The Parallax Between Daughters and Fathers
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Individuation in Aldous Huxley's Brave New World and Island
Maria de Fátima de Castro Bessa Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives by Maria de Fátima de Castro Bessa Submitted to the Programa de Pós-Graduação em Letras: Estudos Literários in partial fulfilment of the requirements for the degree of Mestre em Letras: Estudos Literários. Area: Literatures in English Thesis Advisor: Prof. Julio Cesar Jeha, PhD Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 To my daughters Thaís and Raquel In memory of my father Pedro Parafita de Bessa (1923-2002) Bessa i Acknowledgements Many people have helped me in writing this work, and first and foremost I would like to thank my advisor, Julio Jeha, whose friendly support, wise advice and vast knowledge have helped me enormously throughout the process. I could not have done it without him. I would also like to thank all the professors with whom I have had the privilege of studying and who have so generously shared their experience with me. Thanks are due to my classmates and colleagues, whose comments and encouragement have been so very important. And Letícia Magalhães Munaier Teixeira, for her kindness and her competence at PosLit I would like to express my gratitude to Prof. Dr. Irene Ferreira de Souza, whose encouragement and support were essential when I first started to study at Faculdade de Letras. I am also grateful to Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) for the research fellowship. -
The Passing of the Mythicized Frontier Father Figure and Its Effect on The
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1991 The ap ssing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By Julie Marie Walbridge Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Walbridge, Julie Marie, "The asp sing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By" (1991). Retrospective Theses and Dissertations. 66. https://lib.dr.iastate.edu/rtd/66 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The passing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By by Julie Marie Walbridge A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Iowa State University Ames, Iowa 1991 ----------- ii TABLE OF CONTENTS Page INTRODUCTION 1 CHAPTER ONE 7 CHAPTER TWO 1 5 CONCLUSION 38 WORKS CITED 42 WORKS CONSULTED 44 -------- -------· ------------ 1 INTRODUCTION For this thesis the term "frontier" means more than the definition of having no more than two non-Indian settlers per square mile (Turner 3). -
The Collective Unconscious in Eugene O`Neill`S Desire Under The
Aleppo University Faculty of Arts and Humanities Department of English The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study By Diana Dasouki Supervised by Prof. Dr. Iman Lababidi A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Literature 2018 i Dasouki Declaration I hereby certify that this work, "The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study", has neither been accepted for any degree, nor is it submitted to any other degrees. Date: / / 2018 Candidate Diana Dasouki ii Dasouki Testimony I testify that the described work in this dissertation is the result of a scientific research conducted by the candidate Diana Dasouki under the supervision of Prof. Dr. Iman Lababidi, professor doctor at the Department of English, Faculty of Arts and Humanities, Aleppo University. Any other references mentioned in this work are documented in the text of this dissertation. Date: / / 2018 Candidate Diana Dasouki iii Dasouki Abstract This dissertation explores the theory of the collective unconscious in Eugene O'Neill's Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw's Pygmalion and Man and Superman. The main objective is to study how the work of Jung has awakened interest in the unconscious and archetype psychology. The collective unconscious is a useful theory because studying literature, myth and religion through archetypes can reveal many deep and hidden meanings. -
CPQ Medicine (2021) 12:3 Research Article
CPQ Medicine (2021) 12:3 Research Article CIENT PERIODIQUE Complex in Psychoanalysis Revisited: Freud, Jung, and the War Complex Desmond Ayim-Aboagye1* & Manuela Julietta Amorin2 1Regent University College of Science and Technology, Ghana, Uppsala University, Sweden 2Morgan State University, Maryland, USA *Correspondence to: Dr. Desmond Ayim-Aboagye, Regent University College of Science and Technology, Ghana, Uppsala University, Sweden. Copyright © 2021 Dr. Desmond Ayim-Aboagye, et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Received: 06 July 2021 Published: 19 July 2021 Keywords: Complex; Delusions; Hannibal Odessey Complex; Narcissistic; Paranoid Schizoid; Psychoanalysis; Psychobiography; Psychopathic Disorder; Sadistic Personality Disorder; Schizophrenic Personality Disorders; Unconscious Conflicts Abstract Introduction Psychoanalysis clinical principles in the treatment