Kool & the Gang Celebrate!

Total Page：16

File Type：pdf, Size：1020Kb

Kool & The Gang Celebrate! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Celebrate! Country: Italy Released: 1980 Style: Disco, Funk MP3 version RAR size: 1312 mb FLAC version RAR size: 1605 mb WMA version RAR size: 1694 mb Rating: 4.4 Votes: 365 Other Formats: AUD VOC AHX DXD RA XM FLAC Tracklist A1 Celebration A2 Jones Vs. Jones A3 Take It To The Top A4 Morning Star B1 Love Festival B2 Just Friends B3 Night People B4 Love Affair Companies, etc. Manufactured By – Polygram Inc. Distributed By – Polygram Distribution Inc. Credits Alto Saxophone – Dennis Thomas* Backing Vocals – Cedric Toon, Meekaeel Muhammad*, Robert Bell* Backing Vocals [Female] – Coffee, Something Sweet Backing Vocals, Keyboards, Percussion – Earl E. Toon Jr.* Backing Vocals, Keyboards, Saxophone – Ronald Bell Backing Vocals, Lead Vocals – James "J.T." Taylor* Backing Vocals, Percussion – George Brown Backing Vocals, Trumpet – Robert Mickens* Bass – Robert "Kool" Bell* Engineer [Assistant] – Bobby Cohen*, Clif Hodsdon*, Jeff Kawalex*, Joe DeAngelis, Jullian Robertson*, Kenny Robb Keyboards – Kevin Bell Keyboards [Additional] – Adam Epolito Lead Guitar – Charles Smith* Mastered By – Tom Coyne Mixed By – Gabe Vigorito Mixed By, Engineer [Recording] – Jim Bonnefond Producer [Associate] – Kool & The Gang Producer, Arranged By [Orchestra], Conductor [Orchestra], Mixed By – Eumir Deodato Written-By – Kool & The Gang Notes Previously released as DCR4-9518. Other versions Category Artist Title (Format) Label Category Country Year De-Lite DSR 9518, Kool & The Celebrate! (LP, DSR 9518, Records, De- US 1980 6372·768 Gang Album, 53) 6372·768 Lite Records Kool & The Celebrate! (CD, UICY-78725 Mercury UICY-78725 Japan 2018 Gang Album, Ltd, RE) Kool & The Celebrate! (CD, 822 538-2 Mercury 822 538-2 Germany 1990 Gang Album, RE) 823 610-2, 2893 Kool & The Celebrate! (CD, Mercury, 823 610-2, 2893 Europe 1990 565 Gang Album) Mercury 565 Kool & The Celebrate! (CD, Big Break CDBBRX 0149 CDBBRX 0149 UK 2013 Gang Album, RE, RM) Records Related Music albums to Celebrate! by Kool & The Gang Parade - Time Capsule Kool & The Gang - Emergency Kool & The Gang - Good Times Kool & The Gang - Open Sesame Jeff Floyd - The Power Is Still On Kool & The Gang - Celebrate Kool & The Gang - Light Of Worlds Kool And The Gang - The Force Kool & The Gang - Music Is The Message Kool & The Gang - Spirit Of The Boogie Brute - Co-balt Kool & The Gang - In The Heart.

