Preliminary communication Received: 23 January 2015 Accepted: 9 March 2015 DOI: 10.15176/vol52no104 UDK 82.091
Chicano/a Multiplicity and In-betweenness in John Rechys City of Night
ǡǡ ǡ ǡ
ǯCity of Nightǡͳͻ͵ǡ Ǧ ǯǤ ǡ ϐ ǡ Ȁ ǡ ǯǤ ǡ ϐǦ ǡ ǡ Ǧǡ ǡ nepantlaǤ
ǣ ǡ ǡ Ǧǡ ǡ
INTRODUCTION
Ǧ ǡ ǡ ǡ ǡ ǡ Ǥ ȋÓ ʹͲͳͲǣͳȂʹǢ ×ǦÓʹͲͳͲǣͶͲȂͶͳȌǤ ǡ ϐ Ǥͳ
ͳ ϐǤDz ȀdzDz dz Ǥ Ǧ ǡChicano/a Multiplicity and In-betweenness in John RechysǤͷʹȀͳǡʹͲͳͷǡͳȂͻͷ
Ȁ ǡ ϐǡǡ ǡ ǡǡϐǡ Ǧ ϐ ǡ Ǥ Ǧ Ȁ ǡ ȀCity of NightȋͳͻͺͶȌ Ǥ Cityof Night ǡǡʹ ǦǦ Ǥ Ǧ Ǧ ǡ ǡ ͳͻͲͳͻͲǡ ȋ ǦͳͻͺǢï ͳͻͺǢ ʹͲͲͷǢ ʹͲͳͲǢ ±Ǧ ʹͲͳͲȌ ǡ ȋï ʹͲͲʹǢ×ʹͲͲͶǢ±ʹͲͲǢʹͲͳͳǢǦʹͲͳ͵Ǣ ʹͲͳͶȌǤϐ Ǧ ǡCity of Night Ȁ Ǧ Ǥ Ǧ Ǥ City of Night Ǧ ǦǤ
Ǥǡ ȋ ÀʹͲͲ͵ǣͶͶȌ Ȁ ȋȌǤ ʹ City of NightƲͷͲ ǯ ȋǡǡʹͲͳ͵ǢʹͲͳ͵ȌǤ ǡCity of Nightǯϐ Ȁǡ Ǧ ǯ The Act of Reading John Rechy: Transnational Intertexts and Readers ȋʹͲͳͶȌǤ
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CHICANO/AS
ǤǤ ǡ ǡ ϐ Ǧ ǡ Ǥ͵ ͳͻͲ ǡ ϐ Ǧ ȋ ʹͲͲͷǣ ʹͷ͵ȂʹͷͶȌǤ ǡ ǡ ǡ Ǧ Ǧ ǡ ǡ Ǥǡ ǡϐ ǡ ͳͻͲȋǤȌǤ ϐ ǡ Ǧ ǡ Ǥ ǡ Ǥ ǡ Dz Ȁdzǡ Ȁ ȋÓʹͲͳͲǣͳͺȌǡ Ǥ ǡ ǡ ǡ ϐ ǤͶ
͵ ǡ Dz ϐ ǡǡǡǦ Ǧ dzȋǦʹͲͲͷǣ ȌǤ ǡǡ ǡ Ǧ Ǥǡ ȋǤȌǤ Ͷ ϐ Ǥ ǡ Ȁ Dz ȏȐ dzȋ Ǧ ÀʹͲͲͲǣͶȌǤ Dz dzȋͳͻͻȌǤï Ǧ ǡ Ȁ Dzǣǡ dz ȋʹͲͲͻȌǤ
