Chancellor Suspends Pageants Indefinitely
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Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
Asbestos Removed from Alumnae Hall
CTHE TUFTS DAILY] Medford, MA 02155 Tuesday, March 13,1990 Vol XX, Number 35 Students attend forum on date Asbestos removed rape - and sexual harassment from Alumnae Hall by ALISSA KRINSKY by EMANUEL BARDANIS background air sampling test, a Contributing Writer Daily Editorial Board pump is used to pull air across a Several Tufts organizations and Asbestos removal from Class- filter which is then examined under the Somerville Police Department room 15 in Alumnae Hall that a microscope in order to deter- gave a presentation last Wednes- began on Feb. 27 was completed mine the amount of asbestos in day night on preventing and deal- Friday, according to Lenane But- the atmosphere. ing with date rape and sexual ler, environmental health techni- “We have thoroughly inspected harassment. cian for the Tufts Environmental the campus,” Pitoniak said of an Organizers for the discussion Health and Safety Office. inspection conducted by her of- included the Tufts Police Depart- Construction Project Manager fice a few years ago. She said that ment, the Counseling Center, the John Crow said that the asbestos as a result of that inspection, the Somerville Police Department. removal work on Alumnae Hall Environmental Health and Safety Actively Working for Acquain- is part of current renovation on Office targeted several buildings tance RapeEducation(AWARE), Jackson Gym and Cohen Audito- on campus for asbestos removal. THINK and the Inter-Greek rium, necessitated by the con- “Our long-term goal is to Council Committee on Sexual struction of the Aidekman Arts remove all asbestos from the Harassment and Date RaDe Aware- -1 Center in the lot adjacent to these campus,” Pitoniak said. -
Permanent Record
UNLV Retrospective Theses & Dissertations 1-1-2006 Permanent Record Jonathan Bauch University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Bauch, Jonathan, "Permanent Record" (2006). UNLV Retrospective Theses & Dissertations. 2037. http://dx.doi.org/10.25669/r6c9-lgmt This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. PERMANENT RECORD by Jonathan Bauch Associate in Arts The College of Staten Island 1990 Associate in Applied Science The College of Staten Island 1990 Bachelor of Arts The College of Staten Island 1990 Master of Arts The College of Staten Island 1992 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts Degree in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas August 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1440231 Copyright 2006 by Bauch, Jonathan All rights reserved. -
WINNERS Begins Page 28 SPOTLIGHT: Z -100 See Page 26 DALLAS RADIO MARKET ® See Page 24
ICD 08120 YYY Y YYJ. .M1AAJ..4YM 3-D I GI I 9 .b ÿ ii 1466 í'4ELk49B Chr_E vLti 9 l 374, tLM VCti z"' w LGhv bLACH CA 91äv7 ammo z WINNERS Begins page 28 SPOTLIGHT: Z -100 See page 26 DALLAS RADIO MARKET ® See page 24 VOLUME 97 NO. 37 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT SEPTEMBER 14, 1985/$3.50 (U.S.) Metal Mining Mounts LYRIC ROW: NEW DEVELOPMENTS August Yields Bumper Crop PMRC Says Beach Boys' Mike Love Gave Seed Money Of Gold, Platinum Albums problem [of lyrics], and he was very recording artists." BY BILL HOLLAND sympathetic." The purpose of the hearing, ac- The two other albums to go plati- WASHINGTON Part of the seed In a concurrent development, an cording to the staff source, is to "air BY PAUL GREIN num in August were both by repeat- money for the Parents Music Re- announcement came from Capitol the issue, educate the Senate and But LOS ANGELES The Recording In- ing acts. Motley Crue's "Shout At source Center (PMRC), the poliuical- Hill that the witness list for the bring things out in the open." dustry Assn. of America (RIAA) The Devil" is the group's second ly well -connected group of Wash- Sept. 19 Senate Commerce Commit- the source admits that the hearing awarded an unseasonally high total straight platinum album; Dire ington mothers that has been wag- tee hearing on rock lyrics will in- could "bring some slight pressure PMRC and the of 16 gold albums in August, com- S xaits' "Brothers In Arms" is also ing a fight against so-called ' porn clude recording artis-s Frank Zappa on the groups [the to come to a pared to 11 in the same month last their second platinum album, but rock," was a gift from Mike Love of and Dee Snyder. -
Using Hip-Hop As an Empowerment Tool for Young Adults : an Exploratory Study : a Project Based Upon Independent Investigation
Smith ScholarWorks Theses, Dissertations, and Projects 2011 Using hip-hop as an empowerment tool for young adults : an exploratory study : a project based upon independent investigation Jihan Danae Sims Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Sims, Jihan Danae, "Using hip-hop as an empowerment tool for young adults : an exploratory study : a project based upon independent investigation" (2011). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/533 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Jihan Sims Using Hip-Hop as an Empowerment Tool for Young Adults: An Exploratory Study ABSTRACT This qualitative study was developed to explore the role that hip-hop music plays in the lives of young adults and empowerment. The researcher was interested in clinical applications of hip-hop music to address high attrition rates of youth in traditional models of therapy. Although there is much literature on the topic of hip-hop music, there is less written about the role that hip-hop music plays in the development of an individual’s sense of self and empowerment. The latter was the focus of this study. Twelve participants were interviewed in the Los Angeles area regarding their experience of listening to and being fans of hip-hop music. All participants were over the age of 18 and asked to reflect back on the role that hip-hop music had played at home, with friends, and for them emotionally. -
