Discovering Literature
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
V. L. 0. Chittick ANGRY YOUNG POET of the THIRTIES
V. L. 0. Chittick ANGRY YOUNG POET OF THE THIRTIES THE coMPLETION OF JoHN LEHMANN's autobiography with I Am My Brother (1960), begun with The Whispering Gallery (1955), brings back to mind, among a score of other largely forgotten matters, the fact that there were angry young poets in England long before those of last year-or was it year before last? The most outspoken of the much earlier dissident young verse writers were probably the three who made up the so-called "Oxford group", W. ·H. Auden, Stephen Spender, and C. Day Lewis. (Properly speaking they were never a group in col lege, though they knew one ariother as undergraduates and were interested in one another's work.) Whether taken together or singly, .they differed markedly from the young poets who have recently been given the label "angry". What these latter day "angries" are angry about is difficult to determine, unless indeed it is merely for the sake of being angry. Moreover, they seem to have nothing con structive to suggest in cure of whatever it is that disturbs them. In sharp contrast, those whom they have displaced (briefly) were angry about various conditions and situations that they were ready and eager to name specifically. And, as we shall see in a moment, they were prepared to do something about them. What the angry young poets of Lehmann's generation were angry about was the heritage of the first World War: the economic crisis, industrial collapse, chronic unemployment, and the increasing tP,reat of a second World War. -
An Index to Alan Ansen's the Table Talk of W. H. Auden Edited By
An Index to Alan Ansen’s The Table Talk of W. H. Auden Edited by Nicholas Jenkins Index Compiled by Jacek Niecko A Supplement to The W. H. Auden Society Newsletter Number 20 • June 2000 Jacek Niecko is at work on a volume of conversations and interviews with W. H. Auden. Adams, Donald James 68, 115 Christmas Day 1941 letter to Aeschylus Chester Kallman 105 Oresteia 74 Collected Poems (1976) 103, 105, Akenside, Mark 53 106, 108, 109, 110, 111, 112, Amiel, Henri-Frédéric 25 114, 116, 118 Andrewes, Lancelot 75 Collected Poetry 108 Meditations 75 Dark Valley, The 104 Sermons 75 Dog Beneath the Skin, The 51, 112 Aneirin Dyer’s Hand, The xiii, 100, 109, 111 Y Gododdin 108 “Easily, my dear, you move, easily Ann Arbor, Michigan 20, 107 your head” 106 Ansen, Alan ix-xiv, 103, 105, 112, 115, Enemies of a Bishop, The 22, 107 117 English Auden, The 103, 106, 108, Aquinas, Saint Thomas 33, 36 110, 112, 115, 118 Argo 54 Forewords and Afterwords 116 Aristophanes For the Time Being 3, 104 Birds, The 74 Fronny, The 51, 112 Clouds, The 74 “Greeks and Us, The” 116 Frogs, The 74 “Guilty Vicarage, The” 111 Aristotle 33, 75, 84 “Hammerfest” 106 Metaphysics 74 “Happy New Year, A” 118 Physics 74 “I Like It Cold” 115 Arnason Jon “In Memory of W.B. Yeats” xv, 70 Icelandic Legends 1 “In Search of Dracula” 106 Arnold, Matthew xv, 20, 107 “In Sickness and In Health” 106 Asquith, Herbert Henry 108 “In the Year of My Youth” 112 Athens, Greece 100 “Ironic Hero, The” 118 Atlantic 95 Journey to a War 105 Auden, Constance Rosalie Bicknell “Law Like Love” 70, 115 (Auden’s mother) 3, 104 Letter to Lord Byron 55, 103, 106, Auden, Wystan Hugh ix-xv, 19, 51, 99, 112 100, 103-119 “Malverns, The” 52, 112 “A.E. -
Newsletter 25
