Normal Gazette, September 1888 Normal Gazette Staff
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
List of 6038 Schools Selected for Establishment of Atal Tinkering
LIST OF 6038 SCHOOLS SELECTED FOR ESTABLISHMENT OF ATAL TINKERING LABS (SCHOOLS ARE KINDLY REQUESTED TO WAIT FOR FURTHER INSTRUCTIONS FROM ATAL INNOVATION MISSION, NITI AAYOG ON THEIR REGISTERED EMAIL IDs) PLEASE NOTE:- 1. LAST DATE FOR COMPLETING THE COMPLIANCE PROCESS : 31st JANUARY 2020 2. THESE SELECTED SCHOOLS MUST OPEN A NEW BANK ACCOUNT IN A PUBLIC SECTOR BANK FOR THE PURPOSE OF ATL GRANT. 3. THESE SELECTED SCHOOLS MUST NOT SHARE THEIR INFORMATION WITH ANY THIRD PARTY/ VENDOR/ AGENT/ AND MUST COMPLETE THE COMPLIANCE PROCESS ON THEIR OWN. 4. THIS LIST IS ARRANGED IN ALPHABETICAL ORDER OF STATE, DISTRICT AND FINALLY SCHOOL NAME. S.N. ATL UID CODE UDISE CODE SCHOOL NAME STATE DISTRICT 1 2760806 28222800515 ANDHRA PRADESH MODEL SCHOOL PUTLURU ANDHRA PRADESH ANANTAPUR 2 132314217 28224201013 AP MODEL SCHOOL ANDHRA PRADESH ANANTAPUR 3 574614473 28223600320 AP MODEL SCHOOL AND JUNIOR COLLEGE ANDHRA PRADESH ANANTAPUR 4 278814373 28223200124 AP MODEL SCHOOL RAPTHADU ANDHRA PRADESH ANANTAPUR 5 2995459 28222500704 AP SOCIAL WELFARE RESIDENTIAL SCHOOL JUNIOR COLLEGE FOR GIRLS KURUGUNTA ANDHRA PRADESH ANANTAPUR 6 13701194 28220601919 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 7 15712075 28221890982 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 8 56051196 28222301035 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 9 385c1160 28221591153 AVR EM HIGH SCHOOL ANDHRA PRADESH ANANTAPUR 10 102112978 28220902023 GOOD SHEPHERD ENGLISH MEDIUM SCHOOL ANDHRA PRADESH ANANTAPUR 11 243715046 28220590484 K C NARAYANA E M SCHOOL ANDHRA PRADESH ANANTAPUR LIST OF 6038 SCHOOLS SELECTED FOR ESTABLISHMENT OF ATAL TINKERING LABS (SCHOOLS ARE KINDLY REQUESTED TO WAIT FOR FURTHER INSTRUCTIONS FROM ATAL INNOVATION MISSION, NITI AAYOG ON THEIR REGISTERED EMAIL IDs) PLEASE NOTE:- 1. -
Shool Report
MLA 8.0 QUICK STYLE GUIDE Cover Graphic Source: Plagiarism Wordle. Piedmont Virginia Community College. 8 Dec. 2015. http://libguides.pvcc.edu/plagiarism. Accessed 6 Jun. 2016. Alexander College Writing & Learning Centres, Winter 2018. Alexander College 1 MLA BASICS 2-5 Formatting Rules 2 Sample Page 1 3 What to Cite, Where to Cite 3 Figures and Tables 4-5 In-Text Citations – THE BASICS 6-7 Basic Formatting Rules for In-text citations 6 INDIRECT SOURCES: VERY IMPORTANT FOR RESEARCH PAPERS 6 Consecutive Citations 6-7 Block Quote 7 Works Cited – THE BASICS 7-8 Works Cited: the Basics 7 How to Cite: ONLINE RESOURCES 9-13 Journal Articles from Online Databases (EBSCO, Google Scholar, etc.) 9 Article: Online Newspaper or Magazine 9 Editorials from Online Newspaper or Magazine 10 E-Books 11 Articles from Websites 12 Online Dictionary or Encyclopedia 13 How to Cite: PRINT SOURCES 13-19 Books 14-15 Republished Books 15 Anthology (Collection) 16 Books by Organisations 16-17 Print Newspaper, Journal or Magazine 17-18 Class Notes 19 How to Cite: RECORDED MEDIA (FILMS, ETC.) 20-22 Movies 20-21 TV Series 21-22 YouTube Videos 22 How to Cite: PLAYS 23 Print Copies of Plays 23 Live Performances of Plays 23 SAMPLE WORKS CITED 24-25 Alexander College 2 This is a Quick Guide to MLA citations and references. It contains information on the basic formatting elements for MLA Style papers . It contains sample in-text citations and references entries for the resources most commonly used by students. If your Instructor gives specific instructions for format or citations, follow his or her guidelines. -
The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Anselm Kiefer
