Representation of Lesbian Images in Films
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Individuation in Aldous Huxley's Brave New World and Island
Maria de Fátima de Castro Bessa Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives by Maria de Fátima de Castro Bessa Submitted to the Programa de Pós-Graduação em Letras: Estudos Literários in partial fulfilment of the requirements for the degree of Mestre em Letras: Estudos Literários. Area: Literatures in English Thesis Advisor: Prof. Julio Cesar Jeha, PhD Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 To my daughters Thaís and Raquel In memory of my father Pedro Parafita de Bessa (1923-2002) Bessa i Acknowledgements Many people have helped me in writing this work, and first and foremost I would like to thank my advisor, Julio Jeha, whose friendly support, wise advice and vast knowledge have helped me enormously throughout the process. I could not have done it without him. I would also like to thank all the professors with whom I have had the privilege of studying and who have so generously shared their experience with me. Thanks are due to my classmates and colleagues, whose comments and encouragement have been so very important. And Letícia Magalhães Munaier Teixeira, for her kindness and her competence at PosLit I would like to express my gratitude to Prof. Dr. Irene Ferreira de Souza, whose encouragement and support were essential when I first started to study at Faculdade de Letras. I am also grateful to Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) for the research fellowship. -
Fictional Movies with Domestic Violence Themes Compiled by Nancy Flanakin, Librarian, National Center on Domestic and Sexual Violence
Fictional Movies with Domestic Violence Themes Compiled by Nancy Flanakin, Librarian, National Center on Domestic and Sexual Violence Affliction (1999) – Stars Nick Nolte. Grown man with emotional and behavior problems recalls abuse he and his mother suffered during his childhood. Available from Amazon.com. Boys on the Side (1995) – Stars Whoopi Goldberg (Jane), Mary-Louise Parker (Robin) and Drew Barrymore (Holly). Holly kills the abusive boyfriend of Jane in the course of defending her, later faces charges. A buddy/road movie that explores the special relationships that can develop among women. Available from Amazon.com. The Burning Bed (1984) – Farrah Fawcett plays a woman reaching the breaking point with her abusive and brutal husband. Based on a true story. Currently available only from dealers in used DVDs and VHS videos, such as those who sell through Amazon.com. The Color Purple (1985) – Alice Walker’s story about the growth to maturity and independence of a mistreated African-American woman in Georgia. Available from Amazon.com. Dangerous Intentions (1995) – Stars Donna Mills and Corbin Bernsen. Plot summary from “editorial review” on Amazon.com: After years of being terrorized, Beth Williamson finally finds the courage to leave her abusive husband. But where can she go that’s safe? Her parents’ home, her sister’s home - wherever Beth tries to hide, her husband finds her and beats her, each attack more savage than the last. Only when she meets Kaye, another battered wife on the run, does the nightmare look like it’s coming to an end. Looking out for each other, the two of them set up home with their children. -
The Passing of the Mythicized Frontier Father Figure and Its Effect on The
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1991 The ap ssing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By Julie Marie Walbridge Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Walbridge, Julie Marie, "The asp sing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By" (1991). Retrospective Theses and Dissertations. 66. https://lib.dr.iastate.edu/rtd/66 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The passing of the mythicized frontier father figure and its effect on the son in Larry McMurtry's Horseman, Pass By by Julie Marie Walbridge A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Iowa State University Ames, Iowa 1991 ----------- ii TABLE OF CONTENTS Page INTRODUCTION 1 CHAPTER ONE 7 CHAPTER TWO 1 5 CONCLUSION 38 WORKS CITED 42 WORKS CONSULTED 44 -------- -------· ------------ 1 INTRODUCTION For this thesis the term "frontier" means more than the definition of having no more than two non-Indian settlers per square mile (Turner 3). -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
Suffragette Study Guide
© ATOM 2015 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-622-0 http://www.theeducationshop.com.au Running time: 106 minutes » SUFFRAGETTE Suffragette (2015) is a feature film directed by Sarah Gavron. The film provides a fictional account of a group of East London women who realised that polite, law-abiding protests were not going to get them very far in the battle for voting rights in early 20th century Britain. click on arrow hyperlink CONTENTS click on arrow hyperlink click on arrow hyperlink 3 CURRICULUM LINKS 19 8. Never surrender click on arrow hyperlink 3 STORY 20 9. Dreams 6 THE SUFFRAGETTE MOVEMENT 21 EXTENDED RESPONSE TOPICS 8 CHARACTERS 21 The Australian Suffragette Movement 10 ANALYSING KEY SEQUENCES 23 Gender justice 10 1. Votes for women 23 Inspiring women 11 2. Under surveillance 23 Social change SCREEN EDUCATION © ATOM 2015 © ATOM SCREEN EDUCATION 12 3. Giving testimony 23 Suffragette online 14 4. They lied to us 24 ABOUT THE FILMMAKERS 15 5. Mrs Pankhurst 25 APPENDIX 1 17 6. ‘I am a suffragette after all.’ 26 APPENDIX 2 18 7. Nothing left to lose 2 » CURRICULUM LINKS Suffragette is suitable viewing for students in Years 9 – 12. The film can be used as a resource in English, Civics and Citizenship, History, Media, Politics and Sociology. Links can also be made to the Australian Curriculum general capabilities: Literacy, Critical and Creative Thinking, Personal and Social Capability and Ethical Understanding. Teachers should consult the Australian Curriculum online at http://www.australiancurriculum.edu.au/ and curriculum outlines relevant to these studies in their state or territory. -
Makers: Women in Hollywood
WOMEN IN HOLLYWOOD OVERVIEW: MAKERS: Women In Hollywood showcases the women of showbiz, from the earliest pioneers to present-day power players, as they influence the creation of one of the country’s biggest commodities: entertainment. In the silent movie era of Hollywood, women wrote, directed and produced, plus there were over twenty independent film companies run by women. That changed when Hollywood became a profitable industry. The absence of women behind the camera affected the women who appeared in front of the lens. Because men controlled the content, they created female characters based on classic archetypes: the good girl and the fallen woman, the virgin and the whore. The women’s movement helped loosen some barriers in Hollywood. A few women, like 20th century Fox President Sherry Lansing, were able to rise to the top. Especially in television, where the financial stakes were lower and advertisers eager to court female viewers, strong female characters began to emerge. Premium cable channels like HBO and Showtime allowed edgy shows like Sex in the City and Girls , which dealt frankly with sex from a woman’s perspective, to thrive. One way women were able to gain clout was to use their stardom to become producers, like Jane Fonda, who had a breakout hit when she produced 9 to 5 . But despite the fact that 9 to 5 was a smash hit that appealed to broad audiences, it was still viewed as a “chick flick”. In Hollywood, movies like Bridesmaids and The Hunger Games , with strong female characters at their center and strong women behind the scenes, have indisputably proven that women centered content can be big at the box office. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
The Return of the 1950S Nuclear Family in Films of the 1980S
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Florida Southern College Assessing the Vanishing Lesbian in Book-To
Florida Southern College Assessing the Vanishing Lesbian in Book-to-Film Adaptations: A Critical Study of Rebecca, Fried Green Tomatoes, and Black Panther Felicia Coursen Thesis Advisor: Dr. Moffitt May 2, 2021 Coursen 2 A Framework for Understanding the Vanishing Lesbian Popular media consistently disregards lesbian voices and identities. The film industry, as a facet of popular media, often neglects to tell lesbian stories. When films do include lesbian characters, the depictions are often problematic and grounded in stereotypes. Literary critic and queer theorist Terry Castle argues the following in her book, The Apparitional Lesbian: Female Homosexuality and Modern Culture: “The lesbian remains a kind of ‘ghost effect’ in the cinema world of modern life: elusive, vaporous, difficult to spot – even when she is there, in plain view, mortal and magnificent, at the center of the screen. Some may even deny she exists at all” (2). Castle explains the “ghost effect” of lesbian characters in cinema, which is better identified as the process of lesbian erasure. Although the two terms are synonymous, “lesbian erasure” provides a more clear-cut verbalization of this process (i.e., there once were lesbian characters, but they are now erased). Lesbian erasure is a direct result of the following: (1) the absence of lesbian characters, (2) the inclusion of only one-dimensional/stereotyped lesbian representation, and/or (3) the use of subversion and subtextualization to hide lesbian characters from audiences. Book-to-film adaptations reveal the ghost effect most clearly. Lesbians in book-to-film adaptations are not only apparitional; they vanish right before the viewers’ eyes.