DOCSLIB.ORG

Arsredovisning2006.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Arsredovisning2006.Pdf 40059_Omslag:Omslag LG 07-03-21 17.32 Sida 1 KUNGLIGA OPERANS årsredovisning 2006 40059_s1-19:balett 07-03-26 13.49 Sida 1 Teaterchefen inleder ■ I en verksamhet som Kungliga 2006 bl a omfattat en baletturné till ett Operans, där det konstnärliga resulta- antal orter från Hallunda till Piteå. tet står i centrum, finns det skäl att sär- skilt betona ett humanistiskt och ska- Ny svensk musikdramatik är ett själv- innehåll ✿ pande uppdrag, som genomsyrar alla klart ansvar för Kungliga Operan som anställdas insatser. Publiken har fortsatt nationalscen. Operan har under senare Teaterchefen inleder 1 år anammat erfarenheter från svensk att strömma till Operan – 2006 noterar Produktioner 2 vi åter ökade publiksiffror. Matinéer på barnteater genom att beställa och urupp- Balett – Stora scenen, Opera – Stora scenen, lördagar och söndagar bidrar till att göra föra flera operor för barn på mindre sce- Konserter, turnéer och övriga arrangemang, utbudet av opera och balett tillgängligt ner, t ex Rotundan, medan det på Stora Förvaltningsberättelse 22 även för publik utanför Stockholms - scenen är Kungliga Baletten som satsat området. på den yngsta publiken. Nu blev Carl Resultaträkning 32 Verksamhetsåret 2006 designerades Unander-Scharins Loranga, Masarin och Balansräkning 33 av regeringen som ett år för mångfald. Dartanjang den första barn- & familje- Kassaflödesanalys 34 Genom den övernationella karaktären operan på Stora scenen på mer än ett hos konstarterna opera och balett är decennium. Noter 36 Kungliga Operan sedan den grundades Operaverksamheten bjöd samman- Revisionsberättelse 39 lagt på fyra nyinstuderingar, sju reper- en mångkulturell arbetsplats, där konst- Föreställningsverksamhet och besökare 40 närer från all världens hörn alltid kun- toarverk och fem premiärer. Den inter- nat mötas. Operan arbetar också helt nationellt uppmärksammade nyuppsätt- Bolagsstyrningsrapport 43 naturligt med en repertoar på många ningen av Wagners Nibelungens ring i Styrelse och personal 46 språk medan dansen och musiken lika regi av Staffan Valdemar Holm fortsat- självfallet överskrider språkliga och kul- te under 2006 med andra och tredje turella gränser. Internationalism och kul- delen, Valkyrian och Siegfried. En ita- niorkester fortsatte med konsertanta turell mångfald är för Kungliga Operan liensk repertoarkontrast blev nyuppsätt- framföranden av Trubaduren medan oskiljaktiga begrepp. ningen av Verdis Trubaduren, som inte Kungliga Operans kör medverkade i Ver- getts på Operan på närmare trettio år. dis Requiem både i Norr köping, Linkö- Mångfaldsåret 2006 markerades Kungliga Baletten bjöd under året på ping och i Stockholms Konserthus. ändå av några speciella projekt. Årets en rik repertoar av sammanlagt fjorton Hovsångerskan Birgit Nilssons bort- första svenska uruppförande, Daniel balettverk, bl a urpremiärer på två gång gav anledning till en minneskon- Börtz Svall, en opera om hedersmord, beställningsverk: Krzysztof Pastors sert med Kungliga Hovkapellet och en passade sällsynt bra in i en allt vidare Tristan på Stora scenen och Gunnlau- rad framstående solister. Husets stora diskussion om kollisionen mellan oför- gur Egilssons Ossuarium i Rotundan. I tradition levandegjordes genom två nya enliga och i några fall oacceptabla kul- höstens premiärprogram Colours in gick utgåvor i den internationellt uppmärk- turmönster, som en svensk invandrings- två Sverigepremiärer: Alonzo Kings Hän- sammade CD-serien Royal Swedish politik och vi alla som medborgare måste del och Mauro Bigonzettis Kazimir’s Opera Archives, hantera. Uppsättningen arbetades fram Colours. Samarbetet med SR/P2 ledde under i dialog med