DOCSLIB.ORG

西1・2ホール＋アトリウム West Hall 1・2 + Atrium Floor Layout

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
西1・2ホール＋アトリウム West Hall 1・2 + Atrium Floor Layout 西1･2ホ ール＋アトリウム West hall 1･2 + Atrium Floor layout 日本語 / Japanese C D E F A-01 CONTRACT F-01 コントラクトの取組みが可能な D-15 D-16 D-29 D-30 D-31 E-46 E-22 E-21 E-20 C-06 C-12 ビートソニック SUMIDA D-02 EL JEWEL Boras Cotton JAPAN マツ六 エマニオ SiNG MOHEIM / プ ラス ティックス 出 展 ブ ー ス に「 CONTRACT」の ／ウッドハート CONTEMPORARY NEW LIGHT POTTERY DAIICHI TRADING F-17 F-16 サインを掲 示しています。出 展 飛驒産業 大日本市 ／ノースウエストハードウッド・ジャパン 者の技術や特色に耳を傾けてく 山形緞通 / オリエンタルカーペット ／かもしか道具店 ださい。 D-01 D-14 D-17 D-17 D-33 E-47 E-45 E-36 E-24 E-19 E-04 E-05 E-03 ／カネ十農園 As it is イデアコ ／工房織座 ／KOSEN カリモク家 具 / 中野科学 Those who can work on con- ピ ー・エ イ チ・ 2016/ ／THE テ クノトゥールズ E-34 E-17 フロンティア tract business such as cus- ワークス ／漆林堂 C-10 C-11 イヨベ工芸社 エコーネス アメリカ広葉樹輸出協会 ／水布人舎 ロイヤルファニチャー Pamouna tom-building or collaborations, 東京都中小企業 TIME ＆ STYLE ／DYK 協同組合 コレクション E-48 E-43 E-26 / パモウナ E-07 振興公社 シラカワ HO ME かねみつ ／大成紙器製作所 the booth sign of “CONTRACT” 飛騨木工連合会 ko design concept TO FRO 左衛門 漆器店 ／ ＆ ／中川政七商店 is displayed. Do not miss their Origin Acoustics ライクイット E-41 ／にじゆら unique skills and technologies. 徳島県木竹工業協同組合 藤垣 ／BAGWORKS 協同組合飛騨木工連合会 連合会 Finland Pavilion 窯業 ／builderino ／PAPER VALLEY D-03 D-09 D-10 D-19 HOME UMAGE（ former VITA copenhagen） ／堀内果実園 F 秋月木工 東海 VALLILA MOVEMENT ／ エルックス ／mino C NOWHERE LIKE HOME / 関家具 家具工業 塩川 C-05 C-04 C-07 C-08 C-09 D-05 光明堂 D-20 D-27 D-28 D-35 D-41 E-39 E-28 E-15 E-08 E-09 E-02 Woodio More ルームクリップ 京表具協同組合連合会 JAPAN STYLE Oy Joy WhO innovator 若林佛具 ／京都表具協同組合 まるは油脂化学 DEAR MEISTER事業部 D-08 D-21 D-26 / 野 原 ホ ー ル ディング ス 友安製作所 / F-28 F-18 F-19 F-15 藤栄 石巻 製作所 冨士ファニチア 森吉商店 FINARTE インターオフィス ノルウェージャンアイコンズ 工房 KANAYA 我戸幹男商店 Secto HIDAKAGU コマイ C-03 D-22 Design D-37 E-49 E-37 E-10 E-01 F-27 F-20 F-21 F-13 丸紀 ligne roset Business 船山木工 起立木工 KARE / リビングハウス 小岩金網 正織興業 倉敷製蠟 嘉匠菴 伊万里陶芸 わかやま産業振興財団 Finland / 大尾嘉漆器 バハール D-23 D-25 D-39 E-50 E-35 E-32 E-30 E-29 E-13 E-11 F-26 F-22 mashu kyoto F-11 F-10 F-02 F-03 LIBROSTYLE モ ー ダ・エ ン・ 檜 創建 / エ ス・ニ シ ム ラ スタイル ･オブ･ 富 山ガラス D-06 INNOLUX Soften カーサ orit. tomoni gla_gla + usapi AFOLA モメンタム TIS TOU クォーター ジャパン 作家協会 エクシィズ 三和化工 NOMAD C-01 B-50 宮崎椅子 D-07 D-11 D-24 / アシスト ファクトリー ･ Orii / extremis リポート 大東寝具工業 F-24 F-25 F-09 F-08 F-04 製作所 市川 オンウェー 谷村実業 DCS ARKKI by Lovi. 