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Space Rock, the Popular Music Inspired by the Stars Above Us
SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957, -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era. -
Microgenres MOUG 2021 Presentation (6.531Mb)
Microgenres Memory, Community, and Preserving the Present Leonard Martin Resource Description Librarian Metadata and Digitization Services University of Houston Brief Overview • Microgenres as a cultural phenomenon. • Metadata description for musical microgenres in a library environment using controlled vocabularies and resources. • Challenges and resources for identifying and acquiring microgenre musical sound recordings. • This presentation will focus on chopped and screwed music, vaporwave music, and ambient music. Microgenre noun /mi ∙ cro ∙ gen ∙ re/ 1. A hyper-specific subcategory of artistic, musical, or literary composition characterized that is by a particular style, form, or content. 2. A flexible, provisional, and temporary category used to establish micro- connections among cultural artifacts, drawn from a range of historical periods found in literature, film, music, television, and the performing and fine arts. 3. A specialized or niche genre; either machine-classified or retroactively established through analysis. Examples of Musical Microgenres Hyper-specific • Chopped and screwed music Flexible, provisional, and temporary • Vaporwave music Specialized or niche • Ambient music Ambient Music • Ambient music is a broad microgenre encompassing a breath of natural sounds, acoustic and electronic instruments, and utilizes sampling and/or looping material Discreet Music, Discreet Music, by Brian Eno, 1975, EG Records. to generate repetitive soundscapes. • Earlier works from Erik Satie’s musique d’ameublement (furniture music) to the musique concrete works of Éliane Radigue, Steve Reich’s tape pieces, and synthesizer albums of Wendy Carlos are all precursors of ambient music. • The term ambient music was coined by composer Brian Eno upon the release of Michigan Turquoise, Catch a Blessing. 2019. Genre tags: devotional, ambient, his album, “Discreet Music,” in 1975. -
Midwest Music Fest 2015 Listener's Guide
Organizers Board of Directors Trina Barrett, Sam Brown, Charlie Brown, Sean Burke, Julie Fassbender, Jacob Grippen, Zach Krage,Jim Trouten, Doug Westerman Managing Director Parker Forsell MWMF Assistant Director Dave Casey Booking Manager 168 E. 3rd St. Isaac Sammis Winona, MN 55987 Merchandise Annika Gunderson, On Three Printing GET TICKETS AND MORE Volunteer Coordinator INFO HERE Rebecca Richter Ticketing Coordinator www.midwestmusicfest.org Nicole Kirchner Music Committee Megan Hanson, Brianna Haupt, Stage Design Tim Fair, Doug Harden, Sean Brianna Truax - Modern Design Concepts Burke, Matt Marek, Alex Stevens Production Education Committee Ben Assef - Northern Sun Productions Jacob Grippen, Kelly Blau, Mike Graphic Design Costello, Brianna Haupt, Isaac Danielle Barck Sammis, Nick Novotny, Nick Elstad Fundraising Committee Printed by Sean Burke, Julie Fassbender, Cherie Harkenrider Listener’s Guide Adam Wiltgen, Jonathon Roberts, Brian Voerding, Chris Rodgers, Jim Many thanks Schmidt to the volunteers, Photography artists and sponsors Shannon Porter, Sidney Swanson, - you truly make this Ben Steinquist festival the place Hub Window Design “where music and Sarah Johnson community meet”. 3 Winona Film Society 4 5 North Light Songwriters’ Showcase Friday, April 24 • Winona Arts Center • 6pm - 10pm Frankie Lee • Nicole Rae (The Traveling Suitcase) Eddie Danger • Lydia Liza (Bomba de Luz) Mike Munson • Rachel Kilgour • J.E. Sunde Christopher the Conquered • Jaybone Bell • A gathering of nine accomplished songwriters from Minnesota, Wisconsin, -
Xiami Music Genre 文档
xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop ......................................... -
2020 Andrew Gregory Page 1 of 13 RECORDINGS Hard
