Portraits of His Subjects
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Minimalism Topics •What •Who •Where-When •How: Five Sections •Why
Minimalist Composition Presented by Jeffrey Sward February 11, 2021 19:40:41 2/11/2021 7:40:41 PM 1 Minimalism Topics •What •Who •Where-When •How: five sections •Why 2/11/2021 7:40:42 PM 2 What In order to know what something is, it is often useful to know what it is not. Minimalism – Maximalism 2/11/2021 7:40:42 PM 3 Minimalism •Austere simplicity •Sparseness focusing solely on the smallest number of objects in the compositional process •Only the most important things are placed into a space •I know it when I see it • Supreme Court Justice Potter Stewart in Jacobellis v. Ohio (1964) 2/11/2021 7:40:42 PM 4 Maximalism •Every available space is filled with something •Content complexity causes extreme visual incoherence to the point that nothing can be isolated as a discrete thing •Mixed patterns •Excessive collections •Saturated colors 2/11/2021 7:40:42 PM 5 Minimalism – Maximalism Continuum •Less is more • Ludwig Mies van der Rohe, notable architect, referring to the aesthetics of minimalist architectural design •Less in not more, more is more • Dolly Parton, notable philosopher •Simplicity is complicated • Jeffrey Sward 2/11/2021 7:40:42 PM 6 Farnsworth House Ludwig Mies van der Rohe Architect [No window coverings] Dolly Parton 2/11/2021 7:40:42 PM 7 Minimalism and Maximalism in Interior Design In which environment does more thought occur when adding a new element? Or is the thought process itself different? 2/11/2021 7:40:42 PM 8 Minimalism and Maximalism Photograph Examples Hiroshi Sugimoto 2/11/2021 7:40:42 PM 9 Form follows function. -
Artist's Choice + Vik Muniz=Rebus
Artist's choice + Vik Muniz=rebus Author Muniz, Vik Date 2008 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/304 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ARTIST'S CHOICE+ VIK MUNIZ = THE ONLY REASON FOR TIME IS SO THAT EVERYTHINGDOESN'T HAPPEN AT ONCE. —ALBERT EINSTEIN PUBLIC PROGRAM Vik Muniz on Artist's Choice,Rebus Wednesday, February 11, 6:30 p.m. Theater 3 (The Celeste Bartos Theater) 4 West 54 Street (near Fifth Avenue) Taking on the role of curator, Vik Muniz brought together eighty-two works from MoMA's collection and organized them according to the principle of a rebus—a puzzle in which unrelated visual and linguistic elements create a larger deductive meaning. In this program, Muniz discusses the exhibition and his own work. Tickets ($10; members $8; students, seniors, and staff of other museums $5) con be purchased at the lobby information desk, the film desk, or online at www.moma.org/thinkmodern. MoMA AUDIO A MoMA Audio program featuring commentary by Vik Muniz is available free of charge, courtesy of Bloomberg, on MoMA WiFi at www.moma.org/ wifi and as a podcast at www.moma.org/audio and on iTunes. The audio program is available in English only. MoMA Audio is a collaboration between The Museum of Modern Art and Acoustiguide, Inc. FORD FAMILYACTIVITY GUIDE A Ford Family Activity Guide developed by Vik Muniz encourages kids ages six and up to discover the connections among objects as they are displayed in the exhibition and, using small reproductions, arrange them to tell a story of their own. -
HIROSHI SUGIMOTO Page 1
HIROSHI SUGIMOTO page /1 HIROSHI SUGIMOTO Born in 1948, Tokyo, Japan Lives and works in Tokyo, Japan & New York, New York AWARDS 2017 Associate Member of the Academy, Académie royale des Sciences, des LeNres et des Beaux-Arts de Belgique, Brussels, Belgium 2013 Officier dans l’Ordre des Arts et des LeNres, Pierre Bergé / YSL FondaXon, Paris, France 2009 Praemium Imperiale, PainXng, Japan Art AssociaXon, Tokyo, Japan 2006 PhotoEspaña Prize, Madrid, Spain 2001 Hasselblad FoundaXon InternaXonal Award in Photography, Gothenburg, Sweden 2000 Honorary Doctorate of Fine Arts, Parsons School of Design, New York, NY 1999 Glen Dimplex Award, Irish Museum of Modern Art, Dublin, Ireland Fi]eenth Annual Infinity Award for Art, InternaXonal Center of Photography, New York, NY 1998 CiXbank Private Bank Photography Prize, London, England 1988 Mainichi Art Prize, Tokyo, Japan 1982 NaXonal Endowment for the