桐 生 クッション 匠の夢 角田清兵衛 お 香・お 線 香 の TAG STATIONERY 木工 ／笠盛 商店 梅栄堂 ／松 井 ニット 技 研 わかやま産業振興財団 静岡県家具工業組合 HIKER SOKA PROJECT ／丸中 and Associates ／ レ ザ ー タウン 草 加 プ ロ ジェクトチ ー ム CREATIVE RESOURCE やまがたのデ ザイン B-50 B-52 B-54 B-56 D-13 E-33 E-31 E/T-01 E/T-02 E/T-03 G-38 G-39 F-07 F-06 ／芦野和恵 G-60 Scan-Thor Group BP. ／グリーンバレー 谷村実業 秋月家具 KEYS A4 STUDIO HENDRO HADINATA アプロス B-49 A/S - Twenty1 / phyle D-38 スタジオ ／サンカ 石巻工房 BY KARIMOKU CREATIVE RESOURCE 建具家具 ／高橋型精 リラックスベッドシステムス B-48 B-46 B-44 B-42 アナグラム 匠工芸 ワカサ G-55 G-57 G-59 特別展示 普及協議会 クラシカ TiMotion 瀬戸内 富士製紙 ／玉谷製麺所 ジャパン マクルウ エビスファニチャー architects meet makers 絹や ／ アカネライティング Japan TALENTS デニム 企業組合 ／ツルヤ商 店 HOME ／ニュー テックシンセイ ／山形精密鋳造 ／米沢緞通・滝沢工房 B-31 Albero B-41 G-36 G-35 G-56 G-58 BINH DUONG TRADE Azcor Lighting Systems B-40 ガージーカーム PROMOTION CENTER 大雪木工 Nokton / ブル ーミング 中 西 丸三綿業 G-45 Basket and Weaves 西1ホール入口 西2ホール入口 G-37 ワークス Coast Pacific Manufacturing West hall 1 entrance S-02 S-03 West hall 2 entrance B-38 B-39 G-33 G-34 G-54 G-52 G-50 G-48 家具工房 Contemporaneo 日本家具産業振興会 LINEN BASIC HANGZHOU Ningbo Sunmate ＆ 湖東繊維工業 ニングル Designs Ligna TIANSEN TEXTILE Home Casual Promotion ア ー リ ー・タ イ ム ス アルファ メー ベルトーコー / ＆ 環境造形学園 旭川家具工業 エ ヌ・ビ ー・ア ー ル 協同組合 ／剣淵商工会 DTI-CITEM ICSカレッジオブアーツ 全国天然木化粧合単板工業協同組合連合会 Johansen World Group LINYI CONSMOS 協同組合 ま く ら の キ タ ム ラ（ Kitamura Japan） ／日本家具産業振興会 旭川家具工業協同組合 Kahoyan Furniture WOOD INDUSTRY SCAPE / インスケ ープ ワ イ・エ ム・ケ ー 長 岡 G-44 Natural Craft Connection Enterprise B-37 B-36 B-35 G-32 G-31 G-51 G-49 G-47 タオンタ / 三暁 Natures Legacy Eximport Shenzhen Meitien 豊橋木工 岡崎製材 Prado Filipino Artisans Creation Furnishing South Sea Veneer Corporation B-32 B-33 クリエイト カンディハウス G-41 G-43 Southeast Metro Arts ファニチャー Vivere Lifestyles HUNAN GOODNIGHT FOSHAN SUILONG 山上木工 いのうえアソシエーツ HOME FURNISHING FURNITURE 商談のおともに、ちょっと一息休憩に。いい INDUSTRY PHILIPPINES-CITEM Tongxiang Funny CHINA PAVILION 場、いい時間のきっかけになる食べ物をご Homeware 用 意 し て い ま す 。ぜ ひ ご 利 用 く だ さ い 。 HOME B GLOBAL G TAIWAN PAVILION 府中家具工業協同組合 B-23 B-30 B-29 B-28 B-27 G-30 G-28 G-27 G-26 G-25 G-18 G-17 Ambient Lounge COPAL 仙台箪笥協同組合 松創 土井木工 マルケイ木 工 山梨県 Japan PHOEBE ＆ Hi-Max ラグーン / ラニュージャパン GEORGE ENTERPRISE Innovation 伝統工芸 LIFESTYLE G-24 若葉家具 高橋工芸 G-16 B-22 G-29 B-08 SALON B.B FOODIST L.A. DEPO Jiangsu Jiangying Press lounge ファニシング TAIWAN PAVILION Houseware E.B.INTERNATIONAL（ H.K） H/F-01 都商事 棗専門店なつめいろ H/F-02 B-21 B-18 B-19 B-12 B-24 B-26 G-23 G-22 G-21 G-15 えこびと農園 プ レ ス ラ ウ ン ジ イケ ヒ コ・ H/F-03 NANASAN IOU JIA CHEER YIELD Feiyang コーポレーション Varios / VITA TALALAY プロッシモ 椅子徳製作所 インドル ピーエーエス / TAKAHIDE HASHIMOTO DESIGN INDUSTRIAL ENTERPRISE HT INTERNATIONAL Furniture HK / RADIUM FOAM BV 第一産業 H/F-04 MATHERuBA Foods B-17 B-16 B-15 B-14 DEVELOPMENT B-10 Café G-07 G-09 G-11 G-13 高山本店 H/F-05 Herb Laboratory アクスル H/F HEALTHCARE 松永工房 アステック 西尾硝子鏡 家具 H/F-06 オーブス / 翠ーSUY テ クノ ロ ジ ー ／フロートダイドコーロ 工業所 新聞社 -07 H/F-07 umu design TAIWAN MIRROR WELL RUN SHENHAO GLASS ENTERPRISE TECHNOLOGY METAL WORKING FoaMasters Asia B-01 B-03 PROVINCIAL GOVERNMENT OF TARLAC B-05 B-09 ／CHIYA FOAM JOINT STOCK COMPANY G-06 G-08 G-01 AMREY FASHION LINE First Asia Polyurethane Products H/F ／ ／ オンデマンドエコカラット セラメッセ ／BETIS CRAFTS HONG KONG -06 ファニーズ ル ／SUPER FOAM VIETNAM ／CB CREATIVITY MANUFACTURING DAPENG S-01 日本商工会議所 / B-06 B-07 G-05 G-04 G-03 G-02 柳 一（ ユ イ ル ）コ ー ポ レ ー シ ョ ン ／JCS BEATUS TRADING FURNITURE -JEWELRY- H/F ／ORICON CORPORATION RIVIERA HOME フットマーク 伊高 片岡屏風店 ／PASCASIO POTTERY ナガタトレー ディング ／松崎人形 -05 selected by New Jewelry ／RED SLAB POTTERY 受付 YIDARTEX International NOSSA事業部 H/J-01 wada maki ／WOODINSPIRATIONS CRAFTS 小規模企業販路開拓支援事業 神奈川 H/J-02 yumico lucau Reception EVERYDAY / KITCHEN LIFE ／ 相 和シボリ工 業 神戸親子遊び推進協会 H/J-03 Perche? A-30 A-24 A-22 H-53 H-52 H-51 H-50／薗部産業 H-49 H-48 FOODIST とことこ ／武周木工 H/J-04 ETSUSHI INNOS H/F A-28 ダルトン A-20 S-01 H-30 S.cene 嶋本木工所 ／ユニオン産 業 家具のあづま H/J-05 alpaca to hana ／ ラ・ル ー ス TOKYO -04 MAU SIN BENTWOOD NOKTA THE PURE CONCEPT by G.M.Syntex アトリウム特別企画 はじまりの仕事展 ZEUP DESIGN STUDIO H/J-06 Kui Co. INDUSTRY SDN BHD A-26 H-31 H-33 H-35 H-37 H-39 H-41 H-43 H-45 H-47 H/J-07 KIAH 麻布 ドゥーブ 東京卵日和 VISION GLASS JP H/F H/J-08 nishikata chieko A-27 HEIMTEXTIL Atrium special zone “A Story of Beginning” H-29 ホクリン 吉村 ジェンガラ 二 ー ディックテキスタイル 主催者事務局 プランニング ジャパン / 日本エムテクス / 國府田商店 -03 H/J-09 Marzo Taste Creative / 二 ー ディック TREND INDEX Organiser’s office H/J-10 sobi エミリーバーニンガム P.3 – 5 cf P.3 – 5 ／C+H グ ランシュマン KUSU HANDMADE リナック ※ 参照 （ ） H/J-11 GlassJewelry DayDream / コスモマー チャンダイズィング ／GOGO Furniture ／信 浩コー ポレーション / 中村 ／Haikou Craft Studio A-23 A-21 青 栁インテリア H-32 H-34 H-36 H-38 H-40 H-42 H-44 H-46 ／Leyan アサヒ アクティ ハウス マスト ウッディ ヒロ･コーポレーション H/F ／Mud dyeing of Taiwan はなでこ 新象 大門屋 ジーダ プラニング プッディ ／エ ド・イ ン タ ー -02 CRUSH CRASH PROJECT 関家具 日東木工 H-28 H-26 H-24 H-22 H-20 H-18 H-16 協同組合日田家具工業会 八幡化成 フォレスト コペック 水田 小泉 ドアブル 山 のくじら 舎 H/F ベストリビング ジャパン 製作所 製作所 -01 ヤハタ木 工 ヘリオス・ホールディングス 丹 後 の 暮らしの 布 協同組合日田家具工業会 西1ホール 西2ホール ／ア ン テ ィ カ・バ ル ビ エ リ ア・コ ッ ラ ／糸利 H ／マイクロコットン ACCENT ／エバラテキスタイル ／ラスボ ーンズ 1488 ／シルク大 江（大江） HOME 入口 入口 TOKYO LEATHER FACTORY / ティグレ West hall 1 entrance West hall 2 entrance ／デ ザイン 橡 P.F.Candle Co. / 洋 GRASSE TOKYO ／丸仙 NEXT A-25 A-13 A-15 A-17 A-19 H-27 H-25 H-23 H-21 H-19 H-17 H-15 H/N-01 terihaeru マークス ALPAKA the ETHNORTH HARIO H/N-02 BAILER/3sun トーヨーイス GALLERY 大 川インテリア振 興センター インターナショナル ランプ ワ ー クファクトリー H/N-03 Kokodoko Studio オカムラ モーブル 松田家具 H/N-27 / 福岡・大川家具工業会 H-01 H-03 H-05 H-07 H-09 H-11 H-13 H/N-04 nooca A H/N-05 OCHIAI DESIGN PROJECT / M.SPACE TOKYO 天衣無縫 新藤 東京吉岡 H/N-06 Panenka H/N-01 / 松本商店 A-12 A-01 H/N-26 H/N-07 傳 tutaee 木彩 海外ビジネスサポートデスク / 出展相談ブース K-iwami・む ら た や カレンブロッソ /菱屋 Takahashi Naomi エ リ ー・ビ ュ ー モ ン ト H/N-08 kochi / midorika 工房 BUSINESS SUPPORT DESK / Consultation for Exhibition H/N-09 murmur KURAKIN ガジェティークジャポン A-11 H/N-02 H/N-10 nezu A-10 A-08 A-06 A-04 A-02 ・小口輸入の貿易相談や会場内を回る個別ガイド / 商談同行サービス H-02 H-04 H-06 H-08 H-10 H-12 H-14 H/N-25 H/N-11 kubomi 高野木工 THING FABRICS suuu H/N-12 Thousand Stars 生松 （最大30分 / 社 ※空き状況次第。）を無料で行います。 晴香堂 キアラフィレンツェ / 日東電化工業 モリタ シギヤマ 志岐 ナガノ /シング アイオン H/N-13 Susylabo 工芸 家具の大丸 インテリア工 業 家具工業 インテリア工 業 インテリア工 業 ・次回出展のご相談（国内 / 海外）もお気軽にどうぞ！ H/N-03 H/N-14 IZURU H/J-01 H/J-02 H/J-03 H/J-04 H/J-05 H/J-06 H/J-07 H/J-08 H/J-09 H/J-10 H/J-11 H/N-24 H/N-15 breezyblue H/N-16 Hue H/N-17 Y selected by New Jewelry H/N-18 AIR FRAME -JEWELRY- 大川インテリア振興センター 福岡・大川家具工業会 H/N-19 KURI works A-09 A-07 A-05 A-03 H/N H/N H/N H/N H/N H/N H/N H/N H/N H/N H/N H/N H/N-20 Shinabel -04 -05 -09 -10 -12 -11 -15 -16 -18 -17 -23 -22 H/N-21 ZEROMISSION カイバラ工 芸 たかやま 龍精密工業 酒見椅子店 NEXT H/N-22 RYOTA AOKI POTTERY H/N-23 TAISEI MISHIMA DESIGN H/N-24 Pampshade H/N-06 H/N-07 H/N-08 H/N-13 H/N-14 H/N-19 H/N-20 H/N-21 H/N-25 kna plus H/N-26 9° H/N-27 Asemi Co.
Load more

Recommended publications
  • Oman and Japan
    Oman and Japan Unknown Cultural Exchange between the two countries Haruo Endo Oman and Japan and Endo Oman Haruo Haruo Endo This book is basically a translation of the Japanese edition of “Oman Kenbunroku; Unknown cultural exchange between the two countries” Publisher: Haruo Endo Cover design: Mr Toshikazu Tamiya, D2 Design House © Prof. Haruo Endo/Muscat Printing Press, Muscat, Oman 2012 All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the copyright owners. Oman and Japan Unknown Cultural Exchange between the two countries Haruo Endo Haruo Endo (b.1933), Oman Expert, author of “Oman Today” , “The Arabian Peninsula” , “Records of Oman” and Japanese translator of “A Reformer on the Throne- Sultan Qaboos bin Said Al Said”. Awarded the Order of HM Sultan Qaboos for Culture, Science and Art (1st Class) in 2007. Preface In 2004, I was requested to give a lecture in Muscat to commemorate the 30th anniversary of the establishment of the Oman-Japan Friendship Association, sponsored jointly by the Oman-Japan Friendship Association, Muscat Municipality, the Historical Association of Oman and the Embassy of Japan. It was an unexpected honour for me to be given such an opportunity. The subject of the lecture was “History of Exchange between Japan and Oman”. After I had started on my preparation, I learned that there was no significant literature on this subject. I searched for materials from scratch. I then organized the materials relating to the history of human exchange, the development of trade since the Meiji period (1868-1912) and the cultural exchanges between both countries.
    [Show full text]
  • Rare Cedar Aloeswood
    Rare Cedar Aloeswood 茶人: Liang Zun Zhi / 梁俊智 f the many types of incense This Aloeswood was produced in “Six itary, established schools to teach the in the world, Aloeswood is Countries (六國)” and became a reli- arts of incense, tea and flower arrang- the king. And among the able source for a quality Aloeswood ing. These three “Ways of Elegance” O th many varieties of Aloeswood, Rare incense product. From the 17 cen- (雅道), initiated a spectacular culture Cedar (奇楠) is the highest quality, tury on, the reference to the “Six of incense across in Japan. The Japa- thought they are all produced in sim- Countries” of Aloeswood was no lon- nese tea ceremony is conducted with ilar ways. There is an ancient saying: ger used, but the characteristic “Five rigorously strict procedures and care- “A piece of Rare Cedar incense from Flavors (五味)” of the six places was fully studied etiquette. The purpose Champa (a kingdom in southern Viet- still used to distinguish Aloeswood. of the rigidity is to create ceremonial nam) is worth more than ten thousand The Six Countries and Five Flavors space, baptizing the conscience and pieces of gold.” chart became the standard for evaluat- achieving a state of refined spirit. After the Yuan Dynasty (1279– ing Aloeswood. The incense ceremony During the Warring States period in 1368 C.E.) practising the Way of and Buddhism spread together, reach- Japan (15th–17th centuries), incense Incense decreased precipitously ing Japan in the 6th century. During studies were supported by the shoguns in China. The Japanese, how- the Japanese Muromachi (室町) and samurai, who believed the ritual ever, discovered a new location for period (1333–1573 C.E.), the eighth would bring peace and calm, as well Aloeswood production via trade with shogun, Ashikaga Yoshimasa (足利 as purification in troubled times.
    [Show full text]
  • Lafcadio Hearn in Ghostly Japan
    LAFCADIO HEARN IN GHOSTLY JAPAN 2008 – All rights reserved Non commercial use permitted In Ghostly Japan Fragment And it was at the hour of sunset that they came to the foot of the mountain. There was in that place no sign of life,--neither token of water, nor trace of plant, nor shadow of flying bird,-- nothing but desolation rising to desolation. And the summit was lost in heaven. Then the Bodhisattva said to his young companion:--"What you have asked to see will be shown to you. But the place of the Vision is far; and the way is rude. Follow after me, and do not fear: strength will be given you." Twilight gloomed about them as they climbed. There was no beaten path, nor any mark of former human visitation; and the way was over an endless heaping of tumbled fragments that rolled or turned beneath the foot. Sometimes a mass dislodged would clatter down with hollow echoings;--sometimes the substance trodden would burst like an empty shell....Stars pointed and thrilled; and the darkness deepened. "Do not fear, my son," said the Bodhisattva, guiding: "danger there is none, though the way be grim." Under the stars they climbed,--fast, fast,--mounting by help of power superhuman. High zones of mist they passed; and they saw below them, ever widening as they climbed, a soundless flood of cloud, like the tide of a milky sea. Hour after hour they climbed;--and forms invisible yielded to their tread with dull soft crashings;--and faint cold fires lighted and died at every breaking.
    [Show full text]
  • Birth of the Incense Stick
    Birth of the Incense Stick It has been pointed out since the old days that the essence of incense stick making lies in the fine selection and delicate mixing of raw materials and skill of artisans. Baieido, with its long tradition of incense stick making and the recent technology, makes every incense stick carefully. We value traditional hand-making, using natural materials and the unique mixing method. 1. Laboratory The laboratory inspects the quality of the natural perfume that is the main ingredient of incense sticks, makes research and development of new products, and carries out stringent control of the product smell. 2. Milling Aloes and sandalwoods are crushed into powder. 3. Blending About 10 different kinds of incense and dyes are blended with the original proportions. 4. Sieving Mixed materials are made uniform in a mixer and put through a sieve to remove impurities. 5. Kneading The materials are kneaded into clay-form materials. A single mass of the clay-form material is called "tama". 6. Extruding "Tama" is pressed through a hydraulic extruder to shape sticks. They are extruded on a tray and cut into a fixed length. 7. Straightening The sticks of incense are put on the board to be dried. In this process, the sticks that are not straight are removed while the rest of them are placed neatly. 8. Cutting The sticks of incense are cut in various lengths according to the uses. 9. Drying Natural drying is the most appropriate. It requires several days during summer and more than 10 days during winter. 1 10.
