The Oxyrhynchus Papyri Part Xv
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A Homeric Papyrus from Oxyrhynchus
Bulletin of the American Society of Papyrologists 51 (2014) 35-39 A Homeric Papyrus from Oxyrhynchus Simone Oppen Columbia University Abstract Edition of a third century CE papyrus (P.Oxy. 3.535 descr.) from Oxy- rhynchus with Homer, Iliad 1.43-59. papyri.info/apis/columbia.apis.p363 H. x W. = 13.0 x 5.7 cm P.Oxy. 3.535 descr.; MP3 570; West 114 Oxyrhynchus, III CE This fragment of a book-roll on medium brown papyrus contains portions of the middle of lines from Iliad 1.43-59. An average of eight letters per line are written along the fibers. The back is blank. As the papyrus is broken on all sides, the original margins cannot be estimated, but the average width of each letter (0.45 cm) suggests that column width would have been approximately 16 cm, if each line were preserved to its full extent.1 There are four vertical cracks on the left side of the papyrus. The text offers no new readings. The hand is roughly bilinear, exhibiting many characteristics of the “for- mal mixed” or “severe” style.2 Bilinearity is interrupted below the line by the letters ρ, υ, and φ (e.g., in lines 45, 49, and 53) and more subtly by the letters α and χ (e.g., in lines 45 and 46). The vertical descenders in the letters ρ and υ occasionally curve to the left (e.g., in line 49). Overall characteristics of the 1 The average width of letters and column width are derived according to W.A. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
A Philosophical Inquiry Into the Development of the Notion of Kalos Kagathos from Homer to Aristotle
The University of Notre Dame Australia ResearchOnline@ND Theses 2006 A philosophical inquiry into the development of the notion of kalos kagathos from Homer to Aristotle Geoffrey Coad University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Philosophy Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Coad, G. (2006). A philosophical inquiry into the development of the notion of kalos kagathos from Homer to Aristotle (Master of Philosophy (MPhil)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/13 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. A PHILOSOPHICAL INQUIRY INTO THE DEVELOPMENT OF THE NOTION OF KALOS KAGATHOS FROM HOMER TO ARISTOTLE Dissertation submitted for the Degree of Master of Philosophy Geoffrey John Coad School of Philosophy and Theology University of Notre Dame, Australia December 2006 TABLE OF CONTENTS Abstract iv Declaration v Acknowledgements vi INTRODUCTION 1 CHAPTER 1: The Fish Hook and Some Other Examples 6 The Sun – The Source of Beauty 7 Some Instances of Lack of Beauty: Adolf Hitler and Sharp Practices in Court 9 The Kitchen Knife and the Samurai Sword 10 CHAPTER 2: Homer 17 An Historical Analysis of the Phrase Kalos Kagathos 17 Herman Wankel 17 Felix Bourriott 18 Walter Donlan 19 An Analysis of the Terms Agathos, Arete and Other Related Terms of Value in Homer 19 Homer’s Purpose in Writing the Iliad 22 Alasdair MacIntyre 23 E. -
The Jews of Hellenistic Egypt Jews in Egypt Judahites to E
15 April 2019 Septuagint, Synagogue, and Symbiosis: Jews in Egypt The Jews of Hellenistic Egypt Those who escaped the Babylonian advance on Jerusalem, 605‐586 B.C.E. Gary A. Rendsburg Rutgers University Jeremiah 44:1 ַה ָדּ ָב ֙ר ֲא ֶ ֣שׁר ָהָי֣ה ֶ ֽא ִל־יְר ְמָ֔יהוּ ֶ֚אל ָכּל־ ַהְיּ ִ֔הוּדים ַהיֹּ ְשׁ ִ ֖בים ְבּ ֶ ֣אֶר ץ ִמ ְצָ ֑ר ִים Mandelbaum House ַהיֹּ ְשׁ ִ ֤בים ְבּ ִמ ְגדֹּ ֙ל ְוּב ַת ְח ַפּ ְנ ֵ ֣חס ְוּב֔נֹף וּ ְב ֶ ֥אֶרץ ַפּ ְת ֖רוֹס ֵל ֽ ֹאמר׃ April 2019 4 The word which was to Jeremiah, concerning all the Jews who dwell in the land of Egypt, who dwell in Migdol, Tahpanhes, Noph, and the land of Pathros, saying. Judahites to Egypt 600 – 585 B.C.E. Pathros Map of the Persian (Achaemenid) Empire 538 – 333 B.C.E. Bust of the young Alexander the Great (c. 100 B.C.E.) (British Museum) Empire of Alexander the Great (356‐323 B.C.E.) / (r. 336‐323 B.C.E.) 1 15 April 2019 Cartouche of Alexander the Great N L c. 330 B.C.E. D I K A (Louvre, Paris) R S S The Four Successor Kingdoms to Alexander the Great Ptolemies – Alexandria, Egypt (blue) Selecudis – Seleukia / Antioch (golden) Ptolemy Dynasty Jews under Alexander and Ptolemy I 305 B.C.E. – 30 B.C.E. Josephus, Antiquities of the Jews, Book 12, Chapter 1 • Ptolemy brought Jews from Judea and Jerusalem to Egypt. Founded by Ptolemy I, • He had heard that the Jews had been loyal to Alexander. -