flera verksamheter, som på året till att – förutom minneskonserten fältet arbetar med offren för hedersre- På Drottningholms slottsteater gav – sex av Operans laterat våld. Produktionen av Svall blev Operan Den fångne Cupido och Fiska- produktioner en modell för ett nytt slags samarbete, rena eller Skärgårdsflickan, bägge av genom radion som involverade fem institutioner. Mary Skeaping till musik av Purcell spreds till en stor Samtidigt kom 2006 att bli det år då respektive jubilaren Joseph Martin publik långt utan- vi permanentade en ny avdelning för Kraus. för huvudstaden. pedagogisk verksamhet för barn och Kammarmusik och romanser presen- ■ ungdom, som bl a särskilt vänt sig till teras två gånger i veckan under hela skolor och daghem i områden med ett säsongen vid de mycket populära lunch- starkt inslag av nya svenskar. Den verk- konserterna där sångare och musiker får samheten utvidgas under innevarande utvecklas konstnärligt i en repertoar som år och ses nu som en fast del i teaterns kontrasterar mot den på Stora scenen. pedagogik- och publikarbete, som under Samarbetet med Norrköpings symfo- Anders Franzén, Teaterchef & VD 1 40059_s1-19:balett 07-03-22 18.15 Sida 2 PRODUKTIONER opera Susann Végh och Maurizio Graziani, Carmen. FOTO: ALEXANDER KENNEY 40059_s1-19:balett 07-03-22 18.15 Sida 3 Fr v Maria Fontosh och Karl-Magnus Fredriksson, Eugen Onegin. Susann Végh och Hillevi Martinpelto, Figaros bröllop FOTO:ALEXANDER KENNEY Kungliga Hovkapellet och Kungliga Operans kör, med kormästare Folke Alin och Christina Hörnell, har medverkat vid Operans egna produktioner under 2006. Carmen Eugen Onegin Figaros bröllop Musik: Georges Bizet. Text: Henri Musik: Pjotr Tjajkovskij. Text: Pjotr Musik: Wolfgang Amadeus Mozart. Meilhac och Ludovic Halévy efter en Tjajkovskij och Konstantin Sjilovskij Svensk text: Britt G. Hallqvist. Scenografi novell av Prosper Mérimée. Översättning efter Alexander Pusjkins versroman Eugen och kostym: Lennart Mörk. Koreografi: för text maskin: Lasse Zilliacus baserad på Onegin. Svensk text för textmaskin: Lasse Regina Beck-Friis. Regi: Knut Caj Lundgrens text 1972. Scenografi: John Zilliacus. Scenografi: Hartmut Hendriksen. Hammarklaver: Lars David Conklin. Kostym: Clare Mitchell. Ljus: Schörghofer. Kostym: Tatiana Nilsson. Dirigent: Gregor Bühl. Hans-Åke Sjöquist. Koreografi: Ivo Tulubieva. Ljus: Franck Evin. Koreografi: Cramér. Regi: Ann-Margret Pettersson. Edvald Smirnov. Regi: Dmitri Bertman. I rollerna: Figaro: Johan Edholm. Susanna: Dirigent: Christian Badea/Joakim Dirigent: Tobias Ringborg. Hilde Leidland. Doktor Bartolo: Lennart Unander. Forsén. Marcellina: Marianne Eklöf. I rollerna: Larina: Agneta Lundgren. Cherubino, grevens page: Susann Végh. I rollerna: Carmen: Martina Dike/Susann Tatjana: Maria Fontosh/Lena Hoel. Olga: Greve Almaviva: Anders Larsson. Basilio: Végh. Don José: Maurizio Graziani. Larisa Kostyuk. Filipjevna: Ingrid Tobiasson. Niklas Björling Rugert/Magnus Kyhle. Escamillo: Johan Edholm/Gunnar Lenskij: Stefan Dahlberg/Jonas Degerfeldt. Grevinnan Almaviva: Hillevi Martinpelto. Lundberg. Micaëla: Hilde Leidland/Sara Eugen Onegin: Karl-Magnus Antonio: Magnus Lindén. Barbarina: Elin Olsson. Zuniga: Magnus Lindén/Per-Arne Fredriksson/Jesper Taube. Furst Gremin: Carlsson. Don Curzio: Pierre Gylbert. Två Wahlgren. Moralès: Ola Eliasson. Dancaïre: Lennart Forsén. Monsieur Triquet: Magnus flickor: Malin Lindström, Anita Weinius/Sara Tord Wallström. Remendado: Magnus Kyhle. Zaretskij: Björn Blomqvist. Silvmark, Jessica Forsell. Kyhle/Carl Unander-Scahrin. Frasquita: Elin Försångaren: Anders Blom/Pierre Gylbert. Carlsson. Mercédès: Thérèse Badman Guillot: Ola Strangeways. Den spanske ■ PREMIAR: 21 MAJ 1979 Stenius. Lillas Pastia: Rudolf Suttner. ambassadören: Srdjan Kaljevic. ANTAL FORESTALLNINGAR: 5 Danssolo: Kate Lind Af Hageby/Nicole ANTAL BESOKARE: 4 990 Ransley. Barnkör från Sollentuna ■ PREMIAR: 10 JUNI 2005 Musikklasser. Musikalisk instudering barn- ANTAL FORESTALLNINGAR: 5 kör Gisela Hök-Ternström. Elever från ANTAL BESOKARE: 3 212 Kungliga Svenska Balettskolan. ■ PREMIAR: 21 APRIL 1999 ANTAL FORESTALLNINGAR: 10 ANTAL BESOKARE: 10 260 3 40059_s1-19:balett 07-03-22 18.15 Sida 4 Lena Hoel, Lena Nordin, Jonas Degerfeldt i Maria Stuarda FOTO: MATS BACKER FOTO: MATS Loranga, Masarin Manon Lescaut Maria Stuarda nypremiär och Dartanjang urpremiär Musik: Giacomo Puccini. Libretto: Marco Musik: Gaetano Donizetti. Text: Giuseppe Praga, Domenico Oliva, Luigi Illica och Bardari efter Friedrich von Schillers skåde- Giuseppe Giacosa efter Abbé Prévosts spel. Svensk text för textmaskin: Lasse Musik: Carl Unander-Scharin. roman. Svensk text för textmaskin: Lasse Zilliacus. Scenbilder: Roj Friberg. Kostym: Scenografi: Peder Freiij och Karl Dunér. Zilliacus. Scenografi: Lars Östbergh. Karin Erskine. Ljus: Hans-Åke Sjöquist. Kostym: Peder Freiij. Ljus: Hans-Åke Kostym: Annsofi Nyberg. Ljus: Hans-Åke Regi: Ann-Margret Pettersson. Dirigent Sjöquist. Regi: Karl Dunér. Libretto: Sjöquist. Koreografi: Carina Jarlemark. David Parry. Barbro Lindgren. Dirigent: Tobias Regi: Knut Hendriksen. Dirigent: Roland Ringborg/ Böer/Sergio La Stella/Pier Giorgio I rollerna: Elisabetta: Ingrid Tobiasson. Joakim Unander. Morandi/Tobias Ringborg. Maria Stuarda: Majella Cullagh/Lena Nordin. Roberto Dudley: Jonas Degerfeldt. I rollerna: Loranga: Ola Eliasson/Olle I rollerna: Manon Lescaut: Inessa Giorgio Talbot: John Erik Eleby. Guglielmo Persson. Masarin: Katarina N. Leoson/ Galante/Sara Olsson. Lescaut: Jeremy Cecil: Tord Wallström/Gunnar Lundberg. Susann Végh. Dartanjang: John Erik Carpenter/Anders Larsson/Gunnar Anna Kennedy: Lena Hoel. Eleby/Ketil Hugaas. Tjyven Gustav: Niklas Lundberg. Chevalier Des Grieux: Björling Rygert/Carl Unander Scharin. Aleksandrs Antonenko/Lars Cleveman/ ■ PREMIÄR: 27 JANUARI 1990 Morfar i trädet: Magnus Kyhle/Ulrik Qvale. Tomas Lind/Mika Pohjonen. Geronte de NYPREMIÄR: 18 JANUARI 2006 Polisen: Magnus Kyhle/Ulrik
Load more

Recommended publications
  • Katarina Dalayman Soprano
    KATARINA DALAYMAN SOPRANO BIOGRAPHY LONG VERSION Swedish soprano Katarina Dalayman has sustained a long and prestigious international career in the dramatic repertoire and she has enjoyed enduring collaborations with many of today’s foremost conductors. Strong, dramatic interpretations married with impeccable musicianship are her characteristics. Dalayman has performed a wide range of roles including Isolde (Tristan und Isolde), Marie (Wozzeck), Lisa (Queen of Spades), Ariadne (Ariadne auf Naxos), Katarina Ismailova (Lady Macbeth of Mtsensk) and the title role of Elektra. With a particularly strong association to Wagner's Brünnhilde, Dalayman has appeared in Ring cycles at The Metropolitan Opera, Opéra National de Paris, Wiener and Bayerische staatsoper, Teatro alla Scala, Deutsche Oper Berlin, Semperoper Dresden, Salzburger Festspiele and Festival d’Aix en Provence. Looking ahead to the next phase in her career, Katarina Dalayman’s repertoire is now focused on new roles, having recently made her debut as Kundry (Parsifal) in Dresden, Paris and Stockholm, Judith (Duke Bluebeard’s Castle) in Barcelona and London (Royal Opera House), Ortrud (Lohengrin) with Royal Concertgebouw Orchestra, and Brangäne (Tristan und Isolde) at The Metropolitan Opera. She has recently appeared as Herodias (Salome) for Royal Swedish Opera, Foreign Princess (Rusalka) at The Metropolitan Opera, Klytämnestra (Elektra), Amneris (Aida), and Kostelnicka (Jenůfa), all for Royal Swedish Opera. Among recent performances can be mentioned her highly celebrated interpretation of Kundry at the Metropolitan Opera in New York, a production that was broadcasted around the world in the Mets “Live in HD” performance transmissions, an appearance together with Bryn Terfel in Die Walküre at the Tanglewood Festival in USA, an interpretation of Carmen and Elisabetta in Maria Stuarda both at the Royal Swedish Opera and Ortrud in Lohengrin, with the Concertgebouw Orchestra.
