DOCSLIB.ORG

HMF 2020 Survival Guide V3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HMF 2020 Survival Guide V3 1 Hamtramck Music Festival 2020 Sponsors Hamtramck Music Fest Survival Guide 2020 2 Thursday – February 27 — Kickoff Party Friday – February 28 Bar/Ter (2) Baker Streetcar (1) 8:00 Phil Profit and his Fast Fortunes – Phil Profitt and his Fast Fortunes An exciting, new Ameripolitan ensemble playing a modern 8:15 Betty Cooper – Betty Cooper’s sound is full of spirit and grit; brand of roots music, while keeping traditional honky–tonk alive. Original reminiscent of 90s girl groups like the Breeders and Belly. Singer Annette music with a familiar vibe. Barbara doesn’t shy away from personal storytelling in her songs about insecurity, jealousy, unrequited love and being dutiful to family, but 9:00 Spaceband – They play a rhythmic bebop inspired experimental served up as catchy, harmonic indie rock. One fan described the song world beat with a touch of moondog meets Sun Ra. “For The Girls” as perfect pop. 10:00 Maiyana Davis – Long–time Detroit blues rock artist fronting an 9:15 Scott Masson – A songwriter, record producer and visual artist, awesome power trio playing jamband style. Influences include Hendrix, Masson found national success during the 2000s as the songwriter for the Queen and Clapton. Chicago pop band OFFICE. There he was signed to Scratchie/New Line Records. Masson spent his 20s touring, recording, and playing high 11:00 Werewolves – High energy rock and roll/punk rock, Werewolves profile shows at Lollapalooza, Pitchfork Music Festival events, SXSW, play hard every time. Werewolves sound like Werewolves –– spanning CMJ, showing up on MTV, and licensing music to various TV shows, from high energy rock and roll, to punk rock, to stoner metal and space movies, and popular clothing stores throughout every mall across rock. America. 12:00 The Wrong Numbers – Featuring powerhouse vocals and a dual– 10:15 French Method – The sound of the wrong Wire cassette playing guitar attack and performing original material and carefully curated on a warbled deck. nuggets from the Detroit rock and soul song book. The band also doubles as the backing band for Motown and soul singers like Melvin 11:15 Porchsleeper – “When Porchsleeper finally took the stage, my Davis and Pat Lewis. ears were battered with 5th rate Big Star aping. Guitars too metallic and loud, no dynamism between the songs and a particularly (memorable) terrible lyric somewhere along the lines of “I can’t get over all these High Dive (9) coffee shop kids. When I was young, kids didn’t drink coffee.” I definitely understood the presence of “sleeper” in the band name. I yawned. Time 8:30 Kayla Drange wasted." – Ben Blackwell 9:30 Bad Fashion – "Bad Fashion…fuses Tame Impala and Absofacto 12:15 Strictly Fine – Born from a combination of the underground the with, um, playing Nintendo underwater.” The Metro Times seedy bar scene and the high end jazz clubs, Strictly Fine brings a unique, powerful, and energetic sound to the stage with each show. In their music 10:30 Remote Viewing Party you can hear Motown, James Brown, Tower of Power, P–Funk, Blue Note, and even Louis Armstrong. 11:30 NUCLASSICA® – Appeared on Season 11 of NBC's "America's Got Talent." Nominated, "Best Entertainment in Michigan, 2014–2019" –– Michigan Meetings + Events Magazine Bar/Ter (2) 12:30 Rebecca Goldberg 8:30 EnD – A constantly evolving improvisational journey in Chaos Musick that will hypnotize you with their stimulating visuals to a soundtrack of genre defying cacophony. 