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Profiles in Style
PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ. -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
Photography Exhibition ‘This Place’ Will Be Presented by Tang Teaching Museum in Collaboration with Museums at Colgate, Hamilton and Ualbany
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College For Immediate Release Photography Exhibition ‘This Place’ will be presented by Tang Teaching Museum in collaboration with museums at Colgate, Hamilton and UAlbany The Tang to feature work by Wendy Ewald, Gilles Peress, Stephen Shore, Nick Waplington that explores Israel and the West Bank SARATOGA SPRINGS, N.Y. (December 12, 2017) — The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College is leading a four-campus exhibition of This Place, which features more than 600 images by twelve internationally acclaimed photographers who explore the personal and public spaces in Israel and the West Bank. Opening February 3 through April 22, 2018, the Tang’s presentation will feature work by four of the twelve photographers, who each took different approaches, highlighting how photography can illuminate multiple perspectives on a complex topic: Wendy Ewald, taught and photographed children and adults in fourteen communities in Israel and the West Bank in their homes and villages, collecting tens of thousands of digital images, a selection of which is on display at the Tang Museum; Gilles Peress photographed the Road of Patriarchs from Hebron to Jerusalem and the Palestinian village of Silwan in East Jerusalem, areas he considers to be fault lines in the Israeli-Palestinian conflict; Stephen Shore used a his 8 x 10 view camera and a digital camera to photograph landscapes and cityscapes, sacred places, street scenes, and community; and Nick Waplington created a photographic survey of Jewish settlements in the West Bank through both family portraits and images of the natural and built environment. -
CV 2010! Between Times
Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner! -
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there. -
Damiani Cat Fall 2018.Pdf
Fall 2018 Contents New Titles 5 Collector’s Editions 49 Toiletpaper 71 Backlist 77 Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103 Spazio Damiani 104 Distributors 106 Notes 108 Contacts 110 New Titles Photography Arthur Elgort Jazz This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. -
Marco Pittori
7358 Beverly Blvd Los Angeles, CA 90036 [email protected] | t. 323.936.7020 www.artspacewarehouse.com Mon – Fri 10am – 6pm | Sat 10am – 8pm | Sun 12 – 6pm MARCO PITTORI Marco Pittori was born in Switzerland in 1978. He studied at the School of Design in Aarau, Switzerland working in stone, gravure, screen and letterpress. Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using licensed images of Brad Elterman’s photographs, he provides viewers with a window into a fascinating and exclusive time on Los Angeles’ Sunset Strip. Looking through Elterman’s photographs, one can quickly realize that he wasn’t the average teenager growing up in the 1970s. Rather, his celebrity photographs attest that he was living the dream. As his classmates munched on Cap’n Crunch and listened to the new Runaway’s record, Brad hung at the infamous Tropicana Motel with Joan Jett. On weekends, he swam with the The Sex Pistols, frequented the Playboy Mansion, and casually grabbed late night grub with Joey Ramone. Young and clever, Brad knew where to be and how to get in. With his cool demeanor and Bob Dylan hairstyle, he fit the part. At the age of 17, Brad became one of Hollywood’s most influential celebrity photographers, providing uncensored documentation of the gritty-glamorous life of 1970′s Rock n’ Roll. Marco Pittori states of Elterman’s photos, "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Some of Marco Pittori’s multi-layered photographs are based on Brad Elterman’s iconic images “Behind the Beverly Hills Hotel, 1977”. -
Toni Swanger Papers, 1951-1998
18 Pretty colo!; easyfa611ion TOGETHER .AGAIN! t N 1 • Katherine is beautiful. She has a small, fine face with a Emmanuel's legs look awkward; Katherine moves her Black and Blue, the billboard showed a woman looking full mouth painted dark red and dramatic brown eyes mouth too much and forgets to look at Emmanuel-but the properly sensual (tumbled hair, pouty mouth) and wearing made larger and more dramatic with thick eye shadow real problem is Katherine's feet. an artfully torn, minimal garment that once may well have Brown, curly hair blows away from her face in a triangular "You must bring the feet forward, Katherine;" the . been a dress. She was also bruised and bound, hanging cloud. Her shoulders look surprisingly broad, perhaps photographer says. "I must see the heel. Aim for his left from her wrists with legs wide apart and crotch resting on because, like her breasts, they're accentuated by the nipple, that's right. Now dig in a little." Katherine the record album cover; the copy read "I'm 'Black and strapless dress she's wearing. The dress, which sells for hesitates-what if she hurts him? For the first time that Blue' from the Rolling Stones and .I love it!" $1100, is made of a clinging, purple, jerseylike material. It afternoon, the .photographer permits himself some exas Others didn't love it. A few days after the billboard went tucks and curves and swaddles close around her body, peration. "C'mon," he pleads, "you're both with Zoli ... up, a spray-painted message appeared on it in large sarong-style. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Portraits of His Subjects
