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Blues Notes October 2015
VOLUME TWENTY, NUMBER TEN • OCTOBER 2015 SELWYN BIRCHWOOD MARIA BSO Halloween Party MULDAUR Sat. Oct 31st Saturday @ 7 pm $10 Oct. 3rd 21st Saloon @ 6 pm Zoo Bar Lincoln, NE Oct. 1st ..................................................................Red Elvises ($10) Oct. 4th (Sunday @ 4 pm) ...The Nebraska Blues Challenge Finals ($5) Oct. 8th ................................................................ Eleanor Tallie ($10) Oct. 15th ................................................................ John Primer ($12) NEBRASKA BLUES CHALLENGE Oct. 22nd ...........................................Cedrick Burnside Project ($10) Oct. 29th .....................Gracie Curran & Her High Falutin’ Band ($10) FINALS COMPETITION Oct. 31st (Saturday @ 7 pm)..................... Halloween Party with the Selwyn Birchwood Band ($10) 21st Saloon, Omaha, NE Nov. 5th ................................................. The Bart Walker Band ($10) Sunday, Oct. 4th @ 4 pm • $5 cover Nov. 7th (Saturday @ 9 pm) ................................Sinners and Saints Nov. 12th ..................................................... Crystal Shawanda ($10) — More info inside — Nov. 19th ............................................. The Scottie Miller Band ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Becky at [email protected] to switch to e-mail newsletter delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: -
A Conversation with Vassar Clements by Frank Goodman (Puremusic.Com, 8/2004)
A Conversation with Vassar Clements by Frank Goodman (Puremusic.com, 8/2004) Perhaps like many who will enjoy the interview that follows, among my first recollections of Vassar’s playing is the 1972 Nitty Gritty Dirt Band recording Will the Circle Be Unbroken. As long ago as that seems (and is), he’d already been at it for over twenty years! In 1949, although only 14 years old and still in school, he began playing with Bill Monroe, the father of bluegrass. Aside from a few years off early on to check out some other things, Vassar’s been playing music professionally ever since. He’s recognized as the most genre-bending fiddler ever. “The Father of Hillbilly Jazz” is a handle that comes from several CDs he cut at that crossroads, but you can hear jazz and blues in any of the playing he’s done. He grew up listening to big band and Dixieland, and still listens to a lot of it today. Vassar says that many of the tunes he writes or passages he’ll fly into in a solo come from half remembered horn lines deep in his musical memory. Between his beginnings with Bill Monroe and the Circle album, Clements did many years with Jim and Jesse and then years with the late and much loved John Hartford, a lifelong friend who gave him the legendary fiddle he plays today. Circle turned a whole generation of hippies and acoustic music fans on to his music, and the children of that generation are following him today, as his popularity continues to recycle. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
SMYC 2013 CD Booklet
SPECIAL MULTISTAKE YOUTH CONFERENCE 2013 MUSIC SOUNDTRACK Audio CD_Booklet.indd 1 10/18/2013 9:04:08 AM Stand Chorus Chorus: Joy of Life Singer: Megan Sackett No, I can’t say that I know for certain, but, Singers: Savanna Liechty & Hayden Gillies Every choice, every step, I’m feelin’ somethin’ deep inside my heart Morning sun fill the earth, every moment, I wanna say that I know for certain, Sunlight breaking through the shadows fill the shadows, point my course, set my path but for now it’s a good start. stand lighting all we see fill my soul with light. make me ready. taking in each single moment Sacred light, holy house, I’ve been trying things out a bit, with the air we breath Steady flame, steady guide, loving Father, wanting to know what’s real still so much that lies before us steady voice of peace bind my heart, fill my life I don’t know what will come of it but still so much within our reach lead me through the night. with this promise to stand… if I keep it up I will. of life joy Chorus: Won’t give in, won’t give up And be not moved, together I know there’s someone who after all I can do Every day won’t give out at all Stand makes it all alright brings another moment ‘til my heart is right. In a holy place Then I hear a voice that whispers to me every time Stand… Oh Stand that I’ve known it all my life. -
Never a Dull Moment: Rock's Golden Year, De David Hepworth