Arts, Washington, DC 1980 John S. Simon Guggenheim Memorial FoundaXon Fellowship, New York, NY 1977 FRAENKELGALLERY.COM [email protected] HIROSHI SUGIMOTO page /2 C.A.P.S. (CreaXve Arts Public Service Fellowship), New York, NY SELECTED INDIVIDUAL EXHIBITIONS 2020 Hiroshi Sugimoto: Op0cks, Fraenkel Gallery, San Francisco, CA 2018 Quatro Ragazzi: Hopes & Illusions of the Momoyama Renaissance - Europe through the Eyes of Hiroshi Sugimoto & the Tensho Embassy, Nagasaki Prefectural Art Museum, Nagasaki, Japan Hiroshi Sugimoto, Tel Aviv Museum of Art, Tel Aviv, Israel The First Encounter: Italy through Eyes of Hiroshi Sugimoto & Tensho Embassy, Galleria -
Deco-Lletage Casey Spooner of Fischerspooner DESIGNERS CHANNEL the ART DECO YEARS for FALL’S PRETTIEST Goes Solo — for Now
Plus: CASEY AT BAT See Style Deco-lletage Casey Spooner of Fischerspooner DESIGNERS CHANNEL THE ART DECO YEARS FOR FALL’S PRETTIEST goes solo — for now. — AND MOST REVEALING — LINGERIE. SEE STYLE, PAGE 4. Page 18 men’s collections MONDAY, JANUARY 24, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 PARIS WWD fall 2011 TIME AS LUXURY Expensive Watches Boom As Investors Rush In By JOELLE DIDERICH GENEVA — At a time when curren- director of Van Cleef & Arpels. cies are seesawing and treasury “They want to buy something that markets are rattled by fears of a not only provides gratification at the European government debt default, time of purchase, but is also going to a limited edition tourbillon or chro- stand the test of time,” he added. nograph is looking not only chic, Van Cleef & Arpels is banking but also like a clever investment. on an exhibition of its jewels, to be Brands showing at the SIHH held from Feb. 18 to June 5 at the watch fair here, from Jan. 17 to 21, Cooper-Hewitt National Design were keen to emphasize the, well, Museum in New York City, to bol- timelessness of their offerings, ster clients’ perception that they ahead of what some experts pre- are buying into a piece of history. dict will be a record year for Swiss There is a more prosaic reason watch exports. for picking up haute horlogerie “The clients who are ready to timepieces. With the cost of gold resume making very significant and other raw materials steadily purchases want to know exactly rising, most brands are planning what they are buying and to be reas- price increases in 2011, guarantee- sured about the investment value of ing that fi ne watches will appreci- the product,” said Nicolas Bos, vice ate in value almost instantly. -
G a G O S I a N G a L L E R Y Hiroshi Sugimoto Biography
G A G O S I A N G A L L E R Y Hiroshi Sugimoto Biography Born in 1948, Tokyo. Lives and works in New York. Education: 1972 BFA, Art Center College of Design, Los Angeles. 1966-1970 BA, Saint Paul's University, Tokyo. Solo Exhibitions: 2009 Lightning Fields, Gallery Koyanagi, Tokyo, Japan. Lightning Fields, Fraenkel Gallery San Francisco, CA. 2008 Hiroshi Sugimoto: Seven Days/Seven Nights, Gagosian Gallery, New York. Hiroshi Sugimoto, Museum der Moderne, Salzburg, Austria. Hiroshi Sugimoto, Neue Nationalgalerie, Berlin. Hiroshi Sugimoto, Kunstmuseum Luzern, Switzerland. Hiroshi Sugimoto: History of History, The National Museum of Art, Osaka, Japan. Travelled to: 21st century Museum of Contemporary Art, Kanazawa, Japan. 2007 Leakage of Light, Gallery Koyanagi, Tokyo. Hiroshi Sugimoto, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. Travlled to: Fine Arts Museum of San Francisco, Villa Manin Centro d’Arte Contemporanea, Udine, Italy. Hiroshi Sugimoto, Villa Manin, Passariano, Italy. Hiroshi Sugimoto: Colors of shadow, Fraenkel Gallery, San Francisco, CA. 2006 Hiroshi Sugimoto, Modern Art Museum, Fort Worth, TX. Hiroshi Sugimoto: Colors of Shadow, Sonnabend, New York. Hiroshi Sugimoto: Mathematical Forms, Galerie de l’Aterlier Brancusi, Paris. Hiroshi Sugimoto, Galerie Marian Goodman, Paris. Hiroshi Sugimoto:Joe, Gagosian Gallery, Beverly Hills. Hiroshi Sugimoto: Photographs of Joe, The Pulitzer Foundation for the Arts, St. Louis, MO. Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Hiroshi Sugimoto: History of History, Arthur M. Sackler Gallery, The Smithsonian, Washington D.C. 2005 Hiroshi Sugimoto: History of History, Japan Society, New York. Hiroshi Sugimoto: Retrospective, Mori Art Museum, Tokyo. (through 2006) Conceptual Forms, Gagosian Gallery, London (Britannia Street) and Sonnabend Gallery, New York. -