fall 2015 index [ new titles 5 [ backlist 64 photography 65 toiletpaper 79 fashion | lifestyle 81 contemporary art 84 alleged press 91 freedman | damiani 92 standard press | damiani 93 factory 94 music 95 urban art 96 architecture | design 98 collector's edition 100 collecting 108 [ distributors 110 [ contacts 111 2 [ new titles ] [ fall 2015 ] 3 new titles seascapes hiroshi sugimoto Water and air. These primordial substances, which make possible all life on earth, are the subject of Hiroshi Sugimoto’s Seascapes series. For over thirty years, Sugimoto has traveled the world photograph- ing its seas, producing a body of work that is an extended medita- tion on the passage of time and the natural history of the earth. Sugimoto has called photography the “fossilization of time,” and the Seascapes photographs simultaneously capture a discrete mo- ment in time but also evoke a feeling of timelessness. This volume, the second in a series of books on Sugimoto’s art, presents the com- plete series of over 200 Seascapes, some of which have never before been reproduced. All are identical in format, with the horizon line precisely bifurcating each image, though at times the sea and sky almost merge into one seamless unit. Each photograph captures a moment when the sea is placid, almost flat. Within this strict format, however, he has created a limitless array of portraits of his subjects. An essay by Munesuke Mita, Professor of Sociology at the University of Tokyo, examines contemporary art through a socio- logical lens, comparing the recent history of art with mathematical predictions of population growth. -
Day Trip to the Brooklyn Museum and Botanic Garden to See Exhibit of Israel Photographs JLI Explores Lessons in Character from B
April 22-28, 2016 Published by the Jewish Federation of Greater Binghamton Volume XLV, Number 17 BINGHAMTON, NEW YORK Day trip to the Brooklyn Museum and Botanic Garden to see exhibit of Israel photographs By Razi Lissy is required in full by Tuesday, May 3, and exhibit features more than 600 photographs, also asks that we look beyond this – that The Jewish Federation and Jewish is non-refundable. The cost covers the bus taken by 12 photographers. The project was we widen and multiply our lens.” Family Service, together with the Jewish fee, a guided tour of a museum exhibit and initiated by photographer Frédéric Brenner. For more information on the exhibit, visit Community Center’s adult program depart- a tour of the botanic garden. Lunch at the (See related “Mailbox Short” on page 10.) www.this-place.org and www.brooklynmu- ment, are planning a day trip to the Brooklyn museum will be included, as well. Charlotte Cotton, project curator, wrote seum.org/exhibitions/this_place. Museum of Art and the Brooklyn Botanic To make a reservation, call JCC’s main on www.this-place.org, “Brenner was The group for the day trip will also at- Garden. The trip is planned for Thursday, office at 724-2417. driven by a desire to facilitate a visual tend a guided tour of the adjacent botanic May 19. Bus departure from the JCC will Anyone interested, but in need of assis- counter-argument to the prevailing, often garden, including seasonal highlights such be at 7 am. The bus is scheduled to return tance due to physical limitations, must be polarized, representations of Israel and as ornamental cherries, the lilac collection, to the JCC by 8 pm. -
Spring 2015Spring 2015
[ spring 2015 spring 2015 spring 2015 index [ new titles 5 [ backlist 48 photography 49 toiletpaper 62 fashion | lifestyle 64 contemporary art 67 alleged press 74 freedman | damiani 75 standard press | damiani 76 factory 77 urban art 78 music 80 architecture | design 82 collector's edition 84 collecting 93 [ contacts 95 [ distributors 96 2 [ new titles ] [ spring 2015 ] 3 new titles the drugstore camera dennis hopper The Drugstore Camera feels like a stumbled-upon treasure, a disposable camera you forgot about and only just remembered to develop. Yet in this case the photographer is Dennis Hopper and the photographs, remarkably, are never before published. Shot in Taos, New Mexico, where Hopper was based following the production of Easy Rider in the late 60s, the series was tak- en with disposable cameras and developed in drugstore photo labs. This clothbound collection documents Hopper’s friends and family among the ruins and open vistas of the desert land- scape, female nudes in shadowy interiors, road trips to and from his home state of Kansas and impromptu still lifes of discarded objects. These images, capturing iconic individuals, wide-open Western terrain and drug-addled fun, create a captivating view of the 60s and 70s that combines political idealism and opti- mism with California cool. Dennis Hopper(1936–2010) was born in Dodge City, Kansas. He first appeared on television in 1954, and quickly became a cult actor, known for films such asRebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988, he directed the critically acclaimed Colors.