Jews, Punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American Story
Popular Music (2005) Volume 24/1. Copyright © 2005 Cambridge University Press, pp. 79–105 DOI:10.1017/S0261143004000315 Printed in the United Kingdom Jews, punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American story JON STRATTON Abstract Punk is usually thought of as a radical reaction to local circumstances. This article argues that, while this may be the case, punk’s celebration of nihilism should also be understood as an expression of the acknowledgement of the cultural trauma that was, in the late 1970s, becoming known as the Holocaust. This article identifies the disproportionate number of Jews who helped in the development of the American punk phenomenon through the late 1960s and 1970s. However, the effects of the impact of the cultural trauma of the Holocaust were not confined to Jews. The shock that apparently civilised Europeans could engage in genocidal acts against groups of people wholly or partially thought of by most Europeans as European undermined the certainties of post-Enlightenment modernity and contributed fundamentally to the sense of unsettlement of morals and ethics which characterises the experience of postmodernity. Punk marks a critical cultural moment in that transformation. In this article the focus is on punk in the United States. We’re the members of the Master Race We don’t judge you by your face First we check to see what you eat Then we bend down and smell your feet (Adny Shernoff, ‘Master Race Rock’, from The Dictators’ The Dictators Go Girl Crazy! [1975]) It is conventional to distinguish between punk in the United States and punk in England; to suggest, perhaps, that American punk was more nihilistic and English punk more anarchistic. -
Cash Box Introduced the Unique Weekly Feature
MB USA FOR AFRICA DISBURSES FUNDS RIAA RESPONDS TO EXPLICIT LYRICS’ OUTCRY GUEST EDITORIAL: PAIN ERIC BEHIND THE BULLETS: METAL ACTS TAKE OVER new laces to n September 10, 1977, Cash Box introduced the unique weekly feature. New Faces To Watch. Debuting acts are universally considered the life blood of the recording industry, and over the last seven years Cash Box has been first to spotlight new and developing artists, many of whom have gone on to chart topping successes. Having chronicled the development of new talent these seven years, it gives us great pleasure to celebrate their success with our seventh annual New Faces To Watch Supplement. We will again honor those artists who have rewarded the faith, energy, committment and vision of their labels this past year. The supplemenfs layout will be in easy reference pull-out form, making it a year-round historical gudie for the industry. It will contain select, original profiles as well as an updated summary including chart histories, gold and platinum achievements, grammy awards, and revised up-to-date biographies. We know you will want to participate in this tribute, showing both where we have been and where we are going as an industry. The New Faces To Watch Supplement will be included in the August 31st issue of Cash Box, on sale August The advertising deadline is August 22nd. Reserve Advertising Space Now! NEW YORK LOS ANGELES NASHVILLE J.B. CARMICLE SPENCE BERLAND JOHN LENTZ 212-586-2640 213-464-8241 615-244-2898 9 C4SH r BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT -
No Deadline Set for Faculty Strike Housin: Needs Attended to Over
Serving the college, community for over 50 years Vol. 56 No. 7 William Paterson College September 25, 1989 No deadline set for faculty strike BY BRAD WEISBERGER ner said. The union is ready to president of the local 1796. er 70 percent are limited to a also gives the college presi- NEWS EDITOR strike if neccessary; however The state has offered the ceiling of $44,000 per year, dents sole responsibility for no strike date has been set be- faculty a three-year contract with annual increments, he authorizing the increments, ELIZABETH GUIDE cause the union is hopeful which will freeze all salaries said. The proposed contract SEE STRIKE, PAGE 9 NEWS CONTRIBUTOR that a settlement can be for 18 months. After that, worked out during negotia- there will be a three percent The faculty and staff of tions, she added. However, the increase followed by another WPC may strike in no less faculty will be less likely to three percent increase mid- than two weeks, said Irwiri accept offers because in 1986, way through tfyp third year, Nack, President of the Ameri- the increment system was Radner said. "That would be can Federation of Teachers again an issue and the faculty the equivalent to a one and a (AFT) local 1796. settled on the state's offer. Be- half percent deferred increase In the event no agreements cause of that experience the per year over a two year peri- are made and a strike dead- faculty is not likely to compro- od," Radner said. "They also mise on this issue, Nack said. -
HA!P!Prt NEW Rteajr!?! So Who's Happy?
