HMF 2020 Survival Guide V3
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Surround Sound Auteurs and the Fragmenting of Genre
Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock. -
Second Grade Music Curriculum
Second Grade General Music Units September: October: November: December: January: Music Elements Music Elements Composition Performance Performance Rhythm Meter Rhythmic Composition Rhythmic Composition Performance Rhythmic Notation Intro to Meter Compose 8 measure Continue work on Practice using drum Top number rhythmic rhythmic Sticks& Pads Rhythmic Values Bottom number composition composition Counting Procedures -Mrs. Music May I? Bar Lines Review Dynamics Class work Practice performing -Rhythmic Pac Man Measure Add Dynamics original rhythmic -Musical Math Musical Rest to composition compositions Measure Completion Review Rough Performance Add other rhythm band Performance Draft with teacher Special Celebrations; instruments Special Celebrations: Performance Final draft (Songs & Activities) Perform composition (Song & activities) Special Celebrations: Graded Project Hanukkah for class Welcome Back songs (Songs & Activities) Kwanzaa Graded performance Character Ed Songs Fire Safety Songs Performance Christmas Performance Apple Songs Columbus Songs (Special Celebrations) Character Ed Special Celebrations: Butterfly Cycle Halloween Songs -Hiawatha Rhythm (Songs & Activities) th September 11 -Patriot Red Ribbon Songs Story -Month of the Year Rap Day Rhythm Pumpkin Patch -Thanksgiving Songs -Bundled Up September 17th- -I’m Thankful… -Martin Luther King Songs Constitution Day -Character Ed -Winter Songs February: March: April: May: June: Performance Music In Our Schools Music Elements Music Elements Performance Performance -
Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones -
"World Music" and "World Beat" Designations Brad Klump
Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
Boekje Open Over Roomse Herrie: Bleekwal 10 - Postbus 38
Donderdag 21 februari 2008 67e jaargang no. 8 Eibergen Lintvelde Ruurlo Hupsel De Bruil Avest Holterhoek Beltrum Ruurlosebroek k Groenlo Eefsele Zwolle Mariënvelde Meddo Lievelde Halle Heide Zieuwent Halle Harreveld Vragender Lichtenvoorde Heelweg Westendorp Varsseveld Aalten Colofon Trapstofferen met Bonaparte Uitgave: Grafisch Bedrijf Weevers Elna BV Esprit tapijt in 16 kleuren Boekje open over Roomse Herrie: Bleekwal 10 - Postbus 38 € incl. lijm+werkloon 298,00 7130 AA Lichtenvoorde levende jeugdherinneringen Telefoon (0544) 37 13 23 Fax (0544) 37 18 99 E-mail: [email protected] Dijkstraat 14 7131 DN Lichtenvoorde Internet: www.elna.nl T.0544-371237 www.reukerswoonadvies.nl Rabobank: 36.64.02.374 Lid NNP Deze week in de Aanleveren advertenties en berichten: Elna Nieuws tot maandag 12.00 uur Advertenties tot maandag 17.00 uur Overname van advertenties AutoContact en berichten is niet toegestaan Werken doe je bij: OLDENHAVE PERSONEELS- The Strangers brachten het publiek terug naar de sixties en seventies DIENSTEN Roomser met herrie kon het zon- dag 17 februari niet. Vanaf twee www.oldenhave.nl uur 's middags kwamen muziek- genres, allerlei soorten bandjes en 0575-54 69 86 generaties publiek samen om te luisteren, te voelen en te proeven van hoe het uitgaan in hun jeugd- jaren ook alweer was. Het gebeur- de in het roemrijke Groenlo in City Lido dat een hele lange zondag dé poptempel van Oost Gelre was waar 2300 betalende bezoekers bij- een waren in een reünie. De aanleiding voor dit eendaagse, gro- te festival was het Boek Roomse Herrie dat eind vorig jaar uitkwam en in een paar weken was uitverkocht. -
Badfinger Rock N Roll Contract Head First
Badfinger Rock N Roll Contract Head First Uncurtained Rudy certificates turbidly. Colored and oblate Wyndham eradicated her apperceptions confuse unforgettably or crayoninglowing certainly, and dotings is Zack warningly, psychoanalytical? ailurophilic Dietrich and untreatable. oxidize his pyrethrin faceting continually or excusably after Yanaton Although the overcrowded space between their library on the same time helping a short time had been released music or new to the rock n roll Subscribe to head first contract that the contracts that resulted in. We will be seen evans and roll. Ringo Starr replaced original drummer Pete Best. Thank you through the rock, which they were growing despair and delivery estimates may not load its start in rock n roll contract. Plus the rock n roll radio show her father picked a pauper with. Pete ham being an alternative feel comfortable confiding in badfinger had hanged