Copy Link

Recommended publications

KOOL & the GANG, Jersey City, N.J. in 1964, Ronald Bell and Robert
KOOL & THE GANG, Jersey City, N.J. In 1964, Ronald Bell and Robert “Kool” Bell joined Jersey City neighborhood friends Robert “Spike” Mickens, Dennis “Dee Tee” Thomas, Ricky Westfield, George Brown, and Charles Smith to create the Kool & the Gang sound - a unique blend of jazz, soul and funk. Throughout the seventies this blend produced a string of hits including “Jungle Boogie”, “Hollywood Swinging”, “Funky Stuff’ and “Summer Madness”. In 1979 the group penetrated the pop market by incorporating the smooth sounds of vocalist James “JT” Taylor with their infectious formula for making hits. Casey Kasem named Kool & the Gang the band of the eighties noting the bands steady stream of hits during the decade. “Ladies Night”, “Get Down on It” “Joanna” and the theme song to parties worldwide, “Celebration”, solidified Kool & the Gang’s musical legacy. Today, the group enjoys global fame and recognition and a following that spans generations due in part to the groups widely sampled catalogue. Kool & the Gang’s drum beats, bass, guitar and signature horn lines lace the tracks of numerous artists including the Beastie Boys, Jay-Z, Madonna, Janet Jackson, Cypress Hill, and P. Diddy. Kool & the Gang is the most sampled band in hip-hop by far. Their music is also featured on the soundtracks for Rocky, Saturday Night Fever, Pulp Fiction, Wreck-lt Ralph and countless others. For fifty years, Kool & the Gang has continued to tour the world appearing with artists such as Kid Rock, Dave Matthews Band, Elton John, The Roots and a 50-city tour with Van Halen.
[Show full text]
Funku....14 2.1 Počátek 20
-4 OBSAH ÚVOD ...............................................................................................................................6 I ČÁST 1 HUDEBNÍKULTURANAÚZEMÍSPOJENÝCHSTÁTŮ ...............................8 1.1 AFRICKÉ KOŘENY ................................................................................................8 1.2 EVROPSKÁ VERSUS AFRICKÁ HUDBA .................................................................10 1.3 VZÁJEMNÉ PROPOJOVÁNÍ ..................................................................................12 2 HUDEBNÍSTYLYSPŘÍMÝMVLIVEMNAVZNIKA VÝVOJFUNKU ....14 2.1 POČÁTEK 20. STOLETÍ AŽ DVACÁTÁ LÉTA : GOSPEL , BLUES , RAGTIME , NEW ORLEANS – KOLÉBKA JAZZU , JAZZ ....................................................................16 2.2 TŘICÁTÁ A ČTYŘICÁTÁ LÉTA : SWING , BE BOP , RHYTHM &BLUES .......................23 2.3 PADESÁTÁ A ŠEDESÁTÁ LÉTA : ROCK &ROLL , SOUL ............................................28 2.4 SEDMDESÁTÁ LÉTA : JAZZ ROCK , DISKO , HIP -HOP ..............................................31 II ČÁST 3 HISTORICKÝKONTEXT VZNIKUFUNKU ...................................................36 3.1 OBČANSKÉ NEPOKOJE .......................................................................................37 3.2 RASOVÁ PROBLEMATIKA ...................................................................................38 3.3 HUDEBNÍ SOUVISLOST .......................................................................................40 4 FUNK .......................................................................................................................41
[Show full text]
From the Valley to the Mountaintop: a Case Study of Resilience and Persistence Among First-Generation African American Males Who Have Achieved Doctoral Success
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 From The alV ley to the Mountaintop: A Case Study of Resilience and Persistence Among First- Generation African American Males Who Have Achieved Doctoral Success D'Jalon Janeece Jackson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Jackson, D'Jalon Janeece, "From The alV ley to the Mountaintop: A Case Study of Resilience and Persistence Among First-Generation African American Males Who Have Achieved Doctoral Success" (2016). LSU Doctoral Dissertations. 345. https://digitalcommons.lsu.edu/gradschool_dissertations/345 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. FROM THE VALLEY TO THE MOUNTAINTOP: A CASE STUDY OF RESILIENCE AND PERSISTENCE AMONG FIRST-GENERATION AFRICAN AMERICAN MALES WHO HAVE ACHIEVED DOCTORAL SUCCESS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Education by D’Jalon Janeece Jackson B.S., Louisiana State University, 2009 M.A., Louisiana State University, 2012 Ed.S., Louisiana State University, 2015 August 2016 This dissertation is dedicated to my father and mother, Drs. Ronald and Tonya Jackson, whose lives as first-generation African Americans who achieved doctoral success despite obstacles encountered, have inspired this research.