    [Show full text]
  • 2018年 11月14日（水） – 16日（金） 東京ビッグサイト 西1・2＋アトリウム 10:00 – 18:00（最終日は17:00まで）
    Official Fair Guide オフィシャルフェアガイド MAP P. 10 – 11 2018年 11月14日（水） – 16日（金） 東京ビッグサイト 西1・2＋アトリウム 10:00 – 18:00（最終日は17:00まで） 14 – 16 (Wed – Fri) November 2018 Tokyo Big Sight, West hall 1・2+Atrium 10:00 – 18:00 (Last day until 17:00) www.ifft-interiorlifestyleliving.com #interiorlifestyletokyo IFFT/インテリア IFFT/Interior Lifestyle Living 2018 ライフスタイル リビング 2018 HOME Block A B C D G 商 材のストーリーが伝わる 家具、寝具、ホームテキスタイル、照明、ガーデンファニチャーなど。 Furniturebeddingshometextileslightingoutdoorfurniture 高感度なデザインが勢揃い GLOBAL Block B フィンランドパビリオンや、台湾、中国、フィリピンなどの デザイン新興国からの多彩な商材。 A platform for new encounter: FineEuropeandesignslatestAsiandesigns brand histories, creators’ thought CREATIVE RESOURCE Premium zone Block D E and more タイル、ガラス、建具、床材、造作技術、パーツ･アクセサリーなど。 Tilesglassfittingsfloormaterialsfixturestechnologypartsaccessory MOVEMENT Premium zone Block E デザインムーブメントを起こす最 新デザインブランド、 インテリアブランドなど。 Latestdesignbrandsandinteriorbrands thatcreatedesignmovements TALENTS Block E 新進デザイナーが「商品化前のプロトタイプ」を発表し、 企業とのビジネスに結びつける場。 Abridgebetweenyoungaspiringinternational designersandtheinteriorindustry HIKER SOKA PROJECT（MOVEMENT, E-11） JAPAN STYLE Premium zone Block F 日本の伝統を活かしたモダンデザインなプロダクト、 漆器、食器、刃物、照明など。 WhO / 野原ホールディングス（株） Lacqueritemsdisheskniveslightingwith WhO / NOHARA CO., LTD（ CREATIVE RESOURCE, D-35） Japanesetraditionsandmoderndesigns EVERYDAY Block G H バス・トイレタリー用品、収納アイテムなど。 Bathandtoiletryproductsstorageitems KITCHEN LIFE Block G H ブランド食器、キッチンツール、食品など。 Branddisheskitchenwarefoods FOODIST Block H yumico lucau パッケージも一工夫された紅茶、菓子、調味料など。 -JEWELRY-selected by New Jewelry, H/J-02 （ ） Importedfoodsteasseasoningswithwell-designedpackage
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Scentscapes: Understandings of Nature, Consumption, and Commodification through Agarwood and Olfaction Permalink https://escholarship.org/uc/item/0df4f57t Author Le, Tuyen Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Scentscapes: Understandings of Nature, Consumption, and Commodification through Agarwood and Olfaction A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Geography by Tuyen Bich Le 2018 © Copyright by Tuyen Bich Le 2018 ABSTRACT OF THE DISSERTATION Scentscapes: Understandings of Nature, Consumption, and Commodification through Agarwood and Olfaction by Tuyen Bich Le Doctor of Philosophy in Geography University of California, Los Angeles, 2018 Professor Lieba Bernice Faier, Chair This dissertation explores the olfactory economies of agarwood, a high-value non-timber forest product prized for its unique fragrance and used in incense, perfumes, and traditional medicine. It is primarily derived from a genus of trees called Aquilaria, which is native to Southeast Asia and is traded globally. Aquilaria species are classified as vulnerable or endangered and are subject to regulations under the Convention on the International Trade in Endangered Species (CITES). This project demonstrates how varied understandings of nature, consumption practices, and consumer preferences can create irregularities in a globalized production network. In ii contrast to scholarship on commodity networks that detail how trade and consumption patterns are formed, and how people and places become systematically enrolled into structured networks of trade and production, the production of agarwood shows how culturally and geographically specific meanings and preferences create a commodity network that is inconsistent, characterized as diffuse, disarticulated, flexible, and often obscured.
    [Show full text]
  • In Ghostly Japan
    In Ghostly Japan Lafcadio Hearn The Project Gutenberg EBook of In Ghostly Japan, by Lafcadio Hearn #5 in our series by Lafcadio Hearn Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: In Ghostly Japan Author: Lafcadio Hearn Release Date: May, 2005 [EBook #8128] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 16, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK IN GHOSTLY JAPAN *** Produced by Liz Warren In Ghostly Japan Fragment And it was at the hour of sunset that they came to the foot of the mountain. There was in that place no sign of life,--neither token of water, nor trace of plant, nor shadow of flying bird,-- nothing but desolation rising to desolation.
