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Nobel Week Stockholm 2018 – Detailed Information for the Media
Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel -
Christina Nilsson Sopran
Christina Nilsson Sopran Den unga svenska sopranen Christina Nilsson inleder säsongen på Tiroler Festspiele där hon gör rollen som Elsa i Lohengrin. Christina Nilsson har föregående säsong framträtt i titelrollen som Aida i en konsertversion på Deutsche Oper i Berlin. Hon har även medverkat i galakonserten “Bolshoi and Plácido Domingo: Life in Opera” på Bolshoiteatern i Moskva. Förra säsongen sjöng Christina sin första Elsa i Lohengrin på Opernhaus Dortmund. Detta följdes av ytterligare en rolldebut då hon gjorde rollen som Grevinnan i Figaros Bröllop på Kungliga Operan i Stockholm. Christina medverkade även i ett flertal konserter, bland annat som solist vid Sveriges Radios Symfoniorkesters Valborgskonsert där hon, under ledning av Patrik Ringborg, framförde arior av Mozart, Wagner och Strauss, en konsert som direktsändes i Sveriges Radio P2, samt livestreamades på Berwaldhallen PLAY. Säsongen 2017-2018 fick Christina Nilsson sitt stora genombrott i och med sin uppmärksammade rolldebut som Aida på Kungliga Operan. Hon framträdde även på Stockholms Konserthus tillsammans med Kungliga Filharmonikerna, i samband med Riksdagens öppnande, och hon sjöng Strauss Vier letzte Lieder på Opéra national de Lorraine in Nancy. Christina var även solist under Stockholms Konserthus Trettondagskonsert. Den följande säsongen sjöng Christina Nilsson sin första Ariadne i Strauss Ariadne på Naxos på Oper Frankfurt, vilket följdes av samma roll på operan i Lausanne i Schweiz. Hon gjorde även ett gästframträdande som Aida på Irish National Opera i Dublin. Christina Nilsson har tidigare gästat Opéra de Lyon med rollen som Vakterskan samt som cover för rollen som Chrysothemis i Elektra. Hon har framträtt som Anna i Min bror är Don Juan av W.A. -
Allusions and Historical Models in Gaston Leroux's the Phantom of the Opera
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2004 Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera Joy A. Mills Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the French and Francophone Literature Commons, Other Theatre and Performance Studies Commons, and the Translation Studies Commons Recommended Citation Mills, Joy A., "Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera" (2004). Honors Theses. 83. https://scholarlycommons.obu.edu/honors_theses/83 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Gaston Leroux's 1911 novel, The Phantom of the Opera, has a considerable number of allusions, some of which are accessible to modern American audiences, like references to Romeo and Juilet. Many of the references, however, are very specific to the operatic world or to other somewhat obscure fields. Knowledge of these allusions would greatly enhance the experience of readers of the novel, and would also contribute to their ability to interpret it. Thus my thesis aims to be helpful to those who read The Phantom of the Opera by providing a set of notes, as it were, to explain the allusions, with an emphasis on the extended allusion of the Palais Garnier and the historical models for the heroine, Christine Daae. Notes on Translations At the time of this writing, three English translations are commercially available of The Phantom of the Opera. -
Christina Nilsson!
' ‘ $U THE tißdEatte *6% wa»i:CEP—MALE. SITUATIONS WAKTED-Mat p CHICAGO EMUSEMMU- heu In and wind lUlAcrllue , niieellaami. '* itanuy griping tne bowels TO “ questionof hoar, Watt preienM relieve WANTPD—THE UNDERSIGNED economy, obtain, overture to 1 1 the or- zooftbrio* the D-SAI.KSMRN IN THB COtJfITRT eiTUATION with thebarlwM tte act* shall be moiestaUoa thc mc*t rigid to feed, clothe, (hr grand work of tmildlcg up th® The Martha" phalli give Sensible present* t;e becoming HOPSE--NILSBON good*at wholesalebr i»mplaTj7i per nuwti O havtnffatboinughaequaintorce tree from by the atd educate these children with chestra, under thefacile baton of 1" °°We It t&e and CROSBV OPERA WANTSi«U trade, Uid having facilities forporebat good* FOREIGN. goremtncnL the allowance places and developing the trees* the a) seating. mote thingevery year, partKsolarty bellere best offers hi* oc ulmu of two collars per toeach Iearnitiy waste however, coven op confusion the latneir world.In all cases of dysenwy umoimM iotnI'ricee, eerrict* to the hardwaretrad* o( 1U correspondence week Inmate. wbo firadj economy wWr ttiOtkmar to *• agent There >ball be free bet ween recommend three ores of Us eoil, its forests and Its mines. A The Rataplan dan Dy UilgU'U and happily growinx class A la cbUoren, whether arising from toeing MR, wMAX STBIKOSCn of Mne. theWwt. porchulag A commUniio of ive the Pope and me Cstholie world. that the ram be tomeased to “ ran* expenditures. store ot A. O. Downs Co. thefintappe****** FEW FIRST-GLASS be chareed for rnrchwv made. occlena of each strength and character as Verger, and Vicaxtctnp*' Fjcsl” . -
Christina Nilsson Was in Kyrkhult
Christina Nilsson. A Swedish Story A 70-years anniversary memory – among other things Olof Jönsson article in Vår Hembygd (Our Local History) Kyrkhults Hembygdsförening (Local Historical Society) Årsskrift 1984 (Annual publication 1984) “Christina Nilsson. A Swedish story” – This is written on the cover of the book written by radio announcer Olof Franzen’s book about Christina Nilsson. In this book he tells about the great singer’s strange and exciting life’s events. She was the youngest of seven brothers and sisters, who grew up being extremely poor. Already at nine years old she was known in Värend as “Stina on the slope” the bare foot girl who sang and played violin and was admired for her talent, her beautiful eyes, and her persona. The stories and anecdotes about her childhood together builds a unique portrait of a common, but yet so uncommon, poor child in 1850’s Sweden. Christina Nilsson was born 20th of August 1843 at the homestead Sjöabol, “Snugge” in Vederlöv’s parish. Her parents were, Jonas Nilsson born 1798, and Stina-Kajsa Mansdotter, who inherited the homestead from her parents. After being told by her sisters and brothers Christina herself has told the story about how she came to this world. “In this little cottage, little Stina was born, however I could have been born on a wagon, or in a hay stack, or somewhere else, because my parents was doing a delivery to Växsjö from Huseby, where my father was working that day. It took speedy driving to come home that evening before I could see my first daylight. -
The Indigenous World 2014
IWGIA THE INDIGENOUS WORLD 2014 This yearbook contains a comprehensive update on the cur- rent situation of indigenous peoples and their human rights, THE INDIGENOUS WORLD and provides an overview of the most important developments in international and regional processes during 2013. In 73 articles, indigenous and non-indigenous scholars and activists provide their insight and knowledge to the book with country reports covering most of the indigenous world, and updated information on international and regional processes relating to indigenous peoples. The Indigenous World 2014 is an essential source of informa- tion and indispensable tool for those who need to be informed THE INDIGENOUS WORLD 2014 about the most recent issues and developments that have impacted on indigenous peoples worldwide. 2014 INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS 3 THE INDIGENOUS WORLD 2014 Copenhagen 2014 THE INDIGENOUS WORLD 2014 Compilation and editing: Cæcilie Mikkelsen Regional editors: Arctic & North America: Kathrin Wessendorf Mexico, Central and South America: Alejandro Parellada Australia and the Pacific: Cæcilie Mikkelsen Asia: Christian Erni and Christina Nilsson The Middle East: Diana Vinding and Cæcilie Mikkelsen Africa: Marianne Wiben Jensen and Geneviève Rose International Processes: Lola García-Alix and Kathrin Wessendorf Cover and typesetting: Jorge Monrás Maps: Jorge Monrás English translation: Elaine Bolton Proof reading: Elaine Bolton Prepress and Print: Eks-Skolens Trykkeri, Copenhagen, Denmark © The authors and The International Work Group for Indigenous Affairs (IWGIA), 2014 - All Rights Reserved HURRIDOCS CIP DATA The reproduction and distribution of information contained Title: The Indigenous World 2014 in The Indigenous World is welcome as long as the source Edited by: Cæcilie Mikkelsen is cited. -
