ing meet

1 2 3 4 5 6 7 8 9 10 11 12 Adrian Lovis Amanda Couch Andrea Gregson Andrew Kotting Anna Fox Anne Parisio Anthony Heywood Bill Balaskas Chris Coekin Conor Kelly David Rule Dominic Rahtz For me, art is always a 0.5 senior lecturer in Fine Away from the surface Kötting is an artist and has been working in pho- This is my second year The pedagogic link between is a London-based is an artist and educator. is an artist, musician and David works with and Most of my research over philosophical encounter. Art at UCA Farnham, driven experience of objects, filmmaker who worked as tography since 1983, she is as DFSA year 1 Unit academic research, profes- artist, writer and academic His work is predomi- Fine Art tutor based in around photography, using the last few years has been It reveals the world as teaching across BA and MA the work focuses on sculp- a painter and decorator, Professor of Photography leader after 26 years in the sional practice and student working across different nately concerned with London. He has had solo image and text to record concerned with American strange. Photography does programmes, with a shared tures’ potential to transform market trader and then a at The University College broadcast industry as a learning has always been media. He is currently contemporary British shows at CCA Glasgow, and extend the everyday. and European art of this in particular, because responsibility as Pathway and collapse matter, where lumberjack before returning for the Creative Arts in documentary Producer Di- carefully considered within a PhD candidate in the culture and the notion of Cornerhouse Manchester, His practice, almost wholly the 1960s and 1970s. of its apparently narrow leader for Stage One, and changing states show up to college to study Fine Art, Farnham and was one rector. Alongside my work the courses and research programme of Critical ‘reality representation’. It Green On Red Gallery on the page, looks to the Generally, I’ve tended to gap between world and rep- an interest in how research new connections and possi- graduating from The Slade of the co-organisers of at the UCA I’m developing that I have contributed Writing in Art & Design is frequently based upon Dublin, Temple Bar ways we share stories, write about work that, to resentation. I am interested and reflective writing are ble meanings. The physical in 1989. He made short Fast Forward; Women in a film project with Stormont to within the UCA of the Royal College of Art personal experience and Gallery Dublin, Project reflect, and enthuse; the my mind at least, produces in how we find ourselves taught within studio prac- journey of things, come films, which were awarded Photography a conference House in Hackney where I programme. I have always and he holds an MA from collaborative processes. Arts Centre Dublin, Mercer ways we communicate an aporia in condition as a perpetually positioned, not tice. I am also a sessional to represent a journey of prizes at many interna- at Tate Modern 2015. In teach filmmaking one day utilized research projects the same college. His works His working methodology Union Gallery Toronto, each day with each other. product of the relationships in the world, but hovering, lecturer in Creative Arts ideas, probing the histories tional film festivals before 2010 Fox was shortlisted a week to children with to engage undergradu- have been widely exhibited is multi-layered, crossing Fordham Gallery London, David studied at the Slade between its historical and as perplexed observers, on its surface. Education, contributing to of an object and reaffirming making his first feature for the prestigious Deutsche special educational needs. ates and along with my internationally, in more genres, often combining Peer in London, On School of Fine Art. He is a material reality, prevailing From this perspective I use Graduate, Postgraduate the relationship to a specific Gallivant (1996) a four- Borse Photography Prize Video shot by the children colleagues we create oppor- than 100 solo and group text, ephemera, audio and Gallery Poznan. He has founding editor of ‘covered conventions of interpreta- still, video and peculiar Certificates, and MA. My site. Engaging with ideas of month journey around the and in 2012 for the Pilar will be combined with my tunities for students to work exhibitions. The main ideas archival imagery. Themes been in numerous group in toner’, a small press tion, and its own interior ‘one-off’ cameras, as well art practice cuts across me- the Anthropocene and the coast of Britain on which Citoler Prize. observed material to convey on live public art projects encountered in his practice explored include, the do- shows. He works with film dedicated to producing and workings. I’ve written as found photographs, dia, straddling the domains uncertainty of forms, the he was accompanied by his Her work has