The Garden Path
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Record of the Istanbul Process 16/18 for Combating Intolerance And
2019 JAPAN SUMMARY REPORT TABLE OF CONTENTS EVENT SUMMARY .................................................................................................................................... 3 PLENARY SESSIONS ................................................................................................................................. 7 LAUNCHING THE 2019 G20 INTERFAITH FORUM.......................................................................... 7 FORMAL FORUM INAUGURATION – WORKING FOR PEACE, PEOPLE, AND PLANET: CHALLENGES TO THE G20 ............................................................................................................... 14 WHY WE CAN HOPE: PEACE, PEOPLE, AND PLANET ................................................................. 14 ACTION AGENDAS: TESTING IDEAS WITH EXPERIENCE FROM FIELD REALITIES ........... 15 IDEAS TO ACTION .............................................................................................................................. 26 TOWARDS 2020 .................................................................................................................................... 35 CLOSING PLENARY ............................................................................................................................ 42 PEACE WORKING SESSIONS ................................................................................................................ 53 FROM VILE TO VIOLENCE: FREEDOM OF RELIGION & BELIEF & PEACEBUILDING ......... 53 THE DIPLOMACY OF RELIGIOUS PEACEBUILDING .................................................................. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
Taosrewrite FINAL New Title Cover
Authenticity and Architecture Representation and Reconstruction in Context Proefschrift ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de Ruth First zaal van de Universiteit op maandag 10 november 2014 om 10.15 uur door Robert Curtis Anderson geboren op 5 april 1966 te Brooklyn, New York, USA Promotores: prof. dr. K. Gergen prof. dr. A. de Ruijter Overige leden van de Promotiecommissie: prof. dr. V. Aebischer prof. dr. E. Todorova dr. J. Lannamann dr. J. Storch 2 Robert Curtis Anderson Authenticity and Architecture Representation and Reconstruction in Context 3 Cover Images (top to bottom): Fantoft Stave Church, Bergen, Norway photo by author Ise Shrine Secondary Building, Ise-shi, Japan photo by author King Håkon’s Hall, Bergen, Norway photo by author Kazan Cathedral, Moscow, Russia photo by author Walter Gropius House, Lincoln, Massachusetts, US photo by Mark Cohn, taken from: UPenn Almanac, www.upenn.edu/almanac/volumes 4 Table of Contents Abstract Preface 1 Grand Narratives and Authenticity 2 The Social Construction of Architecture 3 Authenticity, Memory, and Truth 4 Cultural Tourism, Conservation Practices, and Authenticity 5 Authenticity, Appropriation, Copies, and Replicas 6 Authenticity Reconstructed: the Fantoft Stave Church, Bergen, Norway 7 Renewed Authenticity: the Ise Shrines (Geku and Naiku), Ise-shi, Japan 8 Concluding Discussion Appendix I, II, and III I: The Venice Charter, 1964 II: The Nara Document on Authenticity, 1994 III: Convention for the Safeguarding of Intangible Cultural Heritage, 2003 Bibliography Acknowledgments 5 6 Abstract Architecture is about aging well, about precision and authenticity.1 - Annabelle Selldorf, architect Throughout human history, due to war, violence, natural catastrophes, deterioration, weathering, social mores, and neglect, the cultural meanings of various architectural structures have been altered. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Gifu Is Proud of Its Home-Style Cooking and Hokkaido Its Cra Smanship
English Gifu is proud of its home-style cooking and Hokkaido its crasmanship. Home-Style Aomori Akita Cooking Iwate Yamagata Miyagi Hokuriku Shinkansen Niigata Fukushima Kanazawa Tochigi Toyama Gunma Tokai-Hokuriku Expwy Ishikawa Nagano Ibaraki Panoramic Nighttime Meishin Expwy Saitama Fukui Tokyo View from Gifu Castle Yamanashi Tokyo Ayu (Sweetsh) Cuisine Herbal Cuisine Tottori Gifu Chiba Shiga Nagoya Gifu Nagara River is famous for Nagara River cormorant The city of Gifu is known as a treasury of medicinal herbs Kyoto Gifu- Nagoya Shimane Hyogo Kanagawa shing, which has a history going back some 1,300 years. provided by the surrounding natural environment. Herbal Okayama Hashima Aichi Shizuoka Shizuoka Enjoy the exquisite taste of ayu from