Fall 2018 Contents

New Titles 5

Collector’s Editions 49

Toiletpaper 71

Backlist 77

Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103

Spazio Damiani 104

Distributors 106

Notes 108

Contacts 110 New Titles Photography

Arthur Elgort Jazz

This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of

Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. He studied October 2018 painting at Hunter College but quickly transitioned to $45 | £35 photography. He attributes much of his spontaneous and liberated style to his lifelong love of music and dance, especially jazz and ballet. In his long career he has worked on many major advertising campaigns, as well as shooting many fashion spreads for American, French, British and Italian Vogue. He has published several books including: Personal Fashion Pictures, 1983; Camera Ready: How to Shoot Your Kids, 1997; Models Manual, 1993; Camera Crazy, 2004; and The Big Picture, 2014. He currently lives in New York with his wife and has three successful children. Arthur has loved jazz since the age of nine. He was introduced to the music by a childhood friend. He pursued his interest by attending jazz clubs all over New York and listening to countless records of his favorite bands and musicians. As his interest in jazz grew so did his talent for taking pictures and by the time he was a well- Collector's edition of 25 copies known, working photographer he often requested to have his with a numbered and signed print childhood idols appear in both his fashion and personal work. ISBN 978-88-6208-619-6 $850 | £600

New Titles 7 Photography

Barry McGee

Barry McGee is an artist who takes uncertainty and unpredictability as his guiding principles. Every exhibition is different. His installations have featured everything from robotic graffiti writers to entire shipping containers and automobiles. Published to accompany an exhibition at Cheim & Read, New York, this artist’s book features new paintings, sculptures, photographs and images of site-specific installations. McGee’s work defies easy categorization and explanation but it’s possible to read into this latest body current events in the world at large.

A native of San Francisco, McGee studied painting and printmaking at the San Francisco Art Institute, graduating in 1991. He became a leading figure in the 1990s movement known as the Mission School, after the city’s celebrated Mission District. He has shown extensively, both nationally and internationally, with solo exhibitions at the Modern Art Museum of Fort Worth, Fort Worth, Texas; the Hammer Museum, Los Angeles; Fondazione Prada, Milan; the Walker Art Center, Minneapolis; the Rose Art Museum, Essay by Katya Tylevich Waltham, Massachusetts; the Butler Gallery, Kilkenny 24.8 x 33 cm | 9 ¾ x 13 inches 72 pages, 60 color and b&w, hardbound Castle, Ireland; the Watari Museum of Contemporary ISBN 978-88-6208-616-5 Art, Tokyo; and the Baltic Centre for Contemporary Art, November 2018 Gateshead, England, among others. McGee’s work was $35 | £25 included in the 2001 Venice Biennale, the 2008 Carnegie International, and the 2009–2010 Biennale de Lyon, France. His retrospective opened in 2012 at the Berkeley Art Museum, Berkeley, California, and traveled to the Institute of Contemporary Art Boston, Boston, Massachusetts.

New Titles 9 Toiletpaper

Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari ToiletMartin PaperParr Calendar 2019

The upcoming ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Martin Parr is one of the best-known documentary photographers of his generation. He has published over 100 books and edited another 30. He has curated two photography festivals, Arles in 2004 and Brighton Biennial in 2010. In 2016 Parr curated the Barbican exhibition, Strange and Familiar. He has been a member of the Magnum agency since 1994 and was President from 2013 - 2017. Parr’s work has been collected by many major museums. Parr established the Martin Parr Foundation in 2017.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with 21 x 28 cm | 8 ¼ x 11 inches Massimiliano Gioni and Ali Subotnick. Cattelan also 7 pages, 14 color, wire-o founded the art magazines Permanent Food and Charley. Since ISBN 978-88-6208-597-7 retiring from art after the acclaimed 2011 retrospective at the September 2018 $22 | £17.99 Guggenheim Museum in New York City, he has concentrated on publishing Toiletpaper magazine.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007, he began a collaboration with L’Uomo Vogue which offered him the chance to explore the potential of the portrait and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper.

New Titles 11 Toiletpaper

Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper 17

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialisation of the artists’ mental outbursts. Since the first issue in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with

22.5 x 29 cm | 8 ⅞ x 11 ½ inches Massimiliano Gioni and Ali Subotnick. He collaborated on 40 pages, 22 color, softcover No Soul for Sale–A Festival of Independents, which took place ISBN 978-88-6208-613-4 in the Turbine Hall of the Tate Modern in 2010. Cattelan also November 2018 conceived the art magazines Permanent Food and Charley. $16 | £10 Since retiring from art after the acclaimed 2011 retrospective at the Guggenheim Museum in New York City, he has concentrated on publishing Toiletpaper magazine.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a collaboration with L’Uomo Vogue that offered him the chance to explore the potential of the portrait and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper. When he is not shooting, he can be found surfing in Costa Rica.

Collector's edition of 1000 copies with a surprise... ISBN 978-88-6208-614-1 $45 | £35

New Titles 13 Photography

Mamma Andersson Memory Banks

Painters often draw from existing visual materials, such as photographs and reproductions of past works of art, to construct their work. Mamma Andersson is no exception but takes the process a step or two further, importing images of stacks of books and stray photographs, clipped from various sources, into her compositions. Her psychologically-charged paintings have an eerie sense of familiarity, as collaged dreamscapes cluttered with common imagery and accumulated biblio-ephemera.

Karin Mamma Andersson was born in 1962 in Luleå, Sweden. She studied at the Royal College of Fine Arts in Stockholm, Essay by Kevin Moore where she continues to live and work. Andersson’s 24.5 x 31 cm | 9 ⅗ x 12 ⅕ inches dreamlike, faintly narrative compositions are inspired by 80 pages, 50 color and b&w, hardbound ISBN 978-88-6208-601-1 Nordic painting as well as folk art and cinema. Her complex October 2018 use of pictorial space and technique, using thick impastos $45 | £34 and textured washes, instill both a sense of pregnant mystery and domestic familiarity. Solo exhibitions of her work have been presented at the Museum Haus Esters in Krefeld, Germany; the Aspen Art Museum; and the Moderna Museet, Stockholm. In 2003, she represented the Nordic Pavilion in the 50th Venice Biennale. Her work is represented in numerous museum collections, including the Dallas Museum of Art; Göteborgs Konstmuseum, Gothenburg, Sweden; Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; and Moderna Museet, Stockholm.

New Titles 15 Photography

Michael Christopher Brown Yo Soy Fidel

Yo Soy Fidel follows the cortège of Fidel Castro, former Cuban revolutionary and politician, over a period of several days in late 2016. Michael Christopher Brown leaned out of a rear passenger window of his passing vehicle in order to photograph Cubans waiting alongside the highway for Fidel’s military convoy carrying his cremated remains from Havana to Santiago to pass. The route mirrored Fidel’s post-revolution journey from Santiago to Havana in 1959, which helped solidify his image as hero and legend. In Yo Soy Fidel, fragments of this initial image have survived his Edited by Martin Parr death though perhaps inevitably lead to a question of what Text by Martin Parr and Jon Lee Anderson is to come. A country largely seen for half a century as a 31 x 24.5 cm | 13 ⅕ x 9 ⅔ inches 160 pages, 110 color, hardbound symbol of dignity and hope in the fight against imperialism, ISBN 978-88-6208-602-8 Cuba has a choice: to stay true to Fidel’s revolutionary path October 2018 or succumb to globalization and all it entails. $50 | £35

Michael was raised in the Skagit Valley, a farming community in Washington State. His current work includes an in-progress book exploring the years 2012-2017, a transformative period while living between Africa, America and Cuba. He is based in Los Angeles.

New Titles 17 Photography

Frédéric Lagrange Mongolia

Mongolia is a project which Frédéric Lagrange began in 2001 and has spanned over sixteen years, during which he took thirteen trips in all four seasons, covering vastly different regions of the country. This book is his visual portrait of Mongolia and her people captured in detail in a genuine, human form through a compilation of landscapes and portraits. The book offers the viewer an intimate look and visual journey into a still largely unknown and intriguing place. The book is intentionally printed in large format, to maximize the impact of the smallest details and the different emotions of everyday life in the countryside and cities. The entire selection of images have been shot on negative film which offers a painterly quality with grain and with vivid colors. As far as Lagrange is aware, this is the only body of work about Mongolia that offers such an extensive coverage of the country.

Frédéric Lagrange launched his career in 2001, after working with fashion photographer Nathaniel Goldberg. Early on, 34.2 x 41.9 cm | 13 ½ x 16 ½ inches 240 pages, 150 color, clothbound Frédéric focused mainly on travel photography, but since, ISBN 978-88-6208-606-6 he has broadened his scope of work to include fashion and October 2018 portraiture. His images have been featured in the most $280 | £200 prestigious magazines: Vanity Fair US, The New York Times Magazine, Harper’s Bazaar, Vogue, The New Yorker, Condé Nast Traveler, GQ among others. He has been documenting the world for the last fifteen years—traveling through more than a hundred countries—since he first picked up a camera. Although Frédéric is best known for his images of South, South East, and Central Asia, he is also recognized worldwide for his travel and portraiture work. The approach to his work sees him focus mainly on capturing people in their natural environment, picking up as many subtle nuances as he can through his lens. Frédéric was born in Versailles, France and currently lives in Brooklyn, NY.

Collector's edition of 30 copies with a numbered and signed print ISBN 978-88-6208-611-0 $680 | £500

New Titles 19 Photography

Catherine Wagner Place History and the Archive

Place History and the Archive provides a forty-year survey of Catherine Wagner’s photographic work. This is the first volume to contain Wagner’s major bodies of work, dating from 1974 to 2016, in one compelling publication. This publication surveys nineteen series and includes early projects in which Wagner began working with strategies she calls “archaeology in reverse”. Early California Landscape (1974), Moscone Site (1978), and 1275 Minnesota Street (2016) in which physical and cultural architecture along with its core materials, are reimagined as metaphors for how we construct our cultural identities. Wagner further extends the notion of construction as she examines institutions as various as art 30 x 24.5cm | 11 ⅘ x 9 ⅔ inches museums, science labs, classrooms, the home, and Disneyland. 336 pages, 250 color and b&w, hardbound Scientific, cultural, and natural histories are key realms of this ISBN 978-88-6208-598-4 exploration. Wagner has explored scientific inquiry deeply October 2018 $65 | £49 throughout the years. Projects such as Re-Classifying History (2005), Rome Works (2014), and A Narrative History of the Light Bulb (2006), recontextualize archives and collections of various cultural and historical institutions; questioning the representations of how history is recorded. Reparations (2010), and Trans/literate (2013) investigate the processes of cultural change and redefinition by looking at collections of medical splints and Braille books, respectively. The book includes texts by Associate Curator at Tate Modern Shoair Mavlian, and a conversation between Catherine Wagner and Stephen Shore.

Catherine Wagner has received many major awards, including a Guggenheim Fellowship, National Endowments of the Arts Fellowships among others. Her work is represented in major collections nationally and around the world, including the LACMA, SFMOMA, The Whitney Museum of American Art, Museum of Modern Art Bologna, Museum of Fine Arts, Houston, Yale University Art Gallery, MoMA NY, The Victoria and Albert Museum, and the Museum Folkwang Essen. In 2001, Wagner was named one of Time Magazine’s Fine Arts Innovators of the Year.

Collector's edition of 10 copies with a numbered and signed print ISBN 978-88-6208-599-1 $800 | £580

New Titles 21 Photography

Builder Levy Humanity in the Streets:

New York City 1960s–1980­­ s­­

Humanity in the Streets: New York City 1960s–1980s documents the resilience and power of the multiracial humanity that Builder Levy experienced in the streets of New York during these decades. At that turbulent time, people around the world were struggling for freedom and independence and throughout the United States people were marching in the streets to demand improvement in their own conditions. This exhaustive monograph gathers pictures that Levy took during the Civil Rights and anti-Vietnam protests in the 1960s, the peace march that was held in 1962 in response to the Cuban Missile Crisis; the poverty-ravaged Brooklyn of the 1960s, 70s and 80s; the inner city communities where he was a New York City teacher of at-risk adolescents for 35 years; Martin Luther King at Reception in 1968 after the W.E.B. Du Bois Centennial Tribute at Carnegie Hall where he gave the keynote speech; and marches and demonstrations in support of the Freedom struggle; for a NYC civilian review board and to stop police killings; for quality education for all Text by Deborah Willis NYC children, and against NYC school segregation. 24.3 x 30.5 cm | 9 ⅗ x 12 inches 124 pages, 100 b&w, hardbound ISBN 978-88-6208-612-7 Builder Levy was born in Tampa, FL in 1942 and raised in October 2018 Brooklyn. He received a BA in art from Brooklyn College, $49.95 | £35 where he studied photography with Walter Rosenblum, who became a mentor and friend. Among numerous awards, he received fellowships from the John Simon Guggenheim Memorial Foundation, Alicia Patterson Foundation, National Endowment of the Arts. Levy published three monographs: Images of Appalachian Coalfields, Builder Levy Photographer, and Appalachia USA. His photographs figure in more than 80 collections, including that of Sir Elton John, the Museum of Fine Arts Houston, the International Center of Photography, the Brooklyn Museum, the Smithsonian National Museum of African-American History and Culture, the Victoria and Albert Museum, among others. He has had more than 250 exhibitions, including more than 60 one-person shows. His exhibition, Appalachia USA, opened at the Ringling Museum of Art in 2015, and has been travelling ever since.

New Titles 23 Photography

Michael Danoff, Martin Z. Margulies and Katherine Hinds Martin Z. Margulies Collection Vol. 1

This beautifully crafted, thoughtfully-paced book will showcase selections from the renowned private collection of Margulies. The text will include essays and an interview by Michael Danoff. The book will feature full-color reproductions of the art as well as images of human interest items that add depth to the works and uncover the personality of the collector.

The Martin Z. Margulies Collection is a two-volume hardcover book containing over six-hundred color reproductions. Volume I will feature the Private Collection of art in the collector’s home. Volume II will present the Margulies Collection at the Warehouse: a not for profit, open-to-the-public space, and will include vintage and contemporary photography, video, sculpture, and large- scale installation art, placing special emphasis on past exhibitions. Each volume will be sold separately, or together 24.1 x 27.9 cm | 9 ½ x 11 inches 268 pages, 200 color, clothbound housed in a slipcase. ISBN 978-88-6208-620-2 November 2018 $60 | £39

24 New Titles 25 Photography

Edward Keating MAIN STREETEE The Lost Dream of Route 66

MAIN STREET.EE The Lost Dream of Route 66 includes 84 photographs taken by Edward Keating along Route 66 from 2000 to 2011. Once the only direct road to California, an interstate highway system built in the 1950s bypassed ‘the Mother Road’ and shut off its lifeblood, forcing thousands of shops and motels into bankruptcy over the next fifty years. Between the twin pressures of harmful trade treaties and lower wages abroad, the national economy had changed as well, as entire industries began to dry up, sending a countless number of jobs to Asia and south of the border. 32 x 25.5 cm | 12 ⅗ x 10 inches Western-bound job seekers now bumped shoulders with 176 pages, 84 color and b&w, hardbound Mexican immigrants heading east looking for the same. As ISBN 978-88-6208-600-4 October 2018 a boy, Keating heard his mother tell stories of growing up $50 | £35 in St. Louis near Route 66, tales of her trips to California; and of her father, the first Ford dealer in the bustling city, selling Model A’s in the teens and twenties. Therefore, it was probably fate that lead Keating to the brink on the road that no longer held the nation’s promise. Some made it across while others got stuck to the side of the road. Keating made it across. This book is about the many who didn’t and settled wherever their bones and their broken cars dropped them. The book is designed by Yolanda Cuomo Design, NYC.

Edward Keating has lived and worked as a photographer in New City since 1981. Ten years later he was hired as a Staff Photographer at The New York Times where he covered national and international news and was a regular contributor to the Sunday The New York Times Magazine. He co-founded­ “Vows,” The New York Times wedding column. He has also been a regular contributor to Time Magazine, Rolling Stone, W Magazine and New York Magazine. Keating’s work is held by the permanent collections of major museums. In 2008, Keating exhibited his collection “New York” alongside Robert Frank’s “The Americans” at The Pingyao International Photography Festival in Pingyao, China and his collection on Route 66 was featured at Bursa Fotofest in Bursa, Turkey, in 2011. Keating is represented by Contact Press Images in New York.

New Titles 27 Photography

William Coupon Portraits

This long overdue monograph presents a panorama of portraits from William Coupon. The photographer was given wide access to artists, musicians, politicians, authors and the world’s indigenous people on assignment from major publications like Time, Rolling Stone, The New York Times, Esquire, and The Washington Post. He photographed his subjects against a mottled backdrop of hand-painted Belgian linen, often in a classically lit medium shot format, inspired by Dutch masters such as Rembrandt and by Holbein. Coupon has remained true to this method, whether working in the Oval Office in Washington D. C. or a tribal hut amongst the pygmies in the Central African Republic, or the Caraja in the Brazilian Amazon. Environmental images compliment the more formal portraits. Portraits includes iconic images of Mick Jagger, Miles Davis, Elie Wiesel, David Byrne, Presidents Nixon, Foreword by Walter Isaacson Carter, Bush, Trump, Jean Michel Basquiat, Andy Warhol, and text by Anthony Bannon 29.2 x 31.7 cm | 11 ½ x 12 ½ inches and Prince Philip among many others from Haiti, Panama, 216 pages, 150 color, clothbound with jacket Holland, Northern Scandinavia, and other places. In his ISBN 978-88-6208-603-5 work, Coupon seeks to present a truly egalitarian portrait October 2018 $60 | £44 of humanity integrating common people with the wealthy, powerful, and famous.