of psychopathology have attracted philosophers and many professional psychologists for decades since its development. Some of these scholars have expanded what the pioneers, Freud and Jung, have earlier postulated. The discipline continues to engage modern scholars, some of who believe the psychoanalytic theory succinctly describes the reality of the individual’s unconscious mind conflicts, which finally appear to cause mental problems that make him grapple with pain and suffering for the rest of his life. Purpose The article endeavors to describe and explain the theory of complex, which was developed by Desmond Ayim-Aboagye, et al. (2021). Complex in Psychoanalysis Revisited: Freud, Jung, and the War Complex. CPQ Medicine, 12(3), 01-11. Desmond Ayim-Aboagye, et al., CPQ Medicine (2021) 12:3 Page 2 of 11 Sigmund Freud and later embellished by his foremost disciple, Carl Gustav Jung. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
The Return of the 1950S Nuclear Family in Films of the 1980S
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr. -
The Electra Complex in Sylvia Plath and Anne Sexton's Poems
師大學報:人文與社會類 民國 97 年 .53(2) • 117- \30 The Electra Complex in Sylvia Plath and Anne Sexton's Poems Shu-hua Chung Applied Foreign Languages, Tung-Fang Institute ofTechnology Abstract This paper aims to explore the theme of the Electra complex in the poems by two contemporaneous American female poets, Sylvia Plath (1 932-63) and Anne Sexton (1928-74). The theme ofthe Electra complex is dealt with by these two poets through their own unique treatments: Plath represents the theme through surrealist expression, namely, an emphasis on the expression of the imagination as realized in dreams and presented ostensibly without conscious control. Sexton shows the theme through sexual imagery and parallelism. These two poets demonstrate the same theme in diverge ways, but they share an affinity: Escaping from the development of their Electra complex, they reconstruct themselves by way of taking a feminist stance against patriarchy. When their Electra complex disappears, their self-consciousness increases; consequently, they yeam for the independence to flee from their fathers. In this paper, 1 propose to use the theory of the Electra complex as presented in Sigmund Freud's Sexuality and the Psychology 01 Love as a critical tool to analyze the uniqueness and similarities within their poems. The poems that will be discussed include Sylvia Plath's “Full Fathom Five,"“Electra on Azalea Path,"“The Beekeeper's Daughter,"“The Colossus," and “ Wintering;" Anne Sexton's “ The Moss of His Skin,"“All My Pretty Ones,"“And One for My Dame,"“The Papa and Mama Dance," and “ Briar Rose." In my paper, 1 attempt to examine their description of their fathers and their ambivalent feelings towards their fathers. -
Three Postmodern Detectives Teetering on the Brink of Madness
FACULTY OF EDUCATION AND BUSINESS STUDIES Department of Humanities Three Postmodern Detectives Teetering on the Brink of Madness in Paul Auster´s New York Trilogy A Comparison of the Detectives from a Postmodernist and an Autobiographical Perspective Björn Sondén 2020 Student thesis, Bachelor degree, 15 HE English(literature) Supervisor: Iulian Cananau Examiner: Marko Modiano Abstract • As the title suggests, this essay is a postmodern and autobiographical analysis of the three detectives in Paul Auster´s widely acclaimed 1987 novel The New York Trilogy. The focus of this study is centred on a comparison between the three detectives, but also on tracking when and why the detectives devolve into madness. Moreover, it links their descent into madness to the postmodern condition. In postmodernity with its’ incredulity toward Metanarratives’ lives are shaped by chance rather than by causality. In addition, the traditional reliable tools of analysis and reason widely associated with the well-known literary detectives in the era of enlightenment, such as Sherlock Holmes or Dupin, are of little use. All of this is also aggravated by an unforgiving and painful never- ending postmodern present that leaves the detectives with little chance to catch their breath, recover their balance or sanity while being overwhelmed by their disruptive postmodern objects. Consequently, the three detectives are essentially all humiliated and stripped bare of their professional and personal identities with catastrophic results. Hence, if the three detectives start out with a reasonable confidence in their own abilities, their investigations lead them with no exceptions to a point where they are unable to distinguish reality from their postmodern paranoia and madness. -
Constructing Daddy: the Absent Father, Revisionist Masculinity And/In Queer Cultural Representations