An Appeal for Expertise in Accountancy The Society would be very grateful to hear from any member living in the UK who has some knowledge of accountancy, and who would be willing to donate perhaps two hours of his or her time, once a year, in order to prepare a simple account of the Society's income and outgo. Ideally this would be someone living in or relatively near The London. If you fit this description, could you kindly get in touch with the Society at the postal address listed elsewhere on this page? W. H. Auden Society Memberships and Subscriptions Newsletter Annual memberships include a subscription to the Newsletter: Individual members £ 9 $15 ● Students £ 5 $8 Number 25 January 2005 Institutions £ 18 $30 New members of the Society and members wishing to renew should send sterling cheques or checks in US dollars payable to “The W. H. Auden Society” to Katherine Bucknell, 78 Clarendon Road, London W11 2HW. Receipts available on request. Payment may also be made by credit card through the Society’s web site at: http://audensociety.org/membership.html The W. H. Auden Society is registered with the Charity Commission for England and Wales as Charity No. 1104496. Submissions to the Newsletter may be sent in care of Katherine Bucknell, 78 Clarendon Road, London W11 2HW, or by e-mail to: [email protected] All writings by W. H. Auden in this issue are copyright 2005 by The Estate of W. H. Auden. 28 Foster’s recordings has been released in the Windyridge Variety series (www.musichallcds.com) and a brief excerpt may be heard at www.audensociety.org/vivianfoster.html on the Society’s website. -
Newsletter 32
The W. H. Auden Society Newsletter Number 32 ● July 2009 Memberships and Subscriptions Annual memberships include a subscription to the Newsletter: Contents Individual members £9 $15 Katherine Bucknell: Edward Upward (1903-2009) 5 Students £5 $8 Nicholas Jenkins: Institutions and paper copies £18 $30 Lost and Found . and Offered for Sale 14 Hugh Wright: W. H. Auden and the Grasshopper of 1955 16 New members of the Society and members wishing to renew should David Collard: either ( a) pay online with any currency by following the link at A New DVD in the G.P.O. Film Collection 18 http://audensociety.org/membership.html Recent and Forthcoming Books and Events 24 or ( b) use postal mail to send sterling (not dollar!) cheques payable to “The W. H. Auden Society” to Katherine Bucknell, Memberships and Subscriptions 26 78 Clarendon Road, London W11 2HW, Receipts available on request. A Note to Members The W. H. Auden Society is registered with the Charity Commission for England and Wales as Charity No. 1104496. The Society’s membership fees no longer cover the costs of printing and mailing the Newsletter . The Newsletter will continue to appear, but The Newsletter is edited by Farnoosh Fathi. Submissions this number will be the last to be distributed on paper to all members. may be made by post to: The W. H. Auden Society, Future issues of the Newsletter will be posted in electronic form on the 78 Clarendon Road, London W11 2HW; or by Society’s web site, and a password that gives access to the Newsletter e-mail to: [email protected] will be made available to members. -
Copyright by Jonathon N. Anderson 2019
Copyright by Jonathon N. Anderson 2019 GENRE AND AUDIENCE RECEPTION IN THE RAKE’S PROGRESS by Jonathon N. Anderson, BM THESIS Presented to the Faculty of The University of Houston-Clear Lake In Partial Fulfillment Of the Requirements For the Degree MASTER OF ARTS in Literature THE UNIVERSITY OF HOUSTON-CLEAR LAKE MAY, 2019 GENRE AND AUDIENCE RECEPTION IN THE RAKE’S PROGRESS by Jonathon N. Anderson APPROVED BY __________________________________________ David D. Day, J.D., Ph.D., Chair __________________________________________ Craig H. White, Ph.D., Committee Member RECEIVED/APPROVED BY THE COLLEGE OF HUMAN SCIENCES AND HUMANITIES: Samuel Gladden, Ph.D., Associate Dean __________________________________________ Rick J. Short, Ph.D., Dean Acknowledgements To Drs. White and Day, I offer my gratitude for your willingness to let me follow tangents and guesses throughout my graduate career. Dr. White, your generous indulgence, encouragement, and patient guidance helped me refine my fuzzy hunches to clearly articulated ideas. Dr. Day, your depth of knowledge on, enthusiasm for, and sense of humor with medieval works brings them to life and illuminates their continued relevance. I appreciate the priority both of you place on the excitement conjured by texts ancient and modern. To my parents, I offer my gratitude for maintaining a house strewn with interesting books waiting to be discovered. Mom, I appreciate all our late-night conversations about whatever random volume I happened to be curious about at the time. Dad, I hope I’m making good on the lifetime of blind confidence in my abilities you’ve given me. To Peg and Ed, the best in-laws anybody could ask for, thank you for your inspiration and advice. -