This report covers the period of July 1st to Scavengers - "Riddle of Steel" (single) September 30th, 2020. I inadvertently [hardcore metal crust punk] Albany missed a few before that time period, which were brought to my attention by Scum Couch - "rvw lvnd todvy | John fans, bands & others. The missing is listed Mongonia" [doom hardcore punk] Albany at the end, along with an End Note. Sinking - "Only Echoes" [alternative emo rock] Pittsfield MA Smiles - "Machiavellian" [deathcore metalcore hardcore queercore] Albany STATE CHAMPS - "Unplugged" (EP) [acoustic pop punk] Thank you to Nippertown.com for being a partner with Albany WEXT Radio in getting this report out to the people! The Erotics - "Let's Kill Rock N Roll" [sleazy hard rock] RECORDINGS Albany Hard Rock / Metal / Punk The Mighty Atom - "Crashing Through My Beers After the Fall - "Resignation" [hardcore skate punk] [Single]" (2-track) [power pop punk] North Adams MA Albany Wet Specimens - "Serpent Circle" (lathe cut 7-inch) Alex Roumanidakis - "Control" (single) [metal] Albany [punk hardcore] Albany Banshee - "Events Occur in Real Time" (EP) [hardcore Rock / Pop metal] Schenectady Aaron Rhoades - "Going Somewhere" (single track) [alternative electronic synthpop] Albany Christopher Peifer - "Suicide Mission" [garage power pop punk rock] Albany/NYC Alex Hitrick - "Ice Cream" (single) [electro dance pop] Schenectady Concrete - "Free Us From Existence" [hardcore thrash metal] Albany BVLCONY - "On Your Mind" (single) [alternative pop] Saratoga Springs FACED - "II COMING" [thrash metal] -
The History of Rock Music: 1989-1994
The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Noisier than Rock (These are excerpts from my book "A History of Rock and Dance Music") New York's legacy 1990-94 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The 1980s had witnessed a more or less subliminal process of deconstruction of rock music: angular melodies, irregular rhythms, strident counterpoint. The instruments and the line-up were consistent with the stereotype of rock'n'roll but the result was almost antithetical: brainy, un-hummable, depressing and mostly instrumental. During the 1990s this form of intellectual rock was recognized as a major vehicle for the message of a musician, the same way that a memorable melody had been the main vehicle for most musicians of the 1960s. The influence of Sonic Youth was perhaps the most visible. Mostly unknown during the 1980s, Sonic Youth came slowly to represent "the" quintessential alternative band. An even more "alternative" act, Pussy Galore, was a close second. No surprise, then, that a few of the new leaders emerged from those two bands. Bewitched (1) were formed by Pussy Galore's drummer Bob Bert, and recorded a boldly experimental work, Brain Eraser (? 1990 - jul 1990). Jon Spencer's wife Cristina Martinez led Boss Hog (1), that re-invented party-music first on Cold Hands (? 1990 - nov 1990), featuring Honeymoon Killers' bassist Jerry Teel and Unsane drummer Charlie Ondras, and then on Whiteout (? 1999 - aug 1999), both clever revisitations of rock stereotypes. -
The Future of Music: Exploring Noise and Pop with Cienfuegos
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-16-2016 The Future of Music: Exploring Noise and Pop with Cienfuegos Reed Dunlea Cuny Graduate School of Journalism How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/148 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “The Hills,” by The Weeknd, is an ode to being so famous and on so many drugs that you don’t care who you’re fucking. The Toronto rapper topped the Billboard 100 with the track, and amassed 370 million hits on YouTube. His millennial take on Michael Jackson is modern pop perfection. Despite its undeniable catchiness, “The Hills” champions over-the-top, blown-out, good-old-fashioned noise. The Weeknd uses noise to introduce the more traditionally melodic moments of the song: four bursts of drawn-out distorted thuds jumpstart the beginning of the track, and a high-pitched scream, cringe-worthy on its own but appropriate when buried in its surrounding soundscape, precedes the hook of the chorus. Noise tops the charts now. The slick guitar licks of Maroon 5 and belting blonde divas like Boyoncé still populate playlists, but atypically abrasive sounds now lurk in their sonic shadows. Bursts of harsh sound, walls of distortion, and the clatter of grinding gears are seeping into the most unthought-of places, often churned into so many other sounds that many ears will miss it. -
