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Perkins, Anthony (1932-1992) by Tina Gianoulis
Perkins, Anthony (1932-1992) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com The life and career of actor Anthony Perkins seems almost like a movie script from the times in which he lived. One of the dark, vulnerable anti-heroes who gained popularity during Hollywood's "post-golden" era, Perkins began his career as a teen heartthrob and ended it unable to escape the role of villain. In his personal life, he often seemed as tortured as the troubled characters he played on film, hiding--and perhaps despising--his true nature while desperately seeking happiness and "normality." Perkins was born on April 4, 1932 in New York City, the only child of actor Osgood Perkins and Janet Esseltyn Rane. His father died when he was only five, and Perkins was reared by his strong-willed and possibly abusive mother. He followed his father into the theater, joining Actors Equity at the age of fifteen and working backstage until he got his first acting roles in summer stock productions of popular plays like Junior Miss and My Sister Eileen. He continued to hone his acting skills while attending Rollins College in Florida, performing in such classics as Harvey and The Importance of Being Earnest. Perkins was an unhappy young man, and the theater provided escape from his loneliness and depression. "There was nothing about me I wanted to be," he told Mark Goodman in a People Weekly interview. "But I felt happy being somebody else." During his late teens, Perkins went to Hollywood and landed his first film role in the 1953 George Cukor production, The Actress, in which he appeared with Spencer Tracy. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Green Gets Finger for Film 'T
&6 THE 0 RIO N • APR I L 2 5, 200 1 I ! " , " ..~ Green gets finger for film 't , ~ DANA BUCHANAN ' I:i CONTHIIIIJTING WlllTlJ1l This is a warning: If you are not a huge fan of Tom Green and his MTV show, and if you have not been waiting to see him in all his complete, uncensored grotesque glory, then do not sec "Freddy Got Fingered." Tom Green wrote, directed and stars in "Freddy Got Fingered," and his signature brand of comedy is slathered all over this mm. Green plays Gord Brody, a 28-year old slacker who finally leaves home (to his parents elation) to attempt to become a professional animator, only to return home disappointed. Instantly the antics begin in that strange unexplainable Tom Green way. Gord just docs weird (uncomfortably weird) stuff without much rhyme or reason. If you have never before seen, or wanted to sec, someone fondle animal genitalia (horse and elephant respectively), then you might be in for a shock, to say the least. The story line of Gord wanting to be a professional animator docs seem to make perfect sense. Gord is a child in a semi adult's body, and drawing cartoons fits the character perfectly. Gord goes to Los Angeles to try to sell his work by breaking into the office of an animation executive (Anthony Michael Hall). This scene is relatively funny as Gord confounds security with his "weirdness" (for lack of a better word) and manages to get to the office of the head honcho. Then of course, there is a lot of Green's usual bizarre physical comedy, which makes one wonder why the exec hasn't called security yet. -
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Document generated on 09/25/2021 12:18 a.m. Séquences La revue de cinéma Coups d’oeil Le cinéma québécois des années 90 Number 214, July–August 2001 URI: https://id.erudit.org/iderudit/2167ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (2001). Review of [Coups d’oeil]. Séquences, (214), 62–63. Tous droits réservés © La revue Séquences Inc., 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FILMS Love, Honour and Obey Along Came a Spider Freddy Got Fingered Just Visiting Josie and the Pussycats ALONG CAME A SPIDER qualités (pour n'en nommer que quelques-unes) et enraye toute tentative d'une construction en Le Masque de l'araignée - États-Unis 2000, 104 minutes - constituent le personnage de Tom Green (devenu, marge du vulgaire. Ainsi, si on peut trouver en Real. : Lee Tamahori - Seen. : Marc Moss, d'après le roman pour la circonstance, coscénariste et réalisateur) tel quelque sorte rafraîchissant ce petit film qui de James Patterson — Int. : Morgan Freeman, Monica Potter, qu'il se présente à l'écran. Auto-hommage d'un s'amuse avec les formes actuelles pour en désamorcer Michael Wincott, Penelope Ann Miller, Micheal Moriarty - narcissisme outrancier, Freddy Got Fingered est le côté séducteur, il faut néanmoins se rappeler que Dist. -
3.50 Story by Joe Quesada and Jimmy Palmiotti
http://www.dynamiteentertainment.com/cgi-bin/solicitations.pl 1. PAINKILLER JANE #1 Price: $3.50 STORY BY JOE QUESADA AND JIMMY PALMIOTTI; WRITTEN BY JIMMY PALMIOTTI; ART BY LEE MODER; COVER ART BY RON ADRIAN, STJEPAN SEJIC, GEORGES JEANTY, AND AMANDA CONNER Jane is back! The creative team of Joe Quesada, Jimmy Palmiotti and Lee Moder return for an all-new Painkiller Jane event! Picking up from the explosive events of issue #0, PKJ #1 hits the ground running as Jane faces international terrorists and the introduction of a brand new character - "The Infidel" who will change her world forever! Featruing cover art by Ron (Supergirl, RED SONJA) Adrian, Georges (Buffy) Jeanty, Amanda (Supergirl) Conner, and Stjepan (Darkness) Sejic! Find out for yourself why reviewers have described Jane and her creators as "Jimmy Palmiotti has a sick, twisted imagination, and he really cut it loose here. But the book really works because Lee Moder draws the hell out of it, depicting every gruesome moment with grisly adoration for the script." (Marc Mason, ComicsWaitingRoom.com) FANS! ASK YOUR LOCAL RETAILER ABOUT THE AMANDA CONNER BLACK AND WHITE SKETCH INCENTIVE COVER! FANS! ASK YOUR LOCAL RETAILER ABOUT THE RON ADRIAN NEGATIVE ART INCENTIVE COVER! FANS! ASK YOUR LOCAL RETAILER ABOUT THE AMANDA CONNER VARIANT SIGNED BY AMANDA CONNER AND JIMMY PALMIOTTI! 2. PAINKILLER JANE #1 - RON ADRIAN COVER AVAILABLE AS A BLOOD RED FOIL Price: $24.95 Jane is back! The creative team of Joe Quesada, Jimmy Palmiotti and Lee Moder return for an all-new Painkiller Jane event! -
06 12-9 TV Guide.Indd 1 12/9/08 8:00:03 AM
Page 6 THE NORTON TELEGRAM Tuesday, December 9, 2008 Monday Evening December 15, 2008 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC Charlie Brown 20/20 Local Nightline Jimmy Kimmel Live WEEK OF FRIDAY , DEC . 12 THROUGH THURSDAY , DEC . 18 KBSH/CBS Big Bang How I Met Two Men Worst CSI: Miami Local Late Show-Letterman Late Late KSNK/NBC Chuck Heroes My Own Worst Enemy Local Tonight Show Late FOX Sarah Connor Prison Break Local Cable Channels A&E Intervention Intervention Manhunter Manhunter The First 48 Intervention AMC A Christmas Carol Prancer ANIM Cats 101 It's Me or the Dog Animal Cops Detroit Cats 101 It's Me or the Dog CNN Brown-No Bias Larry King Live Anderson Cooper 360 Larry King Live DISC Jesus-Complete Jesus-Complete Jesus-Complete How-Made How-Made Jesus-Complete DISN Stuart Little 2 Wizards Wizards Life With The Suite Montana So Raven Cory E! E! Special E! Special E! Special E! News Chelsea Daily 10 Special Norton TV ESPN Countdown NFL Football SportsCenter ESPN2 Bowl Mania Special Billiards Billiards Billiards Fastbreak NFL FAM Rudolph Charlie & Chocolate The 700 Club Whose? Whose? FX Christmas-Krank Christmas-Krank Black Knight HGTV To Sell Curb Amazing Potential House House Buy Me Beyond To Sell Curb HIST Modern Marvels Underworld Ancient Discoveries Christmas Unwrapped Modern Marvels LIFE Reba Reba Secret Santa Will Will Frasier Frasier Listings: MTV Made The Hills Spoof'd The Hills The Hills Hills The Hills Hills Exiled NICK iCarly SpongeBob Home Imp. -
David Spade Parker Posey Paul Hogan Tom Hanks, Kate Hudson
Tom Hanks, Kate Hudson and other stars tell you what they do when they’re alone april 2001 volume 2 number 4 canada’s entertainment lifestyle magazine David Spade COMES CLEAN ABOUT JOE DIRT Parker Posey TALKS JOSIE AND THE PUSSYCATS Paul Hogan ON THE SET OF CROCODILE DUNDEE IN LOS ANGELES SPRING STYLIN’ WITH JEANNE BEKER SPOTLIGHT ON: LIV TYLER, CHRISTINA APPLEGATE & SETH GREEN Renée Zellweger REVEALS THE SECRETS OF BRIDGET JONES’ DIARY $300 plus NEW VIDEO RELEASES| MUSIC | WEB | BOOKS | HOROSCOPE | VIDEOGAMES contents Famous | volume 2 | number 4 | 24 22 42 FEATURES DEPARTMENTS COLUMNS 20 SPRING FASHION 06 EDITORIAL 36 BIT STREAMING If you like big belts, you’ll love the You gotta fight for your right new spring fashions By Jeanne Beker 08 HEARSAY to domain names Hey Carla Collins, what’s the latest 22 PARKER POSEY CAN’T LOSE celebrity gossip? 38 NAME OF THE GAME Now that the Queen of the Indies is Videogames: our newest export? making big-studio pictures like Josie 10 SHORTS and the Pussycats, Parker Posey just Film fests, a new IMAX extravaganza 39 PULP AND PAPER might be Hollywood’s next darling and Mike Myers’ latest toy Rock ’n’ roll trivia, censorship and By Earl Dittman Linda McCartney’s photos 14 THE BIG PICTURE 24 SPADE TALKS DIRTY Blow, Town and Country and Driven 40 LINER NOTES Acid-tongued Saturday Night Live alum open in theatres A brief history of TV pop bands David Spade shares his thoughts on evading the police, getting abused by 18 THE PLAYERS the press and his new comedy Joe Dirt What’s the deal with Liv Tyler, By Sean Daly Christina Applegate and Seth Green? 20 28 HOGAN’S HERO 26 COMING SOON His other projects haven’t done very well, so it’s no big surprise that Aussie 32 TRIVIA icon Paul Hogan has gone back to playing his signature do-gooder in 33 ON THE SLATE Crocodile Dundee in Los Angeles. -
Hate at JMU? ZBT House BUI of Sparks Opinion Questions
«MES MADISON UNIVERSITY LIBRARY HAfia33fiEURG,VA.22El)7 APR 2 6 2001 THURSDAY M'KII 26,2001 Vol.. 78. No. 52 reezeJames Madison University SGA passes Swastika on hate crime Hate at JMU? ZBT house BUI of sparks Opinion questions B> LINDSAY MARTI news editor BYKYK.\PAI>\MI contributing writer A hate crime Bill of Opinion passed its final stage of Student Government A swastika was painted on the \v4Kiation approval by a unanimous property of an off-campus house on vote April 12. Harrison Street Friday where several The main focus of the bill is to brothers of the Zeta Beta Tan Iralemity ■MUM that the Office of Judicial Affairs live. The marking was found on a t.irp will have a statistical tracking oi flic acting M .i makeshift fence in the back- occurreiur ol "lute , mm-' said yard Saturday morning. junior Peter Swerdzewski, via? presi- The vandalism was initially report- dent of student affairs. ed to the police .is property damage. In The bill was first pn--cnted on April ,i /HI press release Monday, the inci- 3, passed by the SGA Senate on April dent was referred to as a hate crime. 10 and went to tlie Executive I mnuil "It was classified through the media for approval. as a hate crime," I larrisonburg Puttee The IMMitivr Coundl passed the I iptain Malcolm Wilfong said. "(Har- bill with a 4-0-11 vote, and it will be pre- risonburg Police Department) didn I sented to the Office ol hididal Att.ur- classify it as a hate crime. -
Curriculum Vitae: Bruce F. Kawin
October 30, 2020 Curriculum Vitae: Bruce F. Kawin Professor Emeritus of English University of Colorado at Boulder Boulder, CO 80309 Home: 4393 13th St. Boulder, CO 80304 Phone: (303) 449-4845 (land line) — (303) 514-6707 (cell; use this or e-mail until further notice) Fax: (303) 449-2503 E-mail: [email protected] Born: Los Angeles, CA Education: Ph.D.: Cornell University, September 1970 Major: 20th Century British and American Literature Minor: Film History and Aesthetics Thesis: Telling It Again and Again: The Aesthetics of Repetition M.F.A.: Cornell University, June 1969 Major: Creative Writing Minor: Filmmaking Thesis: Slides Summer program in Documentary Film Production, UCLA, August 1968 B.A. cum laude: Columbia College, Columbia University, June 1967 Major: English and Comparative Literature Teaching Experience: Professor of English: English Department, University of Colorado at Boulder, 1975-2015. (Professor Emeritus, 2015-present; Full Professor since 1980; tenure awarded, 1979; Associate Professor, 1977- 80; Assistant Professor, 1975-77.) Taught half-time in Film Studies Program 1975-2006 (two Film Studies courses/year), then one Film Studies course/year through 2014; other film courses after 2006 taught in English Dept. Fields: Modern Literature, Film History and Theory, Creative Writing. Visiting Fellow: Theater Arts Board, College 5, University of California at Santa Cruz, 1980-81. Fields: Film History and Theory. Specialist in Film Analysis: Center for Advanced Film Studies, American Film Institute, 1974. Lecturer in English and Film: English Department, University of California at Riverside, 1973-75. Fields: Modern Literature, Film History, Composition, Women Studies. Assistant Professor of English: English Department, Wells College, 1970-73. -
Das Remake Als Fetischkunst Gus Van Sants »Psycho« Und Die Absonderlichen Serialitäten Des Hollywood-Kinos
FORSCHUNGSBEITRAG DAS REMAKE ALS FETISCHKUNST Gus Van Sants »Psycho« und die absonderlichen Serialitäten des Hollywood-Kinos Frank Kelleter 154 RKEMA ING ALS SERIELLE PRAXIS Film-Remakes und Film-Fortsetzungen verkörpern den kommerziellen Prag- matismus des Hollywood-Kinos in schamloser Manier. Kein Wunder, dass sich Feuilleton und Filmwissenschaft lange Zeit nicht mit ihnen anfreunden konnten. Noch heute muss jeder Film, der eine Zahl im Titel trägt, darauf gefasst sein, als Beispiel für die Einfallslosigkeit einer ganzen, eigentlich geldgeilen Industrie herzuhalten. Problematisch ist diese Haltung nicht, weil sie falsch wäre – Remakes und Fortsetzungen operieren tatsächlich als ›pre-sold com- modities‹ –, sondern weil Einfallsreichtum in der Geschichte des populären Films eigentlich immer schon an profitorientierte Produktionskulturen gebun- den war. Wie unbehaglich dieser Gedanke in cinephilen Kreisen weiterhin sein mag, lässt sich daran ablesen, dass die Figur des sich gegen ökonomische Zwänge behauptenden ›Auteurs‹ die Rede über Filme selbst dort noch orga- nisiert, wo die proklamierten filmtheoretischen Überzeugungen schon längst das Gegenteil behaupten. Das Problem filmischer Autorschaft steht im Zentrum von Gus Van Sants »Psycho« und vermengt sich dort in irritierender Weise mit Fragen medialer Selbstreflexion und narrativer Fortsetzungslogik. Um zu verstehen, was hier geschieht, bietet es sich an, das Format ›Neuverfilmung‹ zunächst einmal seri- alitätstheoretisch zu beschreiben. Auf den ersten Blick ist das eine kontrain- tuitive Perspektive: Remakes behaupten ja in aller Regel nicht, Episoden oder Fortsetzungen eines größeren Erzählganzen zu sein. Dennoch fällt es schwerer, POP. Kultur und Kritik ◆ Heft 7 Herbst 2015 ◆ S. 154–173 ◆ © transcript zwischen einer Neuverfilmung und einer Fortsetzung formal zu unterscheiden, als diese scheinbar eindeutigen Begriffe vermuten lassen (Verevis 2006a; siehe auch einzelne Beiträge in Heinze/Krämer 2015). -
BEDTIME STORIES Bobbi