    [Show full text]
  • Opera Festivals
    2012 Festivals Opera JMB Travel Consultants - Opera specialists for 26 years, sharing your passion DestinationsAix-en-Provence Opera Festival ...........................4 Salzburg Opera Festival .......................................8 Bregenz Opera Festival ........................................5 Puccini Opera Festival .........................................9 Bayreuth Opera Festival .......................................5 Puccini Opera and Wine Escorted Tour ................9 Munich Opera Festival .........................................6 Verona Opera Festival........................................10 Macerata Opera Festival ......................................6 Wexford Opera Festival .....................................11 Pesaro – The Rossini Opera Festival .....................7 Wexford Opera Festival Escorted Tour ................11 Savonlinna Opera Festival ...................................7 Call to discuss your requirements with our specialists on 01242 221300 JMB Travel is one of the leading UK tour operators specialising solely in Opera, and has 26 years’ unrivalled Introductionexperience in catering to the particular needs of the Opera lover. We couple that professionalism and care of the individual’s requirements with a huge choice that covers over 10 different Music Festivals noted for their Opera, where well over 50 different productions will be performed during the season. The holidays include virtually in every case, the best grade The air holidays and flights in this brochure are ATOL protected opera ticket,
    [Show full text]
  • Tristan & Isolde
    Wagner Society of New Zealand Patron: Sir Donald McIntyre NEWSLETTER Vol. 12 No. 2 September 2014 Tristan & Isolde: TRIUMPH! Mixed Emotions July 2014: two performances of Wagner one in each hemisphere and two different reactions. In Auckland the response to the APO’s concert performance brought the audience to its feet cheering. In the words of Jeanette Miller and Richard Green: “More’s the pity if it were to prove a once-in-a-lifetime concert experience—the massed standing ovation that greeted the final chord of the Auckland Philharmonia’s Tristan und Isolde was surely testament enough that New Zealand audiences have a hunger for more of the same. 12,000 miles away (give or take a few) the audience in Bayreuth was Eckehard Stier conducts while Daveda Karanas (Brangäne) keeps watch. Photo: Adrian Malloch also on its feet reacting to Frank Castorf’s ‘radically deconstructed’ Those members of the Wagner the Steersman, opened Act 1. We Ring with a different sort of hunger Society who were lucky enough to were then enthralled by Annalena in mind. Lance Ryan, who sings attend the Auckland Philharmonia’s Persson’s Isolde and Daveda Karanas the role of Siegfried in this year’s concert performance of Tristan & as Brangäne. Persson’s voice was bright production, gave the following Isolde not only became part of history, and clear while Karanas’ singing was quote to The Guardian: “I have attending the New Zealand premiere contrastingly rich and lustrous giving never come across an audience with of the work, but were treated to a the impression that she always had so much hatred, so much anger, wonderful performance.