Notre Dame Shakespeare Festival 2008 Program
July 19 – September 19, 2014 World-class theatre. Right next door. Henry IV • The Merry Wives of Windsor • ShakeScenes • Much Ado About Nothing program_cover_art2014.indd 1 6/30/14 1:36 PM Laura & Jack B. Smith, Jr. are proud sponsors of NOTRE DAME SHAKESPEARE FESTIVAL Giving Back to the Community TABLE OF CONTENTS 2–4 About Shakespeare at Notre Dame and the Notre Dame Shakespeare Festival 5 A Note from the Ryan Producing Artistic Director 6 Festival Events and Ticket Information 8–10 Welcome to the 2014 Season 12–15 Professional Company: HENRY IV 17–19 Young Company: THE MERRY WIVES OF WINDSOR 21–22 ShakeScenes 25–26 Actors From The London Stage: MUCH ADO ABOUT NOTHING 29–39 Notre Dame Shakespeare Festival Cast and Company Profiles 40 Sponsors, Endowments, and Benefactors INSIDE BACK COVER Acknowledgments Festival Production Photographer — Peter Ringenberg LEFT: Robert Jenista, Tim Hanson, Ross Henry, and Kyle CENTER: Young Company Director West Hyler and RIGHT: Cheryl Turski instructs the Young Company in a Techentin work on the HENRY IV set. Stage Manager Nellie Petlick lead a rehearsal of THE movement class. MERRY WIVES OF WINDSOR. SHAKESPEARE AT NOTRE DAME Dear Friends: Dear Friends: Here we are again: summer at Notre Welcome to the 2014 season of the Dame and that means the Notre Notre Dame Shakespeare Festival. It’s Dame Shakespeare Festival. a year of celebrations for all things Shakespeare here on campus. 2014 As always, there are the rich and var- marks not only Shakespeare’s 450th ied delights of local groups perform- birthday, but also the 150th anni- ing in ShakeScenes. -
First Name Initial Last Name
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Sarah E. Fass. An Analysis of the Holdings of W.H. Auden Monographs at the University of North Carolina at Chapel Hill’s Rare Book Collection. A Master’s Paper for the M.S. in L.S. degree. April, 2006. 56 pages. Advisor: Charles B. McNamara This paper is an analysis of the monographic works by noted twentieth-century poet W.H. Auden held by the Rare Book Collection (RBC) at the University of North Carolina at Chapel Hill. It includes a biographical sketch as well as information about a substantial gift of Auden materials made to the RBC by Robert P. Rushmore in 1998. The bulk of the paper is a bibliographical list that has been annotated with in-depth condition reports for all Auden monographs held by the RBC. The paper concludes with a detailed desiderata list and recommendations for the future development of the RBC’s Auden collection. Headings: Auden, W. H. (Wystan Hugh), 1907-1973 – Bibliography Special collections – Collection development University of North Carolina at Chapel Hill. Rare Book Collection. AN ANALYSIS OF THE HOLDINGS OF W.H. AUDEN MONOGRAPHS AT THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL’S RARE BOOK COLLECTION by Sarah E. Fass A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. -
The Semi-Circle Library of Plays Tony O'sullivan 061 692 39 01 As at Sept 2017