    [Show full text]
  • The Introduction of the Utilization of Incense and Scents in Japan and the Influence from the Eastern World Quinten R
    Elizabethtown College JayScholar Modern Languages: Student Scholarship & Creative Modern Languages Works Spring 2019 An Analysis of Early Globalization: The Introduction of the Utilization of Incense and Scents in Japan and the Influence from the Eastern World Quinten R. Yonkers Elizabethtown College, [email protected] Follow this and additional works at: https://jayscholar.etown.edu/modlangstu Part of the Modern Languages Commons Recommended Citation Yonkers, Quinten R., "An Analysis of Early Globalization: The nI troduction of the Utilization of Incense and Scents in Japan and the Influence from the Eastern World" (2019). Modern Languages: Student Scholarship & Creative Works. 4. https://jayscholar.etown.edu/modlangstu/4 This Student Research Paper is brought to you for free and open access by the Modern Languages at JayScholar. It has been accepted for inclusion in Modern Languages: Student Scholarship & Creative Works by an authorized administrator of JayScholar. For more information, please contact [email protected]. An Analysis of Early Globalization: The Introduction of the Utilization of Incense and Scents in Japan and the Influence from the Eastern World Author: Quinten R. Yonkers International Studies Minor Department Thesis Advisor: Dr. Oya Dursun-Ozkanca Thesis Reader: Dr. Nobuaki Takahashi Yonkers 1 Introduction: Japan is a country that is deeply rooted in culture and tradition. While many of the current cultural and societal practices that are so prevalent in Japan are inherently Japanese, most of them are based off of heavy influence from other Asian countries such as China, Korea, and India, and some more modern customs are even based off of those from countries much farther, such as England and the United States.
    [Show full text]
  • 202012Catalog En.Pdf
    Gift Of Nature — Traditional Japanese Incense from the Finest Ingredients — SHOYEIDO Traditional Japanese Incense - “Koh” — Kyoto — Osaka — Tokyo — Yokohama — Sapporo — Boulder — Agarwood Sandalwood Cinnamon Clove Star Anise Turmeric Patchouli Frankincense Borneol SHOYEIDO INCENSE CO. Shoyeido USA, Inc. Karasuma Nijo, Nakagyo-ku, Kyoto 604-0857 Japan 1700 38th St., Boulder, CO 80301 U.S.A. TEL : +81-75-212-5590 FAX : +81-75-212-5595 TEL : +1-800-786-5476 www.shoyeido.co.jp www.shoyeido.com The price in this catalogue is with Japanese consumption Tax (10%). Shown in parentheses is the price without Tax. © 2020 SHOYEIDO INCENSE CO. All rights reserved. Printed in Japan EPC2001-010 For more information >> PREMIUM INCENSE A highly skilled artisan makes most exclusive incense by hand. Made from centuries-old recipes and containing fne ingredients. Production of Premium Incense For more information Gaho Nankun Misho — Refinement — Southern Wind — Gentle Smile Splendor, elegance Warmth, rejoicing Happiness, understanding 110606 JPY 11,000（10,000） 110506 JPY 6,600（6,000） 110406 JPY 3,300（3,000） Te fnest quality Agarwood is becoming increasingly rare and the reliable supply will be difcult Agarwood, Cinnamon, Camphor Agarwood, Clove, Camphor Agarwood,Cinnamon, in the future. To monitor the production of our premium incenses, and with respect to the Short, Approx. 36 sticks, Short, Approx. 36 sticks, Clove, Benzoin, Camphor Short, Approx. 36 sticks, environment of nature, the amount of production of our premium incense is limited. 18 cm 18 cm ★ Limited Availability ★ Limited Availability 18 cm Produced with our time-honored, traditional manufacturing techniques, featuring the familiar rich fragrance of agarwood.
