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Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
Artist's Choice + Vik Muniz=Rebus
Artist's choice + Vik Muniz=rebus Author Muniz, Vik Date 2008 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/304 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ARTIST'S CHOICE+ VIK MUNIZ = THE ONLY REASON FOR TIME IS SO THAT EVERYTHINGDOESN'T HAPPEN AT ONCE. —ALBERT EINSTEIN PUBLIC PROGRAM Vik Muniz on Artist's Choice,Rebus Wednesday, February 11, 6:30 p.m. Theater 3 (The Celeste Bartos Theater) 4 West 54 Street (near Fifth Avenue) Taking on the role of curator, Vik Muniz brought together eighty-two works from MoMA's collection and organized them according to the principle of a rebus—a puzzle in which unrelated visual and linguistic elements create a larger deductive meaning. In this program, Muniz discusses the exhibition and his own work. Tickets ($10; members $8; students, seniors, and staff of other museums $5) con be purchased at the lobby information desk, the film desk, or online at www.moma.org/thinkmodern. MoMA AUDIO A MoMA Audio program featuring commentary by Vik Muniz is available free of charge, courtesy of Bloomberg, on MoMA WiFi at www.moma.org/ wifi and as a podcast at www.moma.org/audio and on iTunes. The audio program is available in English only. MoMA Audio is a collaboration between The Museum of Modern Art and Acoustiguide, Inc. FORD FAMILYACTIVITY GUIDE A Ford Family Activity Guide developed by Vik Muniz encourages kids ages six and up to discover the connections among objects as they are displayed in the exhibition and, using small reproductions, arrange them to tell a story of their own. -
The Magnificent Eleven: the D-Day Photographs of Robert Capa
Men of the 16th Infantry Regiment seek shelter from German machine-gun fire in shallow water behind "Czech hedgehog" beach obstacles, Easy Red sector, Omaha Beach. © Robert Capa/Magnum Photos. The Magnificent Eleven: The D-Day Photographs of Robert Capa "The war correspondent has his stake — his life — in his own The Photographer: Bob Capa hands, and he can put it on this When soldiers of the 16th Regiment of the 1st horse or that horse, or he can put it back in his pocket at the Infantry Division landed at Omaha Beach on June 6, very last minute ... I am a 1944, photographer Robert Capa, in the employ of LIFE gambler. I decided to go in with Company E in the first wave." magazine, was among them. – Robert Capa Perhaps the best known of all World War II combat photographers, the Hungarian-born Capa The ten photos selected from the eleven surviving negatives had made a name for and published by LIFE on June himself well before 19, 1944 ... climbing into a landing craft with men of Company E in the early morning hours of D-Day. He risked his life on more than one occasion during the Spanish Civil War and had taken what is considered the most eerily fascinating of all war photographs. The famous image reportedly depicts the death of Spanish Loyalist militiaman Frederico Borrell Garcia as he is struck in the chest by a Nationalist bullet on a barren Iberian hillside. Capa was known to say, "If your pictures aren't good enough, you aren't close enough." On D-Day, he came close once again. -
On Photography, History, and Memory in Spain Hispanic Issues on Line Debates 3 (2011)
2 Remembering Capa, Spain and the Legacy of Gerda Taro, 1936–1937 Hanno Hardt Press photographs are the public memory of their times; their presence in the public sphere has contributed significantly to the pictures in our heads on which we rely for a better understanding of the world. Some photographs have a special appeal, or an extraordinary power, which makes them icons of a particular era. They stand for social or political events and evoke the spirit of a period in history. They also help define our attitudes towards people or nations and, therefore, are important sources of emotional and intellectual power. War photography, in particular, renders imagery of this kind and easily becomes a source of propaganda as well. The Spanish Civil War (1936–39) was the European testing ground for new weapons strategies by the Soviet Union and Nazi Germany. Both aided their respective sides in the struggle between a Popular Front government— supported mainly by left-wing parties, workers, and an educated middle class—and “Nationalist” forces supported by conservative interests, the military, clergy, and landowners. The conflict resulted in about 500,000 deaths, thousands of exiles, and in a dictatorship that lasted until Franco’s death in 1975. It was a time when large-scale antifascist movements such as the Republican army, the International Brigades, the Workers’ Party of Marxist Unification, and anarchist militias (the Iron Column) united in their struggle against the military rebellion led by Francisco Franco. Foreigners joined the International Brigade, organized in their respective units, e.g., the Lincoln Battalion (USA), the British Battalion (UK), the Dabrowski Battalion (Poland), the Mackenzie-Papineau Battalion (Canada), and the Naftali Botwin Company (Poland and Spain, including a Jewish unit). -