William Coupon was born in 1952 in New York, but moved to Washington D.C. and later to San Francisco. He is currently based in Santa Fe, New Mexico. He began to photograph in 1978 at Studio 54, then moving downtown to the punk scene at the Mudd Club, documenting its new wave participants. Commercial work soon followed for a variety of international magazines, record companies and advertising agencies. He continued to shoot portraits, often of various sub-cultures and indigenous peoples in the 1980s and early 1990s, including death row inmates at Florida State Prison, Australian Aboriginals, Moroccan Berbers, New Guinea tribesmen, traditional Dutch, among others. These 30 particular series comprise his Social Studies, an ongoing and ever expanding project. His current work embraces the digital medium, in places like Cuba, Venezuela, Colombia, and in his native United States.

New Titles 29 Photography

Jean Pigozzi Charles and Saatchi. The Dogs

Over the last two summers, Pigozzi has been taking photographs of his young and very playful dogs. In 2016, he received two Vizslas from Hungary, which he called Charles and Saatchi, and he was immediately amazed by how crazy their playing was, so he started taking pictures of them that can sometimes look violent, but he can assure you this is all play. In 2017, another puppy arrived, also called Saatchi. She is a Rhodesian Ridgeback and she too played with Charles and Saatchi. He mainly took the pictures in black and white as it made them more intense and a bit more dramatic. This book, Charles and Saatchi. The Dogs, contains some of the best pictures Jean Pigozzi has taken of his dogs. The book includes a compelling foreword by Charles Saatchi and is designed by Yolanda Cuomo Design, NYC.

Johnny Pigozzi was born in Paris in 1952. He frequented Harvard University, where he studied film and photography. After graduating, he worked in film and television. He Foreword by Charles Saatchi 24.9 x 32.8 cm | 9 ⅘ x 12 ⅘ inches began keeping a visual journal of his friends, family, travels, 48 pages, 29 b&w, hardbound and surroundings in the 1960s. His first solo exhibition of ISBN 978-88-6208-592-2 photography was at the Musée d’Art Moderne, Paris, and September 2018 $49 | £39 his photographs have since been exhibited worldwide.

New Titles 31 Photography

James Klosty Greece 66

Greece. Fifty years ago James Klosty travelled among its GREECE 66 islands, across its mainland, and through its northern mountains. He had no idea where he was and didn’t particularly care. Fifty years later Klosty rather regrets not taking notes but feels strongly that he, personally, has nothing to say about Greece that has not already been said many times. Thus there are no texts, only the syntax of his photography. However as these images all originate from two brief months in the summer of 1966, the world depicted might amount to a lost language of its own. The book is designed by Yolanda Cuomo Design, NYC.

JAMES KLOSTY For people who know James Klosty’s photography this book will come as something of a surprise. Klosty is principally known for his long association with the American artists 28 x 28 cm | 11 x 11 inches 108 pages, 70 color and b&w, clothbound Merce Cunningham and John Cage. In 1975 Klosty ISBN 978-88-6208-605-9 published Merce Cunningham, the first book to be published October 2018 about Cunningham, the dancer and choreographer. Forty $45 | £34 years later, in the fall of 2014, Klosty published John Cage Was, 170 of his Cage photographs accompanied by texts-all 100 words or less-commissioned more than sixty people around the world whose lives had been altered by Cage’s deep, iconoclastic and world-wide influence. In 1975 Leo Castelli gave Klosty a one man exhibition. In the fall of the same year, The International Center of Photography mounted a second exhibition. Subsequently Klosty turned his darkroom into a wine cellar and stopped photographing. Thus this book of photographs from the Greecian summer of 1966 is rather unexpected.

New Titles 33 Photography

Charles H. Traub Taradiddle

Twenty years ago Traub abandoned all pretense of trying to find specific themes and subjects in his photographic wanderings other than to make Taradiddles, embracing fully the digital image which is always questioned for its further and inherent potential for distortion. Ironically, the witty and sardonic juxtaposition of Traub’s images, are only a matter of framing his discoveries - here, there and everywhere. This volume is a collection of trifles that become matters of remarkable social commentary when Traub photographs them - “For me, serendipity, coincidence and chance are more interesting than any preconceived construct of our human encounters.” (Charles H. Traub) - in a hundred Text by David Campany plus images Traub seems to have captured the common 29,8 x 24,1 cm | 11 ¾ x 9 ½ inches incongruities of a global society. Traub took these pictures 116 pages, 102 color, hardbound ISBN 978-88-6208-621-9 in more than 60 cities around the world: Dubai, Shanghai, November 2018 Beijing, Rome, Tunis, Buenos Aires, Budapest, Moscow, St. $50 | £35 Petersburg, Santo Domingo, New York, just to name a few.

Charles H. Traub was born in Louisville, Kentucky in 1945. He has been photographing for over 50 years. His works are in major museums and private collections all over the world. Throughout his distinguished career, Traub has also dedicated himself to photographic education and has been for the last 31 years the Chair of the MFA Photography, Video and Related Media program at the School of Visual Arts, NYC. Most recently, Traub has published two books with Damiani: Dolce Via: Italy in the 1980s, (2014), Lunchtime (2015) and the iBook - No Perfect Heroes: Photographing Grant (2016). Traub is represented by Steven Kasher Gallery, NYC, and will be exhibiting Taradiddle in fall 2018.

34 New Titles 35 Photography

David Casavant David Casavant Archive

David Casavant, stylist and founder of the eponymous clothing archive in New York, expands beyond his fashion and celebrity collaborations to produce a book between artists and the archive, along with still lives of favorite pieces. A select number of creators including Xavier Cha, DeSe Escobar, Maggie Lee, Eric Mack, Ryan Mcnamara, Joyce NG, Raul de Nieves, Hanne Gaby Odiele, Jacolby Satterwhite, Ryan Trecartin, Wu Tsang and Boychild, Stewart Uoo, and Kanye West were invited to select items from the Archive to serve as an inspiration for their original works of art. The David Casavant Archive is a private collection of the world’s rarest and most culturally potent contemporary design. The Archive focuses primarily on the work of conceptual menswear designers from the late 90s into the 2000s, notably Helmut Lang and Raf Simons. Begun in Tennessee at age 14 and curated over the span of more than a decade, the Archive distinguishes itself through Casavant’s curation informed by his distinct vision of youth, attitude, and restraint. Although a private archive, 21.4 x 28 cm | 8 ⅖ x 11 inches it loans its pieces to select individuals within the sphere of 304 pages, 250 color, hardbound ISBN 978-88-6208-607-3 current culture. This new catalogue is a natural extension October 2018 of Casavant’s vision to make fashion accessible, alive, and $60 | £39 relevant for the current time. This combination of fashion and art across various mediums is a unique and innovative approach to how we view what we wear.

David Casavant is an American fashion stylist, collector, and consultant based in New York City. Born in Tennessee, he began collecting vintage pieces at age 14, later moving to London to attend Central Saint Martins. He founded The David Casavant Archive in 2014, while working in the fashion industry, loaning his extensive collection of archival men’s clothing to celebrities, stylists, and designers. His curatorial expertise and connoisseurship have helped to create an unparalleled resource and aided the evolution of fashion’s current form.

New Titles 37 Photography

David Shama Do Not Feed Alligators

David Shama’s first monograph Do Not Feed Alligators takes us on an existential journey into the decayed post-capitalist topography of a largely forgotten America–one where he presents youth engaged in achingly commonplace activities. There is an overarching sense in all of these pictures that his subjects are the angel-headed hipsters of a generation that has somehow been left behind, traversing what is left of a tragic, broken landscape–their thousand-yard stares seeking Elysian fields glinting seductively in the setting sun of their minds, far beyond the edge of the world. Shama employs 20.5 x 29 cm | 8 x 11 ½ inches Americana to map a narrative of existence among the 128 pages, 100 color, clothbound flotsam and jetsam of society, where abandoned cars, vacated ISBN 978-88-6208-617-2 November 2018 diners and dive motels act as the leitmotif of a journey into $45 | £30 being and nothingness. While there are flashes of naturalistic beauty in the way in which his young muses are caught in the eye of his lens, there is no sentimentality, rather every frame contains a haunted, limbo-esque atmosphere. These figures, we are always aware, count their number among the beautiful and the damned. Ultimately, Do Not Feed Alligators seeks to suggest that we are all on a metaphorical road to nowhere– an apocalyptic landscape of the soul that is both beautiful in its mundane temporality, and boundless in its potential for quietly enticing mythology.

David Shama (born February 3, 1977) is a Swiss photographer living in New York City. He is known for his art and fashion work. He began taking photographs in 2005 and quickly gained recognition with his documentary style and narrative cinematic portraiture. Shama has lived in Argentina, Paris, Los Angeles and New York–every place merely acting as a temporary respite from his unending personal quest to drive toward an undefinable horizon point. The faces he encounters, and the landscapes he maps, complete the story not only of the girls he travels with, but also of his desire to art direct the real into the hyper-real.

New Titles 39 Photography

Niko J. Kallianiotis America in a Trance

Niko J. Kallianiotis's first monograph, America in a Trance dives into the heart and soul of the Pennsylvania industrial regions, a place where small town values still exist and sustainable small businesses once thrived under the sheltered wings of American Industry. It was here, to the cradle of American industrialism that immigrants from tattered European countries once crossed the Atlantic for a better future. Some, like Kallianiotis, still do. Born and raised in Greece but now a proud Northeastern Pennsylvanian, Kallianiotis has called this place home for roughly twenty years. Those decades have taught him how 30.5 x 21.6 cm | 12 x 8 ½ inches beliefs from both sides of the fence in the current political 136 pages, 95 color, hardbound ISBN 978-88-6208-595-3 climate have a direct effect and interest in these towns. And September 2018 yet, Kallianiotis achieves a certain level of neutrality within $44 | £30 the work. Whether it is the hard Pennsylvania coal towns to the East, the shadows of looming steel stacks to the West or every faded American dream in between. Through the use of light and color, an illumination of hope, the photographer explores his own relationship with the land. Within America in a Trance there is the silhouette of what once was, streets and storefronts thriving, and the echo of that time still ringing in the bricks of the houses and churches.

Niko J. Kallianiotis was born in Greece and is an educator and photographer based in Pennsylvania. He started his career in newspapers, first as a freelancer at The Times Leader, in Wilkes-Barre, Pennsylvania, and then as a staff photographer at the Coshocton Tribune in Coshocton, Ohio, and the Watertown Daily Times in Watertown, New York. He is currently teaching in Pennsylvania at Drexel University in Philadelphia and Marywood University in Scranton. He is also a contributing photographer for The New York Times and a member of OramaPhotos in Greece.

40 New Titles 41 Photography

Joan Liftin Water for Tears

Joan Liftin's Water for Tears, is a memoir about family and trips, about running away and coming back, with texts and photographs about the pleasure in the newness of everyday life. There are layered images from everywhere, like the blind woman feeling her way by a timeworn splattered wall in Mexico or the teenage boys posing with a head of Reagan in the Soviet Union in 1988, while the darkest ones are from the American South’s brutality during the struggle of the Civil Rights Movement. Her observations are mysterious, sensuous and often very funny. At the heart of the book is a tender farewell to her life with Charlie, photographer Charles Harbutt. There are no captions, except in the back of the book, but you know where you are - you are with Joan.

The book is designed by Yolanda Cuomo Design, NYC.

22.9 x 25.4 cm | 9 x 10 inches Her work is included in the collections of the Philadelphia 144 pages, 80 color, hardbound Museum of Art, the Cleveland Museum of Art, Addison ISBN 978-88-6208-596-0 September 2018 Gallery of American Art and Princeton University, among $50 | £34 others. Joan Liftin’s archive was acquired by the Center of Creative Photography in Tucson in 2016. She is a former director of Magnum Photos library and chairperson of the documentary education program at the International Center of Photography in New York. Her earlier books were Drive-ins and Marseille.

42 New Titles 43 Photography

Caleb Cain Marcus A brief movement after death

A brief movement after death by Caleb Cain Marcus explores the release of energy from the body into the universe when we die. The images were taken along the coasts of New York and California and contain sky and ocean—immense bodies of space in which we can lose ourselves, becoming part of their vastness. The inspiration for the book came to the photographer from a personal experience. With the birth of his daughter, his death suddenly felt very near. His childhood questions about what happens when we die resurfaced and Cain Marcus began to think about how to visually represent what occurs after death. This is the first body of work from his new practice that juxtaposes digital and hand-applied mediums. Together they create a hybrid surface, color and edge that challenge the medium of photography and the way in which it is used, seen, understood and felt. With the motion of a pendulum, the grease pencil is swung by a string to make tightly grouped marks that reference the finite quantity of time in a lifespan and that move across the paper as if in a formation of light leaving the earth.

17.8 x 25.4 cm | 7 x 10 inches Cain Marcus’s works are in the permanent collections 48 pages, 20 color, hardbound of the Metropolitan Museum of Art, New York; Getty ISBN 978-88-6208-604-2 Museum, L.A.; Museum of Fine Arts Houston, Houston; September 2018 $30 | £20 and High Museum of Art, Atlanta.

44 New Titles 45 Photography

Rachel Cobb Mistral: The Legendary Wind of Provence

Mistral is a portrait of Provence seen through its legendary wind. Photographer Rachel Cobb illustrates the effects of this relentless force of nature that funnels down France’s Rhône Valley, sometimes gusting to hurricane strength. The mistral is not just a weather phenomenon: it is an integral part of the fabric of Provençal life impacting its architecture, agriculture, landscape and culture. Houses have few or no windows on the northwest, windward side and the main entrance on the southern, sheltered side. Rows of trees lining fields create windbreaks to shield crops. Artists have long been drawn to the area for the clear skies that follow a mistral. Nobody who lives or spends time in the region can escape the mistral. It is everywhere yet nowhere to be seen. How do you photograph the wind? With images of a leaf caught in flight, grapevines lashed by powerful gusts (“You can taste the wine better when there’s a mistral,” a winemaker says), a bride tangled in her veil, and even spider webs oriented to withstand the wind. Out Introduction by Bill Buford. Text by Paul Auster of thin air Cobb makes us feel the unseen. 24,8 x 31.7 cm | 9 ¾ x 12 ½ inches 152 pages, 80 color, hardbound Including an introduction by Bill Buford and an excerpt ISBN 978-88-6208-618-9 November 2018 from Paul Auster about his life in Provence. Cobb draws $50 | £35 from writing by Jean Giono, Frédéric Mistral and others. The book is designed by Yolanda Cuomo Design, NYC.

Over the past forty years, Cobb has regularly visited and, at times, lived in Provence. She currently lives in New York City. She has exhibited in one-man and group shows at the Miami Museum of Art, the Smithsonian National Museum of the American Indian, the Parrish Art Museum, and Visa Pour L’Image in Perpignan, France, among other venues. Her award-winning work covering social issues, news and features has been widely published in newspapers and magazines including The New York Times, The New Yorker, Sports Illustrated, Time, Stern. This is Cobb’s first monograph.

46 New Titles 47 Collector’s Editions Michael Stipe Frédéric Lagrange Volume 1 Mongolia

Volume 1 is the first in a series of publications presenting Mongolia is a project which Frédéric Lagrange began in 2001 and different aspects of Michael Stipe’s multifaceted artistic has spanned over sixteen years, during which he took thirteen practice. Volume 1 includes a focused presentation of 35 trips in all four seasons, covering vastly different regions of the images, bringing together 37 years of Stipe’s practice of country. This book is his visual portrait of Mongolia and her creating and collecting photographic materials, in addition people captured in detail in a genuine, human form through a to posing as a subject in the photographs of others. The compilation of landscapes and portraits. This superb limited book centers around his unconventional and deeply personal edition of 30 copies, housed in a clothbound slipcase, includes New for fall 2018 understanding of queerness, conflating figures in his own the trade publication with a special red cover, plus a print Edition of 20 signed and numbered prints life with those in American history and popular culture. This New for fall 2018 edition of Lagrange signed and numbered. The image is titled The last time I saw River, 1993 limited edition of 20 copies includes the book Volume 1 and a Edition of 30 signed and numbered prints Two men in ice and features two men standing on the frozen lake Archival print on Hahnemühle Japanese rice paper Two men in ice, 2006 Image size (full bleed): 48.3 x 32.4 | 19 x 12 ¾ inches numbered and signed print by Michael Stipe. Khövsgöl Nuur in Northern Mongolia. Inkjet on archival Illford paper Image size: 30,5 x 38.1 cm | 12 x 15 inches 22.9 x 33 cm | 9 x 13 inches 72 pages, 35 color and b&w, hardbound 34.21 x 41.91 cm | 13 ⅖ x 16 ½ inches ISBN 978-88-6208-615-8 240 pages, 150 color, clothound $600 | £400 ISBN 978-88-6208-611-0 $680 | £500

Catherine Wagner Arthur Elgort Place History and the Archive Jazz

This collector’s edition of Arthur Elgort Jazz is limited to 25 Columbus, Penelope, Delilah was made while Wagner was copies and contains a gelatin silver print signed and numbered commissioned to develop a new body of work for the re- by Elgort. The superb black and white print features the opening of the DeYoung Museum in 2005. Wagner—working internationally acclaimed musician and composer Wynton from the cold storage collection of the Fine Arts Museums Marsalis playing his trumpet. of San Francisco—created installations of sculptures, forming new tableaus specifically to be photographed. Re- contextualizing the sculptures within their crating systems New for fall 2018 Edition of 25 signed and numbered prints New for fall 2018 serves as yet another system to reframe histories as they have Wynton Marsalis, New York City, 1992 Edition of 10 signed and numbered prints been previously told. Columbus, Penelope, Delilah unveils new Gelatin silver print Columbus, Penelope, Delilah, 2005 narratives forming hybrid histories allowing the viewer fictive Image size (full bleed): 35.6 x 27.9 cm | 14 x 11 inches Archival pigment print possibilities for interpretation. A limited edition of 10 prints Image size: 35.6 x 28 cm | 14 x 11 inches Foreword by Wynton Marsalis. Introduction by Sheet size: 36.8 x 29.2 cm | 14 ½ x 11 ½ inches will accompany a special collector’s edition set of Place History Hank O’Neal. Edited by Marianne Houtenbos and the Archive. A signed archival pigment print of Columbus 17.8 x 22.9 cm | 7 x 9 inches 30 x 24.5 cm | 11 ⅘ x 9 ⅗ inches Penelope Delilah (2005) from the series Re-classifying History 160 pages, 100 color and b&w, hardbound 336 pages, 250 color and b&w, hardbound will come with the book housed in a special edition slipcase. ISBN 978-88-6208-619-6 ISBN 978-88-6208-599-1 $850 | £600 $800 | £580

50 Collector’s Editions 51 Hiroshi Sugimoto Joel Meyerowitz Snow White Cézanne's Objects

Some years ago, while working on a book commission about Snow White is a unique collector’s edition book containing 76 Provence, Joel Meyerowitz visited Cézanne’s studio in Aix-en- artworks by Hiroshi Sugimoto. All of the photographs in Snow Provence. While there, he experienced a flash of understanding White are from his Theaters series and include many of his well about Cézanne’s art. Cézanne had painted the studio walls known photographs of classic movie palaces and drive-ins, along a dark grey, mixing the color himself. Consequently, every with new photographs of Italian opera houses and abandoned object in the studio seemed to be absorbed into the grey of the Edition of 400 signed and numbered books theaters. Sugimoto began the Theaters series four decades ago. To Text by Hiroshi Sugimoto background. There were no telltale reflections around the edges 34 x 27.1 cm | 13 ½ x 10 ¾ inches make these images, he exposes the film inside the dark theater (or of the objects, so there was nothing that could separate them 160 pages, 76 b&w, silkbound with aluminum slipcase in the case of the drive-ins, outside at night) for the duration of the from the background itself. Meyerowitz suddenly saw how ISBN 978-88-6208-520-5 movie. The running movie is the only source of light bringing out $750 | £580 Cézanne, making his small, patch-like brush marks, moved the architectural details of these spaces.The Disney movie Snow Edition of 25 signed and numbered prints from the object to the background, and back again to the White was running when Sugimoto photographed Palace Theater, Pitcher, 2011 objects, without the illusion of perspective. After all, Cézanne Gary, 2013, one of the abandoned theaters that is reproduced Archival digital print Image size: 22.8 x 28 cm | 9 x 11 inches was the original voice of “flatness.” For this collector’s edition of here. In this book, Sugimoto reveals for the first time the movies Sheet size: 25.4 x 30.5 cm | 10 x 12 inches Cézanne's Objects, Joel Meyerowitz has printed an edition of 25 that were screened when he took these photographs and the of the photograph Pitcher. exposure time of each photograph. Each artwork in Snow White Text by Joel Meyerowitz, Maggie Barrett 25.4 x 32 cm | 10 x 12 ⅝ inches is accompanied by the name of the movie, its running time, and a 116 pages, 65 color, clothbound short text about each written by Sugimoto. The black-and-white ISBN 978-88-6208-571-7 photographs are hand-tipped onto the pages. $1,000 | £750

Hiroshi Sugimoto Joel Meyerowitz The Long Never Morandi’s Objects

The Long Never is a unique collector’s edition book containing In the spring of 2015, the photographer Joel Meyerowitz sat at 65 artworks by Hiroshi Sugimoto. Composed of photographs the work table in Giorgio Morandi’s Bologna home, in the exact from five series—Meteorites, Dioramas, Pre-Photographic spot where the painter sat for 40 years making his quiet, sublime Time Recording Devices, Lightning Fields, and Seascapes—the still lifes. Here Meyerowitz looked at, touched, studied, and sequence of images conjures a natural history of the planet, connected with the more than 250 objects that Morandi painted. perhaps even one untouched by humans. The black-and- Using only the warm natural light in the room, he photographed white photographs are hand-tipped onto the pages of the Morandi’s objects: vases, shells, pigment-filled bottles, silk book, which is wrapped in silk cloth. Celebrated author flowers, tins, cans, funnels, watering cans. In the photographs, Edition of 25 signed and numbered prints Jonathan Safran Foer has written an original story. Foer’s text White Bottles, 2015 each object sits on Morandi’s table, which still bears the marks Edition of 360 signed and numbered books Archival digital print Text by Jonathan Safran Foer sits on the page underneath each artwork, so the reader must the painter drew to set the positions of his subjects. In the Image size: 20.3 x 25.4 cm | 8 x 10 inches 26.6 x 35.5 cm | 10 ½ x 14 inches lift up each photograph in order to read the story background is the same paper that Morandi left on the wall, Sheet size: 25.4 x 30.5 cm | 10 x 12 inches 140 pages, 65 b&w, silkbound with aluminum slipcase now brittle and yellow with age. For this collector’s edition of ISBN 978-88-6208-384-3 Text by Joel Meyerowitz, Maggie Barrett $750 | £500 Morandi’s Objects, Joel Meyerowitz has printed an edition of 25 25.4 x 32 cm | 10 x 12 5/8 inches of the photograph White Bottles. 116 pages, 65 color, clothbound ISBN 978-88-6208-473-4 $1,000 | £750

52 Collector’s Editions 53 Jack Pierson Martin Parr The Hungry Years Think of Scotland

The Hungry Years collects Jack Pierson’s 1980s’ photographs, This stunning limited edition of 50 copies includes a print which have increasingly captured the attention of the art numbered and signed by Martin Parr. The image is entitled world since they were first published as a collection in 1990. Gourock Lido, 2004, and features the Gourock Outdoor Pool, Informed in part by his artistic emergence in the era of AIDS, the oldest heated swimming pool in Scotland. The swimmer Pierson’s work is moored by melancholy and introspection, in the print of Gorouck lido says about the Martin Parr’s yet his images are often buoyed by a celebratory aura of photograph: “It must have been a particularly wild night – seduction and glamour. Sometimes infused with a sly sense there’d obviously just been a rainstorm. The colours work of humor, Pierson’s work is inherently autobiographical; Edition of 50 signed and numbered prints beautifully—that gray against that aquamarine—and the Gourock Lido, 2004 often using his friends as models and referencing traditional Pigment print photograph captures something of our Scottish eccentricity: Edition of 30 signed and numbered prints Americana motifs, his bright yet distanced imagery reveals Image size: 22.9 x 18.4 cm | 9 x 7 inches the storm clouds and the rain, and the eccentric local who Pink Road, 2017 the undercurrents of the uncanny in the quotidian. Fueled Sheet size: 25.3 x 20.2 cm | 10 x 8 inches decided to go swimming when no one else would.” Pigment print by the poignancy of emotional experience and by the Image size (full bleed): 23 x 31.5 cm | 9 x 12 ½ inches 35.5 x 23.8 cm | 14 x 9 ⅜ inches sensations of memory, obsession, and absence, Pierson’s 144 pages, 100 color, hardbound subject is ultimately, as he states, “hope." This limited edition ISBN 978-88-6208-551-9 20.3 x 24.1 cm | 8 x 9 ½ inches $500 | £400 104 pages, 70 color, hardbound of 30 copies includes the book The Hungry Years and a print ISBN 978-88-6208-576-2 numbered and signed by Jack Pierson. $600 | £490

Tria Giovan David Goldes The Cuba Archive Electricities Photographs 1990-1996

Tria Giovan first traveled to Cuba in 1990. Over the next six Electricity is the energy that runs nearly everything. We are years she took twelve month-long trips, traversing the island dependent on it for light, heat, and communications as well numerous times, and making more than 25,000 images. as powering the innumerable devices and machines that Immersing herself in Cuba’s history, literature, and politics, shape and support our lives. To investigate and build on she photographed interiors of homes and businesses, city our historical understanding into the nature of electricity, streets, rural landscapes, signs and billboards, and, most David Goldes constructs and photographs what he calls, of all, the people, creating a compelling body of work that “performing still lifes.” This stunning limited edition of 25 Edition of 15 signed and numbered prints captures the subtleties and layered complexities of day-to- copies plus 4 artist proofs includes the book Electricities and Malecon-Gibara, Cuba 1993 Archival inkjet print day Cuba born from complete engagement and informed a gelatin silver print signed and numbered by the artist. The Edition of 25 signed and numbered prints Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches perspective. This stunning limited edition of 15 copies print is entitled Electricity + Water lll, 1993. Electricity + Water III, 1993 Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches includes the book The Cuba Archive. Photographs 1990-1996 Gelatin silver print Image size: 29.2 x 22.86 cm | 11 ½ x 9 inches 29.3 x 21 cm | 11 ½ x 8 ¼ inches and a print signed and numbered by Tria Giovan. Sheet size: 35,6 x 28 cm | 14 x 11 inches 168 pages, 125 color, hardbound ISBN 978-88-6208-577-9 24.75 x 30.5 cm | 9 ¾ x 12 inches $500 | £390 160 pages, 100 color, hardbound ISBN 978-88-6208-561-8 $900 | £680

54 Collector’s Editions 55 Pamela Hanson Carrie Mae Weems Private Room Kitchen Table Series

Private Room is a series of photographs of eight different Kitchen Table Series is the first publication dedicated solely to women whom Pamela Hanson photographed between 2012 this early and important body of work by the American artist and 2014 at Lafayette House, a small hotel in New York Carrie Mae Weems. The 20 photographs and 14 text panels City. Beginning when she photographed Camille Rowe that make up Kitchen Table Series tell a story of one woman’s in 2012, the photographs in Private Room progressed into life, as conducted in the intimate setting of her kitchen. The a series of nudes and semi-nudes. Hanson was inspired kitchen, one of the primary spaces of domesticity and the to shoot in the Lafayette House because of its European traditional domain of women, frames her story, revealing to feeling. A brownstone built in the 19th century, the hotel is Edition of 25 signed and numbered prints us her relationships—with lovers, children, friends—and Untitled (Man Reading Newspaper), 1990/1999 Edition of 25 signed and numbered prints a place of forgotten beauty, with walls lined in gold-leafed her own sense of self, in her varying projections of strength, Gelatin silver print Kayleigh Crying #1, 2012 wallpaper. It is charming, sexy, romantic, and private. Women vulnerability, aloofness, tenderness, and solitude. Weems Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches) Archival inkjet print photographed by a woman: the intimate and feminine Sheet size: 27.7 x 35.5 cm | 11 x 14 inches herself is the protagonist of the series, though the woman she Image size: 35 x 27.8 cm | 13¾ x 10 ⅞ inches Sheet size: 45 x 37.8 cm | 17 ¾ x 14 ⅞ inches environment captures the essence of each subject. Hanson depicts is an archetype. Kitchen Table Series seeks to reposition collaborated with stylist Susan Winget, and together they Text by Sarah Lewis and Adrienne Edwards and reimagine the possibility of women and the possibility 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches Text by Jack Pierson cast each woman for her individual beauty and personality. 86 pages, 34 b&w, hardbound with jacket of people of color, and has to do with, in the artist’s words, 17.1 x 22.9 cm | 6 ¾ x 9 inches ISBN 978-88-6208-471-0 96 pages, 60 color, clothbound This collector's edition of 25 copies includes a signed and “unrequited love.” The collector’s edition of Kitchen Table $3,000 | £2,200 ISBN 978-88-6208-508-3 numbered print. Series includes a signed and numbered silver gelatin print of $500 | £380 Untitled (Man Reading Newspaper), 1990/1999.

Antoine Le Grand Jamel Shabazz Portraits Sights in the City New York Street Photographs

Portraits is the first monograph on the work of Antoine During the summer of 1980, under the direction of his father, Le Grand and spans the 20-year career of this acclaimed a photographer, Jamel Shabazz armed himself with a Canon celebrity photographer. Taken from the pages of leading AE1 SLR camera and passionately photographed the urban fashion and lifestyle magazines such as Vogue, W, GQ, landscape that he called home. New York City—the city that and Vanity Fair, Le Grand’s images provide an astonishing never sleeps—was the ideal epicenter to photograph because collection of portraits of the actors, musicians, and of its 24-hour subway system and the many businesses that Edition of 15 signed and numbered prints personalities who enliven our culture. Through his irony, are open late into the night. New York’s energy inspired him Iggy Pop, 2002 Edition of 25 signed and numbered prints to use the streets as a canvas for the majority of his work for Archival inkjet print witty storytelling, and concise visual aesthetic, Le Grand Street Photographers of Times Square, 1982 over 35 years. This limited edition of Sights in the City: New Image size: 28 x 28 cm | 11 x 11 inches has created indelible imagery of celebrities such as Iggy Archival inkjet print Sheet size: 38 x 38 cm | 15 x 15 inches Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim Image size: 25.4 x 20.3 cm | 10 x 8 inches York Street Photographs includes a signed and numbered print Sheet size: 35.6 x 25.4 cm | 14 x 10 inches of Street Photographers of Times Square. Introduction by Jean-Paul Goude Burton, Woody Allen, and Jean Nouvel. The book includes 27.5 x 27.5 cm | 11 x 11 inches more than 250 portraits and an introduction by the French 30.5 x 24.1 cm | 12 x 9 ½ inches 316 pages, 280 color and b&w, hardbound visionary Jean-Paul Goude. This collector's edition of 15 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-509-0 ISBN 978-88-6208-527-4 $500 | £380 copies includes a signed and numbered print. $950 | £750

56 Collector’s Editions 57 Peter Schlesinger David Leventi A Photographic Memory 1968–1989 Opera

The photographs of artist Peter Schlesinger are a visual diary Photographing the interiors of some of the most storied and of an extraordinary life that has intersected with some of the illustrious opera houses around the world, David Leventi brightest names in the worlds of art, fashion, and society. has constructed an arresting, visually rich survey of grand Schlesinger’s remarkable journey began in 1966 when, as architecture. Opera brings together in one publication images an 18-year-old student at UCLA, he met the artist David from more than 40 opera houses, spanning four continents Hockney. The couple moved to London, where Schlesinger and 400 years of history, and includes a foreword by Plácido met and photographed luminaries including Cecil Beaton, Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous Edition of 30 signed and numbered prints Paloma Picasso, and Manolo Blahnik. This monograph The Deck at La Piscine Deligny, 1975 presents the full range of Schlesinger’s photographic work. approach to his subject, revealing these temples of music C-print Edition of 15 signed and numbered prints in all their wealth of architectural detail and design. The The collector's edition includes a signed and numbered color Image size: 30. 5 x 22.8 cm | 12 x 9 inches Palais Garnier, 2009 collector’s edition of Opera includes a color print of Palais Sheet size: 35.5 x 28 cm | 14 x 11 inches print of The Deck at La Piscine Deligny, 1975. C-print Image size: 35.6 x 28.2 cm | 14 x 11 inches Garnier, 2009. Text by Peter Schlesinger, Hilton Als Sheet size: 38.1 x 30.5 cm | 15 x 12 inches 24.8 x 28.6 | 9 ¾ x 11 ¼ inches 176 pages, 150 color, hardbound Text by Plácido Domingo, Marvin Heiferman, ISBN 978-88-6208-459-8 Thomas Mellins $500 | £300 33.8 x 28 cm | 13 ¼ x 11 inches 120 pages, 40 color, clothbound with jacket ISBN 978-88-6208-440-6 $700 | £490

Dennis Hopper Ricky Adam Colors. The Polaroids Belfast Punk. Warzone Centre 1997—2003

In 1987, Dennis Hopper began to use a Polaroid camera Limited edition of 15 copies, each comprising a first edition to document gang graffiti. Hopper transformed the book housed in a slipcase with a single beautiful print. As a instantaneous, disposable nature of Polaroid film into young photographer, Ricky Adam documented the late '90s' pictures as deliberate and final as images achieved by punk scene in Belfast, Northern Ireland, inside the infamous an artist painting on canvas. This limited edition of punk venue, the Warzone Centre. These images offer a unique Colors. The Polaroids includes a numbered print of Untitled fly on the wall snapshot of D.I.Y. punk culture at a certain (Diamonds), 1987, which has been certified authentic by time and place in the city of Belfast. Hopper Art Trust. Edition of 15 signed and numbered prints Edition of 25 numbered prints Untitled, 2000 Untitled (Diamonds), 1987 Epson archival inks on Hahnemuhle fine art archival paper (glossy) Giclée print Image size: 26.9 x 20 cm | 10 ⅝ x 7 ⅞ inches Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Sheet size: 29.7 x 21 cm | 11 ¾ x 8 ¼ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches 25.5 x 30 cm | 10 x 11 ¾ inches Text by Aaron Rose 176 pages, 85 b&w, hardbound 23.5 x 20.3 cm | 9 ¼ x 8 inches ISBN 978-88-6208-552-6 132 pages 120 color, clothbound $200 | £150 ISBN 978-88-6208-488-8 $500 | £350

58 Collector’s Editions 59 Joseph Szabo Dan Martensen Rolling Stones Fans Wolves Like Us: Portraits of the Angulo Brothers

On June 17th, 1978, Joe Szabo accompanied two of his high In 2010, photographer Dan Martensen was introduced to the school students to a Rolling Stones concert. The kids needed Angulo brothers by filmmaker Crystal Moselle, who had just the ride from Philadelphia to JFK Stadium in Long Island, begun work on her hit documentary The Wolfpack. The film New York, and Szabo thought he would be able to take some chronicles the lives of six home-schooled boys, who gained good photographs. Thirty-five years after the event, Szabo most of their knowledge of the outside world from the movies selected the best shots from that day when 90,000 fans they watched at home. Confined to their four-bedroom gathered to hear the Stones and presents them here in Rolling apartment in New York City’s Lower East Side for 14 years, Edition of 20 signed and numbered prints Stones Fans. This collector’s edition is limited to 20 copies and the siblings recreated cult-classic films, fashioning props Delight, 1978 includes a signed and numbered print, Delight. as well as costumes from the contents of their apartment. Gelatin silver print Edition of 25 signed and numbered prints Image size: 25.4 x 33 cm | 10 x 13 inches Mukunda as Death in the Graveyard, 2015 Martensen photographed the boys, capturing the cinema- Sheet size: 27.9 x 33.5 cm | 11 x 14 inches C-print inspired world they had created, while also documenting Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches their first forays into the world outside. The collection of 24.5 x 22.5 cm | 9 ¾ x 9 inches Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches 104 pages, 100 b&w, hardbound intimate portraits and still lifes in Wolves Like Us adds another ISBN 978-88-6208-435-2 Text by Crystal Moselle, Joseph Akel layer to the captivating story of the Angulo brothers, and is a $650 | £450 21.6 x 28 cm | 8 ½ x 11 inches testament to the enduring spirit of creativity. The collector’s 160 pages, 168 color, softcover ISBN 978-88-6208-461-1 edition of Wolves Like Us includes a signed and numbered $300 | £200 color print of Mukunda as Death in the Graveyard, 2015.

Matthew Brookes Matthew Brandt Les Danseurs Lakes & Reservoirs

Matthew Brookes’s style of photography leans toward the For his series Lakes & Reservoirs, Matthew Brandt natural, raw emotion of his subjects. In his first book, Brookes photographed lakes and reservoirs in the western United has turned his lens on the professional male ballet dancers of States and then submerged each print in water collected from Paris. For a year in the life of these dancers, he took them out the subject of the photograph. Prints are soaked for days, of their regular environment of rehearsals and performances weeks, or even months, and this process influences the layers and photographed them in a raw space, where they were of color that comprise the image. The resulting photographs allowed to explore the physicality of dance in its essential range from mostly representational to completely abstract. form. Brookes’s stunning series of portraits depicts the pure This series considers the current condition not only of our physicality of the male dancer. This collector’s edition includes Edition of 17 unique signed lakes and reservoirs, but also of traditional color photography. a signed and numbered black-and-white print of Feet I, 2014. and numbered prints, matted This edition of Lakes & Reservoirs is limited to 17 copies and Edition of 25 signed and numbered prints Container, 2014 Feet I, 2014 includes the book and a unique matted print numbered and C-print C-print Image size: 28.4 x 35.4 cm | 11 x 14 inches signed by the artist. Each of the 17 prints in the Lakes & Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches Reservoirs series is titled Container, plus its unique number. Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches The prints comprising this collector’s edition are not 35 x 28 cm | 13 ¾ x 11 inches Text by Marie-Agnès Gillot 176 pages, 120 color, hardbound reproduced in the book. 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches ISBN 978-88-6208-375-1 68 pages, 40 b&w, hardbound $3,000 | £2,000 ISBN 978-88-6208-467-3 $450 | £290

60 Collector’s Editions 61 Julian Wasser Andrew Moore The Way We Were: The Photography Detroit Disassembled of Julian Wasser

This long-overdue monograph presents an astonishing For Andrew Moore, the wonder of Detroit’s transformation is panorama of a bygone Los Angeles from photographer Julian its demonstration of nature’s power to devour, and, through Wasser. The Way We Were is replete with iconic images such destruction, to renew. He has remarked, “One could say as a 1968 shot of Joan Didion leaning against a Corvette Edition of 50 signed and numbered prints that Detroit has become America’s version of an open city. Stingray in Hollywood. But photographs of Jack Nicholson Waiting Room with Snowdrift, 2008 It’s been left undefended against an onslaught of scrappers, Archival C-print and Angelica Huston at Nicholson’s Mulholland Drive Image size: 28 x 35.5 cm | 11 x 14 inches vandals, and the forces of nature. It’s a city of hundreds, if not home, or the Fonda family lined up on the family sofa, paint Sheet size: 30.5 x 38 cm | 12 x 15 inches thousands, of empty homes, apartment buildings, factories, Edition of 50 signed and numbered prints a picture of a very private Hollywood of the 1960s and '70s, libraries, hospitals, schools, and churches. All are abandoned Marcel Duchamp and Eve Babitz, 1963 Text by Andrew Moore, Philip Levine Silver gelatin print when privacy was possible and celebrity culture had not yet 34.5 x 27 cm | 13 ½ x 10 ½ inches and most are unguarded, barely salvageable, and slated for Image size: 30.7 x 20.5 cm | 12 x 8 inches completely consumed the country. This collector’s edition 128 pages, 70 color, hardbound with jacket and slipcase demolition that gets delayed year after year.” His depiction Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches includes a numbered and signed photograph and is issued ISBN 978-88-6208-140-5 of Detroit questions what the changing, precarious future of $750 | £500 Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel America holds. 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Duchamp playing chess with a naked Eve Babitz at his 144 pages, 150 b&w, hardbound with slipcase ISBN 978-88-6208-377-5 seminal 1963 exhibition at the Pasadena Art Museum. $700 | £420

Andrew Moore Andrew Moore Dirt Meridian Cuba

The acclaimed photographer Andrew Moore takes to the air Cuba offers a series of poignant interiors that display the to create an intimate vision of the High Plains. The title refers changing fortunes of the country over its 500-year history, to the 100th meridian, the longitude that neatly bisects the with portraits and landscapes that hint at the changes coming United States and has long been considered the dividing line to this island nation. Originally published as Inside Havana between the fertile green East and the dry brown West. Much in 2002 to wide acclaim, this new version expands that of the meridian traverses America’s “flyover country,” those book with finer and larger reproductions, older photographs remote and sparsely populated landscapes with a long history never before seen or published, as well as new work made of repeated drought and failed dreams. Yet other parts of the specifically for this edition. This collector’s edition includes a meridian overlap bustling and contentious zones such as signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Edition of 25 signed and numbered prints the heavily fracked Bakken formation in North Dakota. Dirt Cash Meier Barn, 2012 Casa de Verano, El Vedado, 1999 Archival inkjet print Meridian interweaves both these stories: the enduring myths Archival inkjet print Image size: 35.5 x 27.7 cm | 14 x 11 inches and rich history of a place where so little meets the eye, Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Sheet size: 30 x 38 cm | 11 ¾ x 15 inches Sheet size: 50.8 x 40.6 cm | 20 x 16 inches alongside a portrayal of those who continue to live amidst its

Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks vast and severe magnificence. The collector’s edition of Dirt Text by Joel Smith, Orlando Luis Pardo Lazo 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) Meridian includes a signed and numbered color print of Cash 40 x 30 cm | 15 ¾ x 11 ¾ inches 128 pages, 68 color, hardbound with slipcase 140 pages, 73 color, hardbound Meier Barn, 2012. ISBN 978-88-6208-470-3 ISBN 978-88-6208-258-7 $600 | £450 $750 | £500

62 Collector’s Editions 63 Richard Corman Derek Ridgers Madonna NYC 83 78–87 London Youth

Madonna NYC 83 celebrates a moment in early 1980s New Taken in the streets, clubs, basements, and bars of London York that has been reappraised in recent years for its fecund between 1978 and 1987, this book brings together an interactions and overlaps between the worlds of fashion, art, incredible series of images from the British photographer and music. The vital, edgy restlessness in the city spawned Derek Ridgers. Since first picking up a camera in 1971, Ridgers adventurous personal styles and music that merged rap, funk, has felt compelled to record the characters that make up punk, and pop. Madonna represented this sensibility like no the social scenes around him. These photographs bridge the one else, and she was determined to define a look for herself, extremities of youth culture in the U.K., from punk through and to carve out a space in the public imagination. After the birth of acid house, and document the changing faces Edition of 50 signed and numbered prints Edition of 15 signed and numbered prints Cinderella, 1983 her countless subsequent incarnations over the past three Tuinol Barry, Kings Road, 1983 of fashion, music, and culture through individuals and Archival pigment print decades, it is extraordinary to revisit these early years. This C-print influential social scenes in a time of DIY attitudes. This Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches collector’s edition is housed in a silk slipcase and includes a Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches collector’s edition includes the numbered and signed print Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches signed and numbered print, Cinderella. Tuinol Barry, Kings Road. 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by John Maybury 96 pages, 80 color and b&w, clothbound with slipcase 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches ISBN 978-88-6208-346-1 160 pages, 120 b&w, hardbound $750 | £500 ISBN 978-88-6208-405-5 $650 | £450

Ari Marcopoulos Tom Bianchi Shit and Die: Maurizio Cattelan Fire Island Pines: Polaroids 1975–1983 Photographed by Ari Marcopoulos

Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos Growing up in the 1950s, Tom Bianchi would head into is a limited edition that includes a portrait of Maurizio downtown Chicago and pick up 25-cent “physique” Cattelan by Ari Marcopoulos, the book Shit and Die, and magazines at newsstands. In one, he found a photograph a zine by Marcopoulos. Shit and Die was published to of bodybuilder Glenn Bishop on Fire Island. Years later, accompany an exhibition of the same name at Palazzo Bianchi began traveling to New York and was invited to Cavour in Turin, curated by Cattelan, Myriam Ben Salah, spend a weekend at Fire Island Pines, where he encountered and Marta Papini in 2014. Marcopoulos’s zine documents the a community of gay men. Using an SX-70 Polaroid camera, exhibition backstage. Bianchi documented his friends’ lives in the Pines, amassing Edition of 67 signed and numbered prints Edition of 25 signed and numbered prints, matted Untitled, 250, 1978 an image archive of people, parties, and private moments. Maurizio Cattelan by Ari Marcopoulos, 2014 Giclée print These photos, accompanied by Bianchi’s moving memoir of C-print Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches the era, record the birth and development of a new culture. Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Sheet size: 30.5 x 45.6 cm | 12 x 18 inches Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines Edited by Ben Smales. Text by Edmund White, conjures a magical bygone era. This collector’s edition of 67 Edited by Maurizio Cattelan, Myriam Ben Salah, Tom Bianchi numbered copies comes in an orange cloth slipcase with a Marta Papini 21.5 x 25.5 cm | 8 ½ x 10 inches 23 x 29 cm | 9 x 11 ½ inches 212 pages, 350 color, hardcover with jacket and slipcase tipped-in cover image and contains a signed and numbered 160 pages, 120 color, softcover ISBN 978-88-6208-314-0 giclée print. ISBN 978-88-6208-409-3 $750 | £500 $500 | £350

64 Collector’s Editions 65 Nick Waplington Ed Templeton Alexander McQueen: Working Process Deformer

In 2008, Alexander McQueen commissioned the photographer Eleven years in the making, and compiling more than 30 years' Nick Waplington to document the creation of his Fall 2009 worth of material, Ed Templeton’s Deformer is a multimedia collection—all the way from inception to runway showing. scrapbook of his upbringing in suburban Orange County, Unfortunately, this fall/winter collection was to be the last California. Its photographs give a sun-drenched glimpse of that McQueen would stage before his untimely death. Every what it might be like to be young and alive in what Templeton step of the creative process is documented in fascinating refers to as “the suburban domestic incubator.” Deformer detail, and readers receive a rare insight into the inner intertwines photographs, paintings, drawings, sketchbook Edition of 100 signed and numbered prints Untitled, 2009 workings of McQueen’s creative process. Waplington was pages, disciplinary letters from his grandfather, and religious C-print given unprecedented access to McQueen and his staff, Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches including Sarah Burton, the current creative director. Most Cross, 2004 isolation and social criticism. This collector’s edition includes Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches notably, McQueen edited the sequence of photographs in the C-print a signed and numbered photograph. Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches Text by Susannah Frankel numbered print and is housed in a linen slipcase. 26.3 x 30.5 cm | 10 ⅜ x 12 inches 24 x 29 cm | 9.5 x 11.5 inches 304 pages, 200 color, hardbound with jacket and slipcase 176 pages, 150 color, hardbound ISBN 978-88-6208-356-0 ISBN 978-88-6208-060-6 $1,500 | £990 $600 | £300

Jessica Todd Harper Xavier Guardans The Home Stage Windows

The title of Jessica Todd Harper’s The Home Stage has a Windows is the debut volume of photographer Xavier double meaning: it alludes to both the homebound lifestyle Guardans. The photographs in Windows were taken in 2006 of families with small children and the idea that home is the while he was exploring the Kenyan bush. Guardans’ portraits stage on which children first learn how to live. Her nuanced of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot treatment of her subjects and environs, coupled with her people were shot through the window of his Toyota Land elegant compositions, unique color palette, and theatrical Cruiser. His world is both dark and light, expressed elegantly handling of light, transforms each room and yard into a through black-and-white film. The balance in these images is Edition of 15 signed and numbered prints stage set. No detail is left untouched by her eye. Private but both solid and ephemeral. This collector’s edition is housed in Self Portrait with Nicholas, Becky, and Marshall, 2009 Inkjet pigment print universal, she is genuine, tender, uninhibited, and humorous. a slipcase and includes a signed and numbered print. Image size: 35.5 x 28 cm | 14 x 11 inches This collector’s edition includes the signed and numbered Edition of 25 signed and numbered prints Sheet size: 38 x 30.5 cm | 15 x 12 inches print Self Portrait with Nicholas, Becky, and Marshall. Nangorot. Turkana, Loiyangalani, 2006 Archival pigment print Text by Alain de Botton, Alison Nordström Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches 28 x 24 cm | 11 x 9 ½ inches Sheet size: 28 x 28 cm | 11 x 11 inches 112 pages, 50 color, hardbound ISBN 978-88-6208-406-2 Text by Christopher Harth, Amanda Schmitt $650 | £450 28 x 28 cm | 11 x 11 inches 80 pages, 25 b&w, clothbound with jacket and slipcase ISBN 978-88-6208-350-8 $390 | £250

66 Collector’s Editions 67 Tierney Gearon Michael Thompson Alphabet Book Portraits

This book by Tierney Gearon takes the form of a children’s Portraits spans the twenty-year career of acclaimed fashion and alphabet book. Each letter of the alphabet is illustrated with a celebrity photographer Michael Thompson. This collector's photograph by Gearon that animates the letter: A is “Airplane edition includes a signed and numbered color print. Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and Edition of 50 signed and numbered prints so on. At once an inventive photo book and an enchanting Image size: 30.4 x 24.1 cm | 12 x 9 ½ inches take on the classic children’s alphabet book, this volume is Sheet size: 44.5 x 35.9 cm | 17 ½ x 14 ⅛ inches Gearon’s most charming and lighthearted work to date. This 26 x 33 cm | 10 x 13 inches collector’s edition includes a signed and numbered color print. 216 pages, 200 color, hardbound Edition of 100 signed and numbered prints ISBN 978-88-6208-157-3 Instant Incognito, 2010 $750 | £500 Archival pigment print Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches Sheet size: 24 x 18 cm | 9 ½ x 7 inches

23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 56 pages, 25 color, hardcover with jacket and slipcase ISBN 978-88-6208-351-5 $490 | £330

