DOCSLIB.ORG

For the First Time, AIDA at the Royal Swedish Opera Broadcasted Worldwide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For the First Time, AIDA at the Royal Swedish Opera Broadcasted Worldwide Stockholm 2018-03-16 For the first time, AIDA at the Royal Swedish Opera Broadcasted Worldwide On the 17th of March at 3 pm (CET), Giuseppe Verdi’s Aida from the Royal Swedish Opera will be broadcasted live in Europe via OperaVision, a new open platform for live streaming. Following the premiere on the 24th of February, the performance with a young and aspiring cast was completely sold out. The title role, Aida, is portrayed by the 27-year-old Swedish soprano Christina Nilsson who has made a sensational debut at the Royal Swedish Opera. Media has particularly praised the credibility of the young love couple. Aida’s beloved Radamès is portrayed by the 30- year-old Italian tenor Ivan Defabiani. Canadian Director Michael Cavanagh has staged a love triangle where Aida, a prisoner of war; commander Radamès and princess Amneris are torn between unyielding private emotions and public obligations. The internationally celebrated Royal Court Singer Katarina Dalayman has received great reviews for her part as Amneris. ”Aida never ceases to fascinate us. It is an impossible love story really, and through the music we are thrown between hope and despair,” says Birgitta Svendén, CEO and Artistic Director of the Royal Swedish Opera. The EU funded open platform OperaVision, was launched in 2017 by 30 opera companies from 18 countries. The platform is part of Opera Europa, a European association for opera companies and festivals. The Royal Swedish Opera has been part of the association since it started up in 2003 with Birgitta Svendén, as the Board Chairperson. KUNGLIGA OPERAN AB Box 160 94, 103 22 Stockholm BESÖKSADRESS Jakobs Torg 4 WWW . OPERAN . SE "The purpose of OperaVision is to make the art form available for as many people as possible, to get more people to understand and appreciate it as well as get more visitors. This is a unique project and I am glad and proud that the Royal Opera is not only part of it but also takes the lead and offers it for free”, says Birgitta Svendén. Last autumn the Swedish soprano Christina Nilsson won the International Renata Voice Competition. Previously, she won first prize in the Stenhammar International Music Competition. Italian tenor Ivan Defabiani was only discovered last autumn by Artistic Director Birgitta Svendén when she visited Parma in Italy. Conductor Pier Giorgio Morandi recommended a visit Piacenza where Ivan was taking part in Verdi’s Simone Boccanegra, with Morandi conducting. Alongside her highly successful international career as a dramatic soprano, Katarina Dalayman now enjoys huge success through her portrayals of powerful characters. She has previously performed live via cinema performances at the Metropolitan Opera. The Soloists, Choir and Royal Orchestra participate in the production under the direction of Pier Giorgio Morandi, who has become famous not least for his interpretations of the repertoire of Italian opera. In addition to Ivan Defabiani, Alessandro Cacciamani is a guest soloist playing the role of Ramfis. Magdalena Åberg has created the decor which is dominated by gold and concrete: “Since we use camera techniques in certain scenes, it will be easy to make associations with memories. I would like to call it a palace of emotions.” Linus Fellbom is responsible for the lighting. His most recent assignment was the direction and lighting for celebrated production of Dracula at the Royal Swedish Opera. The production of Aida is a new interpretation and set in the context of war between two nations. Aida could easily be a scene from any current tragic situations of war around the world or dystopic communities that are causalities of war. Press photos: http://www.mynewsdesk.com/se/kungliga_operan/latest_media/tag/aida#filter-list-items Reviews: “Great debut for Christina Nilsson as Aida in Stockholm” – Bachtrack “Breakthrough of large dimensions” – Svenska Dagbladet “Sensational breakthrough” – Swedish Radio Coming soon on OperaVision, www.operavision.eu: March 21 at 19:00 CET: Eros and Psyche (music: Ludomir Rózycki, director: Barbara Wysocka) March 23 at 19:30 CET: Blaubart (music: Jacques Offenbach, director: Stefan Herheim) TORBJÖRN ERIKSSON MANAGER PRESS RELATI ONS , EDITOR ROYAL SWEDISH OPERA M O B I L E + 4 6 70 634 43 53 KUNGLIGA OPERAN AB Box 160 94, 103 22 Stockholm BESÖKSADRESS Jakobs Torg 4 WWW . OPERAN . SE [email protected] operan.se KUNGLIGA OPERAN AB Box 160 94, 103 22 Stockholm BESÖKSADRESS Jakobs Torg 4 WWW . OPERAN . SE .
