Cambridge University Press 978-0-521-19922-3 — Imagining an English Reading Public, 1150-1400 Katharine Breen Index More Information
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Cambridge University Press 978-1-107-16336-2 — Medieval Historical Writing Edited by Jennifer Jahner , Emily Steiner , Elizabeth M
Cambridge University Press 978-1-107-16336-2 — Medieval Historical Writing Edited by Jennifer Jahner , Emily Steiner , Elizabeth M. Tyler Index More Information Index 1381 Rising. See Peasants’ Revolt Alcuin, 123, 159, 171 Alexander Minorita of Bremen, 66 Abbo of Fleury, 169 Alexander the Great (Alexander III), 123–4, Abbreviatio chronicarum (Matthew Paris), 230, 233 319, 324 Alfred of Beverley, Annales, 72, 73, 78 Abbreviationes chronicarum (Ralph de Alfred the Great, 105, 114, 151, 155, 159–60, 162–3, Diceto), 325 167, 171, 173, 174, 175, 176–7, 183, 190, 244, Abelard. See Peter Abelard 256, 307 Abingdon Apocalypse, 58 Allan, Alison, 98–9 Adam of Usk, 465, 467 Allen, Michael I., 56 Adam the Cellarer, 49 Alnwick, William, 205 Adomnán, Life of Columba, 301–2, 422 ‘Altitonantis’, 407–9 Ælfflæd, abbess of Whitby, 305 Ambrosius Aurelianus, 28, 33 Ælfric of Eynsham, 48, 152, 171, 180, 306, 423, Amis and Amiloun, 398 425, 426 Amphibalus, Saint, 325, 330 De oratione Moysi, 161 Amra Choluim Chille (Eulogy of St Lives of the Saints, 423 Columba), 287 Aelred of Rievaulx, 42–3, 47 An Dubhaltach Óg Mac Fhirbhisigh (Dudly De genealogia regum Anglorum, 325 Ferbisie or McCryushy), 291 Mirror of Charity, 42–3 anachronism, 418–19 Spiritual Friendship, 43 ancestral romances, 390, 391, 398 Aeneid (Virgil), 122 Andreas, 425 Æthelbald, 175, 178, 413 Andrew of Wyntoun, 230, 232, 237 Æthelred, 160, 163, 173, 182, 307, 311 Angevin England, 94, 390, 391, 392, 393 Æthelstan, 114, 148–9, 152, 162 Angles, 32, 103–4, 146, 304–5, 308, 315–16 Æthelthryth (Etheldrede), -
Gog and Magog and Ethnic Difference in the Catalan Atlas (1375) Thomas Franke
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 9-12-2014 Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375) Thomas Franke Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Franke, Thomas. "Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375)." (2014). https://digitalrepository.unm.edu/hist_etds/30 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Thomas Samuel Franke Candidate History Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Michael A. Ryan , Chairperson Timothy C. Graham Sarah Davis-Secord Franke i MONSTERS AT THE END OF TIME: GOG AND MAGOG AND ETHNIC DIFFERENCE IN THE CATALAN ATLAS (1375) by THOMAS FRANKE BACHELOR OF ARTS, UC IRVINE 2012 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS HISTORY The University of New Mexico Albuquerque, New Mexico JULY 2014 Franke ii Abstract Franke, Thomas. Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375). University of New Mexico, 2014. Although they are only mentioned briefly in Revelation, the destructive Gog and Magog formed an important component of apocalyptic thought for medieval European Christians, who associated Gog and Magog with a number of non-Christian peoples. -
Download The
1 The Oxford map of Palestine in the work of Matthew Paris Matthew Paris, or Matthew the Parisian, born about 1200, served as the chronicler of St. Albans Abbey from 1237 until his death in 1259. Unlike some other monastic chronicles, Matthew’s work is anything but dull. He was long-winded, opinionated, cranky, and interested in everything. He moves from politics at court, to the abuses of ecclesiastical power, to foreign relations, to peculiar meteorological and astronomical occurrences, to uncanny incidents. A staunch Benedictine, he had a low opinion of other monastic orders, especially those of more recent foundation, and he was quick to condemn what he felt to be unwarranted impositions on his beloved abbey. While we know little about the details of his personal life, we know a great deal about what he thought. Toward the end of his life, feeling perhaps that he had been a little too outspoken, he attempted to censor some of his strongest statements.1 He had a strong visual sense, and ornamented his text with lively drawings of Crusaders in battle, horrific martyrdoms, and perilous sea voyages. He also made copies of notable works of art,2 and, most important for us, he made a series of maps unprecedented in their variety and quality. Some are diagrams, such as the wind diagrams, one showing the classical twelve winds with their ancient names along with the names used by contemporary seamen. Another diagram of the Heptarchy, the division of kingdoms in ancient Britain, is an abstract floral design,3 while a drawing of the four Roman roads4 is equally divorced from geography. -
The Imagined Cartography of Matthew Paris's Britain
