Chapter 3 Typological Interpretation of Relevant Artifacts
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The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Abacus the Uppermost Member of a Capital
FINAL CRA SUBMITTAL GLOSSARY Arcade (fig. g.1) A series of arches supported on piers or columns and attached or detached from the wall. Americans with Disabilities Act (ADA) (fig. g.2) Law prohibiting discrimination to persons with disabilities, by requiring, among other things, that places generally open to the public, such as restaurants and hotels is made accessible. Special rules apply to historic buildings and facilities. Balloon Framing A method of wood frame construction, referring to the skeletal framework of a building. Studs or uprights run from sills to eaves, and horizontal bracing members are nailed to them. Balustrade A series of balusters with a top and bottom rail. Bracket A decorative support element located under eaves or overhangs. Base Flood Elevation The computed elevation to which floodwater is anticipated to rise during the base flood. Base Flood Elevations (BFEs) are shown on Flood Insurance Rate Maps (FIRMs) and on the flood profiles. CRA Design Guidelines Glossary Glossary Page 1 FINAL CRA SUBMITTAL Bay The division of a face of a building, defined by structural spacing, window, and door openings. Beltcourse A flat, horizontal member of relatively slight projection, marking the division in a wall plane. Belvedere (fig. g.3) A rooftop pavilion that affords a view of the landscape or waterscape (see also Roof Deck and Widow’s Walk). Braced Frame A wooden structural system, consisting of heavy corner posts and heavy horizontal timbers and light, closely spaced studs, nailed between the horizontal timbers. Building Envelope-planning (fig.g.4) The building envelope is the remaining volume of space where a principle structure may built after setbacks, height limits, and view corridors are subtracted. -
Scavenger Hunt Glossary
GLOSSARY DOWNTOWN NORFOLK VIRTUAL SCAVENGER HUNT A Hampton Roads Chapter of the American Institute of Architecture HISTORIC PRESERVATION MONTH EVENT May 15-31, 2020 Architecture has a language unto itself. Every piece of a building, every type of ornamentation, every style has a distinct name and so does each detail you will encounter in our Scavenger Hunt. Below are definitions of typical architectural features you will see in the photos embedded in the Virtual Scavenger Hunt Interactive Map and the Official Virtual Scavenger Hunt Entry Form. Choose from these definitions for the description that is the best match to the details to be found. Enter this on the Entry Form (see example on the bottom right of the Official Entry Form). HINT: Not all are used; some are used more than once. Acroterion – A classical ornament or crowning adorning a pediment Fleuron – Ornament at the center of the Ionic abacus. Classically usually at gable corners and crown, generally carvings of monsters, it is a floral ornament, but in modern interpretations, can be sphinxes, griffins or gorgons, sometimes massive floral complexes. anthropomorphic (e.g. human forms). Art Deco Ornament – Popular decorative arts in the 1920s–30s Fretwork – Ornament comprised of incised or raised bans, variously after WWI. Identified by geometric, stylized, designs and surface combined and typically using continuous lines arranged in a ornamentation in forms such as zigzags, chevrons and stylized floral rectilinear or repeated geometric pattern. Also called a Meander. motifs. Geison – The projection at the bottom of the tympanum formed by Bas Relief Ornamentation – Carved, sculpted or cast ornament the top of the Cornice. -
Arch 150: Appreciation of Architecture I
Arch 150: Appreciation of Architecture I Professor Alex T. Anderson 170F Architecture Hall [email protected] campus phone: 616-1261 office hours: W 1:30-3:30 (or by appointment) Course Assistants Shima Mohajeri, Ph.D. [email protected] office hours: TBA Supasai Vongkulbhisal [email protected] office hours: TBA Vy Nguyen [email protected] office hours: TBA Arch 150: Appreciation of Architecture I a broad introduction to the architecture before the modern era in which you should: • gain a sense of the global history of architecture from prehistory to 1400 • be able to identify key works of architecture from the period • have a good understanding of architectural principles and techniques • be able to interpret buildings critically or Read the textbook! Available at the University Book Store (4th edition only) or as an E-Book at Amazon or On reserve in the CBE and Odegaard Libraries Textbook Recommended Text Available as an E-book at the UW Library and On reserve in the CBE Library Use the website! (https://canvas.uw.edu/courses/1062938 ) Use the website! (https://canvas.uw.edu/courses/1062938 ) Arch 150: Appreciation of Architecture I Course grading • 4 online tests (80%) • 2 assignments (20%) Arch 150: Appreciation of Architecture I Please: • avoid distractions during the lectures – no cell phones, computers (except for note-taking), talking, etc. • talk to me after class, rather than before • communicate with us via e-mail or the Canvas site, but don’t expect long or complex answers… Appreciation of architecture? The Parthenon The Parthenon (Temple of Athena Polias, Athens, Greece, 432 bce) The Acropolis (plan, 2nd c. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
Ancient Greek the Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS
Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS LET’S LOOK AGAIN It’s best to study architecture when you can actually visit the places and see things up close. It’s fun to look at things up high and down low... to see things from lots of different perspectives. Since we are looking at photographs of the architecture, we’ll need to pay especially close attention to what we see in the pictures. Here are a few different angles from the three build- ings we’re learning about this month. Do you notice anything new? Architecture offers us so much to look at and learn about. We’ll be focusing on one thing this week: columns. Make sure to look at the columns in each building, then write down or chat about your observations. The Parthenon Temple of Olympian Zeus The Erechtheion March 2019 | Week 2 1 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS A TIMELINE OF GREEK ART Geometric Archaic Hellenistic Period Period Period 900-700 BCE 700-600 BCE 600-480 BCE 480-323 BCE 323-31 BCE Orientalizing Classical Period Period March 2019 | Week 2 2 Ancient Greek The Studiowith Architecture, Pottery & Sculpture ART HIST RY KIDS GREEK ARCHITECTURE If you’ve ever built a structure out of wooden blocks or legos, you’ve played with the idea of architec- ture. The Greeks took ideas about building that had already been around for centuries, and made them more decorative and extra fancy. Greek Architects were obsessed with beauty. The word arete is often used when art historians talk about Ancient Greek art and architecture, and it means: excellence. -
Stylistic Analysis of the Architectural
計画系 684 号 【カテゴリーⅡ】 日本建築学会計画系論文集 第78巻 第684号,485-495,2013年 2 月 J. Archit. Plann., AIJ, Vol. 78 No. 684, 485-495, Feb., 2013 STYLISTIC ANALYSIS OF THE ARCHITECTURAL ORNAMENTATION ���������������������������������������������������������� ������������������������������������������������������������������������������������������������������������������������������������������������������������������������������AND���������������������������������������������������������� DATING���������������������������������������������������������� OF THE SCAENAE FRONS OF THE THEATER ��������������������������������������������������������SCAENAESCAENAESCAENAE��������������SCAENAE FRONS FRONS FRONS FRONS������������������������SCAENAE�������������������������������������������������������������������������������������� FRONS������������������������������������������������������������ ��������������SCAENAEAT FRONS ANCIENT�������� MESSENE�������������������������� 古代都市メッセネの劇場のスカエナエ・フロンスにおける 古代都市メッセネの劇場のスカエナエ・フロンスにおける古代都市メッセネの劇場のスカエナエ・フロンスにおける古代都市メッセネの劇場のスカエナエ・フロンスにおける古代都市メッセネの劇場のスカエナエ・フロンスにおける古代都市メッセネの劇場のスカエナエ・フロンスにおける古代都市メッセネの劇場のスカエナエ・フロンスにおける 建築装飾の様式分析および建設年代 建築装飾の様式分析および建設年代建築装飾の様式分析および建設年代建築装飾の様式分析および建設年代建築装飾の様式分析および建設年代建築装飾の様式分析および建設年代建築装飾の様式分析および建設年代 �� �� * ���� �� ����* * �� ** �� �� * Ryuichi�� YOSHITAKE �� * RyuichiRyuichiRyuichi YOSHITAKERyuichi YOSHITAKE YOSHITAKE YOSHITAKERyuichi YOSHITAKE Ryuichi吉 武YOSHITAKE 隆 一 The scaenae frons, the façade of the Roman scene building of the Theater at Messene has been dated to between the middle of the The -
Design Ideas
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Buddhist Art in India
