AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What
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Boise, Idaho, a Moderately Priced Home, As Chick House, Etc
SUNDAY - 1 . 1 .Afl-'USi-JJ— ■ FOR BALI N bws r o R J M S :‘T « > — ;— *--------»--------------------------------- ■IsosHansouB Published every Sunday morning at U v M t o o k Automobil— R—I Estata Real T iflT JONES FURNITURE CO. T fa * CAPWA l 'n ^W S PUBLISHING WANTKD—Ironing to do. Call 72 6J FOR SALE—155 hampshlre ewes, age 1 Majestic range, good *75. BIG REDUCTION ON U SE D CARS— FARMERS NOTie* THIS as new. 1 to 4 years. $13 a head. Also 40 lam bs. Want to buy an automobile, truck ' 'CO, LIMITED, HIGHEST PRICES paid for furs. New 1 double barrel shot gu n $25. Phone 38-J-3. 44 acres all In hay, $8500. 2 second hand dressers. trailer or a Ford, don’t fail to see FOR SALE BY OWNER. 40 acres close In $8258. RICHARD STORY SHERIDAN York Store, 915 Main St. Trailers built to order. Ohmeral Manager 3 new Home Sewing machines brand FOR SALE—Six pigs, weight from 75 80 ucres close In, $11600. ALL KINDS of furnuiture, upholster new at $45 each. to 85 pounds, in good shape. Phone „„ ^A.Lo ALTO AUTO MARKET A convenient, 5-room bunga 157 acres bench land $47190. ADVANCE^SUBSCRIPTION ing and repair work. Prices rea 9J4. Z3rd * Falrvlew Ave. P hone 2089 low home, modern except heat, 20 acres good s tu ff $4000. sonable. J. A. Jo hnson. Phone 1026 That good Red Crown gasoline for has light, airy sleeping rooms, BA K ER & C H A P P E L L E OR HALE—1918 F ord cheap. -
Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ KEN 1984-02-22 P --------- 1984-02-22 / KEN CP022572 / CP022572 Ruin at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022572 / CP022572 (8-1/2 x 11) Performers: 1984-02-22: Kennel Club Ruin ------------------------------ KEN 1984-03-01 P --------- 1984-03-01 / KEN CP022615 / CP022615 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022615 / CP022615 (8-1/2 x 11) Performers: 1984-03-01: Kennel Club ------------------------------ KEN 1984-03-15 P --------- 1984-03-15 / KEN CP022614 / CP022614 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022614 / CP022614 (8-1/2 x 11) Performers: 1984-03-15 1984-03-18: Kennel Club ------------------------------ KEN 1984-05-17 P --------- 1984-05-17 / KEN CP022622 / CP022622 Igor and Melissa at Kennel Club - Philadelphia, PA Artist: Jim Meneses Venue: Kennel Club Items: Original poster KEN / CP022622 / CP022622 (8-1/2 x 11) Performers: 1984-05-17: Kennel Club Igor and Melissa ------------------------------ KEN 1984-06-21 -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries. -
The Cramps Gravest Hits Mp3, Flac, Wma
The Cramps Gravest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gravest Hits Country: UK Released: 1979 Style: Psychobilly, Rockabilly, Punk, Garage Rock MP3 version RAR size: 1276 mb FLAC version RAR size: 1656 mb WMA version RAR size: 1141 mb Rating: 4.4 Votes: 713 Other Formats: RA MP4 MPC DXD AC3 XM WMA Tracklist Hide Credits Human Fly A1 2:12 Written-By – Rorschach*, Interior* The Way I Walk A2 2:38 Written-By – J. Scott* Domino A3 3:05 Written-By – Sam Phillips Surfin' Bird B1 5:03 Written-By – Wahrer* Lonesome Town B2 2:55 Written-By – B. Knight* Companies, etc. Published By – Willong Published By – Eric Music Published By – Knox Music Published By – Starfire Music Published By – Mediogre Music Recorded At – Ardent Studios Distributed By – Faulty Products Manufactured By – Faulty Products Mastered At – Gedmal Galvanic Ltd. Credits Drums – Nick Knox Guitar – Bryan Gregory, Poison Ivy Lacquer Cut By – Porky Photography By – Stephanie Chernikowski Producer – Alex Chilton Sleeve Notes – Dr. J.H. Sasfy* Vocals – Lux Interior Notes Black vinyl version of the blue transparent Porky cut in a black & white half-tone printed spineless sleeve. Later repressed in black vinyl with a spined picture sleeve and the same catalogue number of ILS 12013. Recorded at Ardent Studio, Memphis, Tennessee, October 1977. This record manufactured and distributed for Illegal Records by Faulty Products, 41b, Blenheim Crescent, London W11. England. June 1979. B1 credited to Long Music on label. Barcode and Other Identifiers Matrix / Runout (Side A, hand-etched): ILS 12013 A₂ SECOND WIND. GG A PORKY PRIME CUT. -
Polyphonic Spree the Beginning Stages of Zip
1 / 5 Polyphonic Spree The Beginning Stages Of Zip Sep 5, 2019 — AUSTIN, TEXAS (SEPTEMBER 5, 2019) – The first batch of Dale's Pale ... band to come out of central Texas in a very long time, takes the stage. ... Graves, Peelander-Z, White Denim and the Polyphonic Spree. ... Zip Code:.. ... CRASH ADEN SEMIAUTOMATIC POLYPHONIC SPREE LOWFISH CINEMATIC ORCHEST TRANS AM ... Address: Suite/Floor City: State: Zip: Country: Phone:( ) Fax:( ) E-mail: Mail this to: CMJ New Music ... weeks for delivery of first issue).. ... JULIE DOIRON PANTYBOY BEEF TERMINAL POLYPHONIC SPREE RADIO 4 ... WENDY CARLOS CINEMATIC ORCHEST OUTRAGEOUS CHERRY EARLY ... Cardholder Signature: Name: Company: Address: Suite/Floor: City: State: Zip: .... (2011) Black Moon "Enta Da Stage" (1993) Black Moon "War Zone" (1999) Black ... The Aftermath" (1996) Dr. Dre "2001" (1999) Dr. Dre "Presents The Early Years ... Epidemic "Illin Spree" (2011) Epidemic "Monochrome Skies" (2012) Epidemic ... Official "The Anti-Album" (2003) Serengeti & Polyphonic "Terradactyl" (2009) .... The Polyphonic Spree - The Beginning Stages Of... | Section 1,Section 2 ... MP3-Version ZIP-Größe: 2892 mb. FLAC-Version ZIP-Größe: 1133 mb. WMA-Version .... MARSVOLTA 2 JANE'S ADDICTION 3 MONEEN 4 ME FIRST AND THE 5 SWORDS PROJECT 6 ... LANES 22 POLYPHONIC SPREE 23 BURNING SPEAR 24 DANDY WARHOLS 25. ... Cardholder Signature Company State: Suite/Floor Zip: .... Aug 22, 2014 — The criterium is perfect for spectators since the action is fast, as riders zip through a circular ... Taking the stage at Finish Line Village will be Wichita Falls-based cover ... of Polyphonic Spree — kick drummer and guitarist Taylor Young and ... at the HHH breakfast beginning at 5 a.m. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
First-Plymouth Congregational Church, Lincoln, Nebraska (Article Reprinted from the American Organist Dated January 1999)
Schoenstein & Co., Benicia, California First-Plymouth Congregational Church, Lincoln, Nebraska (Article reprinted from The American Organist dated January 1999) Page 1 of 8 Gallery organ. The façade mirrors the chancel façade and is also made of quarter-sawn white oak with Art Deco details. (photo: Lou Hurst) This is the fourth in a series of large instruments in our “American Romantic” style with tonal variety and dynamic range of symphonic proportions. It is also the “Magnum Opus” to date in our 121 years of organ-building. In an interesting way, this instrument both reviews that history and looks forward to the next century. Its design draws upon the great traditions of Romantic organ-building, which had taken hold at the time of our company’s founding, and incorporates them into a modern framework with the resources necessary for a multifaceted, contemporary church music program. The design is based on the conviction that the organ can and should have the same kind of expressiveness as the symphony orchestra. Given the organ’s many advantages, including pitch and dynamic range, tonal variety, and unlimited sustain, all under the control of one artist, the organ should be able to eclipse the orchestra in accompanimental versatility and musical expression. In fact, it must do so if it is to be the foundation of mainstream church music in the future. Over a period of 25 years, Jack Levick, minister of music and fine arts, has built one of the most respected music programs in the country. In addition to everything expected in a church that serves one of America’s largest Protestant congregations, First-Plymouth has a resident professional brass ensemble of ten players, and sponsors Abend-musik, Lincoln’s premier subscription concert series, which presents both well-known and seldom-heard choral works with organ and orchestra in the tradition of the great oratorio societies, and organ/orchestra solo works, as well as internationally known guest artists.