    [Show full text]
  • Catalogue 2015 Thank You to All Our Partners and Co-Producers : Avant Premi Ère Catalogue 2015
    Avant Premi ère CATALOGUE 2015 THANK YOU TO ALL OUR PARTNERS AND CO-PRODUCERS : Avant Premi ère CATALOGUE 2015 COPRODUCTION & PRESALES: Unitel GmbH & Co. KG Gruenwalder Weg 28d, 82041 Oberhaching, Germany Tel: +49.89.673469-630 ∙ Fax: +49.89.673469-610 [email protected] Ernst Buchrucker (Managing Director) [email protected] ∙ Tel: +49.89.673469-19 Dr. Thomas Hieber (Head of Business and Legal Affairs) [email protected] ∙ Tel: +49.89.673469-611 Dr. Magdalena Herbst (Head of Production) [email protected] ∙ Tel: 49.89.673469-862 WORLD SALES – EXCLUSIVE INTERNATIONAL DISTRIBUTOR FOR ALL UNITEL PROGRAMMES: C Major Entertainment GmbH Kaiserdamm 31/86, 14057 Berlin, Germany Tel.: +49.30.303064-64 [email protected] Elmar Kruse ∙ [email protected] (Managing Director) Nadja Joost ∙ [email protected] (Sales Manager, Director Live Events & Popular Music) Nishrin Schacherbauer ∙ [email protected] (Sales Manager) Ira Rost ∙ [email protected] (Sales Manager, Assistant to Managing Director) Avant Premi ère CATALOGUE 2015 OPERA Gaetano Donizetti: La Favorite 8 HK Gruber: Geschichten aus dem Wiener Wald (Tales from the Vienna Woods) 10 Leoš Janáček: Jenufa 12 Wolfgang Amadeus Mozart: Da Ponte-Cycle 14 Wolfgang Amadeus Mozart: Don Giovanni 16 Aribert Reimann: Lear 18 Gioachino Rossini: Aureliano in Palmira 20 Franz Schubert: Fierrabras 22 Richard Strauss: Arabella 24 Richard Strauss: Elektra 26 Richard Strauss: Feuersnot 28 Richard Strauss: Der Rosenkavalier 30 Giuseppe Verdi: Il trovatore 32 Giuseppe Verdi: La forza del destino 34 Giuseppe Verdi: Un ballo in maschera 36 BALLET “Cubania” by Carlos Acosta 38 Pyotr Ilyich Tchaikovsky: Swan Lake 40 CONCERTS Boston Symphony Orchestra – The Inaugural Concert (A.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • My Fifty Years with Wagner
    MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme.
    [Show full text]
  • Festivales De Verano Diana Damrau Gustav Leonhardt Julia Fischer
    REVISTA DE MÚSICA Año XXVI - Nº 263 - Mayo 2011 - 7 € Año XXVI - Nº 263 Mayo 2011 DOSIER Festivales de verano ENCUENTROS Diana Damrau ACTUALIDAD Gustav Leonhardt DISCOS Julia Fischer Seis piezas op. 6 de Webern CA-MAYO11 19/4/11 13:43 Página 1 CONCIERTOS AUGUSTO S.L. Agencia de Conciertos En Celebración de los 150 años de la unificación de Italia (1861-2011) CORO Y ORQUESTA DEL TEATRO REGIO DE TURÍN Director: Gianandrea Noseda “REQUIEM” de G. VERDI Tamar Iveri Soprano Daniela Barcellona Mezzo Soprano Maksim Aksenov Tenor Ildar Abdrazakov Bajo GIRA EN ESPAÑA - MAYO 2011 18 - CASTELLÓN. Auditorio. 20:00h. www.culturalcas.com 19 - MURCIA. Auditorio V. Villegas. 20:00h. Programa: Grandes Coros de Verdi www.auditoriomurcia.org Gira organizada por: 20 - MADRID. Auditorio Nacional. 22:30h. www.auditorionacional.mcu.es CONCIERTOS AUGUSTO S.L. Calle Viento 15, 2ºB. 21 - OVIEDO. Auditorio Príncipe Felipe. 20:00h. 28220 Madrid. www.palaciocongresos-oviedo.com Telf: 916 340 205 23 - ZARAGOZA. Auditorio Palacio de Congresos. 20:15h. [email protected] www.auditoriozaragoza.com www.conciertosaugusto.com 263-Pliego 1 19/4/11 14:07 Página 1 AÑO XXVI - Nº 263 - Mayo 2011 - 7 € 2 OPINIÓN SCHERZO DISCOS 51 CON NOMBRE Sumario PROPIO DOSIER 91 6 Gustav Leonhardt Festivales de verano Pablo J. Vayón ENCUENTROS 8 AGENDA Diana Damrau Patrick Dillon 114 12 ACTUALIDAD NACIONAL EDUCACIÓN 118 JAZZ 34 ACTUALIDAD Pablo Sanz 120 INTERNACIONAL LIBROS 122 46 ENTREVISTA LA GUÍA 124 Josep Pons Luis Suñén CONTRAPUNTO Norman Lebrecht 128 50 Discos del mes Colaboran
    [Show full text]
  • Avi Shoshani Temporadas De Ópera Anne-Sophie Mutter Riccardo Muti
    REVISTA DE MÚSICA Año XXVI - Nº 267 - Octubre 2011 - 7 € DOSIER Temporadas de ópera ENCUENTROS Avi Shoshani ACTUALIDAD Anne-Sophie Mutter Riccardo Muti ESTUDIO El estado de las orquestas REFerencias Iberia de Debussy Año XXVI - Nº 267 Octubre 2011 C M Y CM MY CY CMY K OCTUBRE ENERO 01 Los caminos del mundo 06 Fronteras abolidas 11 Poemas sin palabras E. Rautavaara: Cantus Arcticus M. Finnissy: Zortziko S. Rachmaninov: Rapsodia M. Ravel: Concierto para piano (estreno absoluto, encargo sobre un tema de Paganini es y orquesta en sol mayor OSE) R. Strauss: Muerte y J. Haydn: Sinfonía nº67 A. Dorman: Frozen in Time transfiguración B. Bartok: El Mandarín J. Brahms: Sinfonía nº4 R. Strauss: Till Eulenspiegel tiempo Maravilloso (suite) Martin Grübinger, percusión Andrés Orozco-Estrada, Alice Sara Ott, piano Andrés Orozco-Estrada, director de Andrey Boreyko, director director Joaquín Achúcarro, piano 02 Mendelssohniana ENERO-FEBRERO MAYO música F. Mendelssohn: Sinfonía nº1 07 Clásicos y modernos 12 Nostalgias compartidas P.I. Tchaikovsky: Variaciones rococó J. Dillon: White Numbers A. Dvorák: Concierto para F. Mendelssohn: Sinfonía nº4 (estreno absoluto, encargo violoncello y orquesta OSE) I. Fedele: Txalaparta-Folk Gabriel Mesado, violoncello E. Schulhoff: Sinfonía nº2 Dance II (estreno absoluto, (miembro OSE) A. Zemlinsky: Cymbeline encargo OSE) Andrés Orozco-Estrada, director L.V. Beethoven: Sinfonía nº3 C. Franck: Psyché Orquesta F. Mendelssohn: Sinfonía nº5 Petra Fröse, soprano Daniel Müller-Schott, violoncello Dos estudios de concierto para Gerd Albrecht, director Oreka TX Sinfónica clarinete, corno di bassetto y Andrey Boreyko, director orquesta MARZO de Euskadi Sinfonía nº3 MAYO-JUNIO Juan Navarro, clarinete 08 Viñetas del Euskadiko (miembro OSE) Nuevo Mundo 13 En el calor de la noche Sara Zufiaurre, corno di A.