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2013 "Queen of All Islands": The mI agined Cartography of Matthew aP ris's Britain John Wyatt Greenlee East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons, Other History Commons, and the Political History Commons Recommended Citation Greenlee, John Wyatt, ""Queen of All Islands": The mI agined Cartography of Matthew Paris's Britain" (2013). Electronic Theses and Dissertations. Paper 1118. https://dc.etsu.edu/etd/1118 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain _____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History _____________________ by John Wyatt Greenlee May 2013 _____________________ Dr. Brian J. Maxson, Chair Dr. William Douglas Burgess Dr. Thomas Crofts Dr. Daniel Newcomer Keywords: Matthew Paris, Britain, Cartography, Chronica Majora , Claudius Map ABSTRACT "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain by John Wyatt Greenlee In the middle decade of the thirteenth century, the Benedictine monk and historian Matthew Paris drew four regional maps of Britain. -
Vision, Devotion, and Self Representation in Late
Cambridge University Press 978-1-107-03222-4 - Vision, Devotion, and Self-Representation in Late Medieval Art Alexa Sand Frontmatter More information VISION, DEVOTION, AND SELFREPRESENTATION IN LATE MEDIEVAL ART This book investigates the “owner portrait” in the context of late medieval devo- tional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated preexist- ing representational strategies concerned with the authority and spiritual effi cacy of pictures and books, such as the Holy Face and the donor image, into a more inti- mate and refl exive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England. Alexa Sand is associate professor of art history at Caine College of the Arts, Utah State University. She has published articles in The Art Bulletin , Gesta , Yale French Studies , Word and Image , the Huntington Library Quarterly , Studies in Iconography , and a number of edited essay collections. She is the recipient of the ACLS Charles Ryskamp Fellowship and the AAUW American Fellowship for Publication. She was recently the Gilbert and Ursula Farfel -
Notes on Theatricality in Jacques Derrida's "Envois"
Title: Apostrophe and apocalypse : notes on theatricality in Jacques Derrida's "Envois" Author: Michał Kisiel Citation style: Kisiel Michał. (2017). Apostrophe and apocalypse : notes on theatricality in Jacques Derrida's "Envois". “Theoria et Historia Scientiarum” (Vol. 14 (2017), s. 27-37, DOI: http://dx.doi.org/10.12775/ths.2017.002 THEORIA ET HISTORIA SCIENTIARUM, VOL. XIV Ed. Nicolaus Copernicus University 2017 DOI: http://dx.doi.org/10.12775/ths.2017.002 Michał Kisiel Institute of English Cultures and Literatures University of Silesia in Katowice [email protected] Apostrophe and Apocalypse: Notes on Theatricality in Jacques Derrida’s “Envois” Abstract. This article aims at uncovering and interpreting the selected theatrical tropes in Jacques Derrida’s “Envois” in relation to an interpretative path paved by Samuel Weber in Theatricality as Medium. Following Weber’s intuitions, “Envois” is read as a process of staging the postulates posed by Derrida in his previous works, including “Freud and the Scene of Writing” or “Envoi.” The logic of staging, as it is argued, relies first and foremost on the trope of apostrophe, understood both as an act of addressing somebody and a punctuation mark. Derrida’s spectral correspondence—in which addressees, addressers, destinations, and postcards themselves engage in an ongoing play of hide and seek—employs the performative aspect of apostrophe in order to keep the deconstructive wheel in motion, in search of the genuine intimacy with the other. By means of numerous encrypted and deciphered events, actual and fictional encounters, allusions to the fort/da scene and the mirror stage, or the revisions of Matthew Paris’s illustration of Socrates and Plato, Derrida invites readers to immerse themselves in the ghostly exchange and its inherent temporal and spatial twists; the stake of this task is to follow the link joining apo-strophe with apo-calypse, with regard to the catastrophe that resides between them. -
Matthew Paris's Chronica Majora and Allegations Of
2018 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 3 - 6, 2018 PRINCE WAIKIKI HOTEL, HONOLULU, HAWAII MATTHEW PARIS’S CHRONICA MAJORA AND ALLEGATIONS OF JEWISH RITUAL MURDER MEIER, DAVID DEPARTMENT OF SOCIAL SCIENCES DICKINSON STATE UNIVERSITY DICKINSON, NORTH DAKOTA Dr. David Meier Department of Social Sciences Dickinson State University Dickinson, North Dakota Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder Synopsis: Robert Nisbet recognized Matthew Paris as “admittedly one of the greatest historians, if not the greatest in his day.” Matthew provided “the most detailed record of events unparalleled in English medieval history” from 1236-1259. Within the chronicle, allegations of Jewish ritual murder rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder David A. Meier, Dickinson State University Allegations of Jewish ritual murder in medieval European chronicles rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Hartmann Schedel’s Weltchronik 1493 (2001) depicted Simon of Trent’s alleged murder by the local Jewish community in 1475 in a manner that mirrored alleged Jewish ritual murders in England in 1144 and 1255.1 Between 1144 and 1493, allegations of Jewish ritual murder spread and flourished. Matthew Paris’s Chronica Majora emerged at historical crossroads where allegations of Jewish ritual murder spread beyond England and into continental Europe. Before the century finished in 1290, England had expelled its Jewish population inspiring many regions on the continent to follow suit in the coming years.2 In offering a written record, chroniclers bridged narrative history from ancient times (largely Biblical) with contemporary culture, history, society, politics and nascent legal systems, employed, in turn, by both church and state in the High Middle Ages. -
Peregrinations: Journal of Medieval Art and Architecture
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 1 2013 Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 1) Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation . "Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 1)." Peregrinations: Journal of Medieval Art and Architecture 4, 1 (2013). https://digital.kenyon.edu/perejournal/vol4/iss1/24 This Full Issue is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. et al. Welcome Welcome to the Spring 2013 issue of Peregrinations: Journal of Medieval Art & Architecture. It is with great pleasure Current Issue that we present a special issue devoted Photobank to medieval mapping, guestedited by Asa Mittman and Dan Terkla. Medieval Submission maps have long intrigued scholars. Guidelines Although they sometimes illustrated geographical realities, far more often Organizations they reflected political and religious world views and attempts to understand Exhibitions history and its place within the mysterious plans of God. The six essays Discoveries in this issue explore notions of religous, social, and art history with special Related Links emphasis on the Holy Land and of world maps (mappa mundi) and how each reflected everchanging ideals. Written by some of the most important scholars, including Ingrid Baumgärtner, Gerda Brunnlechner, Marcia Kupfer, Asa Mittman, Bettina Schoeller, and Diarmiud Scully, this issue promises to bring new critical attention to medieval cartography. -
Extracts from the Chronicles of Matthew Paris Relating to the Templars, Hospitallers and Teutonic Knights Translated from the Rolls Series Editions by Helen J
Cardiff University, School of History, Archaeology and Religion HS 1805 The Military Orders, 1100–1320; HST 908 The Military Orders Documents relating to the Military Orders Translated by Helen J. Nicholson. Original translations 1988–98; this edition 2013 Extracts from the chronicles of Matthew Paris relating to the Templars, Hospitallers and Teutonic Knights translated from the Rolls Series editions by Helen J. Nicholson Contents Matthew Paris, Chronica Majora [The Greater Chronicle] ...................................................................... 2 Vol. 3 .................................................................................................................................................... 2 About the Templars’ and Hospitallers’ pride and jealousy .............................................................. 2 The letter of Gerald, patriarch of Jerusalem ..................................................................................... 3 Thierry, the prior of the Hospital in England, is sent to help the Holy Land. ................................... 6 Vol. 4 .................................................................................................................................................... 7 Delightful events in the Holy Land about a peace treaty which had been made. But it had a very sad outcome. ..................................................................................................................................... 9 The Battle of La Forbie ................................................................................................................... -
The History of Cartography, Volume 1
