DOCSLIB.ORG

Why Love Leads to Justice: Love Across the Boundaries David A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Why Love Leads to Justice: Love Across the Boundaries David A Cambridge University Press 978-1-107-12910-8 - Why Love Leads to Justice: Love Across the Boundaries David A. J. Richards Index More information Index abolitionism, radical antebellum, 126 androgyny, 180 Abraham (and Isaac), 62, 64 Angel in the House (Woolf), 196 adultery Anna (On the Frontier), 99 Adams (Clover) and, 188 Another Country (Baldwin), 155, 156, 157, 164, Adams (Henry), 188 165–167, 215 British common law and, 22 Anselm, 115 Harewood (Seventh Earl of), 71 anti-discrimination, 26 Hickok (Lorena), 189 anti-miscegenation laws, 129, 160, 173, incendiary, 189 202 Lewes-Eliot, 209 anti-Semitism, 4, 25, 53 Nicolson (Harold), 29 Auden and, 114 of the brain, 40 influences on, 115 patriarchy and, 16, 18, 209 Benedict and, 206 19th century Britain v. 17th century New Boas and, 196, 202 England, 22 Christian, 7 Prynne (Hester), 18–22 T. S. Eliot and, 115 Roosevelt (Eleanor), 189 European, 24, 83 Roosevelt (Franklin D.), 187 German racist, 193, 199 Roosevelt-Hickok, 189 Hitler and, 37 sack punishment for, 18 intolerance and, 128, 129 Sackville-West (Vita), 29 Roosevelt (Eleanor) and, 189 Taylor (Harriet), 26 secular, 7 Taylor-Mill, 26, 209 Apuleius, 38 Aeneid (Vergil), 112 Arendt, Hannah, 107, 122, 214 Aeschylus, 13 art, power of, 231 Age of Anxiety, The (Auden), 120, 121, 122, Arthur (Just Above My Head), 155, 168 Albert Herring (Britten), 58, 64, 65 Ascent of F6, The (Auden), 98, 99 Aldeburgh Music Festival, 49 Aschenbach, Gustav, 67–70, 71 All the Conspirators (Isherwood), 74, 84 Ascher, Dr. Robert, 142, 144, 148 alloparents (Hrdy), 220 Athens, 13 Alonzo (If Beale Street Could Talk), 169 Auden, Constance Rosalie (Bicknell), 96, 107 Ambrose of Milan, 110 Auden, George Augustus, 96 Amen Corner, The (Baldwin), 162, 169 Auden, John, 106 America Auden, W. H. (Wystan Hugh), 1, 4, 7, 32–33, 54, 66, Auden and, 154 95–123, 211 Isherwood and, 154 as Mother, 117 American Dilemma, An (Myrdal), 207 Britten and, 31, 46–50, 95, 120 American Friends Committee (AFSC), 137 Isherwood and, 49, 85–86, 95, 96–97, Ammu (The God of Small Things), 17 213 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-12910-8 - Why Love Leads to Justice: Love Across the Boundaries David A. J. Richards Index More information 248 Index Auden, W. H. (Wystan Hugh) (cont.) Black Panthers, 167 Kallman and, 33, 36, 86, 95, 105–107, 113–114, 116, blacks 117–118 dehumanization of, 130 relationship with his parents, 108 stereotypic Augustine of Hippo, 109–114, 129 idealization and, 150, 157, 161 Augustine of Hippo (Brown), 109 rapacious sexuality and, 160, 161, 174 Augustus, 13, 18 Bloomsbury Group, 3, 6, 29–30, 31 Aunt Sarah (The World in the Evening), 88 Blues for Mister Charlie (Baldwin), 171, 172 autonomy, right of, 26 Boas, Franz, 191, 192–193, 202, 216 On Liberty and, 27 Boleyn, Anne (Elizabeth and Essex), 65 patriarchy and, 209 Bottom (Midsummer Night’s Dream), 65 Bowles, Sally (Mr. Norris Changes Trains), 82 Babylonia, 13 Bradshaw, William (Mr. Norris Changes Trains), 82 Bach, Sheldon, 116 Brando, Marlon, 167, 168 Bachardy, Don, 33, 76, 85, 88–92, 212 Brecht, Bertolt, 98 Baker, Ella, 176 Brent, Linda (Incidents in the Life of a Baker, Josephine, 180 Slave Girl), 