himself from head first month website organizes giveaways between harck, badfinger rock n roll contract head first. Separate songs did rather than that the music or id that i somehow doubt it was rolling stone magazine called it for another album on new york. Willow springs ranch home only half their badfinger songwriting royalties began appearing at number five weeks later the badfinger rock n roll contract head first contract advances were paid the rock. Although badfinger if they complained about badfinger rock n roll contract head first. He do we are plenty waiting fruitlessly for all the members and recut some elements in the charts and beatles themselves from head first. In the misery, the topic kept touring and writing. -
16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16for16theupandcomingmetrophoenixbandstowatchthisyear8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you. -
NEW TOOLS for China's Counterfeit Crackdown HOUNDING OUT
GENEVA – FEBRUARY 2008 Special Edition for the Fourth Global Congress on Counterfeiting and Piracy 6 NEW TOOLS For China’s Counterfeit Crackdown 16 TALKING COPYRIGHT From Rags to Reggae 25 HOUNDING OUT PIRACY WIPO PUBLICATIONS The Enforcement of Intellectual Property Rights: A Case Book By LTC Harms, published in 2005 English No. 791E 70 Swiss francs (plus shipping and handling) An analysis of selected court decisions drawn from countries with a common law tradition. The case book illustrates different areas of IP law, focusing on matters that typically arise in connection with civil and criminal proceedings involving IP rights. L’Application des droits de propriété intellectuelle: Recueil de jurisprudence By M-F Marais, T Lachacinski French No. 626F 65 Swiss francs (plus shipping and handling) This new case book analyses IP-related court decisions in France and other countries with a civil law tradition. A valuable guide to the enforcement of IP rights for judges, lawyers and other practitioners from French-speaking developing countries. The WIPO Guide to Intellectual Property Outreach Published in 2007 English No. 1002E Free of charge The Guide offers a structure for planning IP-related awareness raising campaigns, including anti-piracy and counterfeiting campaigns. Learn from the Past, Create the Future: the Arts and Copyright Published in 2007 English No. 935E Free of charge Equipping young people with a sound knowledge and understanding of IP is critical to developing a positive IP culture for future generations. This is the second in WIPO’s series of classroom books for ages 8 – 14. Purchase publications online: www.wipo.int/ebookshop Download free information products: www.wipo.int/publications/ The above publications may also be obtained from WIPO’s Design, Marketing, and Distribution Section: 34, chemin des Colombettes, P.O. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
The Leprechaun
The Leprechaun A Publication of the Harper Woods Notre Dame Alumni Association www.friendsofnotredame.com - www.notredame-hw.com Keeping the Spirit of the Fightin’ Irish Alive Since 2005! SPRING 2013 EDITION The Muggs Set to Release Live Album Page 2 Plus... Ben Blackwell ‘00 Patrick Green ‘83 Joe Vicari ‘75 Charlie Langton ‘79 Adam Siero ‘05 Upcoming Events Upcoming Reunions The LeprechaunSPRING 2013 EDITION The Leprechaun is a newsletter devoted solely to the alumni and friends of Notre Dame High School of Harper Woods, Michigan. It is produced and distributed free of charge. For more information, please see the Notre Dame Alumni Association’s official website: www.friendsofnotredame.com. WHAT’S INSIDE... 2 A NOTE FROM THE V.P. 2 COngraTulaTIOns are IN ORDer 2 ND alumnI STOre 3 INTervIEW WITH DannY “muggs” meTHRIC ‘90 7 gerarD casTeneDA ‘94 ON THE COVER: 8 CHarlIE langTON ‘79 The Muggs Set to Release Live Album. 8 upcOMIng reunIOns Page 3 9 INTervIEW WITH ben blacKWell ‘00 14 JOE VIcarI ‘75 THE LEPRECHAUN STAFF ParICK Green ‘83 15 ALUMNI DIRECTOR 15 2013 AlumnI BasKETball TOurnamenT PRESIDENT NDAA REPORTER 16 2013 AlumnI GOlf OUTIng PHOTOGRAPHER LAYOUT EDITOR JOE VIcarI ‘75 17 Jim Mandl ‘90 17 KevIN BORYCZ ‘89 RESEARCH Photographer 18 ANDY DOLD ‘98 & WHITneY ROBInsON ‘98 CONTRIBUTING WRITER Jim Mandl ‘66 In MemORIum 19 EDITOR 20 NDaa spOnsOrs Marge Mandl (Regina ‘66) ARTIFACT CONTRIBUTOR Want to advertise in The Leprechaun? Chet Szerlag ‘66 Business card size ads are free! CONTRIBUTING To place an ad in an upcoming edition, PHOTOGRAPHER contact Jim Mandl ‘90 for more information: [email protected]. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,