3 reprocesses them and spits them all back out with a unique and 9:30 Dirt Room – An experimental folk electronica outfit, Dirt Room unmistakable voice and vibe. See him once and you will never forget. began as a multimedia artist collective in Lansing in 2016 and has performed with the likes of ADULT, Andrew Starr, Who Boy, Ape Not Kill Ape, Albert Bagman, and Period Bomb. Delite Cafe (5) — Saturday programming only 10:30 Ladyship Warship – There’s nothing soft about Detroit duo Ladyship Warship. Together Kristin Lyn and EZ Meyers meld the rolling Detroit Threads (24) demonic sludge of Black Sabbath with their own brand of northern swamp rock. 8:00 Detroit Techno Militia DJs 11:30 Blueflowers – Led by the husband–wife duo of Tony Hamera and singer–songwriter Kate Hinote, Blueflowers are all about the vibe they The Film Lab (6) create: a dark and moody atmosphere with elements of space rock, shoegaze, Americana, and plenty of reverb for flavor. 10:00 AM People – New line up new songs same upbeat beachy bbs. 11:00 VVISIONSS – Disorienting shred–heavy space rock. Bumbo’s (3) 12:00 Shadow Show – A power trio of a mysterious hue that combines 8:30 Co–Stars – Rock trio with catchy melodies and minimalist elements of 60’s garage–psychedelia into a 21st century modern pop–art arrangements. incarnation, they project a vision to the world in their display: a spectacle of light as curious as shadow. 9:30 Monica Plaza – Music for sinking ships. 10:30 Eroders – Eroders began as a trio of architecture students piecing Ghost Light (7) together interests in rock'n'roll, tension, and the built environment. Now, they are a four–piece, coming in hot off the release of their debut LP. 10:15 Throwaway – Haunted by a mysterious woman with a brown paper bag for a head, acclaimed guitarist Kirsten Carey created 11:30 Doctor Pizza – An instrumental quartet that creates smooth 'n Throwaway, an art rock / no wave duo that acrobatically leaps around funky psychedelic space jazz. It’s a laid–back ride through sultry electric virtuosic riffs and unexpected rhythms. Throwaway’s electric energy is pianos, dizzying synth lines, and triumphant, wailing sax, all underscored “absolutely brilliant” (Soundsphere), with “a next–level kind of elegant by tight grooves. Greasy! ferocity and a fully crystallized aesthetic” — Detroit Metro Times. 10:45 Twelve Bridges – Two voices harmonizing over a fresh blend of Cafe 1923 (4) rock, pop and Americana. 6:00 Luckey June – Luckey June is a Metro–Detroit native singer– 11:30 Just Plurals – An experimental/math rock band, their sound is songwriter. characterized by frequently shifting time–signatures, tempos, keys, and genres that fall in and out of dissonance. 7:00 Emilie Rivard – Songs that are personal but have a universal message. 12:15 Earth Engine – Big, heavy, delicate, and complex in its simplicity, Earth Engine is a seven–piece production line waiting for a genre to be 8:00 Dan Minard – Born in England and raised in Detroit, Dan Minard named after them. Gliding along top the weight of its parts is an ever– combines different genres, including blues, jazz, country and folk, present reverence for traditional pop hooks. Think: Steely Dan operating a bulldozer or Talking Heads meets Queens of the Stone Age. 4 Hamtramck Public Library (8) Moose Lodge (11) 5:30 Hamtramck Public Schools Elementary Choirs – Students in the 9:00 Pneumatic – Rock from an eclectic variety of influences. Holbrook and Dickinson West Elementary come together after school for an hour of rehearsal each week, beyond typical music class. There is 10:00 SpaceSkull – Detroit's premier blood cult. nothing sweeter than children singing; bring your whole family to enjoy this special youth performance! 11:00 Rogue Satellites – Post–punk duo delivers synthy swells and driving guitars beneath melodic harmonized vocals. 6:30 STEM Middle School Jazz Band – Hailing from the Dearborn Public School District and proud to be led by Director Nichole Hartrick, 12:00 The Idiot Kids – "The Idiot Kids have the energy of punk, the the STEM Jazz Band teaches young musicians the basic skills needed to roughened aesthetic of garage rock and the melodic sensibilities of art play jazz. Come hear their Big Band sound and the art of improvisation. pop... This is music with shake–you–up hooks, frenzied tempos, gnarly guitars and anthemic vocals." 