Nick Haymes Terry Richardson GabeTM Kibosh

“Kibosh is the most important book of my career. This is Nick Haymes first met Gabe Nevins on an editorial my life's work. From the age of 16 when I first started to assignment in the summer of 2007. Gabe had just wrapped photograph for fun and then as a profession, I have always up his lead role in Gus Van Sant’s Paranoid Park, in which he thought of Kibosh as the summary of my career.” This had played a teenage skateboarder who accidentally kills a collector's edition includes the book Kibosh and the print security guard. This collector’s edition includes a signed and Edition of 500 signed and numbered prints Untitled, 2004 signed and numbered by Terry Richardson. numbered color print. Untitled, 2004 C-print Image size: 24.7 x 16.4 cm | 9 ¾ x 6 ½ inches Sheet size: 25.4 x 20.3 cm | 7 ½ x 7 ⅝ inches Edition of 25 signed and numbered prints Untitled, 2008 24 x 32.5 cm | 9 ½ x 15 ½ inches Ultrachrome inkjet print 320 pages, 250 color, hardbound Print size: 16.1 x 20.3 cm | 6 ⅜ x 8 inches ISBN 978-88-89431-30-6 Sheet size: 24.1 x 25.3 cm | 9 ½ x 10 inches $400 | £250

Introduction by Gus Van Sant 22 x 28 cm | 8 ½ x 11 inches 128 pages, 85 color and b&w, hardcover ISBN 978-88-6208-225-9 $350 | £220

68 Collector’s Editions 69

Toiletpaper

Toiletpaper was founded in 2010 by Maurizio Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Cattelan and Pierpaolo Ferrari with the art direction Toiletpaper 7 Toiletpaper 12 Toiletpaper 15 of Micol Talso as a picture-based magazine. Photos 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches published in the magazine have been applied to 40 pages, 22 color, softcover 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 ISBN 978-88-6208-556-4 a variety of products and media, exploring the $16 | £10 $16 | £10 $16 | £10 multiple possibilities for images to live beyond the pages. Each picture in a Toiletpaper publication springs from an idea, often simple, but through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. The resulting publications are themselves works of art Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and that, through the accessible and widely distributed Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 8 Toiletpaper 13 Toiletpaper 15 media of magazines and books, challenge the limits 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 700 copies of the contemporary art economy. 40 pages, 22 color, softcover 40 pages, 22 color, softcover with Toiletpaper foulard ISBN 978-88-6208-286-0 ISBN 978-88-6208-490-1 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 $16 | £10 40 pages, 22 color, softcover Maurizio Cattelan has exhibited internationally in ISBN 978-88-6208-557-1 leading institutions and has participated numerous $45 | £35 times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. He collaborated on No Soul for Sale–A

Festival of Independents, which took place in the Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Turbine Hall of the Tate Modern in 2010. Cattelan Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari also conceived the art magazines Permanent Food and Toiletpaper 9 Toiletpaper 13 Toiletpaper 16 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies 22.5 x 29 cm | 9 x 11 ½ inches Charley. Since retiring from art, after the acclaimed 40 pages, 22 color, softcover with Toiletpaper fan 40 pages, 22 color, softcover 2011 retrospective at the Guggenheim Museum ISBN 978-88-6208-294-5 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-585-4 $16 | £10 40 pages, 22 color, softcover $16 | £10 in New York City, he has committed himself to ISBN 978-88-6208-501-4 publishing Toiletpaper magazine. $45 | £35

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a collaboration with L’Uomo Vogue that offered him the chance to explore the portrait’s potential and Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari radically change its codes. In 2009, he teamed with Toiletpaper 10 Toiletpaper 14 Toiletpaper 16 Maurizio Cattelan to create Toiletpaper. When he is 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies with not shooting, he can be found surfing in Costa Rica. 40 pages, 22 color, softcover 40 pages, 22 color, softcover a surprise... ISBN 978-88-6208-339-3 ISBN 978-88-6208-536-6 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 $16 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-586-1 $45 | £35

Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 11 Toiletpaper 14 Toiletpaper 17 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover with Toiletpaper bag 40 pages, 22 color, softcover ISBN 978-88-6208-394-2 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-613-4 $16 | £10 40 pages, 22 color, softcover $16 | £10 ISBN 978-88-6208-537-3 $45 | £35

72 Toiletpaper 73 Maurizio Cattelan and ToiletMartin PaperParr Magazine is a new, special Kenzine is a collaboration between Toiletpaper Pierpaolo Ferrari Toiletpaper 17 edition of Toiletpaper published by Damiani. magazine and the Parisian clothing label Kenzo. Limited edition of 1000 copies with This unique edition celebrates a new suite of Founder Kenzo Takada is known for his synthesis a surprise... pictures presenting a back-to-back of images of Japanese style with Parisian high fashion. 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover made in collaboration with Maurizio Cattelan and The images in Kenzine contain subtle visual tricks ISBN 978-88-6208-614-1 Pierpaolo Ferrari on the one side and Martin Parr that become more powerful the longer you are $45 | £35 on the other. exposed to them.

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Kenzo and Toiletpaper Pierpaolo Ferrari and Pierpaolo Ferrari Kenzine Vol. 1 Toiletpaper Calendar 2017 ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches 21 x 28 cm | 8 ¼ x 11 inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 13 pages, 13 color, wire-O 40 pages, 22 color, softcover ISBN 978-88-6208-343-0 ISBN 978-88-6208-517-5 ISBN 978-88-6208-589-2 $35 | £25 $20 | £16.99 $18 | £13

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Kenzo and Toiletpaper Pierpaolo Ferrari and Pierpaolo Ferrari Kenzine Vol. 2 Toiletpaper Calendar 2018 ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches 21 x 28 cm | 8 ¼ x 11 inches Limited edition of 1000 copies 40 pages, 22 color, softcover 13 pages, 13 color, wire-O with ToiletMartin PaperParr bag ISBN 978-88-6208-371-3 ISBN 978-88-6208-555-7 22.5 x 29 cm | 9 x 11 ½ inches $35 | £25 $20 | £16.99 40 pages, 22 color, softcover ISBN 978-88-6208-594-6 $50 | £40

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Kenzo and Toiletpaper Pierpaolo Ferrari and Pierpaolo Ferrari Kenzine Vol. 3 Toiletpaper Volume II: ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches Platinum Collection Calendar 2019 40 pages, 22 color, softcover 23.8 x 34.5 cm | 9 ½ x 13 ½ inches 21 x 28 cm | 8 ¼ x 11 inches ISBN 978-88-6208-385-0 240 pages, 200 color, hardbound 7 pages, 14 color, wire-O $35 | £25 Limited to 1,000 copies ISBN 978-88-6208-597-7 Includes Toiletpaper watch $22 | £17.99 ISBN 978-88-6208-445-1 $150 | £100

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 4 Toiletpaper Volume II 22.5 x 29 cm | 9 x 11 ½ inches 22.9 x 30.5 cm | 9 x 12 inches 40 pages, 22 color, softcover 240 pages, 200 color, hardbound ISBN 978-88-6208-430-7 ISBN 978-88-6208-427-7 $35 | £25 $65 | £45

74 Toiletpaper 75 Backlist Photography

Mark Abrahams Jessica Antola Cass Bird Susan Burnstine Text by James Frey Circadian Landscape Rewilding Absence of Being 24 x 31.4 cm | 9 ½ x 12 ½ inches 23.5 x 28.6 cm | 9 ¼ x 11 ¼ inches Text by Sally Singer, Text by Del Zogg, Chantel Paul, 304 pages, 150 b&w, clothbound 128 pages, 69 color, clothbound Jack Halberstam Susan Burnstine Rights world except Germany ISBN 978-88- 6208-580-9 18 x 24 cm | 7 x 9 ½ inches 24 x 24 cm | 9 ½ x 9 ½ inches ISBN 978-88-6208-138-2 $40 | £29 88 pages, 42 b&w, clothbound 96 pages, 80 b&w, hardbound $70 | £45 ISBN 978-88-6208-218-1 ISBN 978-88-6208-475-8 $35 | £20 $50 | £35

Ricky Adam Tom Atwood Eric Boman Kristin Capp Belfast Punk. Warzone Centre Kings & Queens in Their Castles A Wandering Eye. Brasil 1997-2003 24.8 x 31.8 cm | 9 ¾ x 12 ½ inches Photographs 1975–2005 Text by Paulo Venancio Filho, 25.5 x 30 cm | 10 x 11 ¾ inches 144 pages, 135 color, hardbound Edition of 1,200 numbered copies Sergio Alcides 176 pages, 85 b&w, hardbound ISBN 978-88-6208-516-8 Text by Kevin Moore 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches ISBN 978-88-6208-510-6 $45 | £35 23.5 x 17.1 cm | 9 ¼ x 6 ¾ inches 120 pages, 98 b&w, hardbound $40 | £30 128 pages, 120 color, hardbound English & Portuguese ISBN 978-88-6208-487-1 ISBN 978-88-6208-455-0 $45 | £30 $40 | £25

Elizabeth Albert Stephanie Berger Matthew Brandt James Casebere Silent Beaches, Untold Stories: Merce Cunningham: Beyond Lakes & Reservoirs Works 1975–2010 New York City’s Forgotten Waterfront the Perfect Stage 35 x 28 cm | 13 ¾ x 11 inches Edited and with text by Okwui Edited by Elizabeth Albert Text by Nancy Dalva 176 pages, 120 color, hardbound Enwezor. Text by Toni Morrison, 24 x 30 cm | 9 ½ x 11 ⅞ inches 22.8 x 22.8 cm | 9 x 9 inches ISBN 978-88-6208-374-4 Hal Foster, Ford Morrison SILENT BEACHES. UNTOLD STORIES NEW YORK CITY’S FORGOTTEN WATERFRONT 128 pages, 80 color and b&w, 96 pages, 100 color, hardbound $65 | £40 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches softcover with slipcase 320 pages, 250 color, hardbound ISBN 978-88-6208-500-7 ISBN 978-88-6208-465-9 with jacket $39.95 | £30 $50 | £35 ISBN 978-88-6208-186-3 $80 | £50

Mariam Amurvelashvili Monica Biancardi Robin Broadbent Gusmano Cesaretti Endless Questions RiMembra The Photographic Work of Fragments of Los Angeles, 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 24 x 32 cm | 9 ½ x 12 ½ inches Robin Broadbent 1969–1989 112 pages, 70 b&w, hardbound 72 pages, 50 color, hardbound 21.6 x 28 cm | 9 x 11 ¾ inches In association with Alleged Press ISBN 978-88-6208-447-5 ISBN 978-88-6208-514-4 184 pages, 160 color and b&w, Edited by Aaron Rose. Text by $35 | £24 $30 | £25 hardbound with jacket Jeffrey Deitch, Michael Mann ISBN 978-88-6208-530-4 24 x 30.5 cm | 9 ½ x 12 inches $50 | £38 164 pages, 100 b&w, hardbound ISBN 978-88-6208-275-4 $50 | £35

Marco Anelli Tom Bianchi Matthew Brookes Gian Butturini Portraits in the Presence of Fire Island Pines: Polaroids Les Danseurs London Marina Abramović 1975–1983 Text by Marie-Agnès Gillot Edited by Martin Parr. Text by Text by Marina Abramović, Edited by Ben Smales. Text by 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches Martin Parr, Allen Ginsberg, Klaus Biesenbach, Chrissie Iles Edmund White, Tom Bianchi 68 pages, 40 b&w, hardbound Gian Butturini, Luciano Mondini Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches 21.5 x 25.5 cm | 8 ½ x 10 inches ISBN 978-88-6208-433-8 25,4 x 30.5 cm | 10 x 12 inches he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In 192 pages, 1,600 color, softcover fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound $45 | £30 104 pages, 78 b&w, hardbound Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private ISBN 978-88-6208-249-5 moments.with These images, jacketpublished here for the first time, and accompanied by with jacket Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures $40 | £25 a ISBNmagical bygone era. 978-88-6208-270-9 ISBN 978-88-6208-558-8 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | £35 $45 | £34

$ 50.00 | £ 35.00

78 Backlist 79 Luca Campigotto Richard Corman Chris Craymer Cheryl Dunn Iconic China Madonna NYC 83 American Romance Festivals Are Good Text by William M. Hunt 24 x 31.5 cm | 9 ½ x 12 ½ inches 24 x 30.5 cm | 9 ½ x 12 inches In association with Standard Press 34 x 26 cm | 13 ⅜ x 10 inches 96 pages, 80 color and b&w, 200 pages, 170 color, hardbound 29.2 x 19 cm | 11 ½ x 7 ½ inches 84 pages, 40 color, hardbound clothbound ISBN 978-88-6208-584-7 128 pages, 80 color, hardbound ISBN 978-88-6208-566-3 ISBN 978-88-6208-288-4 $50 | £34 ISBN 978-88-6208-466-6 $45 | £35 $49.95 | £34 $40 | £25

Ludovic Cesari Alessandro Cosmelli Stéphane Coutelle Simon Eeles Text by Phil Bicker and Gaia Light Insomnies Australiana 24 x 28 cm | 9 ½ x 11 inches Brooklyn Buzz 24 x 17 cm | 9 ½ x 6 ¾ inches 24.1 x 30.5 cm | 9 ½ x 12 inches 160 pages, 100 color, hardbound Text by Gavin Keeney, Jamie Wellford 160 pages, 100 color, clothbound 96 pages, 60 color, clothbound ISBN 978-88-6208-421-5 16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches ISBN 978-88-6208-303-4 ISBN 978-88-6208-499-4 $40 | £25 208 pages, 94 color, softcover $40 | £25 $35 | £25 ISBN 978-88-6208-241-9 $40 | £25

Michel Comte Alessandro Cosmelli Marco Craig Simon Eeles Michel Comte and MILK: and Gaia Light NYC Marathon: Do Not Cross Far Far Rockaway A Collaboration 1996–2016 Havana Buzz Text by Federico Rampini 24.1 x 30.5 cm | 9 ½ x 12 inches Interview by Bobby Woods 10.2 x 15.5 cm | 4 x 6 ⅛ inches 30.5 x 22.9 cm | 12 x 9 inches 96 pages, 60 color, clothbound 24.1 x 34 cm | 9 ½ x 13 ⅜ inches 224 pages, 170 color, softcover 80 pages, 60 color, hardbound ISBN 978-88-6208-543-4 336 pages, 265 color, clothbound with jacket ISBN 978-88-6208-497-0 $35 | £25 with jacket ISBN 978-88-6208-560-1 $45 | £30 ISBN 978-88-6208-446-8 $30 | £25 $75 | £50

Mariana Cook Alessandro Cosmelli Philip-Lorca diCorcia Sasha Eisenman Justice: Faces of the Human and Gaia Light Eleven California Girls Rights Revolution Milano Buzz Edited by Dennis Freedman 24.2 x 30 cm | 9 ½ x 11 ¾ inches Text by Anthony Lewis 17.1 x 22.8 cm | 6 ¾ x 9 inches Interview by Jeff Rian 240 pages, 200 color, softcover 25 x 29.2 cm | 9 ⅞ x 11 ½ inches 208 pages, 120 color, softcover 24.8 x 33 cm | 9 ½ x 13 inches ISBN 978-88-6208-366-9 216 pages, 99 b&w, clothbound ISBN 978-88-6208-393-5 272 pages, 144 color, hardbound $50 | £35 with jacket $40 | £25 with jacket ISBN 978-88-6208-261-7 ISBN 978-88-6208-167-2 $50 | £35 $70 | £50

Mariana Cook Chris Craymer Terence Donovan Brad Elterman Stone Walls: Personal Boundaries From the Heart Portraits Dog Dance. The Photographs Text by Wendell Barry, Susan 24.1 x 30.5 cm | 9 ½ x 12 inches Text by Philippe Garner of Brad Elterman Allport, Lucy Breathitt, Thomas 192 pages, 48 color, 87 b&w, 24.5 x 28 cm | 9 ¾ x 11 inches Edited by Sandy Kim Cummins, Robert O. Paxton, et al hardbound 176 pages, 160 color and b&w, Text By Olivier Zahm 28 x 28 cm | 11 x 11 inches ISBN 978-88-6208-452-9 hardbound 16.8 x 23.8 cm | 6 ½ x 9 ½ inches 192 pages, 82 b&w, hardbound $50 | £35 ISBN 978-88-6208-482-6 96 pages, 100 color and b&w, with jacket $50 | £35 hardbound ISBN 978-88-6208-169-6 ISBN 978-88-6208-297-6 $50 | £35 $35 | £25

80 Backlist 81 Deborah Feingold Adam Fuss Greg Gorman Philippe Halsman Music Water Outside the Studio Philippe Halsman’s Jump Book Introduction by Anthony 27.3 x 33 cm | 10 ¾ x 13 inches Text by James Nachtwey, 22 x 28 cm | 8 ⅝ x 11 inches DeCurtis 120 pages, 80 color and b&w, Greg Gorman 96 pages, 194 b&w, hardbound 25.4 x 25.4 cm | 10 x 10 inches clothbound with jacket 30.5 x 30.5 cm | 12 x 12 inches with jacket 108 pages, 60 b&w, hardbound ISBN 978-88-6208-587-8 156 pages, 140 b&w, hardbound ISBN 978-88-6208-420-8 ISBN 978-88-6208-311-9 $55 | £39 with jacket $45 | £30 $45 | £30 ISBN 978-88-6208-391-1 $50 | £30

Hans Feurer Ron Galella Xavier Guardans Pamela Hanson Text by Gianni Jetzer New York Self-Portraits Private Room 24 x 34 cm | 9 ½ x 13 ½ inches Edited by Nick Vogelson Text by Emilie Lee, Edition of 1,500 numbered copies 200 pages, 175 color, clothbound Text by William Van Meter Sarita Louise Moore, Text by Jack Pierson ISBN 978-88-6208-292-1 22.8 x 28 cm | 9 x 11 inches Anja Skidan, Grace Villamil 17.1 x 22.9 cm | 6 ¾ x 9 inches $65 | £40 176 pages, 150 b&w, hardbound 28 x 28 cm | 11 x 11 inches 96 pages, 60 color, clothbound ISBN 978-88-6208-355-3 96 pages, 46 b&w, clothbound ISBN 978-88-6208-491-8 $49.95 | £34 with jacket $40 | £30 ISBN 978-88-6208-484-0 $50 | £35

Larry Fink Tierney Gearon Xavier Guardans Charles Harbutt Fink on Warhol: New York Alphabet Book Traveling Lights Departures and Arrivals Photographs of the 1960s 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches Text by Amelia Rina 24 x 29 cm | 10 ½ x 11 ½ inches Text by Kevin Moore 56 pages, 26 color, hardbound 27.9 x 27.9 cm | 11 x 11 inches 120 pages, 93 b&w, clothbound 24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches with jacket 84 pages, 39 b&w, clothbound ISBN 978-88-6208-243-3 128 pages, 80 b&w, clothbound ISBN 978-88-6208-320-1 ISBN 978-88-6208-387-4 $50 | £35 ISBN 978-88-6208-515-1 $40 | £25 $50 | £30 $50 | £38

Fischerspooner Tria Giovan Xavier Guardans Jessica Todd Harper Egos The Cuba Archive Windows The Home Stage Edited by Meredith Mowder Photographs 1990-1996 Text by Christopher Harth, Text by Alain de Botton, Text by Klaus Biesenbach, Essey by Silvana Paternostro Amanda Schmitt Alison Nordström Gavin Brown, Jeffrey Deitch, 29.3 x 21 cm | 11 ½ x 8 ¼ inches 28 x 28 cm | 11 x 11 inches 28 x 24 cm | 11 x 9 ½ inches Warren Fischer, Casey Spooner 168 pages, 125 color, hardbound 80 pages, 25 b&w, clothbound 112 pages, 50 color, hardbound 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-545-8 ISBN 978-88-6208-323-2 ISBN 978-88-6208-364-5 96 pages, 70 color, hardbound $40 | £30 $60 | £39 $45 | £30 ISBN 978-88-6208-429-1 $45 | £30

Jill Freedman Deborah Goodman Davis Torkil Gudnason Jessica Todd Harper Resurrection City, 1968 PhotoRx: Pharmacy in Body Vase Interior Exposure 24.5 x 30 cm | 9 ⅗ x 11 ⅘ inches Photography Since 1850 25.4 x 30.5 cm | 10 x 12 inches Text by Larry Fink 176 pages, 140 b&w, hardbound Edited by Shawn Waldron. 80 pages, 70 color, clothbound Interview by Sarah A. McNear ISBN 978-88-6208-583-0 Text by David Campany ISBN 978-88-6208-296-9 28 x 24 cm | 11 x 9 ½ inches $45 | £35 24 x 29 cm | 9 ½ x 11 ½ inches $40 | £25 112 pages, 50 color, hardbound 160 pages, 100 color and b&w, English & Italian clothbound ISBN 978-88-6208-016-3 ISBN 978-88-6208-554-0 $45 | £24.99 $45 | £35

82 Backlist 83 Elizabeth Heyert David Lykes Keenan Gillian Laub Lima, Peru The Outsider Fair Witness Southern Rites Edited by Mario Testino. Text by Madeleine Thien Text by Eli Reed 24.1 x 26.7 cm | 9 ½ x 10 ½ inches Text by Mario Vargas Llosa 29.85 x 30.48 cm | 11 ¾ x 12 inches 24.1 x 20.3 cm | 9 ½ x 8 inches 160 pages, 100 color, clothbound 23 x 33 cm | 9 x 13 inches 96 pages, 43 b&w, hardbound 160 pages, 100 b&w, hardbound ISBN 978-88-6208-413-0 224 pages, 190 color, hardbound ISBN 978-88-6208-544-1 ISBN 978-88-6208-389-8 $50 | £35 English, Italian & Spanish $30 | £25 $45 | £29 ISBN 978-88-89431-92-4 $65 | £35

Dennis Hopper Daniel King Antoine Le Grand Lipstick Flavor: Colors. The Polaroids Ukraine Youth, Between Days Portraits A Contemporary Art Story Text by Aaron Rose 22.8 x 30.5 cm | 9 x 12 inches Introduction by Jean-Paul Goude with Photography 23.5 x 20.3 cm | 9 ¼ x 8 inches 96 pages, 80 color, hardbound 27.5 x 27.5 cm | 11 x 11 inches Edited by Jérôme Sans, Marla 132 pages 120 color, clothbound ISBN 978-88-6208-398-0 316 pages, 280 color and b&w, Hamburg Kennedy ISBN 978-88-6208-476-5 $40 | £25 hardbound 24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches $45 | £30 ISBN 978-88-6208-503-8 174 pages, 120 color and b&w, $50 | £35 hardbound ISBN 978-88-6208-426-0 $50 | £35

Dennis Hopper Jeremy Kost David Leventi Alexi Lubomirski Drugstore Camera Fractured Opera Diverse Beauty Edited by Michael Schmelling Interview by Franklin Sirmans. Text by Plácido Domingo, Marvin Text by Lupita Nyong’o, Alexi Text by Marin Hopper Text by Glenn O’Brien, Garrett Neff Heiferman, Thomas Mellins Lubomirski 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches 23 x 28 cm | 9 x 11 inches 33.8 x 28 cm | 13 ¼ x 11 inches 25 x 34.5 cm | 9 ⅞ x 13 ½ inches 96 pages, 60 b&w, clothbound 208 pages, 180 color, hardbound 120 pages, 40 color, clothbound 192 pages, 135 color and b&w, ISBN 978-88-6208-403-1 ISBN 978-88-6208-363-8 with jacket hardbound $45 | £30 $49.95 | £35 ISBN 978-88-6208-397-3 ISBN 978-88-6208-479-6 $50 | £30 $50.00 | £35

Kenro Izu Lionel Koretzky Julien Levy Magnum Photos with Reda: 150 Seduction 1000 Cars of NYC. Every Day Is Doomsday 24 x 28 cm | 9 ½ x 11 inches 24 x 30 cm | 9 ½ x 11 ⅘ inches 15.9 x 15.9 cm | 6 ¼ x 6 ¼ inches 28 x 19 cm | 11 x 7 ½ inches 180 pages, 102 color and b&w, 160 pages, 100 color, hardbound 288 pages, 1000 color, hardbound 144 pages, 110 color, hardbound clothbound ISBN 978-88-6208-579-3 ISBN 978-88-6208-546-5 ISBN 978-88-6208-442-0 ISBN 978-88-6208-408-6 $50 | £35 $35 | £25 $50 | £35 $50 | £35

Ruth Kaplan David Lachapelle Joan Liftin Eric Maillet Bathers Landscape Marseille Silent Conversations 24.7 x 30,5 cm | 9 ¾ x 12 inches Text by Shana Nys Dambrot, 30.5 x 23.5 cm | 12 x 9 ¼ inches Text by Jérôme Sans 112 pages, 70 b&w, clothbound Paul Watson 112 pages, 64 b&w, hardbound 24.6 x 30.5 cm | 9 ¾ x 12 inches ISBN 978-88-6208-548-9 33 x 30 cm | 13 x 11 ¾ inches ISBN 978-88-6208-449-9 192 pages, 150 color and b&w, $50 | £35 88 pages, 80 color, softcover $50 | £35 hardbound ISBN 978-88-6208-331-7 ISBN 978-88-6208-415-4 $45 | £29 $50 | £35

84 Backlist 85 Ari Marcopoulos Happy Massee Joel Meyerowitz Klaus Mitteldorf Out & About Diary of a Set Designer Morandi’s Objects Work: Photographs 1983–2013 In association with Alleged Press 21 x 26 cm | 8 ¼ x 10 ¼ inches Text by Joel Meyerowitz, 24 x 30 cm | 9 ½ x 11 ¾ inches Edited by Aaron Rose 160 pages, 140 color, clothbound Maggie Barrett 360 pages, 800 color and b&w, 24 x 31.5 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-485-7 25.4 x 32 cm | 10 x 12 ⅝ inches softcover 248 pages, 200 b&w, clothbound $50 | £35 116 pages, 65 color, clothbound English & Portuguese with sleeve ISBN 978-88-6208-453-6 ISBN 978-88-6208-291-4 Italian & English $50 | £35 $50 | £35 ISBN 978-88-89431-13-9 $55 | £35

Caleb Cain Marcus Rania Matar William Meyers Carlo Mollino Goddess L’Enfant-Femme Outer Boroughs: New York Polaroids Text by Richard Ford Introduction by Her Majesty Beyond Manhattan Text by Fulvio Ferrari, 25 x 29.1 cm | 8 ½ x 11 ½ inches Queen Noor. Text by Lois Lowry, 22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches Napoleone Ferrari, James Crump, 116 pages, 90 color, hardbound Kristen Gresh 208 pages, 160 b&w, hardbound Silvio Curto ISBN 978-88-6208-418-5 24.1 x 31.7 cm | 9 ½ x 12 ½ inches with jacket 21.5 x 26.5 cm | 8 ½ x 10 ½ inches $50 | £35 152 pages, 97 color, clothbound ISBN 978-88-6208-401-7 288 pages, 400 color, hardbound ISBN 978-88-6208-450-5 $50 | £30 ISBN 978-88-6208-378-2 $50 | £35 $65 | £40

Sarai Mari Susan Meiselas Bart Michiels Andrew Moore Speak Easy Mediations The Course of History Cuba 21 x 27 cm | 8 ¼ x 10 ½ inches 17.5 x 24 cm | 6 ⅞ x 9 ⅖ inches Text by Sonja Fessel, Simon Text by Joel Smith, Orlando Luis 160 pages, 100 color, hardbound 184 pages, 100 color and b&w, Schama Pardo Lazo ISBN 978-88-6208-507-6 hardbound 31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches 40 x 30 cm | 15 ¾ x 11 ¾ inches $45 | £35 ISBN 978-88-6208-569-4 (English) 156 pages, 70 color, clothbound 128 pages, 68 color, hardbound ISBN 978-88-6208-568-7 (French) ISBN 978-88-6208-305-8 ISBN 978-88-6208-252-5 $35 | £25 $65 | £39 $75 | £50

Dan Martensen Toni Meneguzzo Sabine Mirlesse Andrew Moore Photographs from the American Gauchillos As If It Should Have Been a Quarry Detroit Disassembled Southwest Text by Toni Meneguzzo, Andrés Text by Eduardo Cadara 22.5 x 33 cm | 10 x 13 inches 30 x 24.5 cm | 11 ¾ x 9 ½ inches Sala, Daphné Anglès, Jean 30 x 24 cm | 11 ¾ x 9 ½ inches 136 pages, 70 color, hardbound 100 pages, 60 color, clothbound Blanchaert, Tommaso Basilio 64 pages, 60 color, clothbound ISBN 978-88-6208-118-4 ISBN 978-88-6208-232-7 28 x 21.2 cm | 11 x 8 ½ inches ISBN 978-88-6208-310-2 $50 | £34.95 $50 | £35 184 pages, 140 color, hardbound $40 | £25 ISBN 978-88-6208-513-7 $35 | £25

Dan Martensen Joel Meyerowitz Klaus Mitteldorf Andrew Moore Wolves Like Us: Portraits Cézanne’s Objects Next Dirt Meridian of the Angulo Brothers Text by Joel Meyerowitz, Text by Joseph Akel Text by Kent Haruf, Toby Text by Crystal Moselle, Joseph Maggie Barrett 25 x 30.5 cm | 9 ⅞ x 12 inches Jurovics, Inara Verzemnieks Akel 25.4 x 32 cm | 10 x 12 ⅝ inches 96 pages, 60 color, hardbound 34.5 x 27.9 cm | 13 ½ x 11 inches 21.6 x 28 cm | 8 ½ x 11 inches 116 pages, 50 color, clothbound ISBN 978-88-6208-456-7 132 pages, 60 color, hardbound 160 pages, 168 color, softcover ISBN 978-88-6208-564-9 $50 | £35 ISBN 978-88-6208-412-3 ISBN 978-88-6208-443-7 $50 | £35 $50 | £35 $35 | £24

86 Backlist 87 Motus Marc Ohrem-Leclef Jack Pierson Curt Richter Hello Stranger Olympic Favela The Hungry Years Thousand Words. Portraits 21.6 x 25.4 cm | 8 ½ x 10 inches Text by Luis Perez-Oramas, Text by Eileen Myles from the Key West Literary Seminar 274 pages, 150 color, hardbound Itamar Silva, David Kelley Quote by Stephen Shore Text by Ann Beattie ISBN 978-88-6208-518-2 24.1 x 31.1 cm | 11 x 11 inches 20.3 x 24.1 cm | 8 x 9 ½ inches 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches $35 | £25 88 pages, 50 color, hardbound 104 pages, 70 color, hardbound 96 pages, 48 b&w, hardbound ISBN 978-88-6208-338-6 ISBN 978-88-6208-562-5 ISBN 978-88-6208-478-9 $50 | £30 $40 | £30 $45 | £30

Tom Munro Christine Osinski Jean Pigozzi Derek Ridgers Text by Madonna. Interview with Summer Days Staten Island ME + CO. The Selfies: 1972-2016 78–87 London Youth Pierre Alexandre de Looz Interview by A. H. Data. Text by Ash Carter Text by John Maybury 24 x 34 cm | 9 ½ x 13 inches Text by Paul Moakley 14 x 19.7cm | 5 ½ x 7 ¾ inches 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 240 pages, 127 color and b&w, 30.5 x 24.1 cm | 12 x 9 ½ inches 168 pages, 160 illustrations, hardbound 160 pages, 120 b&w, hardbound clothbound with jacket 96 pages, 51 b&w, hardbound ISBN 978-88-6208-550-2 ISBN 978-88-6208-359-1 $40 | £25 ISBN 978-88-6208-125-2 ISBN 978-88-6208-448-2 $50 | £30 $75 | £50 $40 | £25

Joan Myers Jean Pagliuso Giuseppe Pino Peter Schlesinger Fire and Ice: Timescapes In Plain Sight. The Photographs The Way They Were: Portraits A Photographic Memory 1968–1989 Text by Joan Myers, Kathleen 1968-2017 & Stories from the 20th Century Text by Peter Schlesinger, Hilton Als Stewart Howe 24 x 29 cm | 9 ½ x 11 ½ inches 30 x 30 cm | 11 ¾ x 11 ¾ inches 24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches 31.1 x 24.1 cm | 12 ¼ x 9 ½ inches 256 pages, 200 color and b&w, 304 pages, 250 b&w, hardbound 176 pages, 150 color, hardbound 160 pages, 140 color, hardbound hardbound with jacket ISBN 978-88-6208-341-6 ISBN 978-88-6208-436-9 ISBN 978-88-6208-392-8 ISBN 978-88-6208-578-6 $70 | £45 $50 | £35 $50 | £30 $70 | £54

Joan Myers and Nathaniel Tarn Martin Parr Norma I. Quintana Mark Segal The Persephones Think of Scotland Circus: A Traveling Life Cheetah Edition of 500 numbered copies 23 x 31.5 cm | 9 x 12 ½ inches Text by Mona Simpson 35 x 24 cm | 13 ¾ x 9 ½ inches Text by Nathaniel Tarn 144 pages, 100 color, hardbound 28 x 28 cm | 11 x 11 inches 240 pages, 180 color and b&w, 18 x 23.8 cm | 7 x 9 inches ISBN 978-88-6208-549-6 144 pages, 120 b&w, hardbound clothbound 60 pages, 30 color, clothbound $40 | £30 ISBN 978-88-6208-365-2 ISBN 978-88-6208-523-6 ISBN 978-88-6208-498-7 $60 | £39 $120 | £90 $40 | £30

Hans Neumann Elizabeth Peyton Terry Richardson David Seltzer and Gabriel Rivera-Barraza Portrait of an Artist: Terrywood Knowledge of the Raw Nuevo New York Photographs 1994–2008 Text by Jeffrey Deitch, Al Moran Text by Eric Fischl 25.5 x 30 cm | 10 x 11 ⅞ inches Text by Richard Klein, 25 x 30 cm | 10 x 12 inches 24.1 x 30.4 cm | 9 ½ x 12 inches 176 pages, 98 color and b&w, Rirkrit Tiravanija 228 pages, 150 color, hardbound 160 pages, 100 color and b&w, hardbound 28 x 20 cm | 11 x 8 inches with jacket hardbound ISBN 978-88-6208-495-6 112 pages, 62 color, clothbound ISBN 978-88-6208-251-8 ISBN 978-88-6208-417-8 $50 | £35 ISBN 978-88-6208-077-4 $60 | £40 $45 | £30 $45 | £24.99

88 Backlist 89 Andres Serrano Lynn Saville Randi Malkin Steinberger Hiroshi Sugimoto Holy Works Dark City: No Circus Seascapes Text by Germano Celant, Urban America at Night Text by D.J. Waldie 25.2 x 27.8 cm | 10 x 11 inches James Frey Text by Geoff Dyer 22.9 x 17.8 cm | 9 x 7 inches 272 pages, 213 b&w, clothbound 24 x 31 cm | 9 ½ x 12 inches 33.8 x 27 cm | 13 ¼ x 10 ⅝ inches 128 pages, 69 color, hardbound with jacket 112 pages, 60 color, clothbound 128 pages, 80 color, hardbound ISBN 978-88-6208-480-2 Rights world except France ISBN 978-88-6208-209-9 ISBN 978-88-6208-411-6 $35 | £25 and Japan $50 | £30 $50 | £35 ISBN 978-88-6208-416-1 $70 | £45

Jamel Shabazz Portraits of an Urban Hymn David Scheinbaum Aaron Stern Hiroshi Sugimoto Sights in the City: New York Hip Hop: Portraits of an I Woke Up in My Clothes Theaters Street Photographs HIP HOP Urban Hymn Text by David Wagoner, Rich Appel Text by Hiroshi Sugimoto

30.5 x 24.1 cm | 12 x 9 ½ inches PHotograPHs 26 x 30 cm | 10 ¼ x 11 ¾ inches 24 x 30 cm | 9 ½ x 11 ¾ inches 25.2 x 27.8 cm | 10 x 11 inches DaviD scHeinbaUm 160 pages, 120 color and b&w, 160 pages, 100 color and b&w, 96 pages, 50 color, clothbound 176 pages, 130 b&w, clothbound hardbound hardbound ISBN 978-88-6208-352-2 with jacket ISBN 978-88-6208-522-9 ISBN 978-88-6208-273-0 $45 | £25 Rights world except France $50 | £38 $50 | £34 ISBN 978-88-6208-477-2 $60.00 | £40

David Benjamin Sherry Marius Schultz Joni Sternbach Hiroshi Sugimoto It’s Time A Conversation with Nature Surf Site Tin Type Portraits Text by Neville Wakefield 20 x 30 cm | 7 ⅞ x 11 ⅘ inches Text by Lyle Rexer, April M. Watson, 25.2 x 27.8 cm | 10 x 11 inches 22 x 30 cm | 9 x 12 inches 160 pages, 80 color, hardcover Chris Malloy, Johnny Abegg 120 pages, 70 b&w, clothbound 96 pages, 60 color, clothbound ISBN 978-88-6208-588-5 30.5 x 24.8 cm | 12 x 9 ¾ inches with jacket ISBN 978-88-6208-093-4 $40 | £29 192 pages, 123 b&w, hardbound ISBN 978-88-6208-582-3 $50 | £29.99 ISBN 978-88-6208-380-5 $50 | £35 $45 | £29

David Benjamin Sherry Erica Simone Michael Stipe Joseph Szabo Quantum Light Nue York: Self-Portraits of a Volume I Rolling Stones Fans Text by Collier Schorr Bare Urban Citizen 22.9 x 33 cm | 9 x 13 inches 24.5 x 22.5 cm | 9 ¾ x 9 inches 21 x 27 cm | 8 ¼ x 10 ⅝ inches NUE YORK 30.5 x 24.7 cm | 12 x 9 ¾ inches 72 pages, 35 color and b&w, 104 pages, 100 b&w, hardbound 72 pages, 70 color, clothbound ERICA SIMONE 88 pages, 48 color, hardbound hardbound ISBN 978-88-6208-399-7 ISBN 978-88-6208-213-6 English & French ISBN 978-88-6208-591-5 $39 | £25 $50 | £30 ISBN 978-88-6208-464-2 $45 | £34 $40 | £25

Jacqueline Roberts Brian Bowen Smith Hiroshi Sugimoto Joseph Szabo Nebula Projects Dioramas Lifeguard Text by Frank Kalero 24 x 30.5 cm | 9 ½ x 12 ½ inches 25.2 x 27.8 cm | 10 x 11 inches 29 x 23.5 cm | 11 ⅖ x 9 ¼ inches 25.5 x 30 cm | 10 x 11 ⅞ inches 168 pages, 100 b&w, hardbound 118 pages, 56 b&w, clothbound 96 pages, 60 b&w, hardbound 144 pages, 87 b&w, clothbound ISBN 978-88-6208-263-1 with jacket ISBN 978-88-6208-542-7 ISBN 978-88-6208-486-4 $60 | £40 Rights world except France $40 | £29 $45 | £30 ISBN 978-88-6208-327-0 $65 | £40

90 Backlist 91 Ed Thompson Diego Uchitel Jork Weismann Dan Ziskie and Julien Roubinet Polaroids Asleep at the Chateau Cloud Chamber Ice Cream Headaches. Surf Text by Diane von Furstenberg Text by Bret Easton Ellis 30 x 24 x cm | 11 ¾ x 9 ½ inches Culture in New York & New Jersey 25 x 31.5 cm | 9 ¾ x 12 ½ inches 33 x 24 cm | 12 x 9 inches 108 pages, 65 color, hardbound 21.5 x 27.8cm | 8 ½ x 11 inches 240 pages, 200 color and b&w, 184 pages, 87 color, clothbound ISBN 978-88-6208-547-2 192 pages, 100 color, hardbound clothbound ISBN 978-88-6208-242-6 $35 | £25 ISBN 978-88-6208-573-1 ISBN 978-88-6208-239-6 $50 | £35 $45 | £32 $50 | £35

Alexey Titarenko Carlo Van de Roer James Welling The City Is a Novel The Portrait Machine Project Glass House Text by Alexey Titarenko, Gabriel 24,5 x 30.5 cm | 9 ¾ x 12 inches Text by Noam Elcott, Sylvia Lavin Bauret, Brett Abbott, Sean Corcoran 88 pages, 40 color, clothbound 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches 24.1 x 26.7 cm | 9 ½ x 10 ½ inches ISBN 978-88-6208-268-6 112 pages, 45 color, hardbound 208 pages, 122 b&w, clothbound $40 | £25 ISBN 978-88-6208-161-0 with jacket $50 | £35 ISBN 978-88-6208-414-7 $60 | £40

Michael Thompson Mariano Vivanco Amani Willett Portraits Portraits Nudes Flowers Disquiet Edited by Vince Aletti Foreword by Domenico Dolce, 16.5 x 24 cm | 6 ½ x 9 ½ inches 26 x 33 cm | 10 x 13 inches Stefano Gabbana. 128 pages, 60 color, clothbound 216 pages, 147 color, clothbound Introduction by Tim Blanks. ISBN 978-88-6208-274-7 with jacket Conversation with Janet Mock $40 | £25 English, Italian & French 24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches Rights world except Germany and Asia 224 pages, 200 color, clothbound ISBN 978-88-6208-156-6 ISBN 978-88-6208-489-5 $65 | £45 $50 | £35

Charles H. Traub Julian Wasser Stephan Würth Dolce Via: Italy in the 1980s The Way We Were: The Ikinga Text by Max Kozloff, Luigi Ballerini Photography of Julian Wasser Text by Joseph Akel 29,8 x 24,1 cm | 11 ¾ x 9 ½ inches Edited by Brad Elterman. 24.1 x 24.1 cm | 9 ½ x 9 ½ inches 112 pages, 60 color, hardbound Text by Julian Wasser 72 pages, 31 color, clothbound ISBN 978-88-6208-344-7 24.1 x 31.7 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-444-4 $50 | £30 144 pages, 150 b&w, hardbound $45 | £30 ISBN 978-88-6208-349-2 $60 | £39

Charles H. Traub Ben Watts Brian Young Lunchtime Montauk Dreaming The Train NYC, 1984 21.5 x 21.5 cm | 8 ½ x 8 ½ inches 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 30 x 29.8 cm | 8 ¼ x 11 ¾ inches 140 pages, 100 color, hardbound 144 pages, 140 color, hardbound 112 pages, 80 color, hardbound ISBN 978-88-6208-423-9 ISBN 978-88-6208-388-1 ISBN 978-88-6208-492-5 $45 | £30 $45 | £29 $45 | £30

92 Backlist 93 Fashion & Lifestyle

Ara Gallant Christopher Niquet Stephen Sprouse: Xerox / Rock / Edited by David Wills Models Matter Art: An Archive of Drawings and Text by Anjelica Huston Edited with text by Christopher Ephemera 1970s–1980s 23.5 x 31 cm | 9 ½ x 12 ½ inches Niquet. Preface by Steven Meisel Edited by Carol McCranie, Javier Magri 260 pages, 100 color, hardbound 22 x 28 cm | 8 ½ x 11 inches Text by Debbie Harry, Carol McCranie ISBN 978-88-6208-120-7 (English) 120 pages, 70 color and b&w, 21.5 x 28 cm | 8 ½ x 11 inches $60 | £39 softcover 208 pages, 200 color, hardbound ISBN 978-88-6208-519-9 ISBN 978-88-6208-370-6 $40 | £30 $50 | £35

Embroidery Italian Fashion James Moore Nick Waplington Text by Giusy Ferrè, Valentino, Photographs 1962-2006 Alexander McQueen: Working Process Gianfranco Ferre, Anna Molinari, 25 x 33.5 cm | 10 x 13 ¼ inches Edited by Alexander McQueen, Roberto Cavalli, et al 278 pages, 190 color and b&w, Nick Waplington. 24 x 31.5 cm | 9 ½ x 12 ½ inches hardbound Text by Susannah Frankel 280 pages, 240 color, clothbound ISBN 978-88-6208-494-9 24 x 29 cm | 9 ½ x 11 ½ inches with embroidery $75 | £60 304 pages, 160 color, hardbound ISBN 978-88-89431-23-8 (English) with jacket $99 | £60 ISBN 978-88-6208-295-2 $60 | £40

Fashion at the Time of Fascism: Landon Nordeman Nick Waplington Italian Modernist Lifestyle, 1922–1943 Out of Fashion The Isaac Mizrahi Pictures: Edited by Mario Lupano, 23.5 x 16 cm | 9 ¼ x 6 ¼ inches New York City 1989–1993 Alessandra Vaccari 128 pages, 112 color, clothbound 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches 23 x 29.5 cm | 9 x 11 ½ inches ISBN 978-88-6208-496-3 168 pages, 119 color, hardbound 400 pages, 700 color and b&w, $50 | £30 ISBN 978-88-6208-451-2 hardbound $50 | £35 ISBN 978-88-6208-051-4 (English) ISBN 978-88-6208-061-3 (Italian) $60 | £39

Franco Gobbi Harri Peccinotti Vivienne Westwood Fragile H.P. Shoes 22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches Text by Derek Birdsall Edited by Luca Beatrice, 160 pages, 70 color and b&w, 23 x 30 cm | 9 ½ x 12 inches Matteo Guarnaccia clothbound 228 pages, 200 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-529-8 with jacket 192 pages, 120 color, hardbound $70 | £55 ISBN 978-88-6208-074-3 with sleeve $60 | £34 ISBN 978-88-89431-84-9 (English) $65 | £39

Maripol Bob Recine Little Red Riding Hood Alchemy Of Beauty Text by Maripol Text by René Ricard Conversation with Marc Jacobs Photographs by Mario Sorrenti, 24 x 30 cm | 9 ½ x 11 ½ inches Robbie Fimmano and Bob Recine 268 pages, 350 color, hardbound 24 x 31.2 cm | 9 ½ x 12 inches ISBN 978-88-6208-136-8 (English) 164 pages, 130 color and b&w, ISBN 978-88-6208-143-6 (French) hardbound with jacket $60 | £40 ISBN 978-88-6208-212-9 $65 | £40

$ 65,00 £ 40,00

94 Backlist 95 Contemporary Art

Jennifer Bartlett Andy Denzler Okwui Enwezor and Chris Johanson Epic Systems Fragmented Identity Chika Okeke-Agulu Please Listen I Have Something Text by Barry Schwabsky 28 x 32 cm | 11 x 12 ⅝ inches Contemporary African Art to Tell You About What Is 28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches 216 pages, 105 color, hardbound Since 1980 In association with Alleged Press 88 pages, 75 color, clothbound ISBN 978-88-6208-559-5 24 x 31.5 cm | 9 ½ x 12 ½ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-410-9 $55 | £40 368 pages, 400 color, softcover 208 pages, 180 color, hardbound $45 | £30 ISBN 978-88-6208-092-7 English & Italian $60 | £45 ISBN 978-88-89431-45-0 $50 | £27.50

Valérie Belin Dzine Monir Shahroudy Farmanfarmaian JR and Art Spiegelman 21 x 27 cm | 8 1⁄4 x 10 1⁄2 inches Nailed: The History of Nail Cosmic Geometry The Ghosts of Ellis Island 288 pages 122 color and b&w, Culture and Dzine Edited by Hans Ulrich Obrist, Karen 21.7 x 27 cm | 8 ½ x 10 ½ inches softcover with flaps In association with Standard Press Marta. Text by Nader Ardalan, Media 120 pages, 90 color, hardbound ISBN 978-88-6208-511-3 (English) 24.4 x 29.3 cm | 9 ½ x 11 ½ inches Farzin, Eleanor Sims. Conversation ISBN 978-88-6208-395-9 ISBN 978-88-6208-512-0 (French) 216 pages, 290 color, hardbound with Hans Ulrich Obrist $39.95 | £25 $55 | £40 ISBN 978-88-6208-205-1 24.5 x 29.4 cm | 9 ½ x 11 ½ inches $45 | £30 296 pages, 200 color, clothbound ISBN 978-88-6208-175-7 $70 | £45

Daniel Brush Electrical Banana: Masters of Daniel Firman JR and José Parlá Text by Oliver Sacks, David Revere Psychedelic Art In association with Galerie Perrotin The Wrinkles of the City: McFadden, Brett Littman Text by Paul McCartney, Text by Emmanuel Latreille, Havana Cuba Interview by Paul Keegan Norman Hathaway, Dan Nadel Thierry Raspail In association with Standard Press 34.2 x 33 cm | 13 ½ x 13 inches 23.5 x 26 cm | 9 ½ x 10 ¼ inches Interview by Hou Hanru 30 x 30 cm | 11 ¾ x 11 ¾ inches 276 pages, 250 color, hardbound 208 pages, 150 color, softcover 21 x 27 cm | 8 ¼ x 10 ½ inches 160 pages, 150 color, hardbound with jacket ISBN 978-88-6208-204-4 192 pages, 250 color, hardbound with jacket Rights world except USA $39.95 | £27 ISBN 978-88-6208-309-6 ISBN 978-88-6208-250-1 ISBN 978-88-6208-278-5 $40 | £25 $49.95 | £35 $85 | £50

Colors: A Book About a Magazine FAQ Fischerspooner: New Truth Barry McGee About the Rest of the World Edited by Maurizio Cattelan, Edited with text by Meredith Mowder In association with Alleged Press Text by Francesco Bonami Myriam Ben Salah Text by Klaus Biesenbach, Gavin Edited by Aaron Rose Interview with Luciano Benetton, 15.5 x 21 cm | 6 x 8 ¼ inches Brown, Jeffrey Deitch, Warren 24 x 31.5 cm | 9 ½ x 12 ½ inches Oliviero Toscani 120 pages, 80 color, accordion fold Fischer, Casey Spooner 204 pages, 200 color, hardbound 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches ISBN 978-88-6208-502-1 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-096-5 240 pages, 300 color, clothbound $35 | £25 256 pages, 220 color, hardbound $49.95 | £29.99 with jacket ISBN 978-88-6208-328-7 ISBN 978-88-6208-424-6 $50 | £35 $50 | £35

Johan Creten David Goldes Natalie Frank Ryan McGinness In association with Galerie Perrotin Electricities Tales of the Brothers Grimm #metadata Text by Jan Hoet 24.75 x 30.5 cm | 9 ¾ x 12 inches Drawings by Natalie Frank Essays by Dieter Buchhart, Interview by Léa Chauvel-Lévy 160 pages, 100 color, hardbound Edited by Karen Marta Andrew Blauvelt, Ben Sutton, 21 x 27 cm | 8 ¼ x 10 ½ inches ISBN 978-88-6208-553-3 Text by Claire Gilman, Linda Carlo McCormick, Bill Powers 264 pages, 200 color, hardbound $50 | £35 Nochlin, Julie Taymor, Jack Zipes 21.6 x 28 cm | 8 ½ x 11 inches ISBN 978-88-6208-308-9 22.8 x 30.5 cm | 9 x 12 inches 168 pages, 100 color, hardbound $50 | £34 272 pages, 250 color, hardbound ISBN 978-88-6208-572-4 ISBN 978-88-6208-386-7 $40 | £29 $60 | £40