THE HISTORY OF CARTOGRAPHY VOLUME ONE EDITORIAL ADVISORS Luis de Albuquerque Joseph Needham J. H. Andrews David B. Quinn J6zef Babicz Maria Luisa Righini Bonellit Marcel Destombest Walter W. Ristow o. A. W. Dilke Arthur H. Robinson L. A. Goldenberg Avelino Teixeira da Motat George Kish Helen M. Wallis Cornelis Koeman Lothar Z6gner tDeceased THE HISTORY OF CARTOGRAPHY 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2 Cartography in the Traditional Asian Societies 3 Cartography in the Age of Renaissance and Discovery 4 Cartography in the Age of Science, Enlightenment, and Expansion 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME ONE Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean Edited by J. B. HARLEY and DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON J. B. Harley is professor of geography at the University of Wisconsin-Milwaukee, formerly Montefiore Reader in Geography at the University of Exeter. David Woodward is professor of geography at the University of Wisconsin-Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1987 by The University ofChicago Allrights reserved. Published 1987 Printed in the United States ofAmerica 11 10 09 08 07 06 05 04 03 02 8 7 654 This work is supported in part by grants from the Division of Research Programs of the National Endowment for the Humanities, an independent federal agency Additional funds were contributed by The Andrew W. Mellon Foundation The National Geographic Society The Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library The Johnson Foundation The Luther I. -
Jubal, Pythagoras and the Myth of the Origin of Music with Some Remarks Concerning the Illumination of Pit (It
Philomusica on-line 16 (2017) Jubal, Pythagoras and the Myth of the Origin of Music With some remarks concerning the illumination of Pit (It. 568) Davide Daolmi Università degli Studi di Milano [email protected] § Alla fine del Trecento l’iconografia § At the end of the fourteenth century della Musica mostra una forma the iconography of Music shows a complessa basata sul mito del primo complex morphology based on the padre fondatore dell’arte musicale. La myth of the first founding father of the sua raffigurazione più sofisticata appa- musical art. Its most sophisticated re nella miniatura d’apertura di Pit image appears in the opening (Parigi, Bibl. Nazionale, It. 568), uno illumination of Pit (Paris, Bibl. dei più importanti manoscritti di Ars Nationale, It. 568), one of the most Nova italiana. important manuscripts of the Italian Nel riconsiderare la bibliografia Ars Nova. esistente, la prima parte dell’articolo After reviewing the existing biblio- indaga il contesto culturale che ha graphy, the first part of the article prodotto la miniatura, per poi, nella traces the cultural context that seconda, ripercorrere l’intera storia del produced this illumination. The mito, la sua tradizione biblica (Iubal), il second part reconstructs the whole suo corrispondente pagano (Pitagora), history of the myth of the origin of il rapporto con il mito della translatio music, its biblical tradition (Jubal), its studii (le colonne della conoscenza), e pagan equivalent (Pythagoras), their la sua forma complessa adottata a association with the myth of translatio partire dal XII secolo. Il modello studii (the pillars of knowledge), and iconografico fu concepito in Italia nel its syncretic form adopted from the Trecento e la forma ormai matura twelfth century onward. -
The Englishman Who Became a Pope
THE EXGLISHMAX WHO BECA^IE A POPE BY J. V. NASH THE recent agreement entered into between Premier ]\lussolini and the Vatican, resulting in the restoration—along much re- stricted Hnes—of the temporal power of the Pope, opens up a num- ber of unusual prospects for the future of the papacy. For instance, there is the possibility of the election, for the first time since the Reformation, of a non-Italian Pope. While the relations of Italy and the Vatican were still unsettled, the choice of a foreign Pope would have been extremely hazardous. The Italian government, if brought into conflict with an alien Pontiff, might have used his nationalty as an excuse for his expulsion from Italy and possibly for abolishing the papacy or subjecting it to the secular power. But since the \^atican has secured the rights of a sovereign nation, under treaty guaranties, these difficulties disappear, and the question already is being asked, will the next Pope be an American ? Although in pre-Reformation days there were many non-Italian Popes, it is curious that Ireland, for centuries the chief bulwark of Catholicism in northern Europe and famed as "the Isle of Saints," whence missionaries went out to convert European pagans, has never given a Pope to the Church, while Anglo-Saxon England can claim at least one Roman Pontiff. Stranger still, it has been charged—rightly or wrongly—that this English Pope was the cause of Ireland's long political subjection to England, from which she has only in our own day to a large extent freed herself.