Load more

Recommended publications
  • Nobel Week Stockholm 2018 – Detailed Information for the Media
    Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel
    [Show full text]
  • Katarina Dalayman Soprano
    KATARINA DALAYMAN SOPRANO BIOGRAPHY LONG VERSION Swedish soprano Katarina Dalayman has sustained a long and prestigious international career in the dramatic repertoire and she has enjoyed enduring collaborations with many of today’s foremost conductors. Strong, dramatic interpretations married with impeccable musicianship are her characteristics. Dalayman has performed a wide range of roles including Isolde (Tristan und Isolde), Marie (Wozzeck), Lisa (Queen of Spades), Ariadne (Ariadne auf Naxos), Katarina Ismailova (Lady Macbeth of Mtsensk) and the title role of Elektra. With a particularly strong association to Wagner's Brünnhilde, Dalayman has appeared in Ring cycles at The Metropolitan Opera, Opéra National de Paris, Wiener and Bayerische staatsoper, Teatro alla Scala, Deutsche Oper Berlin, Semperoper Dresden, Salzburger Festspiele and Festival d’Aix en Provence. Looking ahead to the next phase in her career, Katarina Dalayman’s repertoire is now focused on new roles, having recently made her debut as Kundry (Parsifal) in Dresden, Paris and Stockholm, Judith (Duke Bluebeard’s Castle) in Barcelona and London (Royal Opera House), Ortrud (Lohengrin) with Royal Concertgebouw Orchestra, and Brangäne (Tristan und Isolde) at The Metropolitan Opera. She has recently appeared as Herodias (Salome) for Royal Swedish Opera, Foreign Princess (Rusalka) at The Metropolitan Opera, Klytämnestra (Elektra), Amneris (Aida), and Kostelnicka (Jenůfa), all for Royal Swedish Opera. Among recent performances can be mentioned her highly celebrated interpretation of Kundry at the Metropolitan Opera in New York, a production that was broadcasted around the world in the Mets “Live in HD” performance transmissions, an appearance together with Bryn Terfel in Die Walküre at the Tanglewood Festival in USA, an interpretation of Carmen and Elisabetta in Maria Stuarda both at the Royal Swedish Opera and Ortrud in Lohengrin, with the Concertgebouw Orchestra.
    [Show full text]
  • Christina Nilsson Sopran
    Christina Nilsson Sopran Den unga svenska sopranen Christina Nilsson inleder säsongen på Tiroler Festspiele där hon gör rollen som Elsa i Lohengrin. Christina Nilsson har föregående säsong framträtt i titelrollen som Aida i en konsertversion på Deutsche Oper i Berlin. Hon har även medverkat i galakonserten “Bolshoi and Plácido Domingo: Life in Opera” på Bolshoiteatern i Moskva. Förra säsongen sjöng Christina sin första Elsa i Lohengrin på Opernhaus Dortmund. Detta följdes av ytterligare en rolldebut då hon gjorde rollen som Grevinnan i Figaros Bröllop på Kungliga Operan i Stockholm. Christina medverkade även i ett flertal konserter, bland annat som solist vid Sveriges Radios Symfoniorkesters Valborgskonsert där hon, under ledning av Patrik Ringborg, framförde arior av Mozart, Wagner och Strauss, en konsert som direktsändes i Sveriges Radio P2, samt livestreamades på Berwaldhallen PLAY. Säsongen 2017-2018 fick Christina Nilsson sitt stora genombrott i och med sin uppmärksammade rolldebut som Aida på Kungliga Operan. Hon framträdde även på Stockholms Konserthus tillsammans med Kungliga Filharmonikerna, i samband med Riksdagens öppnande, och hon sjöng Strauss Vier letzte Lieder på Opéra national de Lorraine in Nancy. Christina var även solist under Stockholms Konserthus Trettondagskonsert. Den följande säsongen sjöng Christina Nilsson sin första Ariadne i Strauss Ariadne på Naxos på Oper Frankfurt, vilket följdes av samma roll på operan i Lausanne i Schweiz. Hon gjorde även ett gästframträdande som Aida på Irish National Opera i Dublin. Christina Nilsson har tidigare gästat Opéra de Lyon med rollen som Vakterskan samt som cover för rollen som Chrysothemis i Elektra. Hon har framträtt som Anna i Min bror är Don Juan av W.A.
