Ray Bradbury Theater
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
William B. Davis-Where There's Smoke
3/695 WHERE THERE’S SMOKE . Musings of a Cigarette Smoking Man A Memoir by WILLIAM B. DAVIS ECW Press Copyright © William B. Davis, 2011 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada M4E 1E2 416-694-3348 / [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmit- ted in any form by any process — electronic, mechanical, photocopying, recording, or otherwise — without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribu- tion of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or en- courage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Library and Archives Canada Cataloguing in Publication Davis, William B., 1938– Where there’s smoke : musings of a cigarette smoking man : a memoir / William B. Davis. ISBN 978-1-77041-052-7 Also issued as: 978-1-77090-047-9 (pdf); 978-1-77090-046-2 (epub) 1. Davis, William B., 1938-. 2. Actors—United States—Biography. 3. Actors—Canada—Biography. i. Title. PN2287.D323A3 2011 791.4302’8092 C2011-902825-5 Editor: Jennifer Hale 6/695 Cover, text design, and photo section: Tania Craan Cover photo: © Fox Broadcasting/Photofest Photo insert: page 6: photo by Kevin Clark; page 7 (bottom): © Fox Broadcasting/Photofest; page 8: © Fox Broadcasting (Photographer: Carin Baer)/Photofest. All other images courtesy William B. -
Presented to the Graduate Council of the North
A COMPARISON OF THREE TECHNIQUES OF TEACHING LITERATURE: SILENT READING, SOLO PERFORMANCE, AND READERS THEATRE DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By David R. Maberry, B. A., M. A. Denton, Texas December, 1975 Maberry, David R., A Comparison of Three Techniques of Teaching Literature: Silent Reading, Solo Performance, and Readers Theatre. Doctor of Philosophy (College Teaching: Speech Communication and Drama), December, 1975, 231 pp., 17 tables, bibliography, 35 titles. The problem of this study was a comparison of the re- sponses of students to three techniques of teaching litera- ture: silent reading, solo performance, and readers theatre. Students in three classes of grade nine and students in three classes of grade eleven were selected at three high schools in the north Texas area. There was a total of three hundred seventy-one students involved in the experiment. Each of the three classes at each grade level in each high school received three presentations of three short stories. Each class read one short story silently; each class heard one short story presented by solo performance; and each class heard one short story presented in the technique of readers theatre. Immediately after each presentation the students were administered a semantic differential to deter- mine which technique of presentation stimulated the most appreciation of literature. At the same time they were ad- ministered a short objective test of ten items to determine which technique achieved more comprehension. Ten days later all students received the same test over all three stories to determine which technique stimulated the most retention. -
Zen in the Art of Writing – Ray Bradbury
A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 . -
'''Ic De Klerk, ANC May Confer
28—MANCHESTER HERALD, Friday. Feb. 16. 1990 "BUY A NEW OR DESIGNATED USED CAR AT A FANTASTIC SALE PRICE AND RECEIVE YOUR CHOICE OF A «Rn nn niuiMr CERTIFICATE TO THE HEARTHSTONE/STATE STREET GRILL RESTAURANT IN HARTFORD OR A FRifNKmVp^LLMA^^ OPEN COMPUTER." "ALSO, ANY LICENSED DRIVER CAN STOP BY AND REGISTER TO WIN A TRIP FOR TWO TO HAWAII VIA AMERICAN SATUROAYl AIRLINES WITH 7 NIGHTS AND 8 DAYS ACCOMODATIONS AT THE SHERATON WAIKIKI HOTEL COURTESY OF T^^^ 9 to 6 SHERATON AND TRAVELRAMA." i cj»t oi- i mt SALE SAT. FEB. 10th THRU HanrljPHtPr Mrrald iMON. FEB. 19th Saturday, Feb. 17,1990 Manchester, Conn. — A City of VillaGe Charm Newsstand Price: 35 Cents M o d e l SvMer 4 o n sa '® De Klerk, ANC may confer Talks would be stepping stone to apartheid solution.. .page 4 1 9 9 0 SOLDr, ' •" fr . ; A- 't, ► . 1.^^ - ‘ A- < • ' . '7-. Desperate conceives k iftiffort td^eigir& p^e3k Patrick FlynrvMancriaster Herald 2 YEAR, 3 YEAR, 4 YEAR, and 5 YEAR *ALL CARS SUBJECT TO PRIOR SALE ON HIS WAY TO THE TOP — Larry McNeff of Vernon works on escalators at the •PLEASE ADD SALES TAX AND REGISTRATION Pavilion at Buckland Hills Friday. McNeff is an employee of MontGomery Elevators FINANCING AND $39. CONVEYANCE FEE TO ALL SALE PRICES and Escalators of Rocky Hill. The mall opens in March. Bond rate is jeopardized Superintendent ‘regrets’ 1 by O’Neill budget plan Horn’s embarrassment 11990 CIVIC 5nX^ Rating outlook downgraded.. .page 3 Board member is satisfied.. .page 2 o 2 V \ ie r HATCHBACK 1 Model E0634 o on sale.. -
Would You Visit the PAST If You Could?
Video link at Comparing A Sound of Thunder thinkcentral.com Texts Short Story by Ray Bradbury From Here to There: The Physics of Time Travel Magazine Article by Brad Stone The Time Machine Movie Poster Would you visit the PAST if you could? Virginia Standards of Learning Imagine that you could board a time machine and travel into the 9.3f Extend general and specialized past. In “A Sound of Thunder,” the main character does just that. vocabulary through speaking, His journey, however, has unexpected consequences. reading, and writing. 9.4e Explain the relationship between and among elements of literature: characters, plot, setting, tone, point of view, and What’s the Connection? theme. 9.4m Use reading strategies You’ve probably already encountered time machines in books, to monitor comprehension throughout the reading process. comics, TV shows, movies, and other media. As you read the selections that follow, you will again ponder the phenomenon of time travel—as both a compelling premise for science fiction stories and a real scientific possibility. 36 VA_L09PE-u01s1-brAsth.indd 36 3/22/11 4:18:42 PM Meet the Author text analysis: foreshadowing Foreshadowing is a writer’s use of clues to hint at events that will Ray Bradbury happen later in a story. By using this technique Bradbury creates born 1920 suspense, the feeling of tension or excitement that readers Social Critic for the Future experience when they want to know what will happen next. A major writer in the genres of science Foreshadowing often occurs when a character makes an unusual fiction and fantasy, Ray Bradbury explores the statement or issues a strong warning, as in this example: future, outer space—and the human heart. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
A Sound of Thunder by Ray Bradbury
A Sound of Thunder by Ray Bradbury Imagine being able to travel back in time. Many writers have explored this idea in science fiction stories and movies. You are about to read one of the most popular_and thought-provoking_stories about time travel ever written. LITERARY FOCUS: STYLE AND MOOD A writer’s diction, or word choice, greatly defines a work’s style. Style is also determined by sentence length and complexity. A story that is written in brief simple sentences, for example, is different in style from a story written in long complex sentences. See below: Style: Simple Style: More Complex The sun rose. The air was warm, “It was Miss Murdstone who was my coffee was hot. Nothing arrived, and a gloomy-looking lady stirred. Nothing breathed except she was: dark, like her brother, for the lizard. That lizard could whom she greatly resembled in outstare a rock. face and voice . .” (from David Copperfield, by Charles Dickens) The use (or non-use) of imagery and figurative language also has an effect on style. In the story you’re about to read, Ray Bradbury uses vivid imagery and figurative language to create a style that is as lush as its prehistoric set- ting. Mood, like style, is also created by diction, sentence length, imagery, and figurative language. A story’s mood, or atmosphere, can be described using adjectives like scary, calm, and mysterious. • As you read “A Sound of Thunder,” notice how Bradbury's choice of words, imagery, and figurative language creates a unique style. Literary Skills • As Bradbury describes the ancient jungle, think about the words you’d Understand elements of use to describe the story’s mood. -
40325 ACTRA Interactra5 8/31/05 9:54 AM Page 1
40325 ACTRA Interactra5 8/31/05 9:54 AM Page 1 Fall 2005 The Alliance of Canadian Cinema, Television and Radio Artists coast to coast A snapshot of what members are working on across the country – see page 8 40325 ACTRA Interactra5 8/31/05 9:54 AM Page 2 A letter to my fellow members Richard Hardacre While many of you know me, I imagine Plan: we need to work ceaselessly on public Paying attention to our house also means many more are wondering, who is this guy? policy to build our industry, we need to building solidarity from coast to coast. We And what’s he doing leading my union? safeguard and improve our insurance bene- will be negotiating our big contract, the Who am I? Well, asked to describe myself fits and we need to create solidarity among IPA, next winter. Members of UBCP/ I would say that I am committed to my performers across Canada in order to make ACTRA will be negotiating their parallel career as a professional actor, that I have some well-deserved gains at the bargaining contract, the B.C. Master Agreement, even no illusions as to how arduous that path is, table. sooner. At National Council, two minutes and that years ago I joined a few fellow per- Our campaign for distinctive Canadian after I took the chair, I offered a simple formers of common mind with a mission to film and TV production already has concept – a wish really – that ACTRA’s improve the lot of creative artists. I would momentum. -
The World of Childhood in Ray Bradbury's the Illustrated
Beyond Philology No. 14/3, 2017 ISSN 1732-1220, eISSN 2451-1498 The world of childhood in Ray Bradbury’s The Illustrated Man KAROL CHOJNOWSKI Received 3.04.2017, accepted 21.09.2017. Abstract This article is devoted to an analysis of the motif of childhood in The Illustrated Man, a collection of short stories by Ray Bradbury. The particular focus is on the initial story, “The Veldt,” and the last two stories, “Zero Hour” and “The Rocket.” The article interprets imagina- tion as a distinguishing feature of children’s world, as opposed to the world of adults, characterised by logic and lack of imagination. This difference, the article claims, results in a clash of the two worlds. The article also analyses Bradbury’s negative view of technology ex- pressed in the stories, with its addictive and destructive potential, as well as technology’s relationship to imagination. Another object of analysis is the ways Bradbury suggests to reconcile the worlds of children and adults and to avoid technology’s pernicious effects. The article also aims to analyse the way in which the intertextual frame- work contributes to these themes and to interpret the meaning of the arrangement of the stories within the volume. Key words Bradbury, children, The Illustrated Man, imagination, technology 132 Beyond Philology 14/3 Świat dziecka w Człowieku Ilustrowanym Raya Bradbury’ego Abstrakt Artykuł poświęcony jest analizie motywu dzieciństwa w zbiorze opo- wiadań Człowiek Ilustrowany Raya Bradbury’ego. Analiza w szcze- gólności skupia się na opowiadaniu początkowym, Sawanna, oraz dwóch ostatnich – Godzina zero i Rakieta. Wyobraźnia zostaje zinter- pretowana jako wyróżnik dziecięcego świata, w przeciwieństwie do świata dorosłych, naznaczonego logiką i brakiem wyobraźni.