Japanese Morphophonemics
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The Study of Old Documents of Hokkaido and Kuril Ainu
NINJAL International Symposium 2018 Approaches to Endangered Languages in Japan and Northeast Asia, August 6-8 The study of old documents of Hokkaido and Kuril Ainu: Promise and Challenges Tomomi Sato (Hokkaido U) & Anna Bugaeva (TUS/NINJAL) [email protected] [email protected]) Introduction: Ainu • AINU (isolate, North Japan, moribund) • Is the only non-Japonic lang. of Japan. • Major dialect groups : Hokkaido (moribund), Sakhalin (extinct since 1993), Kuril (extinct since the end of XIX). • Was also spoken in Tōhoku till mid XVIII. • Hokkaido Ainu dialects: Southwestern (well documented) Northeastern (less documented) • Is not used in daily conversation since the 1950s. • Ethnical Ainu: 100,000. 2 Fig. 2 Major language families in Northeast Asia (excluding Sinitic) Amuric Mongolic Tungusic Ainuic Koreanic Japonic • Ainu shares only few features with Northeast Asian languages. • Ainu is typologically “more like a morphologically reduced version of a North American language.” (Johanna Nichols p.c.). • This is due to the strongly head-marking character of Ainu (Bugaeva, to appear). Why is it important to study Ainu? • Ainu culture is widely regarded as a direct descendant of the Jōmon culture which was spread in the Japanese archipelago in the Prehistoric time from about 14,000 BC. • Ainu is the only surviving Jōmon language; there had been other Jōmon lgs too: about 300 lgs (Janhunen 2002), cf. 10 lgs (Whitman, p.c.) . • Ainu is likely to be much more typical of what languages were like in Northeast Asia several millennia ago than the picture we would get from Chinese, Japanese or Korean. • Focusing on Ainu can help us understand a period of northeast Asian history when political, cultural and linguistic units were very different to what they have been since the rise of the great historically-attested states of East Asia. -
Training Report on Cultural Heritage Protection
Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2011 - Indonesia - 5 July - 4 August, 2011, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 757 Horen-cho, Nara 630-8113 Japan Tel: +81-(0)742-20-5001 Fax: +81-(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsha Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2012 Practical training of taking rubbing Practical training of drawing Practical training of photography The closing ceremony at the ACCU office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. Subsequent to its establishment, our office has been implementing a variety of programmes to help promote cultural heritage protection activities, in close cooperation with the Agency for Cultural Affairs, Japan (Bunkacho); National Institutes for Cultural Heritage, National Research Institute for Cultural Properties, Tokyo and Nara; the Nara Prefectural Government; the Nara Municipal Government; universities; and museums. -
The Orthographic Characterization of Rendaku and Lyman's
a journal of Kawahara, Shigeto. 2018. Phonology and orthography: The orthographic general linguistics Glossa characterization of rendaku and Lyman’s Law. Glossa: a journal of general linguistics 3(1): 10. 1–24, DOI: https://doi.org/10.5334/gjgl.368 RESEARCH Phonology and orthography: The orthographic characterization of rendaku and Lyman’s Law Shigeto Kawahara The Keio Institute of Cultural and Linguistic Studies, Keio University, 2-15-45 Minato-ku, Mita, Tokyo, JP [email protected] This paper argues that phonology and orthography go in tandem with each other to shape our phonological behavior. More concretely, phonological operations are non-trivially affected by orthography, and phonological constraints can refer to them. The specific case study comes from a morphophonological alternation in Japanese, rendaku. Rendaku is a process by which the first consonant of the second member of a compound becomes voiced (e.g., /oo/ + /tako/ → [oo+dako] ‘big octopus’). Lyman’s Law blocks rendaku when the second member already contains a voiced obstruent (/oo/ + /tokage/ → *[oo+dokage], [oo+tokage] ‘big lizard’). Lyman’s Law, as a constraint which prohibits a morpheme with two voiced obstruents, is also known to trigger devoicing of geminates in loanwords (e.g. /beddo/ → [betto] ‘bed’). Rendaku and Lyman’s Law have been extensively studied in the past phonological literature. Inspired by recent work that shows the interplay between orthographic factors and grammatical factors in shaping our phonological behaviors, this paper proposes that rendaku and Lyman’s Law actually operate on Japanese orthography. Rendaku is a process that assigns dakuten diacritics, and Lyman’s Law prohibits morphemes with two diacritics. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Kelly, Colleen A., Comp. Asian Studies: a Catalogue of Asian