PRESENTS Over Your Cities Grass Will Grow A film by Sophie Fiennes 2010 / France, U.K. and Netherlands / 105 min. / 2.35:1 / Dolby-Surround-DTS / Not Rated In German with English subtitles An Alive Mind Cinema Release from Kino Lorber, Inc. 333 W. 39st St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão Director of Publicity Kino Lorber, Inc. (212) 629-6880 ext. 12 [email protected] About Kasander Film: KEES KASANDER set up Kasander Film for the purpose of structural European crossover productions. He is mostly known for his work with Peter Greenaway; THE COOK, THE THIEF, HIS WIFE AND HER LOVER (1989), PROSPERO'S BOOKS (1992) and THE PILLOW BOOK (1995). His newest feature film FISH TANK written and directed by Andrea Arnold premiered at the Cannes Film Festival 2009 and received the Jury Prize. On top of that FISH TANK was rewarded with a BAFTA award for Best Outstanding British Film in February 2010. About Sciapode: SCIAPODE was founded in 2003 to produce European films by strong and ambitious filmmakers. These artists – Sophie Fiennes, Wim Vandekeybus, Andrew Kötting, Wayn Traub, Jan Lauwers, Michael Roskam, Frédérique Devillez, Florent de la Tullaye, David Dusa, Renaud Barret, Philipp Mayrhofer, Anne Teresa de Keersmaeker... – experienced film making but also, for some of them visual arts, choreography, theatre, opera, possibly mixing different media for a richer work and new narrative style. About Emile Blezat: Producer Emile Blezat graduated from the High Business School of Paris (ESCP) and obtained a Master (MBA) in Entrepreneurship, Project Development and Negotiation at Olin Graduate Shool of Business (Boston). -
230239875.Pdf
======================================================================== ======================================================================== Log Report - Stellar Phoenix NTFS Data Recovery v4.1 ======================================================================== ======================================================================== ------------------------------------------------------------------------ Recovering File ---------------------------------------------------------------- -------- - Process started - Started on: Apr 20 2014 , 11:33 AM - E:\160gb data\Lost folder(s)\Folder 10593\Amanda.wma - [Recovered] - E:\160 gb data\Lost folder(s)\Folder 10593\Despertar.wma - [Recovered] - E:\160 gb data\Lost folder(s)\Folder 10593\Din Din Wo (Little Child).wma - [Recov ered] - E:\160gb data\Lost folder(s)\Folder 10593\Distance.wma - [Recov ered] - E:\160gb data\Lost folder(s)\Folder 10593\I Guess You're Right.wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\I Ka Barra (Your Wor k).wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\Love Comes.w ma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\Muita Bobeir a.wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\OAM's Blues. wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\One Step Bey ond.wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\Symphony_No_ 3.wma - [Recovered] - E:\160gb data\Lost folder(s)\Folder 10593\desktop.ini - [Recovered] - Process completed - Completed on : Apr 20 2014 , 11:41 AM ------------------------------------------------------------------------ -
Perumal Thirumozhi.Pub
We Sincerely Thank : 1. Sri nrusimha seva rasikar, Oppiliappan kOil Sri. V. SaThakOpan svAmi, the Editor-in-Chief of Sundarasimham-ahobilavalli kaimkaryam for editing and hosting this title in his e-books series. 2. Smt.Krishnapriya for the compilation of the source document. 3. Nedumtheru Sri.Mukund Srinivasan for contribution of images. sadagopan.org sadagopan.org sadagopan.org 4. Smt. Jayashree Muralidharan for assembly of the e-book C O N T E N T S Introduction 1 Paasurams and Commentaries 13 Decad 1 15 Decad 2 43 Decad 3 61 Decad 4 72 Decad 5 100 Decad 6 124 sadagopan.org sadagopan.org sadagopan.org Decad 7 142 Decad 8 163 Decad 9 175 Decad 10 187 nigamanam 204 sadagopan.org sadagopan.org sadagopan.org Kulasekhara PerumAL !@ !mEt ramaNjay nm@ KlEckr ~zfvarf `Rqiy epRmaqf tiRemazi KULASEKARA AZHWAR'S PERUMAL THIRUMOZHI × INTRODUCTION -KULASEKARA PERUMAN THIRUNAKSHATHRAM KulasEkarAzhwar was born as a prince to ChEra king Dhidavrathan and nAdhanAyagi in the month of mAsi and the nakshatram of punarpoosam (same as that of Lord Rama). The child when born looked divine and made everyone happier and cheerful. The entire kingdom was in a jubilant mood. The child was named kulasEkaran and when he grew he was taught all sAstrAs, epics, arts, Tamil and Sanskrit and was also given training on fighting, Horse riding, Elephant riding, etc. In each endeavor, he excelled and came out with flying colors. When Dhidavrathan became old, kulasEkaram ascended the throne and sadagopan.org sadagopan.org then ruled like Lord Sri Rama and brought in RamaRajyam to his kingdom. -