disClosure: A Journal of Social Theory Volume 9 manholes Article 3 4-15-2000 (De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations Andrew Schopp University of Tennessee Martin DOI: https://doi.org/10.13023/disclosure.09.03 Follow this and additional works at: https://uknowledge.uky.edu/disclosure Part of the English Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License. Recommended Citation Schopp, Andrew (2000) "(De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations," disClosure: A Journal of Social Theory: Vol. 9 , Article 3. DOI: https://doi.org/10.13023/disclosure.09.03 Available at: https://uknowledge.uky.edu/disclosure/vol9/iss1/3 This Article is brought to you for free and open access by disClosure: A Journal of Social Theory. Questions about the journal can be sent to [email protected] Andrew Schopp (De )Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cul tural Representations Contemporary cultur i almo l ob e eel with a11 Ab ent Fath r mythology. Whether literal or metaphoric, th Ab e 11l Fath r fi gure in nu merou cultural repr enlalion and ha b n po it d a th e ~ oure of v rything from problem ati c mal e beha vior lo male anxieti es about what it m an to b ma culine. Ilow v r, th e Ab enl Fath r i. an especially troubling fi gu r for gay men. I I t ronormal i ve approach to xuali Ly and p yc hologi ·al developm n t, from Freud 1 lo Jung2 Lo ronl mporary religiou ri ght mini tri that would ''cure" queers/1 have con tructed and maintain cl a cultural paradigm in whi ch th e ho mo xual mal e (mo l oft n een a a male who fail al ma culinit. -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
DRAFT 2 Chapter One Stigmatized by Choice: the Self-Fashioning Of
DRAFT 2 Chapter One Stigmatized by Choice: The Self-Fashioning of Anna Katharina Emmerick, 1813 Introduction: Whose Story? The residents of Dülmen had plenty to talk about and worry over in March of 1813. By then, the Westphalian village had seen three regime changes over the course of a decade of war.1 As the front line of the battle between Napoleon’s Imperial France and the other European powers had shifted, passing soldiers made camp in Dülmen’s fields and requisitioned its goods – over 15,000 of them at one point, overwhelming the community’s 2,000 inhabitants. The French Revolution had come to their doorstep: the annexed village’s Augustinian convent was secularized, its peasants emancipated. Twenty of Dülmen’s young men had just recently been conscripted into Napoleon’s Grand Armeé, joining its long march to Russia. Now the Russian campaign was over, all twenty Dülmener soldiers were dead, and not only retreating French but Prussian and Russian troops were heading Dülmen’s way.2 Despite all these pressing concerns, a growing number of Dülmeners were talking in the streets and taverns about something else entirely: Anna Katharina Emmerick, the bedridden spinster forced to leave Dülmen’s convent upon its secularization. This peasant woman, rumor 1 At the time of Emmerick’s birth, Dülmen was part of the Prince-Bishopric of Münster. The last Prince-Bishop of Münster died in exile in Vienna in 1801, and the Prince-Bishopric was formally dissolved by the Reichsdeputationshauptschluß of 25 February 1803 (for more on this document, see p. 14 below). -
A Glossary of Jungian Terms
A Glossary of Jungian Terms “““The“The AAlchemistslchemists thought that thethethe OOOpusOpuspuspus demanded not only laboratory work, the reading of books, meditation, and patience, but also lovelove””””.... -- The Practice of Psychotherapy Abaissement du niveau mental: French psychologist Pierre Janet's term, elaborated by Jung, for a weakening of the ego due to an unconscious drainage of its psychological energy. A lowering of attention or consciousness. Often observed just before creative work or during those incubation periods when the unconscious prepares a new stage of growth. Absolute knowledge: the acausal foreknowledge, relatively independent of limitations of time and space, possessed by the unconscious and apparent in constellated archetypes and in synchronicity . Acausal OOrderedness:rderedness: the underlying interconnectedness of psychic and physical processes. Synchronicity is one expression. Time is a concrete continuum possessing basic qualities that can manifest simultaneously in different places, as the ancient Chinese thought. Active IImaginationmagination ::: holding an image in awareness while fantasizing and associating to it to bring it to life and discover its nuances and unconscious roots. Also focuses and unifies the four orienting functions of consciousness. Active imagination is the indispensable second part of any deep analysis and bases itself on the imaginal nature of the psyche . AffectAffect----ego:ego: the modification of the ego or "I" by an emerging strongly toned complex . With painful feelings the modification can bring about a restriction, a withdrawal of many parts of the normal ego . Aion: a lion-headed, snake-encircled Mithraic God-image of time (also called Kronos or Deus Leontocephalus) who for Jung represented death/rebirth and a psychological union of opposites like light and darkness, male and female, creation and destruction.