[Show full text]
Master Thesis the PERCEPTION of OPINION LEADERSHIP FOR
Master Thesis THE PERCEPTION OF OPINION LEADERSHIP FOR POLITICAL AND CIVIC PARTICIPATION AMONG DANCE MUSIC ARTISTS Emilija Kučytė Political communication Student identification number: 10841830 Thesis supervisor: Dr. M.E. Wojcieszak Word count: 1443 2 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Abstract This research combines the fields of entertainment, politics and media. The patterns of political participation are especially changing among youth. In this context popular artists, acting as opinion leaders, have the forum to shape the public opinion and instigate political behavior. Thus by conducting qualitative interviews with dance music artists, this thesis provides an insight on their motives to act as opinion leaders, who stimulate civic participation among their fans. It has showed that the motives to instigate political engagement depend on the interplay between the views towards the freedom of speech, hierarchy and representation in democracy; the level of interpretation of an artist as a public versus private person and the level of perceived influence of artists. The motivation was moderated by the medium and the level of issue controversy. Keywords: Political participation, media, music, entertainment, civic engagement, opinion leadership 3 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Introduction “I am a D.J., I am what I say[..] I've got believers I've got believers in me” - David Bowie. In this song the late David Bowie talks about the influence of a DJ, a face of now billion dollar growing industry and the genre most popular among the millennial generation. Among other forms of entertainment, music has always had an important role in influencing the political landscape, mobilizing nations or being a form of protest, while becoming “the voice of the generation” (Van Zoonen, 2005).
[Show full text]
Ronald Bell and Margaret Macclergan by Generation 26 Jul 2020
Descendants of Ronald Bell and Margaret MacClergan by Generation 26 Jul 2020 Ronald BELL (c. 1778- ) 1. Ronald BELL1 [15122] was born circa 1778 in Islay, Argyll, Scotland.1,2 He married Margaret MACLERGAN [15123]. Margaret MACLERGAN1 [15123] was born circa 1778 in Islay.1 She died on 19 July 1856 in Nottawasaga, Simco, Canada West, Canada.1 She and Ronald BELL had the following children: +2 Donald BELL (c. 1797-1881) [15124] +3 John BELL (1808-1900) [15125] +4 Mary BELL (1813-1908) [15126] +5 Angus BELL (c. 1818-1897) [24] +6 Coll Campbell Archibald BELL (1823-1911) [15127] Second Generation 2. Donald BELL1,3 [15124], son of Ronald BELL [15122] and Margaret MACLERGAN [15123], was born circa 1797 in Islay, Argyll, Scotland.1,4 He died on 6 March 1881 in Nottawasaga, Simco, Ontario, Canada.1,3,4 He was buried in East Nottawasaga Presbyterian Church Cemetery, Nottawasaga, Ontario.4 He married Flora MCQUIN [15165]. Obituary of Donald Bell in " The Orillia Packet" 18 March 1881, says "He leaves one brother in Canada, Mr. A. Bell, of Singhampton, Clerk of the township [of Nottawasaga]". Flora MCQUIN1,5 [15165] was born circa 1798 in Scotland.1,5 She died on 28 April 1872 in Nottawasaga, Simco, Canada West, Canada.1 She was buried in East Nottawasaga Presbyterian Church Cemetery. 5 She and Donald BELL had the following children: +7 Archibald BELL (1823- ) [15166] +8 Ronald BELL (1825-1886) [15167] +9 Donald BELL (c. 1831- ) [15168] +10 James BELL (c. 1832- ) [15169] +11 Niel BELL (c. 1833-1914) [15170] +12 Mary BELL (1835-1916) [15171] +13 Angus BELL (c.
[Show full text]
A Cena Musical Da
A cena musical da Black Rio “A intensidade com que a pesquisa para o livro ‘A Luciana Xavier de Oliveira cena musical da Black Rio: Esti lo e mediações nos bailes soul dos anos 1970’, de Luciana Xavier de Oliveira, foi realizada pode ser senti da pelos leitores em cada capítulo de seu texto. Seus argumentos asserti vos e cuidadosos, sobretudo quando relacionados às experiências identi tárias e de territorialidades, demonstram tanto o pensamento de uma pesquisadora que refl ete sobre as práti cas Black Rio, Black Soul, Black Power, ou apenas Soul. Foram vários os culturais e políti cas quanto o de uma apreciadora nomes uti lizados para identi fi car essa cena musical que se tornou que, como poucas, sabe onde procurar nas cidades fenômeno de massa no Rio de Janeiro nos anos 1970, mobilizando onde vive formas intensas de parti lhar experiências. Luciana Xavier de Oliveira milhares de pessoas todos os fi nais de semana. Dos bailes soul surgiu uma estéti ca parti cular que conectava a juventude negra periférica A cena musical da Desse modo, a variável racial que perpassa o Neta adoti va de Leda, que arcou com seus brasileira à uma cultura negra internacional, notadamente norte- argumento autoral explicita as interrelações com estudos, e fi lha de Dalva, trabalhadora americana. Tudo isso em meio a um contexto de grande polarização aspectos dos territórios simbólicos, as questões domésti ca, a autora é formada em políti ca, entre a repressão da ditadura militar e as críti cas de uma socioeconômicas e principalmente as expressões jornalismo pela Universidade Federal do Rio esquerda tradicional, entre as tradições culturais afro-brasileiras e as estéti cas que consti tuem os fenômenos musicais.
[Show full text]
Sentry Magazine Vol 1 No 6 Fall 1988 Winter 1989
For the Navy Security community Vol. 1, No. 6 Fall 1988/Wlnter 1989 Industrial Security It really exists , TEMPEST The lnvlslble thr_eal fS6:~.!~Y Vol. 1 No. 6 Fall 1988/Winter 1989 Security communitv Special features From the editor: Since last issue, I've received a lot Moving up·· MA and LDO Promotio11s ....................................... 4 of positive response from the Oeel Unique police duty at Navy's largest shipyard .................... & concerning the changes aod expansion of Sentry. This issue renects even more Security violations ...who's responsible ...............................22 changes, expanding into areas o( Jungle Patrol ........................................................................... 35 lndus1rial Security and Technical The Invisible Security threat·· TEMPEST............ ...............40 Security, and the growing Legal Issues, 'Alligator Muldoon' ·· SECSTA 's Sccuriry Officer .................... 46 Information Security and Personnel Finding fund$ for security .................................................... 50 Security sections. The command is also growing and The Navy Industrial SecUiity Program ............................... 54 changi11g. As of 1 October 1988, we are Defending against terrorism: Part 6: Mail Boml>s .................. 58 now the Naval Investigative Service Command (NISCOM), and have a new headquarters building 10 go with the News & Features new name. Our new loca1io.n is at the Washingto.11 Navy Yard, Building 111. Crime Prevention awards ....................................................
[Show full text]
Toni Heittola Automatic Classification of Music Signals Master of Science
Toni Heittola Automatic Classi¯cation of Music Signals Master of Science Thesis The subject was approved by the Department of Information Technology on the 14th February 2003. Thesis supervisors: Professor Jaakko Astola (TUT) M.Sc. Anssi Klapuri (TUT) M.Sc. Antti Eronen (Nokia) Preface This work was carried out at the Institute of Signal Processing, Department of Information Technology, Tampere University of Technology, Finland. I wish to express my gratitude to my thesis advisors and examiners Mr. Anssi Klapuri and Mr. Antti Eronen, for they constant guidance, advice, and patience throughout this work. Further, I thank the examiner Professor Jaakko Astola for his advice and comments. I am grateful to Ms. Paula Keltto for her great e®ort to collect and thoroughly annotate all the pieces in the music database. I want also to thank Mr. Vesa Peltonen for his advice and for the database access tools, and Mr. Tuomas Virtanen for his sinusoids-plus-noise spectrum model used in this thesis. I am grateful to Mr. Juha Tuomi for all the valuable discussions during the development of the system. I want to thank the members of the Audio Research Group of Tampere University of Technology for their valuable knowledge and support and for providing a stimulating working atmosphere. I wish to thank my mother and grandparents for all understanding, support and endless love. Big thanks also to my friends for understanding my little time for them during this work. Tampere, December 2003 Toni Heittola i Contents Preface . i Contents . ii TiivistelmÄa . v Abstract . vi List of acronyms and symbols .
