Damiani Cat Spring 2020.Pdf
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Artist's Choice + Vik Muniz=Rebus
Artist's choice + Vik Muniz=rebus Author Muniz, Vik Date 2008 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/304 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ARTIST'S CHOICE+ VIK MUNIZ = THE ONLY REASON FOR TIME IS SO THAT EVERYTHINGDOESN'T HAPPEN AT ONCE. —ALBERT EINSTEIN PUBLIC PROGRAM Vik Muniz on Artist's Choice,Rebus Wednesday, February 11, 6:30 p.m. Theater 3 (The Celeste Bartos Theater) 4 West 54 Street (near Fifth Avenue) Taking on the role of curator, Vik Muniz brought together eighty-two works from MoMA's collection and organized them according to the principle of a rebus—a puzzle in which unrelated visual and linguistic elements create a larger deductive meaning. In this program, Muniz discusses the exhibition and his own work. Tickets ($10; members $8; students, seniors, and staff of other museums $5) con be purchased at the lobby information desk, the film desk, or online at www.moma.org/thinkmodern. MoMA AUDIO A MoMA Audio program featuring commentary by Vik Muniz is available free of charge, courtesy of Bloomberg, on MoMA WiFi at www.moma.org/ wifi and as a podcast at www.moma.org/audio and on iTunes. The audio program is available in English only. MoMA Audio is a collaboration between The Museum of Modern Art and Acoustiguide, Inc. FORD FAMILYACTIVITY GUIDE A Ford Family Activity Guide developed by Vik Muniz encourages kids ages six and up to discover the connections among objects as they are displayed in the exhibition and, using small reproductions, arrange them to tell a story of their own. -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Damiani Cat Fall 2018.Pdf
Fall 2018 Contents New Titles 5 Collector’s Editions 49 Toiletpaper 71 Backlist 77 Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103 Spazio Damiani 104 Distributors 106 Notes 108 Contacts 110 New Titles Photography Arthur Elgort Jazz This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Lewis Baltz: Discovering Park City
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 12-21-2016 Lewis Baltz: Discovering Park City Susan H. West CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/107 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Lewis Baltz: Discovering Park City by Susan H. West Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2016 Thesis Sponsor: December 7, 2016 Maria Antonella Pelizzari Date First Reader December 7, 2016 Michael Lobel Date Second Reader TABLE OF CONTENTS Preface iii List of Illustrations v Introduction 1 Chapter I Photographs of Park City, Utah (1978–1979) 9 Chapter II Lewis Baltz and California at Mid-Century 26 Chapter III The Seventies – Influences and The Prototype Works 36 Chapter IV American Nationalism and Westward Expansion 44 Chapter V Land Art and Environmentalism 53 Chapter VI New Topographics: Photographs of a Man-altered Landscape 62 Conclusion 69 Bibliography 70 Illustrations 73 ii Preface This research synthesizes interests in photography, land art, post-war cultural studies, and American history. In 2012, I enrolled in my first course at Hunter College: “Research Methods,” taught by William Agee, former Evelyn Kranes Kossak Professor of Art History. Agee was the first to encourage my interests, challenge my ideas, and instill confidence in my scholarship. -
Fall 2021 Catalog Download
Fall 2021 Contents New Titles 5 Collector’s Editions 29 Toiletpaper 51 Backlist 57 Photography 58 Contemporary Art 70 Fashion & Lifestyle 72 Architecture & Design 74 Antiques & Collectibles 74 Distributors 76 Contacts & Press Office 78 New Titles 6 Photography Mike Mandel Zone Eleven Photographs by Ansel Adams Zone Eleven is a reference to Ansel Adams’ Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams’ photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing Text by Erin O'Toole page relationships, and sequence. Zone Eleven is the product 28 x 23 cm | 11 x 9 inches of Mike Mandel’s research of over 50,000 Adams images 112 pages, 83 b&w, hardbound located within four different archives to present a body of ISBN 978-88-6208-748-3 Fall 2021 Adams’ work that was unknown until now. $55 | €50 | £45 Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published 'Evidence' in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. -
School of Fine Art and Photography 6Th January 2016 Design by Setsuko 1 5
ing meet 1 2 3 4 5 6 7 8 9 10 11 12 Adrian Lovis Amanda Couch Andrea Gregson Andrew Kotting Anna Fox Anne Parisio Anthony Heywood Bill Balaskas Chris Coekin Conor Kelly David Rule Dominic Rahtz For me, art is always a 0.5 senior lecturer in Fine Away from the surface Kötting is an artist and has been working in pho- This is my second year The pedagogic link between is a London-based is an artist and educator. is an artist, musician and David works with and Most of my research over philosophical encounter. Art at UCA Farnham, driven experience of objects, filmmaker who worked as tography since 1983, she is as DFSA year 1 Unit academic research, profes- artist, writer and academic His work is predomi- Fine Art tutor based in around photography, using the last few years has been It reveals the world as teaching across BA and MA the work focuses on sculp- a painter and decorator, Professor of Photography leader after 26 years in the sional practice and student working across different nately concerned with London. He has had solo image and text to record concerned with American strange. Photography does programmes, with a shared tures’ potential to transform market trader and then a at The University College broadcast industry as a learning has always been media. He is currently contemporary British shows at CCA Glasgow, and extend the everyday. and European art of this in particular, because responsibility as Pathway and collapse matter, where lumberjack before returning for the Creative Arts in documentary Producer Di- carefully considered within a PhD candidate in the culture and the notion of Cornerhouse Manchester, His practice, almost wholly the 1960s and 1970s. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
SARAH CHARLESWORTH Biography
P A U L A C O O P E R G A L L E R Y SARAH CHARLESWORTH Biography Born: East Orange, New Jersey 1947 Died: Falls Village, Connecticut 2013 EDUCATION 1969 Bachelor of Arts, Barnard College, New York, NY ONE-PERSON EXHIBITIONS 2020 “Sarah Charlesworth: Image Language,” Printed Matter, New York, NY (2/27–4/17/20) 2019 “Sarah Charlesworth: The Small Versions, 2000-2012,” Krakow Witkin Gallery, Boston, MA (3/30—5/4/19) “Sarah Charlesworth,” Paula Cooper Gallery, New York, NY (2/23—3/23/19) 2018 “Sarah Charlesworth: Available Light,” Campoli Presti, London, England (5/11— 6/23/18) 2017 “Sarah Charlesworth: Doubleworld,” LACMA, Los Angeles, CA (8/20/17—2/4/18) “Natural Magic,” Maccarone, New York, NY (2/18—5/6/17) 2015 “Sarah Charlesworth: Doubleworld,” curated by Massimiliano Gioni and Margot Norton, New Museum, New York, NY (6/24—9/20/15) 2014 “Stills”, curated by Matthew S. Witkovsky, The Art Institute of Chicago, Chicago, IL (9/18/14—1/4/15) “Objects of Desire: 1983 – 1988,” Maccarone Gallery, New York, NY (4/25—6/14/14) 2013 “Available Light,” Baldwin Gallery, Aspen, CO (6/21–7/21/13) 2012 “Available Light,” Susan Inglett Gallery, New York, NY (3/8—4/14/12) 2010 “Work in Progress,” Baldwin Gallery, Aspen, CO (7/30–9/6/10) 2009 “Selected Work 1978-2009,” Galerie Tanit, Munich, Germany (9/11–10/31/09) “Work in Progress,” Susan Inglett Gallery, New York, NY (5/7–6/13/09) 2007 “Concrete Color,” Baldwin Gallery, Aspen, CO (11/23–12/20/07) 2006 “Concrete Color,” Margo Leavin Gallery, Los Angeles, CA (10/28–11/25/06) 2005 “A Simple Text,” Baldwin Gallery, Aspen, CO (11/25–12/22/05) 2003 “0 + 1,” Baldwin Gallery, Aspen, CO (2/11–3/10/03) 2002 “Neverland,” Gorney Bravin + Lee, New York, NY (11/22–12/21/02) 2000 “0 + 1,” Margo Leavin Gallery, Los Angeles, CA (1/15–2/12) “0 + 1,” Gorney Bravin + Lee, New York, NY (1/8—2/5/00) 524 WEST 26TH STREET, NEW YORK, NEW YORK 10001 TELEPHONE 212.255.1105 FACSIMILE 212.255.5156 P A U L A C O O P E R G A L L E R Y 1998 “Doubleworld,” Fay Gold Gallery, Atlanta, GA Camera Obscura, S. -
Rapport D'activité 2018 Elysée Lausanne Rapport D'activité 2018 Elysée Lausanne
Rapport d'activité 2018 Elysée Lausanne Rapport d'activité 2018 Elysée Lausanne Lettre de la directrice 4 Missions du musée 6 Transmettre et inclure 8 Programme des expositions et publications 10 Programmation publique 16 Présence en ligne 20 Passerelle Culturelle 22 Etudier et conserver 24 Fonds et archives 26 Acquisitions et dons 30 Bibliothèque et numérisation 32 Innover 34 Colloque international PLATEFORME 10 36 LabElysée 40 Partenariats innovants 42 Photobooks.Elysée 44 Œuvres numérisées en 5D 44 Soutenir 46 Prix Elysée 48 Nuit des images 50 Magazine ELSE by Elysée 54 Faire rayonner 56 Art Museums of Switzerland 58 Dans le monde 60 Actions presse 62 Soutiens • Membres 64 • Partenaires 66 Réseau de compétences 70 Se projeter 72 PLATEFORME 10 74 Fonctionnement 78 Musée de l’Elysée et Fondation de l’Elysée 79 Budget 2018 80 Espaces d’accueil et prestations de services 81 Collaborateurs en 2018 84 Informations pratiques 86 dernier à l’occasion de notre désormais très atten- Lettre de la directrice due Nuit des images, grande fête annuelle articulée autour des représentations visuelles des artistes et Madame, Monsieur, des spécialistes qui explorent le monde avec nous Chers partenaires, Chers amis, pour définir et redéfinir tous les principes qui le fa- çonneront demain. Fort de ces partages et égale- L’horizon 2021 verra l’ouverture des portes de notre ment inscrit dans les valeurs qu’il défend, le musée futur écrin sur le site PLATEFORME 10 aux abords a développé et mis sur pied des projets innovants de la gare de Lausanne. Notre belle institution pré- permettant l’accueil de visiteurs non ou malvoyants pare son déménagement en mobilisant entière- et de personnes atteintes de la maladie d’Alzheimer, ment ses équipes, tournées simultanément vers le leur ouvrant ainsi les portes d’un monde qui leur présent et vers l’avenir pour répondre aux souhaits était jusqu’ici fermé.