Notable Photographers Updated 3/12/19
Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius -
KAPLAN, SID Sid Kaplan Photographs, 1953-2004
KAPLAN, SID Sid Kaplan photographs, 1953-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Kaplan, Sid Title: Sid Kaplan photographs, 1953-2004 Call Number: Manuscript Collection No. 1477 Extent: 24.625 linear feet (24 boxes) Abstract: Papers of American photographer Sid Kaplan, including prints, negatives, contact sheets, and slides primarily documenting life in New York City from the mid-20th century to the present. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchased from Sid Kaplan, 2019 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Sid Kaplan photographs, 1953-2004 Manuscript Collection No. 1477 Custodial History Curator of Modern Political and Historical Collections Randy Gue and Accessioning Archivist Meaghan O'Riordan packed the materials at Kaplan's residence and storage locker in New York City and shipped them to the Rose Library. -
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there. -
Damiani Cat Fall 2018.Pdf
Fall 2018 Contents New Titles 5 Collector’s Editions 49 Toiletpaper 71 Backlist 77 Photography 78 Fashion & Lifestyle 94 Contemporary Art 96 Music 100 Urban Art 101 Architecture & Design 102 Antiques & Collectibles 103 Spazio Damiani 104 Distributors 106 Notes 108 Contacts 110 New Titles Photography Arthur Elgort Jazz This is the first book dedicated to Elgort’s Jazz portraits and the list of names it includes constitutes a veritable pantheon of jazz greatness. Featured in the book are portraits of Wynton Marsalis, James Carter, Roy Haynes, George Benson, Milt Hinton, Walter Blanding, Michael Bowie, David Sanchez, Angelo Debarre, Dexter Gordon, Sonny Rollins, Joshua Redman, James Moody, Jay McShann, Pat McFeeny, Jimmy Scott, Dorothy Donegan, Illinois Jacquet, Ornette Coleman, Don Byron, Aaron Neville, Dizzy Gillespie, Art Blakey, John McLaughlin, Jesse Davis, Lionel Hampton, Clark Terry, Christian Mcades, Ron Carter, Wycliff Gordon, Sam Newsome, Roy Haynes, Jon Faddis, Roy Hargrove, Max Roach, Jerome Harris, Jack DeJohnette, Michael Cain, Al Grey, Thelonius Monk Jr., Benny Carter, Jon Hendricks, Stefan Harris, Jervan Jackson, Kenny Baron, Doc Cheatham, Arnett Cob, Tommy Flanagan, Jason Moran, Luther Lafatti, Bradford Marsalis, Delfeayo Marsalis, Jason Marsalis, Kenny Garrett, Olu Dara, Jesse Davis, Buddy Tate, Anton Rooney, Flip Phillips, and Sam Rivers. Every now and then a fashion model of Foreword by Wynton Marsalis. Introduction by the moment pops up in a picture, creating a fitting link between Hank O’Neal. Edited by Marianne Houtenbos this body of work and Elgort’s fashion pictures. 17.8 x 22.9 cm | 7 x 9 inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-608-0 Arthur Elgort was born and raised in New York. -
Marco Pittori
7358 Beverly Blvd Los Angeles, CA 90036 [email protected] | t. 323.936.7020 www.artspacewarehouse.com Mon – Fri 10am – 6pm | Sat 10am – 8pm | Sun 12 – 6pm MARCO PITTORI Marco Pittori was born in Switzerland in 1978. He studied at the School of Design in Aarau, Switzerland working in stone, gravure, screen and letterpress. Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970’s Hollywood. By using licensed images of Brad Elterman’s photographs, he provides viewers with a window into a fascinating and exclusive time on Los Angeles’ Sunset Strip. Looking through Elterman’s photographs, one can quickly realize that he wasn’t the average teenager growing up in the 1970s. Rather, his celebrity photographs attest that he was living the dream. As his classmates munched on Cap’n Crunch and listened to the new Runaway’s record, Brad hung at the infamous Tropicana Motel with Joan Jett. On weekends, he swam with the The Sex Pistols, frequented the Playboy Mansion, and casually grabbed late night grub with Joey Ramone. Young and clever, Brad knew where to be and how to get in. With his cool demeanor and Bob Dylan hairstyle, he fit the part. At the age of 17, Brad became one of Hollywood’s most influential celebrity photographers, providing uncensored documentation of the gritty-glamorous life of 1970′s Rock n’ Roll. Marco Pittori states of Elterman’s photos, "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Some of Marco Pittori’s multi-layered photographs are based on Brad Elterman’s iconic images “Behind the Beverly Hills Hotel, 1977”. -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.