the crystal clear cuisine prepared using lavish amounts of these herbs can be Hiroshima Osaka river in dishes the city’s restaurants are proud to serve. enjoyed at inns in Nagaragawa Onsen. (Reservation required.) JR Tokaido Main Line Yamaguchi Nara Mie Kagawa Tomei Expwy Tokushima Wakayama Fukuoka Chubu Centrair Tokaido Shinkansen Ehime Kochi Saga Int’l Airport Oita (Centrair) Nagasaki A City of Nagara River Kawaramachi Neighborhood Kumamoto Cormorant Fishing Kagoshima Miyazaki Attractions Ayu Confections Ayu Seaweed Rolls These signature Gifu confections are shaped like the This avorful food consists of tenderly stewed ayu ayu caught in the Nagara River. A variety of types are wrapped in seaweed. Okinawa available, including Turkish delight wrapped in sponge cake dough, roasted rice cakes, and rice biscuits. Getting to Gifu Crasmanship Handcras From Tokyo: Gifu Lanterns Shinkansen (Nozomi) JR Ltd. Exp. 18 min Train Tokyo Nagoya Gifu Gifu is where some of Japan’s best traditional lanterns 1 hr 40 min Meitetsu Ltd. -
Oman and Japan
Oman and Japan Unknown Cultural Exchange between the two countries Haruo Endo Oman and Japan and Endo Oman Haruo Haruo Endo This book is basically a translation of the Japanese edition of “Oman Kenbunroku; Unknown cultural exchange between the two countries” Publisher: Haruo Endo Cover design: Mr Toshikazu Tamiya, D2 Design House © Prof. Haruo Endo/Muscat Printing Press, Muscat, Oman 2012 All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the copyright owners. Oman and Japan Unknown Cultural Exchange between the two countries Haruo Endo Haruo Endo (b.1933), Oman Expert, author of “Oman Today” , “The Arabian Peninsula” , “Records of Oman” and Japanese translator of “A Reformer on the Throne- Sultan Qaboos bin Said Al Said”. Awarded the Order of HM Sultan Qaboos for Culture, Science and Art (1st Class) in 2007. Preface In 2004, I was requested to give a lecture in Muscat to commemorate the 30th anniversary of the establishment of the Oman-Japan Friendship Association, sponsored jointly by the Oman-Japan Friendship Association, Muscat Municipality, the Historical Association of Oman and the Embassy of Japan. It was an unexpected honour for me to be given such an opportunity. The subject of the lecture was “History of Exchange between Japan and Oman”. After I had started on my preparation, I learned that there was no significant literature on this subject. I searched for materials from scratch. I then organized the materials relating to the history of human exchange, the development of trade since the Meiji period (1868-1912) and the cultural exchanges between both countries. -
Rare Cedar Aloeswood
Rare Cedar Aloeswood 茶人: Liang Zun Zhi / 梁俊智 f the many types of incense This Aloeswood was produced in “Six itary, established schools to teach the in the world, Aloeswood is Countries (六國)” and became a reli- arts of incense, tea and flower arrang- the king. And among the able source for a quality Aloeswood ing. These three “Ways of Elegance” O th many varieties of Aloeswood, Rare incense product. From the 17 cen- (雅道), initiated a spectacular culture Cedar (奇楠) is the highest quality, tury on, the reference to the “Six of incense across in Japan. The Japa- thought they are all produced in sim- Countries” of Aloeswood was no lon- nese tea ceremony is conducted with ilar ways. There is an ancient saying: ger used, but the characteristic “Five rigorously strict procedures and care- “A piece of Rare Cedar incense from Flavors (五味)” of the six places was fully studied etiquette. The purpose Champa (a kingdom in southern Viet- still used to distinguish Aloeswood. of the rigidity is to create ceremonial nam) is worth more than ten thousand The Six Countries and Five Flavors space, baptizing the conscience and pieces of gold.” chart became the standard for evaluat- achieving a state of refined spirit. After the Yuan Dynasty (1279– ing Aloeswood. The incense ceremony During the Warring States period in 1368 C.E.) practising the Way of and Buddhism spread together, reach- Japan (15th–17th centuries), incense Incense decreased precipitously ing Japan in the 6th century. During studies were supported by the shoguns in China. The Japanese, how- the Japanese Muromachi (室町) and samurai, who believed the ritual ever, discovered a new location for period (1333–1573 C.E.), the eighth would bring peace and calm, as well Aloeswood production via trade with shogun, Ashikaga Yoshimasa (足利 as purification in troubled times. -
Lafcadio Hearn in Ghostly Japan