Program for the Nobel Banquet 2013
The Nobel Banquet 2 0 1 3 The 2013 Nobel Laureates The Nobel Prize in Physics Professor Emeritus François Englert Professor Emeritus Peter W. Higgs The Nobel Prize in Chemistry Professor Emeritus Martin Karplus Professor Michael Levitt Professor Arieh Warshel The Nobel Prize in Physiology or Medicine Professor James E. Rothman Professor Randy W. Schekman Professor Thomas C. Südhof The Nobel Prize in Literature Author Alice Munro The Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel Professor Eugene F. Fama Professor Lars Peter Hansen Professor Robert J. Shiller Artistic Managers Production Divine Programme Caroline Gentele, Gabriella Lambert-Olsson and Jacqueline Miura The guests of honour enter in procession Director Ingela Lundh Divertissement based on the play Näktergalarna by His Majesty’s toast is proposed by Professor Carl-Henrik Heldin, Cecilia Sidenbladh and adapted by Divine Chairman of the Board of the Nobel Foundation Music Producer Anders Neglin A toast to Alfred Nobel’s memory is proposed by Costume, Hair and Make Up Design Gunilla Petterson His Majesty the King Movement Instruction Bétina Marcolin Divertissement Tailor Bitte Palm Milliner Michaela Adamec The Nightingales Trumpet Chiara Re Divine – The Opera Trio Tenor Göran Eliasson I Origin Choir Stockholms Studentsångare SSSF Conductor Pelle Olofson II Passion Video Projections Visual Relief Johannes Ferm Winkler and Per Johansson III Reconciliation Floral Designer Gunnar Kaj Students from Swedish universities and colleges, Lighting Designer Per Sundin -
Adelina Patti and Clara Louise Kellogg in the Chicago Tribune, 1860-1876
DOCUMENTING DIVAS: ADELINA PATTI AND CLARA LOUISE KELLOGG IN THE CHICAGO TRIBUNE, 1860-1876 Kathryn Jancaus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC December 2020 Committee: Eftychia Papanikolaou, Advisor Ryan Ebright © 2020 Kathryn Jancaus All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor When Swedish soprano Jenny Lind (1820-1887) came to the United States in 1850, the ecstatic craze surrounding her arrival belied a larger trend which was taking root among the American press and public: a fascination with the lives of celebrity opera singers. One of the Lind enthusiasts was a college student named George P. Upton (1834-1919), who later became the music critic for the Chicago Tribune. In his work over the following decades, Upton continued to take a vivid interest in the lives, careers, and personalities of prima donnas, writing about them with an intensely personal style that was common in newspapers of his time. As journalists for the Tribune provided news about opera stars to their readers in Chicago, they not only shaped the public images of these singers but also promoted the appreciation of classical music as a cause for civic pride in their relatively young city. In this study I examine how George P. Upton and other journalists published in the Chicago Tribune wrote about two star sopranos of the mid to late nineteenth century: Adelina Patti (1843-1919) and Clara Louise Kellogg (1842-1916). I bring together newspaper articles from the years 1860 through 1876 and use secondary literature to place the critics’ approach in context. -
For the First Time, AIDA at the Royal Swedish Opera Broadcasted Worldwide
Stockholm 2018-03-16 For the first time, AIDA at the Royal Swedish Opera Broadcasted Worldwide On the 17th of March at 3 pm (CET), Giuseppe Verdi’s Aida from the Royal Swedish Opera will be broadcasted live in Europe via OperaVision, a new open platform for live streaming. Following the premiere on the 24th of February, the performance with a young and aspiring cast was completely sold out. The title role, Aida, is portrayed by the 27-year-old Swedish soprano Christina Nilsson who has made a sensational debut at the Royal Swedish Opera. Media has particularly praised the credibility of the young love couple. Aida’s beloved Radamès is portrayed by the 30- year-old Italian tenor Ivan Defabiani. Canadian Director Michael Cavanagh has staged a love triangle where Aida, a prisoner of war; commander Radamès and princess Amneris are torn between unyielding private emotions and public obligations. The internationally celebrated Royal Court Singer Katarina Dalayman has received great reviews for her part as Amneris. ”Aida never ceases to fascinate us. It is an impossible love story really, and through the music we are thrown between hope and despair,” says Birgitta Svendén, CEO and Artistic Director of the Royal Swedish Opera. The EU funded open platform OperaVision, was launched in 2017 by 30 opera companies from 18 countries. The platform is part of Opera Europa, a European association for opera companies and festivals. The Royal Swedish Opera has been part of the association since it started up in 2003 with Birgitta Svendén, as the Board Chairperson. KUNGLIGA OPERAN AB Box 160 94, 103 22 Stockholm BESÖKSADRESS Jakobs Torg 4 WWW . -