    [Show full text]
  • Revival Attempt of Incense Ceremony in the Modern Ages
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kanazawa University Repository for Academic Resources Revival Attempt of Incense Ceremony in the Modern Ages Kozue Ito Abstract This article examines the revival attempt of incense ceremony in the modern age in order to clarify why the attempt was unsuccessful through analysis of books, documents, and articles on incense ceremony published since the middle of Meiji period onward. While visual elements that compose of incense ceremony were criticized for being against national characteristics (kokuminsei), the empirical knowledge on invisible elements was emphasized as olfactory “science” trying to connect the past to modernity. Although the writerly knowledge on the classics was essential for incense ceremony, it became invalid due to the national literature “invented” under the uprising of nationalism and national print-language in the modern age. The invisible element of incense ceremony became completely “invisible” in the modern ages. On the contrary, smell itself could finally obtain novel meaning as a means of relaxation or healing because of aromatherapy, which was newly introduced to Japan from Western countries in the post-war period. “Traditional” incense ceremony was, in this regard, positioned as Japanese fragrance culture in the universal fragrance culture. Keywords:： traditional culture, incense ceremony, nationalism, invented tradition 1. Introduction: Tea and Incense, Visible and Invisible Tradition Japanese cultural activities,
    [Show full text]
  • The Garden Path
    The Garden Path Our Community November/December 2017 TABLE OF CONTENTS OF TABLE HAIKU 3 Letter from the CEO Steve Bloom Leafless maple Light and shadow trace its form Again in the pond 4 November - January Events Calendar —Peter Kendall 5 Member News 6 Center News: Our Garden Community: SENIOR STAFF Conserving What We Love CHIEF EXECUTIVE OFFICER Steve Bloom DEPUTY DIRECTOR Cynthia Johnson Haruyama 8 Cultural Festivals THE ARLENE SCHNITZER CURATOR 2018: Year of Kyoto OF CULTURE, ART, AND EDUCATION Diane Durston GARDEN CURATOR Sadafumi Uchiyama 10 Art in the Garden CHIEF OPERATIONS OFFICER Cheryl Ching The Masks of Bidou Yamaguchi DIRECTOR OF FINANCE Diane Brauer DIRECTOR OF MARKETING Lisa Christy CHIEF DEVELOPMENT OFFICER Tom Cirillo 12 Art in the Garden Mysterious Encounters: DIRECTOR OF RETAIL Ashley McQuade The Muted Dynamism of Noh DIRECTOR OF FACILITIES Mike Rego EXECUTIVE ASSISTANT Sarah MacDonald 14- Cultural Crossing Donors 17 BOARD OF TRUSTEES PRESIDENT Dorie Vollum PRESIDENT-ELECT Robert Zagunis 18 Golden Crane Society VICE PRESIDENTS Ann Carter, Katherine Frandsen, Dr. Calvin Tanabe, Carol L. Otis M.D. TREASURER Drake Snodgress 20 Global Ambassadors SECRETARY Dede DeJager & Tribute Gifts IMMEDIATE PAST PRESIDENT Cathy Rudd MEMBERS Suzanne Storms Berselli, Gwyneth Gamble Booth, Jimmy Crumpacker, Dean M. Dordevic, Michael Ellena, 21 Golden Crane Legacy Society Bruce Guenther, Bill Hughes, Janelle Jimerson, & Annual Fund Donations Martin Lotti, Gail Jubitz, John Kodachi, Doug Lovett, CPA, Lindley Morton, Darren Nakata, Piper A. Park, Travers Hill Polak, Frances von Schlegell, Paul Schommer, Susan Winkler 22 Photo Gallery: FOUNDATION BOARD Happy Holidays! CHAIR Greg Fitz-Gerald PRESIDENT Steve Bloom 24 Did You Know? VICE PRESIDENT Carmen Wong SECRETARY/TREASURER Diane Brauer MEMBERS Trish Adams, Dede DeJager, Jerry Hudson, Joshua Husbands, Douglas Lovett, CPA, FRONT COVER Michel Herson Allan Mercer, James D.
    [Show full text]
  • The Cultural Biography of Agarwood – Perfumery in Eastern Asia and The
    The Cultural Biography of Agarwood – Agarwood3 (〔沉香〕 Chinese chen xiang / 〔沈香〕Japanese jinkō) 1 has caught international perfumery attention in conspicuous dimensions Perfumery in Eastern Asia and the Asian Neighbourhood in the past years. It belongs to the most sought after perfumery raw materials in the world. 4 The lucrative image of its business makes DR. DINAH JUNG2 international businessmen, foreign scientists, perfumers, global industry representatives, as well as locals eager to participate in its international 3 Agarwood is also known by many other names (in English writing and orthography!) – in the context of discussing East Asian cultures for example, it is called jinko, calambac, garoo wood, gaharu, chen hsiang, kinam, agila wood, and oud. These I. PORTRAYAL OF THE AROMATIC MATERIAL ................................................... 3 diverse names developed through the intercultural exchange between producers, II. EARLY PERFUMERY ARTS AND EXOTIC STIMULI ........................................ 4 traders, and consumers over the course of the centuries, and reflect such various III. SUPRAREGIONAL CONTACTS, LITERATI SOCIETIES, AND A REFINED aspects as the origin of trade participants, the origin of agarwood products, and the grade of their material quality. Over the course of time, the various names were often PERFUMERY .............................................................................................................. 9 adapted into other languages. – Concerning other names for agarwood in general and IV. RITUALISED
    [Show full text]