Name: 00000315
Contents Board and Committees, 2003-2004 Volume 15,2003-2004 Photography and reproduction credits: Report of the Chairman and Director Copyright © 2005 by The David and Alfred Front cover, frontispiece, and pages 9,19, 21, 22, Smart Museum of Art, The University of 25, 27, 28, 31, 33-35,37, 39, 41, 43: photography Mission Statement Chicago, 5550 South Greenwood Avenue, by Tom van Eynde. Chicago, Illinois, 60637- All rights reserved. http://smartmuseum.uchicago.edu Pages 47-50, 53-56, 57 (FIGURES 2 and 3), 58-61, ISSN: 1099-2413 65, 67, 69: photography by Jim Newberry. Into Practice: Contemporary Artists and Research Universities Editor: Stephanie Smith Page 57 (FIGURE 1): photography by Katherine Laura Letinsky and Stephanie Smith Publication Assistant: Rachel Furnari Mino. Design: Froeter Design Company, Inc. Printing: Lowitz & Sons, Chicago Page 63: photography by Lloyd de Grane. Acquisitions Frontispiece: © for works by E.L. Kirchner by Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach/Bern. Exhibitions Page 19: courtesy of the artist and Jack Shainman Gallery, New York. Publications Page 27: courtesy of Joel-Peter Witkin and Catherine Edelman Gallery. Public Programs Page 30: courtesy ofWalsh Gallery. Contributor and Member Programs Every effort has been made to contact rights holders for all reproductions. Additional rights Sources of Support holders please contact the Smart Museum. Operating Statement Smart Museum Staff 4 Board and Committees, 2003-2004 Report of the Chairman and Director Smart Museum Board of Governors T. Kimball Brooker Marshall J. Padorr Last year was an opportune time to reflect arts. Such programs also provide those outside enterprises took place behind the scenes, as John A. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
The Shifting Literary Approach to Nature in William Bartram, Henry David
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The shifting literary approach to nature in William Bartram, Henry David Thoreau, and Aldo Leopold: from untamed wilderness to conquered and disappearing land Heidi AnnMarie Wall Burns Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Burns, Heidi AnnMarie Wall, "The shifting literary approach to nature in William Bartram, Henry David Thoreau, and Aldo Leopold: from untamed wilderness to conquered and disappearing land" (2002). Retrospective Theses and Dissertations. 16260. https://lib.dr.iastate.edu/rtd/16260 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The shifting literary approach to nature in William Bartram, Henry David Thoreau, and Aldo Leopold: From untamed wilderness to conquered and disappearing land by Heidi AnnMarie Wall Burns A thesis submitted to the graduate faculty In partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Charles L. P. Silet (Major Professor) Neil Nakadate Bion Pierson Iowa State University Ames, -
FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015
FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015 1 THE PHILLIPS COLLECTION FY15 Annual Report THE PHILLIPS [IS] A MULTIDIMENSIONAL INSTITUTION THAT CRAVES COLOR, CONNECTEDNESS, A PIONEERING SPIRIT, AND PERSONAL EXPERIENCES 2 THE PHILLIPS COLLECTION FY15 Annual Report FROM THE CHAIRMAN AND DIRECTOR This is an incredibly exciting time to be involved with The Phillips Collection. Duncan Phillips had a deep understanding of the “joy-giving, life-enhancing influence” of art, and this connection between art and well-being has always been a driving force. Over the past year, we have continued to push boundaries and forge new paths with that sentiment in mind, from our art acquisitions to our engaging educational programming. Our colorful new visual identity—launched in fall 2014—grew out of the idea of the Phillips as a multidimensional institution, a museum that craves color, connectedness, a pioneering spirit, and personal experiences. Our programming continues to deepen personal conversations with works of art. Art and Wellness: Creative Aging, our collaboration