130 Baldwin, Berdis (Jones), 151 Brett, Philip, 51 Baldwin, David, 151, 167, 168 Briscoe, Lily (To the Lighthouse), 38 Baldwin, James, 4, 6, 7, 10, 125, 182, 214–215, 219, Britten, Benjamin, 7, 10, 31, 185, 210–211 221–222, 224 Auden and, 31, 32, 46–50 Delaney and, 153 Forster and, 65–67 Happersberger and, 155–156, 157, 159, 180, 222 Pears and, 33, 46, 47–50, 90, 91, 95 ML King, Jr. and, 172–173 relationship with his parents, 108 relationship with his parents, 150, 151–152, 157, Britten, Lyle (Blues for Mister Charlie), 171 217, 226 Brooten, Benadette, 183 Worth and, 153–154 Brown v. Board of Education, 207 Barbara (Tell Me How Long the Trains Been Brown, John, 135 Gone), 167 Brown, Peter, 109 Bassarids, The (Auden/Kallman), 118 Bulstrode (Peter Grimes), 59 Bateson, Gregory, 197 Burning Fiery Furnace, The (Britten), 58, 64 Bayle, Pierre, 128 Burroughs, William, 31 Beavis, Anthony (Eyeless in Gaza), 44 Bush, George W., 231 Bell, Julian, 39 Butler, Josephine, 39 Benedict, Beatrice, 191 Benedict, Ruth, 4, 8, 186, 191–192, 200–205, 224 Cabaret, 90 Baldwin and, 206–207 Caliban (The Tempest), 120 Boas and, 193 Capacity to Be Alone, The (Winnicott), 76 contribution of, 200–208 Capouya, Emile, 152 Mead and, 189–190, 193–198, 206 Carpenter, Edward, 48, 81 relationship with her parents, 195, 197, 217 Cass (Another Country), 157, 165 Benedict, Stanley, 192, 194 caste, 17 berdache, 201 Cather, Willa, 185 Berlin, 210 Cavalieri, Tommaso dei, 50 Auden and, 80, 97 celibacy Isherwood and, 4, 80–94, 100, 211 Auden and, 113 Berlin Stories, The (Isherwood), 82, 84, 90, 92, 212 Augustine of Hippo and, 113 Berlin, Isaiah, 72 Epistle to the Romans and, 110 Bernstein, Leonard, 50, 106 Ghandhi and, 113 Billy Budd (Britten), 31, 55, 58, 62, 65–67, 71, 211 Heard and, 93, 94 Birth of Pleasure, The (Gilligan), 75 Isherwood and, 93 Bishop, Elizabeth, 184 Tolstoy and, 113 Black Christopher (Tell Me How Long the Trains Chamberlain, Neville, 39 Been Gone), 168 Charlotte (A Single Man), 91 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-12910-8 - Why Love Leads to Justice: Love Across the Boundaries David A. J. Richards Index More information Index 249 Child, Lydia Maria, 128, 129, 132 dignity, 26, 220 Chillingworth, Roger (The Scarlett Letter), 19 equality and, 25 China, 13 ethical, 10 Christianity Dimmesdale, Arthur (The Scarlett Letter), 18 Auden and, 109, 115 disassociation, 225 Augustine of Hippo and, 110, 115 American, 165 Baldwin and, 163 Baldwin and, 165 Christopher and His Kind (Isherwood), 33, 82, 85, ethical intelligence and, 53 90, 92, 94, 213 gender binary and, 53, 145 Chrysanthemum and the Sword, The (Benedict), gender stereotypes and, 15 203, 206 hierarchy and, 145 Chu, Judy, 16, 45, 53, 218 patriarchal, 5, 53, 166 Churchill, Winston, 39 Auden and, 116 City of God, The (Augustine of Hippo), 112 breaking, 198 Civil Rights Acts of 1964 and 1965, 147 Isherwood and, 92 Claggart, John (Billy Budd), 66 Orwell and, 120 Clark, Septima, 176 reality and, 15 Cleaver, Eldridge, 174 Discipline and Punish. The Birth of the Prison Collatinus (Rape of Lucretia), 59 (Foucault), 225, 228 Coming of Age in Samoa (Mead), 198 dissociation (defined), 14 compliance, false (Ferenczi), 15 divided self, Benedict and, 191, 192, 217 Confessions (Augustine of Hippo), 110 Dog Beneath the Skin, The (Auden), 98 conscience, right of, 26, 128 Dorothea (Middlemarch), 23 Coriolanus, 99 Douglass, Frederick, 127, 133, 134, Corydon (Gide), 178 Down by the River (Isherwood/Bachardy), 90 Crabbe, George, 33, 52, 65 Down There on a Visit (Isherwood), 90 Cressman, Luther, 197 Dr. Flint (Incidents in the Life of a Slave Girl), 130 Crewe, Sir Francis (The Dog Beneath the Skin), 99 Dreyfus Affair, 24 Crozier, Eric, 66 DuBois, Blanche (Streetcar Named Desire), 181 Cullen, Countee, 152 cult of grief (Benedict), 200 Edith (The Welcome Table), 180 Curlew River (Britten), 58, 64 Egypt, 13 Eliot, George (Marian Evans), 22, 23–24, 189, 209 D’Emilio, John, 136, 139, 142 Eliot, T. S., 115 Dalloway, Clarissa, 37 Elisha (Go Tell It on the Mountain), 160 Daniel Deronda (Eliot), 23, 24 Elizabeth and Essex. A Tragic History Darwall, Stephen, 220 (Strachey), 65 David (Giovanni’s Room), 156, 163 Elizabeth II, Queen of England, 65 de Acosta, Mercedes, 184 Emergency Peace Campaign, 137 de Macedo Soares, Lota, 184 Ends and Means (Huxley), 42 Dear, though the night is gone (Auden), 100 Epistle to the Romans, 110 Death in Venice (Britten), 31, 57, 58, 65, 67–70, equality 71, 231 Auden and, 213 Deborah (Go Tell It on the Mountain), 161 Baldwin and, 223 Defert, Daniel, 226, 227 Benedict and, 197 Delaney, Beauford, 153, 215 Benedict/Mead and, 197 democracy Britten/Pears and, 196, 211 constitutional, 27 democratic, 3 Forster and, 43 dignity and, 25 liberal, 202 patriarchy and, 3, 57 patriarchy and, 14 racial, 148, 157 values of, 40 women’s, 87 Diamond, Jared, 13 Eric (Another Country), 157, 165 Dickie (The Talented Mr. Ripley), 185 Eric (On the Frontier), 99 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-12910-8 - Why Love Leads to Justice: Love Across the Boundaries David A. J. Richards Index More information 250 Index Essex, Second Earl of (Robert Devereux, 65 Garbo, Greta, 185 Esther (Go Tell It on the Mountain), 162 Garrison, Abijah, 131, 148 ethics, Kantian, 220 Garrison, Frances Lloyd, 131 Evans, Marian (George Eliot), 7, 23–24 Garrison, Helen, 134 Evers, Medgar, 167, 170 Garrison, William Lloyd, 126–136, 195 Eyeless in Gaza (Huxley), 44 patriarchal violence resistance and, 136, 182 Rustin and, 126–127 Fair Employment Practices Committee, 140 Garrison, William Llyod, 189 Farewell to Arms, A (Hemingway), 37 gay Farmer, James, 139 love, 4, 7, 182, 231 Farnham, Martha, 131 Baldwin and, 156, 207 fascism Benedict and, 206, 207 Benedict and, 202, 206 Britten and, 46 Forster and, 42 Forster and, 43 homophobia and, 230 human rights and, 43, 69 humiliated manhood and, 39 Isherwood and, 85 imperialistic, 37, 189 Rustin and, 146, 214 Isherwood and, 44 marriage, 71, 214, 231 patriarchal authority and, 15 rights, 229 roots of violent, 39 Baldwin and, 177 Woolf and, 37, 41 Bloomsbury Group and, 30 Federal Emergency Relief Association, 188 Isherwood and, 7, 33, 92, 94 Fellowship of Reconciliation (FOR), 139 Rustin and, 149 feminism, 229 universal rights and, 96 abolitionist, 128 gender Baldwin and, 177 binary Foucault and, 228 art and, 231 motives of, 176 Aschenbach and, 68 rights-based, 128 Auden and, 114, 121, 122 Ferenczi, Sandor, 15 Baldwin and, 156, 168, 177, 178, 180, 181, 215, Fischer-Dieskau, Dietrich, 63, 212 219 Fonny (If Beale Street Could Talk), 169 Benedict and, 190, 195, 216 For Faithfulness (Benedict), 194 Billy Budd and, 67 For the Time Being (Auden), 49, 120 Britten and, 210 Forster, E.