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/BedtimeStories WALT DISNEY PICTURES Unit Production Manager . GARRETT GRANT Presents First Assistant CREDITS Director . DANIEL SILVERBERG A Second Assistant Director . CONTE MATAL HAPPY MADISON Creatures Designed by. CRASH MCCREERY Production Production Supervisor . ROBERT WEST A CAST CONMAN & IZZY Skeeter Bronson. ADAM SANDLER Production Jill . KERI RUSSELL Kendall . GUY PEARCE An Mickey. RUSSELL BRAND OFFSPRING Barry Nottingham . RICHARD GRIFFITHS Production Violet Nottingham. TERESA PALMER Aspen. LUCY LAWLESS Wendy . COURTENEY COX Patrick . JONATHAN MORGAN HEIT BEDTIME STORIES Bobbi . LAURA ANN KESLING Marty Bronson . JONATHAN PRYCE Engineer . NICK SWARDSON A Film by Mrs. Dixon . KATHRYN JOOSTEN ADAM SHANKMAN Ferrari Guy. ALLEN COVERT Hot Girl . CARMEN ELECTRA Young Barry Nottingham . TIM HERLIHY Directed by . ADAM SHANKMAN Young Skeeter . THOMAS HOFFMAN Screenplay by . MATT LOPEZ Young Wendy . ABIGAIL LEONE DROEGER and TIM HERLIHY Young Mrs. Dixon. MELANY MITCHELL Story by. MATT LOPEZ Young Mr. Dixon . ANDREW COLLINS Produced by. ANDREW GUNN Donna Hynde. AISHA TYLER Produced by . ADAM SANDLER Hokey Pokey Women. JULIA LEA WOLOV JACK GIARRAPUTO DANA MIN GOODMAN Executive Producers . ADAM SHANKMAN SARAH G. BUXTON JENNIFER GIBGOT CATHERINE KWONG ANN MARIE SANDERLIN LINDSEY ALLEY GARRETT GRANT Bikers. BLAKE CLARK Director of BILL ROMANOWSKI Photography . MICHAEL BARRETT Hot Dog Vendor . PAUL DOOLEY Production Designer . LINDA DESCENNA Birthday Party Kids . JOHNTAE LIPSCOMB Edited by. TOM COSTAIN JAMES BURDETTE COWELL MICHAEL TRONICK, A.C.E. Angry Dwarf . MIKEY POST Costume Designer . RITA RYACK Gremlin Driver . SEBASTIAN SARACENO Visual Effects Cubby the Supervisor. JOHN ANDREW BERTON, JR. Home Depot Guy . -
TIM BOGGS Supervising Sound Editor Feature Films
TIM BOGGS Supervising Sound Editor Show Title Creator/Director Production QUEEN SUGAR Warner Horizon LEGION FX THE MYSTERIES/LAURA NBC THE GOOD WIFE CBS FEAR ITSELF Lionsgate SAVING GRACE Fox TV BREAKING BAD AMC GILMORE GIRLS. W.B. RAISING THE BAR TNT ENTOURAGE HBO DIRT Touchstone OCTOBER ROAD ABC MEN IN TREES W.B. BIG LOVE HBO OVER THERE Fox TV BLIND JUSTICE Paramount THE SOPRANOS HBO WITHOUT A TRACE CBS MR. STERLING NBC XENA: Warrior Princess Universal HERCULES: The Legendary Journeys Universal Feature Films: THE PERFECT GAME Lionsgate SURFER, DUDE Anchor Bay THE BUCKET LIST Warner Bros. SISTERHOOD OF THE TRAVELING Warner Bros. PANTS DARK WATER Touchstone Pictures STEAM BOY Sony Pictures DUMB & DUMBERER New Line BIKER BOYZ Dreamworks SKG IGBY GOES DOWN Atlantic Streamline www.wbppcs.com TIM BOGGS Supervising Sound Editor Show Title Creator/Director Production WE WERE SOLDIERS Icon HOUSE OF 1000 CORPSES Universal TRIXIE Sand Castle 5 Productions WALKING ACROSS EGYPT Mitchum Entertainment THE END OF VIOLENCE MGM THE LESSER EVIL Moon Dog Productions WASHINGTON SQUARE Hollywood Pictures LOST HIGHWAY October Films DEMON KNIGHT Universal ABOVE THE RIM New Line Cinema BLANK CHECK Disney HOUSE PARTY 3 New Line Cinema THE GLASS SHIELD Miramax DARKMAN III Universal DARKMAN II Universal Television/Cable Movies (Adr Supervisor) AMAZON HIGH Universal Home Ent. ANOTHER MIDNIGHT RUN Universal Television ASSAULT AT WEST POINT Showtime ATTACK OF THE 5’2’’ WOMAN Showtime BLIND JUSTICE HBO Pictures COLOR OF JUSTICE Showtime CONVICTION CBS THE COURTYARD Showtime DARK REFLECTIONS Fox FULL BODY MASSAGE Showtime FULL ECLIPSE HBO Pictures GANG IN BLUE Showtime HERCULES AND THE AMAZON Universal WOMEN HERCULES AND THE LOST KING- Universal DOM HERCULES AND THE CIRCLE OF Universal FIRE www.wbppcs.com TIM BOGGS Supervising Sound Editor Show Title Creator/Director Production HERCULES IN THE UNDERWORLD Universal HERCULES AND THE MAZE OF Universal THE MINOTAUR HERCULES: THE FIGHT FOR Universal Home Ent.