ABACUS - the Uppermost Component of a Classical Column, Most Often a Plain Square
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Section 044200 - Exterior Stone Cladding
METRO MASONRY ANNUAL CONTRACT 2018- 2023 SECTION 044200 - EXTERIOR STONE CLADDING PART 1 - GENERAL 1.1 RELATED DOCUMENTS A. Drawings and general provisions of the Contract, including General and Supplementary Conditions and Division 01 Specification Sections, apply to this Section. 1.2 SUMMARY A. Section includes all possible situations that may be encountered at Metro Properties and the several solutions for maintenance of stone masonry restoration and cleaning. The Metro Project Coordinator will direct the Contractor as to portions of the specification for each project. The Project may require the following: 1. Dimension stone panels set with individual anchors. 2. Dimension stone panels mechanically anchored on steel trusses. 3. Dimension stone panels mechanically anchored on steel strongback frames. 4. Dimension stone panels mechanically anchored on steel stud frames. 5. Dimension stone panels mechanically anchored (field installed) on a metal-grid system. 6. Dimension stone panels set in architectural precast concrete. 7. Dimension stone trim units, including bands; copings; sills; jambs; and soffits. 8. Dimension stone with carving or inscriptions. B. Related Requirements: 1. Division 03 Section "Precast Architectural Concrete" for setting dimension stone panels in architectural precast concrete units. 2. Division 04 Section "Unit Masonry" for installing inserts in unit masonry for anchoring dimension stone cladding and for stone trim in unit masonry walls. 3. Division 05 Section "Cold-Formed Metal Framing" for steel stud frames supporting dimension stone cladding. 4. Division 07 Section "Joint Sealants" for sealing joints in dimension stone cladding system with elastomeric sealants. 1.3 DEFINITIONS A. Definitions contained in ASTM C 119 apply to this Section. -
Walls and Foundations of Historic Buildings
District of Columbia Historic Preservation Guidelines WALLS AND FOUNDATIONS OF HISTORIC BUILDINGS Government of the District of Columbia Office of Planning Historic Preservation Office 1100 4th Street, SW Suite 650 Washington, DC 20024 202-442-8800 Designs of Walls and Foundations Walls and above ground foundations are among the most important character-defining elements of historic buildings. The design of walls and foundations is influenced by the types of materials used, the location, proportions and scale of openings for doors and windows, massing and rhythm of features such as bays and porches, and details and ornamentation. The exterior walls of most free-standing buildings are also structural, that is they carry the weight of the floors and roof to the foundation. Conversely, the front and rear walls of rowhouses and other party-wall buildings are usually not load bearing; rather the side walls carry the weight of floors and roofs to foundations. Altering, repairing or replacing primary character-defining walls and foundations -those facing major public streets or sidewalks- must be carefully considered so as not to detract from a building's character. Changes to secondary non-character-defining walls and foundations (typically on the sides and rear of buildings) should also be carefully considered. Greater flexibility in selecting methods of construction and materials is possible for changes to non-character-defining than for character-defining walls and foundations. Above ground foundation walls are often visually distinguished from the main wall by a change of plane. For example, brick and stone foundation walls are often visually separated from the wall above by a belt course of molded brick or shaped stone. -
Final-Portafolio-2017.Pdf
ó Pacific Curbing is the leading company for Pinellas & Hillsborough area decorative concrete landscape curbing. Our decorative, stamped curbing is on the cutting edge of landscape design. 11/11/2016 2 ó Concrete curbing is a professionally installed, permanent, attractive concrete border edging that provides great additions and solutions to any landscape and serves as a weed and grass barrier by outlining flowerbeds. Pacific Curbing decorative concrete curbing can be installed around trees, flowerbeds, sidewalks and just about anywhere you like. 11/11/2016 3 ó Concrete curbing can enhance your landscape, it is the half of price of bricks and is a permanent solution, increase curb appeal, decrease the time spent trimming around landscape beds and increase your property value. 11/11/2016 4 ó Rollers are a soft textures impresions on the concrete curbing for the angle mold 6x4. ó You can choose a natural looking like stone or you can choose something symetrical. ó Price per foot $5.75 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. ó PSI 3600 Ashlar Basketweave Brick Bone Cobblestone Flagstone H Brick Herringbone Offset bond Old stone Pebblestone Random Riverstone Running bond L Running bond Slate Spanish Texture Treebark Wood RAMDOM ROLLER RUNNING BOND ROLLER SLATE ROLLER FLAGSTONE ROLLER SPANISH TEXTURE SINGLE BRICK ó Stamps are deep impresions on the concrete curbing for the angle mold 6x4. ó They come on a symetrical designs. ó Price per foot $6 ó You can choose any color up 3lb ó Project is seal with the UV Sealer. -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
How to Install Dry-Laid Flagstone Complete Step by Step “How-To