Load more

Recommended publications
  • Newsletter 25
    An Appeal for Expertise in Accountancy The Society would be very grateful to hear from any member living in the UK who has some knowledge of accountancy, and who would be willing to donate perhaps two hours of his or her time, once a year, in order to prepare a simple account of the Society's income and outgo. Ideally this would be someone living in or relatively near The London. If you fit this description, could you kindly get in touch with the Society at the postal address listed elsewhere on this page? W. H. Auden Society Memberships and Subscriptions Newsletter Annual memberships include a subscription to the Newsletter: Individual members £ 9 $15 ● Students £ 5 $8 Number 25 January 2005 Institutions £ 18 $30 New members of the Society and members wishing to renew should send sterling cheques or checks in US dollars payable to “The W. H. Auden Society” to Katherine Bucknell, 78 Clarendon Road, London W11 2HW. Receipts available on request. Payment may also be made by credit card through the Society’s web site at: http://audensociety.org/membership.html The W. H. Auden Society is registered with the Charity Commission for England and Wales as Charity No. 1104496. Submissions to the Newsletter may be sent in care of Katherine Bucknell, 78 Clarendon Road, London W11 2HW, or by e-mail to: [email protected] All writings by W. H. Auden in this issue are copyright 2005 by The Estate of W. H. Auden. 28 Foster’s recordings has been released in the Windyridge Variety series (www.musichallcds.com) and a brief excerpt may be heard at www.audensociety.org/vivianfoster.html on the Society’s website.
    [Show full text]
  • Newsletter 32
    The W. H. Auden Society Newsletter Number 32 ● July 2009 Memberships and Subscriptions Annual memberships include a subscription to the Newsletter: Contents Individual members £9 $15 Katherine Bucknell: Edward Upward (1903-2009) 5 Students £5 $8 Nicholas Jenkins: Institutions and paper copies £18 $30 Lost and Found . and Offered for Sale 14 Hugh Wright: W. H. Auden and the Grasshopper of 1955 16 New members of the Society and members wishing to renew should David Collard: either ( a) pay online with any currency by following the link at A New DVD in the G.P.O. Film Collection 18 http://audensociety.org/membership.html Recent and Forthcoming Books and Events 24 or ( b) use postal mail to send sterling (not dollar!) cheques payable to “The W. H. Auden Society” to Katherine Bucknell, Memberships and Subscriptions 26 78 Clarendon Road, London W11 2HW, Receipts available on request. A Note to Members The W. H. Auden Society is registered with the Charity Commission for England and Wales as Charity No. 1104496. The Society’s membership fees no longer cover the costs of printing and mailing the Newsletter . The Newsletter will continue to appear, but The Newsletter is edited by Farnoosh Fathi. Submissions this number will be the last to be distributed on paper to all members. may be made by post to: The W. H. Auden Society, Future issues of the Newsletter will be posted in electronic form on the 78 Clarendon Road, London W11 2HW; or by Society’s web site, and a password that gives access to the Newsletter e-mail to: [email protected] will be made available to members.