The Semi-Circle Library of Plays Tony O'Sullivan 061 692 39 01 as at Sept 2017 Title of Play Writer Writer Length Last Name First Name . Play On Abbot Rick Full Length Pythagorus Abse Dannie Full Length Bites Adshead Kay Full Length The Christ of Coldharbour Lane Agboluaje Oladipo Full Length The American Dream Albee Edward Full Length The Zoo Story Albee Edward Full Length Who's Afraid of Virginia Woolf? Albee Edward Full Length Ardele (book) Anouilh Jean Full Length Restless Heart (book) Anouilh Jean Full Length Time Remembered (book) Anouilh Jean Full Length Mademoiselle Colombe (book) Anouilh Jean Full Length Ring Round The Moon Anouilh Jean Full Length The Waltz Of The Toreadors Anouilh Jean Full Length Antigone (book) Anouilh Jean Full Length The Lark (book) Anouilh Jean Full Length Poor Bitos (book) Anouilh Jean Full Length Leocardia (book) Anouilh Jean Full Length Old-World Arbuzov Aleksei One Act The Waters of Babylon (book) Arden John Full Length Live Like Pigs (book) Arden John Full Length The Happy Haven (book) Arden John Full Length The Acharnians (book) Aristophanes Full Length The Clouds (book) Aristophanes Full Length Lysistrata (book Aristophanes Full Length Fallen Heros Armstrong Ian One Act Joggers Aron Geraldine One Act Bar and Ger Aron Geraldine One Act The Ascent of F6 (book) Auden W. H. Full Length On the Frontier (book) Auden W. H. Full Length Table Manners (book) Ayckbourn Alan Full Length Living Together (book) Ayckbourn Alan Full Length Round and Round the Garden (book) Ayckbourn Alan Full Length Henceforward... -
Funeral Blues Notes
Funeral Blues By W.H. Auden Introduction This poem, which is now presented as a straight-forward and heart-rending expression of grief for a dead lover, was originally written as a song in a mildly satirical play which Auden co-wrote with Christopher Isherwood. It was later adapted as a poem, and included in a collection of poetry published in 1936. It was first published with the inspiring title of ‘Poem number IX’ but in 1937 it appeared under the name ‘Funeral Blues’ in the anthology ‘Collected Poems’. In spite of its slightly frivolous origins, however, it is a deeply moving and beautiful poem. About the poet Wystan Hugh Auden was born in York, England, in 1907. He studied at Oxford University, where he began a degree in Science and Engineering before changing to an English major. He published a number of poetry anthologies which established his reputation as a poet, although he was also an author and playwright. In his youth he travelled extensively. His visits to countries such as Spain, during the Civil War of 1934-1939, influenced his poetry, Although he was a homosexual, he married a German woman named Erika Mann (daughter of a prominent German writer) so that she could become a British citizen and leave Nazi Germany safely. In 1939 Auden moved to the United States, where he lived for many years. Here he met his long-term partner, Chester Kallman, and eventually became an American citizen. Towards the end of his life, with his health deteriorating, Auden moved to Austria. He died there in 1973. -
Anti-Romantic Elements in the Biographical-Critical Poems of W. H. Auden's Another Time
RICE UNIVERSITY ANTI-ROMANTIC ELBiENTS IN THE BIOGRAPHICAL-CRITICAL . POEMS OF W. H. AUDEN’S ANOTHER TIME by Sarah Lilly Terrell A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director’s signature* l/tyk&bjL /Al. — Houston, Texas June 1966 ABSTRACT ANTI-ROMANTIC ELEMENTS IN THE BIOGRAPHICAL-CRITICAL POEMS OF W. H. AUDEN’S ANOTHER TIME by Sarah Lilly Terrell W. H. Auden first published the volume of poems entitled Another Time on February 7, 1940. There has been no study of the volume as an artistic entity, and only a few of the poems have received detailed commentary. This thesis will consider a selected group of poems from Another Time, the biographical-critical poems, in some detail. They have been selected for major emphasis because they reflect the dominant concerns of the volume. Furthermore, because each biographical portrait is based on an informed knowledge of the life and work of the writer it depicts, the reader must be similarly informed before he can appreciate the richness of reference and astuteness of judgment which characterize those poems. The poems will be viewed from two perspectives: that sug¬ gested by Auden's prose writings on Romanticism and that provided by the context of the volume as a whole. The second chapter of this thesis