Homer's Odyssey in the Hands of Its Allegorists: Many Paths to Explain the Cosmos
Safari Grey Homer’s Odyssey in the Hands of its Allegorists: Many Paths to Explain the Cosmos Summary The allegorical exegetic tradition was arguably the most popular form of literary criticism in antiquity. Amongst the ancient allegorists we encounter a variety of names and philo- sophic backgrounds spanning from Pherecydes of Syros to Proclus the Successor. Many of these writers believed that Homer’s epics revealed philosophical doctrines through the means of hyponoia or ‘undermeanings’.Within this tradition was a focus on cosmological, cosmogonical and theological matters which attracted a variety of commentators despite their philosophical backgrounds. It is the intention of this paper to draw attention to two writers: Heraclitus, and Porphyry of Tyre. This paper also intends to demonstrate that the tradition of cosmic allegorical exegesis is still practiced in modern scholarship. Keywords: Homer; literary criticism; allegory; Heraclitus; Porphyry; cosmology; metaphor Die allegorische exegetische Tradition war wohl die populärste Form der Literaturkritik in der Antike. Unter den antiken Allegorien begegnen wir einer Vielzahl von Namen und phi- losophischen Hintergründen, die von Pherecydes von Syros bis zu Proclus der Nachfolger reichen. Viele dieser Autoren glaubten, Homers Epen enthüllten philosophische Lehren durch Hyponoie oder ,Unterschätzung‘. In dieser Tradition lag der Fokus auf kosmologi- schen, kosmogonischen und theologischen Fragen, die trotz ihrer philosophischen Hinter- gründe eine Vielzahl von Kommentatoren anzogen. -
Ancient Greek Myth and Drama in Greek Cinema (1930–2012): an Overall Approach
Konstantinos KyriaKos ANCIENT GREEK MYTH AND DRAMA IN GREEK CINEMA (1930–2012): AN OVERALL APPROACH Ι. Introduction he purpose of the present article is to outline the relationship between TGreek cinema and themes from Ancient Greek mythology, in a period stretching from 1930 to 2012. This discourse is initiated by examining mov- ies dated before WW II (Prometheus Bound, 1930, Dimitris Meravidis)1 till recent important ones such as Strella. A Woman’s Way (2009, Panos Ch. Koutras).2 Moreover, movies involving ancient drama adaptations are co-ex- amined with the ones referring to ancient mythology in general. This is due to a particularity of the perception of ancient drama by script writers and di- rectors of Greek cinema: in ancient tragedy and comedy film adaptations,3 ancient drama was typically employed as a source for myth. * I wish to express my gratitude to S. Tsitsiridis, A. Marinis and G. Sakallieros for their succinct remarks upon this article. 1. The ideologically interesting endeavours — expressed through filming the Delphic Cel- ebrations Prometheus Bound by Eva Palmer-Sikelianos and Angelos Sikelianos (1930, Dimitris Meravidis) and the Longus romance in Daphnis and Chloë (1931, Orestis Laskos) — belong to the origins of Greek cinema. What the viewers behold, in the first fiction film of the Greek Cinema (The Adventures of Villar, 1924, Joseph Hepp), is a wedding reception at the hill of Acropolis. Then, during the interwar period, film pro- duction comprises of documentaries depicting the “Celebrations of the Third Greek Civilisation”, romances from late antiquity (where the beauty of the lovers refers to An- cient Greek statues), and, finally, the first filmings of a theatrical performance, Del- phic Celebrations. -
A Close Look at Two Poems by Richard Wilbur
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 4-16-1983 A Close Look at Two Poems by Richard Wilbur Jay Curlin Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Comparative Literature Commons, and the Poetry Commons Recommended Citation Curlin, Jay, "A Close Look at Two Poems by Richard Wilbur" (1983). Honors Theses. 209. https://scholarlycommons.obu.edu/honors_theses/209 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. A CLOSE LOOK AT TWO POEMS BY RICHARD WILBUR Jay Curlin Submitted in partial fulfillment of the requirements of the University Honors Program Ouachita Baptist University The Department of English Independent Study Project Dr. John Wink Dr. Susan Wink Dr. Herman Sandford 16 April 1983 INTRODUCTION For the past three semesters, I have had the pleasure of studying the techniques of prosody under the tutelage of Dr. John Wink. In this study, I have read a large amount of poetry and have studied several books on prosody, the most influential of which was Poetic Meter and Poetic Form by Paul Fussell. This splendid book increased vastly my knowledge of poetry. and through it and other books, I became a much more sensitive, intelligent reader of poems. The problem with my study came when I tried to decide how to in corporate what I had learned into a scholarly paper, for it seemed that any attempt.to do so would result in the mere parroting of the words of Paul Fussell and others. -
A Study of the Poetic Relationship Between Thomas Hardy and A.C
HARDY'S DANGEROUS COMPANION: A STUDY OF THE POETIC RELATIONSHIP BETWEEN THOMAS HARDY AND A.C. SWINBURNE by EILEEN DELEHANTY PEARKES B.A. Stanford University, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER: OF ARTS in THE FACULTY OF GRADUATE STUDIES (English) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1991 (c) Eileen Delehanty Pearkes, 1991 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ^MQrUtSM The University of British Columbia Vancouver, Canada Date oa- it mi DE-6 (2/88) ABSTRACT Thomas Hardy's elegy to A.C. Swinburne, composed in 1910 shortly after his death, points to a poetic relationship between the two poets which goes beyond admiration or influence. The relationship between Hardy and Swinburne has not been adequately explored by twentieth century critics, and it is the central purpose of this thesis to examine more closely parallels between them on the level of technique. Analysis of Hardy's elegy entitled "A Singer Asleep" suggests how Hardy may have identified with Swinburne on the level of technique. -
Jocasta and the Sin of Thebes Bernadette Waterman Ward
Jocasta and the Sin of Thebes Bernadette Waterman Ward ABSTRACT: The tragic victim of Oedipus the King is not Oedipus, who after his sufferings shall be raised to divinity; it is his mother Jocasta. She attempted the death by her torture of her own son. When she discovers that he has survived and is her husband, she seeks even to continue her mother-son incest so as to conceal her misdeeds. Cowardly silence among the citizens of doomed Thebes seals their collusion in evil. An examina- tion of the culture of the fatal city can bring the play more vitally into the world that our students actually inhabit, and serve as a warning against the moral collapse that encourages the killing of children. EDIPUS THE KING, the most famous drama of Sophocles, invites many approaches in the classroom. One can delve into such Oquestions as the proper limits of human knowledge, the relation of fate and freewill, responsibility for inadvertent crime, the proper understanding of piety and the power of the gods, and the relation of kingship and self-sacrifice. One can address hubris – pride, overreaching – and hamartia – the mistake or tragic flaw. One can trace dramatic irony in the images of vision and deliberate blindness, or perhaps, with Freud leering in the background, contemplate sexual taboos. Many scholars investigate the guilt of Oedipus, but rarely does the focus shift from the polluted scapegoat to the deep corruption in the scapegoating city of Thebes. The Thebans cast out Oedipus as impure, but in fact they cause their own destruction. By considering the fate of the city, rather than that of Oedipus, our students can make this play vital in the world that we actually inhabit. -
Illinois Classical Studies
Heraclitus and the Moon: The New Fragments in P.Oxy. 3710 WALTER BURKERT The editio maior of Heraclitus by Miroslav Marcovich' will remain a model and a thesaurus of scholarship for a long time, especially since there is little hope that the amount of evidence preserved in ancient literature will substantially increase. Still, two remarkable additions have come to light from papyri in recent years, the quotation of B 94 = 52 M. and B 3 = 57 M. in the Derveni papyrus,^ which takes the attestation of these texts with one stroke back to the 5th century B.C., and especially the totally new and surprising texts contained in the learned commentary on Book 20 of the Odyssey which was published in 1986 as Oxyrhynchus Papyrus 3710 by Michael W. Haslam, with rich and thoughtful notes.