https://lib.uliege.be https://matheo.uliege.be Entre foreignization et domestication : Traduction commentée de chapitres de 1971 - Never a Dull Moment: Rock's Golden Year, de David Hepworth Auteur : Delcour, Calvin Promoteur(s) : Mergeai, Mathilde Faculté : Faculté de Philosophie et Lettres Diplôme : Master en traduction, à finalité spécialisée Année académique : 2019-2020 URI/URL : http://hdl.handle.net/2268.2/10624 Avertissement à l'attention des usagers : Tous les documents placés en accès ouvert sur le site le site MatheO sont protégés par le droit d'auteur. Conformément aux principes énoncés par la "Budapest Open Access Initiative"(BOAI, 2002), l'utilisateur du site peut lire, télécharger, copier, transmettre, imprimer, chercher ou faire un lien vers le texte intégral de ces documents, les disséquer pour les indexer, s'en servir de données pour un logiciel, ou s'en servir à toute autre fin légale (ou prévue par la réglementation relative au droit d'auteur). Toute utilisation du document à des fins commerciales est strictement interdite. Par ailleurs, l'utilisateur s'engage à respecter les droits moraux de l'auteur, principalement le droit à l'intégrité de l'oeuvre et le droit de paternité et ce dans toute utilisation que l'utilisateur entreprend. Ainsi, à titre d'exemple, lorsqu'il reproduira un document par extrait ou dans son intégralité, l'utilisateur citera de manière complète les sources telles que mentionnées ci-dessus. Toute utilisation non explicitement autorisée ci-avant (telle que par exemple, la modification du document ou son résumé) nécessite l'autorisation préalable et expresse des auteurs ou de leurs ayants droit. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
The Festival at Central City Park
THE FESTIVAL AT CENTRAL CITY PARK Presented by Drew Exposition FUN IN THE PARK: The Festival at Central City Park is the heart and hub of the Cherry Blossom Capital of the World. The Festival at Central City Park features 10-days of magnificent midway rides, exciting exhibits, spectacular shows, incredible headliners and fantastic food. You’re sure to make lifelong memories when you enjoy $400,000 worth of free entertainment with a $5 admission. Children under 10 are FREE! Event Hours: March 22-31 : 10:00 am-10:00 pm Admission: Two convenient entrances: Round Building at Central City Park Presented by Cricket Wireless Willie Smokie Glover Road $5/person; Children 10 and under FREE! COMFORT STATION: Presented by Ingleside Baptist Church The Comfort Station provides separate areas for diaper changing, a quiet space for young children, and for nursing mothers. Location: Next to Round Building CONCESSIONS & VENDORS March 22-31 Central City Park Come enjoy your favorite festival food such as corn dogs, gyros, cotton candy, funnel cakes, kettle corn and much more! Also onsite are caricature artists, henna tattooists and face painters. ROUND BUILDING AT CENTRAL CITY PARK Presented by Cricket Wireless March 22-31 10:00 am - 10:00 pm Central City Park Yoshino Cherry Tree Sale Keep Macon-Bibb Beautiful Commission returns to Central City Park’s Round Building to sell the official Yoshino cherry trees. The cost of a tree is $10.00. For more information, contact Pam Carswell at 478-330-7054. Cherry Blossom Gift Shop Visit our Gift Shop in the Round Building for all your Cherry Blossom Festival souvenirs. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue ab baars Charles Gayle woody herman Coleman Hawkins kidd jordan joe lovano john and bucky pizzarelli lou marini Daniel smith 2012 Critic’s poll berlin jazz fest in photos Volume 39 Number 1 Jan Feb March 2013 SEATTLE’S NONPROFIT earshotCREATIVE JAZZ JAZZORGANIZATION Publications Memberships Education Artist Support One-of-a-kind concerts earshot.org | 206.547.6763 All Photos by Daniel Sheehan Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED January, February, March 2013 IN CADENCE Vol. 39 No. 1 (403) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b: bass Cadence Media LLC, b cl: bass clarinet P.O. Box 13071, Portland, OR 97213 bs: bass sax PH 503-975-5176 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Transcriptions: Colin Haney, Paul Rogers, Rogers Word flt: flute Services Fr hn: French horn Art Director: Alex Haney g: guitar Promotion and Publicity: Zim Tarro hca: harmonica Advisory Committee: kybd: keyboards Jeanette Stewart ldr: leader Colin Haney ob: oboe Robert D. Rusch org: organ perc: percussion p: piano ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and pic: piccolo Discover accepted. rds: reeds POSTMASTER: Send address change to Cadence Magazine, P.O. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.