been in a view of the world from including administrative are irony, humour and the mestic environment, work video sound photography distributing affordable, about the work of Carl to involve the viewer in a of sculpture, performance, work creates a new geology grandmother and daughter numerous international their unique perspective. and logistical experiences interrogation of spectacle, & industry and popular and text. The character of unlimited editions by Andre, Robert Smithson, slowed down version of the live and recorded out of the leftovers from a Eden. Subsequent feature group shows includ- Negotiating an ethical as well as working closely through the fuse of which culture along with an ex- his gallery-based work is photographers, artists and Daniel Buren and Law- looking that hopes to open image, the book, process, person’s movement through films include This Filthy ing: Warworks at The filming protocol with staff with other communities; he explores subjects with a ploration of photographic informed by his experience writers. David has taught rence Weiner in these terms, conundrums of desire and participation, research time. The work merges Earth, Ivul, This is our Canadian Museum of and parents is fraught with for example I have strong political character. practice. Coekin’s work and practice as a musician, on the Photography course and I am currently working blindness. and writing. A current forms into conglomerates Still Life, Swandown and Contemporary Photogra- complications but obviously involved them in ‘dove Since 2012, Balaskas is has been exhibited widely, composer and sound artist. at Farnham since 2007 on an essay that deals with Psychoanalytic theory is obsession with the digestive from mass production and By Our Selves. His work phy and the Victoria & crucial when working with of peace-1994 -2015’, a an editor for the Leonardo including solo shows at: He formed Bell Helicopter and has been an active the definition of experience a particularly valuable system, metaphorically and structures in nature. is held in the collections Albert Museum; Centre of vulnerable contributors. large scale paper sculpture Electronic Almanac (The The Photographers’ Gal- in the early nineties for member of the department’s in the early process pieces resource. materially, often triggered of The Arts Council and the Universe; Liverpool and Considering the ethics of spitfire- installed into MIT Press, Goldsmiths lery, Wolverhampton Art music and sound projects ‘bookRoom’ research of Richard Serra. My practice is somewhat by the processes and lived The Centre Pompidou and the Avant-Garde at Tate of representation is the newly £10million University and New York Gallery, Belfast Exposed and has collaborated with cluster examining the sporadic and after a bit of a experiences of my body, is distributed in the UK by Liverpool, How We Are: fundamental to all artists refurbished dover cruise University). and Format Festival. and has been commissioned production and distribution dry period, I have enjoyed employed to explore pro- Artificial Eye, Soda Films, Photographing Britain at and filmmakers working terminal Dover western Internationally at: Foam by many artists, filmmakers of artists’ books. a recent experience of curat- cess and embodied ways of The BFI and LUX and in Tate Britain, From Tarzan with material from the real docks- the work is in place Museum, Chinese National and theatre directors. His ing, this may indicate a new knowing and becoming. France by ED Distribution. to Rambo at Tate Modern, world and underpins the as part of the 2014-18 Museum of Industry, work has been presented at direction for engaging with Documentary Dilemmas workshops I run to ensure events remembering WW1 Reminders Gallery, Tokyo, the Venice Biennale, ICA ideas, fellow artists and and The Observers, both students think carefully and WW2. Stephen Bulger Gallery, London, Toronto Festival audiences. British Council touring about their responsibilities Toronto. He has published Of Moving Image, Tate exhibitions. Anna Fox to both the people they three books, Knock Three Britain, NFT London, E59 Photographs 1983 ¬ work with and their Times, The Hitcher and Theatre NYC, London Film 2007 was published by audiences. The Altogether. Festival as well as having Photoworks in 2007 and works on Channel 4, BBC her retrospective exhibition Radio 3, Resonance FM Cockroach Diary and Oth- and has had theatre music er Stories followed with a commissions at Royal European tour. Fox¹s latest Court Theatre, London, books, Resort 1 and Resort Royal Shakespeare 13 14 15 2, reveal the contemporary 16 17 Company Stratford Upon 18 19 20 Edward Chell Ellen Nolan Emmanuelle Waeckerle face of Butlin¹s holiday Francis Summers Greig Burgoyne Avon, Traverse Theatre Heike Lowenstein Jason Dee Jean Wainwright is an artist working Three years ago my aunt uses performative