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Zur Au Ührungspraxis Von Karlheinz Stockhausens Instrumentalem
Kunstuniversität Graz Institut 1 für Komposition, Dirigieren und Musiktheorie Künstlerische Masterarbeit Zur Auührungspraxis von Karlheinz Stockhausens instrumentalem Musiktheater dargestellt am Beispiel von HALT aus DONNERSTAG aus LICHT von Margarethe Maierhofer-Lischka künstlerische Betreuung: Uli Fussenegger wissenschaftliche Betreuung: Prof. Dr. Christian Utz Matrikelnr.: 1073168 Graz 17. Dezember 2012 Zahlreiche zeitgenössische Instrumentalwerke überschreiten die Grenzen zwischen In- strumentalmusik und Musiktheater und stellen damit die Interpret/innen vor neue An- forderungen. Das Werk Karlheinz Stockhausens, insbesondere sein Musiktheaterzyklus LICHT, stellt dafür im Musikschaen des 20. Jahrhunderts ein herausragendes Beispiel dar. Diese Arbeit dokumentiert die auührungspraktische Auseinandersetzung mit die- sem Werkkomplex. Anhand der Szene HALT aus DONNERSTAG aus LICHT, die letz- tes Jahr im Rahmen eines künstlerischen Forschungsprojekts einstudiert und aufgeführt wurde, wird ein Einblick in Stockhausens ästhetische und musiktheatralische Konzepte vermittelt. Inhaltliche Kriterien für die Entwicklung einer werktreuen Neuinterpretati- on werden genauso vorgestellt wie performative Aufgaben, denen Musiker/innen für die Arbeit an musikalisch-szenischen Werken gewachsen sein müssen. Many contemporary instrumental works are crossing the borders between instrumental music and music theatre, thus imposing new challenges to their interpreters. One import- ant example for such an interdisciplinary body of works contained in the 20th -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Karlheinz Stockhausen: Works for Ensemble English
composed 137 works for ensemble (2 players or more) from 1950 to 2007. SCORES , compact discs, books , posters, videos, music boxes may be ordered directly from the Stockhausen-Verlag . A complete list of Stockhausen ’s works and CDs is available free of charge from the Stockhausen-Verlag , Kettenberg 15, 51515 Kürten, Germany (Fax: +49 [0 ] 2268-1813; e-mail [email protected]) www.stockhausen.org Karlheinz Stockhausen Works for ensemble (2 players or more) (Among these works for more than 18 players which are usu al ly not per formed by orches tras, but rath er by cham ber ensem bles such as the Lon don Sin fo niet ta , the Ensem ble Inter con tem po rain , the Asko Ensem ble , or Ensem ble Mod ern .) All works which were composed until 1969 (work numbers ¿ to 29) are pub lished by Uni ver sal Edi tion in Vien na, with the excep tion of ETUDE, Elec tron ic STUD IES I and II, GESANG DER JÜNGLINGE , KON TAKTE, MOMENTE, and HYM NEN , which are pub lished since 1993 by the Stock hau sen -Ver lag , and the renewed compositions 3x REFRAIN 2000, MIXTURE 2003, STOP and START. Start ing with work num ber 30, all com po si tions are pub lished by the Stock hau sen -Ver lag , Ket ten berg 15, 51515 Kürten, Ger ma ny, and may be ordered di rect ly. [9 ’21”] = dura tion of 9 min utes and 21 sec onds (dura tions with min utes and sec onds: CD dura tions of the Com plete Edi tion ). -
Stockhausen Works for Orchestra
composed 37 works for orchestra from 1950 to 2007. SCORES , compact discs, books , posters, videos, music boxes may be ordered directly from the Stockhausen-Verlag . A complete list of Stockhausen ’s works and CDs is available free of charge from the Stockhausen-Verlag , Kettenberg 15, 51515 Kürten, Germany (Fax: +49 [0]2268-1813; e-mail [email protected]) www.stockhausen.org Duration Publisher CD of the Stockhausen Complete Edition 1950 DREI LIEDER (THRE E SONGS [19 ’26”] U.E. e1 for alto voice and chamber orchestra ( cond. )(Universal Edition ) (fl. / 2 cl. / bsn. / tp. / trb. / 2 perc. / piano / elec. harpsichord / strings) 1951 FORMEL (FORMULA) [12 ’57”] U. E e2 for orchestra [28 players] ( cond. ) 1952 SPIEL (PLAY) [16 ’01”] U. E. e2 for orchestra ( cond. ) 195 2/ PUNKTE (POINTS) [ca. 27 ’] U. E. e2 E81‰ 1962 / 1993 for orchestra ( cond. ) 195 2 KONTRA-PUNKTE (COUNTER-POINTS) [14 ’13”] U. E. e4 to 53 for 10 instruments ( cond. ) (fl. / cl. / bass cl. / bsn. / tp. / trb. / piano / harp / vl. / vc.) 195 5 GRUPPEN (GROUPS) [24 ’25”] U. E. e5 to 57 for 3 orchestras ( 3 cond. ) 195 9 CARRÉ [ca. 36’] U. E. e5 to 60 for 4 orchestras and 4 choirs ( 4 cond. ) 196 2 MOMENTE (MOMENTS) [113’] St. e7 E80‰ to 64 for solo soprano, 4 choir groups (Stockhausen-Verlag ) (finished in ’69) and 13 instrumentalists ( cond. ) 1964 MIXTUR (MIXTURE) [ca. 2 x 27’] U. E for orchestra, 4 sine-wave generators and 4 ring modulators ( cond. ) 1964 / MIXTUR (MIXTURE) [2 x 27’] U. E. e8 1967 for small orchestra (cond. -
Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
Dissertation on Carter