    [Show full text]
  • Allusions and Historical Models in Gaston Leroux's the Phantom of the Opera
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2004 Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera Joy A. Mills Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the French and Francophone Literature Commons, Other Theatre and Performance Studies Commons, and the Translation Studies Commons Recommended Citation Mills, Joy A., "Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera" (2004). Honors Theses. 83. https://scholarlycommons.obu.edu/honors_theses/83 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Gaston Leroux's 1911 novel, The Phantom of the Opera, has a considerable number of allusions, some of which are accessible to modern American audiences, like references to Romeo and Juilet. Many of the references, however, are very specific to the operatic world or to other somewhat obscure fields. Knowledge of these allusions would greatly enhance the experience of readers of the novel, and would also contribute to their ability to interpret it. Thus my thesis aims to be helpful to those who read The Phantom of the Opera by providing a set of notes, as it were, to explain the allusions, with an emphasis on the extended allusion of the Palais Garnier and the historical models for the heroine, Christine Daae. Notes on Translations At the time of this writing, three English translations are commercially available of The Phantom of the Opera.
    [Show full text]
  • Christina Nilsson!
    ' ‘ $U THE tißdEatte *6% wa»i:CEP—MALE. SITUATIONS WAKTED-Mat p CHICAGO EMUSEMMU- heu In and wind lUlAcrllue , niieellaami. '* itanuy griping tne bowels TO “ questionof hoar, Watt preienM relieve WANTPD—THE UNDERSIGNED economy, obtain, overture to 1 1 the or- zooftbrio* the D-SAI.KSMRN IN THB COtJfITRT eiTUATION with thebarlwM tte act* shall be moiestaUoa thc mc*t rigid to feed, clothe, (hr grand work of tmildlcg up th® The Martha" phalli give Sensible present* t;e becoming HOPSE--NILSBON good*at wholesalebr i»mplaTj7i per nuwti O havtnffatboinughaequaintorce tree from by the atd educate these children with chestra, under thefacile baton of 1" °°We It t&e and CROSBV OPERA WANTSi«U trade, Uid having facilities forporebat good* FOREIGN. goremtncnL the allowance places and developing the trees* the a) seating. mote thingevery year, partKsolarty bellere best offers hi* oc ulmu of two collars per toeach Iearnitiy waste however, coven op confusion the latneir world.In all cases of dysenwy umoimM iotnI'ricee, eerrict* to the hardwaretrad* o( 1U correspondence week Inmate. wbo firadj economy wWr ttiOtkmar to *• agent There >ball be free bet ween recommend three ores of Us eoil, its forests and Its mines. A The Rataplan dan Dy UilgU'U and happily growinx class A la cbUoren, whether arising from toeing MR, wMAX STBIKOSCn of Mne. theWwt. porchulag A commUniio of ive the Pope and me Cstholie world. that the ram be tomeased to “ ran* expenditures. store ot A. O. Downs Co. thefintappe****** FEW FIRST-GLASS be chareed for rnrchwv made. occlena of each strength and character as Verger, and Vicaxtctnp*' Fjcsl” .
    [Show full text]
  • My Fifty Years with Wagner
    MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme.
    [Show full text]
  • Konsertprogram.0412
    2004–2005 07 okt – 10 okt Signerad textil 16 okt – 27 nov Peter Hagdahl Nyårskonsert 2004 4 dec – 08 jan Kommunens konstinköp 22 jan – 5 mars Maya Eizin 12 mar – 16 apr Kontakt, Martin Etherton Friberg & Stefan Holmlid Program 23 apr–28 maj Olle Schmidt 5 v Glada änkan, Franz Lehar Ouvertyr, Viljasången Faust, Charles Gounod Öppet tis-sön kl 11-16 Stora torget 2 Recitativ och duett, Juvelarian Kultur- och fritidsnämnden Rigoletto, Guiseppe Verdi Questa o Quella Både bank och försäkring hos oss, en bra affär på många sätt. Läderlappen, Johann Strauss d.y. Mein Herr Markiz Champagnegalopp, Hans Christian Lumbye P A U S UR • OPTIK • KONTAKTLINSER MED AV SOCIALSTYRELSEN LEG. OPTIKER Radetzky Marsch, Johann Strauss d.ä. STJÄRNURMAKARE Don Giovanni, Wolfgang Amadeus Mozart Gyllen 013-31 31 60 ”Crudele! Ah no, mio bene”, “Non mi dir” Tosca, Giacomo Puccini Toscas bön, Sången till Livet DET HÄR STÅR VI PÅ REJMES FÖR Aria ur kantat 51, Johann Sebastian Bach STABILITET Gianni Schicchi, Giacomo Puccini Rejmes står för stabilitet och kontinuitet O mio babbino caro TRYGGHET Vi vet vem vi är, vad vi kan och vad vi vill. Leendets Land, Franz Lehar Detta skapar trygghet. Du är min hela värld SERIOSITET Extranummer: Inom Rejmeskoncernen är vi seriösa. 1:a aktens final ur Bohème, Giacomo Puccini Det är skönt att kunna se kunden i ögonen mer än en gång. Aria -Si, mi chiamano Mimi, Duett- O soave fanciulla OMTÄNKSAMHET Inom Rejmeskoncernen är vi omtänksamma. Vi vårdar och respekterar våra kunder, arbetskamrater och miljön. Artisternas buketter sponsras av MED GLIMTEN I ÖGAT Bilar är kul.
    [Show full text]
  • Opera Bands and Artists List
    Opera Bands and Artists List Szeged Symphony https://www.listvote.com/lists/music/artists/szeged-symphony-orchestra-265888/albums Orchestra Marek Torzewski https://www.listvote.com/lists/music/artists/marek-torzewski-11768532/albums Frederic Toulmouche https://www.listvote.com/lists/music/artists/frederic-toulmouche-20001877/albums Dominique Girod https://www.listvote.com/lists/music/artists/dominique-girod-16056863/albums Livia Budaï-Batky https://www.listvote.com/lists/music/artists/livia-buda%C3%AF-batky-26988123/albums Vitaliy Kil'chevskiy https://www.listvote.com/lists/music/artists/vitaliy-kil%27chevskiy-19850392/albums Yaniv D'Or https://www.listvote.com/lists/music/artists/yaniv-d%27or-16131484/albums Malvīne Vīgnere- https://www.listvote.com/lists/music/artists/malv%C4%ABne-v%C4%ABgnere-gr%C4%ABnberga- Grīnberga 16363082/albums Rosa Rimoch https://www.listvote.com/lists/music/artists/rosa-rimoch-29419597/albums Karine Babajanyan https://www.listvote.com/lists/music/artists/karine-babajanyan-18628035/albums Jean-Baptiste Mathieu https://www.listvote.com/lists/music/artists/jean-baptiste-mathieu-11927434/albums Opera Las Vegas https://www.listvote.com/lists/music/artists/opera-las-vegas-16960608/albums Vicente Forte https://www.listvote.com/lists/music/artists/vicente-forte-11954634/albums Albert Lim https://www.listvote.com/lists/music/artists/albert-lim-23887792/albums Alban Berg https://www.listvote.com/lists/music/artists/alban-berg-78475/albums Bedřich Diviš Weber https://www.listvote.com/lists/music/artists/bed%C5%99ich-divi%C5%A1-weber-79023/albums
    [Show full text]
  • Wagner the Ring an Orchestral Adventure Arranged by Henk De Vlieger
    WAGNER THE RING AN ORCHESTRAL ADVENTURE ARRANGED BY HENK DE VLIEGER ROYAL SWEDISH ORCHESTRA · LAWRENCE RENES BIS-2052 BIS-2052_f-b.indd 1 2013-08-23 15.15 WAGNER, Richard (1813–83) The Ring 65'05 An orchestral adventure based on Richard Wagner arranged by Henk de Vlieger (b. 1953) (Schott Music) Das Rheingold 1 Vorspiel 4'19 2 Das Rheingold 2'02 3 Nibelheim 2'19 4 Walhall 3'36 Die Walküre 5 Die Walküren 3'54 6 Feuerzauber 3'34 Siegfried 7 Waldweben 2'14 8 Siegfrieds Heldentat [Siegfried’s Horn Call: Kristina Kärlin] 6'37 9 Brünnhildes Erwachen 6'16 2 Götterdämmerung 10 Siegfried und Brünnhilde 4'21 11 Siegfrieds Rheinfahrt [Siegfried’s Horn Call: Kristina Kärlin] 5'38 12 Siegfrieds Tod 5'42 13 Trauermusik 6'12 14 Brünnhildes Opfertat 8'22 Royal Swedish Orchestra Jannica Gustafsson leader (Kung liga Hovkapellet) Lawrence Renes conductor 3 The present arrangement of Wagner’s music to The Ring was made in 1991 by Henk de Vlieger, with the ambition of retaining wherever possible the main line of the story. His method was to select the most important orchestral passages from the cycle, linking them together in such a way as to create a unified symphonic work – a symphonic poem. The musical con - nec tions between these excerpts, as a result of Wagner’s leitmotif tech nique, are retained and with them at least a part of the original coher - ence. The excerpts have in most cases been taken over without alterations; only occasionally has an essential vocal line been replaced by wind instruments.
    [Show full text]
  • Christina Nilsson Was in Kyrkhult
    Christina Nilsson. A Swedish Story A 70-years anniversary memory – among other things Olof Jönsson article in Vår Hembygd (Our Local History) Kyrkhults Hembygdsförening (Local Historical Society) Årsskrift 1984 (Annual publication 1984) “Christina Nilsson. A Swedish story” – This is written on the cover of the book written by radio announcer Olof Franzen’s book about Christina Nilsson. In this book he tells about the great singer’s strange and exciting life’s events. She was the youngest of seven brothers and sisters, who grew up being extremely poor. Already at nine years old she was known in Värend as “Stina on the slope” the bare foot girl who sang and played violin and was admired for her talent, her beautiful eyes, and her persona. The stories and anecdotes about her childhood together builds a unique portrait of a common, but yet so uncommon, poor child in 1850’s Sweden. Christina Nilsson was born 20th of August 1843 at the homestead Sjöabol, “Snugge” in Vederlöv’s parish. Her parents were, Jonas Nilsson born 1798, and Stina-Kajsa Mansdotter, who inherited the homestead from her parents. After being told by her sisters and brothers Christina herself has told the story about how she came to this world. “In this little cottage, little Stina was born, however I could have been born on a wagon, or in a hay stack, or somewhere else, because my parents was doing a delivery to Växsjö from Huseby, where my father was working that day. It took speedy driving to come home that evening before I could see my first daylight.