• PRODUCTIOM GUIDE by Michael Dorland and Tom Perlmutter
• C IN E MAti • PRODUCTIOM GUIDE by Michael Dorland and Tom Perlmutter Markle p. man. Mark Allan d,o.p. Mark Irwin, csc Nadeau p. coord. Roseline Poulin p, ICCt Muriel IDEACOM INC. I. p. Rob Lowe. Patrick Swayze, Ed Lauter, Cindy Lize- Pothier p, see. Johanne La Barre trainer Gibb. Sylvain L' Abb~ P. mts. Bernard Vincent ~runo (514) 274 -6538 Bazin, Pierre Guillard, Nicole Hilareguy, Lucie he following is a list of films in production (actually before the cameras) Bouliane d, Robert M~nard sc, Claire Wojas 1st and in negotiation in Canada. Needless to say, the films which are still PRENDRE LA ROUTE * METROMEDIA a.d. Michel Gauthier 2nd a.d. Louis-Philippe Tin the project stage are subject to changes. A third category, I n Pre Five TV-hour series on 16mm film about high (416) 469-5192 Rochon cont Th~r~se B~rube d.o.p. Guy Dufaux production, will be used to indicate films which are in active pre-production, way safet y, and car accidents throughout the mt Clm. Robert Guertin gaffer Daniel Chr~tien world, shooting on location in Canada, the U.S.. EVERGREEN best boy Claude Fortier key grip Yvon Boudrias having set a date for the beginning of principal photography and being the U. K, Sweden, Germany and France, in co Si x-part miniseries for NBC-TV. Shooting New grip Jean-Pierre Lamarche lISt grip Ren~ Guil engaged in casting and crewing. Films are listed by the name of the company venture with the National Film Board, for a York in June, Toronto in July, Israel in Sept. -
God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance. -
We Refer to Reserve Bank of India's Circular Dated June 6, 2012
We refer to Reserve Bank of India’s circular dated June 6, 2012 reference RBI/2011-12/591 DBOD.No.Leg.BC.108/09.07.005/2011-12. As per these guidelines banks are required to display the list of unclaimed deposits/inoperative accounts which are inactive / inoperative for ten years or more on their respective websites. This is with a view of enabling the public to search the list of accounts by name of: Cardholder Name Address Ahmed Siddiq NO 47 2ND CROSS,DA COSTA LAYOUT,COOKE TOWN,BANGALORE,560084 Vijay Ramchandran CITIBANK NA,1ST FLOOR,PLOT C-61, BANDRA KURLA,COMPLEX,MUMBAI IND,400050 Dilip Singh GRASIM INDUSTRIES LTD,VIKRAM ISPAT,SALAV,PO REVDANDA,RAIGAD IND,402202 Rashmi Kathpalia Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 Rajeev Bhandari Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 Aditya Tandon LUCENT TECH HINDUSTAN LTD,G-47, KIRTI NAGAR,NEW DELHI IND,110015 Rajan D Gupta PRICE WATERHOUSE & CO,3RD FLOOR GANDHARVA,MAHAVIDYALAYA 212,DEEN DAYAL UPADHYAY MARG,NEW DELHI IND,110002 Dheeraj Mohan Modawel Bechtel India Pvt Ltd,244 245,Knowledge Park,Udyog Vihar Phase IV,Gurgaon IND,122015 C R Narayan CITIBANK N A,CITIGROUP CENTER 4 TH FL,DEALING ROOM BANDRA KURLA,COMPLEX BANDRA EAST,MUMBAI IND,400051 Bhavin Mody 601 / 604, B - WING,PARK SIDE - 2, RAHEJA,ESTATE, KULUPWADI,BORIVALI - EAST,MUMBAI IND,400066 Amitava Ghosh NO-45-C/1-G,MOORE AVENUE,NEAR REGENT PARK P S,CALCUTTA,700040 Pratap P CITIBANK N A,NO 2 GRND FLR,CLUB HOUSE ROAD,CHENNAI IND,600002 Anand Krishnamurthy -
DISTRICCT SHOOL #5 – CARTER ROAD As Early As 1813, When
DISTRICCT SHOOL #5 – CARTER ROAD As early as 1813, when Perinton was established as a town, classes were being held in a one-room frame building at the corner of Carter and Whitney Roads. District School #5 served 42 children for 6 months at a cost of $10.85 in 1819. By 1821 the number had increased to 79 and the money to $18.34. The number of students remained more or less in the 70 to 80 range through 1845. School district boundaries were modified several times during that same period, usually by shifting land to an adjoining district in order to accommodate the growing population. Reflecting the development in the village