Between Noise-Rock and Post-Rock
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Between Noise-rock and Post-rock (These are excerpts from my book "A History of Rock and Dance Music") New York's noise-rock 1986-88 Sonic Youth coined a style that came to be called "noise-rock". It was still abiding by the rules of rock and roll but it was hijacked by dissonant or discordant sounds. Notable purveyors of noise-rock in the second half of the decade were Nice Strong Arm; Rat At Rat R, whose Rock & Roll Is Dead (dec 1984/feb 1985 - ? 1985) was prophetic; Agitpop (1), whose Back At The Plain Of Jars (? 1985 - ? 1986) was reminiscent of Half Japanese and Pianosaurus; Ritual Tension (1), whose I Live Here (? 1985 - ? 1986) was devoted to clownish non-linear Pere Ubu-esque "dances"; Gut Bank (1), who recorded an album of amateurish but highly creative noise-rock, Dark Ages (? 1986 - end 1986), and pioneered the "riot- grrrrls" movement. Robert Poss (a student of avantgarde composers Alvin Lucier, Phil Niblock and Rhys Chatham) led the triple-guitar attack of the Band Of Susans (13). The guitar tornadoes on the EP Blessing And Curse (aug 1986 - ??) and on the full-length Hope Against Hope (may/jun 1987 - ? 1988) gave rock'n'roll a new twist, fusing minimalistic repetition, psychedelic vocals and guitar noise. -
Sound: a Band's Guide to Success in the Competitive Indie Market. an Evaluation of Touring Trends & Helpful Tricks of the Trade
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 12-2011 The “Indie” Sound: A Band's Guide to Success in the Competitive Indie Market. An Evaluation of Touring Trends & Helpful Tricks of the Trade. Nicole L. Stratman University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Advertising and Promotion Management Commons, Musicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Stratman, Nicole L., "The “Indie” Sound: A Band's Guide to Success in the Competitive Indie Market. An Evaluation of Touring Trends & Helpful Tricks of the Trade." (2011). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1481 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. The “Indie” Sound A Band’s Guide to Success in the Competitive Indie Market An Evaluation of Touring Trends & Helpful Tricks of the Trade University of Tennessee, Knoxville Chancellor’s Honors Program Honors Thesis Completed by: Nicole Stratman -
The Local 518 Music
2020 Quarter 2 Report 2020 Quarter 2 Report Report covers the time period of April 1st to JJ Savage - "Junkyard Dogs / State of Mind" June 30th, 2020. I inadvertently missed a few (single) [hard rock] Albany/LA before that time period, which were brought to my attention by fans, bands & others. The Jo - "Live at QE2 - May 13, 1992" [emo punk missing is listed at the end, along with an End Note… metal] Scotia RECORDINGS Lame Dude - "Getting Tired, Getting Over It" (EP) [alt grunge emo punk rock] Troy Hard Rock / Metal / Punk 1313 Mockingbird Lane - "Unfinished Business (The Mike Vitali - "Homegrown Session: Vol 2" | Toilet Tapes)" [garage punk rock horror] Albany "Homegrown Session: Vol 1" [heavy stoner rock blues] Voorheesville Banshee - "Sunflower" (single) [hardcore metal] Schenectady Mind Reader - "Mortality Obsession" (3-tracks) [heavy metal trash] Troy Bendt - "Bendt Acoustic Sessions: Vol. 1" [alternative modern hard rock] Albany Moriah Formica - "Better Off Alone" (single) [hard rock] Albany Black Electric - "Utopian Hymns" [heavy stoner blues rock] Voorheesville Nice Try Kid - "Attics" [alt pop punk rock] Adams MA Broken Field Runner - "Broken" [electronic emo pop No More Death Stars - "Fear Song" (single) [pop punk punk] Albany / LA rock] Glens Falls Crafter - "No Renaissance" (single) [melodic hardcore] Postage / Mikey Erg - "Paranoia / Self Addressed Pittsfield MA Stamped Envelope" (split single [hardcore poer punk] Albany/NJ Concrete - "World Tomb" (single) [hardcore thrash metal] Albany Reprise - "Blackout" (single) [heavy