Asbestos Removed from Alumnae Hall
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Permanent Record
UNLV Retrospective Theses & Dissertations 1-1-2006 Permanent Record Jonathan Bauch University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Bauch, Jonathan, "Permanent Record" (2006). UNLV Retrospective Theses & Dissertations. 2037. http://dx.doi.org/10.25669/r6c9-lgmt This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. PERMANENT RECORD by Jonathan Bauch Associate in Arts The College of Staten Island 1990 Associate in Applied Science The College of Staten Island 1990 Bachelor of Arts The College of Staten Island 1990 Master of Arts The College of Staten Island 1992 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts Degree in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas August 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1440231 Copyright 2006 by Bauch, Jonathan All rights reserved. -
Jews, Punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American Story
Popular Music (2005) Volume 24/1. Copyright © 2005 Cambridge University Press, pp. 79–105 DOI:10.1017/S0261143004000315 Printed in the United Kingdom Jews, punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American story JON STRATTON Abstract Punk is usually thought of as a radical reaction to local circumstances. This article argues that, while this may be the case, punk’s celebration of nihilism should also be understood as an expression of the acknowledgement of the cultural trauma that was, in the late 1970s, becoming known as the Holocaust. This article identifies the disproportionate number of Jews who helped in the development of the American punk phenomenon through the late 1960s and 1970s. However, the effects of the impact of the cultural trauma of the Holocaust were not confined to Jews. The shock that apparently civilised Europeans could engage in genocidal acts against groups of people wholly or partially thought of by most Europeans as European undermined the certainties of post-Enlightenment modernity and contributed fundamentally to the sense of unsettlement of morals and ethics which characterises the experience of postmodernity. Punk marks a critical cultural moment in that transformation. In this article the focus is on punk in the United States. We’re the members of the Master Race We don’t judge you by your face First we check to see what you eat Then we bend down and smell your feet (Adny Shernoff, ‘Master Race Rock’, from The Dictators’ The Dictators Go Girl Crazy! [1975]) It is conventional to distinguish between punk in the United States and punk in England; to suggest, perhaps, that American punk was more nihilistic and English punk more anarchistic. -
SXU Students Travel to Cuba by Patricia Foxx the Asociacion De Pedagogos Xavierite Editor Cubanos Obtained Visas for the Group
Wednesday May 2,2001 Vol. 70, No.14 Lexrt newspaper oJT Saint Xavier TJxi±ire:rwlty~ Free Sports Contact at INSIDE 773.298.3380 or Email at this issue [email protected] Formal a success Grin's no joke Lady Cougars win big SXU students travel to Cuba By Patricia Foxx The Asociacion de Pedagogos Xavierite Editor Cubanos obtained visas for the group. The ESL and Bilingual Ap Unfortunately the group was proval Program, from the School of unable to attend a teaching of a high Education, prepares both future and school classroom or observe an ac certified teachers to deliver instruc tual 2nd language instruction in the tion for ESL students and students classroom. The students did inter who are culturally diverse. view professors in Cuba. As part of the course work, They were also able to talk to Sharon Adelman Reyes, Ph.D. and high school students and visit el three students Alicia Sanchez, ementary schools, and day care cen Veronica Zapata and Susan Wagner ters. traveled to Cuba, in the Havana Grades one through six are and the Pinar,del Rio considered primaria (elementary) in Province to study 2nd language in the Cuban school system. struction, which is English, in Cu Secundaria (middle school) classes ban school systems. is seven through nine and ten The trip was an extension of through twelve is preuniversitario the Cross-Cultural Studies in a Bi (high school). lingual Program class. SXU students talked to high The Center for Educational school students from the Math and Practice sponsored the student por Science Academy in the Havana tion of the trip, and the Dean of the School of Education sponsored Reyes' portion of the trip. -
Group P· Rotests CIA-·-Recruiting