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ͳͻͲǡ ȋDz dzȌǤ Ȁǡ ǡ Ǥ ϐ ȋ ʹͲͲͲǣ ʹͳȌǤ ǡ ǯ Ǥ ǡ ϐ ǡ ȋ ʹͲͲͻǣͳͳȌǤ Ȁ With His Pistol in His Hand ȋͳͻͷͺȌ ± ϐ I am JoaquínȋͳͻȌDzdz . ǡ ϐ ϐ Ǧ Ǥ ǡǡ ϐ Ǥ ȋAutobiography of a Brown BuffaloȏͳͻʹȐ The Revolt of the Cockroach Peopleȏͳͻͺͻǡͳͻ͵ȐȌǡ ȋFaultline ȏͳͻͺʹȐȌ ǡ ϐ ϐ Ǧ Ǥ ͳͻ͵ ȋǤǤȌǡ ǯ City of Night Ȁ ǦͳͻͲͳͻͲ ȀǤCity of NightǦǡ ǡ ǡ ǡ ǡ ǯ ȋ ÀʹͲͲ͵ǣ͵ͻǢ Ǧ ʹͲͳͶǣͳͳͲȂͳʹͺȌǤϐǡ ǯ ǯ Ǥ Ǧ ǡ Ǧ Ǥ
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CRITICAL REACTION TO THE CHICANO MOVEMENT AND CITY OF NIGHT
ͳͻͲǡ Aztlán: A Journal of Chicano Studies ȀǤǡ ǡ Ǥ Aztlnǯ Ǧ ǡǡDz dzȋʹͲͳͲǣ͵ȌǤ Ǧ de Ȁ ǡ Ȁ ǡ Ǧ ǡ ǡǡǡǡȋǤȌǤ ͷǡǦ ǡ Ȁ ǡ ȀǤ ǡ Ȁ ϐǡ Ǧ Ǥ ǡ ȋͳͻͻȌǡǡ Ǥ Aztlánǡ ±Ǧ ϐ Ȁ Ǧ ǣ
Dz dz Ǥ ǡ ǡ Ǥ Ǧ
ͷͳͻͻ Ȁ ǡϐ Ǥ ǣDz Dzdz ǡǡ ǡ ǡǡ ȏ Ȑ ǡ ǡ ȏȐǡ ǡdzȋͳͻͻȌǤ ǡ ǦǤ
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Ǥ ǡ ǡ ǡǤȋʹͲͳͲǣͶͳͳȌ
ϐ Ǥ ȋDz ȏǥȐ ǡȏǥȐ dzȏǤȐȌ Ȁ ϐ Ǧ ǡ ǤCity of Night Ǧ ǡ Ǧ ȀȂ Ȁ ϐ Ǥ ǡ ͳͻ͵ǡǦ ǡ Ǥ ͳͻͻ Minority Voices ǡ ǡ ǯǤ Ǧ ǡ ǯ ȋʹͲͲͷǣͶͻȌǤǡCity of NightϐǦ ǡ ϐ ǦȋǤǣͶȌǤ ǡ ǯ ǡ ȋǤǣͶͻȌǤ ǡ Ǥ Dz dzȋͳͻͺ͵ǣͲȌǤ Ǧ ȋʹͲͲͷǣͶͻȌǤ ǡ ǡ ǡ ǤǡBorder- lands/La Frontera: The New Mestiza ȋͳͻͺȌǡ ï mestizaje, Ǥïǣ
Mestiza ǡ Ǣ ǯǤȋ ǡ Ǣ ǤȌ ǡǡ Ǧ ȀǦ Ǧ
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Ǣ ǡ ǡ ǤSoy un amasamientoǡ ǡ ǡ ϐ ǤȋͳͻͺǣͳͲʹȂͳͲ͵Ȍ
ǡ ǡ ǡ ǤïȋȌ ǡ ȀǡǡǦ ǡ ǡǡDz dzǤ ǡ DzdzDzdzǡ ǤBorderlands/ La Frontera ϐǡǦ ï DzdzǤ Ȁ ȋïǦ ǡǡȌǡǡϐ ǡ Ȁ Ǥ Ǧ Ǧ ǡϐ nepantlaǡ Dzdzǡ ȋ ǦʹͲͳ͵ȌǤ ǡï ϐ ǡǤ ǡ ǡ Ǥ ǡ ǦȋȌǦ ǡDzǡ ǡ ǡ ǦǦ dz
ïǡ ǣ ǡ ǡǡ ǡ ǡ ǡǦPachuco ȋǦ ȌȋͳͻͺǣȌǤ Dzdz Ǥ
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Dz dzȋïʹͲͲʹǣ ͳȌǤ Ȁ ϐ ϐ Ǥ ǡǤ× Dz dzǡ Dz ǡ tacticsǡdzDz dzǦ ϐȋʹͲͲͶǣͶǡ ȌǤ Ǧ Ǧ Ǧ ïǯ ǣ Ǥ ǡï ǡ ǦȋʹͲͲʹǣͳͶʹǢ ±ʹͲͲǣ͵ͲȂͶͷǢʹͲͳͳǣͺȂͳͲǢ ʹͲͳͶǣͳȂͳͺȌǤ ϐ ǡ DzȀǡȀǡȀ ȏȐǡ ǡdz ȋ ʹͲͲͺǣ ͷͶȌǤ ǯ DzǦ dzȋïʹͲͲʹȌ ǡ Ǥ ǡ DzdzȋʹͲͳͶǣͳȌǤǡ ïȋʹͲͲͷǣȂǢ±ʹͲͲǣ͵ͲȂ͵ʹǢʹͲͳͶǣ ͳͲȂͳͳȌ Ǥ ǡïDz dzȋͳͻͺǣȌǡ Dz dzȋ±ʹͲͲǣ͵ͳȌ Ǥ Dzdzǡ Ǥ City of Night Dz dz ȋïͳͻͺǣȌǤ ǡ ǯ Ǧ
ïǯ ȋʹͲͲͺȌ ǡ Ǥ
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ǡǯȋ Ǧ ʹͲͳͶȌǤ ǯ ïǯ Dzdzǡ ǯ ǡ Dz ǡǡ dzȋ± ʹͲͲǣ͵ʹȌǤ ǯǦ Ǧ ǡ ǡ Ǥ ǡ ǡ ǦǦ Ȁ ǡ Ǥ ǡ ïǡ ǡ Coatlicue, Ǧ ȋïͳͻͺǣͲȌǤ Dz dzȋ Ǧ×ʹͲͳͳǣʹͶʹȌǤ Ǥ ǡǡ ǡ Dz ȏȐ ǡ ǡ ǡ dz ȋBorderlands ͶȌǡ Ǥ City of Nightǡ ǡ Ǧ Ǥ ǡ Ǥ ǯ ǡȋͳͻͻͻȌǡCity of NightϐǦ ȋï ͳͻͺǡ ʹͲͲʹǢ ± ʹͲͲǢ ʹͲͳͳǢ ʹͲͳͶȌǤ Dzdz ǡȋȌ ǦǦ Ǥ ǡ ϐ City of Nightǡǡ Bildungsromanǡ
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BildungsromanǤ ǡ Ǧ Ǥ ϐ ǡǦ ǡ City of NightǤ Ȁ ǤCity of Nightϐ ǡ ǡǤ ǡ ǯ Ǧ ͳͻ͵ȋ Ǧ ʹͲͳͶǣ͵ͶȂͶͶȌǤ ǡ City of Night ǦǤ ϐǡ Ǥ
CITY OF NIGHT
City of Night Ǧ ǡǤ ǡǡ Ǥϐǡ ǡ Ǥ ǡǤ Ǥ ǡ ǡǡǡ ǯ Ǥ Ǧ ǡ ǤDz ǡ dzȋ ͳͻͺͶǣͳͺȌǤ ǯ Ǥ ǯǦ ǡϐǡDz Ǩ
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ǨdzͺȋǤǣʹͲȌǤǡ DzdzȋǤǣʹʹȌDzdz ȋǤǣʹʹȌǡDz ϐ Ǧ dzȋǤǣʹͳȌǤ ǡ Dz dzȋǤǣʹͳȌǤ ǡ ȋȌϐȋȌǡ DzdzǡDzdzDzdz Ǥ ǡ Dzdz Ǥ ǡ Ǧ Dz dz Dz ϐ dzȋǤǣʹʹȌǤϐ ǡ ǡ ǡ Dzdz Ǥ ǡ ǡ ǡ ǯ ǦǤ ǡ ǡϐǡǤǤǡǯϐ Dz dzǡDzdz ǡ Dz ǫdz ȋǤǣ ʹͷȌǡ Ǥ ǡ ǡDzdzǤ ǡDzȏǥȐ dzȂ ǡ Ǧ ȋǤǣͳʹͻȌǤϐ ǡ DzǦ dz ȋǤǣ ͳͶͻȌ Ǥ ǯ ǡ ǡ ȋǤǤDzdzȌǡ ǡ Ǥ ǡ ǡ ǡǤ
ͺ Ǣ Ǥ
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ǡCity of Nightǯǡ Ǥ City of Night ǡ ǡ Ǧ ǡ . ǡ Bildungsromanǡ ǡ Ǧ ǡ Ǧ ǦǤϐ Dz dzDzdz ǯ On the RoadȋʹͲͲ͵ȌǤDz ȏǥȐdzȋ ͳͻͺͶǣͳȌǤDzdz ǡ ǡ ǡDzdz Ǥ ǡ ǡDzdzǡǡ ǡ Ǧ ǯ Ǥ ǡǯϐ ǯ ǡ ǤǤǦ Ǥ ǡ ǡ ǡ ǡ Ǥ ǡ ǡ ǡǡ ǡ ǡ ǡ Ǥ ǡ ȋǤǣ͵ͺȌǤ Dz ǡǡdzȋǤǣ ͵ͻȌǤ ǡ ϐȂ Ȃ Bildungsroman ǡǤ ǡ Ǥ Dzdzǡ
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ǡ Ǥ Dzdz ǡ ǤǦ ǤȂ Ȃ Dzdzǡ Ǥ ǯ ǡ ǡ ǯǤ Ȃ ǡ Ȃǯ ǡ Ǥǡǯ Dzdzǡ Ǥ ǡǡǤ ϐ Ȃ ǡ ǡ Ȃ Ǥ ǡ ϐǡ Ǥ ǡ ǡ ǡ ϐ Ǥ ǡǡ ǡǤ ǡ ȋǤǤ Ȍ Dz dz Ǥ Bildungsroman Dz dzǤ ǡ ǡϐ ǯ Ǥ ǡ ǡ Ǧǡǡ ǡ Ǧ Ǥ ǡ ǡ DzdzȋǦ ïʹͲͲʹǢʹͲͲͷǣȂǢ±ʹͲͲǣ͵ͲȂ͵ʹǢʹͲͳͶǣͳͲȂͳͳȌǤ ǡ ȋȌǯǦ Ǧ Bildungsroman Dz dz Ǥ City of Nightǡ Ǧǡǡ Ǧ Ǣ Ǥ ǯ Ǧ
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ǡǡ Ǥ ȋ ȌǦǦ ǡǡ ǡ ǡ Ǧ Ǥ ǡ Ǧ ǡ ǡïǡDzǡ ϐ Ǧ ǡǡǡ ǡ dzȋʹͲͲʹǣͷͶͺȌǤǯ Ǧ ϐ Ǧ Ǥ ǯ ǡ Ǥ ǡ ǣ Ǧ Ǣ Ǣ Ǧ Ǥͻ Ǧ Ǧ ǡǡDzǡ ϐ ǡ ǡ dzǡ ǡǡDzϐ dz Dz dzȋͳͻͺǣʹȌǤ Ǥ Ǥ ϐ ǦǦ Ǥ ǯ Ǥ ǡ ϐ ǣǤ ǣǡǢǦ Ǥǯ ǡ ϐ
ͻϐpicaresqueǡǢǡ ȋͳͻͻǣʹȂʹͺȌǤ
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ǡǤ Dz dzDz Ǧ dzȋͳͻͻǣ͵ȌǤ ǡ Ǧ ǡ ǡ Ǥ Ǧ ǡ Dz dzǡ ǡ ϐLa Virgen de GuadalupeͳͲȋ ͳͻͺͶǣͳͶȌǤǯ ǡ Dz ǣǮ ǡ ǡ ǥǯdz ȋǤǣ ʹͷȌǡ Ǥ ǯ ǯ ǡ ǡ ȋDz ǡǡ Ǧ Ȃ dz ȏǤǣ ͳͶȐȌ Ǥ ǯ ǡ Dz dzDzǡ dzȋǤǣͳͷȌǡ Dz dzȋǤǣͳͷȌǤCity of Night Dz dz Dz dz Dz dz ȋͳͻͻǣͳȌǡ ͳͻͻͲ ǡ ǡ ȋͳͻͻǣͳͶȂͳͺȌǤ ̵ ǡ Ȁ Dz dzǡͳͳ ǡ ǯ ǡ ǡ ϐ ǦǡǤ ǯ Ȁ ǡǡǡǡ ϐ
ͳͲǦVirgen de Guadalupe ͳͷ͵ͳǡ ǡǤ La Virgen de Guadalupe ȋ×ʹͲͲͶǣͳȂͶȌǤ ͳͳ Ȁ Dz dzǡ ǯThe Autobiography of a Brown BuffaloȋͳͻʹȌǡȋ Ȍǡ ǡǣDz dzȋǤǣͻͶȌǤ ǡǦȋʹͲͲͷǣǦȌͻǤ
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Dzdz ǡ ǡϐǦǤͳʹ Ȁ ǡ ͳͻͲͲǡǦ ǯ Ȁ Ǥ ǯ Dz Ȁdz ǡ Ǥ Ȁ Ȁ ǡ ǯ ǡ Ǥͳ͵ ǡ ǯ ȋ Ȁ Ȍ DzǦ Ǧ dzȋʹͲͲͷǣͶȌͳͶ ϐ Ǥͳͷ ϐDzdzDzdzȋͳͻͻͷǣ ͳʹʹȌǤ ǡ ǯ City of Nightǡ Ȁ ǡǡ ǡǡ Ȁ ǡ ǡ Ȁ Ǥ ǡDz Ȁ Ȁ dzȋʹͲͲͷǣͶͺȌǤ ǡǯ ȋǦȌ Ǧ ϐ Ǥ ǡǦ ǡ ϐ ǦǦ Ȁǡ ϐǡǤ Ǧ ǡ Ȁ ǤǡǦ ǡǡ ǡ
ͳʹ Ǧ ȋ Ȍ Ȁǡ ǯ The Autobiography of a Brown BuffaloȋͳͻʹȌ. ͳ͵ Ǧ ȋͳͻͷͻȂͳͻͲȌǡ ϐ Ȁ ȋ ȌȋͳͻͺǣͲȌǤ ͳͶ City of Night ǦȋʹͲͲͷǣͶȌǤ ͳͷ ϐ ȀǤ ϐDz dzǡ ǡDz dzȋ ÀʹͲͲ͵ǣ ͶͷȌǡ Ǥ
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Dzdz ǡ Dz ǡ ǡ Ǥ Ǥǡǡ dzȋ ͳͻͺͶǣͶͲȌǤ ǡǡ ǡDzdzǤ Ǥ Ǧ ȋ Ȍ ǡ Ǥǡ Ǥǡ ǡ Ǣ Ǥ ϐǡ ǦǤ ǯ ǯ ǡǤǯǡDzdz Ǥ DzǦdzǡ ǤDzdz Ǥ ȋǤǤDzdzȌ Ǥǡ ǡ Ǧ Dz dzǤ ǡ ǡǡ ȋǡ ȌǤ ǡǡDzdz ǡ ȋ Ȍǡ ϐ ϐǦǡǦǤ ǡ ǡ ϐǤ Ǧ Ǥ Ǧ ǯ Ǥ ǡǡ Ǧ Ǧ Ǥ ǡ ǡ ͳͻͲDzdzȋǤǤ Ȍ Ǥ BildungsromanǡǦ
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Ǧ Ǥǡǡ ǡ Ǧǡ Ǥ ǡ ǡ Ǥ ǯ Ǧ ǡ ǯ ǡǡ ǡ ǡ ǡ Ǥǡ ǯ Ǥ ǡǡDz ǡǡǤǦ ǤǤ ǡǤdzȋǤǣͷͳȌǤ ǫ Ǧ ϐ ǦȀ ǫ Ǥǡǡ Ǧ Ȃ Ȃ ϐ Ǥ ǡ Ǧ ǡǦǡ Ǥϐ Ǧ ǯǤ ǡ ǡ Ǥ ϐϐǤ ǡϐǤǦ Ǥ ǡ ǡ ǣ Dz Ȃ ǡ ǡ ϐ dzȋǤǣ͵Ͷ͵ȌǤDzǦ
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dzǡDzdzǡDzdzǡDzdz Ǥ ǡ ǡDz dzȋǤǤ ȌǤǯ ǡǦ Ǥ ǡ ǡ Dz dzȋǤǣ͵Ͷ͵Ȍǡ ǯǤ ǯDzEscapedz ȋǤǣ͵ͶͶȌ ǡ ǡ Ǥ ǯ ǡ ǡ ǡ DzǦǡ ͵ͲȏǥȐ ǡ dzȋǤǣ͵ͶͷȌǤ Dz dzȋǤǣ͵ͶͷȌǤ Ǥǡ ǡ ǡDzǡ ǡȂ ǡ dzȋǤǣ͵ͶȌǤ Ǧǯ Dz dzǡ ǡDz Ǥ ǡ ǣ ǡ ȂǣǡdzȋǤǣ͵ͶͳȌǤ ǯǡ Ǥ isntȋDz dzȌisǡǤ ǡǦ Dzdzǡ ǡ Ǥǡ ϐǡ Dz dzȋǤǣ͵ͶȌǡ ǡDzdzȋǤǣ͵ͶȌǤ ǯ DzdzDzdz Ǥ ǡ Ǥ ǯ Dz ȏȐ dz ȋǤǣ ͵ͶȌǡ ǡ ǡDz ǡǡǮǯdzȋǤǣ͵ͶȌǤǡǡ ǡDzȏǥȐ onedzȋǤǣ͵ͶȌǤ ǯϐ Ǥ ǡDzȂǫdz ϐǡǡǤ ǡDz ȏ Ȑ ǯȂǡǡ dzȋǤǣ͵ͶͺȌǤȂȂ ǦȀ
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ȋǤǣͳͶȌǤDz ϐ Ǣ ǣ dzȋǤǣ͵ͶͺȌǤ ǯ ǡ Ǧ Ǥϐǡ DzdzȋǤǣ͵ͶͺȌ ǡ ǯǤǡǡ ǡǤ Ǥ ǡ Ǧ ǡǦ Ǥ ǡ ǡǡ ǡ DzdzDzdz ǡ ǡ Ǧϐ Ǥ Ǥ ǡǦ Ǧ ϐ ǡ Bildung- sromanǤ ǡ ϐ Ǧ ǡ Ǥ
CONCLUSION
ǯ Ǧ ǡǡǤϐǦ Bildungsroman ǡ ǯǡǦ Ǥǡǡǡǡ Ǥ ǡ ǡ ǡ ǡ ǡ Ǥ City of Night,
90 ǡChicano/a Multiplicity and In-betweenness in John RechysǤͷʹȀͳǡʹͲͳͷǡͳȂͻͷ
Ȁ ǡ ϐ ǡ Ǥ ǡ ǡ Ǧ ǡ Ǥǯ ǡǡ ǡ Dz dzǦ Ǥ ͳͻͲǡ ǡ ǯ Ǧ ǡ ǡǡ City of NightǤ ǯ Ǥ Ǧ ǡ ǡ ȀǤ ǡ Ǥ Ǧ ǡ ϐ ǡ Ǥǡ ǡ Ǥ ǡ ǡ ǯ Ǧ ϐ ǡ Ǥ ǡ ǦǦ ±Ǧǡ ǡ Ȁ ǯ Ǥ ǡ ǡǡ Ǥ ǡ ǡ Dz ǡ ǡdz ȋ±ǦʹͲͳͲǣͶͳͳȌǤ City of Night, ǯ Ǧ Ǥ ǡCity of Night Ǥ ï ǡ ϐ ǡϐǦ Ǥ ǡǡ City of Nightǡ Ǥ
91 ǡChicano/a Multiplicity and In-betweenness in John RechysǤͷʹȀͳǡʹͲͳͷǡͳȂͻͷ
ǡ ȋ Ȍ ϐǦ Ǥ ȀǡȀǡȀ Ǥ ǡ ǡ ǡǡǡ Ǥ ǡ Dzdz ǡǦ ǡǡǤȋʹͲͲʹǣͷͶͳȌ
ǡï ȋʹͲͲʹǢǦʹͲͳ͵ȌǡCity of Night ǡ ǤǡCity of Nightǯ Ǧ Ǧ Ǥ ǡ ǯǡ City of Night Ǧ ϐ Ǥ
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92 ǡChicano/a Multiplicity and In-betweenness in John RechysǤͷʹȀͳǡʹͲͳͷǡͳȂͻͷ
ǡǤͳͻͻǤShow and Tell. Identity as Performance in U.S. Latino/a FictionǤǦ ǣ Ǥ ǡ ǤͳͻͻǤRoutes. Travel and Translation in the Late Twentieth Century.ǡ ǣ Ǥ ǡ Ǥ ʹͲͳͳǤ Spiritual Mestizaje. Religion, Gender, Race, and Nation in Con- temporary Chicana Narrative.ǡǣǤȏǣȀȀǤǤ ȀͳͲǤͳʹͳͷȀͻͺͲͺʹʹ͵ͻͶ͵ͷȐ dzǤͳͻͻǤǣǣȀȀǤ ǤȀ̱ Ȁ Ȁ ̴̴Ǥȋ ͳͲ ʹͲͳͷȌǤ Àǡ ×Ǥ ʹͲͲ͵Ǥ Dz dzǤ Chasqui ͵ʹȀͳǣ ͵ͻȂͶǤ ȏǣȀȀǤǤ ȀͳͲǤʹ͵ͲȀʹͻͶͳȐ ×ǦÓǡ Ǥ ʹͲͳͲǤ Dz Ǥdz The Chicano Studies Reader. An Anthology of Aztl 19702010.ǤǤǡǤǣ ǡʹͺȂͷǤ ǡDzdzǤͳͻǤDz dzǤ ǣ ǣȀȀǤ Ǧ ǤȀȀǤȋ ͳͲ ʹͲͳͷȌǤ Ǧ Àǡ Ǥ ʹͲͲͲǤ DzǤ ǯ Ǥ dzǤAmerican LiteratureʹȀ͵ǣͶ͵ȂͶͻ͵ǤȏǣȀȀǤǤȀͳͲǤͳʹͳͷȀͲͲͲʹͻͺ͵ͳǦʹǦ ͵ǦͶ͵Ȑ ǡǤʹͲͲͻǤPostnationalism in Chicano/a Literature and CultureǤǣǦ Ǥ Ǧ ǡǤʹͲͳͶǤDz Ǥ dzǤ ǣ ǣȀȀ ǤȀ ȀȀͻͶͳʹͺϐ ȋ ʹͷ ʹͲͳͷȌǤ ǡ Ǥ ʹͲͲʹǤ Dzǡ ǡ Ǥ ïǤdz Chicana Leadership. The Frontiers ReaderǤ Ǥǡ Ǥ ǣǡͳʹͲȂͳͶ͵Ǥ ǡ ǡ Ǥ ʹͲͲͷǤ Entre Mundos/Among Worlds. New Perspectives on Gloria Anzaldúa.ǣ Ǥ ǡǤʹͲͲͺǤDzǯ ǯǯǤ ïǯ ǤdzFeminist Studies͵ͶȀͳȀʹǣͷ͵ȂͻǤ ǡ Ǧ×ǡǤʹͲͳͳǤ Bridging. How Gloria Anzaldúas Life and Work Transformed our OwnǤǣǤ ǡ ǤȏͳͻͷȐʹͲͲ͵ǤOn the RoadǤǣ Ǥ Ǧǡ Ǥ ʹͲͳ͵Ǥ Dz Ǥ ǡ ǡ ïǯ dzǤMELUS͵ͺȀʹǣͳȂͺͺǤȏǣȀȀǤǤȀͳͲǤͳͲͻ͵ȀȀͲͳȐ ×ǡǤʹͲͲͶǤLa Lloronas Children. Religion, Life, and Death in the U.S.-Mexican Border- lands.