strategies camp in Bognor Regis. Fox is Senior Lecturer in wrestles between a Edinburgh, Abbey Theatre, The interest in place and uses digital technology Jean Wainwright’s areas of across media based in gave me a suitcase. Inside it (live and mediated), writ- is committed to the devel- Photography and Fashion rule based process-led Dublin. identity has run as a strand to distort the spatial and expertise are in contempo- London and Reader in was an archive of hundreds ing and on the page work opment of international Photography. I completed activating of space through through German-born UK- temporal boundaries of an- rary art and photography, Fine Art at University of the of images and documents to explore the materiality of photography education, my PhD, Compulsions to endurance, duration and based Löwenstein’s photo- alogue films. This approach with particular reference to Creative Arts. His recent belonging to my Great language. has assisted in the devel- Enjoy: Appropriation, En- repetition, alongside the graphic practice of over 30 works in conjunction with Andy Warhol, on whose publications, which form Aunt Nita. Through a number of opment of photography joyment and Time-Based experience of a space’s years. In the 80’s and 90’s installation techniques that life and works she is an a key part of his practice, Nita Harvey was an interrelated projects degree courses in India and Art, in 2014. I work in physical, static volumes, she has focused on com- alter cinema’s carefully internationally recognised include Soft Estate (the English actress on the brink stretching back over twenty is co editor of Langfords collaboration with Louisa anomolies or dimensions missions in documentary, aligned layout of projector, expert. As a writer Bluecoat, 2014), Eclipse of Hollywood success. In years, Emmanuelle is using Basic Photography (Taylor Minkin, with recent pieces that seek to reconceptualise editorial, architecture and screen and audience. These and academic she has (Stour Valley Arts, 2013) 1933 she was discovered text (very few words) to Francis 2015) and Behind including A is for front line the body/site relation industrial photography two methods combine to published extensively in the and In the Company of through a beauty contest, construct visual scores and the Image (AVA Press (Parking Lot magazine, through performative and worked for numerous highlight the fragmented contemporary arts field, Ghosts: The Poetics of the summoned to Hollywood instructions for the marking 2011). 2016- upcoming) and actions that take the gallery national and international structure of a hybrid contributing to numerous Motorway (erbacce-press, and signed to Paramount and reading of space. Common Conduct (recently space beyond a condition clients, for example Stern, medium that has been in a catalogues and books. In 2012). He is represented studios. Nita was prepared Each occurrence brings shown as part of the Atomic of stasis to one of trans- OTIS, Dorling Kindersley constant state of flux and 2014, she curated a major by Galerie Bughdahn und for performing by her opportunities for new trans- Pictures video program in lation and flux, a site of and BMW. renewal for over a century. international exhibition, Kaimer, Düsseldorf. mother, who constantly lation, interpretation and Paris, 2015). As committee experience rather than Heike’s field of enquiry is Rather than simply expos- Ship to Shore: Art and the photographed her. slippages. These in turn member of the artist-run simply location; extending photography concerned ing the material workings Lure of the Sea and she I have been working with may generate new maps for organisation Five Years I the Bergsonian sense of with meaning of place and of an increasingly obsolete curated an international photography, film, newspa- future exploration of one’s recently facilitated Steve the ‘not yet’ to a becoming representation of identity; medium, digital technology artists project in Venice for per and magazine articles, (sense of) place. Klee’s Too Prolix: Between of multiplicity, endurance informed by phenomenol- is used to subtly shift and the 2015 Biennale Rites of letters, telegrams, diaries Emmanuelle is a Reader in a Rock and a Hard Place, and duration. The resulting ogy. Her practice-based undermine film’s intricately Passage. and notebooks that docu- Photography and Relation- 2015, an exhibition drawing installations, research pursues the impact constructed worlds, cre- ment the journey of a young al Practices at University documenting a perform- performative films, par- of an environment upon ating alternative spaces, actress photographed both for the Creative Art in ative re-enactment of the ticipatory live events and the formation of identity rhythms and viewpoints from an industry perspec- Farnham, and director of language of class struggle wall drawings Burgoyne and the self. In her project within which old and the tive and from her mothers bookRoom research cluster. during the 18th century in sees as finite propositions, Panarrative she focuses on new ways of seeing can be perspective. The words on Her research interest lies in Chatham Dock Yards. only completed or brought panoramic photography as merged and reinterpreted. the images are taken from the parallel histories and into being as a result of a tool that can aid commu- Nita’s diaries, notes and practices of the artists’ book the context they are in. nication of this context. letters. and the photobook, and in In doing so, inviting the Löwenstein had several publishing as a critical and audience to play a part in books with her work pub- collaborative venture. the completion of the work lished and had numerous Emmanuelle exhibits and whilst challenge /and at solo and group shows in performs regularly nation- other times liberate, our Berlin, London, Glasgow, ally and internationally rapport with space beyond New York, Arles, China and has works in private something contained and and Dresden between 1993 and public collections subsequently closed to and today. including Bibliotheque further development. Bur- Nationale de goyne regularly exhibits, 21 22 23 Paris, V & A,Tate Britain 24 25 26 presents at conference and 27 28 29 30 and the Poetry Library in lectures both nationally Jessica Voorsanger Joan Key Jonathan Simms Judith Rugg Karen Knorr Kathy Kubicki Kathleen Rogers Mary-Lou Barratt Matt Lindsey Mike Marshall London. and internationally. My work explores popular is a member of sessional teaches on both the is Professor of Contempo- Karen Knorr’s photogra- Education: Central St In 2015 I gathered My recent research, with Matt’s practice draws The failure of ideas and culture with a particular staff working in Fine Art at BA(Hons) Photography rary Art and Spatial Cul- phy explores cultural Martins College, BA Fine my on-going, recurrent the Social Sculpture on the technical and utopias, the limitations fascination focusing on UCA Canterbury. Working and the BA(Hons) Fashion ture. Her research interests heritage and its ideological Art 1993 followed by research concerns collec- Research Unit, Oxford conceptual characteristics of diagnostic certainty, celebrity. I am particularly as a painter in London she Photography at UCA Roch- focus on the relationships underpinings. Questions MA in Visual Culture at tively into the manifesto, Brookes University and of a range of historical and the breaking down of interested in the relation- has shown with Richard ester. As an assistant in the between contemporary art concerning post colonialism Middlesex. Cosmopolitical Futures, the AHRC, focused on contemporary approaches. distinctions, the dissolving ship between the fan and Salmon, One in the Other late 80’s, he first worked and concepts of site, space and its relationship to Published critical writing The Anthropocenic Human how socially-engaged He has worked on various of edges - things as they the celebrity. This has been and Program galleries with British and French and place. Recent publica- aesthetics have permeated in many journals and reflecting my long time art might effect radical, arts publications including emerge, coalesce and explored through obses- and with Bow Arts Trust, Vogue. Early productions tions include Spatialities: her photographic work involved in conferences/ interest and research sustainable social changes. Scope: A Visual Archaeolo- fade, the passing of time, sion, souvenirs, sound and Rear Window, Artlab, Peer with Max Vadukul led to The Geographies of Art since the 1980’s. Her most seminars since mid 1990’s. in foundational studies This centred on the utopian gy of Photography. light-soaked, thought-like image. My practice is very Trust, and White Window work with Annie Leibovitz and Architecture (Intellect, recent work India Song Tate Modern – recently in theories of quantum thinking, participatory Research driven through- materials and images. inter-disciplinarian ranging Trust. She is also a writer for Vanity Fair. Time was 2012) and Exploring Site researched the stories and organised contemporary physics and the nature of strategies and value-ori- out, his recent work focuses Activity that involves and from performance & instal- and curator and was for- spent in New York with Specific Art: Issues of Inter- myths of India photograph- photography events with nature and the properties entation of such practices. on forms of meta-discourse combines: attempts to cap- lation to costumes, painting merly a part-time lecturer Alex Chatelain, moving to nationalism (I. B Tauris, ing animals and placing international academics of living matter. In recent The project fuelled my manifesting in an inquiry ture porous situations and and mail art. I obtained at Goldsmiths College and Paris in the early 