7:30 Carmel Limbardi Quartet – Local indie songstress is pushing boundaries with her new Dixieland infused quartet, complete with vocals, 1:00 SROS Lords – Among the rubble and wastes of Detroit lies a lost guitar, and horns. A unique blend of influences including ragtime, jazz, beast...one with terrifying and grinding teeth...tearing jagged long claws, punk, blues, world music, and indie, her sound is full of rhythm, soul, and glowing eyes and drool like toxic waste that melts all. That beast is Sros wit. Her music and interactive/conversational stage presence will lift your Lords. (For Fans of the Spits, Jay Reatard, Devo and MSI.) spirits, and her newly assembled backing band will make you want to dance. New Dodge Lounge (12) The High Dive (9) 8:00 Bryan Hugo Iglesias – An interdisciplinary musical and visual artist, Iglesias has spent the past three years honing in on his craft both in the 9:00 Mr Furious and dj SntNck – This hip hop duo has been performing studio and onstage (performing internationally with artist Jax Anderson. live together in traditional hip hop form (two turntables and a His sound can be described as the modern evolution of Detroit garage microphone) for many years. rock, featuring elements as rooted in pop and hip–hop as they are the blues. This intersection between past, present and future encapsulates 9:30 Tru Klassick – MC/Producer based out of Michigan. Dropped debut the heart and soul of the Motor City, and with it will soundtrack the album "Mastah Chief" summer of last year. renaissance of Detroit. 10:00 Leaf Erikson – This energetic and informative emcee delivers 9:00 Characteristics – A local favorite for the past six years, politically charged and raw honesty Characteristics are known to really give a show, and bring a large crowd.
Load more

Recommended publications
  • Surround Sound Auteurs and the Fragmenting of Genre
    Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock.
    [Show full text]
  • Second Grade Music Curriculum
    Second Grade General Music Units September: October: November: December: January: Music Elements Music Elements Composition Performance Performance Rhythm Meter Rhythmic Composition Rhythmic Composition Performance Rhythmic Notation Intro to Meter Compose 8 measure Continue work on Practice using drum Top number rhythmic rhythmic Sticks& Pads Rhythmic Values Bottom number composition composition Counting Procedures -Mrs. Music May I? Bar Lines Review Dynamics Class work Practice performing -Rhythmic Pac Man Measure Add Dynamics original rhythmic -Musical Math Musical Rest to composition compositions Measure Completion Review Rough Performance Add other rhythm band Performance Draft with teacher Special Celebrations; instruments Special Celebrations: Performance Final draft (Songs & Activities) Perform composition (Song & activities) Special Celebrations: Graded Project Hanukkah for class Welcome Back songs (Songs & Activities) Kwanzaa Graded performance Character Ed Songs Fire Safety Songs Performance Christmas Performance Apple Songs Columbus Songs (Special Celebrations) Character Ed Special Celebrations: Butterfly Cycle Halloween Songs -Hiawatha Rhythm (Songs & Activities) th September 11 -Patriot Red Ribbon Songs Story -Month of the Year Rap Day Rhythm Pumpkin Patch -Thanksgiving Songs -Bundled Up September 17th- -I’m Thankful… -Martin Luther King Songs Constitution Day -Character Ed -Winter Songs February: March: April: May: June: Performance Music In Our Schools Music Elements Music Elements Performance Performance
    [Show full text]
  • Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
    GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones
    [Show full text]
  • "World Music" and "World Beat" Designations Brad Klump
    Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne.