How To Install Dry-Laid Flagstone Patio or Walkway Complete step by step “How-to” guide for building a dry-laid patio or walkway. Copyright © 2012 Stone Plus, Inc. How To Build A Dry Laid Flagstone Patio or Walkway As there is no single “right way” to install dry laid flagstone, we have found the following to be a solid tech- nique. Choosing Your Stone Stone for walkways and patios come in many colors, shapes, textures and sizes. When selecting the stone for your pavement, keep in mind the concept, or idea, that form fits function. When laying a dry laid patio, one should use a thicker stone that is 3/4” to 2-1/2” thick. Any thinner stone will be subject to cracking. Thinner stones are used when installing stone over an existing concrete slab. Pictured to the right is the Arizona Buff Patio flagstone. As you can see, this stone has irregular edges and may need fitting in order to get the look you desire. Pictured above: Buff Patio When installing a primary walkway or patio that has high traffic or is an entertainment area, thought should be given to selecting larger and flatter flagstone. Women in high heels, or the leg of a table and chair, find larger, flatter stones more compatible with their needs. When installing a “garden path or retreat”, the use of smaller, more irregular stone is appropriate. So when choosing a flagstone for your pavement, one should consider the purpose of the pavement. Consider the texture and size of the stone in relation to its intended pur- pose. -
614.252.0955 Or 800.845.7644 Visit Our Website at Oberfields.Com PAVER S • R E TAINING WALLS • PATIO STONES • ACCESSORIES
614.252.0955 or 800.845.7644 Visit our website at oberfields.com PAVER S • R E TAINING WALLS • PATIO STONES • ACCESSORIES CORPORATE OFFICE Oberfield’s is Ohio’s premier manufacturer and marketer SALES 528 London Road P.O. Box 362 of high-quality concrete masonry, landscape, sitescape and Delaware, OH 43015 614.252.0955 740.369.7644 building material products. We invite you to visit one of our 800.845.7644 Fax 740.363.7644 five showrooms or many distributors throughout the region. SALES & MANUFACTURING 1165 Alum Creek Drive Columbus, OH 43209 614.252.0955 Simply call us for a convenient location near you. Fax 614.252.5858 SALES 450 W. Fair Avenue Lancaster, OH 43130 740.653.3074 Fax 740.653.7285 SALES 1190 S. Prospect Street Marion, OH 43302 740.382.8888 Fax 740.382.3110 SALES & MANUFACTURING 980 Shawnee Road Lima, OH 45805 419.225.6761 Fax 419.225.6121 O©2009 bOberfield’s,er Inc. field’s RESIDENTIAL Walkways/Patios................................................ 2 Driveways ........................................................ 3 Steps & Stairways ............................................ 4 Fire Pits & Grills .............................................. 5 Water Features ................................................. 6 Columns & Borders ......................................... 7 Monroe Pavers ................................................. 8-9 Washington Pavers ........................................... 10-11 Washington Circle Pavers ................................. 12-13 Lincoln Pavers ................................................. -
A2 – Dressed Quarry Stone Wall
Building techniques : A2 – Dressed Quarry Stone Wall Coutry: Lebanon PRÉSENTATION Geographical Influence Definition Dressed quarry stone wall - traditional masonry tools: chisel, picks and hammers. - 4, 5, 6 faces-sometimes 2 faces - naturally squared. - stone laying with or without wedging. - stones are laid straight, same size or not. - mortar laying Environment In the MEDA area, we find dressed quarry stone in all environments: urban, rural, in mountain, plain and sea side. Its presence is generally common. In Lebanon, dressed quarry stone (Moqassab) is often used everywhere: rural environment, urban, plain, mountain and sea side. Illustrations General view: Details close-up: This project is financed by the MEDA programme of the European Union. The opinions expressed in the present document do not necessarily reflect the position of the European Union or of its member States. 1/8 A2 Lebanon – Dressed quarry stone wall CONSTRUCTION PRINCIPLE Foundations Illustrations Finding a "firm base" or “good ground” is a preliminary for the builder. If rock shows on the surface, the wall is built directly above. If not, all countries dig a small trench (~ 50 cm deep), practically never deeper than 1m. the width can be equal to the thickness of the wall above-ground, but it can also be up to twice this thickness. Combination of 2 factors : width of the trench and type of filling materials: adjustments and adaptation to each spot and ground. The materials are always stony: the trench is filled with stones, generally linked with mortar. If the module is small, the trench is broader. Several countries reported construction over ruins used as foundation. -
Hardscapes Aren't Really So Hard
Hardscapes Aren’t Really So Hard Designing with old and new hard materials to create beautiful, functional and lasting patios, walks and walls HARDSCAPING BASICS: Flatwork and Walls have similar components • Compacted sub-base. Proctor Density • Footing—concrete v. compacted • Setting Bed—mortar or sand • Veneer materials • Cap for wall, edge course for flatwork • Drainage—1/8” per foot min, french drain and weep holes for walls Off white board Hard Materials • Natural: Fieldstone, flagstone, aggregate, river slicks, etc • Manmade: Brick, concrete, tile, etc • Mortared vs dry laid Thermal bluestone flagstone treads, fieldstone riser and wall veneer Fieldstone used as wall boulders and fireplace veneer, flagstone patio dry laid with crushed slate joints Intergral color concrete patio Poured in place intergral color concrete steps, walls and patio Brick paver patio on compacted crusher run base and mortared brick veneer on grill station. Blue stone cap and adjacent patio set with mortar DESIGNING WITH HARDSCAPES • “Blending” vs “Matching” • Everything is a room or hallway • Outdoor rooms: floors, walls, ceilings • Creativity and beauty by using a few materials in new ways A range of colors in the pavers makes it easier to blend with surrounding materials Outdoor rooms have floors, walls and ceilings Use changes in material to differentiate outdoor rooms Everything is a “room” or “hallway” Avoid the ‘concrete doughnut’ pool deck by designing rooms as dominate hardscape connected by walkways PA bluestone 4 ways: You don’t have to change materials -
The Art of Stone Masonry in the Rockbridge County Area (1700 to Present)
The Art of Stone Masonry In the Rockbridge County Area (1700 to present) Steven Connett Archaeology 377 5/25/83 Dr. McDaniel The art of stone masonry in the Shenandoah valley seems to be somewhat of a mystery prior to the nineteenth century. However, as some of us have learned from the anthropology 101 course: The absence of artifacts (documents in this case) is just as important as the presence of artifacts. In order to make sure that the lack of information was not due to my possible incompetence in research, I spoke with a current day stone masoner named Alvis Reynolds. Mr. Reynolds relayed t o me that when he was trying to learn the skills of stone masonry he, too, had great difficulty in obtaining information and thus decided to teach himself this art through the process of trial and error. Although this information did not directly aid me in my research, Mr. Reynolds did provide me with a bit of information that allowed me to derive a hypothesis on why there is this unusual lack of information in this line of study. I will state my hypothesis in this paper, however, I will not be able to prove it or disprove it due to the deficiency in available information. Mr. Reynolds explained to me that in the eighteenth century there were nomadic stone masoners. These nomadic workers went from valley to valley in search of people who needed help with building their houses. Since these people did not know how to cut stone themselves (after all, stone cutting is not the type of thing that is innate to most people) they had no choice but to p~y these men for their services or go unsheltered. -
Dimension Stone Feasibility Study
DIMENSION STONE FEASIBILITY STUDY: DEVELOPMENT POTENTIAL IN MICHIGAN'S UPPER PENINSULA H. James Bourque and Associates 402 Ashmun Street, P.O. Box 292 Sault Ste. Marie, MI 49783 (906) 635-9191 July 1, 1999 Page 2 Table of Contents Acknowledgements ................................................................................................... 4 Project Background.................................................................................................... 5 In Recent Years . ...................................................................................................... 5 Study Methods............................................................................................................ 7 Geology of the Upper Peninsula................................................................................. 7 Dimension Stone Production ...................................................................................... 8 1997 Dimension Stone Production By Types: ...........................................................9 Dimension Stone Pricing ...........................................................................................11 Sandstone ..............................................................................................................12 Granite...................................................................................................................12 Limestone ..............................................................................................................12 Stone Sites Investigated -
BUIL])ING STON.E O·F WASHINGTON
BUIL])ING STON.E o·f WASHINGTON By WAYNE S. MOEN Washington Department of Conservation Division of Mines and Geology Bulletin No. 55 1967 State of Washington DANIEL J. EV ANS, Governor Department of Conservation H. MAURICE AHLQUIST, Director DIVISION OF MINES AND GEOLOGY MARSHALL T. HUNTTING, Supervisor Bulletin No. 55 BUILDING STONE OF WASHINGTON By WAYNE S. MOEN STATE PRINTING PLANT. OLYMPI A , WASHINGTON 1967 For sale by Department Pof? ceConsl]SliARYervation, Olympia, Washington. PACIFIC NORTHWEST FOREST AND RANGE EXPERIMENT STATION etnDTLAND. OR£00N CONTENTS Poge Introduction 7 General history .. ...... ...........................•............ 8 Production and vo lue . 10 Forms of building stone . 12 Field stone . 12 Rough building stone . 13 Rubble . • . 14 Flogging (flagstone) . 14 Ashlar . .. ......... ........ , ................. , . , . 15 Crushed stone . 16 Terrozzo . 17 Roofing granules.............. .... ..... ......... 18 Exposed aggregate . 18 Reconstituted stone . • . 19 Landscape rock . 20 Area coverage of bui Iding stone . 21 Acquisition of bui )ding stone . 22 Examination of stone deposits . 23 General quarrying methods . 24 Physical properties of building stone . 26 Strength . 26 Hardness and workabi Iity . • . 27 Color . 28 Alteration ....•...................... , ........... , . 29 Porosity and absorption ...........•. : . 31 Testing of building stone... .. .................... ................ 33 Common building stones of Washington . 34 Granite . 35 Geology and distribution . 35 Physical properties . 38 Varieties