DOCUMENT RESUME ED 216 962 SO 014 063 AUTHOR Kelly, Colleen A., Comp. TITLE Asian Studies: A Catalogue of Asian Resources in Connecticut. Area Studies Resources Guides, Number One. INSTITUTION Connecticut Univ., Storrs. Thut (I.N.) World Education Center. PUB DATE 80 NOTE 95p.; Print marginally legible. AVAILABLE FROM I.N. Thut World Cducation Center, Box U-32, University of Connecticut, Storrs, CT 06268 ($3.50, plus $0.70 postage). EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Arts Centers; Asian History; *Asian Studies; Dining Facilities; Elementary Secondary Education; Films; Higher Education; Human Resources; Museums; Publishing IndlAstry; Resource Centers; Resource Materials; Theater Arts IDENTIFIERS *Connecticut ABSTRACT This directory cites Asian resources, services, institutions, and groups in Connecticut. It is intended to strengthen international studies through improved state-wide cooperation and communication. The directory is organized by the following' topics: educational centers (including descriptions of the servicesprovided and, in some cases, materials available from the centers); sourcesof curriculum materials and information; performing arts; museumsand art galleries; restaurants and food shops;specialty and antique shops; martial arts; libraries, bookstores, art supply stores,and places of worship; free and rental films; human resources; and publishers. (RM) ********************************************************************** * Reproductions supplied by EDRS are the best that can be made -
Protective Armor Engineering Design
PROTECTIVE ARMOR ENGINEERING DESIGN PROTECTIVE ARMOR ENGINEERING DESIGN Magdi El Messiry Apple Academic Press Inc. Apple Academic Press Inc. 3333 Mistwell Crescent 1265 Goldenrod Circle NE Oakville, ON L6L 0A2 Palm Bay, Florida 32905 Canada USA USA © 2020 by Apple Academic Press, Inc. Exclusive worldwide distribution by CRC Press, a member of Taylor & Francis Group No claim to original U.S. Government works International Standard Book Number-13: 978-1-77188-787-8 (Hardcover) International Standard Book Number-13: 978-0-42905-723-6 (eBook) All rights reserved. No part of this work may be reprinted or reproduced or utilized in any form or by any electric, mechanical or other means, now known or hereafter invented, including photocopying and re- cording, or in any information storage or retrieval system, without permission in writing from the publish- er or its distributor, except in the case of brief excerpts or quotations for use in reviews or critical articles. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission and sources are indicated. Copyright for individual articles remains with the authors as indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the authors, editors, and the publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors, editors, and the publisher have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. -
Rendaku As a Rhythmic Stabilizer in Eastern Old Japanese Poetry John
Rendaku as a rhythmic stabilizer in Eastern Old Japanese poetry John Kupchik Kyoto University / JSPS The Eastern Old Japanese dialects, spoken in the 8th century and attested in books 14 and 20 of the Man’yōshū poetry anthology, are a heterogeneous group of related language varieties that each display some of the earliest attested examples of rendaku. Morpheme-based rendaku, which manifests when a phonologically reduced, nasal-initial copula, case suffix, or final syllable of a nominal root fuses with a following voiceless onset, is the most commonly attested type. In fact, it may even occur twice in the same line. An example is given in (1) below. (1) M20:4368.1-2 (Pitati province) 久自我波々 / 佐氣久阿利麻弖 kunzi-ŋ-gapa pa / sake-ku ari-mat-e PN-GEN-river TOP / be.safe-AVINF ITER-wait-IMP ‘Be waiting for me safely, at Kunzi river!’ The underlying form in the first line of (1) is /kunzi-nə kapa pa/. Examples of process-based rendaku are also attested, in which case no segmentable morpheme can be derived from the resulting voiced onset. This type of rendaku is only attested a few times, and only in reduplicated forms. It has a function of pluralization, which is not found in morpheme-based rendaku. An example is shown in (2) below. (2) M20:4391.1-3 (Simotupusa province) 久尓具尓乃 / 夜之里乃加美尓 / 奴作麻都理 kuni- ŋguni-nə / yasiri-nə kami-ni / nusa matur-i province-REDUP-GEN / shrine-GEN deity-DAT / paper_offering offer-INF ‘I make paper offerings to the deities in the shrines of many provinces.’ This talk will focus on the use of morpheme-based rendaku to maintain rhythmic stability in poetic verse. -
Arxiv:1812.01718V1 [Cs.CV] 3 Dec 2018
Deep Learning for Classical Japanese Literature Tarin Clanuwat∗ Mikel Bober-Irizar Center for Open Data in the Humanities Royal Grammar School, Guildford Asanobu Kitamoto Alex Lamb Center for Open Data in the Humanities MILA, Université de Montréal Kazuaki Yamamoto David Ha National Institute of Japanese Literature Google Brain Abstract Much of machine learning research focuses on producing models which perform well on benchmark tasks, in turn improving our understanding of the challenges associated with those tasks. From the perspective of ML researchers, the content of the task itself is largely irrelevant, and thus there have increasingly been calls for benchmark tasks to more heavily focus on problems which are of social or cultural relevance. In this work, we introduce Kuzushiji-MNIST, a dataset which focuses on Kuzushiji (cursive Japanese), as well as two larger, more challenging datasets, Kuzushiji-49 and Kuzushiji-Kanji. Through these datasets, we wish to engage the machine learning community into the world of classical Japanese literature. 1 Introduction Recorded historical documents give us a peek into the past. We are able to glimpse the world before our time; and see its culture, norms, and values to reflect on our own. Japan has very unique historical pathway. Historically, Japan and its culture was relatively isolated from the West, until the Meiji restoration in 1868 where Japanese leaders reformed its education system to modernize its culture. This caused drastic changes in the Japanese language, writing and printing systems. Due to the modernization of Japanese language in this era, cursive Kuzushiji (くずしc) script is no longer taught in the official school curriculum. -
The Teenage Mutant Ninja Turtles and Other Supporting Characters Are Adapted from the Comic Books
COMPATIBLE WITH . Heroes Unlimited Ninjas & Superspies and other Palladium RPGs 1 . Vega e Ren d an a Siembied n Kevi , world e th n i s master e gam t greates o tw e th o t d dedicate s i k wor s Thi Eighth Printing — March 1989 . Convention t Copyrigh l Universa e th r unde d reserve s right l Al . Siembieda n Kevi y b 5 198 © t Copyrigh No part of this book may be reproduced in part or whole, in any form or by any means, without permission from the publisher, except for brief quotes for use in reviews. All incidents, situations, institutions, s person r o s character f o , intent c satri t withou , similarity y an d an l fictiona e ar e peopl d an s government living or dead is strictly coincidental. n Eastma n Kevi 5 198 © t Copyrigh t Ar r Cove Interior Art and Illustrations © 1985 Peter Laird and Kevin Eastman . Studios e Mirag y b d owne k trademar d registere a s i . T.M.N.T Palladium Books is a registered trademark owned by Kevin Siembieda. , Shredder , Foot e th , Splinter , Michaelangelo) , Donatello , Leonardo , (Raphael s Turtle a Ninj t Mutan e Teenag April O'Neil, Baxter Stockman, Casey Jones, T.C.R.I. Aliens and Triceraton are copyrights and trademarks . Books m Palladiu y b e licens r unde d use d an d Lair r Pete d an n Eastma n Kevi f o . Siembieda n Kevi y b 8 198 , 1987 , 1986 , 1985 , 1984 , 1983 © t Copyrigh , Group s Comic l Marve d an . -
Raid 06, the Samurai Capture a King
THE SAMURAI CAPTURE A KING Okinawa 1609 STEPHEN TURNBULL First published in 2009 by Osprey Publishing THE WOODLAND TRUST Midland House, West Way, Botley, Oxford OX2 0PH, UK 443 Park Avenue South, New York, NY 10016, USA Osprey Publishing are supporting the Woodland Trust, the UK's leading E-mail: [email protected] woodland conservation charity, by funding the dedication of trees. © 2009 Osprey Publishing Limited ARTIST’S NOTE All rights reserved. Apart from any fair dealing for the purpose of private Readers may care to note that the original paintings from which the study, research, criticism or review, as permitted under the Copyright, colour plates of the figures, the ships and the battlescene in this book Designs and Patents Act, 1988, no part of this publication may be were prepared are available for private sale. All reproduction copyright reproduced, stored in a retrieval system, or transmitted in any form or by whatsoever is retained by the Publishers. All enquiries should be any means, electronic, electrical, chemical, mechanical, optical, addressed to: photocopying, recording or otherwise, without the prior written permission of the copyright owner. Enquiries should be addressed to the Publishers. Scorpio Gallery, PO Box 475, Hailsham, East Sussex, BN27 2SL, UK Print ISBN: 978 1 84603 442 8 The Publishers regret that they can enter into no correspondence upon PDF e-book ISBN: 978 1 84908 131 3 this matter. Page layout by: Bounford.com, Cambridge, UK Index by Peter Finn AUTHOR’S DEDICATION Typeset in Sabon Maps by Bounford.com To my two good friends and fellow scholars, Anthony Jenkins and Till Originated by PPS Grasmere Ltd, Leeds, UK Weber, without whose knowledge and support this book could not have Printed in China through Worldprint been written. -
Foreignisation Part II: Writing the Outside out Sean Mahoney
Article Foreignisation Part II: Writing the Outside Out Sean Mahoney ・Thefore1gnercomeslnwhenthe consciousnessof mydiffe「once arises and he disappears when we all acknowledge Ou「Selves as foreigners,unamenableto bondsand communities. _ a s,pi Abstract: Authorities In Japan well_known for meticulous reCO「ding Of detail and strict adherence to registration procedures haVe.oVe「 the yea「S;been dubbed xenophobic by observers. Such comments resound pa「tiCula「ly Intensely of course in discussions of Japan's plethora Of Policies fo「 dealing with jnternatjonal issues. The requi「ed P「OCeSS of WO「king through the labyrjnth of rules and regulations fo「 Conducting business, engaging In new employment,or even finding living accommodations has daunted and indeed prevented many from both onto「ing and Staying in this country Despite constant governmental proposals and p「Og「ammeS designed to enhance “internationalisation,” the pace Of 「eat Change iS somehow kept in the range of extremely slow to non-existent,With the results of various initiatives almost invariably proving SuPe「fiCia1 in society at large. I offer that at least one habit of foreignisation',that Which involves - 57 -- 1 行政社会論集 第12巻 第1号 the written demarcation of “native'' and ''foreign'' words in modern Japanese, is at least partly responsible for reinforcing xenophobic patterns of communication and conduct. While scholars in early Japan surely regarded the Chinese works they translated as “foreign,''concrete guidelines through which usage of the hiragana and katakana syllabaries prescribe -
Rendaku in Japanese Place Names, by Focusing on Morphemes of Which It Is Known That They Have a Tendency to Undergo Rendaku, but Not Always
Rendaku in Japanese place names Michelle Hermina van Bokhorst 1348884 MA East Asian Studies Leiden University MA thesis 1 July 2018 Dr. W. Uegaki 13113 words Content 1. Introduction 3 2. Division within Japanese dialects 3 3. Rendaku in common nouns 6 3.1 General overview 6 3.2 Dialectal variation 8 4. Rendaku in names 9 4.1 Accents and morphemes 9 4.2 Individual segments 11 4.3 Diachronic variation 12 4.4 Synchronic variation 13 5. Research questions and hypotheses 16 5.1 Rendaku according to a core periphery model 16 5.2 Morphemes and rendaku sensitivity 18 6. Method 19 7. Results 22 7.1 Influence of the region 22 7.2 Influence of morphemes 24 7.3 Names ending with kawa 26 7.4 Names ending with saki 27 7.5 names ending with sato 29 7.6 Names ending with sawa 29 7.7 Names ending with shima 30 7.7 Names ending with ta 31 8. Discussion 33 8.1 Regional influence 33 8.2 Influence of morphemes 34 8.3 Names with the same first morpheme 37 8.4 Comparison with previous research 38 8.5 Problems and further research 39 9. Conclusion 40 Bibliography 41 2 1. Introduction During a trip to Hiroshima, a Japanese friend and I took a train in the direction of 糸崎. When I asked my friend if it was pronounced as Itozaki or Itosaki, she had to think for a while, eventually telling me that it probably was Itosaki. However, when the conductor announced the final station of the train five minutes later, it turned out to be Itozaki station.