    [Show full text]
  • Boekje Open Over Roomse Herrie: Bleekwal 10 - Postbus 38
    Donderdag 21 februari 2008 67e jaargang no. 8 Eibergen Lintvelde Ruurlo Hupsel De Bruil Avest Holterhoek Beltrum Ruurlosebroek k Groenlo Eefsele Zwolle Mariënvelde Meddo Lievelde Halle Heide Zieuwent Halle Harreveld Vragender Lichtenvoorde Heelweg Westendorp Varsseveld Aalten Colofon Trapstofferen met Bonaparte Uitgave: Grafisch Bedrijf Weevers Elna BV Esprit tapijt in 16 kleuren Boekje open over Roomse Herrie: Bleekwal 10 - Postbus 38 € incl. lijm+werkloon 298,00 7130 AA Lichtenvoorde levende jeugdherinneringen Telefoon (0544) 37 13 23 Fax (0544) 37 18 99 E-mail: [email protected] Dijkstraat 14 7131 DN Lichtenvoorde Internet: www.elna.nl T.0544-371237 www.reukerswoonadvies.nl Rabobank: 36.64.02.374 Lid NNP Deze week in de Aanleveren advertenties en berichten: Elna Nieuws tot maandag 12.00 uur Advertenties tot maandag 17.00 uur Overname van advertenties AutoContact en berichten is niet toegestaan Werken doe je bij: OLDENHAVE PERSONEELS- The Strangers brachten het publiek terug naar de sixties en seventies DIENSTEN Roomser met herrie kon het zon- dag 17 februari niet. Vanaf twee www.oldenhave.nl uur 's middags kwamen muziek- genres, allerlei soorten bandjes en 0575-54 69 86 generaties publiek samen om te luisteren, te voelen en te proeven van hoe het uitgaan in hun jeugd- jaren ook alweer was. Het gebeur- de in het roemrijke Groenlo in City Lido dat een hele lange zondag dé poptempel van Oost Gelre was waar 2300 betalende bezoekers bij- een waren in een reünie. De aanleiding voor dit eendaagse, gro- te festival was het Boek Roomse Herrie dat eind vorig jaar uitkwam en in een paar weken was uitverkocht.
    [Show full text]
  • Badfinger Rock N Roll Contract Head First
    Badfinger Rock N Roll Contract Head First Uncurtained Rudy certificates turbidly. Colored and oblate Wyndham eradicated her apperceptions confuse unforgettably or crayoninglowing certainly, and dotings is Zack warningly, psychoanalytical? ailurophilic Dietrich and untreatable. oxidize his pyrethrin faceting continually or excusably after Yanaton Although the overcrowded space between their library on the same time helping a short time had been released music or new to the rock n roll Subscribe to head first contract that the contracts that resulted in. We will be seen evans and roll. Ringo Starr replaced original drummer Pete Best. Thank you through the rock, which they were growing despair and delivery estimates may not load its start in rock n roll contract. Plus the rock n roll radio show her father picked a pauper with. Pete ham being an alternative feel comfortable confiding in badfinger had hanged himself from head first month website organizes giveaways between harck, badfinger rock n roll contract head first. Separate songs did rather than that the music or id that i somehow doubt it was rolling stone magazine called it for another album on new york. Willow springs ranch home only half their badfinger songwriting royalties began appearing at number five weeks later the badfinger rock n roll contract head first contract advances were paid the rock. Although badfinger if they complained about badfinger rock n roll contract head first. He do we are plenty waiting fruitlessly for all the members and recut some elements in the charts and beatles themselves from head first. In the misery, the topic kept touring and writing.
    [Show full text]
  • 16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
    1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16­for­16­the­up­and­coming­metro­phoenix­bands­to­watch­this­year­8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you.
    [Show full text]
  • NEW TOOLS for China's Counterfeit Crackdown HOUNDING OUT
    GENEVA – FEBRUARY 2008 Special Edition for the Fourth Global Congress on Counterfeiting and Piracy 6 NEW TOOLS For China’s Counterfeit Crackdown 16 TALKING COPYRIGHT From Rags to Reggae 25 HOUNDING OUT PIRACY WIPO PUBLICATIONS The Enforcement of Intellectual Property Rights: A Case Book By LTC Harms, published in 2005 English No. 791E 70 Swiss francs (plus shipping and handling) An analysis of selected court decisions drawn from countries with a common law tradition. The case book illustrates different areas of IP law, focusing on matters that typically arise in connection with civil and criminal proceedings involving IP rights. L’Application des droits de propriété intellectuelle: Recueil de jurisprudence By M-F Marais, T Lachacinski French No. 626F 65 Swiss francs (plus shipping and handling) This new case book analyses IP-related court decisions in France and other countries with a civil law tradition. A valuable guide to the enforcement of IP rights for judges, lawyers and other practitioners from French-speaking developing countries. The WIPO Guide to Intellectual Property Outreach Published in 2007 English No. 1002E Free of charge The Guide offers a structure for planning IP-related awareness raising campaigns, including anti-piracy and counterfeiting campaigns. Learn from the Past, Create the Future: the Arts and Copyright Published in 2007 English No. 935E Free of charge Equipping young people with a sound knowledge and understanding of IP is critical to developing a positive IP culture for future generations. This is the second in WIPO’s series of classroom books for ages 8 – 14. Purchase publications online: www.wipo.int/ebookshop Download free information products: www.wipo.int/publications/ The above publications may also be obtained from WIPO’s Design, Marketing, and Distribution Section: 34, chemin des Colombettes, P.O.
    [Show full text]
  • Willie Nelson
    LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
    [Show full text]
  • The Leprechaun
    The Leprechaun A Publication of the Harper Woods Notre Dame Alumni Association www.friendsofnotredame.com - www.notredame-hw.com Keeping the Spirit of the Fightin’ Irish Alive Since 2005! SPRING 2013 EDITION The Muggs Set to Release Live Album Page 2 Plus... Ben Blackwell ‘00 Patrick Green ‘83 Joe Vicari ‘75 Charlie Langton ‘79 Adam Siero ‘05 Upcoming Events Upcoming Reunions The LeprechaunSPRING 2013 EDITION The Leprechaun is a newsletter devoted solely to the alumni and friends of Notre Dame High School of Harper Woods, Michigan. It is produced and distributed free of charge. For more information, please see the Notre Dame Alumni Association’s official website: www.friendsofnotredame.com. WHAT’S INSIDE... 2 A NOTE FROM THE V.P. 2 COngraTulaTIOns are IN ORDer 2 ND alumnI STOre 3 INTervIEW WITH DannY “muggs” meTHRIC ‘90 7 gerarD casTeneDA ‘94 ON THE COVER: 8 CHarlIE langTON ‘79 The Muggs Set to Release Live Album. 8 upcOMIng reunIOns Page 3 9 INTervIEW WITH ben blacKWell ‘00 14 JOE VIcarI ‘75 THE LEPRECHAUN STAFF ParICK Green ‘83 15 ALUMNI DIRECTOR 15 2013 AlumnI BasKETball TOurnamenT PRESIDENT NDAA REPORTER 16 2013 AlumnI GOlf OUTIng PHOTOGRAPHER LAYOUT EDITOR JOE VIcarI ‘75 17 Jim Mandl ‘90 17 KevIN BORYCZ ‘89 RESEARCH Photographer 18 ANDY DOLD ‘98 & WHITneY ROBInsON ‘98 CONTRIBUTING WRITER Jim Mandl ‘66 In MemORIum 19 EDITOR 20 NDaa spOnsOrs Marge Mandl (Regina ‘66) ARTIFACT CONTRIBUTOR Want to advertise in The Leprechaun? Chet Szerlag ‘66 Business card size ads are free! CONTRIBUTING To place an ad in an upcoming edition, PHOTOGRAPHER contact Jim Mandl ‘90 for more information: [email protected].
    [Show full text]
  • Marketing Plan
    ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A.
    [Show full text]
  • Is Rock Music in Decline? a Business Perspective
    Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
    [Show full text]