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Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Gabriel's Reviews
GABRIEL’S REVIEWS MIDCENTURY MODERN Vol. 2 (2019) …….. thanks for sending the great CD. Put it in iTunes and was listening on the way to Japan! Randy Brecker, Grammy winning trumpeter Gabriel Mark Hasselbach - Midcentury Modern Volume 2 FOUR out of FIVE STARS Gabriel Mark Hasselbach, trumpet/flugelhorn/flute/valve trombone; Miles Black, piano/organ/bass; Joel Fountain, drums; Cory Weeds, saxophone; Ernie Watts, saxophone; Gord Lemon, electric bass; Olaf DeShield, guitar; Laurence Mollerup, acoustic bass. Trumpet master and multi-talented musician, Gabriel Mark Hasselbach opens with a tune called, “Superblue.” This composition is a super slick and straight-ahead, featuring Miles Black, brilliant on an attention-getting piano solo. Gabriel is a gifted horn player who enjoys crossing genres and blending styles. He can play it all, from Bebop to R&B; Pop to Smooth jazz. The repertoire and melodies on this volume 2 “MidCentury Modern” production are catchy. They’re familiar. the horn lines punch bright, staccato lines that punctuate these unforgettable tunes. The Hasselbach arrangements are well-written. On the second track, “Driftin’, “Cory Weeds steps into the spotlight on saxophone and he swings hard. The 3rd track on this album proffers a Latin groove, combined with a straight-ahead jazz production that reminds me of the infectious music of the late, great Eddie Harris. Gabriel Mark Hasselbach records party jazz. His music makes me happy. You feel joyful energy and emotion from these musicians. In Hasselbach’s discography of fifteen album releases, there are only a few mainstream albums. Most of his music has been geared towards the contemporary jazz market. -
Perpetual Piano
Volume 37 • Issue 11 December 2009 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Rio Clemente and Frank Nissel pose with the NJJS's Kawai grand piano at the instrument’s new home at Hibiscus Restaurant in Morristown. Perpetual Piano Story by Linda Lobdell he invitation arrived by E-mail the company of jazz musicians and November 5 reception: the rededi- Photos by Tony Mottola Tand a few days later, a group of aficionados. The venue was Hibiscus, cation of the gorgeous NJJS piano Co-Editors Jersey Jazz 40 or so NJJSers and friends found the restaurant in the Best Western placed in the service of jazz at this themselves enjoying food, drink, and Morristown Inn. The reason for the relatively new haven for live music. continued on page 20 New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Pres Sez/Bulletin Board . 2 NJJS Calendar . 3 The Mail Bag . 4 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 Music Committee . 8 Prez Sez October Jazz Social. 52 New Members . 54 By Andrea Tyson President, NJJS Crow’s Nest . 55 Change of Address/Support NJJS/Volunteer/JOIN NJJS . 55 s you probably know some new kids on the block. I’ve enjoyed my ARTICLES by now, this is my last presidency. It afforded me the opportunity to Big Band in the Sky . 10 meet and greet many of you within a framework Soupy Sales. 14 Prez Sez column. Centenary College Jazz in January . 19 A of a musical genre we all love. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Cashbox I Album Reviews Swamm JAZZ PICKS