Christina Nilssons Födelsehem Snugge Byggnadsminnen I Kronobergs Län
www.lansstyrelsen.se/kronoberg Christina Nilssons födelsehem Snugge Byggnadsminnen i Kronobergs län Byggnadsminnen i Kronobergs län Christina Nilssons födelsehem Snugge Byggnadsminnen i Kronobergs län Christina Nilssons födelsehem Snugge Copyright © 2015 Länsstyrelsen Kronoberg Text och foto (om inget annat anges): Vicki Wenander Foto omslagets baksida: Agneta Jansson Layout: TMG AU Tryck: TMG Tabergs ISBN: 978-91-89285-61-3 Dnr: 434-2972-15 4 Byggnadsminnen i Kronobergs län Innehåll Förord ................................................................................................................................7 Kulturmiljön Snugge ..........................................................................................................8 Ett mindre hemman i södra Sverige ..................................................................................12 En enkelstuga som vuxit till sig ........................................................................................16 Christina Nilssons väg till berömmelse .............................................................................20 Världsstjärnan Christina Nilsson ......................................................................................22 Christina Nilsson köper tillbaka Snugge ...........................................................................24 Besök i hembygden ..........................................................................................................26 Pensionering på toppen av karriären .................................................................................28 -
Richard Wilson Mccredy Scrapbook of Philadelphia and New York City Playbills Ms
Richard Wilson McCredy scrapbook of Philadelphia and New York City playbills Ms. Coll. 1322 Finding aid prepared by Siel Agugliaro. Last updated on July 14, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts September 7, 2017 Richard Wilson McCredy scrapbook of Philadelphia and New York City playbills Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 8 - Page 2 - Richard Wilson McCredy scrapbook of Philadelphia and New York City playbills Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator McCredy, Richard Wilson, 1854-1924 Title Richard -
The Göteborg Opera Announces 2017-18 Season
The Göteborg Opera announces 2017-18 Season: the Scandinavian premiere of Jonathan Dove’s Monster in the Maze, a Centenary Gala to Birgit Nilsson with Nina Stemme, and a sustainable Das Rheingold in the autumn of 2018 The Göteborg Opera announces its 2017-18 Season with the Scandinavian premiere of Jonathan Dove’s opera The Monster in the Maze and two further new productions including Strauss’ Ariadne auf Naxos and an unusual double bill of Weill & Brecht’s Seven Deadly Sins with Puccini’s Gianni Schicchi. On the centenary of legendary Swedish soprano’s birth, the Göteborg Opera will host the starriest gala to pay homage to soprano Birgit Nilsson - “a voice of heroic proportions” (Guardian) and the greatest Wagnerian soprano of her day - by lining up eight leading Swedish Wagnerian sopranos including Nina Stemme. The Göteborg Opera is currently preparing for its first Wagner Ring Cycle directed by artistic director Stephen Langridge and conducted by Evan Rogister. The Ring will commence with Das Rheingold in the autumn of 2018 continuing for 4 years culminating in the 400th anniversary of the City of Gothenburg. The autumn of 2018 will also see GöteborgsOperans Danskompani make its debut at Sadler’s Wells with Sidi Larbi Cherkaoui’s double bill of Icon and Noetic. OPERA 21 October - 5 December 2017 NEW PRODUCTION Double bill - Seven Deadly Sins & Gianni Schicchi Double-bill directed by David Radok, conducted by Antony Hermus The season opens on 21 October with a novel pairing of Kurt Weill & Bertolt Brecht’s Seven Deadly Sins with Puccini’s Gianni Schicchi directed by house director David Radok.