90’s to 2010). Recent research them in temples and palac- and artists. Catalogue projects – Black Lace and interest in theories of of photography itself as open-ended arrangements. my BFA in Painting from visiting lecturer at City assist Paolo Roversi, Albert includes Architec-Tronic: es across heritage sites in essays include for Karen Stem Cell work I alluded to revolution, the importance subject. Matt is currently Recent projects include: the Rhode Island School University. Watson, Steve Hiett, and a Judith Rugg, Paintings, Uttar Pradesh, Rajasthan, Knorr and Jessica Voor- methodological approaches of ‘rents in the real’ and working on a project called plain paper and card, cut, of Design and my MA in Key’s paintings have full time post with Pamela The Co-Op, London Karnataka, Tamil Nadu sanger. Founding Editor of based on Barad’s theories notions of ‘aesthetic Re-enactments. He is inter- folded and placed as small Fine Art from Goldsmiths. worked with text and Hanson. Jonathan’s (2015); Urban Texts: Art, and Maharastra blurring Photography and Culture and the counterintuitive enlivening.’ It led me to ested in the photograph as temporary sculptures, I have had exhibitions in a graphic notations to publishing career took off Visual Culture, Place and boundaries between reality 2008 Berg, now Routledge; interpretation of quantum where I am now; exploring material object and photo re-shaped by sunlight, range of locations including explore the proposition with the support of stylist the City (Routledge, in and illusion. Karen Knorr a collaborative project physics; that an object of the possible relationships / text combinations. Matt’s developing into photos, the Serpentine and the that if painting or drawing Brana Wolf in the world preparation) and Gender won the V International with PARC at LCC (UAL) investigation cannot be between radical social latest essay A Culture of sometimes paintings – also Hayward Galleries. could be used as a score of Fashion Photography, and Landscape in Contem- Photography Pilar Citoler + University of Ontario, accessed outside of human change, power, challenges Texts will feature in A ‘Vision System’, a video of their memory could suggest shooting for Vogue Pelle. porary Art (I.B. Tauris, in Prize in 2011. She has been Canada. conceptual frameworks to the anaesthetising force Companion to Photogra- a projectionist in a (now something heard rather Based in Paris, further com- preparation). nominated for the Deutsche Associate Lecturer at CSM to address and provide of normative structures that phy due to be published by demolished) small town than seen. This idea has missions ensued with stylist Börse in 2011 and 2012 (UAL). Visiting lecturer at; insights into the nature dislocate us from our innate Wiley-Blackwell in 2016. cinema in India tending been developed through Emmanuel Alt, for Vingt and Prix Pictet in 2012. Goldsmiths, RCA, Univer- of causality, identity and ‘power-to’ and my phenom- a film entitled ‘Fashion’, collaborations with Ans magazine and French Karen Knorr’s work is sity of Hertfordshire, LCC, nature. Barad forms enological explorations as and ‘Oasis’, studying prize musicians including Anton Marie Claire. Clients such included in collections Camberwell + Wimbledon an emergent zeitgeist in a BASE jumper. pigeons at the edge of the Lukoszevieze, David Ryan, as Elle, Glamour, GQ, Ma- worldwide including Tate (UAL), Sotheby’s Institute. cultural theory/philosophy desert in Egypt, contained Lore Lixenberg. Works rie Claire, Spanish Vogue, Museum and Pompidou (Stengers, Bennett, Braidot- and restless inside a hut. have been performed in Vogue Homme, commis- Museum. ti, Latour,Haraway) mak- gallery settings including sioned for a style that ing connections between the De La Warr Pavilion, took Inspiration from the vitalist materialism, science Kettles Yard and South French ‘New Wave’ cinema, and politics and ethics. As London Gallery. Key has yet entwined the intimate environmental changes also worked with film-mak- format of the Leica M series force themselves into our er Jayne Parker on a film camera. Jonathan’s work physical consciousness we of a performance of drawn during 90’s was influenced need to re-think our theo- composition for piano, with by a rich and exciting ries about politics, nature pianist Tania Chen. time within the world of and humanity. Stengers, 31 Recent paintings have con- Fashion, with designers 32 33 34 35 36 term, Cosmopolitics, 37 38 39 40 41 Moyra Derby tinued the themes of timing open to risk and prepared Natasha Caruana Nicky Hamlyn Ori Gersht Paul Vivian Peter Hofer stresses the relationship Peter Renn Rosie Gunn Silke Panse Sophia Phoca Srinivas Surti A concern with the process and attention, referring to to adventure into the is a photographic I have recently completed is an Israeli fine art pho- I work primarily with Acting Course Leader between the political order teaches on the Photogra- leads our BA (Hons) Silke’s research is mostly on I graduated from St Mar- is currently a Senior of recognition and how the instant abstractions of unconventional. Working artist living and working three 16mm films of tographer. He is a professor appropriated imagery in re- Fine Art UCA Canterbury. and scientific models of phy , Arts & Media and Digital Film & Screen Arts documentary moving imag- tin’s in Fine Art Film and Lecturer in Fine Art at UCA it conditions attention, photographic images to with instant transparency in London. She has an Gasometers in Edmonton, of photography at the lation to an object or space, Working predominantly reality. Barad proposes and Fine Art programmes course at UCA Farnham. es in diverse manifestations Video and then received Farnham. His research caught within the material propose different approach- film, the 35mm film was MA in Photography from Tottenham and Hornsey, University for the Creative each aims to be a form of with site-specific sound that agency does not orig- at Farnham. With a Rosie works with photogra- with a current focus on a masters by thesis from focuses on the intersection circumstances of painting. es to looking at painting, later enlarged on to large the Royal College of Art, for which I received Arts in Rochester, Kent, ‘stand-in’. The works are installations and sound as inate in human intention background in commercial phy and moving image for eco-aesthetics, materialisms UKC. I work as a critic, between print and sculpture Comparative looking, closer to the passing-by format Polaroid materials London and is a Senior production funds from England. deliberately intended to be a sculptural medium. but resides in all of matter, photography, working single screen, multi-screen, and realisms. She was writing for contemporary as a notional space between prompted by repetition, of bill-boards and film- as final prints. Lecturer of Photography the UCA Research Office. Gersht graduated in viewed as a kind of poor suggesting that matter for newspapers and projection and print. the co-investigator of the art and artist’s moving reality and illusion. In rotation, ratios and cut frames, or the handling of at the University for the The first two have been Photography, Film and imitation, constructed as if bears the mark of human magazines, architects, She recently collaborated AHRC-funded Screening image work in journals relation to this, current forms. Structured as double books and magazines. Creative Arts, Farnham, shown at Edinburgh and Video from University of somehow conscious of their agency in ways that release fashion designers and on The Birth Of Stars, Nature Network (2013- including Art Monthly work has been concerned sided hinged panels, paired UK. In 2014 Caruana was London Film Festivals and Westminster, London and own ability to disappoint. human intention. Her music publishers, when not an interdisciplinary Arts 14) and is working on the and Third Text as well with representations of the as cut panels or installed as named as the winner of the in an event in Ramsgate studied for an MA in Pho- Recent solo shows include radical ontology proposes teaching he is a practicing Council funded project, monograph An Ontology of as publishing essays and exotic and the picturesque wall works. Recognition prestigious BMW Artist in organised by Cathy Rogers, tography from the Royal presentations of work the collapse of partitions photographer and profes- to create and light the Documentary Eco-aesthet- contributing to talks, as forms of visual consump- that is not dependent on Residence Award at musée a former KIAD Maidstone College of Art, London. at Art Gene, Barrow in between mind and matter; sional printer. performances with a ics: Protagonists between symposia and interviews tion. By reworking sources an imitative prompt, but Nicéphore Niépce, France. MA student. Recent Gersht has exhibited Furness and A Space wanting us to re-consider Peter’s practice extends digital video projection that Realisms and Materialisms. on contemporary art. I taken from packaging involved in a process of The award led to solo publications include a widely in museums and Southampton; in 2015 I ethics, sentience and values across both art and com- interacts with the music and She has published ‘Ten am motivated by feminist design and architecture, the matching, one to the other. shows at Les Rencontres catalogue essay for ‘Video’ galleries since the early was winner of the Wells Art within the new diffractive mercial photography using Choreography. Skies, 13 Lakes, 15 Pools’ discourse. poetic-image is rendered Edge to edge, front to back, d’Arles and Paris Photo a show at Evelyn Yard 1990s. He is represented Contemporary. In 2016 methodology she calls a wide variety of media. He about James Benning’s as a damaged fragment of holding information in the and the monograph Coup Gallery, London, by Jamie by Angles Gallery in Los I’ll be presenting work in a “Agential Realism”. AR is particularly interested films in Screening Nature: commodification. In these space between seeing and de Foudre. Jenkinson, also a former Angeles, CRG Gallery in solo exhibition at 45 Park accounts for how we itera- in experimental camera Cinema Beyond the Human works the surface and the recalling. Caruana’s art practice is Maidstone UCA student, New York, Ben Brown Lane, London and as part tively rework the ‘objects” techniques and alternative/ (2013) and will contribute physical properties of its grounded in research con- and an obituary of Al Rees, Fine Arts in London, and of a group exhibition of five that we study. Fixed notion historic printing processes. the chapter ‘The World support become mutually cerned with narratives of former Time Based Media Noga Gallery in Tel Aviv. artists with Copperfield of “humanness’ have been Recent projects include is not out of the Woods’ evocative in picturing the love, betrayal and fantasy. course leader Maidstone In 2012, Gersht’s show Gallery, London. dramatically transformed a book on the forgotten on Benning’s two cabin desire for an unattainable Significant to all Caruana’s from 1988 to 1996, in the History Repeating was by posthumanist theory landscape of the Thames installation for a collection ideal. work is the questioning of Millennium Film Journal. mounted at the Museum of and the advanced sciences Estuary, building the “Be- for Edinburgh University how today’s technology is I am currently supervising Fine Arts, Boston. of transgenics biomedicine hemoth” ultra large format Press. She has written impacting relationships. three PhD students at and biomimesis. The camera and introducing the about the documentary Her series Married Man UCA, as well as running philosopher, and founding 1850s process of wet-plate protagonists’ material documents love and life of first year film projects and quantum physicist Niels collodion to UCA. labour of aesthetics in A the everyday and her later supervising dissertations at Bohr made account of ways Companion to Contempo- work Fairytale for Sale Canterbury, also teaching in which words and worlds rary Documentary Film explores the strange ritual some days on the DFSA are inextricably linked as (2015) and about their of newlyweds blocking out course in Farnham and the discursive and material immaterial labour in Marx their faces in online adverts. Fine Art MA in Canterbury. practices. He understood at the Movies (2014). Silke Her work is created the intentional state of mind is the co-editor of A Critique drawing from archives, as arising from complex of Judgment in Film and the Internet and personal networks of human and Television (2014) which narratives. non-human agents and includes her chapter ‘The ecologies of material Judging Spectator in the conditions that exceed Image.’ She is currently an individual and he writing the article ‘The saw how the paradoxical 42 43 44 45 Material of Athleti- challenge for humankind cism: Werner Herzog’s Steffi Klenz Sunil Gupta Terry Perk Zadoc Nava was to make meaning and Documentaries, Deleuze is an artist, writer, activist I studied sculpture at Leeds intelligibility in the light and Bergson’ for Deleuze and curator. His work University and Bennington of unintelligibility and Studies in development of has been shown in over College in the USA, com- in doing so he endorsed, her monograph Herzog, 90 international solo pleting a PhD in the Histo- transdisciplinary creative Deleuze and Documentary. exhibitions, most recently ry and Theory of Art at the processes and practices of She also makes one shot at Yale University, New University of Kent in 2007. poetry and the visual arts. videos. Haven, CT (2015) . I have extensive experience Group shows include Pairs of making commissioned Bombay, Delhi at the work for the public realm. Pompidou Centre (2011) These works are site and Keywords at the Tate responsive and explore Liverpool (2013). Gupta’s the geometric, historic and curatorial efforts were par- architectural qualities that amount in the monumental determine a sense of place. exhibition, Where Three Over the last four years I Dreams Cross: 150 Years have worked predominant- of Photography from India, ly in collaboration with Pakistan and Bangla- Julian Rowe, developing a desh at The Whitechapel range of works that develop Gallery, London and archeological and fictional Fotomuseum Winterthur, histories as they might Switzerland. pertain to the landscapes of Kent and the South East of England. School of Fine Art and Photography 6th January 2016 Design by Setsuko 1 5

34

36

38

45 21

30 18

44

32

3

41

29

28 15

7 39

20

33 25

43 19

31

16 37

4

24

13

8

22

12

9 26

17

35

6

2

5

23 14 42

11

10

40 27