Perkins, Anthony (1932-1992) by Tina Gianoulis
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Learn to Lead Activity Guide
LEARN TO LEAD ACTIVITY GUIDE CIVIL AIR PATROL CADET PROGRAMS TEAM LEADERSHIP PROBLEMS MOVIE LEARNING GUIDES GROUP DISCUSSION GUIDES Preface LEARN TO LEAD ACTIVITY GUIDE Do you learn best by reading? By listening to a lecture? By watching someone at work? If you’re like most people, you prefer to learn by doing. That is the idea behind the Learn to Lead Activity Guide. Inside this guide, you will find: • Hands-on, experiential learning opportunities • Case studies, games, movies, and puzzles that test cadets’ ability to solve problems and communicate in a team environment • Recipe-like lesson plans that identify the objective of each activity, explain how to execute the activity, and outline the main teaching points • Lesson plans are easy to understand yet detailed enough for a cadet officer or NCO to lead, under senior member guidance The Activity Guide includes the following: • 24 team leadership problems — Geared to cadets in Phase I of the Cadet Program, each team leadership problem lesson plan is activity- focused and addresses one of the following themes: icebreakers, teamwork fundamentals, problem solving, communication skills, conflict resolution, or leadership styles. Each lesson plan includes step-by-step instructions on how to lead the activity, plus discussion questions for a debriefing phase in which cadets summarize the lessons learned. • 6 movie learning guides — Through an arrangement with TeachWithMovies.com, the Guide includes six movie learning guides that relate to one or more leadership traits of Learn to Lead: character, core values, communication skills, or problem solving. Each guide includes discussion questions for a debriefing phase in which cadets summarize the lessons learned. -
T-Iourglass O 8 at 2154
HIGH TIDE LOW TIDE 7-27-69 7-27-69 5 8 at 0330 o £> at 1006 4 5 at 1606 t-IOURGlASS o 8 at 2154 J\.. .. ', I ~~.!,.I;~ ... "':,~ !! KWAJALEIP, ISLAl'JlJS Saturday, July 26, 1969 I, VOL 9, No 8458 L Moon Rocks, Soil Go on Display ost Massachusetts Residents For Select Audience of Scientists Want red to Retain Seat (UPI) -- Most Massachusetts residents SPACE CENTER, HOUSTON (UPI) -- Pampered with all the tender care technology can _apparently feel Sen Edward M Kennedy muster, the Moon rocks and s011 Apollo 11 brought home go on d1splay today for "'" ",,~;" should retain his seat in the Senate a select aud1ence of scientists ~ Initial response from other parts of The first v1ewing--through glass portholes in a special vacuum chamber - was ~ the country to his plea for advice ap eagerly awa1ted by SC1ent1sts who were chosen to analyze them to try to deter peared, however, to be more widely di m1ne the or1g1n of the Moon and perhaps the Universe vided "It's very frustratlng," said Jeff Warner, a geologist who works at the Moon Boston's three da1ly newspapers, the Isolatlon BUlldlng at the Space Center Record American, Globe and Feral Tra "The flrst box came at noon yesterday, veler, reported telephone calls "~2_to and we won't get to look at it unt11 10 Administration Talks 1" in favor of Kennedy am tOllorrow (today)" The Spr1ngfield Union reported less 1he long-awal ted Moon samples--t',o Tough to Business than three hours after the Senator's boxes \"1 th more than 50 pounds of Moon nationally televised speech, they had rock and dlrt--arrlved -
Ross Reports -Television Index
ROSS REPORTS -TELEVISION INDEX JANUARY 7-13, 1957 VOLUME NUMBER 2 PROGRAMS ADVERTISERS TALENT 551 Fifth Avenue New York 17 MUrray Hill 2-5910 EDITOR: Jerry Leichter PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT THIS WEEK -- NETWORK DEBUTS & HIGRT.TGHTS Thursday(Jan 10) POOL- 12:30-1pm EST; SPECIAL - President Eisenhower's State of the Union Message - LIVE fromWRC-TV(Wash), to the NBC net, via pool arrangements to the ABC net. § Public service. § Prod- NBC News(Wash) for the pool. § President Eisenhower's State of the Union message to Congress will be simulcast live from the Chamber of the House of Representatives. Saturday(Jan 12) ABC- 7-7:30pm EST; DEBUT - This Is Galen Drake - LIVE fromWABC-TV(NY), 18 sta- tions live and delayed. § Sponsor- Skippy Peanut Division (Peanut Butter), The Beet Foods, Inc., thru Guild, Bascom & Bonfigli,Inc(San Fran). § Pkgr- William Morris Agency(NY); Prod & Dir- Don Appel. § Storyteller Galen Drake is host of this variety show, spinning yarns, discussing timely events, occasionally interviewing guests, and also acting as m.c. for variety portions of the program which will feature singers backed by an orchestra. THIS WEEK -- REGULAR NETWORK SPECIALS NBC- Producers' Showcase (Every 4th Mon,8-9:30pmEST) Jan 7; "Call to Freedom," an NBC 'Project 20' filmed documentary of Austria's struggle for freedom thruthe years, keyed to reopening of the Vienna State Operain 1955; Pod- Henry Salomon; Writers- Salomon, Richard Hanser, Philip Reisman, Jr; Asst Prod- Donald Hyatt; Edited By- Isaac Kleinerman; FILM from WRCA-TV(NY). NBC TV Opera Theatre (6 during season, Sat orSun); Sun, Jan 13, 1:30-4pm EST; "War and Peace," American premiere of Serge Prokofiev's opera; English version by Joseph Machlis; LIVE (COLOR) from WRCA-TV(NY). -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
Anthology Drama: the Case of CBS Les Séries Anthologiques Durant L’Âge D’Or De La Télévision Américaine : Le Style Visuel De La CBS Jonah Horwitz
Document generated on 09/26/2021 8:52 a.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Visual Style in the “Golden Age” Anthology Drama: The Case of CBS Les séries anthologiques durant l’âge d’or de la télévision américaine : le style visuel de la CBS Jonah Horwitz Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 Despite the centrality of a “Golden Age” of live anthology drama to most histories of American television, the aesthetics of this format are widely URI: https://id.erudit.org/iderudit/1015184ar misunderstood. The anthology drama has been assumed by scholars to be DOI: https://doi.org/10.7202/1015184ar consonant with a critical discourse that valued realism, intimacy and an unremarkable, self-effacing, functional style—or perhaps even an “anti-style.” See table of contents A close analysis of non-canonical episodes of anthology drama, however, reveals a distinctive style based on long takes, mobile framing and staging in depth. One variation of this style, associated with the CBS network, flaunted a virtuosic use of ensemble staging, moving camera and attention-grabbing Publisher(s) pictorial effects. The author examines several episodes in detail, demonstrating Cinémas how the techniques associated with the CBS style can serve expressive and decorative functions. The sources of this style include the technological limitations of live-television production, networks’ broader aesthetic goals, the ISSN seminal producer Worthington Miner and contemporaneous American 1181-6945 (print) cinematic styles. 1705-6500 (digital) Explore this journal Cite this article Horwitz, J. (2013). Visual Style in the “Golden Age” Anthology Drama: The Case of CBS. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Audrey Hepburn's Personal Collection Part
PRESS RELEASE | L O N D O N 7 FOR IMMEDIATE RELEASE: 18 APRIL 2018 NOT TO BE MISSED AUDREY HEPBURN’S PERSONAL COLLECTION PART III ONLINE AT CHRISTIE’S IN MAY #AudreyAtChristies Audrey Hepburn, Rome, March 1968 Credit: Elio Sorci/Camera Press London – Christie’s online sale Audrey Hepburn: The Personal Collection Part III will open for bidding on 2 May, closing on 9 May, 2018. Comprising 212 lots, the sale is now available to view online www.christies.com/audreyhepburn. Following the success of Part I and II in Autumn 2017, Part III continues Christie’s celebration of this globally renowned and adored film and stage actress, fashion legend and humanitarian, in what would have been her 90th year. Not to be missed, the sale will provide a further opportunity for fans, collectors and admirers to delve in to Audrey Hepburn’s personal world, both on and off screen, through the objects she collected, used and loved; from jewellery, fashion and accessories, to correspondence, film memorabilia and professional photography by leading photographers of the day. Luca Dotti and Sean Hepburn Ferrer commented: “Having taken 25 years to be ready to share our mother’s personal world, we were truly touched by the global response to Part I and II of her collection. It is with pleasure that we now present Part III; a further group of her belongings that we feel will be of interest to her ever-growing base of admirers.” Adrian Hume-Sayer: “We are pleased to present Part III of Audrey Hepburn’s Personal Collection as an online only sale from 2 to 9 May, 2018, to coincide with what would have been her birthday on 4 May. -
The Relevance of Tennessee Williams for the 21St- Century Actress
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par. -
Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
One-Word Movie Titles
One-Word Movie Titles This challenging crossword is for the true movie buff! We’ve gleaned 30 one- word movie titles from the Internet Movie Database’s list of top 250 movies of all time, as judged by the website’s users. Use the clues to find the name of each movie. Can you find the titles without going to the IMDb? 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 EclipseCrossword.com © 2010 word-game-world.com All Rights Reserved. Across 1. 1995, Mel Gibson & James Robinson 5. 1960, Anthony Perkins & Vera Miles 7. 2000, Russell Crowe & Joaquin Phoenix 8. 1996, Ewan McGregor & Ewen Bremner 9. 1996, William H. Macy & Steve Buscemi 14. 1984, F. Murray Abraham & Tom Hulce 15. 1946, Cary Grant & Ingrid Bergman 16. 1972, Laurence Olivier & Michael Caine 18. 1986, Keith David & Forest Whitaker 21. 1979, Tom Skerritt, Sigourney Weaver 22. 1995, Robert De Niro & Sharon Stone 24. 1940, Laurence Olivier & Joan Fontaine 25. 1995, Al Pacino & Robert De Niro 27. 1927, Alfred Abel & Gustav Fröhlich 28. 1975, Roy Scheider & Robert Shaw 29. 2000, Jason Statham & Benicio Del Toro 30. 2000, Guy Pearce & Carrie-Anne Moss Down 2. 2009, Sam Worthington & Zoe Saldana 3. 2007, Patton Oswalt & Iam Holm (voices) 4. 1958, James Stuart & Kim Novak 6. 1974, Jack Nicholson & Faye Dunaway 10. 1982, Ben Kingsley & Candice Bergen 11. 1990, Robert De Niro & Ray Liotta 12. 1986, Sigourney Weaver & Carrie Henn 13. 1942, Humphrey Bogart & Ingrid Bergman 17. -
MB?-®. Tampering with the Western and F
rence of Arabia” In three weeks New York premiere, November Bromwyn traveled back to Hol- THE EVENING STAR. Washington. D. C. A-31 Natalie and Tab GU Adds 5 New —using the Sues Canal on the 9. Before leaving, De Mille lywood from Ireland by herself, FRIDAY. SEPTEMBER SI. ISAS Members of Faculty way to Palestine. But Egyptian presented the cinema editors in time for school. Maureen’s Make Met's Film President Nasser will probably first award to Anne Bauchens, parents remain in Ireland for Georgetown University has decide otherwise. who has edited De Mille films another month before Joining announced the addition of five' for 40 years, starting “We their children here. Teen-Age Oater faculty with Maureen, new members to the; George Nader, just back from Can't Have Everything” and like Susan Hayward and Jeanne Department of International NEIGHBORHOOIT^tog. Japan and “Joe Butterfly,” can’t including his latest, “Ten Com- Crain, is in no hurry to wed " Werner the School "THE BURNINO HILIS ¦ Transportation and to go back again for some mandments.” igaln. Bros, picture, produced by Richard wait Films of More Thon Routine Merit . Whorl, directed by Stuart Hcleler icreen. of Business Administration. of the baths. "One time." he told drive in theaters ¦ley by lrylne Wallace, from e novel by Clem C. Llnnenberg, Jr., di- "THE AMBASSADOR'S DAUGHTER”—OIivia de Havllland ! Louie 1/Amour. In Cinemascope end me dreamily, “Ihad three beauti- Arthur Miller Is giving read- comedy setting. Warner Color At the Metropolitan end rector of the Transportation ful girls scrubbing my back.” ings of his censorable "View decorates a romantic In a Paris 17 I Ambassador Theater' Group Depart- WEEK "AWAY ALL BOATS”—Jeff Chandler and George Nader in Tht HEW SUP EH 29 The feat Economics in the It's the custom there and From the Bridge" play to small NOWINS.r an Tab Hunter i over war Drl ln Trace Jordan ment of-Agriculture, and Frank exciting narrative of in the Pacific.