ǡǡǣǤ ǡ ǤͳͻͻǤDz dzǤ The Picaresque. Tradition and Displace- mentǤ ǡǤǣǡʹ͵ȂʹͻͳǤ ǡǤʹͲͳͶǤDzǤ ȋȌ dzǤ Fleshing the Spirit. Spirituality and Activism in Chicana, Latina, and Indigenous Womens Lives. ǡǤ ǣǡͳȂͳͺǤ ǡǤʹͲͲͲǤLa Raza Unida Party. A Chicano Challenge to the U.S. Two-Party Dic- tatorship.ǣǤ
93 ǡChicano/a Multiplicity and In-betweenness in John RechysǤͷʹȀͳǡʹͲͳͷǡͳȂͻͷ
ǡǤͳͻͺ͵ǤDz ǡ dzǤJournal of American CultureȀʹǣͲȂͶǤȏǣȀȀǤǤȀͳͲǤͳͳͳͳȀǤͳͷͶʹǦ ͵ͶǤͳͻͺ͵ǤͲͲʹ̴ͲǤȐ ǡǤʹͲͳͲǤDzdzǤ The Chicano Studies Reader. An An- thology of Aztl 19702010.ǤǤǡǤǣ ǡͳȂǤ ǡǤͳͻͺʹǤFaultline. ǣǤ ǡ± ǤͳͻͷͺǤ With His Pistol in His Hand. A Border Ballad and Its Hero. ǣ Ǥ Óǡ ǤʹͲͳͲǤDzϐ dzǤ The Chicano Studies Reader. An Anthology of Aztl 19702010.ǤǤǡǤ ǣ ǡͳȂʹǤ ±ǡǤʹͲͲǤChicana Art. The Politics of Spiritual and Aesthetic AltaritiesǤǣ ǤȏǣȀȀǤǤȀͳͲǤͳʹͳͷȀͻͺͲͺʹʹ͵ͺͻͺͺͲȐ ±Ǧǡ Ǥ ʹͲͳͲǤ Dz Ǥ dzǤ The Chicano Studies Reader. An Anthology of Aztl 19702010.ǤǤǡǤǣ ǡͶͲͷȂͶͳͳǤ ǡ Ǥȏͳͻ͵ȐͳͻͺͶǤCity of NightǤǣ Ǥ ǦǡǡǤʹͲͲͷǤMexican Americans and World War IIǤǣ Ǥ ǡǤʹͲͲͷǤLabor Rights Are Civil Rights. Mexican American Workers in Twentieth- Century AmericaǤ ǣ Ǥ ǡǤͳͻͻͻǤDz Ȁ dzǤDiscourseʹͳȀ͵ǣͳͳͳȂͳ͵ͳǤ
VIESTRUKOST CHICANO/A IDENTITETA I ME0USNOST U ROMANU CITY OF NIGHT JOHNA RECHYJA
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