Richard Ashcroft Discusses Digital Versus Analogue, Insanity and Psychedelia, and Making Music in His Basement
Jacket by Alpha Industries; sunglasses by Ray-Ban. Photographs Dean Chalkley Styling Mark Anthony Bradley Words Andy Thomas Photographic Assistants Charlie Beerling and Gideon Marshall Styling Assistant Bradley Stainton Production Amy Foster and Anna Gibson at Lo and Behold loandbeholdproductions.com Runner Michaela Efford Equipment Three Four Snap threefoursnap.com On the release of These People, his first solo album in six years, Richard Ashcroft discusses digital versus analogue, insanity and psychedelia, and making music in his basement. J&N 73 Richard Ashcroft The backdrop to Richard Ashcroft’s latest Ashcroft ‘Captain Rock’ before dedicating If I turned the radio on, I would solo album, These People, was, he felt, the song ‘Cast No Shadow’ to him, from the hear ‘Lucky Man’ or I’d meet decidedly turbulent. He has described it album (What’s the Story) Morning Glory? someone on the street and they’d I started to think, is it enough in 2016 to just have four or five as a time of contentious wars, grassroots The Verve’s most critically acclaimed LP say, “Nice one Richard, thanks movements turning into semi-revolutions, Urban Hymns from 1997 spawned the huge for that tune.” And that keeps guys churning out stuff that essentially you could have seen such as the events in Tahrir Square, people hit singles ‘Bitter Sweet Symphony’, ‘The you in the present every day. So divided and a sense that everything was Drugs Don’t Work’, and ‘Lucky Man’. during any gap I take I’m always in 1972? falling to pieces across the world. It was to be the band’s last LP (until they feeding off the fact that I wrote “ It is also Ashcroft’s first release since reformed eight years ago for the album tunes that people loved and still we are already on a loser.
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