Spring 2016 Spring 2016 Contents
New Titles 5
Collector’s Editions 45
Toiletpaper 59
Backlist 65
Photography 66 Fashion & Lifestyle 75 Contemporary Art 76 Music 79 Urban Art 80 Architecture & Design 81 Antiques & Collectibles 82
Contacts 86
Distributors 88 New Titles Photography
Joel Meyerowitz Morandi’s Objects
In spring 2015, the photographer Joel Meyerowitz sat at a work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied, and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-filled bottles, silk flowers, tins, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the paper that the artist left on the wall, now brittle and yellow with age. Meyerowitz’s portraits of these dusty, aged objects are not only works of art themselves, but they offer insight into the humble subjects that Morandi transformed into his subtle and luminous paintings.
Joel Meyerowitz (born 1938) is a street photographer and portrait and landscape photographer. The New York Text by Joel Meyerowitz, Maggie Barrett native began photographing in color in 1962 and was an 25.4 x 32 cm | 10 x 12 ⅝ inches 116 pages, 65 color, clothbound early advocate of the use of color at a time when there was ISBN 978-88-6208-453-6 significant resistance to the idea of color photography as $50 | £35 serious art. Many of his photographs are icons of modern photography, and he is considered one of the most influential modern photographers and representatives of the New Color Photography of the 1960s and 70s. His work has appeared in over 350 exhibitions around the world and is in the collections of the Boston Museum of Fine Art, the Art Institute of Chicago, the Museum of Modern Art, New York, and many other museums worldwide.
New Titles 7 Toiletpaper
Maurizio Cattelan and Pierpaolo Ferrari
The pocket-sized booklet was so popular among Toiletpaper Volume II: Platinum Collection bar patrons that the Guinness Brewery hired twin brothers Ross and Norris McWhirter, who owned a fact-checking bureau in London, to expand it into a book. The brewery started a publishing subsidiary, and in 1956 joined forces with Boehm for the North American edition. The annual compendium of facts is published in 23 languages and is distributed throughout the world, including Mainland China where it was sold for the first time this year. It has set a record of its own: 43 million copies have been sold since 1956, making it the best- selling copyrighted book in the world. Last year, it surged past the World Almanac in the number of copies sold. “I had no idea that the book would ever turn out to be such a huge success,” says Boehm. The volume has spawned other ventures. There are now five Guinness World Record Museums in the United States, as well as more than half a dozen In a hotly anticipated follow-up to the first Toiletpaper in Europe. In September, Boehm started a bi- monthly newsstand magazine of Guinness records, anthology, Toiletpaper Volume II: Platinum Collection presents publishedin conjunction with Dell Publishers. And British personality David Frost hosts a television a selection of the best images from the past five issues of show licensed by Guinness, which is aired on ABC national television here. Besides the waterbed and bicycle feats, the book Toiletpaper magazine, the creative collaboration of Maurizio lists some truly remarkable feats. One record-holder whose name appears often in Cattelan and Pierpaolo Ferrari. The book also includes special the volumn is Peter Dowdswell of England who holds eating records in 10 Guinness categories, projects shot by Cattelan and Ferrari for such publications as including: beer (2 liters in 13.7 seconds); eels (1 pound in 13.7 seconds); hard-boiled eggs (14 in 58 Purple, New York Magazine, Kenzine, Le Monde and Dazed & seconds); prunes (144 in 53.5 seconds); and shrimp (3 pounds in 4 minutes, 8 seconds). Then there is Jay Gwaltney, from Chicago, who ate Confused. Along with the outrageous and inventive images, a tree. Responding to a local contest on radio station Toiletpaper Volume II contains an eclectic collection of texts, WKQX entitled “ What’s The Most Outrageous Thing You Would Do?” Gwaltney, 20, last year ate ranging from Nikolai Gogol’s The Nose to an excerpt of a the branches, leaves and trunk of an 11-fobt birch tree over a period of 89 hours. Boehm’s favorite record is held by a man who has California law regarding frog jumping to a list of inventors been struck by lightning seven different times. The man, a forest ranger, once was hit on the head by killed by their own inventions. This is a limited edition a lightning bolt, which ripped a hole in his ranger hat and burned off his shoes. publication of 1,000 copies, each of which is accompanied William Fuqua, a professional manequin, holds the record for standing motionless for the longest time, five hours and 40 minutes. by a watch created by the Toiletpaper team.
23.8 x 34.5 cm | 9 ½ x 13 ½ inches 16 17 240 pages, 200 color, hardbound Limited to 1,000 copies Includes Toiletpaper watch ISBN 978-88-6208-445-1 MAN EATS QUEEN-$150 | £100 SIZE WATERBED By Stephen G. Bloom The Medecine Hat News October 30, 1981
EW YORK—“They’re all nuts,” take place soon in Tokyo: for $10,000, he intends said a man who has heard it all. to eat a helicopter. David Boehm is editor and publisher Boehm says he receives 10,000 calls and letters a of the North American edition of year, many of them from people who try to fool the Guinness Book of World Records. their way into the book. “After 26 years in the The most recent nut, Boehm says, business, we get a sense of who’s for real and who’s is a French man who ate a waterbed, piece trying to pull the wool over our eyes.” by piece, in an Amarillo, Texas, department Take, for example, the 1980 pogo stick jumping 30 31 store this summer. title of 120,715 times held by Jeff Michel Lotito, a Grenoble Kane of Oak Lawn, III., in 16 stuntman who goes under the hours, 12 minutes. name of Monsieur Mangetout “To verify that record,” says (“Mr. Eat-All,” in French), ate Boehm, “we called up local a queen-sized waterbed by disinterested people to check out taking it apart and filing down what happened. We also asked the bedboards and cutting the the boy how many rubber tips mattress into thin strips. His he went through while on the act was a promotional gimmick pogo stick. Then by calling up sponsored by a store called the manufacturer, we were able Lifestyles Bedrooms, for which to find out if the record was he received $5,000. possible.” Lotito’s waterbed feat will be Boehm, a bespectacled man with included in next year’s Guinness white hair and a bushy goatee, Book, Boehm says. Lotito is listed works from a plush office on in this year’s volume for eating the 26th floor of a Park Avenue a bicycle over a 15-day period skyscraper with a panoramic in 1977 by stewing the tires and view of midtown Manhattan. He grinding down the frame. had worked as a reporter for the New York Daily “The chain was the tastiest part and the grease News before setting up his publishing company made it slide down easier,” Lotito told a French in 1955. Twenty-five years ago, he saw a booklet newspaper reporter after he finished. of odd facts put out by the Guinness Brewery in But Lotito’s most extraordinary achievement is to Dublin, Ireland, to settle barroom arguments.
14 15
New Titles 9 Contemporary Art
Carrie Mae Weems Kitchen Table Series
Kitchen Table Series is the first publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships—with lovers, children, friends—and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness, and solitude. As Weems describes it, this work of art depicts “the battle around the family . . . monogamy . . . and between the sexes.” Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist’s words “unrequited love.”
Carrie Mae Weems (born 1953) is considered one of the most influential contemporary American artists. In a Text by Sarah Lewis and Adrienne Edwards 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches career spanning over 30 years, she has investigated family 86 pages, 34 b&w, hardbound relationships, cultural identity, sexism, class, political systems, ISBN 978-88-6208-462-8 and the consequences of power. Weems’s complex body of $50 | £35 art employs photographs, text, fabric, audio, digital images, installation, and video. Weems has received numerous awards, grants, and fellowships, including the prestigious MacArthur “Genius” grant. She is represented in public and private collections around the world, including the Metropolitan Museum of Art, New York; The Museum of Fine Arts, Houston; the Museum of Modern Art, New York; and the Museum of Contemporary Art, Los Angeles.
New Titles 11 Fashion & Lifestyle
Nick Waplington The Isaac Mizrahi Pictures: New York City 1989–1993
From 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer’s fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington’s gritty vérité style with Mizrahi’s haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington, and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the 90s “club kid” culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city’s most infamous clubs, such as the Pyramid Club and Save the Robots. Images from The Isaac Mizrahi Pictures will be included in the exhibition Isaac Mizrahi: An Unruly History, at the Jewish Museum in New York City from March 18 to August 7, 2016. 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches 168 pages, 119 color, hardbound Nick Waplington (born 1965) has exhibited his work widely, ISBN 978-88-6208-451-2 $50 | £35 including at the Whitechapel Gallery, London, and the Philadelphia Museum of Art. In 2011, he published Alexander McQueen: Working Process (Damiani). His work is held in collections of the Guggenheim Museum, New York; the Museum of Modern Art, New York; and the Victoria and Albert Museum, London. Waplington lives in London and New York.
New Titles 13 Photography
Michel Comte Michel Comte and MILK: A Collaboration 1996–2016
For over 35 years, Michel Comte has been one of the leading figures in fashion photography, rising to the apex of the fashion and editorial worlds and shooting for Italian Vogue, American Vogue, and Vanity Fair, among others. From 2006 to the present, Comte has worked almost exclusively with MILK Studios on photography and film projects that transcend the limitations of traditional fashion photography, utilizing fashion, portraiture, reportage, and now motion pictures in his repertoire. Michel Comte and MILK: A Collaboration 1996–2016 brings together never-before-seen imagery and film stills from Comte’s archives in what is a visual celebration of one of today’s great creative minds. Designed by renowned creative director Mike Meiré, Michel Comte and MILK will be released to coincide with the twentieth anniversary of MILK Studios’s founding.
Michel Comte was born 1954 in Zurich. Trained as an art restorer, Comte is a self-taught photographer. He was hired by Karl Lagerfeld in 1979 to shoot advertisements for the fashion house Chloé and soon after became one of the Interview by Bobby Woods most sought-after fashion and magazine photographers in 24.1 x 34 cm | 9 ½ x 13 ⅜ inches the world. In addition to portrait and fashion photography, 336 pages, 265 color, clothbound with jacket Comte has also increasingly moved towards photo-reportage ISBN 978-88-6208-446-8 $75 | £50 and documentary. He has traveled on assignment for the international Red Cross and his own Michel Comte Water Foundation in war zones and unstable areas including Iraq, Afghanistan, Bosnia, Sudan, and Cambodia.
New Titles 15 Architecture & Design
Stewart Grimshaw The Loveliest Valley: A Garden in Sussex
Woolbeding House lies in the valley of the River Rother in West Sussex, an unchanging English landscape. Time had appeared to stand still when, in 1972, Simon Sainsbury and Stewart Grimshaw leased the house and gardens from The National Trust. For over four decades, they worked with a talented team of architects, designers, and contractors to create a masterpiece of twentieth-century garden design, a Sussex Arcadia. In The Loveliest Valley, Grimshaw recalls catching intriguing glimpses of the house on visits to Sussex, the serendipitous nature of their purchase, and the painstaking process of breathing new life into both house and garden. Photographer Tessa Traeger has captured images Text by Stewart Grimshaw, Christopher Gibbs, of Woolbeding in every type of English weather, extreme Mary Keen, Julian and Isabel Bannerman, William Pye, and Tessa Traeger and benign, from dawn to dusk. Her photographs record in 30 x 25 cm | 11 ¾ x 9 ⅞ inches sumptuous detail Woolbeding’s beguiling seasonal moods: 240 pages, 265 color, hardbound with jacket from the summer firework colors of the “hot borders” to mist- ISBN 978-88-6208-441-3 $65 | £40 curled lakes and frosted lawns. The story of Woolbeding and its renaissance is told in accompanying texts by Christopher Gibbs on its history, garden designers Mary Keen and Julian and Isabel Bannerman on the formal gardens and the Long Walk, sculptor William Pye on his Cedra water sculpture, and Traeger on her record of the gardens. The Loveliest Valley is a testament to how a beautiful garden can be created in the modern age, linking the great English gardening tradition with fresh ideas and experimentation.
New Titles 17 Photography
Dan Martensen Wolves Likes Us: Portraits of the Angulo Brothers
In 2010, photographer Dan Martensen was introduced to the Angulo brothers by filmmaker Crystal Moselle, who had just begun work on her hit documentary The Wolfpack. The film chronicles the lives of six home-schooled boys who gained most of their knowledge of the outside world from the movies they watched at home. Confined to their four- bedroom apartment in New York City’s Lower East Side for 14 years, the siblings recreated cult-classic films, fashioning props as well as costumes from the contents of their apartment. Moselle’s unflinching portrayal documents the power of imagination to overcome the realities of a troubled upbringing. Martensen photographed the boys, capturing the cinema-inspired world they had created, while also documenting their first forays into the outside world. Taken between 2010 and 2015, the collection of intimate portraits and still lifes that comprise Wolves Like Us adds yet another layer to the captivating story of the Angulo brothers and is a bold testament to the enduring spirit of creativity.
Text by Crystal Moselle, Joseph Akel 21.6 x 28 cm | 8 ½ x 11 inches Dan Martensen was born and raised in Pleasantville, New 160 pages, 168 color, softcover York, and studied photography at the Rhode Island School ISBN 978-88-6208-443-7 of Design. His previous publications include Photographs $35 | £24 from the American Southwest (Damiani, 2012). Martensen’s photographs evoke a tradition that taps into the vernacular while embracing the uncanny, sharing an artistic lineage with the likes of William Eggleston, Joel Sternfeld, and Stephen Shore. Martensen is a regular contributor to magazines including Elle, GQ, i-D, Interview, Teen Vogue, Telegraph Fashion, VMAN, and American Vogue.
New Titles 19 Photography
Rania Matar L’Enfant-Femme
In today’s world of endless photographing, tagging, and posting images online, what is a preteen girl’s relationship to the camera? Upending assumptions of contemporary digital image-making practices, photographer Rania Matar reframes these young women through her poignant portraits of them, revealing in L’Enfant-Femme how girls between the ages of 8 and 12 interact with the camera and in so doing depicts them in deeply personal and poetic ways. Addressing themes of representation, voyeurism, and transgression, Matar’s images remind us of the fragility of youth while also gesturing towards its unbridled curiosity and joy. Candidly capturing her subjects at a critical juncture in the early stages of adolescence, Matar’s images convey the confluence of angst, sexuality, and personhood that defines the progression from childhood into adulthood.
Born and raised in Lebanon, Rania Matar moved to the U.S. in 1984. Originally trained as an architect, she currently works full time on photography and teaches at the Massachusetts Introduction by Her Majesty Queen Noor. Text by College of Art and Design. Matar’s work has been widely Lois Lowry, Kristen Gresh 24.1 x 31.7 cm | 9 ½ x 12 ½ inches published and has been exhibited at the Museum of Fine Arts, 152 pages, 97 color, clothbound Boston; the Carnegie Museum of Art, Pittsburgh; the Institute ISBN 978-88-6208-450-5 of Contemporary Art, Boston; Howard Greenberg Gallery, $50 | £35 New York; Galerie Janine Rubeiz, Beirut; Lehmbruck Museum, Duisburg, Germany; Sharjah Art Museum, U.A.E.; among others. Her work is in the permanent collections of several museums, institutions, and private collections worldwide.
New Titles 21 Photography
Cheryl Dunn Festivals Are Good
Dancing to your favorite band in a sea of 100,000 people under the stars or beneath the clouds, on the grass or in the mud, is an experience like no other. This is freedom: freedom to be moved by the energy of a mass gathering, freedom to dance without restraint, freedom to surrender yourself to the moment and go where that takes you. They are happenings that mark your life. Anyone at the first Woodstock festival has surely talked about it ever since. Cheryl Dunn has been shooting music festivals for over 20 years. She shoots from the pit or from the first row for the biggest rock stars in the In association with Standard Press world, but she is also a fan. These photographs celebrate 29.2 x 19 cm | 11 ½ x 7 ½ inches 128 pages, 80 color, hardbound what she has seen, who she has danced with, and who she ISBN 978-88-6208-466-6 made pictures with: kids crammed front and center who saved $40 | £25 their money for a year to be there, older people sitting on tricked-out lawn chairs whose friends think they are crazy for still going, cross sections of nerds, jocks, babes, stoners, and outcasts letting it all hang out in unabashed glory, all sharing a common love of music. Festivals Are Good reveals the collective transcendence that can emerge when music lovers share common and powerful moments.
Cheryl Dunn is a documentary filmmaker and street photographer based in New York City. Her photographs and films have been exhibited in various galleries and museums including Deitch Projects, New York; Tate Modern, London; and the Geffen Contemporary at MOCA, Los Angeles. Her films have been shown at numerous film festivals including Tribeca, Hotdocs, Edinburgh, Rotterdam, and Los Angeles.
New Titles 23 Photography
Christine Osinski Summer Days Staten Island
Taken in the “forgotten borough” of Staten Island between 1983 and 1984, the photographs in Christine Osinski’s Summer Days Staten Island create a portrait of working class culture in an often overlooked section of New York City. Captured on Osinski’s large format 4 x 5 camera as she wandered the island, her candid portraits of strangers, vernacular architecture, and quotidian scenes reveal an invisible landscape within reach of the thriving metropolis of Manhattan. The neighborhoods that Osinski captured are devoid of the skyscrapers, swarms of pedestrians, and choking masses of traffic that are a short ferry ride away. Instead, she photographed kids riding bikes on open, empty streets, suburban homes with neatly tended Interview by A. H. Data. Text by Paul Moakley yards, and the small-town feel of New York’s least populous 30.5 x 24.1 cm | 12 x 9 ½ inches 96 pages, 51 b&w, hardbound borough. Accompanying the series of images is an essay by ISBN 978-88-6208-448-2 Paul Moakley, Time magazine’s deputy director of photography $40 | £25 and visual enterprise.
Christine Osinski’s photographs are in the collections of the Museum of Modern Art, New York; the Museum of Fine Arts, Houston; La Bibliothèque Nationale, Paris; Portland Art Museum, Oregon; and the Fogg Art Museum at Harvard University among others. She has exhibited her work internationally and is represented by the Sasha Wolf Gallery in New York City.
New Titles 25 Photography
Chris Craymer From the Heart
While developing the concept for his latest book, From the Heart, photographer Chris Craymer settled upon the idea of not only taking photographs of his subjects, but also interviewing them, to create holistic portraits of each one. Known internationally for his fashion and lifestyle photography, Craymer had never before played the role of interviewer. The results were surprising. For the photographer, “the ritual and vulnerability of having one’s portrait created forges a trust between photographer and subject . . . which then allowed for the interviews to be meaningful.” The resulting portraits, made of both images and words, are unique and intimate, and the reader can sense Craymer’s personal connection with each of his chosen subjects.
Chris Craymer, a native Londoner, is a photographer and director. With a sharp eye for authenticity, he captures moments that are grounded in reality and infused with spontaneous charm and energy. He focuses on relationships—between his 24.1 x 30.5 cm | 9 ½ x 12 inches subjects themselves and between him and his subjects, and 192 pages, 48 color, 87 b&w, hardbound seeks to capture our collective human spirit: unbound curiosity, ISBN 978-88-6208-452-9 $50 | £35 passionate dedication, how we love each other, and the way we connect with our world. He has exhibited his work in London, Paris, New York, and Hong Kong.
New Titles 27 Photography
Stephan Würth Ikinga
In late 2013, photographer Stephan Würth embarked on a whirlwind, two-day road trip, winding his way across Burundi, a small landlocked nation in the heart of East Africa. Snapping images on a hidden iPhone during his journey, Würth portrays everyday life in the impoverished country, from the bustling open-air markets of its capital, Bujumbura, to the plantations of sweet banana and coffee deep in the country’s foothills. The photographs highlight the integral role the bicycle—or ikinga—plays in Burundi’s culture. With a candid eye that recalls Walker Evans’ surreptitious subway shots of New York in the 1930s, Würth’s photographs reveal a lively, resourceful, and entrenched bicycle culture that is vital not only to Burundi’s economy, but also to the daily survival of its countrymen. At times playful and intimate, Ikinga is a bold meditation upon the power of creativity and improvisation Text by Joseph Akel 24.1 x 24.1 cm | 9 ½ x 9 ½ inches during times of great difficulty. 72 pages, 31 color, clothbound ISBN 978-88-6208-444-4 Stephan Würth was born in Germany and grew up in Munich, $45 | £30 Texas, and California. He discovered photography at age 14 during a family vacation in Spain, taking pictures of sun- bathing women on the Costa del Sol. His work has been featured in international editions of Vogue, the New York Times, Porter, GQ, Playboy, Esquire, Galore, Treats! Magazine and the Sports Illustrated Swimsuit Issue, among others. In 2011, Damiani published his first book, Ghost Town. Würth lives in New York City.
New Titles 29 Photography
Kristin Capp Brasil
Brasil is a photographic exploration of culture, landscape, and light by the photographer Kristin Capp. Shooting in black-and-white film with a Rolleiflex camera, Capp turns her lens on urban Brazilian landscapes with an encompassing curiosity that resists classification. The eight years of work presented here reveals a highly personal, fluid, syncopated, and complex Brazil. Avoiding heroic or ideological tropes, Capp captures the complexity of the sprawling and diverse country with images that range from portraits to candid urban scenes to pure abstraction. In Rio de Janeiro, Capp is drawn to the relationship between the natural shapes of the landscape and the city’s constructed forms; in Bahia, we are immersed in the culture that represents the largest African diaspora in the world; and in São Paulo, she simultaneously captures the dreams, contradictions, and values of its people as well as its Text by Paulo Venancio Filho, Sergio Alcides 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches public spaces and physical structures. Brazilian landscapes, 120 pages, 98 b&w, hardbound architecture, and ways of life are present in the photos, but English & Portuguese in an informal intimacy that undresses these themes. Brasil ISBN 978-88-6208-455-0 $40 | £25 features an essay by noted Brazilian art critic Paulo Venancio Filho and a collaborative poem by Sergio Alcides.
Kristin Capp is an American photographer based in Namibia. From 1994 to 2010 she lived in New York City, where she studied photography. Capp is the recipient of numerous awards, including a Fulbright Fellowship in Namibia in 2011–12. Her work has been widely exhibited and is held in the permanent collections of the Whitney Museum of American Art, New York; Kunsthaus Zurich; International Center for Photography, New York; La Bibliothèque Nationale de Paris; and the Brooklyn Museum, among others.
New Titles 31 Photography
Erica Simone Nue York: Self-Portraits of a Bare Urban Citizen
Questioning how we express ourselves with clothing and fashion in modern society, Erica Simone photographs surprising self-portraits as she goes about everyday life entirely in the nude on the busy streets of New York City. We see Simone riding the subway, walking the streets of NUE YORK Chinatown, and grabbing a slice of pizza, all while wearing ERICA SIMONE nothing but shoes. Simone’s energy and vulnerability take her to neighborhoods all over the Big Apple and into the everyday lives of its citizens. The scenes she captures stir up humor and wit as she bares all in the quest to remove 30.5 x 24.7 cm | 12 x 9 ¾ inches traditional stigmas of the naked human body. Nue York: 88 pages, 48 color, hardbound Self-Portraits of a Bare Urban Citizen is a colorfully daring English & French ISBN 978-88-6208-464-2 collection of photographs in which the artist promotes $40 | £25 being comfortable in one’s own skin.
Erica Simone was born in 1985 in Knoxville, Tennessee, and grew up in Los Angeles. She spent her formative years in Paris, surrounded by fine art photography, which led to her own passion in taking photos. Simone travels the globe capturing portraits and experimenting with the photographic arts. Her award-winning images have been published in National Geographic, New York Magazine, Cosmopolitan, New York Daily News, Le Parisien, and many other publications. Her work has been exhibited internationally in solo shows, group shows, and festivals.
New Titles 33 Photography
Klaus Mitteldorf Next
For over 35 years, Brazilian photographer Klaus Mitteldorf has been at the forefront of fashion and fine art photography, noted for a visual aesthetic that combines reinvention with a relentless curiosity for the limitations of the medium. Whether in his early photographs from the 1970s documenting the surf culture of São Paulo and Rio de Janeiro, or his later editorial work for publications such as Vogue Brasil, Mittledorf’s images are celebrations of light and the human form. With Next, the artist once again pushes the boundaries of photography, eschewing traditional forms while radically recasting everyday urban scenes into vibrant, graphically layered images that recall the pioneering works of László Moholy-Nagy and Man Ray.
Born in São Paulo in 1953, Klaus Mitteldorf began experimenting with photography when he was 12 years old, after his father gave him his first camera, a Yashica Mimi. In 1974, he began documenting surfers on the beaches in São Paulo and Rio de Janeiro. His photographic work has been published in magazines Text by Joseph Akel 25 x 30.5 cm | 9 ⅞ x 12 inches such as Vogue, Elle, Playboy, Photo France, Zoom France, Graphis 96 pages, 60 color, hardbound New York, and many other art and photography magazines. ISBN 978-88-6208-456-7 Mitteldorf has published ten books and his work has been $50 | £35 exhibited internationally. He lives and works in São Paulo.
New Titles 35 Photography
Julien Levy Every Day Is Doomsday
For Every Day Is Doomsday, artist Julien Levy sought to portray everything one would “need to know about love, loss, anger, and absence.” “It is,” in his own words, “the story of a recovery, a study in decadence, an essay on freedom.” Developing a narrative through the incorporation of multiple original texts, as well as over 100 photographs made on damaged, burnt film, Levy’s series takes the form of a three- year-long diary, spanning locations including Tokyo, Seoul, New York, and Paris. The delicate, washed-out colors and visible defects in the film give Levy’s photos a dreamlike 28 x 19 cm | 11 x 7 ½ inches quality. Levy’s enigmatic, poetic images and meditative texts 144 pages, 110 color, clothbound offer rumination upon life in a uniquely intimate format. ISBN 978-88-6208-442-0 $50 | £35 Artist, writer, and director Julien Levy studied in France and began his career as a musician in the radical punk-hardcore scene. While touring he became engaged in photography, film, and writing. His work has been shown at the Centre Pompidou, Paris; Acte2 Galerie, Paris; Kyoto Museum; Quai Branly Museum, Paris; Chanel Nexus Hall, Tokyo; and Garis & Hahn, New York. His films have been screened in theaters including David Lynch’s Silencio, Paris; Cine 13, Paris; Tribeca Cinema, New York; and Galeries Cinema, Brussels. He lives in New York City.
New Titles 37 Photography
Joan Liftin Marseille
Marseille is a love letter from an American to France’s oldest and second-largest city. Joan Liftin’s photographs of Marseille, one of Europe’s most ethnically diverse cities, show us a place where much of life still unfolds on the street. The city’s spirit and raffish glamour reside in its people rather than in its monuments, and Liftin captures day and nighttime encounters, moments of quiet beauty, allusions to corrosive crime and poverty, and the diverse heartbeat of this soulful Mediterranean port city. Her photographs offer us an honest, intimate vision of Marseille, at once timeless and passionately alive.
30.5 x 23.5 cm | 12 x 9 ¼ inches Joan Liftin’s photographs have appeared in the New York Times 112 pages, 64 b&w, hardbound Magazine, Der Spiegel, Aperture, and Creative Photography. Her ISBN 978-88-6208-449-9 work is included in the collections of the Philadelphia Museum $50 | £35 of Art, the Cleveland Museum of Art, Princeton University, and the Center for Creative Photography, Tucson, among others. She has had solo exhibitions in New York City, Los Angeles, and Oaxaca, Mexico.
New Titles 39 Photography
Stephanie Berger Merce Cunningham: Beyond the Perfect Stage
Merce Cunningham changed the way people dance and the way people see dancing in the same way that Picasso and the Cubists changed the way people painted and the way people see painting. He took dance apart and put it back together again, leaving out all but the most essential. In Beyond the Perfect Stage, Stephanie Berger captures the Merce Cunningham Dance Company performing in a series of site-specific “Events” from 2008 to 2011 from a multiplicity of perspectives, creating a photographic choreography that combines the “Events” in a new way. The Cunningham dancers warm up and then perform in various situations—as Cunningham called the galleries and the especially constructed stages for each “Event”—environments that include Richard Serra’s steel sculptures, Dan Flavin's neon light installations, Sol LeWitt’s minimalist white boxes, and Imi Knoebel's color-shaped paintings. Berger captures Text by Nancy Dalva 22.8 x 22.8 cm | 9 x 9 inches Cunningham’s evanescent art, constructing a new experience 96 pages, 100 color, hardbound with slipcase while at the same time preserving the original, thus operating ISBN 978-88-6208-465-9 very much within the aesthetic framework Cunningham himself $50 | £35 proposed. Vivid, immediate, unmediated yet curated, her photographic “Event” contextualizes the dances in a personal but entirely available form.
Stephanie Berger has been photographing performance and cultural events for over 25 years for major New York City institutions such as Lincoln Center, the Brooklyn Academy of Music, Carnegie Hall, Park Avenue Armory, the Metropolitan Museum of Art, the Baryshnikov Arts Center, and The Kitchen. Her photographs have appeared in a wide range of publications, including the New York Times, international journals, and book projects. She has exhibited collections of her photographs in galleries and public art spaces including solo exhibitions at The New York Public Library for the Performing Arts at Lincoln Center, The New York State Theater Gallery, and The Walter Reade Gallery at the Film Society in New York.
New Titles 41 Photography
Mariam Amurvelashvili Endless Questions
For Georgian photographer Mariam Amurvelashvili, a camera is the means of self-expression. She considers her camera to be an inseparable part of her body and mind, capable of constructing a chronology and accommodating everything of significance to her in one frame. Endless Questions is not only a story about children, narrated by a mother with love. In 70 photos, Amurvelashvili gives us an intimate look at the world of brother and sister. Composed portraits of the children are accompanied by candid photos of them in the Giorgian landscape. Drawings by Amurvelashvili’s daughter are interspersed among the photographs, giving the book the feeling of a family album.
Mariam Amurvelashvili is a freelance photographer and member of the online platform and collective 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 112 pages, 70 b&w, hardbound Georgianphotographers.com. Her work has been exhibited ISBN 978-88-6208-447-5 in Belgium, the Czech Republic, France, Georgia, Germany, $35 | £24 Poland, Romania, Slovakia, and Switzerland. Her photographs have also been selected for the 2010 Angkor Photo Festival, Siem Reap, Cambodia; the Tbilisi Photo Festival; the 2011 Chobi Mela Festival, Dhaka; the 2012 Aleppo International Photo Festival; and les Rencontres d’Arles, Arles, France.
New Titles 43 Collector’s Editions Hiroshi Sugimoto Joel Meyerowitz The Long Never Morandi’s Objects
The Long Never is a unique collector’s edition book containing For this limited edition of Morandi’s Objects (see p. 7), Joel 65 artworks by Hiroshi Sugimoto. Composed of photographs Meyerowitz has printed an edition of 25 of the photograph from five series—Meteorites, Dioramas, Pre-Photographic The Last Object. Time Recording Devices, Lightning Fields, and Seascapes—the sequence of images conjures a natural history of the planet, perhaps even one untouched by humans. The black-and-white photographs are hand-tipped onto the pages of the book, which is wrapped in silk cloth. Celebrated author Jonathan New for spring 2016 Safran Foer has written an original story. Foer’s text sits on the Edition of 25 signed and numbered prints Edition of 300 signed and numbered books page underneath each artwork, so the reader must lift up each The Last Object, 2015 Text by Jonathan Safran Foer Archival digital print 26.6 x 35.5 cm | 10 ½ x 14 inches photograph in order to read the story. Image size: 22.8 x 28 cm | 9 x 11 inches 140 pages, 65 b&w, clothbound with aluminum slipcase Sheet size: 25.4 x 30.5 cm | 10 x 12 inches Release date: fall 2014 The Long Never is limited to an edition of 360 copies. Three ISBN 978-88-6208-384-3 Text by Joel Meyerowitz, Maggie Barrett $750 | £500 hundred copies of the edition, signed and numbered by 25.4 x 32 cm | 10 x 12 ⅝ inches Sugimoto, are available with a custom-made brushed 116 pages, 65 color, clothbound aluminum slipcase. ISBN 978-88-6208-458-1 $1,000 | £750
An exclusive edition of 50 copies of The Long Never includes David Leventi one signed and numbered copy of the book and one of two Opera silver gelatin prints by Sugimoto, Lightning Fields 289 or Lightning Fields 304. Each artwork, which the artist produced for this edition only, was printed in an edition of 25 with 5 artist’s proofs. Each numbered print is signed by Sugimoto. The book and print are housed in a custom-made brushed Photographing the interiors of some of the most storied and aluminum box. illustrious opera houses around the world, David Leventi has constructed an arresting, visually rich survey of grand Each an edition of 25 signed and numbered prints Top: Lightning Fields 289, 2014 architecture. Opera brings together in one publication images Bottom: Lightning Fields 304, 2014 from over 40 opera houses, spanning four continents and Gelatin silver prints over 400 years of history, and includes a foreword by Plácido Image size: 25.5 x 32 cm | 10 x 12 ⅝ inches Sheet size: 27.5 x 34.2 cm | 10 ⅞ x 13 ½ inches New for spring 2016 Domingo. Taken over an eight-year period and shot on a large ISBN 978-88-6208-460-4 Edition of 15 signed and numbered prints format camera, the images demonstrate Leventi’s meticulous $11,000 | £7,200 Palais Garnier, 2009 C-print approach to his subject, revealing these temples of music in all Image size: 35.6 x 28.2 cm | 14 x 11 inches their wealth of architectural detail and design. The collector’s Sheet size: 38.1 x 30.5 cm | 15 x 12 inches edition of Opera includes a color print of Palais Garnier, 2009.
Text by Plácido Domingo, Marvin Heiferman, Thomas Mellins 33.8 x 28 cm | 13 ¼ x 11 inches 120 pages, 40 color, clothbound ISBN 978-88-6208-440-6 $700 | £490
46 Collector’s Editions 47 Peter Schlesinger Dan Martensen A Photographic Memory 1968–1989 Wolves Likes Us: Portraits of the Angulo Brothers
The photographs of artist Peter Schlesinger are a visual diary For this collector’s edition of Wolves Like Us (see p. 19), Dan of an extraordinary life that has intersected with some of the Martensen has printed an edition of 25 of one of his striking brightest names in the worlds of art, fashion, and society. photographs of the Angulo brothers. Schlesinger’s remarkable journey began in 1966 when, as an 18-year-old student at UCLA, he met the artist David Hockney. The couple moved to London, where Schlesinger met and photographed luminaries including Cecil Beaton, Paloma New for spring 2016 Edition of 30 signed and numbered prints Picasso, and Manolo Blahnik. This monograph presents the New for spring 2016 The Deck at La Piscine Deligny, 1975 full range of Schlesinger’s photographic work. The collector’s Edition of 25 signed and numbered prints C-print edition includes a signed and numbered color print. Mukunda as Death in the Graveyard, 2015 Image size: 30. 5 x 22.8 cm | 12 x 9 inches C-print Sheet size: 35.5 x 28 cm | 14 x 11 inches Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches Text by Peter Schlesinger, Hilton Als 24.8 x 28.6 | 9 ¾ x 11 ¼ inches Text by Crystal Moselle, Joseph Akel 176 pages, 150 color, hardbound 21.6 x 28 cm | 8 ½ x 11 inches ISBN 978-88-6208-459-8 160 pages, 168 color, softcover $500 | £300 ISBN 978-88-6208-461-1 $300 | £200
Matthew Brookes Matthew Brandt Les Danseurs Lakes & Reservoirs
Matthew Brookes’s style of photography leans toward the For his series Lakes & Reservoirs, Matthew Brandt photographed natural, raw emotion of his subjects. In his first book, Brookes lakes and reservoirs in the western United States and then has turned his lens toward the professional male ballet submerged each print in water collected from the subject of the dancers of Paris. For a year in the life of these dancers, he photograph. Prints are soaked for days, weeks, or even months, took them out of their regular environment of rehearsals and and this process influences the layers of color that comprise performances and photographed them in a raw space, where the image. The resulting photographs range from mostly they were allowed to explore the physicality of dance in its representational to completely abstract. This series considers New for Spring 2016 essential form. Brookes’s stunning series of portraits depicts the current condition not only of our lakes and reservoirs, but Edition of 25 signed and numbered prints the pure physicality of the male dancer. This collector’s edition Edition of 17 unique signed also of traditional color photography. This edition of Lakes & Feet I, 2014 and numbered prints, matted C-print includes a signed and numbered black-and-white print. Container, 2014 Reservoirs is limited to 17 copies and includes the book and a Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches C-print unique matted print numbered and signed by the artist. Each of Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches Image size: 28.4 x 35.4 cm | 11 x 14 inches the 17 prints in the Lakes & Reservoirs series is titled Container, Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches Text by Marie-Agnès Gillot plus its unique number. The prints comprising this collector’s 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches 35 x 28 cm | 13 ¾ x 11 inches edition are not reproduced in the book. 68 pages, 40 b&w, hardbound 176 pages, 120 color, hardbound $450 | £290 Release date: fall 2014 ISBN 978-88-6208-467-3 ISBN 978-88-6208-375-1 $3,000 | £2,000
48 Collector’s Editions 49 Joseph Szabo Andrew Moore Rolling Stones Fans Detroit Disassembled
On June 17th, 1978, Joe Szabo accompanied two of his high For Andrew Moore, the wonder of Detroit’s transformation is school students to a Rolling Stones concert. The kids needed its demonstration of nature’s power to devour, and, through the ride from Philadelphia to JFK Stadium in Long Island, New destruction, to renew. He has remarked, “One could say that York, and Szabo thought he would be able to take some good Edition of 50 signed and numbered prints Detroit has become America’s version of an open city. It’s been photographs. Thirty-five years after the event, Szabo selected Waiting Room with Snowdrift, 2008 left undefended against an onslaught of scrappers, vandals, and Archival C-print the best shots from that day when 90,000 fans gathered to hear Image size: 28 x 35.5 cm | 11 x 14 inches the forces of nature. It’s a city of hundreds, if not thousands, of Edition of 20 signed and numbered prints the Stones and presents them here in Rolling Stones Fans. This Sheet size: 30.5 x 38 cm | 12 x 15 inches empty homes, apartment buildings, factories, libraries, hospitals, Delight, 1978 collector’s edition is limited to 20 copies and includes a signed schools, and churches. All are abandoned and most are Gelatin silver print Text by Andrew Moore, Philip Levine Image size: 25.4 x 33 cm | 10 x 13 inches and numbered print, Delight. 34.5 x 27 cm | 13 ½ x 10 ½ inches unguarded, barely salvageable, and slated for demolition that Sheet size: 27.9 x 33.5 cm | 11 x 14 inches 128 pages, 70 color, hardbound with jacket and slipcase gets delayed year after year.” His depiction of Detroit questions Release date: fall 2010 what the changing, precarious future of America holds. 24.5 x 22.5 cm | 9 ¾ x 9 inches ISBN 978-88-6208-140-5 104 pages, 100 b&w, hardbound $ 750 | £500 Release date: fall 2014 ISBN 978-88-6208-435-2 $650 | £450
Andrew Moore This collector’s edition of Detroit Disassembled includes the Cuba book and one of the two prints at left, signed, numbered, and titled on its verso. Moore printed these photographs in 2015 in an edition of 5 copies each.
Each an edition of 5 signed and numbered prints Top: National Time, 2009 Cuba offers a series of poignant interiors that display the Bottom: The Rouge, 2008 changing fortunes of the country over its 500-year history, Archival inkjet prints Image size: 42.6 x 53.3 cm | 16 ¾ x 21 inches with portraits and landscapes that hint at the changes coming Sheet size: 50.7 x 60.8 cm | 20 x 23 ⅝ inches to this island nation. Originally published as Inside Havana in ISBN 978-88-6208-118-4RT (National Time) 2002 to wide acclaim, this new version expands that book with ISBN 978-88-6208-118-4FR (The Rouge) $4,000 | £2,700 Edition of 50 signed and numbered prints finer and larger reproductions, older photographs never before Casa de Verano, El Vedado, 1999 seen or published, as well as new work made specifically for Archival inkjet print this edition. This collector’s edition includes a signed and Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Sheet size: 30 x 38 cm | 11 ¾ x 15 inches numbered photograph and is housed in a slipcase.
Text by Joel Smith, Orlando Luis Pardo Lazo 40 x 30 cm | 15 ¾ x 11 ¾ inches 128 pages, 68 color, hardbound with slipcase Also available Release date: fall 2012 Edition of 300 signed and numbered books ISBN 978-88-6208-258-7 ISBN 978-88-6208-236-5 $750 | £500 $150 | £100
50 Collector’s Editions 51 Julian Wasser Derek Ridgers The Way We Were: The Photography 78–87 London Youth of Julian Wasser
This long-overdue monograph presents an astonishing Taken in the streets, clubs, basements, and bars of London panorama of a bygone Los Angeles from photographer Julian between 1978 and 1987, this book brings together an incredible Wasser. The Way We Were is replete with iconic images such series of images from the British photographer Derek Ridgers. as a 1968 shot of Joan Didion leaning against a Corvette Since first picking up a camera in 1971, Ridgers has felt Stingray in Hollywood. But photographs of Jack Nicholson compelled to record the characters that make up the social and Angelica Huston at Nicholson’s Mulholland Drive scenes around him. These photographs bridge the extremities Edition of 50 signed and numbered prints home, or the Fonda family lined up on the family sofa, paint of youth culture in the U.K., from punk through the birth of Marcel Duchamp and Eve Babitz, 1963 Silver gelatin print a picture of a very private Hollywood of the 1960s and 70s, acid house, and document the changing faces of fashion, music, Image size: 30.7 x 20.5 cm | 12 x 8 inches when privacy was possible and celebrity culture had not yet Edition of 15 signed and numbered prints and culture through individuals and influential social scenes Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches Tuinol Barry, Kings Road, 1983 completely consumed the country. This collector’s edition C-print in a time of DIY attitudes. This collector’s edition includes the Edited by Brad Elterman includes a numbered and signed photograph and is issued Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches numbered and signed print Tuinol Barry, Kings Road. 24.1 x 31.7 cm | 9 ½ x 12 ½ inches in a cloth slipcase. Wasser’s famous print captures Marcel Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches 144 pages, 150 b&w, hardbound with slipcase Duchamp playing chess with a naked Eve Babitz at his Release date: fall 2014 Text by John Maybury ISBN 978-88-6208-377-5 seminal 1963 exhibition at the Pasadena Art Museum. 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches $700 | £420 160 pages, 120 b&w, hardbound Release date: fall 2014 ISBN 978-88-6208-405-5 $650 | £450
Ari Marcopoulos Tom Bianchi Shit and Die: Maurizio Cattelan Fire Island Pines: Polaroids 1975–1983 Photographed by Ari Marcopoulos
Shit and Die: Maurizio Cattelan Photographed by Ari Growing up in the 1950s, Tom Bianchi would head into Marcopoulos is a limited edition that includes a portrait of downtown Chicago and pick up 25-cent “physique” magazines Maurizio Cattelan by Ari Marcopoulos, the book Shit and at newsstands. In one, he found a photograph of bodybuilder Die, and a zine by Marcopoulos. Shit and Die was published Glenn Bishop on Fire Island. Years later, Bianchi began to accompany an exhibition of the same name at Palazzo traveling to New York and was invited to spend a weekend at Cavour in Turin, curated by Cattelan, Myriam Ben Salah, Fire Island Pines, where he encountered a community of gay and Marta Papini in 2014. Marcopoulos’s zine documents Edition of 67 signed and numbered prints men. Using an SX-70 Polaroid camera, Bianchi documented his Untitled, 250, 1978 the exhibition backstage. Giclée print friends’ lives in the Pines, amassing an image archive of people, Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Edition of 25 signed and numbered prints, matted parties, and private moments. These photos, accompanied Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Maurizio Cattelan by Ari Marcopoulos, 2014 by Bianchi’s moving memoir of the era, record the birth and C-print Edited by Ben Smales. Text by Edmund White, development of a new culture. Soaked in sun, sex, camaraderie, Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches Tom Bianchi and reverie, Fire Island Pines conjures a magical bygone era. Sheet size: 30.5 x 45.6 cm | 12 x 18 inches 21.5 x 25.5 cm | 8 ½ x 10 inches This collector’s edition of 67 numbered copies comes in 212 pages, 350 color, hardcover with jacket and slipcase Edited by Maurizio Cattelan, Myriam Ben Salah, Release date: spring 2014 an orange cloth slipcase with a tipped-in cover image and Marta Papini ISBN 978-88-6208-314-0 contains a signed and numbered giclée print. 23 x 29 cm | 9 x 11 ½ inches $750 | £500 160 pages, 120 color, softcover Release date: fall 2014 ISBN 978-88-6208-409-3 $500 | £350
52 Collector’s Editions 53 Nick Waplington Richard Corman Alexander McQueen: Working Process Madonna NYC 83
In 2008, Alexander McQueen commissioned the photographer Madonna NYC 83 celebrates a moment in early 1980s New Nick Waplington to document the creation of his Fall 2009 York that has been reappraised in recent years for its fecund collection—all the way from inception to runway showing. interactions and overlaps between the worlds of fashion, art, Unfortunately, this fall/winter collection was to be the last and music. The vital, edgy restlessness in the city spawned that McQueen would stage before his untimely death. Every adventurous personal styles and music that merged rap, funk, step of the creative process is documented in fascinating punk, and pop. Madonna represented this sensibility like no detail, and readers receive a rare insight into the inner one else, and she was determined to define a look for herself, Edition of 100 signed and numbered prints Untitled, 2009 workings of McQueen’s creative process. Waplington was Edition of 50 signed and numbered prints and to carve out a space in the public imagination. After her C-print given unprecedented access to McQueen and his staff, Cinderella, 1983 countless subsequent incarnations over the past three decades, Archival pigment print Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches including Sarah Burton, the current creative director. Most it is extraordinary to revisit these early years. This collector’s Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches notably, McQueen edited the sequence of photographs in the Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches edition is housed in a silk slipcase and includes a signed and Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and numbered print, Cinderella. 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by Susannah Frankel numbered print and is housed in a linen slipcase. 26.3 x 30.5 cm | 10 ⅜ x 12 inches 96 pages, 80 color and b&w, clothbound with slipcase 304 pages, 200 color, hardcover with jacket and slipcase Release date: spring 2014 Release date: spring 2014 ISBN 978-88-6208-346-1 ISBN 978-88-6208-356-0 $750 | £500 $1,500 | £990
Jessica Todd Harper Xavier Guardans The Home Stage Windows
The title of Jessica Todd Harper’s The Home Stage is a double Windows is the debut volume of photographer Xavier entendre that alludes to both the homebound lifestyle of Guardans. The photographs in Windows were taken in 2006 families with small children as well as to the idea that home while he was exploring the Kenyan bush. Guardans’ portraits is the stage on which children first learn how to live. Her of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot Edition of 15 signed and numbered prints nuanced treatment of her subjects and environs, coupled with people were shot through the window of his Toyota Land Self Portrait with Nicholas, Becky, and Marshall, 2009 her elegant compositions, unique color palette, and theatrical Edition of 25 signed and numbered prints Cruiser. His world is both dark and light, expressed elegantly Inkjet pigment print handling of light transforms each room and yard into stage Nangorot. Turkana, Loiyangalani, 2006 through black-and-white film. The balance in these images is Image size: 35.5 x 28 cm | 14 x 11 inches Archival pigment print Sheet size: 38 x 30.5 cm | 15 x 12 inches sets. No detail is left untouched by her eye. Private but Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches both solid and ephemeral. This collector’s edition is housed in universal, she is genuine, tender, uninhibited, and humorous. Sheet size: 28 x 28 cm | 11 x 11 inches a slipcase and includes a signed and numbered print. Text by Alain de Botton, Alison Nordström This collector’s edition includes the signed and numbered 28 x 24 cm | 11 x 9 ½ inches Text by Christopher Harth, Amanda Schmitt 112 pages, 50 color, hardbound print Self Portrait with Nicholas, Becky, and Marshall. 28 x 28 cm | 11 x 11 inches Release date: fall 2014 80 pages, 25 b&w, clothbound with jacket and slipcase $650 | £450 Release date: fall 2014 ISBN 978-88-6208-406-2 ISBN 978-88-6208-350-8 $390 | £250
54 Collector’s Editions 55 Tierney Gearon Ed Templeton Alphabet Book Deformer
This book by Tierney Gearon takes the form of a children’s Eleven years in the making and compiling more than 30 years alphabet book. Each letter of the alphabet is illustrated with a worth of material, Ed Templeton’s Deformer is a multimedia photograph by Gearon that animates the letter: A is “Airplane scrapbook of his upbringing in suburban Orange County, Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and so California. Its photographs give a sun-drenched glimpse of Edition of 100 signed and numbered prints Instant Incognito, 2010 on. At once an inventive photo book and an enchanting take what it might be like to be young and alive in what Templeton Archival pigment print on the classic children’s alphabet book, this volume is Gearon’s refers to as “the suburban domestic incubator.” Deformer Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches most charming and lighthearted work to date. This collector’s intertwines photographs, paintings, drawings, sketchbook Sheet size: 24 x 18 cm | 9 ½ x 7 inches edition includes a signed and numbered color print. pages, disciplinary letters from his grandfather, and religious 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage 56 pages, 25 color, hardcover with jacket and slipcase Cross, 2004 isolation and social criticism. This collector’s edition includes Release date: spring 2014 C-print a signed and numbered photograph. ISBN 978-88-6208-351-5 Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches $490 | £330 Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches
24 x 29 cm | 9.5 x 11.5 inches 176 pages, 150 color, hardbound Release date: fall 2008 ISBN 978-88-6208-060-6 $600 | £300
Klaus Mitteldorf Work: Klaus Mitteldorf Photographs 1983–2013
Work: Klaus Mitteldorf Photographs 1983–2013 is a catalogue raisonné of the work of Brazilian photographer Klaus Mitteldorf from 1983 to 2013. Now primarily involved in fashion photography, Mitteldorf began his career as a surf photographer in Brazil in the 1970s. This collector’s edition includes the numbered and signed photograph Tributo a Tarsila.
Edition of 10 signed and numbered prints Tributo a Tarsila, 1997 Ultrachrome inkjet print Print size: 45.1 x 30 cm | 17 ¾ x 11 ¾ inches Sheet size: 48.9 x 33.8 cm | 19 ¼ x 13 ¼ inches
Text by Rubens Fernades Junior, Simonetta Persichetti, Diogenes Moura 24 x 30 cm | 9 ½ x 11 ¾ inches 360 pages, 800 color and b&w, softcover English & Portuguese Release date: spring 2015 ISBN 978-88-6208-425-3 $600 | £450
56 Collector’s Editions 57 Toiletpaper
19 18 19 Toiletpaper
Toiletpaper is an artists’ magazine and book series Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari created by Maurizio Cattelan and Pierpaolo Toiletpaper Volume II Toiletpaper Magazine 7 Toiletpaper Magazine 12 Ferrari, born out of a shared obsession with 22.9 x 30.5 cm | 9 x 12 inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches images. Each picture in a Toiletpaper publication 240 pages, 200 color, hardbound 40 pages, 20 color, softcover 40 pages, 20 color, softcover $65 | £45 ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 springs from an idea, often simple, but through a ISBN 978-88-6208-427-7 $16 | £10 $16 | £10 complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Toiletpaper creates a world that displays ambiguous narratives and a troubled imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. Maurizio Cattelan and Maurizio Cattelan and The resulting publications are themselves works Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Volume I Toiletpaper Magazine 8 of art that, through the accessible and widely (first edition, yellow cover) 22.5 x 29 cm | 9 x 11 ½ inches distributed media of magazines and books, challenge Edited by Dennis Freedman 40 pages, 20 color, softcover the limits of the contemporary art economy. 22.9 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-286-0 232 pages, 150 color, hardback $16 | £10 ISBN 978-88-6208-210-5 $65 | £40
Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Volume I Toiletpaper Magazine 9 (second edition, red cover) 22.5 x 29 cm | 9 x 11 ½ inches Edited by Dennis Freedman 40 pages, 20 color, softcover 22.9 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-294-5 232 pages, 150 color, hardback $16 | £10 ISBN 978-88-6208-210-5 $65 | £40
Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Diamond Collection Toiletpaper Magazine 10 Limited edition of 1,000 copies 22.5 x 29 cm | 9 x 11 ½ inches includes the book and a special 40 pages, 20 color, softcover issue magazine ISBN 978-88-6208-339-3 22.9 x 30.5 cm | 9 x 12 inches $16 | £10 Book: 256 pages, 150 color, hardbound with jacket Magazine: 40 pages. 20 color, softcover ISBN 978-88-6208-347-8 $130 | £85
Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper Magazine 11 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 20 color, softcover ISBN 978-88-6208-394-2 $16 | £10
60 Toiletpaper 61 Kenzine is a collaboration between Toiletpaper Kenzo and Toiletpaper Kenzine Vol. 1 magazine and the Parisian clothing label Kenzo. 22.5 x 29 cm | 9 x 11 ½ inches Founder Kenzo Takada is known for his synthesis of 40 pages, 20 color, softcover Japanese style with Parisian high fashion. The current ISBN 978-88-6208-343-0 $35 | £25 creative directors, Humberto Leon and Carol Lim, embarked on the Kenzine project with Kenzo’s avant- garde aesthetic sense. Set in a graphic and futuristic universe, the magazine conveys an optimistic utopia with an element of surprise. The viewer witnesses at once something instantly recognizable and familiar, but upon closer reflection records an observation into Kenzo and Toiletpaper the unknown. The images in Kenzine contain subtle Kenzine Vol. 2 22.5 x 29 cm | 9 x 11 ½ inches visual tricks that become more powerful the longer 40 pages, 20 color, softcover you are exposed to them. ISBN 978-88-6208-371-3 $35 | £25
Kenzo and Toiletpaper Kenzine Vol. 3 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 20 color, softcover ISBN 978-88-6208-385-0 $35 | £25
Kenzo and Toiletpaper Kenzine Vol. 4 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 20 color, softcover ISBN 978-88-6208-430-7 $35 | £25
62 Backlist Photography
Mark Abrahams Matthew Brookes Mariana Cook Philip-Lorca diCorcia Text by James Frey Les Danseurs Stone Walls: Personal Boundaries Eleven 24 x 31.4 cm | 9 ½ x 12 ½ inches Text by Marie-Agnès Gillot Text by Wendell Barry, Susan Edited by Dennis Freedman. 304 pages, 150 b&w, clothbound 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches Allport, Lucy Breathitt, Thomas Interview by Jeff Rian Rights world except Germany 68 pages, 40 b&w, hardbound Cummins, Robert O. Paxton, et al 24.8 x 33 cm | 9 ½ x 13 inches ISBN 978-88-6208-138-2 ISBN 978-88-6208-433-8 28 x 28 cm | 11 x 11 inches 272 pages, 144 color, hardbound $70 | £45 $45 | £30 192 pages, 82 b&w, hardbound with jacket with sleeve ISBN 978-88-6208-167-2 ISBN 978-88-6208-169-6 $75 | £50 $50 | £35
Marco Anelli James Casebere Richard Corman Sasha Eisenman Portraits in the Presence of Works 1975–2010 Madonna NYC 83 California Girls Marina Abramović Edited and with text by Okwui 24 x 31.5 cm | 9 ½ x 12 ½ inches 24.2 x 30 cm | 9 ½ x 11 ¾ inches Text by Marina Abramović, Enwezor. Text by Toni Morrison, 96 pages, 80 color and b&w, 240 pages, 200 color, softcover Klaus Biesenbach, Chrissie Iles Hal Foster, Ford Morrison clothbound ISBN 978-88-6208-366-9 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches ISBN 978-88-6208-288-4 $50 | £35 192 pages, 1,600 color, softcover 320 pages, 250 color, hardbound $49.95 | £34 ISBN 978-88-6208-249-5 with jacket $40 | £25 ISBN 978-88-6208-186-3 $80 | £50
Tom Bianchi Gusmano Cesaretti Alessandro Cosmelli and Brad Elterman Fire Island Pines: Polaroids Fragments of Los Angeles, Gaia Light Dog Dance: The Photographs 1975–1983 1969–1989 Brooklyn Buzz of Brad Elterman Edited by Ben Smales. Text by In association with Alleged Press Text by Gavin Keeney, Jamie Wellford Edited by Sandy Kim. Text By Edmund White, Tom Bianchi Edited by Aaron Rose. Text by 16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches Olivier Zahm Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In 21.5 x 25.5 cm | 8 ½ x 10 inches Jeffrey Deitch, Michael Mann 208 pages, 94 color, softcover 16.8 x 23.8 cm | 6 ½ x 9 ½ inches he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound 24 x 30.5 cm | 9 ½ x 12 inches ISBN 978-88-6208-241-9 96 pages, 100 color and b&w, Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private moments.with These images, jacketpublished here for the first time, and accompanied by 164 pages, 100 b&w, hardbound $40 | £25 hardbound Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a ISBNmagical bygone era. 978-88-6208-270-9 ISBN 978-88-6208-275-4 ISBN 978-88-6208-297-6 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | £35 $50 | £35 $35 | £25
$ 50.00 | £ 35.00
Cass Bird Ludovic Cesari Alessandro Cosmelli and EyeBook: Sixty Artists, One Subject Rewilding Damiani Factory Gaia Light Edited by Jenny Lynn Text by Sally Singer, Jack Text by Phil Bicker Milano Buzz 21.5 x 21.5 cm | 8 ½ x 8 ½ inches Halberstam 24 x 28 cm | 9 ½ x 11 inches 17.1 x 22.8 cm | 6 ¾ x 9 inches 132 pages, 60 color and b&w, 18 x 24 cm | 7 x 9 ½ inches 160 pages, 100 color, hardbound 208 pages, 120 color, softcover hardbound 88 pages, 42 b&w, clothbound ISBN 978-88-6208-421-5 ISBN 978-88-6208-393-5 ISBN 978-88-6208-419-2 ISBN 978-88-6208-218-1 $40 | £25 $40 | £25 $45 | £30 $35 | £20
Matthew Brandt Mariana Cook Stéphane Coutelle Deborah Feingold Lakes & Reservoirs Justice: Faces of the Human Insomnies Music 35 x 28 cm | 13 ¾ x 11 inches Rights Revolution 24 x 17 cm | 9 ½ x 6 ¾ inches Introduction by Anthony 176 pages, 120 color, hardbound Text by Anthony Lewis 160 pages, 100 color, clothbound DeCurtis ISBN 978-88-6208-374-4 25 x 29.2 cm | 9 ⅞ x 11 ½ inches ISBN 978-88-6208-303-4 25.4 x 25.4 cm | 10 x 10 inches $65 | £40 216 pages, 99 b&w, clothbound $40 | £25 108 pages, 60 b&w, hardbound with jacket ISBN 978-88-6208-311-9 ISBN 978-88-6208-261-7 $45 | £30 $50 | £35
66 Backlist 67 Hans Feurer Xavier Guardans Jessica Todd Harper Jeremy Kost Text by Gianni Jetzer Traveling Lights The Home Stage Fractured 24 x 34 cm | 9 ½ x 13 ½ inches Text by Amelia Rina Text by Alain de Botton, Interview by Franklin Sirmans. 200 pages, 175 color, clothbound 27.9 x 27.9 cm | 11 x 11 inches Alison Nordström Text by Glenn O’Brien, Garrett Neff ISBN 978-88-6208-292-1 84 pages, 39 b&w, clothbound 28 x 24 cm | 11 x 9 ½ inches 23 x 28 cm | 9 x 11 inches $65 | £40 ISBN 978-88-6208-387-4 112 pages, 50 color, hardbound 208 pages, 180 color, hardbound $50 | £30 ISBN 978-88-6208-364-5 ISBN 978-88-6208-363-8 $45 | £30 $49.95 | £35
Fischerspooner Xavier Guardans Jessica Todd Harper David Lachapelle Egos Windows Interior Exposure Landscape Edited by Meredith Mowder. Text by Christopher Harth, Text by Larry Fink. Interview by Text by Shana Nys Dambrot, Text by Klaus Biesenbach, Amanda Schmitt Sarah A. McNear Paul Watson Gavin Brown, Jeffrey Deitch, 28 x 28 cm | 11 x 11 inches 28 x 24 cm | 11 x 9 ½ inches 33 x 30 cm | 13 x 11 ¾ inches Warren Fischer, Casey Spooner 80 pages, 25 b&w, clothbound 112 pages, 50 color, hardbound 88 pages, 80 color, softcover 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-323-2 English & Italian ISBN 978-88-6208-331-7 96 pages, 70 color, hardbound $60 | £39 ISBN 978-88-6208-016-3 $45 | £29 ISBN 978-88-6208-429-1 $45 | £24.99 $45 | £30
Ron Galella Torkil Gudnason Dennis Hopper Gillian Laub New York Body Vase Drugstore Camera Southern Rites Edited by Nick Vogelson. 25.4 x 30.5 cm | 10 x 12 inches Edited by Michael Schmelling. 24.1 x 26.7 cm | 9 ½ x 10 ½ inches Text by William Van Meter 80 pages, 70 color, clothbound Text by Marin Hopper 160 pages, 100 color, clothbound 22.8 x 28 cm | 9 x 11 inches ISBN 978-88-6208-296-9 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches ISBN 978-88-6208-413-0 176 pages, 150 b&w, hardbound $40 | £25 96 pages, 60 b&w, clothbound $50 | £35 ISBN 978-88-6208-355-3 ISBN 978-88-6208-403-1 $49.95 | £34 $45 | £30
Tierney Gearon Philippe Halsman David Lykes Keenan David Leventi Alphabet Book Philippe Halsman’s Jump Book Fair Witness Opera 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 22 x 28 cm | 8 ⅝ x 11 inches Text by Eli Reed Text by Plácido Domingo, Marvin 56 pages, 26 color, hardbound 96 pages, 194 b&w, hardbound 24.1 x 20.3 cm | 9 ½ x 8 inches Heiferman, Thomas Mellins with jacket with jacket 160 pages, 100 b&w, hardbound 33.8 x 28 cm | 13 ¼ x 11 inches ISBN 978-88-6208-320-1 ISBN 978-88-6208-420-8 ISBN 978-88-6208-389-8 120 pages, 40 color, clothbound $40 | £25 $45 | £30 $45 | £29 with jacket ISBN 978-88-6208-397-3 $50 | £30
Greg Gorman Charles Harbutt Daniel King Lima, Peru Outside the Studio Departures and Arrivals Ukraine Youth, Between Days Edited by Mario Testino. Text by James Nachtwey, 24 x 29 cm | 10 ½ x 11 ½ inches 22.8 x 30.5 cm | 9 x 12 inches Text by Mario Vargas Llosa Greg Gorman 120 pages, 93 b&w, clothbound 96 pages, 80 color, hardbound 23 x 33 cm | 9 x 13 inches 30.5 x 30.5 cm | 12 x 12 inches ISBN 978-88-6208-243-3 ISBN 978-88-6208-398-0 224 pages, 190 color, hardbound 156 pages, 140 b&w, hardbound $50 | £35 $40 | £25 English, Italian & Spanish with jacket ISBN 978-88-89431-92-4 ISBN 978-88-6208-391-1 $65 | £35 $50 | £30
68 Backlist 69 Lipstick Flavor: Dan Martensen Carlo Mollino Joan Myers A Contemporary Art Story Photographs from the American Polaroids Fire and Ice: Timescapes with Photography Southwest Text by Fulvio Ferrari, Text by Joan Myers, Kathleen Edited by Jérôme Sans, Marla 30 x 24.5 cm | 11 ¾ x 9 ½ inches Napoleone Ferrari, James Crump, Stewart Howe Hamburg Kennedy 100 pages, 60 color, clothbound Silvio Curto 31.1 x 24.1 cm | 12 ¼ x 9 ½ inches 24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches ISBN 978-88-6208-232-7 21.5 x 26.5 cm | 8 ½ x 10 ½ inches 160 pages, 140 color, hardbound 208 pages, 120 color and b&w, $50 | £35 288 pages, 400 color, clothbound ISBN 978-88-6208-392-8 hardbound ISBN 978-88-6208-378-2 $50 | £30 ISBN 978-88-6208-426-0 $65 | £40 $50 | £35
Magnum Photos with Reda: 150 William Meyers Andrew Moore Marc Ohrem-Leclef 24 x 28 cm | 9 ½ x 11 inches Outer Boroughs: New York Cuba Olympic Favela 180 pages, 102 color and b&w, Beyond Manhattan Text by Joel Smith, Orlando Luis Text by Luis Perez-Oramas, clothbound 22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches Pardo Lazo Itamar Silva, David Kelley ISBN 978-88-6208-408-6 208 pages, 160 b&w, hardbound 40 x 30 cm | 15 ¾ x 11 ¾ inches 24.1 x 31.1 cm | 11 x 11 inches $50 | £35 with jacket 128 pages, 68 color, hardbound 88 pages, 50 color, hardbound ISBN 978-88-6208-401-7 ISBN 978-88-6208-252-5 ISBN 978-88-6208-338-6 $50 | £30 $75 | £50 $50 | £30
Eric Maillet Bart Michiels Andrew Moore Elizabeth Peyton Silent Conversations The Course of History Detroit Disassembled Portrait of an Artist: Text by Jérôme Sans Text by Sonja Fessel, Simon 22.5 x 33 cm | 10 x 13 inches Photographs 1994–2008 24.6 x 30.5 cm | 9 ¾ x 12 inches Schama 136 pages, 70 color, hardbound Text by Richard Klein, Rirkrit 192 pages, 150 color and b&w, 31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches ISBN 978-88-6208-118-4 Tiravanija hardbound 156 pages, 70 color, clothbound $50 | £34.95 28 x 20 cm | 11 x 8 inches ISBN 978-88-6208-415-4 ISBN 978-88-6208-305-8 112 pages, 62 color, clothbound $50 | £35 $65 | £39 ISBN 978-88-6208-077-4 $45 | £24.99
Ari Marcopoulos Sabine Mirlesse Andrew Moore Giuseppe Pino Out & About As If It Should Have Been a Quarry Dirt Meridian The Way They Were: Portraits & In association with Alleged Press Damiani Factory Text by Kent Haruf, Toby Jurovics, Stories from the 20th Century Edited by Aaron Rose. Text by Text by Eduardo Cadara Inara Verzemnieks 30 x 30 cm | 11 ¾ x 11 ¾ inches Harmony Korine, Diego Cortez 30 x 24 cm | 11 ¾ x 9 ½ inches 34.5 x 27.9 cm | 13 ½ x 11 inches 304 pages, 250 b&w, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches 64 pages, 60 color, clothbound 132 pages, 60 color, hardbound ISBN 978-88-6208-341-6 248 pages, 200 b&w, clothbound ISBN 978-88-6208-310-2 ISBN 978-88-6208-412-3 $70 | £45 with sleeve $40 | £25 $50 | £35 Italian & English ISBN 978-88-89431-13-9 $65 | £35
Caleb Cain Marcus Klaus Mitteldorf Tom Munro Norma I. Quintana Goddess Work: Photographs 1983–2013 Text by Madonna. Interview Circus: A Traveling Life Text by Richard Ford 24 x 30 cm | 9 ½ x 11 ¾ inches with Pierre Alexandre de Looz Text by Mona Simpson 25 x 29.1 cm | 8 ½ x 11 ½ inches 360 pages, 800 color and b&w, 24 x 34 cm | 9 ½ x 13 inches 28 x 28 cm | 11 x 11 inches 116 pages, 90 color, hardbound softcover 240 pages, 127 color and b&w, 144 pages, 120 b&w, hardbound ISBN 978-88-6208-418-5 English & Portuguese clothbound with jacket ISBN 978-88-6208-365-2 $50 | £35 ISBN 978-88-6208-291-4 ISBN 978-88-6208-125-2 $60 | £39 $50 | £35 $75 | £50
70 Backlist 71 Terry Richardson David Seltzer Michael Somoroff Joseph Szabo Terrywood Knowledge of the Raw Two Crowns of the Egg Rolling Stones Fans Text by Jeffrey Deitch, Al Moran Text by Eric Fischl Text by Donald Kuspit, 24.5 x 22.5 cm | 9 ¾ x 9 inches 25 x 30 cm | 10 x 12 inches 24.1 x 30.4 cm | 9 ½ x 12 inches Giannina Braschi 104 pages, 100 b&w, hardbound 228 pages, 150 color, hardbound 160 pages, 100 color and b&w, 30 x 35 cm | 11 ¾ x 13 ¾ inches ISBN 978-88-6208-399-7 with jacket hardbound 110 pages, 100 color, softcover $39 | £25 ISBN 978-88-6208-251-8 ISBN 978-88-6208-417-8 ISBN 978-88-6208-353-9 $60 | £40 $45 | £30 $60 | £34
Derek Ridgers Andres Serrano Aaron Stern Alexey Titarenko 78–87 London Youth Holy Works I Woke Up in My Clothes The City Is a Novel Text by John Maybury Text by Germano Celant, James Frey Text by David Wagoner, Rich Appel Text by Alexey Titarenko, Gabriel 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 24 x 31 cm | 9 ½ x 12 inches 24 x 30 cm | 9 ½ x 11 ¾ inches Bauret, Brett Abbott, Sean Corcoran 160 pages, 120 b&w, hardbound 112 pages, 60 color, clothbound 96 pages, 50 color, clothbound 24.1 x 26.7 cm | 9 ½ x 10 ½ inches ISBN 978-88-6208-359-1 ISBN 978-88-6208-209-9 ISBN 978-88-6208-352-2 208 pages, 122 b&w, clothbound $50 | £30 $50 | £30 $45 | £25 with jacket ISBN 978-88-6208-414-7 $60 | £40
Lynn Saville David Benjamin Sherry Joni Sternbach Michael Thompson Dark City: Urban America at Night It’s Time Surf Site Tin Type Portraits Text by Geoff Dyer Text by Neville Wakefield Text by Lyle Rexer, April M. Watson, Edited by Vince Aletti. 33.8 x 27 cm | 13 ¼ x 10 ⅝ inches 22 x 30 cm | 9 x 12 inches Chris Malloy, Johnny Abegg Text by Julianne Moore 128 pages, 80 color, hardbound 96 pages, 60 color, clothbound 30.5 x 24.8 cm | 12 x 9 ¾ inches 26 x 33 cm | 10 x 13 inches ISBN 978-88-6208-411-6 ISBN 978-88-6208-093-4 192 pages, 123 b&w, hardbound 216 pages, 147 color, clothbound $50 | £35 $50 | £29.99 ISBN 978-88-6208-380-5 with jacket $45 | £29 English, Italian & French Rights world except Germany and Asia ISBN 978-88-6208-156-6 $65 | £45
Portraits of an Urban Hymn David Scheinbaum David Benjamin Sherry Hiroshi Sugimoto Yana Toyber Hip Hop: Portraits of an Quantum Light Dioramas This Time HIP HOP Urban Hymn Text by Collier Schorr 25.2 x 27.8 cm | 10 x 11 inches Damiani Factory
PHotograPHs Text by Brian Hardgrove, Michael 21 x 27 cm | 8 ¼ x 10 ⅝ inches 118 pages, 56 b&w, clothbound Text by Ariana Reines DaviD scHeinbaUm Eric Dyson, Gaye Theresa Johnson. 72 pages, 70 color, clothbound with jacket 24 x 16.5 cm | 9 ½ x 6 ½ inches Interview with Frank H. Goodyear III ISBN 978-88-6208-213-6 Rights world except France 64 pages, 25 color, hardbound 26 x 30 cm | 10 ¼ x 11 ¾ inches $50 | £30 ISBN 978-88-6208-327-0 ISBN 978-88-6208-396-6 160 pages, 100 color and b&w, $65 | £40 $35 | £20 hardbound ISBN 978-88-6208-273-0 $50 | £34
Peter Schlesinger Brian Bowen Smith Hiroshi Sugimoto Charles H. Traub A Photographic Memory 1968–1989 Projects Seascapes Dolce Via: Italy in the 1980’s Text by Peter Schlesinger, Hilton Als 24 x 30.5 cm | 9 ½ x 12 ½ inches 25.2 x 27.8 cm | 10 x 11 inches Text by Max Kozloff, Luigi Ballerini 24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches 168 pages, 100 b&w, hardbound 272 pages, 213 b&w, clothbound 30 x 24 cm | 11 ¾ x 9 ½ inches 176 pages, 150 color, hardbound ISBN 978-88-6208-263-1 with jacket 112 pages, 60 color, hardbound ISBN 978-88-6208-436-9 $60 | £40 Rights world English ISBN 978-88-6208-344-7 $50 | £35 ISBN 978-88-6208-416-1 $50 | £30 $70 | £45
72 Backlist 73 Fashion & Lifestyle
Charles H. Traub Jork Weismann Ara Gallant Bob Recine Lunchtime Asleep at the Chateau Edited by David Wills. Text by Alchemy Of Beauty 21.5 x 21.5 cm | 8 ½ x 8 ½ inches Text by Bret Easton Ellis Anjelica Huston Text by René Ricard. Photographs 140 pages, 100 color, hardbound 33 x 24 cm | 12 x 9 inches 23.5 x 31 cm | 9 ½ x 12 ½ inches by Mario Sorrenti, Robbie Fimmano ISBN 978-88-6208-423-9 184 pages, 87 color, clothbound 260 pages, 100 color, hardbound and Bob Recine $45 | £30 ISBN 978-88-6208-242-6 English & French 24 x 31.2 cm | 9 ½ x 12 inches $50 | £35 ISBN 978-88-6208-120-7 (English) 164 pages, 130 color and b&w, ISBN 978-88-6208-126-9 (French) hardbound with jacket $60 | £39 ISBN 978-88-6208-212-9 $65 | £40
$ 65,00 £ 40,00
Diego Uchitel James Welling Embroidery Italian Fashion Stephen Sprouse: Xerox / Rock / Polaroids Glass House Text by Giusy Ferra, Valentino, Art: An Archive of Drawings and Text by Diane von Furstenberg Text by Noam Elcott, Sylvia Lavin Gianfranco Ferre, Anna Molinari, Ephemera 1970s–1980s 25 x 31.5 cm | 9 ¾ x 12 ½ inches 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches Roberto Cavalli, et al Edited by Carol McCranie, Javier 240 pages, 200 color and b&w, 112 pages, 45 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches Magri. Text by Debbie Harry, clothbound ISBN 978-88-6208-161-0 280 pages, 240 color, clothbound Carol McCranie ISBN 978-88-6208-239-6 $50 | £35 with embroidery 21.5 x 28 cm | 8 ½ x 11 inches $50 | £35 English & Italian 208 pages, 200 color, hardbound ISBN 978-88-89431-23-8 (English) ISBN 978-88-6208-370-6 ISBN 978-88-89431-39-9 (Italian) $50 | £35 $99 | £60
Carlo Van de Roer Amani Willett Fashion at the Time of Fascism: Nick Waplington The Portrait Machine Project Disquiet Italian Modernist Lifestyle, Alexander McQueen: Working Process Damiani Factory Damiani Factory 1922–1943 Edited by Alexander McQueen 24,5 x 30.5 cm | 9 ¾ x 12 inches 16.5 x 24 cm | 6 ½ x 9 ½ inches Edited by Mario Lupano, and Nick Waplington. Text by 88 pages, 40 color, clothbound 128 pages, 60 color, clothbound Alessandra Vaccari Susannah Frankel ISBN 978-88-6208-268-6 ISBN 978-88-6208-274-7 23 x 29.5 cm | 9 x 11 ½ inches 24 x 29 cm | 9 ½ x 11 ½ inches $40 | £25 $40 | £25 400 pages, 700 color and b&w, 304 pages, 160 color, hardbound hardbound with jacket English & Italian ISBN 978-88-6208-295-2 ISBN 978-88-6208-051-4 (English) $60 | £40 ISBN 978-88-6208-061-3 (Italian) $60 | £39
Julian Wasser Maripol Vivienne Westwood The Way We Were: The Little Red Riding Hood Shoes Photography of Julian Wasser Text by Maripol. Conversation Edited by Luca Beatrice, Edited by Brad Elterman. Text by with Marc Jacobs Matteo Guarnaccia Julian Wasser 24 x 30 cm | 9 ½ x 11 ½ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches 24.1 x 31.7 cm | 9 ½ x 12 ½ inches 268 pages, 350 color, hardbound 192 pages, 120 color, hardbound 176 pages, 150 b&w, hardbound English & French with sleeve ISBN 978-88-6208-349-2 ISBN 978-88-6208-136-8 (English) English & Italian $60 | £39 ISBN 978-88-6208-143-6 (French) ISBN 978-88-89431-84-9 (English) $65 | £40 ISBN 978-88-89431-83-2 (Italian) $65 | £39
Ben Watts Harri Peccinotti Montauk Dreaming H.P. 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches Text by Derek Birdsall 144 pages, 140 color, hardbound 23 x 30 cm | 9 ½ x 12 inches ISBN 978-88-6208-388-1 228 pages, 200 color, hardbound $45 | £29 with jacket English & Italian ISBN 978-88-6208-074-3 $60 | £34
74 Backlist 75 Contemporary Art
Reza Aramesh Dzine Fischerspooner: New Truth Barry McGee 12 Midnight Nailed: The History of Nail Culture Edited with text by Meredith In association with Alleged Press Text by Milovan Farronato, and Dzine Mowder. Text by Klaus Biesenbach, Edited by Aaron Rose Media Farzin, Eugenio Viola In association with Standard Press Gavin Brown, Jeffrey Deitch, 24 x 31.5 cm | 9 ½ x 12 ½ inches 22.8 x 30.5 cm | 9 x 12 inches Text by Kim Hastreiter, Luis Gispert, Warren Fischer, Casey Spooner 204 pages, 200 color, hardbound 160 pages, 150 color, softcover Yone, Jamel Shabazz, Fred Braithwaite 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-096-5 ISBN 978-88-6208-313-3 a.k.a. Fab 5 Freddy 256 pages, 220 color, hardbound $49.95 | £29.99 $50 | £35 24.4 x 29.3 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-328-7 216 pages, 290 color, hardbound $50 | £35 ISBN 978-88-6208-205-1 $45 | £30
Jennifer Bartlett Electrical Banana: Masters of Natalie Frank Mike Mills Epic Systems Psychedelic Art Tales of the Brothers Grimm Graphics / Films Text by Barry Schwabsky Text by Paul McCartney, Norman Drawings by Natalie Frank. Edited In association with Alleged Press 28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches Hathaway, Dan Nadel by Karen Marta. Text by Claire 24 x 31.5 cm | 9 x 12 inches 88 pages, 75 color, clothbound 23.5 x 26 cm | 9 ½ x 10 ¼ inches Gilman, Linda Nochlin, Julie 164 pages, 100 b&w, hardbound ISBN 978-88-6208-410-9 208 pages, 150 color, softcover Taymor, Jack Zipes English & Italian $45 | £30 ISBN 978-88-6208-204-4 22.8 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-075-0 $39.95 | £27 272 pages, 250 color, hardbound $50 | £24.99 ISBN 978-88-6208-386-7 $60 | £39
Daniel Brush Okwui Enwezor and Chris Johanson Gianni Motti Text by Oliver Sacks, David Chika Okeke-Agulu Please Listen I Have Something Text by Elisabeth Lebovici, Françoise Revere McFadden, Brett Littman. Contemporary African Art to Tell You About What Is Ninghetto, Marie-Olivier Wahler, Interview by Paul Keegan Since 1980 In association with Alleged Press Jade Lindgaard, Fabrice Stroun, et al 34.2 x 33 cm | 13 ½ x 13 inches 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by Aaron Rose, Sean Kennerly, 21 x 27 cm | 8 ¼ x 10 ⅝ inches 276 pages, 250 color, hardbound 368 pages, 400 color, softcover Jack Hanley 240 pages, 200 color and b&w, with jacket ISBN 978-88-6208-092-7 24 x 31.5 cm | 9 ½ x 12 ½ inches hardbound Rights world except USA $60 | £45 208 pages, 180 color, hardbound ISBN 978-88-6208-361-4 ISBN 978-88-6208-278-5 English & Italian $50 | £34 $85 | £50 ISBN 978-88-89431-45-0 $50 | £27.50
Colors: A Book About a Magazine Monir Shahroudy Farmanfarmaian JR and Art Spiegelman Kaz Oshiro About the Rest of the World Cosmic Geometry The Ghosts of Ellis Island Text by Michael Duncan, Ed Schad Text by Francesco Bonami. Edited by Hans Ulrich Obrist, Karen 21.7 x 27 cm | 8 ½ x 10 ½ inches 21 x 27 cm | 8 ¼ x 10 ½ inches Interview with Luciano Benetton Marta. Text by Nader Ardalan, Media 120 pages, 90 color, hardbound 144 pages, 120 color, hardbound and Oliviero Toscani Farzin, Eleanor Sims. Conversation ISBN 978-88-6208-395-9 ISBN 978-88-6208-342-3 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches with Hans Ulrich Obrist $39.95 | £25 $40 | £25 240 pages, 300 color, clothbound 24.5 x 29.4 cm | 9 ½ x 11 ½ inches with jacket 296 pages, 200 color, clothbound ISBN 978-88-6208-424-6 ISBN 978-88-6208-175-7 $50 | £35 $70 | £45
Johan Creten Daniel Firman JR and José Parlá Parallel Views: Italian and Japanese Text by Jan Hoet. Interview by Text by Emmanuel Latreille, Thierry The Wrinkles of the City: Art from the 1950s, 60s and 70s Léa Chauvel-Lévy Raspail. Interview by Hou Hanru Havana Cuba Edited and with text by by Allan 21 x 27 cm | 8 ¼ x 10 ½ inches 21 x 27 cm | 8 ¼ x 10 ½ inches In association with Standard Press Schwartzman. Text by Joshua Mack, 264 pages, 200 color, hardbound 192 pages, 250 color, hardbound Text by Clara Astiasarán, Carolyn Christov-Bakargiev, Nicholas ISBN 978-88-6208-308-9 ISBN 978-88-6208-309-6 Janet Batet, Michael Betancourt, Cullinan, Ming Tiampo $50 | £34 $40 | £25 Jeffrey Deitch 28 x 30.5 cm | 11 x 12 inches 30 x 30 cm | 11 ¾ x 11 ¾ inches 408 pages, 249 color, clothbound 160 pages, 150 color, hardbound with jacket with jacket ISBN 978-88-6208-400-0 ISBN 978-88-6208-250-1 $75 | £45 $49.95 | £35
76 Backlist 77 Music
José Parlá Kenny Scharf Ed Templeton Keziah Jones and Native Maqari In Medias Res Kolors Deformer Captain Rugged Text by Manon Slome, Greg In association with Standard Press In association with Alleged Press 16.5 x 24 cm | 6 ½ x 9 ½ inches Tate, Carlo McCormick, Michael Text by Jeffrey Deitch 24 x 29 cm | 9 ½ x 11 ½ inches 120 pages, 110 color, hardbound, Betancourt, Isolde Brielmaier, et al 21.6 x 26.7 cm | 8 ½ x 10 ½ inches 176 pages, 150 color and b&w, includes a card to download an 24 x 29.2 cm | 9 ½ x 11 ½ inches 96 pages, 68 color, hardbound hardbound album by Keziah Jones 256 pages, 220 color, hardbound ISBN 978-88-6208-287-7 ISBN 978-88-6208-050-7 English & French ISBN 978-88-6208-362-1 $40 | £25 $55 | £25 ISBN 978-88-6208-340-9 (English) $60 | £39 ISBN 978-88-6208-336-2 (French) $45 | £29
José Parlá John Severson Cy Twombly Moby Segmented Realities John Severson’s Surf Paradise Destroyed Text by Michael Rooks, Rey Parlá, Text by Gerry Lopez, Drew Kampion. Edited by Julie Sylvester. Text by 29 x 22.8 cm | 11 ½ x 9 inches Steve Swieter, Mike Jensen, Farzad Interview by Nathan Howe Walter Hartsarich, Gabriella Belli, 128 pages, 55 color, hardback, 24 x 29.2 cm | 9 ½ x 11 ½ inches 24 x 31 cm | 9 ½ x 12 ¼ inches Philip Larratt-Smith includes Destroyed CD 96 pages, 70 color, hardbound 212 pages, 200 color and b&w, 25 x 34.5 cm | 9 ¾ x 13 ½ inches English, Italian, German, ISBN 978-88-6208-422-2 hardbound 172 pages, 90 color, clothbound Spanish & French $45 | £30 ISBN 978-88-6208-326-3 with jacket ISBN 978-88-6208-155-9 $45 | £29 ISBN 978-88-6208-376-8 $39.95 | £25 $60 | £39
Paola Pivi Shit and Die Peter Zimmermann Sound & Vision Text by Massimiliano Gioni, Edited by Maurizio Cattelan, 21 x 27 cm | 8 ¼ x 10 ½ inches Texts by Luca Beatrice, Jens Hoffmann Myriam Ben Salah, Marta Papini 96 pages, 250 color, hardbound Alberto Campo 21 x 27 cm | 8 ¼ x 10 ½ inches 23 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-307-2 20 x 28 cm | 8 x 11 inches 192 pages, 100 color, hardbound 152 pages, 100 color, softcover $40 | £25 260 pages, 200, softcover ISBN 978-88-6208-319-5 English & Italian English & Italian $50 | £34 ISBN 978-88-6208-402-4 ISBN 978-88-89431-98-6 (English) $30 | £19 ISBN 978-88-89431-55-9 (Italian) $35 | £22
Carlos Rolon Gary Simmons Sound Zero Boxed: A Visual History and Paradise Texts by Fabio de Luca, Uwe Husslein, the Art of Boxing Text by Gwen Allen, Nancy Aaron Rose, Valerio Dehò Edited and with text by Carlos Princenthal, Charles Wylie. 16.5 x 23 cm | 6 ½ x 9 inches Dzine Rolon. Text by Franklin Conversation with Okwui Enwezor 200 pages, 150 color, hardbound Sirmans 24.2 x 29.2 cm | 9 ½ x 11 ½ inches English, Italian & German 24 x 29.2 cm | 9 ½ x 11 ½ inches 192 pages, 150 color, clothbound ISBN 978-88-89431-65-8 (English) 208 pages, 150 color, hardbound ISBN 978-88-6208-240-2 ISBN 978-88-89431-64-1 (Italian) ISBN 978-88-6208-354-6 $50 | £35 ISBN 978-88-89431-63-4 (German) $60 | £39 $48 | £27.50
Claude Rutault Tabboo! The Art of Stephen Mieczyslaw Tomaszewski Text by Claude Rutault. Interview Tashjian Chopin by Hans Ulrich Obrist Edited by Lia Gangitano. Text 24 x 30 cm | 9 ½ x 12 inches 21 x 27 cm | 8 ¼ x 10 ⅝ inches by Jack Pierson, Elisabeth Kley, 360 pages, 250 color, hardbound 238 pages, 200 color, hardbound Lia Gangitano with jacket ISBN 978-88-6208-321-8 24 x 30.5 cm | 9 ½ x 12 inches Italian $50 | £34 224 pages, 150 color, hardbound ISBN 978-88-6208-145-0 ISBN 978-88-6208-264-8 For sale in Italy only $50 | £35 €49
78 Backlist 79 Urban Art Architecture & Design
Chaz Bojorquez Phil Frost Diller Scofidio & Renfro Thomas R. Schiff The Art and Life of Chaz Bojorquez Text by Pushead, Carlo McCormick Lincoln Center Inside Out Prospect Edited by Mario Klefisch, Alberto 28 x 28 cm | 11 x 11 inches 23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches Text by Michael Speaks, Ann Cotter Scabbia. Text by François Chastenet, 162 pages, 164 color, hardbound 288 pages, 800 color, clothbound 42.5 x 24.8 cm | 16 ½ x 10 inches Greg Escalante, Usugrow English & Italian ISBN 978-88-6208-244-0 304 pages, 250 color, clothbound 24 x 28 cm | 9 ½ x 13 inches ISBN 978-88-6208-024-8 $85 | £50 with jacket 160 pages, 140 color, hardbound $45 | £24.99 ISBN 978-88-6208-195-5 ISBN 978-88-6208-121-4 $80 | £50 $50 | £30
Dumbo Rae Martini The Haas Brothers Walter Vallini Acts of Vandalism and Stories 24 Carat Dirt Haas Brothers Walter Vallini Architect: of Love 24 x 30 cm | 9 ½ x 11 ½ inches Text by Laura Dern, Vincent Gallo, Works 2000–2012 Text by Barry McGee, Federico 208 pages, 150 color, hardbound Simon and Nikolai Haas 19 x 22 cm | 7 ¾ x 8 ¾ inches Sarica, Kyri Chenven ISBN 978-88-6208-207-5 22 x 29 cm | 8 ½ x 11 ½ inches 96 pages, 80 color, hardbound 20 x 29 cm | 8 x 11 ½ inches $40 | £25 176 pages, 150 color, softcover ISBN 978-88-6208-279-2 136 pages, 130 color, hardbound ISBN 978-88-6208-373-7 $30 | £20 English & Italian $50 | £35 ISBN 978-88-89431-95-5 $35 | £19
Alex Fakso Stefano Pane The Haas Brothers Village: One Land Two Systems Fast or Die People Think I’m Cool: The Life Haas Brothers Volume II: Afreaks and Platform Paradise Text by Andrea Caputo, and Art of Pane 21.6 x 29.2 cm | 8 ½ x 11 ½ inches Edited and with text by Malkit Alessandro Zuek Simonetti 23 x 28.7 cm | 9 ½ x 11 inches 160 pages, 120 color, softcover Shoshan, Maurizio Bortolotti 24 x 31 cm | 9 ½ x 12 ½ inches 208 pages, 140 color, hardbound ISBN 978-88-6208-434-5 16.5 x 24 cm | 6 ½ x 9 ½ inches 112 pages, 60 color, softcover English & Italian $50 | £35 256 pages, 200 color, softcover ISBN 978-88-6208-164-1 ISBN 978-88-6208-183-2 ISBN 978-88-6208-254-9 $35 | £19.95 $39 | £24.95 $30 | £19
Alex Fakso Raptuz Maria Pergay Jeff Zimmerman Heavy Metal Mother Road Complete Works 1957–2010 Text by John Drury. Interview by Text by Alex Fakso, Giovanna Text by Lorenzo Bonini, Raptuz Text by Suzanne Demisch, Sean Kelly Calvenzi, Jamel Shabazz 22.8 x 22.8 cm | 9 x 9 inches Stephane Danant, Adam Lindeman 24 x 28 cm | 9 ½ x 11 inches 30 x 18 cm | 12 x 7 inches 144 pages, 100 color, hardbound 25.4 x 29.8 cm | 10 x 11 ¾ inches 224 pages, 210 color, hardbound 164 pages, 100 color, hardbound ISBN 978-88-6208-229-7 290 pages, 300 color, hardbound ISBN 978-88-6208-358-4 ISBN 978-88-89431-49-8 $35 | £20 with jacket $60 | £39 $35 | £19 ISBN 978-88-6208-174-0 $80 | £50
Frontier: The Line of Style Tsang Tsou Choi Qualities of Duration: The Edited by Claudio Musso, Fabiola The King of Kowloon: The Art Architecture of Phillip Smith Naldi. Text by Mubi Brighenti, of Tsang Tsou Choi and Douglas Thompson Claire Calogirou, Dado, Stewart Edited and with text by David Text by Alastair Gordon Home, Christian Omodeo, et al Spalding. Text by Hans Ulrich 22.9 x 22.9 cm | 9 x 9 inches 16.5 x 23 cm | 6 ½ x 9 inches Obrist, Hon Hanru, Ou Ning 222 pages, 357 color, hardbound 176 pages, 100 color, softcover 24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches ISBN 978-88-6208-231-0 English & Italian 240 pages, 150 color, hardbound $50 | £35 ISBN 978-88-6208-300-3 English & Chinese $40 | £25 ISBN 978-88-6208-271-6 $50 | £35
80 Backlist 81 Antiques & Collectibles
Longines Watches 100 Superlative Rolex Watches Edited by John Goldberger. Edited by John Goldberger. Text by Giampiero Negretti Text by Giampiero Negretti 21 x 29 cm | 8 ½ x 11 ½ inches 24 x 32 cm | 9 ½ x 12 ½ inches 304 pages, 280 color, hardbound 256 pages, 700 color, hardbound English, Italian & French with leather ISBN 978-88-89431-40-5 (English) English & Italian ISBN 978-88-89431-41-2 (Italian) ISBN 978-88-6208-031-6 (English) ISBN 978-88-89431-47-4 (French) ISBN 978-88-6208-032-3 (Italian) $99 | £60 $200 | £99.99
Omega Sportswatches Edited by John Goldberger. Text by Giampiero Negretti 21.5 x 29 cm | 8 ½ x 11 ½ inches 144 pages, 450 color, hardbound English & Italian ISBN 978-88-89431-70-2 (English) ISBN 978-88-89431-97-9 (Italian) $89 | £50
Omega Watches Edited by John Goldberger. Text by Giampiero Negretti 21 x 29 cm | 8 ½ x 11 ½ inches 272 pages, 200 color, hardbound English & Italian ISBN 978-88-89431-27-6 (English) ISBN 978-88-89431-24-5 (Italian) $89 | £55
John Goldberger Patek Philippe Steel Watches Limited edition of 300 copies numbered and signed by the author 24 x 32.5 cm | 9 ½ x 12 ¾ inches 440 pages, 900 color, hardbound with cork, plexiglass slipcase ISBN 978-88-6208-304-1 $800 | £500
Manfred Rössler Zenith 21 x 29 cm | 8 ½ x 11 ½ inches 328 pages, 700 color, hardbound English & Italian ISBN 978-88-6208-069-9 (English) ISBN 978-88-6208-068-2 (Italian) $150 | £80
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Contacts Editorial Office Eleonora Pasqui Damiani [email protected] Via dello Scalo, 3/2 ABC 40131 Bologna, Italy Press Offices Tel. +39 051 635 68 58 Europe [email protected] [email protected] www.damianieditore.com London In June 2015, Damiani opened a new exhibition space, Spazio Damiani. The first exhibition featured the Claire Sawford collector’s edition prints and publications Damiani has produced in collaboration with artists, and included [email protected] the work of Hiroshi Sugimoto, Matthew Brandt, and Andrew Moore, among others. A continuing program of Marketing, Media, Brand Management exhibitions devoted to showcasing the work of significant contemporary artists is planned. Spazio Damiani is T: +44 (0)20 7722 4114 open to the public from Monday to Friday, 12:00 to 6:00 pm. New York Artbook | D.A.P. Luke P. Brown [email protected] 155 6th Avenue, 2nd floor New York, NY 10013-1507 T: +1 212 627 1999 F: +1 212 627 9484 www.artbook.com
Printed in October 2015 by Grafiche Damiani, Italy
Design: Robin Brunelle, Matsumoto Incorporated, New York Editor: Amy Wilkins, Matsumoto Incorporated, New York
Unless otherwise indicated, all photographs are copyright the artists.
Front cover: Joel Meyerowitz, Split Head (detail), 2015. From Morandi’s Objects (p. 7) Pages 4–5, 58–59: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper Volume II, Platinum Collection (p. 9) Pages 44–45: Peter Schlesinger, The Deck at La Piscine Deligny (detail), 1975. From A Photographic Memory 1968–1989 (p. 48) Pages 64–65: Jennifer Bartlett, Recitative (detail), 2009–10. From Epic Systems (p. 76) Pages 84–85: David Leventi, Palais Garnier (detail), 2009. From Opera (p. 47) Page 86: Photographs © Luca Capuano
Information in this catalogue is accurate at press time. Prices, specifications, and terms are subject to change without notice.
86 87 Distributors
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