• PRODUCTIOM GUIDE by Michael Dorland and Tom Perlmutter
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List of 6038 Schools Selected for Establishment of Atal Tinkering
LIST OF 6038 SCHOOLS SELECTED FOR ESTABLISHMENT OF ATAL TINKERING LABS (SCHOOLS ARE KINDLY REQUESTED TO WAIT FOR FURTHER INSTRUCTIONS FROM ATAL INNOVATION MISSION, NITI AAYOG ON THEIR REGISTERED EMAIL IDs) PLEASE NOTE:- 1. LAST DATE FOR COMPLETING THE COMPLIANCE PROCESS : 31st JANUARY 2020 2. THESE SELECTED SCHOOLS MUST OPEN A NEW BANK ACCOUNT IN A PUBLIC SECTOR BANK FOR THE PURPOSE OF ATL GRANT. 3. THESE SELECTED SCHOOLS MUST NOT SHARE THEIR INFORMATION WITH ANY THIRD PARTY/ VENDOR/ AGENT/ AND MUST COMPLETE THE COMPLIANCE PROCESS ON THEIR OWN. 4. THIS LIST IS ARRANGED IN ALPHABETICAL ORDER OF STATE, DISTRICT AND FINALLY SCHOOL NAME. S.N. ATL UID CODE UDISE CODE SCHOOL NAME STATE DISTRICT 1 2760806 28222800515 ANDHRA PRADESH MODEL SCHOOL PUTLURU ANDHRA PRADESH ANANTAPUR 2 132314217 28224201013 AP MODEL SCHOOL ANDHRA PRADESH ANANTAPUR 3 574614473 28223600320 AP MODEL SCHOOL AND JUNIOR COLLEGE ANDHRA PRADESH ANANTAPUR 4 278814373 28223200124 AP MODEL SCHOOL RAPTHADU ANDHRA PRADESH ANANTAPUR 5 2995459 28222500704 AP SOCIAL WELFARE RESIDENTIAL SCHOOL JUNIOR COLLEGE FOR GIRLS KURUGUNTA ANDHRA PRADESH ANANTAPUR 6 13701194 28220601919 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 7 15712075 28221890982 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 8 56051196 28222301035 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 9 385c1160 28221591153 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 10 102112978 28220902023 GOOD SHEPHERD ENGLISH MEDIUM SCHOOL ANDHRA PRADESH ANANTAPUR 11 243715046 28220590484 K C NARAYANA E M SCHOOL ANDHRA PRADESH ANANTAPUR LIST OF 6038 SCHOOLS SELECTED FOR ESTABLISHMENT OF ATAL TINKERING LABS (SCHOOLS ARE KINDLY REQUESTED TO WAIT FOR FURTHER INSTRUCTIONS FROM ATAL INNOVATION MISSION, NITI AAYOG ON THEIR REGISTERED EMAIL IDs) PLEASE NOTE:- 1. -
Shool Report
MLA 8.0 QUICK STYLE GUIDE Cover Graphic Source: Plagiarism Wordle. Piedmont Virginia Community College. 8 Dec. 2015. http://libguides.pvcc.edu/plagiarism. Accessed 6 Jun. 2016. Alexander College Writing & Learning Centres, Winter 2018. Alexander College 1 MLA BASICS 2-5 Formatting Rules 2 Sample Page 1 3 What to Cite, Where to Cite 3 Figures and Tables 4-5 In-Text Citations – THE BASICS 6-7 Basic Formatting Rules for In-text citations 6 INDIRECT SOURCES: VERY IMPORTANT FOR RESEARCH PAPERS 6 Consecutive Citations 6-7 Block Quote 7 Works Cited – THE BASICS 7-8 Works Cited: the Basics 7 How to Cite: ONLINE RESOURCES 9-13 Journal Articles from Online Databases (EBSCO, Google Scholar, etc.) 9 Article: Online Newspaper or Magazine 9 Editorials from Online Newspaper or Magazine 10 E-Books 11 Articles from Websites 12 Online Dictionary or Encyclopedia 13 How to Cite: PRINT SOURCES 13-19 Books 14-15 Republished Books 15 Anthology (Collection) 16 Books by Organisations 16-17 Print Newspaper, Journal or Magazine 17-18 Class Notes 19 How to Cite: RECORDED MEDIA (FILMS, ETC.) 20-22 Movies 20-21 TV Series 21-22 YouTube Videos 22 How to Cite: PLAYS 23 Print Copies of Plays 23 Live Performances of Plays 23 SAMPLE WORKS CITED 24-25 Alexander College 2 This is a Quick Guide to MLA citations and references. It contains information on the basic formatting elements for MLA Style papers . It contains sample in-text citations and references entries for the resources most commonly used by students. If your Instructor gives specific instructions for format or citations, follow his or her guidelines. -
The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Anselm Kiefer
PRESENTS Over Your Cities Grass Will Grow A film by Sophie Fiennes 2010 / France, U.K. and Netherlands / 105 min. / 2.35:1 / Dolby-Surround-DTS / Not Rated In German with English subtitles An Alive Mind Cinema Release from Kino Lorber, Inc. 333 W. 39st St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão Director of Publicity Kino Lorber, Inc. (212) 629-6880 ext. 12 [email protected] About Kasander Film: KEES KASANDER set up Kasander Film for the purpose of structural European crossover productions. He is mostly known for his work with Peter Greenaway; THE COOK, THE THIEF, HIS WIFE AND HER LOVER (1989), PROSPERO'S BOOKS (1992) and THE PILLOW BOOK (1995). His newest feature film FISH TANK written and directed by Andrea Arnold premiered at the Cannes Film Festival 2009 and received the Jury Prize. On top of that FISH TANK was rewarded with a BAFTA award for Best Outstanding British Film in February 2010. About Sciapode: SCIAPODE was founded in 2003 to produce European films by strong and ambitious filmmakers. These artists – Sophie Fiennes, Wim Vandekeybus, Andrew Kötting, Wayn Traub, Jan Lauwers, Michael Roskam, Frédérique Devillez, Florent de la Tullaye, David Dusa, Renaud Barret, Philipp Mayrhofer, Anne Teresa de Keersmaeker... – experienced film making but also, for some of them visual arts, choreography, theatre, opera, possibly mixing different media for a richer work and new narrative style. About Emile Blezat: Producer Emile Blezat graduated from the High Business School of Paris (ESCP) and obtained a Master (MBA) in Entrepreneurship, Project Development and Negotiation at Olin Graduate Shool of Business (Boston). -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
DISTRICCT SHOOL #5 – CARTER ROAD As Early As 1813, When
DISTRICCT SHOOL #5 – CARTER ROAD As early as 1813, when Perinton was established as a town, classes were being held in a one-room frame building at the corner of Carter and Whitney Roads. District School #5 served 42 children for 6 months at a cost of $10.85 in 1819. By 1821 the number had increased to 79 and the money to $18.34. The number of students remained more or less in the 70 to 80 range through 1845. School district boundaries were modified several times during that same period, usually by shifting land to an adjoining district in order to accommodate the growing population. Reflecting the development in the village of Fairport between the 1850’s and 1900, the school population in District #5 declined from earlier highs to an average of about 50 students per year with an average yearly cost of about $70. By 1905 and 1906, the student population had declined to 28 and 30 respectively. The little schoolhouse itself was in good repair with the exception of what seems to have been a common problem, the need for a new and better “closet.” Ella Kennedy, the teacher in 1905, was rated as “good” in all respects and earned a salary of $32 per month. Clark Furman, the teacher in 1906, was only rated as “fair,” and as “not strong in discipline,” but his salary was $36 per month. In 1905, Bessie Newton’s report card shows that she studied spelling, reading, writing, grammar, arithmetic, geography, history, and physiology and that she was a well-behaved high 90’s student. -
Gender Subversions in Indofijian Performances by Vicky Vishal Shandil
(RE)VIEWING THE OTHER: GENDER SUBVERSIONS IN INDOFIJIAN PERFORMANCES BY VICKY VISHAL SHANDIL A thesis Submitted to the Victoria University of Wellington In fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2019) Copyright © 2019 by Vicky V. Shandil All rights reserved 1 TABLE OF CONTENTS List of Figures iv Acknowledgment viii Abstract ix Chapter 1: Introduction 1 Purpose and Research Questions 6 Background 12 Literature Review 13 Theoretical Guide: 19 Performativity 20 Articulation Theory 21 Methodology: 23 Oral History 25 Chapter Outline 27 Chapter 2: The Liminal Other 29 Introduction 29 Being IndoFijian 29 Liminality 32 Contextualising Liminality 33 Gender Parody 38 Subversion and Society 46 Identifying the Other 52 Conclusion 56 Chapter 3: Displayed Difference: A Historical Analysis of Qawwali 5 7 Introduction 57 What is Qawwali? 57 Contextualised History and Change: 60 Religion and Society 61 Media 62 Responses to Changes 64 Qawwal: Mentoring and Training 71 ii Structures in Qawwali 72 Performance Routine 75 Qawwal 77 Other Features of Qawwali: 80 Purpose/Context 80 Variability 89 Clarity of Text 93 Audience Interaction 95 Sitting Arrangement 97 Female Qawwal 100 Conclusion 102 Chapter 4: Analysis of Qawwali Performances 103 Introduction 103 Sushil versus Vijendra 103 Shalini versus Rishi 113 Shalini versus Dhiren 123 Conclusion 137 Chapter 5: The Dancing Other: Roots and Rituals of Lahanga Naach 138 Introduction 138 What is Lahanga Naach? 142 Nachaniya 142 Performance and its -
Singhal Appointed to the Corporate Advisory Board of Cause
