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School of Fine Art and Photography 6Th January 2016 Design by Setsuko 1 5 ing meet 1 2 3 4 5 6 7 8 9 10 11 12 Adrian Lovis Amanda Couch Andrea Gregson Andrew Kotting Anna Fox Anne Parisio Anthony Heywood Bill Balaskas Chris Coekin Conor Kelly David Rule Dominic Rahtz For me, art is always a 0.5 senior lecturer in Fine Away from the surface Kötting is an artist and has been working in pho- This is my second year The pedagogic link between is a London-based is an artist and educator. is an artist, musician and David works with and Most of my research over philosophical encounter. Art at UCA Farnham, driven experience of objects, filmmaker who worked as tography since 1983, she is as DFSA year 1 Unit academic research, profes- artist, writer and academic His work is predomi- Fine Art tutor based in around photography, using the last few years has been It reveals the world as teaching across BA and MA the work focuses on sculp- a painter and decorator, Professor of Photography leader after 26 years in the sional practice and student working across different nately concerned with London. He has had solo image and text to record concerned with American strange. Photography does programmes, with a shared tures’ potential to transform market trader and then a at The University College broadcast industry as a learning has always been media. He is currently contemporary British shows at CCA Glasgow, and extend the everyday. and European art of this in particular, because responsibility as Pathway and collapse matter, where lumberjack before returning for the Creative Arts in documentary Producer Di- carefully considered within a PhD candidate in the culture and the notion of Cornerhouse Manchester, His practice, almost wholly the 1960s and 1970s. of its apparently narrow leader for Stage One, and changing states show up to college to study Fine Art, Farnham and was one rector. Alongside my work the courses and research programme of Critical ‘reality representation’. It Green On Red Gallery on the page, looks to the Generally, I’ve tended to gap between world and rep- an interest in how research new connections and possi- graduating from The Slade of the co-organisers of at the UCA I’m developing that I have contributed Writing in Art & Design is frequently based upon Dublin, Temple Bar ways we share stories, write about work that, to resentation. I am interested and reflective writing are ble meanings. The physical in 1989. He made short Fast Forward; Women in a film project with Stormont to within the UCA of the Royal College of Art personal experience and Gallery Dublin, Project reflect, and enthuse; the my mind at least, produces in how we find ourselves taught within studio prac- journey of things, come films, which were awarded Photography a conference House in Hackney where I programme. I have always and he holds an MA from collaborative processes. Arts Centre Dublin, Mercer ways we communicate an aporia in condition as a perpetually positioned, not tice. I am also a sessional to represent a journey of prizes at many interna- at Tate Modern 2015. In teach filmmaking one day utilized research projects the same college. His works His working methodology Union Gallery Toronto, each day with each other. product of the relationships in the world, but hovering, lecturer in Creative Arts ideas, probing the histories tional film festivals before 2010 Fox was shortlisted a week to children with to engage undergradu- have been widely exhibited is multi-layered, crossing Fordham Gallery London, David studied at the Slade between its historical and as perplexed observers, on its surface. Education, contributing to of an object and reaffirming making his first feature for the prestigious Deutsche special educational needs. ates and along with my internationally, in more genres, often combining Peer in London, On School of Fine Art. He is a material reality, prevailing From this perspective I use Graduate, Postgraduate the relationship to a specific Gallivant (1996) a four- Borse Photography Prize Video shot by the children colleagues we create oppor- than 100 solo and group text, ephemera, audio and Gallery Poznan. He has founding editor of ‘covered conventions of interpreta- still, video and peculiar Certificates, and MA. My site. Engaging with ideas of month journey around the and in 2012 for the Pilar will be combined with my tunities for students to work exhibitions. The main ideas archival imagery. Themes been in numerous group in toner’, a small press tion, and its own interior ‘one-off’ cameras, as well art practice cuts across me- the Anthropocene and the coast of Britain on which Citoler Prize. observed material to convey on live public art projects encountered in his practice explored include, the do- shows. He works with film dedicated to producing and workings. I’ve written as found photographs, dia, straddling the domains uncertainty of forms, the he was accompanied by his Her work has been in a view of the world from including administrative are irony, humour and the mestic environment, work video sound photography distributing affordable, about the work of Carl to involve the viewer in a of sculpture, performance, work creates a new geology grandmother and daughter numerous international their unique perspective. and logistical experiences interrogation of spectacle, & industry and popular and text. The character of unlimited editions by Andre, Robert Smithson, slowed down version of the live and recorded out of the leftovers from a Eden. Subsequent feature group shows includ- Negotiating an ethical as well as working closely through the fuse of which culture along with an ex- his gallery-based work is photographers, artists and Daniel Buren and Law- looking that hopes to open image, the book, process, person’s movement through films include This Filthy ing: Warworks at The filming protocol with staff with other communities; he explores subjects with a ploration of photographic informed by his experience writers. David has taught rence Weiner in these terms, conundrums of desire and participation, research time. The work merges Earth, Ivul, This is our Canadian Museum of and parents is fraught with for example I have strong political character. practice. Coekin’s work and practice as a musician, on the Photography course and I am currently working blindness. and writing. A current forms into conglomerates Still Life, Swandown and Contemporary Photogra- complications but obviously involved them in ‘dove Since 2012, Balaskas is has been exhibited widely, composer and sound artist. at Farnham since 2007 on an essay that deals with Psychoanalytic theory is obsession with the digestive from mass production and By Our Selves. His work phy and the Victoria & crucial when working with of peace-1994 -2015’, a an editor for the Leonardo including solo shows at: He formed Bell Helicopter and has been an active the definition of experience a particularly valuable system, metaphorically and structures in nature. is held in the collections Albert Museum; Centre of vulnerable contributors. large scale paper sculpture Electronic Almanac (The The Photographers’ Gal- in the early nineties for member of the department’s in the early process pieces resource. materially, often triggered of The Arts Council and the Universe; Liverpool and Considering the ethics of spitfire- installed into MIT Press, Goldsmiths lery, Wolverhampton Art music and sound projects ‘bookRoom’ research of Richard Serra. My practice is somewhat by the processes and lived The Centre Pompidou and the Avant-Garde at Tate of representation is the newly £10million University and New York Gallery, Belfast Exposed and has collaborated with cluster examining the sporadic and after a bit of a experiences of my body, is distributed in the UK by Liverpool, How We Are: fundamental to all artists refurbished dover cruise University). and Format Festival. and has been commissioned production and distribution dry period, I have enjoyed employed to explore pro- Artificial Eye, Soda Films, Photographing Britain at and filmmakers working terminal Dover western Internationally at: Foam by many artists, filmmakers of artists’ books. a recent experience of curat- cess and embodied ways of The BFI and LUX and in Tate Britain, From Tarzan with material from the real docks- the work is in place Museum, Chinese National and theatre directors. His ing, this may indicate a new knowing and becoming. France by ED Distribution. to Rambo at Tate Modern, world and underpins the as part of the 2014-18 Museum of Industry, work has been presented at direction for engaging with Documentary Dilemmas workshops I run to ensure events remembering WW1 Reminders Gallery, Tokyo, the Venice Biennale, ICA ideas, fellow artists and and The Observers, both students think carefully and WW2. Stephen Bulger Gallery, London, Toronto Festival audiences. British Council touring about their responsibilities Toronto. He has published Of Moving Image, Tate exhibitions. Anna Fox to both the people they three books, Knock Three Britain, NFT London, E59 Photographs 1983 ¬ work with and their Times, The Hitcher and Theatre NYC, London Film 2007 was published by audiences. The Altogether. Festival as well as having Photoworks in 2007 and works on Channel 4, BBC her retrospective exhibition Radio 3, Resonance FM Cockroach Diary and Oth- and has had theatre music er Stories followed with a commissions at Royal European tour. Fox¹s latest Court Theatre, London, books, Resort 1 and Resort Royal Shakespeare 13 14 15 2, reveal the contemporary 16 17 Company Stratford Upon 18 19 20 Edward Chell Ellen Nolan Emmanuelle Waeckerle face of Butlin¹s holiday Francis Summers Greig Burgoyne Avon, Traverse Theatre Heike Lowenstein Jason Dee Jean Wainwright is an artist working Three years ago my aunt uses performative strategies camp in Bognor Regis. Fox is Senior Lecturer in wrestles between a Edinburgh, Abbey Theatre, The interest in place and uses digital technology Jean Wainwright’s areas of across media based in gave me a suitcase.
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