© 2012 Casey Robards All rights reserved. JOHN DANIELS CARTER: A BIOGRAPHICAL AND MUSICAL PROFILE WITH ORIGINAL PIANO TRANSCRIPTION OF REQUIEM SEDITIOSAM: IN MEMORIAM MEDGAR EVERS BY CASEY ROBARDS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Vocal Coaching and Accompanying in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Reid Alexander, Chair and Director of Research Professor Dennis Helmrich Professor Emeritus Herbert Kellman Associate Professor Stephen Taylor Abstract African-American pianist and composer John Daniels Carter (1932-1981) is widely recognized for his Cantata for voice and piano (also arranged for voice and orchestra), Carter’s only published work. However, relatively little information has been published about Carter’s life, his compositional output, or career as a pianist. His date of birth and death are often listed incorrectly; the last decade of his life remains undocumented. There is also confusion in the database of the American Society of Composers, Authors and Publishers (ASCAP) regarding the attributions of his unpublished compositions, compounded by the existence of another composer who has arranged several spirituals, and a jazz clarinetist, both named John Carter. In-depth field research, over a three-year period, was conducted to discover more information about Carter. Through newspaper articles, archival material from the Kennedy Center/Rockefeller Archives, and conversations or correspondence with those who knew Carter personally, this dissertation presents biographical information about Carter’s musical education, performance activity as a pianist, and career as a composer-in-residence with the Washington National Symphony. -
Concerts from the Library of Congress 2012-2013
Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J. -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Title: Title: Title
Title: 45 Seconds from Broadway Author: Simon, Neil Publisher: Samuel French 2003 Description: roy comedy - friendship - Broadway twelve characters six male; six female two acts interior set; running time: more than 120 minutes; 1 setting From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they Title: Aberhart Summer, The Author: Massing, Conni Publisher: NeWest Press 1999 Description: roy comedy - historical - Alberta playwright - Canadian eleven characters eight male; three female two acts "Based on Bruce Allen Powe's 1984 novel [of the same name], Massing's marvelous play is at once a gripping Alberta history lesson, a sweetly nostalgic comedy and a cracking-good-murder-mystery, all rolled up into one big, bright ball of theatrical energy and verve..." Calgary Herald "At its best, Aberhart Summer is a vivid and unsentimental depiction of small-town Canadian life in Title: Accidents Happen Seven short plays Author: DeAngelis, J. Michael Barry, Pete Publisher: Samuel French 2010 Description: roy comedy large cast flexible casting seven one acts Seven of The Porch Room's best short plays collected together into an evening of comedy that proves that no matter what you plan for - accidents happen. The shorts can be performed together as a full-length show or on their own as one acts. -
Donnacha Dennehy's Riveting New Opera, the Hunger Featuring Alarm
Donnacha Dennehy’s riveting new opera, The Hunger featuring Alarm Will Sound premieres at BAM, Sep 30 & Oct 1 Spellbinding soprano Katherine Manley makes her New York debut Bloomberg Philanthropies is the Season Sponsor. The Hunger By Donnacha Dennehy Alarm Will Sound Conducted by Alan Pierson Directed by Tom Creed Presented in association with Irish Arts Center Set and video design by Jim Findlay BAM Howard Gilman Opera House (30 Lafayette Ave) Sep 30 & Oct 1 at 7:30pm Tickets start at $20 Talk: Understanding The Hunger Co-presented by BAM and Irish Arts Center With Tom Creed, Maureen O. Murphy, Donnacha Dennehy, and other panelists to be announced Oct 1 at 4:30pm Irish Arts Center (553 West 51st Street) Free with RSVP More information at irishartscenter.org Sep 1, 2016/Brooklyn, NY—Rooted in the emotional, political, and socioeconomic devastation of Ireland’s Great Famine (1845-52), The Hunger is a powerful new opera by renowned contemporary composer Donnacha Dennehy, making its New York premiere at BAM on September 30 and October 1. Performed by the chamber band Alarm Will Sound, soprano Katherine Manley, and legendary sean nós singer Iarla Ó Lionáird, the libretto principally draws from rare, first-hand accounts by Asenath Nicholson, an American humanitarian so moved by the waves of immigrants arriving in New York that she travelled to Ireland to bear witness, reporting from the cabins of starving families. By integrating historical and new documentary material, the opera provides a unique perspective on a period of major upheaval during which at least one million people died, and another million emigrated—mainly to the US, Canada, and the UK—forever altering the social fabric. -
Separation Integration Programme
Edinburgh Research Explorer Separation - Integration Citation for published version: Williams, S, Separation - Integration: Concert of works centred on David C Johnson, 2014, Performance. Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 This programme is built around David C Johnson’s 4-channel tape piece Our third interruption is a realisation of Yoko Ono’s 1963 Tape Piece III: Telefun, realised in the WDR Studio for Electronic Music, Cologne. Snow Piece: Gemini 8 is a new work by Sean Williams for Grey Area based on NASA's Take a tape of the sound of the snow Gemini missions of the 1960s which paved the way for the Apollo missions to falling. the moon. Gemini 8, piloted by Neil Armstrong, was the first manned space This should be done in the evening. mission in which two spacecraft, launched an hour and a half apart, Do not listen to the tape. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX.