings of a great architecture. From now on the artist, as shaper of the sensibilities of the people, is alone responsible for the external appearance of the new nation. He must determine the boundaries of form from statuary down to coins and stamps. On this basis, we currently make six demands: 1. Recognition of the public nature of all building activity, an end to public and private privileges enjoyed by civil servants. Uniform management of whole city boroughs, streets and housing developments, without encroaching on individual freedom. New assignments: community centers as distribution points of all arts to the people. -
Center for Micro- and Nanotechnologies Annual Report 2003
ZMN, Center for Micro- and Nanotechnologies Annual Report 2003 Halle Leipzig Braunschweig Magdeburg Berlin B4 B87 A9 Kassel Erfurt Frankfurt Weimar B88 A4 Gotha Jena Eisenach A71 A4 Chemnitz B88 A4 Dresden Arnstadt B88 Gera A71 B88 B4 B87 Rudolstadt B88 Suhl Ilmenau Saalfeld Center for Micro- and A9 Fulda B4 Meiningen Nanotechnologies A73 A71 B4 Hof Coburg Schweinfurt Nürnberg Würzburg Bamberg München ZMN, Center for Micro- and Nanotechnologies Technical University Gustav-Kirchhoff-Str. 7 98693 Ilmenau, Germany of Ilmenau fon: +49-(0)3699-69-3400 fax: +49-(0)3699-69-3499 email: [email protected] URL : http://www.zmn.tu-ilmenau.de Director: Prof. Oliver Ambacher Contact: Dr. Herwig Döllefeld Adresses ZMN Center for Micro- and Nanotechnologies Gustav-Kirchhoff-Str. 7 98693 Ilmenau Germany fon: +49-(0)3677-69-3401 fax: +49-(0)3677-69-3499 e-mail: [email protected] URL: http://www.zmn.tu-ilmenau.de Oliver Ambacher: [email protected] fon: +49-(0)3677-69-3723 Front page (from left to right): Theodor Doll: LTCC chip for microwave applications in [email protected] satellite communications fon: +49-(0)3628-990-100 Technical solution for an artificial Phloem Gerd Jäger: cell [email protected] fon: +49-(0)3677-69-2822 SiC/Si nozzles formed by ECR etching for MEMS applications Heinrich Kern: [email protected] Surface analytic module fon: +49-(0)3677-69-2533 WC/C multilayer structure for tribological Christian Knedlik: coatings [email protected] fon: +49-(0)3677-69-3611 Schematic layer structure of a SiC transistor for GHz applications Jürgen A. -
East German Art Collection, 1946-1992
http://oac.cdlib.org/findaid/ark:/13030/ft538nb0c2 No online items Guide to the East German art collection, 1946-1992 Processed by Special Collections staff; machine-readable finding aid created by Steven Mandeville-Gamble. Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2002 The Board of Trustees of Stanford University. All rights reserved. Guide to the East German art M0772 1 collection, 1946-1992 Guide to the East German art collection, 1946-1992 Collection number: M0772 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Special Collections staff Encoded by: Steven Mandeville-Gamble © 2002 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: East German art collection, Date (inclusive): 1946-1992 Collection number: M0772 Extent: 21 linear ft. (ca. 1300 items) Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Purchased, 1995. Preferred Citation: East German art collection. M0772. Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Historical note The collection was put together by Jurgen Holstein, a Berlin bookseller. -
Künstlerische Hochschulen in Der DDR
Daniel Hechler | Peer Pasternack Künstlerische Hochschulen in der DDR. 25 Jahre zeithistorische Aufklärung 1990–2015 Hochschulforschung Halle‐Wittenberg Herausgegeben für das Institut für Hochschulforschung (HoF) von Peer Pasternack Daniel Hechler | Peer Pasternack Künstlerische Hochschulen in der DDR 25 Jahre zeithistorische Aufklärung 1990–2015: Eine Auswertung mit bibliografischer Dokumentation AVA – Akademische Verlagsanstalt Leipzig 2015 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Natio- nalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.d- nb.de abrufbar. Reihe „Hochschulforschung Halle-Wittenberg“ AVA – Akademische Verlagsanstalt Leipzig 2015 © Institut für Hochschulforschung an der Universität Halle-Wittenberg (HoF) Collegienstraße 62, 06886 Lutherstadt Wittenberg, [email protected], http://www.hof.uni-halle.de Druck: Osiris-Druck Leipzig ISBN 978-3-931982-99-7 Inhalt Teil A. 25 Jahre Aufarbeitung, Erforschung und Dokumentation der DDR‐Geschichte künstlerischer Hochschulen ..................................... 7 1. Die künstlerische Ausbildungslandschaft in der DDR und danach ................................................................................ 9 1.1. Hochschulen ............................................................................... 9 1.2. Fachschulen .............................................................................. 15 2. Erinnerungspolitik und Zeitgeschichtsforschung -
Bruno Taut, Weltanschauung and the Concept of Dwelling
BRUNO TAUT, WELTANSCHAUUNG AND THE CONCEPT OF DWELLING A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF ENGINEERING AND SCIENCE OF BILKENT UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE By Nur Yıldız Kılınçer April 2021 BRUNO TAUT, WELTANSCHAUUNG AND THE CONCEPT OF DWELLING By Nur Yıldız Kılınçer April 2021 We certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, asa thesis for the degree of Master of Science. Giorgio Gasco (Advisor) Bülent Baturnan Esin Boyacıoğlu Approved for the Graduate School of Engineering and Science: Ezhan Karasan Directac af tbe Gcaduate Scbaol ABSTRACT BRUNO TAUT, WELTANSCHAUUNG AND THE CONCEPT OF DWELLING Nur Yıldız Kılınçer M.S. in Architecture Advisor: Giorgio Gasco April 2021 Among the building types that concern Bruno Taut, dwelling (Wohnung) is one of the most important. Therefore, it is inevitable to consider dwelling (Wohnung) in a distinct category from Taut's other architectural creations. On the one hand, dwelling is a design field of the architect that turns into a manifesto in which architect reflects his own stance and conviction. On the other hand, in the philosophical context, dwelling becomes the mental locus where existence of individual expands. In other words, within the cosmic environment, dwelling is not only a way of locating and inhabiting in the universe, but also a basis for evaluating life and understanding the world. With the intention of creating a theoretical framework in such a perspective, this research explains the importance of having a reference to a particular philosophical thinking, Weltanschauung, in development of the dwelling and in the elaboration of the architectural discourse of Taut. -
Then and Now – an Overview
Then and now – an overview 1909 – 1914 Hellerau makes the grade 1909 The non-pro t Gartenstadt Hellerau GmbH and the housing association Baugenossenscha Hellerau eGmbH are founded thanks in part to the vision of the cra sman and entrepreneur Karl Schmidt, the idea being to o er workers living at the Garden City a musical education. 1910 Commi ee formed to establish a Jaques-Dalcroze music school (Émile Jaques-Dalcroze, Adolphe Appia, Alexander von Salzmann and Heinrich Tessenow), nanced by the brothers Wolf and Harald Dohrn. 1911 Foundation stone ceremony for the music school. Lessons already begin in the November. Homes for teachers and a guesthouse added. 1912 / 1913 Hellerau Festival Theatre opens; world première of Paul Claudel’s “L‘Annonce faite à Marie”. Many well-known gures from the European avant-garde art scene travel to Hellerau to see it, giving the school its reputation as a festival theatre. 1914 Tram route to Hellerau completed. The school closes until the end of the First World War. Formation of a “Founding Commi ee for an Association to Preserve the Jaques Dalcroze Method in Germany” and of a “Hellerau Association for Teaching Rhythmics and Music”, made up of the teachers and students remaining in Hellerau. 1915 – 1925 Hellerau brings schools, culture and people together 1915 Émile Jaques-Dalcroze School of Music and Rhythm les for bankruptcy; renamed Bildungsanstalt Hellerau GmbH and limited to property management, under the direction of Harald Dohrn. “New School of Applied Rhythm” founded by the Hellerau Association for Teaching Rhythmics and Music. 1919 The Festival Theatre is empty. -
Helmuth Plessner and His Influence on Twentieth-Century Architecture
ARCHITECTURE IS CONCEALED UNTO ITSELF: HELMUTH PLESSNER AND HIS INFLUENCE ON TWENTIETH-CENTURY ARCHITECTURE Gerald Adler INTRODUCTION Nestling in, moving along, feeling one’s way, occupying space, the thousand ways of living within our postures and giving the silent image of spaces and planes through such postures an immediate connection to me, these are the ways to understand architecture. We always have to feel such an image and its ideal system of expression on our own body in order to taste the sense of a building. The purely ornamental, the effect of light, the qualities of materials form a meaningful structure, if not consciously, then in a more or less Nestling in, immediate reaction to the artificially formed world of 1 moving along, space. “ By any measure, this is an inspiring, evocative, feeling one’s and illuminating text that feels absolutely of the way, occupying moment. That it was written almost one hundred years ago by an aspirant former student of zoology space, the on his way to obtaining a chair in philosophy at the thousand ways University of Göttingen, gives pause for thought. of living within The writer was Helmuth Plessner, and the field of study he made his own was Philosophical our postures [...] Anthropology. The purpose of this paper is to elucidate Plessner’s thinking and the relationship ” Philosophical Anthropology had with architecture. BIOGRAPHICAL SKETCH Helmuth Plessner was born into an affluent family of Jewish descent in Wiesbaden, in 1892. isparchitecture.com A bright schoolboy, he went on to study medicine, and then zoology and philosophy in Heidelberg. -
Alexander Klein and the a 'Scientific' Approach to Design Techniques
Marco Giorgio Research Bevilacqua Alexander Klein and the Department of Civil Engineering University of Pisa Existenzminimum: Via Diotisalvi, 2 A ‘Scientific’ Approach to Design 56126 Pisa ITALY [email protected] Techniques Keywords: housing, design Presented at Nexus 2010: Relationships Between Architecture analysis, design theory, and Mathematics, Porto, 13-15 June 2010. Alexander Klein, minimal surfaces Abstract. The urgent need for housing for the working class following World War I led to a search to determine new standards for housing to ensure that minimum requirements for living, or Existenzminimum, would be respected while costs were kept low. Overshadowed by more famous architects such as Gropius, Taut, and Le Corbusier, Alexander Klein’s important role in this search is often neglected. Klein’s remarkably innovative and mathematically rigorous design methodology began with the comparison of various types of dwellings, aimed at the determination of objective terms for the valuation of the design quality. Klein studied the problem of dwelling in its complexity, even considering the effects induced by conditions of living to the human psyche. His points of reference were the needs of the family and the individual, rather than impersonal hygienic- sanitary parameters. Klein’s methodological research may still Alexander Klein (1879 – 1960) be considered an important point of reference. Introduction The figure of architect Alexander Klein is often relegated to the margins of the official historical studies, where he is cited without highlighting the important role his work played in the search for new housing standards during the first half of the twentieth century. Owing to the specific nature of his works and the limited amount of his designs actually built in Europe, his name is overshadowed by the most famous rationalist architects. -
Berlin Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Mitte The Futurium, completed in 2017, is a building for exhibitions and events in the heart of Berlin – embedded between the Bundesministerium für Bildung und Forschung (ministry for education and research), the Spreebogen (Spree Riverbend) and the Humboldthafen (Humboldt port), the main station and the Charité *** Futurium Richter Musikowski Alexanderufer 2 Hospital. The Haus der Zukunft (house of the future) creates its own sculptural identity in this ensemble. On the two main sides of the Futurium two public spaces are defined by setting back the building. Folding the building up to create urban high points makes the Futurium a striking appearance between the Spree River and the elevated railway. Check events https://futurium.de/en/ This new building, inaugurated in 2003, owes its name to the social politician and women’s rights campaigner Marie Elisabeth Lüders. Alongside the Parliamentary Library and specialist scientific service providers it also accommodates a Wall memorial open to the public. Parts of the Berlin Wall have been rebuilt here to commemorate the Marie-Elisabeth **** Stephan Braunfels Schiffbauerdamm 25 division of the city along the former route of the Wall. Together with Lüders Building the Federal Chancellory and Paul-Löbe-House, Marie-Elisabeth-Lüders House also forms part of “Federal Row”, an architectural symbol of German unity. Beautiful massive tapered stairway. Check it out in the sun, with clouds, or at night, the building changes every time. Tue-Sun (11am-5pm) The transformation of the Reichstag is rooted in four related issues: the Bundestag’s significance as a democratic forum, an understanding of history, a commitment to accessibility and a vigorous environmental agenda. -
East German Poster Collection, Series 4: Art Exhibition Posters, Special
East German Poster Collection, Series 4: Art Exhibition Posters, Special Collections and Archives, GMU Libraries item: AE‐0001 title: Sowjetishes Künstlerishes Glas und Gobelins date: 1977 size (cm): 57.5 x 81 summary: This poster is green with a center image of a blue blown glass vase holding blown glass flowers. It is for an art exhibit of Soviet glass and tapestries at the Exhibition Center in Berlin (July ‐ August 1977). item: AE‐0002 title: Ausstellung Glas aus zwei Jahrtausenden date: 1977 size (cm): 57 x 81 summary: This poster shows an ornate glass vase painted with scenes of villages and people. It is for an exhibit of glass art at the State Gallery in Halle (August 1977 ‐ July 1978). item: AE‐0003 title: Grafik zur Sowjetischen Literatur date: 1977 size (cm): 81 x 57 summary: This poster shows a black and white painting of stylized people spinning in a vortex surrounded by a Soviet cityscape. It is for an exhibit of art in Soviet literature at the Club of Culture in Berlin (October 15, 1977 ‐ November 8, 1977). item: AE‐0004 title: Galerie der Fruendschaft 1973 date: 1973 size (cm): 58.5 x 84 summary: This poster shows a black and white painting of young child in the style of folk art. Behind the child are five circles of bright colors. It is for an exhibit entitled "Gallery of Friendship" at the State Museum in Schwerin (June ‐ July 1973). item: AE‐0005 title: Hans Grundig date: 1973 size (cm): 57 x 81 summary: This poster shows a painting of a pack of wolves surrounding a larger wolf in the middle.