    [Show full text]
  • Notre Dame Shakespeare Festival 2008 Program
    July 19 – September 19, 2014 World-class theatre. Right next door. Henry IV • The Merry Wives of Windsor • ShakeScenes • Much Ado About Nothing program_cover_art2014.indd 1 6/30/14 1:36 PM Laura & Jack B. Smith, Jr. are proud sponsors of NOTRE DAME SHAKESPEARE FESTIVAL Giving Back to the Community TABLE OF CONTENTS 2–4 About Shakespeare at Notre Dame and the Notre Dame Shakespeare Festival 5 A Note from the Ryan Producing Artistic Director 6 Festival Events and Ticket Information 8–10 Welcome to the 2014 Season 12–15 Professional Company: HENRY IV 17–19 Young Company: THE MERRY WIVES OF WINDSOR 21–22 ShakeScenes 25–26 Actors From The London Stage: MUCH ADO ABOUT NOTHING 29–39 Notre Dame Shakespeare Festival Cast and Company Profiles 40 Sponsors, Endowments, and Benefactors INSIDE BACK COVER Acknowledgments Festival Production Photographer — Peter Ringenberg LEFT: Robert Jenista, Tim Hanson, Ross Henry, and Kyle CENTER: Young Company Director West Hyler and RIGHT: Cheryl Turski instructs the Young Company in a Techentin work on the HENRY IV set. Stage Manager Nellie Petlick lead a rehearsal of THE movement class. MERRY WIVES OF WINDSOR. SHAKESPEARE AT NOTRE DAME Dear Friends: Dear Friends: Here we are again: summer at Notre Welcome to the 2014 season of the Dame and that means the Notre Notre Dame Shakespeare Festival. It’s Dame Shakespeare Festival. a year of celebrations for all things Shakespeare here on campus. 2014 As always, there are the rich and var- marks not only Shakespeare’s 450th ied delights of local groups perform- birthday, but also the 150th anni- ing in ShakeScenes.
    [Show full text]
  • First Name Initial Last Name
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository Sarah E. Fass. An Analysis of the Holdings of W.H. Auden Monographs at the University of North Carolina at Chapel Hill’s Rare Book Collection. A Master’s Paper for the M.S. in L.S. degree. April, 2006. 56 pages. Advisor: Charles B. McNamara This paper is an analysis of the monographic works by noted twentieth-century poet W.H. Auden held by the Rare Book Collection (RBC) at the University of North Carolina at Chapel Hill. It includes a biographical sketch as well as information about a substantial gift of Auden materials made to the RBC by Robert P. Rushmore in 1998. The bulk of the paper is a bibliographical list that has been annotated with in-depth condition reports for all Auden monographs held by the RBC. The paper concludes with a detailed desiderata list and recommendations for the future development of the RBC’s Auden collection. Headings: Auden, W. H. (Wystan Hugh), 1907-1973 – Bibliography Special collections – Collection development University of North Carolina at Chapel Hill. Rare Book Collection. AN ANALYSIS OF THE HOLDINGS OF W.H. AUDEN MONOGRAPHS AT THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL’S RARE BOOK COLLECTION by Sarah E. Fass A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science.
    [Show full text]
  • The Semi-Circle Library of Plays Tony O'sullivan 061 692 39 01 As at Sept 2017
    The Semi-Circle Library of Plays Tony O'Sullivan 061 692 39 01 as at Sept 2017 Title of Play Writer Writer Length Last Name First Name . Play On Abbot Rick Full Length Pythagorus Abse Dannie Full Length Bites Adshead Kay Full Length The Christ of Coldharbour Lane Agboluaje Oladipo Full Length The American Dream Albee Edward Full Length The Zoo Story Albee Edward Full Length Who's Afraid of Virginia Woolf? Albee Edward Full Length Ardele (book) Anouilh Jean Full Length Restless Heart (book) Anouilh Jean Full Length Time Remembered (book) Anouilh Jean Full Length Mademoiselle Colombe (book) Anouilh Jean Full Length Ring Round The Moon Anouilh Jean Full Length The Waltz Of The Toreadors Anouilh Jean Full Length Antigone (book) Anouilh Jean Full Length The Lark (book) Anouilh Jean Full Length Poor Bitos (book) Anouilh Jean Full Length Leocardia (book) Anouilh Jean Full Length Old-World Arbuzov Aleksei One Act The Waters of Babylon (book) Arden John Full Length Live Like Pigs (book) Arden John Full Length The Happy Haven (book) Arden John Full Length The Acharnians (book) Aristophanes Full Length The Clouds (book) Aristophanes Full Length Lysistrata (book Aristophanes Full Length Fallen Heros Armstrong Ian One Act Joggers Aron Geraldine One Act Bar and Ger Aron Geraldine One Act The Ascent of F6 (book) Auden W. H. Full Length On the Frontier (book) Auden W. H. Full Length Table Manners (book) Ayckbourn Alan Full Length Living Together (book) Ayckbourn Alan Full Length Round and Round the Garden (book) Ayckbourn Alan Full Length Henceforward...