[Show full text]
The Recording Academy® Announces 2016 Grammy Hall of Fame® Inductees
® The Recording Academy 3030 Olympic Blvd. Santa Monica, CA 90404 www.grammy.com For Immediate Release NEWS RELEASE THE RECORDING ACADEMY® ANNOUNCES 2016 GRAMMY HALL OF FAME® INDUCTEES 26 Recordings Added to the GRAMMY Hall Of Fame® Residing at the GRAMMY Museum® SANTA MONICA, Calif. (Nov. 18, 2015) — Continuing the tradition of preserving and celebrating timeless recordings, The Recording Academy® has announced the newest additions to its vaunted GRAMMY Hall Of Fame®. This latest round of inducted recordings continues to highlight diversity and recording excellence, and acknowledges both singles and album recordings of all genres at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed annually by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by The Recording Academy's National Board of Trustees. With 26 new titles, the list, now in its 43rd year, currently totals 1,013 recordings and is on display at the GRAMMY Museum® at L.A. LIVE. "The Recording Academy remains dedicated to celebrating a wide variety of great music through the decades," said Neil Portnow, President/CEO of The Recording Academy. "Spanning more than 50 years, the 2016 GRAMMY Hall Of Fame entries are an outstanding collection, marked by both historical and cultural significance. These works have influenced and inspired both music creators and fans for generations and we are proud to induct them into our catalog of distinguished recordings." Representing a great variety of tracks and albums, the 2016 GRAMMY Hall Of Fame inductees range from the Andrews Sisters' "Don't Sit Under The Apple Tree (With Anyone Else But Me)" to the Grateful Dead's American Beauty album.
[Show full text]
Hip Hop Voices in the Era of Mass Incarceration: an Examination of Kendrick Lamar and the Black Lives Matter Movement
Hip hop voices in the era of Mass Incarceration: An examination of Kendrick Lamar and The Black Lives Matter Movement Patrick Jeremiah Salmons Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Political Science Rohan Kalyan Brandy S. Faulkner Ellington Graves 4/28/17 Blacksburg, Virginia Keywords: hip hop, rap, Mass Incarceration, oppression, Police brutality, Black liberation, The Black Lives Matter Movement, individual rights, social contract, pop culture, Kendrick Lamar Hip hop voices in the era of Mass Incarceration: An examination of Kendrick Lamar and The Black Lives Matter Movement Patrick Salmons ABSTRACT The United States has many problems currently, the most persistent of which is the issue of race, and the problem of Mass Incarceration. This thesis addresses what Mass Incarceration is, as well as developing a theoretical understanding of how to overcome Mass Incarceration through the music of Kendrick Lamar and The Black Lives Matter Movement. This thesis presents the questions: What is the era of Mass Incarceration? How does Kendrick Lamar’s music inform the problems of Mass Incarceration? How does The Back Lives Matter Movement use this information to create a solidarity movement against the oppression of African Americans? What does this mean going forward? Creating a synthesis of Mass Incarceration, the music of Kendrick Lamar, and The Black Lives Matter Movement, that overlaps and propels an intersection of culture and activism that inform one another. This all leads to the main takeaway of the thesis, that attempts to provide an interpretive understanding that pop culture, social media, and activism have created a different civil sphere, a Black public sphere that informs and educates through different avenues.