    [Show full text]
  • Naxos Catalog (May
    CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.
    [Show full text]
  • Opera Bands and Artists List
    Opera Bands and Artists List Szeged Symphony https://www.listvote.com/lists/music/artists/szeged-symphony-orchestra-265888/albums Orchestra Marek Torzewski https://www.listvote.com/lists/music/artists/marek-torzewski-11768532/albums Frederic Toulmouche https://www.listvote.com/lists/music/artists/frederic-toulmouche-20001877/albums Dominique Girod https://www.listvote.com/lists/music/artists/dominique-girod-16056863/albums Livia Budaï-Batky https://www.listvote.com/lists/music/artists/livia-buda%C3%AF-batky-26988123/albums Vitaliy Kil'chevskiy https://www.listvote.com/lists/music/artists/vitaliy-kil%27chevskiy-19850392/albums Yaniv D'Or https://www.listvote.com/lists/music/artists/yaniv-d%27or-16131484/albums Malvīne Vīgnere- https://www.listvote.com/lists/music/artists/malv%C4%ABne-v%C4%ABgnere-gr%C4%ABnberga- Grīnberga 16363082/albums Rosa Rimoch https://www.listvote.com/lists/music/artists/rosa-rimoch-29419597/albums Karine Babajanyan https://www.listvote.com/lists/music/artists/karine-babajanyan-18628035/albums Jean-Baptiste Mathieu https://www.listvote.com/lists/music/artists/jean-baptiste-mathieu-11927434/albums Opera Las Vegas https://www.listvote.com/lists/music/artists/opera-las-vegas-16960608/albums Vicente Forte https://www.listvote.com/lists/music/artists/vicente-forte-11954634/albums Albert Lim https://www.listvote.com/lists/music/artists/albert-lim-23887792/albums Alban Berg https://www.listvote.com/lists/music/artists/alban-berg-78475/albums Bedřich Diviš Weber https://www.listvote.com/lists/music/artists/bed%C5%99ich-divi%C5%A1-weber-79023/albums
    [Show full text]
  • Wagner the Ring an Orchestral Adventure Arranged by Henk De Vlieger
    WAGNER THE RING AN ORCHESTRAL ADVENTURE ARRANGED BY HENK DE VLIEGER ROYAL SWEDISH ORCHESTRA · LAWRENCE RENES BIS-2052 BIS-2052_f-b.indd 1 2013-08-23 15.15 WAGNER, Richard (1813–83) The Ring 65'05 An orchestral adventure based on Richard Wagner arranged by Henk de Vlieger (b. 1953) (Schott Music) Das Rheingold 1 Vorspiel 4'19 2 Das Rheingold 2'02 3 Nibelheim 2'19 4 Walhall 3'36 Die Walküre 5 Die Walküren 3'54 6 Feuerzauber 3'34 Siegfried 7 Waldweben 2'14 8 Siegfrieds Heldentat [Siegfried’s Horn Call: Kristina Kärlin] 6'37 9 Brünnhildes Erwachen 6'16 2 Götterdämmerung 10 Siegfried und Brünnhilde 4'21 11 Siegfrieds Rheinfahrt [Siegfried’s Horn Call: Kristina Kärlin] 5'38 12 Siegfrieds Tod 5'42 13 Trauermusik 6'12 14 Brünnhildes Opfertat 8'22 Royal Swedish Orchestra Jannica Gustafsson leader (Kung liga Hovkapellet) Lawrence Renes conductor 3 The present arrangement of Wagner’s music to The Ring was made in 1991 by Henk de Vlieger, with the ambition of retaining wherever possible the main line of the story. His method was to select the most important orchestral passages from the cycle, linking them together in such a way as to create a unified symphonic work – a symphonic poem. The musical con - nec tions between these excerpts, as a result of Wagner’s leitmotif tech nique, are retained and with them at least a part of the original coher - ence. The excerpts have in most cases been taken over without alterations; only occasionally has an essential vocal line been replaced by wind instruments.
    [Show full text]
  • FY13 Annual Report View Report
    ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium.
    [Show full text]