insighl&souiaii continued cashboxI album reviews POP PICKS NEW YORK-KOOL & THE GANG: COSMIC COMMUNION .101 WHILE WE'RE STILL YOUNG-Wayne Newton A group of seven energetic young self-taught musicians, who hail from the 4 E W i O N .. WAYNE 1006 Jersey City, New Jersey, area and who also came out of Lincoln High School Chelsea For his LP on the label, Wayne takes a to as the Jersey third with the last of them emerging as late as '69, are often referred slightly different approach. Without sacrificing City Seven by their friends and fans, and collectively and more commonly known the commerciality of the sessions one bit, as Kool & The Gang. The Gang members are: Dennis (D.T.) Thomas, vocals, alto produce. Wes Farrell has given him a less sax, flute and percussion (he is also the groups manager); Robert Bell (Kool), frantic and more contemplative setting for bass and vocals; Ronald Bell, tenor sax, alto flute, sop. sax, and vocals; Rick some of the tune here. The arrangements take West, piano, arp syn., soloist, clarinet and vocals; George Brown, drums, per- their time, and are not dominated by a beat. cussion; Claydes Smith, guitar, acoustic guitar; Robert "Spike" Mickens, trumpet, Titled after his new single, the album also a version "Danny Boy" and a very flugel horn, percussion and vocals. includes of strong entry in "We Didn't Know The Time Of Each member of the group is dedicated to a 'musical journey', a journey, not Day." Album makes for even better listening only revealing the beauty in music, but also, building toward musical formats than his previous efforts. -
Notorious Band the Gibson Gang Is Corn Prised of 12 Jazz Men
TAILGATE RAMBLINGS VOL. 2 NO. 3 at least about traditional jazz. And Leonard Feather has turned a nice dollar or two in the WINTER, 1973 30-odd years he has been writing the Jazz gospel according to Feather. EDITOR - AlanC. W ebber But this doesn't mean that Muggsy and ASSOCIATE EDITOR - John A. "Scotty" Lawrence Leonard saw eye to eye on this music called PRODUCTION EDITOR - Dolores Wilkinson jazz. Matter of fact, Muggsy differed so ART DIRECTOR - Thomas E. Niemann violently from Leonard that he once chased Leonard out of Nick's. Or so I'm told by Tailgate Ramblings is published for members some other experienced and knowledgeable of the Potomac River Jazz Club, an organiza persons. tion dedicated to the support of traditional Then there's my good friend and fellow jazz interest and activity in the Greater Wash record collector Joe Badass (that's pro ington, D. C. and Baltimore areas. Member nounced B'dass; Joe’s touchy about that). ship, $5. Initiation fee, $2. Joe didn't actually see Pinetop Smith spit W rite to: blood, but he knows Pinetop's blood type and nickname of every girl Lulu White employed Mrs. Eleanor Waite Johnson in Mahogany Hall in 1912, not to mention the Secretary matrix numbers of every record Clarence Potomac River Jazz Club Williams ever made. Moreover, he's read 10201 G rosvenor P lace, #905 every book ever written on ja zz in this R ock ville, Md. 20852 country and Europe and believes them all. Funny thing is, Joe can't carry a tune in a Articles, letters to the editor, and ad copy bucket and can't tell the difference between (for which there is no charge to members) A rt Tatum and A rt Hodes on record. -
Ing the Needs of the Mueic & Record World Ind:Utry Gay Ltd 14 a Ss3ar - Tit; Li""? 3A May 23, 1970 75C
record Dedicated T Setting The Needs Of The Mueic & Record world Ind:utry gay ltd 14 A Ss3Ar - tit; li""? 3A May 23, 1970 75c In the opinion of the editors, this week the following recoras are the WHO SINGLE PICKS OF THE WEEK 1,L x114141 IN THE HILLY RRDRVE REERROS WORLD I0.0w6 10 MIL AIWl Oi H' THliff HNC, NIGHT THE uE,oNPc+ "Mama Told Me (Not to The world as described in The Delphonics follow up "A Song of Joy" (Barnegat, Come)" (January, BMI( is "Ball of Confusion" (10 - "Didn't I" with "Trying to BMI) is an adaptation of Three Dog Night's newest bete, BMI) may be in big Make a Fool of Me" (Nickel the last movement of Bee- smash. Randy Newman song trouble but the Temptations Shoe, BMI) and it's just as thoven's Ninth by Miguel will delight their legions will continue their good compellingly beautiful (Phil- Rios. Must be heard and it of loyal followers (Dunhill luck with this one (Gordy ly Groove 162). will because it's a non-stop 4239). 7099). smash (A&M 1193). SLEEPER PICKS OF THE WEEK a i 1300.0 MORNING E1201111 ;THE Irc! -'4 HE R1iLE5 06 V WINE AN i.,....... '+r......u` Daybreak sings "Good The Rattles sing about "The Weinstein & Stroll spend "This Bitter Earth" (Eden, Morning Freedom" (Cook - Witch" (Multi -Mood, BMI) their time "Looking at BMI) feautres The Satisfac- away, BMI) and will have which is a real heavyweight Life" (Blackwood, BMI) in tions doing an excellent to say "hello hit" pretty contender. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
DB0809_001_COVER.qxd 6/16/09 1:05 PM Page 1 DOWNBEAT 57 TH ANNUAL CRITICSANNUAL POLL M CHRISTIAN C BRIDE HANK JONES SONNY ROLLINS CHICK COREA DownBeat.com $4.99 08 AUGUST 2009 AUGUST 0 09281 01493 5 AUGUST 2009 U.K. £3.50 DB0809_02-05_MAST.qxd 6/18/09 12:13 PM Page 2 DB0809_02-05_MAST.qxd 6/18/09 12:13 PM Page 3 DB0809_02-05_MAST.qxd 6/18/09 2:54 PM Page 4 August 2009 VOLUME 76 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Editor Emeritus Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Bill Green Jazz Collection, 1950-1996
http://oac.cdlib.org/findaid/ark:/13030/tf9s201041 No online items Finding Aid for the Bill Green Jazz Collection, 1950-1996 Collection processed and machine-readable finding aid created by UCLA Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2001 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Music Finding Aid for the Bill Green Jazz 196 1 Collection, 1950-1996 Finding Aid of the Bill Green Jazz Collection, 1950-1996 Collection number: 196 UCLA Library, Performing Arts Special Collections University of California, Los Angeles Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: Sonia Seeman Date Completed: May 2001 Encoded by: UCLA Performing Arts Special Collections staff © 2001 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Bill Green Jazz Collection, Date (inclusive): 1950-1996 Collection number: 196 Creator: Bill Green Extent: 130 boxes (65 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: This collection documents the musical legacy of the saxophone player Bill Green. -
Downbeat.Com October 2010 U.K. £3.50
U.K. £3.50 U.K. ctober 2010 2010 ctober downbeat.com o DownBeat Ray ChaRles // tim BeRne // John Clayton // Josh BeRman // wheRe To StuDy Jazz 2011 oCtoBer 2010 OCTOBER 2010 Volume 77 – Number 10 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan -
The Jazz Republic: Music, Race, and American Culture in Weimar Germany
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages The Jazz Republic Revised Pages Social History, Popular Culture, and Politics in Germany Kathleen Canning, Series Editor Recent Titles Bodies and Ruins: Imagining the Bombing of Germany, 1945 to the Present David Crew The Jazz Republic: Music, Race, and American Culture in Weimar Germany Jonathan Wipplinger The War in Their Minds: German Soldiers and Their Violent Pasts in West Germany Svenja Goltermann Three-Way Street: Jews, Germans, and the Transnational Jay Howard Geller and Leslie Morris, Editors Beyond the Bauhaus: Cultural Modernity in Breslau, 1918–33 Deborah Ascher Barnstone Stop Reading! Look! Modern Vision and the Weimar Photographic Book Pepper Stetler The Corrigible and the Incorrigible: Science, Medicine, and the Convict in Twentieth- Century Germany Greg Eghigian An Emotional State: The Politics of Emotion in Postwar West German Culture Anna M. Parkinson Beyond Berlin: Twelve German Cities Confront the Nazi Past Gavriel D. Rosenfeld and Paul B. Jaskot, Editors Consumption and Violence: Radical Protest in Cold-War West Germany Alexander Sedlmaier Communism Day-to-Day: State Enterprises in East German Society Sandrine Kott Envisioning