BUDDHIST ART IN INDIA Mauryan Art The animal capitals of the Mauryan pillars mark the beginning of Buddhist art in Indiil. The pillars are tapering monolithic 5h3ft5 with an inverted lotus capital, crowned by an animal sculpture resting on an abacus, and are made of Chunar sandstone with a highly lustrous polish. The animal capitals are characterised by high finh.h, triumphant execution and symbolical significance. The best examples are provided by the Lion capital from Sarnath and the Bull and Lion capitals from Rampur~a. The Rampurwa Bull is outstanding for its quality of naturalism and nervous tension indicated by pent-up volumes following the anatomical details. The lion sculptures on the Mauryan cilpitals are more ~tylised than the figure of Rampurwa Bull, though they are more realistic <;s suggested by the tense muscles and the swelling veins. The capitals at Rampurwa, Vahhali and Lauriya-Nandangarh have each a single lion figure seated on the haunches in the conventional manner; and of all these the Rampurwa lion displays the most powerful modelling and developed feeling for form. " The quadripartite Lion capit a] from" Sarnath, adopted as the na tional crest of India, is the best finhhed and most famous among the animal cJpitals, though its tteatment is generally similar to the single lion figures from Rampurwa and Lauriya-Nandangarh. But it is its abacus, carved with a galloping horse, a striding elephant, a walking bull and a prancing lion which excels in modelling and feeling for form and expression the crowning figures of the four addorsed lions. Com pared to the animal figures on the abacus, the lion figures are more stylised and conventional and lack freshness. -
Abacus the Uppermost Portion of the Capital of a Column, Usually a Thin
abacus The uppermost portion of the capital of a column, usually a thin slab. acropolis Greek, high city. In ancient Greece, usually the site of the city’s most important temple(s). agora An open square or space used for public meetings or business in ancient Greek cities. Amazonomachy In Greek mythology, the battle between the Greeks and Amazons. amphiprostyle A classical temple plan in which the columns are placed across both the front and back, but not along the sides. amphora An ancient Greek twohandled jar used for general storage purposes, usually to hold wine or oil. antae The molded projecting ends of the walls forming the pronaos or opisthodomos of an ancient Greek temple. apse A recess, usually semicircular, in the wall of a Roman basilica or at the east end of a church. Archaic The artistic style of 600–480 BCE in Greece, characterized in part by the use of the composite view for painted and relief figures and of Egyptian stances for statues. Archaic smile The smile that appears on all Archaic Greek statues from about 570 to 480 BCE. The smile is the Archaic sculptor’s way of indicating that the person portrayed is alive. architrave The lintel or lowest division of the entablature. base In ancient Greek architecture, the molded projecting lowest part of Ionic and Corinthian columns. (Doric columns do not have bases.) bilingual vases Experimental Greek vases produced for a short time in the late sixth century bce; one side featured blackfigure decoration, the other redfigure. blackfigure painting In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. -
Glossary of Architectural Terms
Glossary of Architectural terms The following is a glossary of architectural terms that may be referred to when undertaking the heritage trails or consulting the website. Abacus The uppermost member of a capital of a column, often a plain, square slab. Alteration Any change affecting an existing structure externally or internally such as remodeling, structural alterations, additions, maintenance, relocation, and change of color or texture. Ancones Consoles on either side of a doorway supporting a cornice. Arcade A range of arches supported on piers or columns and attached or detached from the wall. Architectural Features Exterior or interior details of a structure such as roofs, doors, windows, flooring, and decorative elements. Architrave 1. The part of the composition of the Classical Orders where an upright member meets a horizontal. 2. The decorated interior or exterior surrounds of a window or door at the head or jamb. 3. The beam or lowest division of the entablature, which extends column to column. Baluster A spindle or post supporting the railing of a balustrade. Balustrade A series of balusters with a top and bottom rail. Bargeboard A decorative board covering the projecting portion of a gable roof. Bay 1. The division of a façade of a building, defined by window and door openings. 2. An element which protrudes from the facade. (Bay window) Beltcourse A flat, horizontal, member of relatively slight projection, marking the division in a wall plane. Belvedere A rooftop pavilion. Boynton Beach Register of Historic Places An official listing maintained by the City of all Historic Properties and Historic Districts so designated by this ordinance.