^ It was Martin West who called attention to these fragments in 1987;^* they appeared too late to be included in the new editions of Heraclitus by Diano, Conche and Robinson.^ Immediately after West, Mouraviev proposed an alternative reading and interpretation.^ It may still appear that the precious new sayings of Heraclitus are either obscure or trivial or both. Another approach to achieve a better understanding may well be tried. The commentary on the Odyssey preserved in Oxyrhynchus Papyrus 3710 is astonishingly rich in quotations. The passage concerned is Odyssey 20. 156, with the mention of a "festival" which turns out to be a festival of Heraclitus. Greek Text with a Short Commentary by M. Marcovich, editio maior (Merida 1967; rev. ItaUan ed.. Horence 1978). K. -
Antigone's Line
Bulletin de la Société Américaine de Philosophie de Langue Française Volume 14, Number 2, Fall 2005 Antigone’s Line Mary Beth Mader “Leader: What is your lineage, stranger? Tell us—who was your father? Oedipus: God help me! Dear girl, what must I suffer now? Antigone: Say it. You’re driven right to the edge.”1 Sophocles’ Antigone has solicited many superlatives. Hölderlin considered the play to be the most difficult, the most enigmatic and the most essentially Greek of plays. This paper treats a matter of enigma in the play, one that is crucial to understanding the central stakes of the drama. Its main purpose is to propose a novel account of this enigma and briefly to contrast this account with two other readings of the play. One passage in particular has prompted the view that the play is extremely enigmatic; it is a passage that has been read with astonishment by many commentators and taken to demand explanation. This is Antigone’s defense speech at lines 905-914. Here, she famously provides what appear to her to be reasons for her burying her brother Polynices against the explicit command of her king and uncle, Creon. Her claim is that she would not have deliberately violated Creon’s command, would not have ANTIGONE’S LINE intentionally broken his law or edict, had this edict barred her from burying a child or a husband of hers. She states that if her husband or child had died “there might have been another.” But since both her mother and father are dead, she reasons, “no brother could ever spring to light again.”2 Reasoning of this sort has a precedent in a tale found in Herodotus’ Histories, and Aristotle cites it in Rhetoric as an example of giving an explanation for something that one’s auditors may at first find incredible.3 To Aristotle, then, Antigone’s defense speech appears to have been “rhetorically satisfactory,” as Bernard Knox says.4 However, such a reception is rare among commentators.5 1. -
The Oxyrhynchus Papyri Part X
LIBRARY Brigham Young University FROM k 6lnci^+ Call _^^^'^'Acc. No PA No.. \}0\ /^ THE OXYRHYNCHUS PAPYRI PART X GEENFELL AND HUNT 33(S EGYPT EXPLORATION FUND GRAECO-ROMAN BRANCH THE OXYRHYNCHUS PAPYRI PART X EDITED WITH TRANSLATIONS AND NOTES BY BERNARD P. GRENFELL, D.Litt. HON. LITT.D. DUBLIN; HON. PH.D. KOENIGSBERG; HON. lUR.D. GRAZ FELLOW OF queen's COLLEGE, OXFORD; FELLOW OF THE BRITISH ACADEMY CORRESPONDING MEMBER OP THE ROYAL BAVARIAN ACADEMY OF SCIENCES AND ARTHUR S. HUNT, D.Litt. HON. PH.D. KOENIGSBERG ; HON. LITT.D. DUBLIN ; HON. lUK.D. GRAZ; HON. LL.D. ATHENS AND GLASGOW PROFESSOR OF PAPYROLOGY IN THE UNIVERSITY OF OXFORD, AND FELLOW OF QUEEN'S COLLEGE FELLOW OF THE BRITISH ACADEMY ; CORRESPONDING MEMBER OF THE ROYAL BAVARIAN ACADEMY OF SCIENCES MEMBER OF THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS WITH SIX PLATES LONDON SOLD AT The Offices of the EGYPT EXPLORATION FUND, 37 Great Russell St., W.C. AND 527 Tremont Temple, Boston, Mass., U.S.A. KEGAN PAUL, TRENCH, TRUBNER & CO., 68-74 Carter Lane, E.C. BERNARD QUARITCH, ii Grafton St., New Bond St., W. ASHER & CO., 14 Bedford St., Covent Garden, W.C, and 56 Unter den Linden, Berlin C. F. CLAY, Fetter Lane, E.C, and 100 Princes Street, Edinburgh ; and HUMPHREY MILFORD Amen Corner, E.C, and 29-35 West 32ND Street, New York, U.S.A. 1914 All risihts reserved YOUN'G UNlVERSiTC LIBRARi' PROVO. UTAH OXFORD HORACE HART PRINTER TO THE UNIVERSITY PREFACE Of the new literary pieces here published, 1231 and 1233-5 pro- ceed from the second of the large literary finds of 1906, with some small additions from the work of the next season.