surveys the wealth of primary sources in prose available to the critic interested in Auden's attitude towards Romanticism. The prose written from 1937-1941 is pervaded by Auden's concern with the implications of Romanticism. The address given at Smith College in 1940 contains Auden's most explicit statement of the ABSTRACT (Cont'd.) relationship of Romanticism to the then current political situation* The urgency of his preoccupation results from his conviction that the Romantics1 failure to grasp the proper relationship of freedom to nec¬ essity has an immediate and direct bearing on the rise of fascism* This preoccupation appears repeatedly in the many book reviews Auden wrote during this period. -
Notes Toward Three Recitals by Daniel R. Mcgrew a Dissertation
Notes Toward Three Recitals by Daniel R. McGrew A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2020 Doctoral Committee: Professor Freda Herseth, Chair Professor Colleen Conway Professor Martin Katz Associate Professor Scott Piper Associate Professor Gregory Wakefield Daniel R. McGrew [email protected] ORCID iD: 0000-0002-6985-8027 © Daniel R. McGrew 2020 DEDICATION For my grandmother, Marie Trenschel, who taught me how to listen. And how not to. ii ACKNOWLEDGMENTS I am hugely indebted to the members of my doctoral committee for their support and inexhaustible patience throughout this extended process. My committee chair and voice teacher, Professor Freda Herseth, has been an important source of encouragement and guidance; the earnest curiosity she brings to her teaching is, unmistakably, an extension of her own imaginative musicianship and artistic integrity—hers is an example to which I have and will continue to aspire. My dear mentor, Professor Martin Katz, has been a singular source of advocacy and inspiration—I am grateful to consider him partner, teacher, and friend. Each of my collaborators has given so generously (even bravely) of their time and talent. Unending thanks to: John Etsell, in whom intelligence and creativity are uncommonly matched; Evan Hines, who wields more musical warmth and purity than I could ever properly complement; Professor Katz, a poet at the keyboard, whose collaboration makes me more the musician I hope to be; and Eric Sedgwick whose musical depth and poise have set for me an important precedent. -
1934 to 1960
THE BIRDS AtTn THE BEASTS IN AUDEJ:1: A STUDY OF THE USE OF ANHiAI IEAGERY IN TIIE l\fO~J -DRAr:AT Ie POETRY OF "r1. H. AUDEN FRO}: 1934 TO 1960 AN HONORS THESIS SUBHITTED TO THE HONORS CO:r:r:I~TEE lIT PART rAL FUIJFILL!·::ENT OF T3E REQUIRE1-:ENTS FOR ~rHE DEGREE BACHELOR OF SCIENCE E~ E:GUGATION BY OLGA K. DF-'JT INO ADVISER - JOSEPH SATTER1ir~nTE BALL STATE U~IVERSITY I,lUNarE, INDIANA AUGUST, 1965 TEE BIRDS A~m TEiE BEASTS IN AUDE1r The rerutation of W. H. Auden as a poet rests not on the publication of several widely quoted and anthologized poems, but on a consistent and diversified output of technically e~·~cellent and relevant poetry over a nu!::ber of years (1930-1964). Though l;:an;.r of Auden t s individual ~:oems and lines are neDorable, it is rather the recurring patterns of his imagery which catch and hold the attention of his readers and critics. This paper will attempt to deal with one aSl_ect of Auden t S imar:;cry: his 1:!::ages of t::e animal world, and to trace the changes i~ this imagery as it corresponds to Audents ideological evolution froe the position of left-wing, near-Marxist to his positive acceptance of Christianity in the early 1940's. Thouc;h much has been written about various images which perrr,eate the poetry of 'tT. H. Auden--tllB early l)ervasi VB 1mrfare I:;otif, t!:e detective and spy inagery, and the Rilke-like Ithul!lan landscape" technique--crit:.cs have for the most part ignored uhat Randall Jarrell called Auden's "endless procession of birds and beasts"l as the -- lRandall Jarrell, t1Changes of Attitude and Rhetoric in AUden's roetry", Southern Reviel", Autumn, 1941, :po 329.