LAFCADIO HEARN IN GHOSTLY JAPAN 2008 – All rights reserved Non commercial use permitted In Ghostly Japan Fragment And it was at the hour of sunset that they came to the foot of the mountain. There was in that place no sign of life,--neither token of water, nor trace of plant, nor shadow of flying bird,-- nothing but desolation rising to desolation. And the summit was lost in heaven. Then the Bodhisattva said to his young companion:--"What you have asked to see will be shown to you. But the place of the Vision is far; and the way is rude. Follow after me, and do not fear: strength will be given you." Twilight gloomed about them as they climbed. There was no beaten path, nor any mark of former human visitation; and the way was over an endless heaping of tumbled fragments that rolled or turned beneath the foot. Sometimes a mass dislodged would clatter down with hollow echoings;--sometimes the substance trodden would burst like an empty shell....Stars pointed and thrilled; and the darkness deepened. "Do not fear, my son," said the Bodhisattva, guiding: "danger there is none, though the way be grim." Under the stars they climbed,--fast, fast,--mounting by help of power superhuman. High zones of mist they passed; and they saw below them, ever widening as they climbed, a soundless flood of cloud, like the tide of a milky sea. Hour after hour they climbed;--and forms invisible yielded to their tread with dull soft crashings;--and faint cold fires lighted and died at every breaking. -
Yama No Kami~Die Japanische Berggottheit
Yama no Kami~die japanische Berggottheit (Teil I : Grundvorstellungen) V o n N e l l y N a u m a n n INHALTSVERZEICHNIS (English summary p. 331-339) Einleitung. 0.1 Quellenmaterial. 0.2 Stand der Forschung. 0.3 “Berg” und “Wald” in Japan. 0.4 Das Thema und seine Probleme. Die Mythen des K ojiki und Nihonshoki. 1.1 Die Mythentexte. 1.11 Entstehungsmythen. 1.12 Wei ter e Mythen. 1.2 Analyse der Mythen. 1.21 Entstehungsmythen. Anzahl der Berggottheiten. “Oberste Berggottheit”. 1.22 Name und Wesen. 1.23 Die Berggottheiten der eroberten Gebiete. Yama no kami, die Gottheit der Jager und Waldarbeiter. 2.1 Der <(Herr der Tiere5*. 2.11 Tiergestalt des Yama no kami. 2.12 Der Spender des Jagdgliicks. 2.121 Legenden. 2.122 Opfer und Gebete vor der Jagd. 2.123 Danksagung nach der Jagd. Behandlung des er- legten Wildes. 2.13 Weitere Jagdriten. 2.14 Der Beschiitzer der Haustiere. 134 NELLY NAUMANN 2.15 Kurze Zusammenfassung. Tradition. Beziehungen des Yama no kami als Jagdgottheit zu den Jagdgottheiten der nordeurasischen Volker. 2.16 Anhang: Motive in Mythen, Sagen und Marchen, die sich auf einen Wild- oder Waldgeist beziehen. 2.2 Der “Herr des Waldes”. 2.21 Der Besitzer des Bodens. 2.22 Der Herr der Baume. 2.221 Der Baum als Wohnsitz des Yam a no kami. 2.222 Opfer beim Fallen von Baumen. 2.223 Der “Erste Gang in den Wald”,das Heimbringen von Baumchen und Zweigen und ihre Verwendung. 2.224 Der Schopfer und Erhalter des Waldes. 2.23 Die “Baumseele”. -
Birth of the Incense Stick
Birth of the Incense Stick It has been pointed out since the old days that the essence of incense stick making lies in the fine selection and delicate mixing of raw materials and skill of artisans. Baieido, with its long tradition of incense stick making and the recent technology, makes every incense stick carefully. We value traditional hand-making, using natural materials and the unique mixing method. 1. Laboratory The laboratory inspects the quality of the natural perfume that is the main ingredient of incense sticks, makes research and development of new products, and carries out stringent control of the product smell. 2. Milling Aloes and sandalwoods are crushed into powder. 3. Blending About 10 different kinds of incense and dyes are blended with the original proportions. 4. Sieving Mixed materials are made uniform in a mixer and put through a sieve to remove impurities. 5. Kneading The materials are kneaded into clay-form materials. A single mass of the clay-form material is called "tama". 6. Extruding "Tama" is pressed through a hydraulic extruder to shape sticks. They are extruded on a tray and cut into a fixed length. 7. Straightening The sticks of incense are put on the board to be dried. In this process, the sticks that are not straight are removed while the rest of them are placed neatly. 8. Cutting The sticks of incense are cut in various lengths according to the uses. 9. Drying Natural drying is the most appropriate. It requires several days during summer and more than 10 days during winter. 1 10. -
COX-DISSERTATION-2018.Pdf (5.765Mb)
Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance.