Cashbox I Album Reviews Swamm JAZZ PICKS
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KOOL & the GANG, Jersey City, N.J. in 1964, Ronald Bell and Robert
KOOL & THE GANG, Jersey City, N.J. In 1964, Ronald Bell and Robert “Kool” Bell joined Jersey City neighborhood friends Robert “Spike” Mickens, Dennis “Dee Tee” Thomas, Ricky Westfield, George Brown, and Charles Smith to create the Kool & the Gang sound - a unique blend of jazz, soul and funk. Throughout the seventies this blend produced a string of hits including “Jungle Boogie”, “Hollywood Swinging”, “Funky Stuff’ and “Summer Madness”. In 1979 the group penetrated the pop market by incorporating the smooth sounds of vocalist James “JT” Taylor with their infectious formula for making hits. Casey Kasem named Kool & the Gang the band of the eighties noting the bands steady stream of hits during the decade. “Ladies Night”, “Get Down on It” “Joanna” and the theme song to parties worldwide, “Celebration”, solidified Kool & the Gang’s musical legacy. Today, the group enjoys global fame and recognition and a following that spans generations due in part to the groups widely sampled catalogue. Kool & the Gang’s drum beats, bass, guitar and signature horn lines lace the tracks of numerous artists including the Beastie Boys, Jay-Z, Madonna, Janet Jackson, Cypress Hill, and P. Diddy. Kool & the Gang is the most sampled band in hip-hop by far. Their music is also featured on the soundtracks for Rocky, Saturday Night Fever, Pulp Fiction, Wreck-lt Ralph and countless others. For fifty years, Kool & the Gang has continued to tour the world appearing with artists such as Kid Rock, Dave Matthews Band, Elton John, The Roots and a 50-city tour with Van Halen. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
From the Valley to the Mountaintop: a Case Study of Resilience and Persistence Among First-Generation African American Males Who Have Achieved Doctoral Success
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 From The alV ley to the Mountaintop: A Case Study of Resilience and Persistence Among First- Generation African American Males Who Have Achieved Doctoral Success D'Jalon Janeece Jackson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Jackson, D'Jalon Janeece, "From The alV ley to the Mountaintop: A Case Study of Resilience and Persistence Among First-Generation African American Males Who Have Achieved Doctoral Success" (2016). LSU Doctoral Dissertations. 345. https://digitalcommons.lsu.edu/gradschool_dissertations/345 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. FROM THE VALLEY TO THE MOUNTAINTOP: A CASE STUDY OF RESILIENCE AND PERSISTENCE AMONG FIRST-GENERATION AFRICAN AMERICAN MALES WHO HAVE ACHIEVED DOCTORAL SUCCESS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Education by D’Jalon Janeece Jackson B.S., Louisiana State University, 2009 M.A., Louisiana State University, 2012 Ed.S., Louisiana State University, 2015 August 2016 This dissertation is dedicated to my father and mother, Drs. Ronald and Tonya Jackson, whose lives as first-generation African Americans who achieved doctoral success despite obstacles encountered, have inspired this research. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Gabriel's Reviews
GABRIEL’S REVIEWS MIDCENTURY MODERN Vol. 2 (2019) …….. thanks for sending the great CD. Put it in iTunes and was listening on the way to Japan! Randy Brecker, Grammy winning trumpeter Gabriel Mark Hasselbach - Midcentury Modern Volume 2 FOUR out of FIVE STARS Gabriel Mark Hasselbach, trumpet/flugelhorn/flute/valve trombone; Miles Black, piano/organ/bass; Joel Fountain, drums; Cory Weeds, saxophone; Ernie Watts, saxophone; Gord Lemon, electric bass; Olaf DeShield, guitar; Laurence Mollerup, acoustic bass. Trumpet master and multi-talented musician, Gabriel Mark Hasselbach opens with a tune called, “Superblue.” This composition is a super slick and straight-ahead, featuring Miles Black, brilliant on an attention-getting piano solo. Gabriel is a gifted horn player who enjoys crossing genres and blending styles. He can play it all, from Bebop to R&B; Pop to Smooth jazz. The repertoire and melodies on this volume 2 “MidCentury Modern” production are catchy. They’re familiar. the horn lines punch bright, staccato lines that punctuate these unforgettable tunes. The Hasselbach arrangements are well-written. On the second track, “Driftin’, “Cory Weeds steps into the spotlight on saxophone and he swings hard. The 3rd track on this album proffers a Latin groove, combined with a straight-ahead jazz production that reminds me of the infectious music of the late, great Eddie Harris. Gabriel Mark Hasselbach records party jazz. His music makes me happy. You feel joyful energy and emotion from these musicians. In Hasselbach’s discography of fifteen album releases, there are only a few mainstream albums. Most of his music has been geared towards the contemporary jazz market. -
Ronald Bell and Margaret Macclergan by Generation 26 Jul 2020
Descendants of Ronald Bell and Margaret MacClergan by Generation 26 Jul 2020 Ronald BELL (c. 1778- ) 1. Ronald BELL1 [15122] was born circa 1778 in Islay, Argyll, Scotland.1,2 He married Margaret MACLERGAN [15123]. Margaret MACLERGAN1 [15123] was born circa 1778 in Islay.1 She died on 19 July 1856 in Nottawasaga, Simco, Canada West, Canada.1 She and Ronald BELL had the following children: +2 Donald BELL (c. 1797-1881) [15124] +3 John BELL (1808-1900) [15125] +4 Mary BELL (1813-1908) [15126] +5 Angus BELL (c. 1818-1897) [24] +6 Coll Campbell Archibald BELL (1823-1911) [15127] Second Generation 2. Donald BELL1,3 [15124], son of Ronald BELL [15122] and Margaret MACLERGAN [15123], was born circa 1797 in Islay, Argyll, Scotland.1,4 He died on 6 March 1881 in Nottawasaga, Simco, Ontario, Canada.1,3,4 He was buried in East Nottawasaga Presbyterian Church Cemetery, Nottawasaga, Ontario.4 He married Flora MCQUIN [15165]. Obituary of Donald Bell in " The Orillia Packet" 18 March 1881, says "He leaves one brother in Canada, Mr. A. Bell, of Singhampton, Clerk of the township [of Nottawasaga]". Flora MCQUIN1,5 [15165] was born circa 1798 in Scotland.1,5 She died on 28 April 1872 in Nottawasaga, Simco, Canada West, Canada.1 She was buried in East Nottawasaga Presbyterian Church Cemetery. 5 She and Donald BELL had the following children: +7 Archibald BELL (1823- ) [15166] +8 Ronald BELL (1825-1886) [15167] +9 Donald BELL (c. 1831- ) [15168] +10 James BELL (c. 1832- ) [15169] +11 Niel BELL (c. 1833-1914) [15170] +12 Mary BELL (1835-1916) [15171] +13 Angus BELL (c. -
Sentry Magazine Vol 1 No 6 Fall 1988 Winter 1989
For the Navy Security community Vol. 1, No. 6 Fall 1988/Wlnter 1989 Industrial Security It really exists , TEMPEST The lnvlslble thr_eal fS6:~.!~Y Vol. 1 No. 6 Fall 1988/Winter 1989 Security communitv Special features From the editor: Since last issue, I've received a lot Moving up·· MA and LDO Promotio11s ....................................... 4 of positive response from the Oeel Unique police duty at Navy's largest shipyard .................... & concerning the changes aod expansion of Sentry. This issue renects even more Security violations ...who's responsible ...............................22 changes, expanding into areas o( Jungle Patrol ........................................................................... 35 lndus1rial Security and Technical The Invisible Security threat·· TEMPEST............ ...............40 Security, and the growing Legal Issues, 'Alligator Muldoon' ·· SECSTA 's Sccuriry Officer .................... 46 Information Security and Personnel Finding fund$ for security .................................................... 50 Security sections. The command is also growing and The Navy Industrial SecUiity Program ............................... 54 changi11g. As of 1 October 1988, we are Defending against terrorism: Part 6: Mail Boml>s .................. 58 now the Naval Investigative Service Command (NISCOM), and have a new headquarters building 10 go with the News & Features new name. Our new loca1io.n is at the Washingto.11 Navy Yard, Building 111. Crime Prevention awards .................................................... -
The Recording Academy® Announces 2016 Grammy Hall of Fame® Inductees
® The Recording Academy 3030 Olympic Blvd. Santa Monica, CA 90404 www.grammy.com For Immediate Release NEWS RELEASE THE RECORDING ACADEMY® ANNOUNCES 2016 GRAMMY HALL OF FAME® INDUCTEES 26 Recordings Added to the GRAMMY Hall Of Fame® Residing at the GRAMMY Museum® SANTA MONICA, Calif. (Nov. 18, 2015) — Continuing the tradition of preserving and celebrating timeless recordings, The Recording Academy® has announced the newest additions to its vaunted GRAMMY Hall Of Fame®. This latest round of inducted recordings continues to highlight diversity and recording excellence, and acknowledges both singles and album recordings of all genres at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed annually by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by The Recording Academy's National Board of Trustees. With 26 new titles, the list, now in its 43rd year, currently totals 1,013 recordings and is on display at the GRAMMY Museum® at L.A. LIVE. "The Recording Academy remains dedicated to celebrating a wide variety of great music through the decades," said Neil Portnow, President/CEO of The Recording Academy. "Spanning more than 50 years, the 2016 GRAMMY Hall Of Fame entries are an outstanding collection, marked by both historical and cultural significance. These works have influenced and inspired both music creators and fans for generations and we are proud to induct them into our catalog of distinguished recordings." Representing a great variety of tracks and albums, the 2016 GRAMMY Hall Of Fame inductees range from the Andrews Sisters' "Don't Sit Under The Apple Tree (With Anyone Else But Me)" to the Grateful Dead's American Beauty album. -
REVIEWS a L B U M REVIEWS CATS on the COAST - Sea Level - Capricorn CPN0198- LIVE at the BIJOU - Grover Washington Jr
REVIEWS A L B U M REVIEWS CATS ON THE COAST - Sea Level - Capricorn CPN0198- LIVE AT THE BIJOU - Grover Washington Jr. - Kudu KUX Producer: Stewart Levine - List: 7.98 3637 M2 - Producer: Creed Taylor - List: 8.98 The second album from this Macon band consists of eight This two -record set recorded live at Philadelphia's Bijou Cafe songs, four of which are instrumentals. Most of the vocal work is captures the various moods of a Grover Washington concert. handled nicely by Randall Bramblett, but it is on the non -vocal Whether it is the heavily rhythmic "Lock It In The Pocket" to the songs that this band of excellent instrumentalists really takes mellow "You Make Me Dance," Grover's smooth reed work ex- is off. In particular, it is the keyboard work of Chuck Leavell presses just the right feel. The most ambitious cut the 20 - throughout the album that makes it easy to understand why he minute "Days Of Our Lives/Mr. Magic," which starts out slowly, has been named "Best New Keyboardist" in several recent then picks up in tempo, goes free -style for a few bars then year-end polls. launches into the funk of "Mr. Magic." WHEN I NEED YOU - Albert Hammond - Epic JE 35049 - THE FORCE - Kool And The Gang - De -Lite DSR-9501 - Producers: Charlie Calelio and Albert Hammond - List: 7.98 Producers: Ronald Bell and Claydes Smith - List: 7.98 Albert Hammond, who with Carole Bayer Sager wrote the title Another party album from Kool And The Gang, "The Force" songs which Leo Sayer took to number one, has on his latest takes advantage of the current space craze on a number of cuts album 10 songs in the same mainstream pop tradition as the ti- that sound like a funky "Star Wars" soundtrack. -
Perpetual Piano
Volume 37 • Issue 11 December 2009 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Rio Clemente and Frank Nissel pose with the NJJS's Kawai grand piano at the instrument’s new home at Hibiscus Restaurant in Morristown. Perpetual Piano Story by Linda Lobdell he invitation arrived by E-mail the company of jazz musicians and November 5 reception: the rededi- Photos by Tony Mottola Tand a few days later, a group of aficionados. The venue was Hibiscus, cation of the gorgeous NJJS piano Co-Editors Jersey Jazz 40 or so NJJSers and friends found the restaurant in the Best Western placed in the service of jazz at this themselves enjoying food, drink, and Morristown Inn. The reason for the relatively new haven for live music. continued on page 20 New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Pres Sez/Bulletin Board . 2 NJJS Calendar . 3 The Mail Bag . 4 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Music Committee . 8 Prez Sez October Jazz Social. 52 New Members . 54 By Andrea Tyson President, NJJS Crow’s Nest . 55 Change of Address/Support NJJS/Volunteer/JOIN NJJS . 55 s you probably know some new kids on the block. I’ve enjoyed my ARTICLES by now, this is my last presidency. It afforded me the opportunity to Big Band in the Sky . 10 meet and greet many of you within a framework Soupy Sales. 14 Prez Sez column. Centenary College Jazz in January . 19 A of a musical genre we all love. -
Internship Fair Thnrsda. Y
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Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.