96 Backlist 97 Mike Mills José Parlá Kenny Scharf Tabboo! The Art of Stephen Graphics / Films Roots Kolors Tashjian In association with Alleged Press 24.4 x 29.3 cm | 9 ⅝ x 11 ½ inches In association with Standard Press Edited by Lia Gangitano 24 x 31.5 cm | 9 x 12 inches 96 pages, 101 color, hardbound Text by Jeffrey Deitch Text by Jack Pierson, 164 pages, 100 b&w, hardbound ISBN 978-88-6208-563-2 21.6 x 26.7 cm | 8 ½ x 10 ½ inches Elisabeth Kley, Lia Gangitano English & Italian $45 | £35 96 pages, 68 color, hardbound 24 x 30.5 cm | 9 ½ x 12 inches ISBN 978-88-6208-075-0 ISBN 978-88-6208-287-7 224 pages, 150 color, hardbound $50 | £24.99 $40 | £25 ISBN 978-88-6208-264-8 $50 | £35

Gianni Motti José Parlá John Severson Ed Templeton In association with Galerie Perrotin Segmented Realities John Severson’s Surf Deformer Text by Elisabeth Lebovici, Françoise Text by Michael Rooks, Rey Parlá, Text by Gerry Lopez, Drew Kampion In association with Alleged Press Ninghetto, Marie-Olivier Wahler, Steve Swieter, Mike Jensen, Farzad Interview by Nathan Howe 24 x 29 cm | 9 ½ x 11 ½ inches Jade Lindgaard, Fabrice Stroun, et al 24 x 29.2 cm | 9 ½ x 11 ½ inches 24 x 31 cm | 9 ½ x 12 ¼ inches 176 pages, 150 color and b&w, 21 x 27 cm | 8 ¼ x 10 ⅝ inches 96 pages, 70 color, hardbound 212 pages, 200 color and b&w, hardbound 240 pages, 200 color and b&w, ISBN 978-88-6208-422-2 hardbound ISBN 978-88-6208-050-7 hardbound $45 | £30 ISBN 978-88-6208-326-3 $55 | £25 ISBN 978-88-6208-361-4 $45 | £29 $50 | £34

Kaz Oshiro Shit and Die Paola Pivi Cy Twombly In association with Galerie Perrotin Edited by Maurizio Cattelan, In association with Galerie Perrotin Paradise Text by Michael Duncan, Ed Schad Myriam Ben Salah, Marta Papini Text by Massimiliano Gioni, Edited by Julie Sylvester 21 x 27 cm | 8 ¼ x 10 ½ inches 23 x 29 cm | 9 x 11 ½ inches Jens Hoffmann Text by Walter Hartsarich, 144 pages, 120 color, hardbound 152 pages, 100 color, softcover 21 x 27 cm | 8 ¼ x 10 ½ inches Gabriella Belli, Philip Larratt-Smith ISBN 978-88-6208-342-3 English & Italian 192 pages, 100 color, hardbound 25 x 34.5 cm | 9 ¾ x 13 ½ inches $40 | £25 ISBN 978-88-6208-402-4 ISBN 978-88-6208-319-5 172 pages, 90 color, clothbound $30 | £19 $50 | £34 with jacket ISBN 978-88-6208-376-8 $60 | £39

Parallel Views: Italian and Japanese Carlos Rolon Gary Simmons Carrie Mae Weems Art from the 1950s, 60s and 70s Boxed: A Visual History and Paradise Kitchen Table Series Edited by Allan Schwartzman the Art of Boxing Text by Gwen Allen, Nancy Text by Sarah Lewis, 28 x 30.5 cm | 11 x 12 inches Edited and with text by Carlos Princenthal, Charles Wylie Adrienne Edwards 408 pages, 249 color, clothbound Dzine Rolon Conversation with Okwui Enwezor 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches with jacket Text by Franklin Sirmans 24.2 x 29.2 cm | 9 ½ x 11 ½ inches 86 pages, 34 b&w, hardbound ISBN 978-88-6208-400-0 24 x 29.2 cm | 9 ½ x 11 ½ inches 192 pages, 150 color, clothbound with jacket $75 | £45 208 pages, 150 color, hardbound ISBN 978-88-6208-240-2 ISBN 978-88-6208-462-8 ISBN 978-88-6208-354-6 $50 | £35 $50 | £35 $60 | £39

José Parlá Claude Rutault Berndnaut Smilde Peter Zimmermann In Medias Res In association with Galerie Perrotin Builded Remnants In association with Galerie Perrotin Text by Manon Slome, Greg Text by Claude Rutault. 28.5 x 22.8cm | 11 ¼ x 9 inches 21 x 27 cm | 8 ¼ x 10 ½ inches Tate, Carlo McCormick, Michael Interview by Hans Ulrich Obrist 112 pages, 50 color, hardbound 96 pages, 250 color, hardbound Betancourt, Isolde Brielmaier, et al 21 x 27 cm | 8 ¼ x 10 ⅝ inches ISBN 978-88-6208-532-8 ISBN 978-88-6208-307-2 24 x 29.2 cm | 9 ½ x 11 ½ inches 238 pages, 200 color, hardbound $50 | £38 $40 | £25 256 pages, 220 color, hardbound ISBN 978-88-6208-321-8 ISBN 978-88-6208-362-1 $50 | £34 $60 | £39

98 Backlist 99 Music Urban Art

Keziah Jones and Native Maqari Roger Harris Chaz Bojorquez Phil Frost Captain Rugged This Is My Generation. The Art and Life of Chaz Text by Pushead, Carlo McCormick 16.5 x 24 cm | 6 ½ x 9 ½ inches Rock Legends of the 1950s, 60s, 70s Bojorquez 28 x 28 cm | 11 x 11 inches 120 pages, 110 color, hardbound, and 80s on Stage Today Edited by Mario Klefisch, 162 pages, 164 color, hardbound includes a card to download an Text by Bob Eisenberg, Roger Harris Alberto Scabbia English & Italian album by Keziah Jones 22.9 x 22.9 cm | 9 x 9 inches Text by François Chastenet, ISBN 978-88-6208-024-8 ISBN 978-88-6208-340-9 (English) 96 pages, 80 color, softcover Greg Escalante, Usugrow $45 | £24.99 ISBN 978-88-6208-336-2 (French) ISBN 978-88-6208-493-2 24 x 28 cm | 9 ½ x 13 inches $45 | £29 $30 | £20 160 pages, 140 color, hardbound ISBN 978-88-6208-121-4 $50 | £30

Astrid Kirccherr Dumbo Rae Martini Astrid Kirccherr with the Beatles Acts of Vandalism and Stories 24 Carat Dirt Introduction by Vladislav Ginzburg of Love 24 x 30 cm | 9 ½ x 11 ½ inches 21 x 26 cm | 8 ¼ x 10 ¼ inches Text by Barry McGee, 208 pages, 150 color, hardbound 96 pages, 71 color and b&w, Federico Sarica, Kyri Chenven ISBN 978-88-6208-207-5 hardbound 20 x 29 cm | 8 x 11 ½ inches $40 | £25 ISBN 978-88-6208-574-8 (English) 136 pages, 130 color, hardbound ISBN 978-88-6208-575-5 (Italian) English & Italian $30 | £22.5 ISBN 978-88-89431-95-5 $35 | £19

Moby Alex Fakso Stefano Pane Destroyed Fast or Die People Think I’m Cool: The Life 29 x 22.8 cm | 11 ½ x 9 inches Text by Andrea Caputo, and Art of Pane 128 pages, 55 color, hardback, Alessandro Zuek Simonetti 23 x 28.7 cm | 9 ½ x 11 inches includes Destroyed CD 24 x 31 cm | 9 ½ x 12 ½ inches 208 pages, 140 color, hardbound English, Italian, German, 112 pages, 60 color, softcover English & Italian Spanish & French ISBN 978-88-6208-164-1 ISBN 978-88-6208-183-2 ISBN 978-88-6208-155-9 $35 | £19.95 $39 | £24.95 $39.95 | £25

Sound & Vision Alex Fakso Raptuz Texts by Luca Beatrice, Heavy Metal Mother Road Alberto Campo Text by Alex Fakso, Text by Lorenzo Bonini, Raptuz 20 x 28 cm | 8 x 11 inches Giovanna Calvenzi, Jamel Shabazz 22.8 x 22.8 cm | 9 x 9 inches 260 pages, 200, softcover 30 x 18 cm | 12 x 7 inches 144 pages, 100 color, hardbound ISBN 978-88-89431-98-6 (English) 164 pages, 100 color, hardbound ISBN 978-88-6208-229-7 $35 | £22 ISBN 978-88-89431-49-8 $35 | £20 $35 | £19

ISBN 978-88-6208-229-7

9 788862 082297 >

Sound Zero Frontier: The Line of Style Tsang Tsou Choi Texts by Fabio de Luca, Uwe Husslein, Edited by Claudio Musso, Fabiola The King of Kowloon: The Art Aaron Rose, Valerio Dehò Naldi. Text by Mubi Brighenti, of Tsang Tsou Choi 16.5 x 23 cm | 6 ½ x 9 inches Claire Calogirou, Dado, Stewart Edited by David Spalding 200 pages, 150 color, hardbound Home, Christian Omodeo, et al 24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches ISBN 978-88-89431-63-4 (German) 16.5 x 23 cm | 6 ½ x 9 inches 240 pages, 150 color, hardbound $48 | £27.50 176 pages, 100 color, softcover English & Chinese English & Italian ISBN 978-88-6208-271-6 ISBN 978-88-6208-300-3 $50 | £35 $40 | £25

100 Backlist 101 Architecture & Design Antiques & Collectibles

Diller Scofidio + Renfro Qualities of Duration: The Jeff Zimmerman Longines Watches Lincoln Center Inside Out Architecture of Phillip Smith Text by John Drury Edited by John Goldberger. 23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches and Douglas Thompson Interview by Sean Kelly Text by Giampiero Negretti 288 pages, 800 color, clothbound Text by Alastair Gordon 24 x 28 cm | 9 ½ x 11 inches 21 x 29 cm | 8 ½ x 11 ½ inches ISBN 978-88-6208-244-0 22.9 x 22.9 cm | 9 x 9 inches 224 pages, 210 color, hardbound 304 pages, 280 color, hardbound $85 | £50 222 pages, 357 color, hardbound ISBN 978-88-6208-358-4 ISBN 978-88-89431-47-4 (French) ISBN 978-88-6208-231-0 $60 | £39 $99 | £60 $50 | £35

ISBN 978-88-6208-244-0

9 788862 082440 >

Stewart Grimshaw R & Company John Goldberger The Loveliest Valley: 20 Years of Discovery Patek Philippe Steel Watches A Garden in Sussex 22.8 x 29.2 cm | 9 x 11 ½ inches Limited edition of 300 copies 30 x 25 cm | 11 ¾ x 9 ⅞ inches 240 pages, 200 color, hardbound numbered and signed by the author 240 pages, 265 color, hardbound ISBN 978-88-6208-581-6 24 x 32.5 cm | 9 ½ x 12 ¾ inches with jacket $50 | £34 440 pages, 900 color, hardbound ISBN 978-88-6208-441-3 with cork, plexiglass slipcase $65 | £40 ISBN 978-88-6208-304-1 $800 | £500

The Haas Brothers Thomas R. Schiff Manfred Rössler Haas Brothers Prospect Zenith Text by Laura Dern, Vincent Gallo, Text by Michael Speaks, Ann Cotter 21 x 29 cm | 8 ½ x 11 ½ inches Simon and Nikolai Haas 42.5 x 24.8 cm | 16 ½ x 10 inches 328 pages, 700 color, hardbound 22 x 29 cm | 8 ½ x 11 ½ inches 304 pages, 250 color, clothbound English & Italian 176 pages, 150 color, softcover with jacket ISBN 978-88-6208-069-9 ISBN 978-88-6208-373-7 ISBN 978-88-6208-195-5 (English) $50 | £35 $80 | £50 ISBN 978-88-6208-068-2 (Italian) $150 | £80

The Haas Brothers Walter Vallini Haas Brothers Volume II: Afreaks Walter Vallini Architect: Works 21.6 x 29.2 cm | 8 ½ x 11 ½ inches 2000–2012 160 pages, 120 color, softcover 19 x 22 cm | 7 ¾ x 8 ¾ inches ISBN 978-88-6208-434-5 96 pages, 80 color, hardbound $50 | £35 ISBN 978-88-6208-279-2 $30 | £20

Maria Pergay Village: One Land Two Systems Complete Works 1957–2010 and Platform Paradise Text by Suzanne Demisch, Edited and with text by Malkit Stephane Danant, Adam Lindeman Shoshan, Maurizio Bortolotti 25.4 x 29.8 cm | 10 x 11 ¾ inches 16.5 x 24 cm | 6 ½ x 9 ½ inches 290 pages, 300 color, hardbound 256 pages, 200 color, softcover with jacket ISBN 978-88-6208-254-9 ISBN 978-88-6208-174-0 $30 | £19 $70 | £50

102 Backlist 103 Past exhibitions

Via dello Scalo, 3/2 ABC In June 2015, Damiani opened a new gallery space, Spazio Damiani. Joel Meyerowitz David Leventi 40131 Bologna, Italy Past exhibitions include Morandi’s Objects by Joel Meyerowitz, Morandi's Objects Opera Tel. +39 051 438 07 47 Dirt Meridian by Andrew Moore, Opera by David Leventi, [email protected] Fink on Warhol: New York Photographs of the 1960s by Larry Fink, Considered one of the The artistic work of David Leventi www.spaziodamiani.com The City is a Novel by Alexey Titarenko, Electricities by David Goldes. most important American often looks at large architectural photographers, Joel Meyerowitz spaces. In the autumn of 2016, Spazio Damiani offers a continuing programme of exhibitions devoted was among the first to use colour Spazio Damiani presented to showcasing the work of significant contemporary artists along with film. Meyerowitz was the only person allowed to extraordinary shots of a medium and large format lectures and other events. photograph Ground Zero from close up immediately taken from the Opera series: the Teatro Comunale of after the terrorist attacks. With his most recent Bologna, Covent Garden in London, the Teatro di San Open to the public from Monday to Friday, 12.00 to 6.00 pm, and by appointment. works, he pays tribute to the great painters Giorgio Carlo in Naples, the Metropolitan in New York, the Morandi and Paul Cézanne. The official inauguration Fenice in Venice and Palais Garnier in Paris. of Spazio Damiani took place with an important exhibition of his work called Morandi’s Objects.

Andrew Moore Alexey Titarenko Dirt Meridian The City is a Novel

An American photographer and The Russian photographer Alexey director, Andrew Moore is known Titarenko proposes a cultured and to the general public for photographs taken in refined style, imbued with literary Detroit, New York, Cuba and the great American references and powerful elements of introspection. plains. The last of these provided the subject for The City is a Novel exhibition presents small and the exhibition Dirt Meridian presented at Spazio medium-format black and white works taken in New Damiani via a selection of medium and large-format York, St. Petersburg and Venice. All the works are works. Andrew Moore’s photographs describe silver salt prints made with a selenium conservative the life and atmosphere of an elusive and remote fixative and subsequent toning in gold or silver. This America, combining boundless horizons and rural procedure gives a particular brightness that has made towns with intimate portraits of a community bound Titarenko’s works among the most appreciated. to a harsh and not always hospitable landscape.

Larry Fink David Goldes Fink on Warhol: Electricities New York Photographs of the 1960s The favoured subject of David An exponent of the beat generation, Goldes’s artistic investigation is Larry Fink is considered one electrical energy and its unexpected behaviour. The of the most important social photographic works presented on the occasion of photographers of the century. the Electricities exhibition on the one side pay tribute Spazio Damiani has shown the Fink on Warhol: to the experiments of the pioneers of scientific New York Photographs of the 1960s which presents research on electricity, and on the other, through a the different faces of the New York of the 1960s. game of metaphors, question the very definition of In addition to the shots documenting the social “what is science”. upheavals of those years, the subjects of the works displayed include Andy Warhol, Lou Reed and the Velvet Underground.

104 105 Distributors

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106 107 Notes

108 109 Contacts

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Financial Department Alessandra Zucchini [email protected]

Printed in March 2018 by Grafiche Damiani – Faenza Group SpA, Italy.

Unless otherwise indicated, all photographs are copyright the artists.

Cover and back cover: Arthur Elgort. From Jazz (p. 7) Pages 4–5: Barry McGee (detail), Courtesy Ratio 3, San Francisco and Cheim & Read, New York. From Barry McGee (p. 9) Page 11: Maurizio Cattelan and Pierpaolo Ferrari for OkCupid Pages 48–49: Catherine Wagner, Columbus, Penelope, Delilah, Re-Classifying History, (detail), 2005. From Place History and the Archive (p. 21) Pages 70–71: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 72–75) Pages 66–67: Susan Meiselas, Dee, JoJo, Frankie, and Lisa after school on Prince Street, Little Italy, New York, 1976, (detail). ©Susan Meiselas / Magnum Photos. From Mediations (p. 86)

Information in this catalogue was accurate when going to press. Prices, specifications, and terms are subject to change without notice.

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