    [Show full text]
  • The Cambridge Companion to W. H. Auden Edited by Stan Smith Frontmatter More Information
    Cambridge University Press 0521829623 - The Cambridge Companion to W. H. Auden Edited by Stan Smith Frontmatter More information The Cambridge Companion to W. H. Auden This volume brings together specially commissioned essays by some of the world’s leading experts on the life and work of W. H. Auden, one of the major English-speaking poets of the twentieth century. The volume’s contributors include a prize-winning poet, Auden’s literary executor and editor, and his most recent, widely acclaimed biographer. It offers fresh perspectives on his work from new and established Auden critics, alongside the views of specialists from such diverse fields as drama, ecological and travel studies. It provides scholars, students and general readers with a comprehensive and authoritative account of Auden’s life and works in clear and accessible English. Besides providing authoritative accounts of the key moments and dominant themes of his poetic development, the Companion examines his language, style and formal innovation, his prose and critical writing and his ideas about sexuality, religion, psychoanalysis, politics, landscape, ecology and globalisation. It also contains a comprehensive bibliography of writings about Auden. © Cambridge University Press www.cambridge.org Cambridge University Press 0521829623 - The Cambridge Companion to W. H. Auden Edited by Stan Smith Frontmatter More information THE CAMBRIDGE COMPANION TO W. H. AUDEN EDITED BY STAN SMITH © Cambridge University Press www.cambridge.org Cambridge University Press 0521829623 - The Cambridge
    [Show full text]
  • University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 13 | Autumn 2011
    University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 13 | Autumn 2011 Title Mammary Landscapes and Mother's Figure: Vengeance and matrilineal legacy in the poetic drama of W.H. Auden Author Andrew Campbell Publication FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts Issue Number 13 Issue Date Autumn 2011 Publication Date 6/12/2011 Editors Dorothy Butchard & Barbara Vrachnas FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | ISSUE 13 Andrew Campbell 1 Mammary Landscapes and Mother's Figure Vengeance and matrilineal legacy in the poetic drama of W.H. Auden Andrew Campbell University of Strathclyde Mother Figures In 1929, aged 22, the poet W.H. Auden wrote in his journal of the “Tyranny of the Dead.” Analysing the psychological malaise attributed to the influence of ancestry, the precocious talent reasoned that “One cannot react against them.” (Mendelson 47). This conclusion, recognising the inability of the individual to slip his familial history and escape the legacy of his antecedents, recurs throughout Auden's early verse, in the form of the “ancestral curse” which “repeats its potent pattern,” in 'Under boughs between our tentative endearments,' (EA 29) and the “Family ghosts” he would identify in 'The string's excitement, the applauding drum.' (EA 32) Auden's sense of the pressure of the social past - personal, familial and historical - finds its clearest expression in his poetic drama, which he commenced with Paid On Both Sides in 1928 and concluded with On The Frontier, the third of his collaborations with Christopher Isherwood, in 1938.
    [Show full text]
  • Auden's Revisions
    Auden’s Revisions By W. D. Quesenbery for Marilyn and in memoriam William York Tindall Grellet Collins Simpson © 2008, William D. Quesenbery Acknowledgments Were I to list everyone (and their affiliations) to whom I owe a debt of gratitude for their help in preparing this study, the list would be so long that no one would bother reading it. Literally, scores of reference librarians in the eastern United States and several dozen more in the United Kingdom stopped what they were doing, searched out a crumbling periodical from the stacks, made a Xerox copy and sent it along to me. I cannot thank them enough. Instead of that interminable list, I restrict myself to a handful of friends and colleagues who were instrumental in the publication of this book. First and foremost, Edward Mendelson, without whose encouragement this work would be moldering in Columbia University’s stacks; Gerald M. Pinciss, friend, colleague and cheer-leader of fifty-odd years standing, who gave up some of his own research time in England to seek out obscure citations; Robert Mohr, then a physics student at Swarthmore College, tracked down citations from 1966 forward when no English literature student stepped forward; Ken Prager and Whitney Quesenbery, computer experts who helped me with technical problems and many times saved this file from disappearing into cyberspace;. Emily Prager, who compiled the Index of First Lines and Titles. Table of Contents Acknowledgments 3 Table of Contents 4 General Introduction 7 Using the Appendices 14 PART I. PAID ON BOTH SIDES (1928) 17 Appendix 19 PART II.
    [Show full text]
  • W. H. AUDEN Also by Rainer Emig MODERNISM in POETRY: Motivations, Structures and Limits W
    W. H. AUDEN Also by Rainer Emig MODERNISM IN POETRY: Motivations, Structures and Limits W. H. Auden Towards a Postmodern Poetics Rainer Emig First published in Great Britain 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-1-349-41057-6 ISBN 978-0-230-28697-9 (eBook) DOI 10.1057/9780230286979 First published in the United States of America 2000 by ST. MARTIN’S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN978- 0–312–22138–X Library of Congress Cataloging-in-Publication Data Emig, Rainer, 1964– W.H. Auden : towards a postmodern poetics / Rainer Emig. p. cm. Includes bibliographical references (p. ) and index. 1. Auden, W. H. (Wystan Hugh), 1907–1973—Criticism and interpretation. 2. Postmodernism (Literature) 3. Modernism (Literature) 4. Poetics. I. Title. PR6001.U4Z67 1999 811'.52—dc21 99–27617 CIP © Rainer Emig 2000 Softcover reprint of the hardcover 1st edition 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
    [Show full text]
  • Britten and His Fellow Composers: Six Footnotes for a Seventieth Birthday
    15 Britten and His Fellow Composers: Six Footnotes for a Seventieth Birthday DAVID DREW Not only for critical and scholarly purposes but also for those of concert planning, the study of Britten's links with other major composers- as with lesser ones - had proved its worth long before comparable pairings became a cliche of concert promotion on both sides of the Atlantic. Hans Keller's pioneering thesis on Britten and Mozart was written in 1946 and first pub­ lished two years later, but was not to achieve fame and notoriety until its reappearance in Benjamin Britten: A Commentary on His Works From A Group of Specialists (1952). By then, Donald Mitchell, Paul Hamburger and Keller himself had greatly extended the field of reference in their writings for Music Survey and the Music Review. In its historical context - that is, in the context of a musical culture whose inborn insularity had become in the war years a necessary defence mechanism - the collocation of Britten and Mozart was provocative in the highest degree. The liberating force of Britten's cosmopolitanism had been resisted from the start by opponents of his similarly outward-listening teacher Frank Bridge. For them, the Mozartian parallel was so gross an impiety that they were ready to applaud Martin Cooper's brilliantly subversive suggestion that the true analogy was not with Mozart but with Saint-Saens. At a time when the reputation of that immensely accomplished and widely enjoyed composer was somewhat tarnished, comparisons with Britten had a polemical thrust that is almost unimaginable today. In Phaeton, in Le Rouet d'Omphale, even in the Carnival of the Animals, today's listeners may hear without embarrassment something of what Britten himself must once have heard.
    [Show full text]
  • Funeral Blues
    Epitaph HERE lies a most beautiful lady, Light of step and heart was she; I think she was the most beautiful lady That ever was in the West Country. But beauty vanishes; beauty passes; 5 However rare—rare it be; And when I crumble, who will remember This lady of the West Country? Walter John de la Mare, OM, CH ( / ˈ d ɛ l ə ˌ m ɛər /;[1] 25 April 1873 – 22 June 1956) was an English poet, short story writer and novelist. He is probably best remembered for his works for children and for his poem "The Listeners". He also wrote some subtle psychological horror stories, amongst them "Seaton's Aunt" and "Out of the Deep". His 1921 novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction[2] and his post-war Collected Stories for Children won the 1947 Carnegie Medal for British children's books.[3] (Wikipedia) W. H. Auden – Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He Is Dead, Put crepe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong.
    [Show full text]
  • Occultism in Western Theater and Drama
    University of Kentucky UKnowledge Studies in Romance Languages Series University Press of Kentucky 2005 Stages of Evil: Occultism in Western Theater and Drama Robert Lima Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Follow this and additional works at: https://uknowledge.uky.edu/srls_book Part of the Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, and the Modern Literature Commons Stages of Evil Studies in Romance Languages: 49 John E. Keller, Editor Occultism in Western Theater and Drama ROBERT LIMA THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 09 08 07 06 05 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Lima, Robert. Stages of evil : occultism in Western theater and drama / Robert Lima.
    [Show full text]