of Fairport between the 1850’s and 1900, the school population in District #5 declined from earlier highs to an average of about 50 students per year with an average yearly cost of about $70. By 1905 and 1906, the student population had declined to 28 and 30 respectively. The little schoolhouse itself was in good repair with the exception of what seems to have been a common problem, the need for a new and better “closet.” Ella Kennedy, the teacher in 1905, was rated as “good” in all respects and earned a salary of $32 per month. Clark Furman, the teacher in 1906, was only rated as “fair,” and as “not strong in discipline,” but his salary was $36 per month. In 1905, Bessie Newton’s report card shows that she studied spelling, reading, writing, grammar, arithmetic, geography, history, and physiology and that she was a well-behaved high 90’s student. -
Gender Subversions in Indofijian Performances by Vicky Vishal Shandil
(RE)VIEWING THE OTHER: GENDER SUBVERSIONS IN INDOFIJIAN PERFORMANCES BY VICKY VISHAL SHANDIL A thesis Submitted to the Victoria University of Wellington In fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2019) Copyright © 2019 by Vicky V. Shandil All rights reserved 1 TABLE OF CONTENTS List of Figures iv Acknowledgment viii Abstract ix Chapter 1: Introduction 1 Purpose and Research Questions 6 Background 12 Literature Review 13 Theoretical Guide: 19 Performativity 20 Articulation Theory 21 Methodology: 23 Oral History 25 Chapter Outline 27 Chapter 2: The Liminal Other 29 Introduction 29 Being IndoFijian 29 Liminality 32 Contextualising Liminality 33 Gender Parody 38 Subversion and Society 46 Identifying the Other 52 Conclusion 56 Chapter 3: Displayed Difference: A Historical Analysis of Qawwali 5 7 Introduction 57 What is Qawwali? 57 Contextualised History and Change: 60 Religion and Society 61 Media 62 Responses to Changes 64 Qawwal: Mentoring and Training 71 ii Structures in Qawwali 72 Performance Routine 75 Qawwal 77 Other Features of Qawwali: 80 Purpose/Context 80 Variability 89 Clarity of Text 93 Audience Interaction 95 Sitting Arrangement 97 Female Qawwal 100 Conclusion 102 Chapter 4: Analysis of Qawwali Performances 103 Introduction 103 Sushil versus Vijendra 103 Shalini versus Rishi 113 Shalini versus Dhiren 123 Conclusion 137 Chapter 5: The Dancing Other: Roots and Rituals of Lahanga Naach 138 Introduction 138 What is Lahanga Naach? 142 Nachaniya 142 Performance and its -
Singhal Appointed to the Corporate Advisory Board of Cause
CAUSE ENTERTAINMENT “We Can…” MANAGAMENT TEAM & ADVISORY BOARD Private & Confidential MANAGEMENT TEAM Uday Singh plays an integral role in advising and defining the organization’s vision. Additionally he plays a key role in the green-lighting process of the projects that both DMCA and Cause Entertainment associate with. Under his leadership the SPE India emerged as the most successful Hollywood studio in India. It was the #1 Studio for 6 years in a row starting 2002 and 9 years overall. He has the unique distinction of crossing the Rupees 1 Billion mark in ticket sales 4 times (US$25mn) in a short span of 6 years. Under his leadership SPE bagged the distribution of Disney and Miramax and SPE distributed all the Disney films since 1998 till 2008. He built a grassroots distribution model and has distributed over 400 films and has dubbed them into 6 different Indian languages and built a new business opportunity. He grew Uday Singh the Hollywood share of the pie from 0.5% to 5% of the Indian Market. Ex-CEO PVR Uday piloted Sony into the Hindi Film Industry by getting Government approvals to Pictures, Ex-CEO distribute and produce local films in 1998. In 2005, once again under his stewardship, Sony Pictures SPE Films India created history, when it launched the production of “Saawariya”, a Principal Director, unique collaboration with one of India's most well known and acclaimed directors, Cause Sanjay Leela Bhansali, to co- produce Sony's (and Hollywood’s) first Indian film. In 2005 Entertainment he helped establish the Home Entertainment division for SPE and that business brought in another $ 4mn per year.