Bulk Rate,U S Post?.ae Pa,n Vol. 77 No;12-'o FRIDAY; DECEMBER 1"2, 198~ 862-1490 Durham,_NH. Durham "J__ H Perm!! rt:JG Group p·rotests CIA -·- recruiting By Kristy Markey ony of CI.A. activities. Approximately 25 stuaents, At 3 p.m., a few· of the fac,ulty and focal residents par- demonstrators were allowed to tici pated in a rally outside speak with the CJ.A: recruiter Huddleston Hall yesterday at and express their viewpoint. 1 p._m. protesting the Central Pete Spiegal spoke with the Intelligence Agency (C.I.A.). recruiter for over half an hour ,A C.I.A recruiter was at the and found him "very cordial" · Career Placement office Thurs- and willing to answer most day, interviewing applicants for questions. jobs. Spiegal said the recruiter The demonstration was peace- would not answer certain ques . ful. , tions because the informatio.ri . People gathered outside H~d- . was too confidential. "He · dleston wjth signs reading couldn't tell us what the CI.A. "CI.A. stands for Covert Inter- budget was for example," Spie national Ac;rivities," "No.More gal said. "The CJ.A. is the one Secret Wars," "C.I.A. where's go::vernmentorganization where the intelligence?" and others.. they don't have to give out At approximately 1:30 p.m., information like that." Students, faculty, and local resid~nts protest yesterday's visit by CIA recuiters. ·(Stu Evans . · to Spiegal the the demonstrators marched AccordiAg photo) upstairs to the ·Career Planning recruiter said the CI.A. is "very and Placement office to stand conservative" while the "media in the waiting room. -
No Deadline Set for Faculty Strike Housin: Needs Attended to Over
Serving the college, community for over 50 years Vol. 56 No. 7 William Paterson College September 25, 1989 No deadline set for faculty strike BY BRAD WEISBERGER ner said. The union is ready to president of the local 1796. er 70 percent are limited to a also gives the college presi- NEWS EDITOR strike if neccessary; however The state has offered the ceiling of $44,000 per year, dents sole responsibility for no strike date has been set be- faculty a three-year contract with annual increments, he authorizing the increments, ELIZABETH GUIDE cause the union is hopeful which will freeze all salaries said. The proposed contract SEE STRIKE, PAGE 9 NEWS CONTRIBUTOR that a settlement can be for 18 months. After that, worked out during negotia- there will be a three percent The faculty and staff of tions, she added. However, the increase followed by another WPC may strike in no less faculty will be less likely to three percent increase mid- than two weeks, said Irwiri accept offers because in 1986, way through tfyp third year, Nack, President of the Ameri- the increment system was Radner said. "That would be can Federation of Teachers again an issue and the faculty the equivalent to a one and a (AFT) local 1796. settled on the state's offer. Be- half percent deferred increase In the event no agreements cause of that experience the per year over a two year peri- are made and a strike dead- faculty is not likely to compro- od," Radner said. "They also mise on this issue, Nack said. -
HA!P!Prt NEW Rteajr!?! So Who's Happy?
January 1987 Number24 HA!P!Prt NEW rtEAJR!?! So Who's Happy? December 24, 1986 In Roman days they called thts the Saturnalia: seven days of feasting, drinlctng, and general debauchery that raged, as Dylan Thomas w.ould have it, against thl dying of the ltght. What started out as prayerful suppltcatto1& to th, gods and godusses ended a week later in . an orgy of mindless dissipation, and things have not changed much in the intervening 20 centuries. Saturn was the grandfather of th, gods, and represented the limitations imposed by the physical, mor.tal world. As such he was the appropriatl deity to preside over a festival that commemorated, above all else, human frailty. The Judaeo-Christian version of the Midwinter/est has borrowed much of its imagery from ancient pagan rituals, but then it sho"1dn't take a great deal of insight to realize that the trappings of modern civilization are just that, trappings, and that th, primal impulses of humankind have been only marginally impeded by th, combined efforts of all the .. ___ shamans, witch doctors, priests, and theologians of _____ history. Whln we seek respite from our cares Religion and its modern stepsister, and woes through drinlc, drugs, overeating, or other science, ostensibly operate from a common premise, assassinations of our physical and mental. health, we one best expressed by the words attributed to Jesus confess to ourselves and the world at large that the of Nazareth: HYou shall know th, truth and the truth path of righteousness and/or reason, noble as it may shall make you free. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Lemmy Kilmister Was Born in Stoke-On-Trent
Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders. -
AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St. -
European Travelfor. Students. Creates· Conflict
) . ; : ~ fs: ..■ :S : .. ,,._i: ~.. - { ·. ,;- , :1 ' . "' ..; · -~f ,, ' na .. · :. f ,.. :,_ ~1 ~'e:~;;~dt, . _.pa ~~gs ., tbi-~, -i~l~~·~g · . ,lOJtld•y,,. t :,t6it ', /., ::. :$½~~- . ...... ,. ·o '· . ~" ~ r• ✓•~ ~ •• : ',~I,• : I f ~ 1 _, ' r' , , ,- 1- f ,/ ,- ' , ,:9Jr~ ·:di¥@,~;-~ .diiw~s i~ ,·,7 a,_ ; 1bmpam,i~,s q , , . .. ,Sliolt€.~s, in-.> , ~=~t=.:;~~,:- it . ij© ·t!l 1t€,· t'w! ~~ ,lb.o:aHr,ti ·'.:'.'f'hi•s ,-,iPliiloitioin • .wi:Ilhj,i~db~lli:fy' b~:'e(if)tt ···· .· .. ,. '' ., .-~ ,:• .. · .iim:itclie!U,~ ot,trH.e r~,::iid. Iii~:!?~~:p,.i.tr~@S •· e~c~p,te ~(i)lJj' :i(J;IS. , _ . ~ h@ l;J niy'efs\itr'y.: ~1£1 <;:~1 :£ the ·aJM@ ·clJives~~fol,tr,maU ·~ . ':•;@~-~~"t I :IP~@•\7 • ;• . ·S,t-' . ~~;id J s C i~;?m . h~s 'decided ':~ "tib~e@2miti~=:-rn°t€;io,tkesi ·fuasei¥:.oinl> t~€ilf ' €riinplr· ·. tngs ·a f i~-~ ': ~.diWt~iteric;e :to•th.e S:~Ui:~an 1P·r~1o1- · ·· cas,@·I ,i~ary.' lre~ai .'dr,l~s·. ~G(iOifObi~f1<? i, t~e :~. , ·, : :, . -~ -Fli~S1€ w}fict/ : --~-a_~-~iOdif [ co,~p~Wl~;~,at:€ ----s 1traib:le' i:@' the · imt .top©l! progr~'$5· · ..., V H' · · ,,; ' '·, · ·U ,,rnmpam,1t@$ all'€ ,~• J -' .1· i .Ji~'~:~~~~t ~tif ·. .. :~he ID~~f1;a;}scJ ·!' ·· +m: t h eQJH!Plir~m. ~-f. .'@T=- . · ,C0tm. »Pfli.! U@'@, . ,. ,, fo:t brve'· idt--"'· -· apar,thi@fcl ;5y-~1:em· OJ . 1vem @ s1• ,• -a~Gt ' , _cd:l1Fl~ ,Jiil,~"tirci~n ~bias~·Jil:o,t ·€a, wJll •li,k@iy o . ;> ::tA"#::r~~r:.i·io/: ., i .~ ·r"(>/ ,_, \ PAGE TWO THE N°EW HAMPSHIRE FRIDAY, SEPTEMBER-5, 1986 European travelfor.studentS.creates ·cOnflict . -
Bajo El Arco De Manchas De Tiempo Un Beso De Buenas
N° confines A R T E Y C U L T U R A D E S D E L A P A T A G O N I A 11 elExtremoSur DE LA PATAGONIA E L E X T R E M O S U R D E L A P A T A G O N I A • J U L I O - A G O S T O D E 2 0 0 8 • S E G U N D A E P O C A • A Ñ O I • N ° 1 1 • E D I T O R E S : C R I S T I A N A L I A G A - A N D R E S C U R S A R O Durante los años comprendidos entre BAJO EL ARCO DE 1968 y 1976 el Rock and Roll gozaba de unos momentos de MANCHAS DE TIEMPO increíble creatividad, originalidad y prestigio. La fórmula UN BESO DE BUENAS de la riqueza era, trabajar en alargar NOCHES DEL PRINCIPE más y más las composiciones, que asimismo abrieron las puertas al Rock Sinfónico y la Psicodelia. Pero con un puñado de canciones veloces, de tres acordes y melodías simples, Los Ramones se las arreglaron para crear un ritmo nuevo y original. Despreciados en EEUU, tuvieron que ser reconocidos en Inglaterra en primer lugar, para que sus propios compatriotas se dieran cuenta de su existencia. Y así pasaron los años 70‘s, los 80‘s y 90‘s; muchas modas y estilos, pero Los Ramones hasta su final nunca abandonaron el punk rock, ni a su gente, ni su clásico grito de ánimo Hey Ho Lets PUNKGo! n POR FEDERICO MEHRBALD Especial para EES oey Ramone medía 1,98 metros de altura y llevaba el pelo largo y liso, de color negro, lo que le oscurecía la cara, y también usaba sus características gafas rojo oscuro. -
Revista Infrasonido PDF INTERACTIVO
05/09/2016 INFRASONIDO LA MÚSICA QUE ALTERA TUS SENTIDOS ¡RICHIE RAMONE POR PRIMERA VEZ EN MEXICO! ¡HARDWIRED” NUEVO UN MUSEO DEDICADO A LOS SENCILLO DE METALLICA! RAMONES EN ECATEPEC ¡ENTERATE! DIRECTORIO INDICE INFRASONIDO ................................PÀGINA 4 ¡HARDWIRED” NUEVO SENCILLO DE METALLICA! .................PÀGINA 5 RICHIE RAMONE POR PRIMERA VEZ EN MÈXICO .......................PAGINA 6 ¡MUSEO EN ECATEPEC DEDICADO A LOS RAMONES! ...............PAGINA 8 DIRECTOR EDITORIAL JULIO CESAR GONZALEZ GARCIA CARTA INFRASONIDO ¡Inicia el proyecto Infrasonido! Una revista dedicada a todos los verdaderos fans de la música rock, metal, punk, ska, etc. El contenido es atractivo y algo inusual y con esto poder lograr que los lectores se enfoquen en este tipo de contenido y de inmediato corran a comprar los ejemplares. En la primera edición hablaremos del genero punk y metal, que son de los generos más conocidos a nivel mundial. Además abordaremos un tema en particualar y muy delicado en nuestro país, el nivel de lectura en México. En Infrasonido queremos ser tu revista preferida por eso, haremos que los géneros que te apasionan no queden desapercibidos. Esto y mucho más conoceras en tu revista INFRASONIDO. Comenzamos... comercial cobra mucho por aceptar editoriales y títulos, cuando los acepta). Y me refiero sobre todo a libros serios y no a los de autoayuda que están de moda aunque no ayudan a nadie. INFRASONIDO Además con esta situación que se presenta en México acerca de los libros, podemos analizar que la lectura en México es nula,