CAUSE ENTERTAINMENT “We Can…” MANAGAMENT TEAM & ADVISORY BOARD Private & Confidential MANAGEMENT TEAM Uday Singh plays an integral role in advising and defining the organization’s vision. Additionally he plays a key role in the green-lighting process of the projects that both DMCA and Cause Entertainment associate with. Under his leadership the SPE India emerged as the most successful Hollywood studio in India. It was the #1 Studio for 6 years in a row starting 2002 and 9 years overall. He has the unique distinction of crossing the Rupees 1 Billion mark in ticket sales 4 times (US$25mn) in a short span of 6 years. Under his leadership SPE bagged the distribution of Disney and Miramax and SPE distributed all the Disney films since 1998 till 2008. He built a grassroots distribution model and has distributed over 400 films and has dubbed them into 6 different Indian languages and built a new business opportunity. He grew Uday Singh the Hollywood share of the pie from 0.5% to 5% of the Indian Market. Ex-CEO PVR Uday piloted Sony into the Hindi Film Industry by getting Government approvals to Pictures, Ex-CEO distribute and produce local films in 1998. In 2005, once again under his stewardship, Sony Pictures SPE Films India created history, when it launched the production of “Saawariya”, a Principal Director, unique collaboration with one of India's most well known and acclaimed directors, Cause Sanjay Leela Bhansali, to co- produce Sony's (and Hollywood’s) first Indian film. In 2005 Entertainment he helped establish the Home Entertainment division for SPE and that business brought in another $ 4mn per year. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
ARIIA 2021 Report
Submitted Institute Data for Atal Ranking of Institutions on Innovation Achievements (ARIIA) - 2020-21 Institute Name: Shoolini University of Biotechnology and Management Sciences [ARI-U-0190] List all the departments / centers / units are part of innovation and startup ecosystem of the institite Type of Department / Mention the Stream / Department / Center / Student / Benificiary Academic Staff Strength Non-academic Staff Department / Center / Unit Name Discipline / Sector of Program Type Strength (2019-20) (2019-20) Strength (2019-20) Center / Unit focus Unit Level Centre of Organic Chemistry Academic Department Chemistry UG / PG / PhD Technical 90 2 1 with lab facility Centre of Food Processing Pre-incubation unit Multidisciplinary UG / PG / PhD Technical 435 9 2 Laboratory of Gene regulation Pre-incubation unit Biology UG / PG / PhD Technical 12 3 1 Mycology Centre Pre-incubation unit Biology UG / PG / PhD Technical 25 2 1 Photocatalysis Centre Academic Department Chemistry UG / PG / PhD Technical 90 3 1 with lab facility Central Instrumentation Facility Pre-incubation unit Multidisciplinary UG / PG / PhD Technical 70 3 1 Molecular Plant Microbe Interaction Pre-incubation unit Biotechnology UG / PG / PhD Technical 45 2 1 Hydraulics Machine and Solar Energy Centre Academic Department Mechanical Engineering UG / PG / PhD Technical 24 2 1 with lab facility Machine and Welding Workshop Academic Department Mechanical engineering UG / PG / PhD Technical 54 2 1 with lab facility Enzyme Technology Lab Academic Department Biotechnology UG / -
Filmfreunde! Sound
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 366 - 06/17Oktober 2017 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/17 (Nr. 366) Oktober 2017 editorial Hallo Laserdisc- und DVD-Fans, lich in allerfeinstem “Dolby Atmos”- uns. Es war alles zusammen eine unge- liebe Filmfreunde! Sound. Und klingeln jetzt noch die Oh- heuer schöne und aufregende Zeit – ren! Damit dieses Event ohne Probleme aber trotzdem waren wir erleichtert, als Spätestens wenn Sie den neuen Text über die Bühne ging, bedurfte es einem das alles dann vorüber war. Denn mit unserer Kolumnistin Anna lesen, wer- gewissen Zeitaufand, der natürlich zu zunehmendem Alter steckt man eine den Sie merken, mit welch großer Ver- Lasten des Newsletters ging. Alsdann solche Durststrecke nicht mehr so ein- spätung wir mit Ausgabe 366 unseres folgte das “Fantasy Filmfest”, das uns fach weg! Und die Arbeit, die sich wäh- Newsletters an den Start gehen. Da ist wie jedes Jahr zum Dauergucken ver- rend dieser Festival-Season im Büro die Rede von anstehenden Wahlen in pflichtete. Was uns wiederum daran anhäuft, wird leider auch nicht weniger. deutschen Landen. Und die sind mitt- erinnert, dass wir nach wie vor unseren Aber wir haben es geschafft und dür- lerweile längst schon wieder Geschich- Bericht vom Vorjahresfestival schuldig fen uns jetzt auf ein recht entspanntes te. Nichtsdetotrotz hat sich an der Ak- sind. Immerhin haben wir die Online- Jahresende freuen.