with Iona Senior Services has continued to help participants engage personal memories through conversations and the creating of art. Similarly, our award-winning Contemplation Audio Tour encourages visitors to harness the restorative power of art by deepening their relationship with the art on view. With Duncan Phillips’s philosophies leading the way, we have significantly expanded the collection. The promised gift of 18 American sculptors’ drawings from Trustee Linda Lichtenberg Kaplan, along with the gift of 46 major works by contemporary German and Danish artists from Michael Werner, add significantly to new possibilities that further Phillips’s vision of vital “creative conversations” in our intimate galleries. -
Damiani Cat Fall 2018.Pdf
Fall 2018 Contents New Titles 5 Collector’s Editions 49 Toiletpaper 71 Backlist 77 Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103 Spazio Damiani 104 Distributors 106 Notes 108 Contacts 110 New Titles Photography Arthur Elgort Jazz This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. -
Toni Swanger Papers, 1951-1998
18 Pretty colo!; easyfa611ion TOGETHER .AGAIN! t N 1 • Katherine is beautiful. She has a small, fine face with a Emmanuel's legs look awkward; Katherine moves her Black and Blue, the billboard showed a woman looking full mouth painted dark red and dramatic brown eyes mouth too much and forgets to look at Emmanuel-but the properly sensual (tumbled hair, pouty mouth) and wearing made larger and more dramatic with thick eye shadow real problem is Katherine's feet. an artfully torn, minimal garment that once may well have Brown, curly hair blows away from her face in a triangular "You must bring the feet forward, Katherine;" the . been a dress. She was also bruised and bound, hanging cloud. Her shoulders look surprisingly broad, perhaps photographer says. "I must see the heel. Aim for his left from her wrists with legs wide apart and crotch resting on because, like her breasts, they're accentuated by the nipple, that's right. Now dig in a little." Katherine the record album cover; the copy read "I'm 'Black and strapless dress she's wearing. The dress, which sells for hesitates-what if she hurts him? For the first time that Blue' from the Rolling Stones and .I love it!" $1100, is made of a clinging, purple, jerseylike material. It afternoon, the .photographer permits himself some exas Others didn't love it. A few days after the billboard went tucks and curves and swaddles close around her body, peration. "C'mon," he pleads, "you're both with Zoli ... up, a spray-painted message appeared on it in large sarong-style. -
Download Liner Notes (.Pdf)
DISC 1 1. “ MON CHERI” Sofi Tukker and Amadou & Mariam 2. “ U TRY LIVIN’ (PRESSURE)” Black Guy White Guy x 808 BEACH 3. “ ELASTIC” (808 BEACH DANGEROUS POWER MIX) CRICKETS 4. “ START IT UP” (RED HOT EXTENDED) Body Language 5. “ SUPER DUPER PARTY PEOPLE” (ALAN BRAXE EXTENDED MIX) Allie X 6. “ PRESSURE” (REDTOP MIX) Sam Sparro 7. “ FREE (LIVE YOUR LIFE)” (FELIX DA HOUSECAT x CHRIS TRUCHER REMIX) Ultra Naté 8. “ CAUGHT IN THE MIDDLE” Billy Porter 9. “ EVERY COLOR” (DOMBRESKY REMIX) Louis The Child & Foster The People DISC2 1. “ DAYDREAM” (SNAKEHIPS REMIX) The Aces 2. “ DON DADA” (HONEY DIJON & LUKE SOLOMON EXTENDED ALCAZAR REMIX) Cakes da Killa & Proper Villains 3. “ IT’S OVAH” Kiwi Dreams 4. “ DANCE M.F.” (RED HOT EXTENDED MIX) Tituss Burgess ft. Imani Coppola 5. “ WATER ME DOWN” (PAMCY REMIX) Vagabon 6. “ I LOVE MY PROBLEMS” (BOYS’ SHORTS DANCEFLOOR REMIX) Casey Spooner 7. “ I WILL SURVIVE” (ERIC KUPPER DUB MIX) Gloria Gaynor 8. “ QUEEN” (CLUB MIX) Dubesque ft. Amanda Lepore 9. “ THESE DREAMS” (RED HOT EXTENDED MIX) Bright Light Bright Light feat. The Illustrious Blacks INTERLUDES: M.C. PAUL ALEXANDER Album Producer / A&R: Bill Coleman for Red Hot + Peace Bisquit “When Red Hot + Blue came out, the project and subsequent releases were forward thinking in concept, inclusion and marketing, uniting a wide variety of visual and musical talent to raise awareness. The subject of AIDS and discussing any queer sexuality in popular culture was a provocative stance in 1990,” says Bill Coleman, Album Producer and A&R of this latest volume, Red Hot + Free.