    [Show full text]
  • PARSIFAL Subota, 9
    Richard Wagner PARSIFAL Subota, 9. ožujka 2013., 18 sati Foto: Metropolitan opera Richard Wagner PARSIFAL Subota, 9. ožujka 2013., 18 sati SNIMKA THE MET: LIVE IN HD SERIES IS MADE POSSIBLE BY A GENEROUS GRANT FROM ITS FOUNDING SPONZOR Neubauer Family Foundation GLOBAL CORPORATE SPONSORSHIP OF THE MET LIVE IN HD IS PROVIDED BY THE HD BRODCASTS ARE SUPPORTED BY Richard Wagner PARSIFAL Ein Bühnenweihfestspiel / Sveani posvetni prikaz u tri ina Libreto: Richard Wagner prema Wolframu von Eschenbachu SUBOTA, 9. OŽUJKA 2013. POČETAK U 18 SATI. Praizvedba: Bayreuth, 26. srpnja 1882. Prva hrvatska izvedba: Narodno kazalište u Zagrebu, 28. travnja 1922. Prva izvedba u Metropolitanu: 24. prosinca 1903. Prva izvedba ove produkcije: 15. veljače 2013. PARSIFAL Jonas Kaufmann REDATELJ François Girard KUNDRY Katarina Dalayman SCENOGRAF Michael Levine GURNEMANZ René Pape KOSTIMOGRAF Thibault AMFORTAS Peter Mattei Vancraenenbroeck KLINGSOR Evgenij Nikitin OBLIKOVATELJ RASVJETE David Finn TITUREL Rúni Brattaberg Solisti, Zbor i orkestar Metropolitana OBLIKOVATELJ VIDEA Peter Flaherty ZBOROVOĐA Donald Palumbo KOREOGRAFKINJA Carolyn Choa DIRIGENT Daniele Gatti DRAMATURG Serge Lamothe Foto: Metropolitan opera Metropolitan Foto: Radnja se događa u dvorcu Montsalvat u Španjolskoj u srednjem vijeku. Parsifal nije samo opera - Parsifal je misija u kojoj je Wagner, već potkraj života, težio pomirenju svih aspekta svoje duhovnosti. To je sveto djelo u povijesti glazbe. François Girard Stanka poslije prvoga i drugoga čina. Svršetak oko 23 sata i 50 minuta. Tekst: njemački. Titlovi: engleski. Foto: Metropolitan opera Metropolitan Foto: Sveti gral, posuda iz koje je Spasitelj pio na Nesvjestan ljudske slabosti, pao je pod utjecaj posljednjoj veeri, dan je na uvanje Titurelu Kundry i zaboravio svoje poslanstvo.
    [Show full text]
  • The Indigenous World 2014
    IWGIA THE INDIGENOUS WORLD 2014 This yearbook contains a comprehensive update on the cur- rent situation of indigenous peoples and their human rights, THE INDIGENOUS WORLD and provides an overview of the most important developments in international and regional processes during 2013. In 73 articles, indigenous and non-indigenous scholars and activists provide their insight and knowledge to the book with country reports covering most of the indigenous world, and updated information on international and regional processes relating to indigenous peoples. The Indigenous World 2014 is an essential source of informa- tion and indispensable tool for those who need to be informed THE INDIGENOUS WORLD 2014 about the most recent issues and developments that have impacted on indigenous peoples worldwide. 2014 INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS 3 THE INDIGENOUS WORLD 2014 Copenhagen 2014 THE INDIGENOUS WORLD 2014 Compilation and editing: Cæcilie Mikkelsen Regional editors: Arctic & North America: Kathrin Wessendorf Mexico, Central and South America: Alejandro Parellada Australia and the Pacific: Cæcilie Mikkelsen Asia: Christian Erni and Christina Nilsson The Middle East: Diana Vinding and Cæcilie Mikkelsen Africa: Marianne Wiben Jensen and Geneviève Rose International Processes: Lola García-Alix and Kathrin Wessendorf Cover and typesetting: Jorge Monrás Maps: Jorge Monrás English translation: Elaine Bolton Proof reading: Elaine Bolton Prepress and Print: Eks-Skolens Trykkeri, Copenhagen, Denmark © The authors and The International Work Group for Indigenous Affairs (IWGIA), 2014 - All Rights Reserved HURRIDOCS CIP DATA The reproduction and distribution of information contained Title: The Indigenous World 2014 in The Indigenous World is welcome as long as the source Edited by: Cæcilie Mikkelsen is cited.
    [Show full text]