[Show full text]
Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2
Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2. Frijid Pink: House of the rising sun 3. Mandrill: Mandrill 4. Chris Rea: The road to hell 5. GesmbH: Move on 6. Roger Chapman: Moth of a flame 7. Wah Wah Watson: Goo goo wah wah 8. Temptations: Aint no justice 9. Juicy Lucy: Willie the pimp 10. Cressida: Munich 11. Leon Redbone: My walking stick Titelliste Rollercoaster 2 1. Steppenwolf: Born to be wild 2. Family: The weavers answer 3. Kevin Ayers: Heartbreak hotel 4. Weather Report: Black market 5. Golden Earring: The wall of dolls 6. Stooges: Down the street 7. Pink Floyd: Let there be more light 8. Chicago: I'm a man 9. Gentle Giant: The house, the street, the room 10. King Crimson: In the court of the crimson king 11. Leon Redbone: Somebody stole my gal Titelliste Rollercoaster 3 1. Black Sabbath: Paranoid 2. Pat Martino: Deeda 3. Camel: Slow yourself down 4. Frank zappa: Muffin man 5. Pete Brown & Piblokto: Station song platform two 6. Chase: Bochawa 7. Deep Purple: No no no 8. Electric Flag: Sunny 9. Iron Butterfly: In a gaddda da vida 10. Leon Redbone: Desert blues Titelliste Rollercoaster 4 1. Jimi Hendrix: All along the watchtower 2. Barclay James Harvest: Ball and chain 3. El Chicano: I'm a good woman 4. Bob Dylan: Knocking on heavens door 5. Quicksilver Messenger Service: Fresh air 6. Passport: Jadoo 7. Blood, Sweat & Tears: Hi-de-Ho 8. Walpurgis: Queen of Saba 9. Climax Blues Band: Amerita/Sense of direction 10. Beggars Opera: Light cavalry 11.
[Show full text]
Keeps Q011ing 'Tri N Kepta Rcxlin',"/E >S V\'Th Is on the G
WITH THEI.?N=W SINGLE, KEEPS Q011ING 'TRI N KEPTA RCXLIN',"/E >S V\'TH IS ON THE G. ROA?'NG AC.;C SS THE AEROSMITH. COUNTRY TO STAI\'JING-ROOMr-ONLY THE NEW GENERATION A JDIENCES. I-LEADL! \' ING CEf 7PAL PARK, OF ROCK 'N' ROLL IS HERE. COLUMB'JS, DETROIT ATLANTA. Ci-IICAGO, AI^:RON,.AN\II\ ARBOR, CII.ICJNATT!, PHILADELIA,B.A.LTIMDRE.FBABTP+H BECOMING / * AEROSM(TH rovR,,,,ter wiwres ',N' P, DLLERS G THE MOSTIPP! A JDED ROCK - /Same Old Sosia And 9 rcer/U7a an Of The World s. as. Too Bad)/Seaso s Of Wither A GI?C'WING BUZZ -HAT'S TURNING IN i O rain Kept A Rodin' A TUMULTUOUS CRcSCFN:O. THE /1.4OST KC 32847* REQUESTED SING IN CITY ,a ETE4 CIT" IS THE DYNAN IC SINGLE, KEPT ROLLIN' «e "TRAIN A 3-X34 ON COLUMBIA RECORDS 157a CBi Ic THE INTERNATIONAL MUSIC -RECORD WEEKLY BQX CASHXXXVI VOLUME - NUMBER 28 - December 7. 1974 President and Publisher MARTY OSTROW Executive Vice President ch box editorial IRV LICHTMAN Vice President ED ADLUM Managing Editor Editorial `Timely' & `Timeless': New York MICHAEL DAVID Today's Dilemma STEVE MARKS BARRY TAYLOR An undercurrent philosophy that runs through the fabric of musical Hollywood creativity is whether what has been achieved is "timely" or "timeless." Many in DAVID BUDGE the world music JACK BRESCHARD of would like to believe - realistically or not - that what they TIM HOGAN have BERT BOGASH created is something beyond today and will stand the test of time. Of course, there are some who give little thought to such futures, and prefer to Research MIKE MARTUCCI settle for "timely" success -"time and time" again, we may add.
S V\'Th Is on the G" class="panel-rg color-a">[Show full text]