January 1987 Number24 HA!P!Prt NEW rtEAJR!?! So Who's Happy? December 24, 1986 In Roman days they called thts the Saturnalia: seven days of feasting, drinlctng, and general debauchery that raged, as Dylan Thomas w.ould have it, against thl dying of the ltght. What started out as prayerful suppltcatto1& to th, gods and godusses ended a week later in . an orgy of mindless dissipation, and things have not changed much in the intervening 20 centuries. Saturn was the grandfather of th, gods, and represented the limitations imposed by the physical, mor.tal world. As such he was the appropriatl deity to preside over a festival that commemorated, above all else, human frailty. The Judaeo-Christian version of the Midwinter/est has borrowed much of its imagery from ancient pagan rituals, but then it sho"1dn't take a great deal of insight to realize that the trappings of modern civilization are just that, trappings, and that th, primal impulses of humankind have been only marginally impeded by th, combined efforts of all the .. ___ shamans, witch doctors, priests, and theologians of _____ history. Whln we seek respite from our cares Religion and its modern stepsister, and woes through drinlc, drugs, overeating, or other science, ostensibly operate from a common premise, assassinations of our physical and mental. health, we one best expressed by the words attributed to Jesus confess to ourselves and the world at large that the of Nazareth: HYou shall know th, truth and the truth path of righteousness and/or reason, noble as it may shall make you free. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Fat Boys the Fat Boys Are Back Mp3, Flac, Wma
Fat Boys The Fat Boys Are Back mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Fat Boys Are Back Country: Canada Released: 1985 MP3 version RAR size: 1261 mb FLAC version RAR size: 1807 mb WMA version RAR size: 1520 mb Rating: 4.9 Votes: 799 Other Formats: ASF MP2 MIDI MOD APE AC3 ADX Tracklist Hide Credits The Fat Boys Are Back A1 6:10 Backing Vocals – Alyson Williams, Fonda Rae, Michelle Cobbs A2 Don't Be Stupid 5:40 A3 Human Beat Box 3:16 A4 Yes, Yes, Y'All 5:16 B1 Hard Core Reggae 5:58 Pump It Up B2 6:25 Backing Vocals – Danny Harris, David Reeves , Kurtis Blow, Larry Green Jr. B3 Fat Boys Scratch 5:02 B4 Rock 'N' Roll 6:00 Companies, etc. Distributed By – Sutra Records, Inc. Marketed By – Sutra Records, Inc. Credits Design – Lynda West Executive-Producer – Art Kass, Charles Settler Mixed By – Dave Ogrin, Kurtis Blow Other [Musicians] – Danny Harris, Dave Ogrin, David Reeves, Kurtis Blow, Steve Beck Photography – Raeanne Rubenstein Producer – Kurtis Blow Written-By – D. Wimbley* (tracks: A1, A3 to B4), D. Harris* (tracks: B4), D. Robinson* (tracks: A1, A3, to B2, B4), D. Reeves* (tracks: B1, B2), K. Blow* (tracks: A1, A2, A4 to B2, B4), M. Morales* (tracks: A1, A3 to B2, B4) Notes (P)&(C) 1984 Sutra Records, Inc. Marketed and distributed by Sutra Records, Inc. Mastered at Frankford/Wayne Mastering Labs Produced for Kuwa Music, Inc. Barcode and Other Identifiers Barcode: 0 85931-1016-1 3 Other versions Category Artist Title (Format) Label Category Country Year The Fat Boys Are Back (LP, SUS 1016 Fat Boys Sutra Records -
Lemmy Kilmister Was Born in Stoke-On-Trent
Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders.