Contents

New Titles 5

Collector’s Editions 25

Toiletpaper 47

Backlist 53

Photography 54 Fashion & Lifestyle 66 Architecture & Design 67 Antiques & Collectibles 67 Contemporary Art 68

Distributors 70

Contacts 72 New Titles Photography

Martin Parr From the Pope to a Flat White Ireland 1979-2019

Martin Parr has been taking photographs in Ireland for 40 years. His work covers many of the most significant moments in Ireland’s recent history, encompassing the Pope’s visit in 1979, when a third of the country’s population attended Mass in Knock and Phoenix Park in Dublin, as well as gay weddings and start-up companies in 2019. It is difficult to think of country that has changed so dramatically in this relatively short space of time. Parr lived in the West of Ireland between 1980-82. He photographed traditional aspects of rural life such as horse fairs and dances, but also looked at the first hint of Ireland’s new wealth in the shape of the bungalows that were springing up everywhere, replacing more traditional dwellings. During subsequent trips to Ireland he explored the new estates around Dublin and the introduction of the first drive-through McDonald’s. Parr also looked at the North and documented how, after the Good Friday agreement, the Troubles became the focus of a new tourist boom. The final chapter portrays a contemporary Dublin where start-up companies are Introduction by Fintan O’Toole thriving, the docks area is being gentrified and where icons 24.2 x 32 cm | 9 ½ x 12 ⅗ inches 128 pages, 98 color and b&w, hardbound of wealth and modernity – such as the flat white – can ISBN 978-88-6208-729-2 be everywhere. Ireland has also now voted to allow both September 2020 abortion and gay weddings, developments that would have $55 | €50 | £45 been unthinkable 40 years ago. From the Pope to a Flat White. Ireland 1979-2019 has an introduction by Fintan O’Toole, who is Ireland’s leading cultural commentator.

Martin Parr is one of the best-known documentary photographers of his generation. The author of more than 100 books and the editor of 30 others, he has firmly established his photographic legacy. In 1994 he became a full member of Magnum Photographic Cooperative. Between 2013 - 2017 Martin was president of Magnum Photos. In Autumn 2017 the Martin Parr Foundation opened in Bristol. Parr’s work has been collected by many of the major museums, including the Tate, the Pompidou, and the Museum of Modern Art in New York.

6 New Titles 7 Photography

Marina Abramović 7 Deaths of Maria Callas

7 Deaths of Maria Callas is an opera project created by Marina Abramović premiering at the Bayerische Staatsopera in Munich 2020. In collaboration with an all star creative team and through a mix of narrative opera and film, Abramović re-creates seven iconic deaths from Callas’ most important roles throughout her career, followed by an interpretive recreation of Callas’ actual death played by Abramović on stage. This book serves as a companion to the live performance and provides a behind the scenes look into the different elements that make up this conceptual and dynamic homage to the classic and iconic singer.

Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance art, creating some of the form’s most important early works. Exploring her physical and mental limits, she has withstood pain, exhaustion, and danger in her quest for emotional and spiritual transformation. Abramović was awarded the Golden Lion for Best Artist at the 1997 Venice Biennale. In 2010, Abramović had her first major U.S. Photographs by Marco Anelli retrospective and simultaneously performed for over 700 20 x 26 cm | 7 ⅞ x 10 ¼ inches 176 pages, 85 color and b&w, clothbound hours in The Artist is Present at the Museum of Modern Art ISBN 978-88-6208-731-5 in New York. She founded Marina Abramović Institute September 2020 (MAI), a platform for immaterial and long durational $65 | €60 | £55 work to create new possibilities for collaboration among thinkers of all fields.

8 New Titles 9 Photography

Robert Capa Death in the Making

Death in the Making will be a reprint of the original book published in 1938. With images by Robert Capa and Gerda Taro, it was a poignant tribute to the men and women, civilians and soldiers alike, who were fighting in Spain against Franco’s oppressive and fascist insurrection. The book included only one year of images, but covered the spectrum of emotions of a civil war, from the initial excitement to the more harrowing realities of modern warfare. After World War II and the rising fear of Communism in the United States made association with the Spanish Civil War a liability, the book was forgotten. Today Death in the Making is newly appreciated for its call to arms against rising fascist threat. This new publication will replicate the original layout by photographer André Kertész, the original caption text by Capa and preface by writer Jay Allen, and will also dramatically improve the image quality of the first edition. The new edition will also include an essay with new information about the making and the reception of the original book and a complete checklist identifying the 21.4 x 27.9 cm | 8 ⅖ x 11 inches 112 pages, 152 b&w, hardbound with jacket author, location and date of each image. One of the most ISBN 978-88-6208-717-9 significant revelations is that Death in the Making contained October 2020 unattributed photographs by Chim, later known as David $45 | €40 | £35 Seymour, friend and colleague of Capa. The book is a co- Rights: world except France and Spain publication with the International Center of Photography.

Born in Budapest, Robert Capa left Hungary in 1930 for Berlin, enrolled in the Deutsche Hochschule für Politik as a student of journalism and political science, and served as a darkroom assistant at Dephot. With the rise of the Nazis in 1933, Capa left Germany for Paris, where he met Henri Cartier-Bresson, Chim and Taro. He worked as a photojournalist, and between 1936 and 1939 made several trips to Spain to document the civil war. As World War II erupted, he escaped to New York, but soon returned to Europe to cover the war, primarily for Life. After the war, Capa founded Magnum Photos agency with Cartier- Bresson, Chim, and George Rodger. He traveled to Hanoi in 1954 to photograph the French war in Indochina; shortly after his arrival, he stepped on a landmine and was killed.

New Titles 11 Photography

Susan Meiselas with Virginia Bynum & Angel Marinaccio Tar Beach. Life on the Rooftops of Little Italy

Tar Beach. Life on the Rooftops of Little Italy brings together photographs and memories of life in and around the rooftops of Little Italy, New York. These are pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970s. Reflections from the community offer perspectives of multiple generations, as Angel Marinaccio says: "If you had an accomplishment— communion, confirmation, wedding, graduation or birthday, you’d dress up in your best outfit and go to the rooftop to take pictures and celebrate with your family." We see the images they shared and saved. The introduction to Tar Beach is written by renown filmmaker Martin Scorsese who grew up on the streets portrayed in this collection. He writes: “The roof was our escape hatch and it was our sanctuary. The endless crowds, the filth and the grime, the constant noise, the chaos, the claustrophobia, the non-stop motion of everything… you would walk up that flight of stairs, open the door, and you were above it all. You could breathe. You could dream. You could be." Susan Meiselas, along with two of her neighbors, Angel Marinaccio and Virginia Bynum, collected and curated these vernacular photographs to convey the feeling of this Introduction by Martin Scorsese special place and time in the daily lives of Italian immigrants 14.2 x 21.1 cm | 5 ⅗ x 8 ⅓ inches as they made their way to becoming part of American culture. 96 pages, 81 color and b&w, flexibound ISBN 978-88-6208-722-3 The book is designed by Yolanda Cuomo. October 2020 $45 | €40 | £35 Susan Meiselas is a documentary photographer and member of Magnum Photos since 1976. She is the author of 10 monographs and has edited 4 collections of photographs. Her work is included in American and international museums. She has lived in Little Italy since 1974.

Angel Marinaccio has lived in Little Italy all her life. Her grandparents on both sides of her family came from Sciacca, Sicily and settled in New York’s Little Italy on Elizabeth Street. She is the author of Be Home On Time When I Put The Water Up For Pasta.

Virginia Bynum grew up on Mulberry Street. She is currently working on a series of stories about growing up in Little Italy. Her ancestors came from Italy and Scotland.

New Titles 13 Photography

Paolo Nespoli and Roland Miller Interior Space. A Visual Exploration of the International Space Station

On November 2nd, 2020 NASA will celebrate the 20th anniversary of continuous human habitation of space on the International Space Station—a milestone in extraterrestrial adventure. The ISS is a base for learning how to live and work in microgravity and to prepare for exploring other planets, but it is also a home to the astronauts. The authors, Roland Miller and Paolo Nespoli, have collaborated on a unique portrait of the ISS. Images of training and control facilities on Earth are coupled with photographs of the ISS interior explored for the first time as a complex artifact of human history. The 30 x 25 cm | 11 ⅘ x 9 ⅘ inches focus of this work is on the interior elements of the station 200 pages, 121 color and b&w, hardbound and every environment reveals an incredible complexity of ISBN 978-88-6208-732-2 October 2020 signs, technology, and passageways. Internationally acclaimed $55 | €50 | £45 scholars of Space Archeology, Alice Gorman and Justin P. Walsh, write in their essays that the ISS speaks not only of who we are and will be, but also of who we were. In 2024 the ISS will be abandoned and in 2028 it will be destroyed.

Paolo Nespoli, a charismatic Italian aerospace engineer, joined the European Space Agency (ESA) in 1991 and was selected as astronaut in 1998. He trained in Houston and Moscow before being assigned to his first mission: STS-120 on Space Shuttle Discovery. Two more missions followed in 2010 and 2017, this time long duration on Soyuz/ISS, for a grand total of 313 days in space. During all his space missions, Nespoli took more than half a million pictures. In 2018 he retired from ESA after 27 years of service, and currently continues an important career as speaker all over the world.

Roland Miller, a Chicago native, taught photography at Brevard Community College in Cocoa, Florida, for 14 years, where he began photographing nearby NASA launch sites. In 2016, Miller’s project, Abandoned in Place: Preserving America’s Space History (University of New Mexico Press), documented the deactivated and repurposed space launch and test facilities around the United States. In 2017, he started the project entitled Interior Space. His pictures are part of permanent collections at the Museum of Contemporary Photography, Chicago, Illinois and the NASA Art Collection in Washington, DC.

New Titles 15 Photography

Luke Gilford National Anthem: America’s Queer Rodeo

Growing up in Colorado with his father in the Professional Bull Riding Association, Luke Gilford spent his formative years around the rodeo, an American institution that has often been associated with conservatism and homophobia. It was only later, when he discovered the International Gay Rodeo Association (IGRA), that he began to see himself as part of a rodeo family. The IGRA is the organizing body for the LGBTQ+ cowboy and cowgirl communities in North America — a safe space for all races and gender expressions. The queer rodeo brings in participants from rural regions all over America for structured educational programs and competitions, facilitating opportunities to hone athletic skills, connection and care for animals, personal integrity, self-confidence, and support for one another. Gilford has spent over three years traveling the country to document this diverse and ever-evolving subculture. Shot on medium- format film and printed in a traditional dark room, the work is detailed and rich with emotion and color. The resulting National Anthem photographs are both personal and poetic 24 x 31.5 cm | 9 3⁄7 x 12 ⅖ inches — clear testaments to Gilford’s intimate relationship to the 176 pages, 150 color, hardbound ISBN 978-88-6208-736-0 community. National Anthem is a celebration of outsiders and October 2020 the immense beauty of chosen families everywhere. $60 | €55 | £50 Luke Gilford is a filmmaker & photographer born in Denver, Colorado where his father was a champion bull rider and later a judge in the Professional Bull Riding Association. Luke studied Art at UCLA and his photography and films have been exhibited around the world; including MoMA in New York and FOAM in Amsterdam, as well as at Sundance’s NEXT festival. Luke has spent over three years documenting The International Gay Rodeo Association (IGRA), the sole organizing body for LGBTQ+ cowboy and cowgirl communities in North America. His work has been featured in The New York Times, Vanity Fair, and Vogue. Luke is currently based in Los Angeles and New York City.

16 New Titles 17 Photography

David Gulden Nor Dread Nor Hope Attend Photographs from the Plains of Africa

Nor Dread Nor Hope Attend. Photographs from the Plains of Africa gathers 65 stunning black and white photographs of the icons of the Kenyan wilderness. This is David Gulden’s second monograph and the culmination of seven years work. With his masterful eye, he has perfectly captured the elegance and beauty of lions, elephants, zebras and giraffes in their natural habitat. With a title from a poem by acclaimed Irish poet W.B. Yeats, Nor Dread Nor Hope Attend includes text by Dr. Richard Leakey, journalist Fiammetta Rocco, and American artist Alex Beard.

Gulden was born and raised in New York. First introduced to Africa by his father at age fifteen, he now lives in Kenya full time with his wife and two daughters. Gulden has been 32.5 x 31.1 cm | 12 ⅘ x 12 ¼ inches photographing African wilderness for over tweny-five years. 152 pages, 77 b&w, hardbound ISBN 978-88-6208-719-3 October 2020 $70 | €65 | £60

18 New Titles 19 Photography

Joseph Szabo Hometown

Hometown collects a series of suburban landscape photographs taken on Long Island between 1973-1980 by Joseph Szabo. Sharing the same DNA as his Teenage and Almost Grown series, Szabo’s Hometown images conjure up an instant nostalgia, recalling fond memories of Szabo’s childhood and adolescence in suburbia. Szabo explains, “The Hometown scenes reminded me of places I knew from my youth, places that I saw on my way to school, church, or the museum. They struck an emotional chord in me, one that is hard to put into words but that revealed their connection to my own past. In that sense, Hometown is autobiographical.” 30 x 22.2 cm | 9 ⅘ x 8 ⁵⁄₇ inches Building on his past work, Hometown gives context to the 72 pages, 40 b&w, hardbound suburban lives that Szabo has documented so effectively for ISBN 978-88-6208-734-6 almost forty years. October 2020 $45 | €40 | £35 Joseph Szabo is a teacher, photographer, and author. His 1978 book Almost Grown was acclaimed as one of the “Best Books of the Year” by the American Library Association and attained cult classic status in the fashion world. In 2003, Szabo released Teenage. He is the recipient of a photography fellowship from the National Endowment for the Arts and his images reside in the collections of the Bibliothèque National in Paris, The George Eastman House Museum in Rochester, the Museum of Modern Art in New York, and the San Francisco Museum of Art, among many others. His photographs have been published in The New York Times, the Los Angeles Times, The London Times, and French Vogue, and he has exhibited at galleries in Paris, London, Japan, New York, Atlanta, and Los Angeles.

New Titles 21 Photography

Sam Marie-Saint Sodapop

With a title inspired by the name of the character in the acclaimed book The Outsiders, by S.E. Hinton, Sodapop is a love letter to French New Wave cinema. Also inspired by classic Italian cinema, this story of culture on the fringes features tales and portraits of the iconoclasts, rebels, punks, and romantics, all set in Downtown Manhattan and Brooklyn in the span of predominantly one summer. The glamorous and the rebellious, fishnets and cigarettes, improvised on New York City’s streets, rooftops, hotels, and dive bars in raw, immediate form.

Sam Marie-Saint’s career in photography began while studying directing and cinematography at UCLA. His first inspirations were punk music, French New Wave and Italian cinema, particularly the films of Jean-Luc Godard, FranÇois Truffaut, Federico Fellini, and Michelangelo Antonioni; and the Weimar painters George Grosz, Gustav Wunderwald, and Otto Dix. Originally a landscape and street photographer, Marie-Saint turned to fashion and portraiture shortly after finishing his education, combining 23.7 x 31.3 cm | 9 ⅓ x 12 ⅓ inches the elements of fashion, street, and landscape photography 200 pages, 30 color and 140 b&w, hardbound ISBN 978-88-6208-698-1 into a cinematic narrative that is present in all of his work September 2020 today. After an experimental phase, he moved to Paris to $60 | €55 | £50 develop his look and portfolio before eventually moving to New York City, where he now lives and works.

22 New Titles 23 Collector’s Editions Hiroshi Sugimoto Joel Meyerowitz Snow White Cézanne's Objects

Snow White is a unique collector’s edition book containing 76 For this collector’s edition of Cézanne's Objects, Joel artworks by Hiroshi Sugimoto. All of the photographs in Snow Meyerowitz has printed an edition of 25 each of the two White are from his Theaters series and include many of his well photographs with the same title Pitcher. Each photograph is known photographs of classic movie palaces and drive-ins, along numbered and signed by the author. with new photographs of Italian opera houses and abandoned Edition of 400 signed and numbered books theaters. Sugimoto began the Theaters series four decades ago. To Some years ago, while working on a book commission about Text by Hiroshi Sugimoto make these images, he exposes the film inside the dark theater (or Provence, Joel Meyerowitz visited Cézanne’s studio in Aix-en- 34 x 27.1 cm | 13 ½ x 10 ¾ inches in the case of the drive-ins, outside at night) for the duration of the Provence. While there, he experienced a flash of understanding 160 pages, 76 b&w, silkbound with aluminum slipcase ISBN 978-88-6208-520-5 movie. The running movie is the only source of light bringing out about Cézanne’s art. Cézanne had painted the studio walls $750 | €680 | £580 the architectural details of these spaces.The Disney movie Snow a dark grey, mixing the color himself. Consequently, every Edition of 25 signed and numbered prints White was running when Sugimoto photographed Palace Theater, Pitcher, 2011 object in the studio seemed to be absorbed into the grey of Gary, 2013, one of the abandoned theaters that is reproduced Archival digital print the background. There were no telltale reflections around the here. In this book, Sugimoto reveals for the first time the movies Image size: 28 x 22.8 cm | 11 x 9 inches edges of the objects, so there was nothing that could separate Sheet size: 30.5 x 25.4 cm | 12 x 10 inches that were screened when he took these photographs and the them from the background itself. Meyerowitz suddenly saw exposure time of each photograph. Each artwork in Snow White Text by Joel Meyerowitz, Maggie Barrett how Cézanne, making his small, patch-like brush marks, is accompanied by the name of the movie, its running time, and a 25.4 x 32 cm | 10 x 12 ⅝ inches moved from the object to the background, and back again 116 pages, 65 color, clothbound short text about each written by Sugimoto. The black-and-white ISBN 978-88-6208-633-2 to the objects, without the illusion of perspective. After all, photographs are hand-tipped onto the pages. $1,000 | €850 | £750 Cézanne was the original voice of “flatness.” Meyerowitz decided to take each of the objects in Cézanne’s studio and view them against the grey wall (managing to obtain permission from the Director of the Atelier—no-one had touched these objects in ages). His impulse was to place each one in the exact same spot on his marble-topped table and simply make a “dumb” record of it. He then decided to arrange them in rows, almost as if they were back on his shelf above Martin Parr the table, and made a grid of five rows with five objects on Beach Therapy each row, with Cézanne’s hat as the centerpiece.

This special edition limited to 90 copies includes the book clothbound and one print signed and numbered by Martin Parr. The picture is entitled St Ives, Cornwall, England, 2017.

“I love to try different approaches to photography and in recent years I have started to explore what is possible with a telephoto lens. As the beach has always been an Edition of 25 signed and numbered prints Edition of 90 signed and numbered prints experimental place to explore new ideas, I called the new Pitcher, 2011 St Ives, 2017 work that emerged, Beach Therapy.” Archival digital print Pigment print Image size: 28 x 22.8 cm | 11 x 9 inches Image size: 22.9 x 15.3 cm | 9 x 6 inches Sheet size: 30.5 x 25.4 cm | 12 x 10 inches Sheet size: 25.4 x 20.2 cm | 10 x 8 inches Text by Joel Meyerowitz, Maggie Barrett 30 x 22 cm | 11 ⅘ x 8 ⅔ inches 25.4 x 32 cm | 10 x 12 ⅝ inches 120 pages, 75 color, hardbound 116 pages, 65 color, clothbound ISBN 978-88-6208-626-4 ISBN 978-88-6208-571-7 $480 | €450 | £400 $1,000 | €950 | £750

26 Collector’s Editions 27 Arthur Elgort Jack Pierson I Love... The Hungry Years

This collector’s edition of Arthur Elgort I Love... is limited to 30 For this collector’s edition of The Hungry Years, Jack Pierson copies and contains a gelatin silver print signed and numbered has printed an edition of 30 of the photographs Pink Road by Elgort. The delicate and intimate photograph features a and 25 of Yellow Road. Each photograph is numbered and beautiful Gia Carangi, considered one of the most famous signed by the author. american top models in the fashion's history. The Hungry Years collects Jack Pierson’s 1980s’ photographs, In I Love... the great American fashion photographer Arthur which have increasingly captured the attention of the art Edition of 30 signed and numbered prints Elgort presents photographs of women that he has taken world since they were first published as a collection in 1990. Gia Carangi, Fire Island, 1980 throughout his career, in homage to their power, their beauty, Informed in part by his artistic emergence in the era of AIDS, Gelatin silver print Edition of 25 signed and numbered prints Image size: 21.9 x 32.7 cm | 8 ⅝ x 12 ⅞ inches their joy and their strength. Yellow Road, 2018 Pierson’s work is moored by melancholy and introspection, Sheet size: 27.7 x 35.6 x cm | 11 x 14 inches Pigment print yet his images are often buoyed by a celebratory aura of Image size (full bleed): seduction and glamour. Sometimes infused with a sly sense 16.5 x 21 cm | 6 ½ x 8 ¼ inches 23.8 x 35.5 cm | 9 ⅜ x 14 inches 208 pages, 208 color and b&w, flexibound of humor, Pierson’s work is inherently autobiographical; ISBN 978-88-6208-674-5 20.3 x 24.1 cm | 8 x 9 ½ inches often using his friends as models and referencing traditional $850 | €690 | £600 104 pages, 70 color, hardbound Americana motifs, his bright yet distanced imagery reveals ISBN 978-88-6208-629-5 $800 | €700 | £590 the undercurrents of the uncanny in the quotidian. Fueled by the poignancy of emotional experience and by the sensations of memory, obsession, and absence, Pierson’s subject is ultimately, as he states, “hope.”

Arthur Elgort Jazz

This collector’s edition of Arthur Elgort Jazz is limited to 30 copies and contains a gelatin silver print signed and numbered by Elgort. The superb black and white print features the internationally acclaimed musician and composer Wynton Marsalis playing his trumpet.

This book is dedicated to Elgort’s Jazz portraits and the Edition of 30 signed and numbered prints Wynton Marsalis, New York City, 1992 list of names it includes constitutes a veritable pantheon of Gelatin silver print jazz greatness. Edition of 30 signed and numbered prints Image size 32.3 x 21.5 cm | 12 ¾ x 8 ½ inches Pink Road, 2017 Sheet size 35.6 x 27.7cm | 14 x 11 inches Pigment print Image size (full bleed): Foreword by Wynton Marsalis. Introduction by 23.8 x 35.5 cm | 9 ⅜ x 14 inches Hank O’Neal. Edited by Marianne Houtenbos 17.8 x 22.9 cm | 7 x 9 inches 20.3 x 24.1 cm | 8 x 9 ½ inches 160 pages, 100 color and b&w, hardbound 104 pages, 70 color, hardbound ISBN 978-88-6208-619-6 ISBN 978-88-6208-576-2 $850 | €690 | £600 $600 | €550 | £490

28 Collector’s Editions 29 Tom Bianchi Tom Bianchi 63 E 9th Street Fire Island Pines: Polaroids 1975–1983 NYC Polaroids 1975 – 1983

For this collector’s edition of 63 E 9th Street. NYC Polaroids This collector’s edition of 67 numbered copies comes in 1975 – 1983, Tom Bianchi has printed an edition of 25 of an orange cloth slipcase with a tipped-in cover image and the photographs untitled, nyc079 and 25 of untitled, nyc314. contains a signed and numbered giclée print. Each photograph is signed and numbered by the author. The book and the photograph are housed in a special cloth Growing up in the 1950s, Tom Bianchi would head into slipcase with a tipped-in cover image. downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one, he found a photograph of bodybuilder Edition of 25 signed and numbered prints Edition of 67 signed and numbered prints untitled, nyc079, New York City, 1975-1983 In 1975 Tom Bianchi moved to New York City and took a job Untitled, 250, 1978 Glenn Bishop on Fire Island. Years later, Bianchi began Pigment print as in-house counsel at Columbia Pictures. That first year Tom Giclée print traveling to New York and was invited to spend a weekend at Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches was given a Polaroid SX – 70 camera by Columbia Pictures Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Fire Island Pines, where he encountered a community of gay Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches at a corporate conference. He took that camera to the Pines men. Using an SX-70 Polaroid camera, Bianchi documented Edited by Ben Smales on summer weekends, those pictures became the book, Fire Edited by Ben Smales. Text by Edmund White, Tom Bianchi his friends’ lives in the Pines, amassing an image archive 21.5 x 25.5 cm | 8 ½ x 10 inches Island Pines. Polaroids 1975 – 1983 published in 2013. Now 21.5 x 25.5 cm | 8 ½ x 10 inches of people, parties, and private moments. These photos, 186 pages, 150 color, hardcover with jacket and slipcase 212 pages, 350 color, hardcover with jacket and slipcase ISBN 978-88-6208-647-9 some 44 years later we finally get a first look at another ISBN 978-88-6208-314-0 accompanied by Bianchi’s moving memoir of the era, record $750 | €600 | £540 extraordinary collection of polaroids by Tom taken in his $750 | €550 | £500 the birth and development of a new culture. Soaked in sun, NYC apartment at 63 East 9th Street. Whereas Fire Island is sex, camaraderie, and reverie, Fire Island Pines conjures a an expansive communal experience happening on a sunny magical bygone era. sand bar outside of the city under huge open skies, Tom’s New York apartment was an intimate track lit den, a safe stage where he and his friends invited each other to play out Peter Berlin their erotic night games. Tom’s NYC Polaroids take us behind Icon, Artist, Photosexual the closed door of his apartment, “Back then we were in the early days of a revolution that seemed inevitably headed to a more loving, playful and tolerant way of being. We were This limited edition to 50 copies includes the book Icon, innocents.” Bianchi recalls. Artist, Photosexual and an iconic gelatin silver print signed and numbered by Peter Berlin. This is an essential companion book to Fire Island Pines and an important document of urban gay life. Peter Berlin was a self-created icon. With his trademark pageboy haircut and his skin-tight costumes that put every detail of his anatomy on display (designed and tailored by Edition of 25 signed and numbered prints untitled, nyc314, New York City, 1975-1983 Berlin himself to accentuate his already naturally defined Pigment print physique), he became a gay sex symbol and a walking work Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches of art. Icon, Artist, Photosexual pays tribute to the man who Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches revolutionized the landscape of gay male eroticism and Edited by Ben Smales became an international sensation. 21.5 x 25.5 cm | 8 ½ x 10 inches Edition of 50 signed and numbered prints 186 pages, 150 color, hardcover with jacket and slipcase Gelatin silver print ISBN 978-88-6208-693-6 Image size: 20.2 x 13.8 cm | 8 x 5 ⅕ inches $750 | €600 | £540 Sheet size: 22.2 x 15.8 cm | 8 ¾ x 6 ¼ inches

Edited by Michael Bullock Text by Ted Stansfield, Jonathan D. Katz, Evan Moffitt 21 x 30 cm | 8 ¼ x 11 ⅘ inches 208 pages, 200 color and b&w, hardbound ISBN 978-88-6208-675-2 $700 | €600 | £500

30 Collector’s Editions 31 32 $500 |€450£400 ISBN 978-88-6208-718-6 148 pages,70color, hardbound 26.5 x33cm|10⅖13 inches Preface by MaurizioBortolotti Image size:40x32cm|15¾⅗inches semi-matt finishlaminatedonaluminumsheet Digital archivialprintonHarmanpaper, Moonshadow oo5/V, 2019 Edition of15signedandnumberedprints New forFall 2020 $600 |€490 |£430 ISBN 978-88-6208-628-8 160 pages,100color and b&w, hardbound 24 x30cm|9½11 ⅘ Sheet size:25.5x33cm|1013 inches Image size:22.9x29.2cm|911½inches Pigment print Seduction #1045,2016 Edition of15signedandnumberedprints Seduction Kenro Izu publication ofaLunarAtlas. his own artisticprojectthathasbeenrealisedwiththe almost scientific way while, over the years, alsopursuing the ever-changing appearanceoftheMoon in arigorous, possible. Subsequently, thispassionledhimtophotograph when spaceprogrammesmadethefirstlunarexplorations explore thesurfacewithasmalltelescope,backin1960s celestial bodyoriginatedinchildhoodwhenhebeganto cultivated agreatpassionfortheMoon. Hisinterestinthis The ItalianphotographerLucaMissonihasalways printed aneditionof15thephotographMoonshadow005/V. For thiscollector’s editionofMoonAtlas , LucaMissonihas Moon Atlas Luca Missoni the blackholesforeyes. Itactuallymay noteven beapear. about whatisthatthebeingbehind themaskisseeingthrough time oftakingthisphotograph,he was questioninghimself even beaparallelworld totheworld wherewe live. Atthe who wears itandbringshim toanotherdimension.Itmay mask, anyasamagictoolthattransformstheperson limited editionfeaturesamaskfacingtopear. Hesees the studio, asasortofconversation withhimself. Theprintofthis own photography, especiallystilllifethathecomposesinthe signed andnumberedby Kenro Izu.Kenro Izuconsidershis This limitededitionto15copiescomeswithasunningprint $500 |€450£390 ISBN 978-88-6208-666-0 (Amarillo) ISBN 978-88-6208-665-3 (Lebanon) ISBN 978-88-6208-653-0 (LosAngeles) ISBN 978-88-6208-664-6 (Tulsa) 180 pages,84b&w, softcover 31 x24.7 cm|12¼x9¾inches Text by CharlieLeDuff Image size:18.6x28cm Inkjet print Amarillo, Texas, 2000 Lebanon, Missouri,2007 Los Angeles,California,2000 Tulsa, Oklahoma,2000 the foursignedandnumberedprints Each editionlimitedto20copiescomeswithoneof (Lebanon) (Tulsa) stuck andnever madeitacross. and tar. Thesephotographsarededicatedtoallthosewhogot dreams; it’s formerexcitement andadventure, itsconcrete a countryindeclineandrequiemtothislosthighway of byways, thedown-and-outs, theroadsides,istestimonyto copies. Thesefourphotographs,emblematicofhotels,the All fourphotographsareavailable asalimitededitionof20 following photographs:Tulsa, LosAngelesLebanonAmarillo. numbered print.Itispossibletochooseoneofthefour This limitededitionofEdward Keating’s photobook MAIN STREET. TheLostDreamofRoute 66 Edward Keating STREET . TheLostDream ofRoute 66comeswithasigned, (Los Angeles) (Amarillo) Collector’s Editions 33 MAIN

(Amarillo) (Lebanon) (Los Angeles) (Tulsa) Bill Owens Tria Giovan Altamont 1969 The Cuba Archive. Photographs 1990-1996

This limited edition to 25 copies of Altamont 1969 comes with For this collector’s edition of The Cuba Archive, Tria Giovan a signed and numbered print. Bill Owens's iconic, The Naked has printed an edition of 15 each of the photographs Malecon- Guy image captures a breath-taking moment of the concert Gibara and Beauty Salon in Vedado-Havana. Each photograph is considered to be the end of the ‘60s. signed and numbered by the author.

Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island Edition of 15 signed and numbered prints Beauty Salon in Vedado-Havana, Cuba, 1993 numerous times, and making more than 25,000 images. Archival pigment print Immersing herself in Cuba’s history, literature, and politics, Image size: 22.9 x 33.5 cm | 9 x 13 ⅕ inches she photographed interiors of homes and businesses, city Sheet size: 24.7 x 35.6 cm | 9 ¾ x 14 inches streets, rural landscapes, signs and billboards, and, most of all, Edition of 25 signed and numbered prints the people, creating a compelling body of work that captures The Naked Guy, 1969 29.3 x 21 cm | 11 ½ x 8 ¼ inches Piezography 168 pages, 125 color, hardbound the subtleties and layered complexities of day-to-day Cuba Sheet size: 33 x 24.1 cm | 13 x 9 ½ inches ISBN 978-88-6208-630-1 born from complete engagement and informed perspective. $500 | €450 | £390 Cuba: The Elusive Island, published by Harry N. Abrams in Edited by Claudia Zanfi Text by Sasha Frere-Jones, Bill Owens, Claudia Zanfi 1996—a collector’s item—first brought together 100 of these 24.5 x 28 cm | 9 ½ x 11 ⅘ images, along with a selection of writings by some of Cuba’s 96 pages, 59 color and b&w, hardbound most important writers. Twenty years later, Giovan re-edited ISBN 978-88-6208-635-6 $550 | €450 | £400 the images, while working to preserve the original 6 x 9 color negatives. Through this intensive re-examination, a new, more complex view of the historical significance of this work has emerged. Images previously disregarded or missed now stand out as a record of elements that no longer exist, and of a Cuba Catherine Wagner poised on the brink of change. The selected images featured Place, History, and the Archive in The Cuba Archive, many of which have never previously been shown, reveal Cuba at a pivotal point in its fascinating history, and bear witness to an inimitable, resilient, and complex country and people.

Columbus, Penelope, Delilah was made while Wagner was commissioned to develop a new body of work for the re- opening of the DeYoung Museum in 2005. Wagner—working from the cold storage collection of the Fine Arts Museums of San Francisco—created installations of sculptures, forming new tableaus specifically to be photographed. Re- Edition of 10 signed and numbered prints Columbus, Penelope, Delilah, 2005 contextualizing the sculptures within their crating systems Archival pigment print serves as yet another system to reframe histories as they have Edition of 15 signed and numbered prints Malecon-Gibara, Cuba 1993 Image size: 28 x 35.6 cm | 11 x 14 inches been previously told. Columbus, Penelope, Delilah unveils new Sheet size: 29.2 x 36.8 cm | 11 ½ x 14 ½ inches Archival inkjet print narratives forming hybrid histories allowing the viewer fictive Image size: 22.9 x 33.5 cm | 9 x 13 ⅕ inches 30 x 24.5 cm | 11 ⅘ x 9 ⅗ inches possibilities for interpretation. A limited edition of 10 prints Sheet size: 24.7 x 35.6 cm | 9 ¾ x 14 inches 336 pages, 250 color and b&w, hardbound will accompany a special collector’s edition set of Place, History, ISBN 978-88-6208-599-1 29.3 x 21 cm | 11 ½ x 8 ¼ inches $800 | €670 | £580 and the Archive. A signed archival pigment print of Columbus 168 pages, 125 color, hardbound Penelope Delilah (2005) from the series Re-classifying History ISBN 978-88-6208-577-9 $500 | €450 | £390 will come with the book housed in a special edition slipcase.

34 Collector’s Editions 35 Frédéric Lagrange Carrie Mae Weems Mongolia Kitchen Table Series

Mongolia is a project which Frédéric Lagrange began in 2001 Kitchen Table Series is the first publication dedicated solely to and has spanned over sixteen years, during which he took this early and important body of work by the American artist thirteen trips in all four seasons, covering vastly different Carrie Mae Weems. The 20 photographs and 14 text panels regions of the country. This book is his visual portrait of that make up Kitchen Table Series tell a story of one woman’s Mongolia and her people captured in detail in a genuine, life, as conducted in the intimate setting of her kitchen. The human form through a compilation of landscapes and kitchen, one of the primary spaces of domesticity and the portraits. This superb limited edition of 30 copies, housed traditional domain of women, frames her story, revealing to in a clothbound slipcase, includes the trade publication Edition of 25 signed and numbered prints us her relationships—with lovers, children, friends—and Untitled (Man Reading Newspaper), 1990/1999 Edition of 30 signed and numbered prints with a special red cover, plus a print edition of Lagrange Gelatin silver print her own sense of self, in her varying projections of strength, Two men in ice, 2006 signed and numbered. The image is titled Two men in ice Image size: 25.2 x 25.2 cm | 9 ⅞ x 9 ⅞ inches vulnerability, aloofness, tenderness, and solitude. Weems Inkjet on archival Illford paper Sheet size: 35.5 x 27.7 cm | 14 x 11 inches Image size: 37.6 x 27.9 cm | 14 ⅘ x 11 inches and features two men standing on the frozen lake Khövsgöl herself is the protagonist of the series, though the woman she Nuur in Northern Mongolia. depicts is an archetype. Kitchen Table Series seeks to reposition Text by Sarah Lewis and Adrienne Edwards 34.21 x 41.91 cm | 13 ⅖ x 16 ½ inches and reimagine the possibility of women and the possibility 240 pages, 150 color, clothound 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches ISBN 978-88-6208-611-0 86 pages, 34 b&w, hardbound with jacket of people of color, and has to do with, in the artist’s words, $680 | €580 | £500 ISBN 978-88-6208-471-0 “unrequited love.” The collector’s edition of Kitchen Table $3,000 | €2,800 | £2,200 Series includes a signed and numbered silver gelatin print of Untitled (Man Reading Newspaper), 1990/1999.

Antoine Le Grand Jamel Shabazz Portraits Sights in the City New York Street Photographs

Portraits is the first monograph on the work of Antoine During the summer of 1980, under the direction of his father, Le Grand and spans the 20-year career of this acclaimed a photographer, Jamel Shabazz armed himself with a Canon celebrity photographer. Taken from the pages of leading AE1 SLR camera and passionately photographed the urban fashion and lifestyle magazines such as Vogue, W, GQ, landscape that he called home. New York City—the city that and Vanity Fair, Le Grand’s images provide an astonishing never sleeps—was the ideal epicenter to photograph because of its 24-hour subway system and the many businesses that Edition of 15 signed and numbered prints collection of portraits of the actors, musicians, and Iggy Pop, 2002 personalities who enliven our culture. Through his irony, are open late into the night. New York’s energy inspired him Edition of 25 signed and numbered prints Archival inkjet print to use the streets as a canvas for the majority of his work for witty storytelling, and concise visual aesthetic, Le Grand Street Photographers of Times Square, 1982 Image size: 28 x 28 cm | 11 x 11 inches Archival inkjet print over 35 years. This limited edition of Sights in the City: New Sheet size: 38 x 38 cm | 15 x 15 inches has created indelible imagery of celebrities such as Iggy Image size: 20.3 x 25.4 cm | 8 x 10 inches Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim York Street Photographs includes a signed and numbered print Sheet size: 25.4 x 35.6 cm | 10 x 14 inches of Street Photographers of Times Square. Introduction by Jean-Paul Goude Burton, Woody Allen, and Jean Nouvel. The book includes 27.5 x 27.5 cm | 11 x 11 inches 30.5 x 24.1 cm | 12 x 9 ½ inches 316 pages, 280 color and b&w, hardbound more than 250 portraits and an introduction by the French 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-509-0 visionary Jean-Paul Goude. This collector's edition of 15 ISBN 978-88-6208-527-4 $500 | €450 | £380 copies includes a signed and numbered print. $950 | €850 | £750

36 Collector’s Editions 37 Peter Schlesinger David Leventi A Photographic Memory 1968–1989 Opera

The photographs of artist Peter Schlesinger are a visual diary Photographing the interiors of some of the most storied and of an extraordinary life that has intersected with some of the illustrious opera houses around the world, David Leventi brightest names in the worlds of art, fashion, and society. has constructed an arresting, visually rich survey of grand Schlesinger’s remarkable journey began in 1966 when, as architecture. Opera brings together in one publication images an 18-year-old student at UCLA, he met the artist David from more than 40 opera houses, spanning four continents Hockney. The couple moved to London, where Schlesinger and 400 years of history, and includes a foreword by Plácido met and photographed luminaries including Cecil Beaton, Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous Edition of 30 signed and numbered prints Paloma Picasso, and Manolo Blahnik. This monograph The Deck at La Piscine Deligny, 1975 approach to his subject, revealing these temples of music in all presents the full range of Schlesinger’s photographic work. Edition of 15 signed and numbered prints C-print Palais Garnier, 2009 their wealth of architectural detail and design. The collector’s Image size: 22.8 x 30.5 cm | 9 x 12 inches The collector's edition includes a signed and numbered color C-print edition of Opera includes a color print of Palais Garnier, 2009. Sheet size: 28 x 35.5 cm | 11 x 14 inches print of The Deck at La Piscine Deligny, 1975. Image size: 28.2 x 35.6 cm | 11 x 14 inches Sheet size: 30.5 x 38.1 cm | 12 x 15 inches Text by Peter Schlesinger, Hilton Als 24.8 x 28.6 | 9 ¾ x 11 ¼ inches Text by Plácido Domingo, Marvin Heiferman, 176 pages, 150 color, hardbound Thomas Mellins ISBN 978-88-6208-459-8 33.8 x 28 cm | 13 ¼ x 11 inches $500 | €400 | £300 120 pages, 40 color, clothbound with jacket ISBN 978-88-6208-440-6 $700 | €590 | £490

Dennis Hopper Matthew Brookes Colors. The Polaroids Les Danseurs

In 1987, Dennis Hopper began to use a Polaroid camera Matthew Brookes’s style of photography leans toward the to document gang graffiti. Hopper transformed the natural, raw emotion of his subjects. In his first book, Brookes instantaneous, disposable nature of Polaroid film into has turned his lens on the professional male ballet dancers of pictures as deliberate and final as images achieved by an Paris. For a year in the life of these dancers, he took them out artist painting on canvas. This limited edition of Colors. The of their regular environment of rehearsals and performances Polaroids includes a numbered print of Untitled (Diamonds), and photographed them in a raw space, where they were 1987, which has been certified authentic by Hopper Art allowed to explore the physicality of dance in its essential Trust. form. Brookes’s stunning series of portraits depicts the pure physicality of the male dancer. This collector’s edition includes Edition of 25 numbered prints Untitled (Diamonds), 1987 Edition of 25 signed and numbered prints a signed and numbered black-and-white print of Feet I, 2014. Giclée print Feet I, 2014 Image size: 19.3 x 19.1 cm | 7 ⅝ x 7 ½ inches C-print Sheet size: 25.5 x 21.5 cm | 10 x 8 ½ inches Image size: 26.5 x 20.5 cm | 10 ⅜ x 8 ⅛ inches Sheet size: 28 x 21.6 cm | 11 x 8 ½ inches Text by Aaron Rose 23.5 x 20.3 cm | 9 ¼ x 8 inches Text by Marie-Agnès Gillot 132 pages 120 color, clothbound 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches ISBN 978-88-6208-488-8 68 pages, 40 b&w, hardbound with slipcase $500 | €450 | £350 ISBN 978-88-6208-467-3 $450 | €390 | £290

38 Collector’s Editions 39 Derek Ridgers Jan Welters 78–87 London Youth Profile

Taken in the streets, clubs, basements, and bars of London This limited edition includes the book Profile and this print between 1978 and 1987, this book brings together an signed and numbered by Jan Welters: Isabella Cosima Jahns, incredible series of images from the British photographer Paris, 2018. The photograph has been printed in 2019 in a Derek Ridgers. Since first picking up a camera in 1971, Ridgers limited edition of 30 copies. has felt compelled to record the characters that make up the social scenes around him. These photographs bridge the The picture is part of an editorial story for Italian Marie Claire extremities of youth culture in the U.K., from punk through called “The Performer”. The editor Ivana Spernicelli saw the birth of acid house, and document the changing faces Cosima in the Gucci show in Arles, and Welters and the editor Edition of 15 signed and numbered prints Tuinol Barry, Kings Road, 1983 of fashion, music, and culture through individuals and agreed to book her after seeing her Instagram feed. She’d done Edition of 30 signed and numbered prints C-print influential social scenes in a time of DIY attitudes. This Isabella Cosima Jahns, Paris, 2018 these little videos of herself in her apartement in Rome that Image size: 36 x 28.5 cm | 14 ¼ x 11 ¼ inches collector’s edition includes the numbered and signed print Archival pigment print they thought were very compelling. She would bend herself Sheet size: 44.3 x 36.6 cm | 17 ½ x 14 ⅜ inches Tuinol Barry, Kings Road. Image size: 27 x 20.6 cm | 8 ⅑ x 10 ⅔ inches over a chair or curl up on the bathroom floor, there was a Sheet size: 30.1 x 23.6 cm | 10 ⅓ x 11 ⅘ inches Text by John Maybury strange kind of sexyness to them. She had never done any 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches Text by Iain R. Webb, Steve Hiett fashion work but turned out to be the perfect girl for our story. 160 pages, 120 b&w, hardbound 28 x 28 cm | 11 x 11 inches The first day they worked in the studio and the second was ISBN 978-88-6208-405-5 160 pages, 120 color and b&w, clothbound $650 | €590 | £450 ISBN 978-88-6208-692-9 on location. The weather was ideal, cloudy with a little bit of $450 | €400 | £360 rain and when Welters asked her to use the wall hoping she would do something interesting she hung from it like she was weightless, floating... It made the whole story come together.

Julian Wasser Nick Waplington The Way We Were: Alexander McQueen: Working Process The Photography of Julian Wasser

This long-overdue monograph presents an astonishing In 2008, Alexander McQueen commissioned the photographer panorama of a bygone Los Angeles from photographer Julian Nick Waplington to document the creation of his Fall 2009 Wasser. The Way We Were is replete with iconic images such collection—all the way from inception to runway showing. as a 1968 shot of Joan Didion leaning against a Corvette Unfortunately, this fall/winter collection was to be the last Stingray in Hollywood. But photographs of Jack Nicholson that McQueen would stage before his untimely death. Every and Angelica Huston at Nicholson’s Mulholland Drive step of the creative process is documented in fascinating Edition of 50 signed and numbered prints home, or the Fonda family lined up on the family sofa, paint Edition of 100 signed and numbered prints detail, and readers receive a rare insight into the inner Marcel Duchamp and Eve Babitz, 1963 a picture of a very private Hollywood of the 1960s and '70s, Untitled, 2009 workings of McQueen’s creative process. Waplington was Gelatin silver print when privacy was possible and celebrity culture had not yet C-print given unprecedented access to McQueen and his staff, Image size: 20.5 x 30.7 cm | 8 x 12 inches Image size: 23.4 x 15.8 cm | 9 ¼ x 6 ¼ inches Sheet size: 24.7 x 32 cm | 9 ¾ x 12 ⅝ inches completely consumed the country. This collector’s edition Sheet size: 29.4 x 23.8 cm | 11 ½ x 9 ⅜ inches including Sarah Burton, the current creative director. Most includes a numbered and signed photograph and is issued notably, McQueen edited the sequence of photographs in the Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Text by Susannah Frankel 144 pages, 150 b&w, hardbound with slipcase Duchamp playing chess with a naked Eve Babitz at his 26.3 x 30.5 cm | 10 ⅜ x 12 inches numbered print and is housed in a linen slipcase. ISBN 978-88-6208-377-5 seminal 1963 exhibition at the Pasadena Art Museum. 304 pages, 200 color, hardbound with jacket and slipcase $700 | €500 | £420 ISBN 978-88-6208-356-0 $1,500 | €1,150 | £990

40 Collector’s Editions 41 David Goldes Andrew Moore Electricities Detroit Disassembled

Electricity is the energy that runs nearly everything. We are For Andrew Moore, the wonder of Detroit’s transformation is dependent on it for light, heat, and communications as well its demonstration of nature’s power to devour, and, through as powering the innumerable devices and machines that destruction, to renew. He has remarked, “One could say shape and support our lives. To investigate and build on Edition of 50 signed and numbered prints that Detroit has become America’s version of an open city. our historical understanding into the nature of electricity, Waiting Room with Snowdrift, 2008 It’s been left undefended against an onslaught of scrappers, Archival C-print David Goldes constructs and photographs what he calls, Image size: 35.5 x 28 cm | 14 x 11 inches vandals, and the forces of nature. It’s a city of hundreds, if not “performing still lifes.” This stunning limited edition of 25 Sheet size: 38 x 30.5 cm | 15 x 12 inches thousands, of empty homes, apartment buildings, factories, copies plus 4 artist proofs includes the book Electricities and libraries, hospitals, schools, and churches. All are abandoned Text by Andrew Moore, Philip Levine a gelatin silver print signed and numbered by the artist. The 34.5 x 27 cm | 13 ½ x 10 ½ inches and most are unguarded, barely salvageable, and slated for Edition of 25 signed and numbered prints print is entitled Electricity + Water lll, 1993. 128 pages, 70 color, hardbound with jacket and slipcase demolition that gets delayed year after year.” His depiction Electricity + Water III, 1993 ISBN 978-88-6208-140-5 of Detroit questions what the changing, precarious future of Gelatin silver print $750 | €550 | £500 Image size: 29.2 x 22.86 cm | 11 ½ x 9 inches America holds. Sheet size: 35,6 x 28 cm | 14 x 11 inches

24.75 x 30.5 cm | 9 ¾ x 12 inches 160 pages, 100 color, hardbound ISBN 978-88-6208-561-8 $900 | €800 | £680

Andrew Moore Andrew Moore Dirt Meridian Cuba

The acclaimed photographer Andrew Moore takes to the air Cuba offers a series of poignant interiors that display the to create an intimate vision of the High Plains. The title refers changing fortunes of the country over its 500-year history, to the 100th meridian, the longitude that neatly bisects the with portraits and landscapes that hint at the changes coming United States and has long been considered the dividing line to this island nation. Originally published as Inside Havana between the fertile green East and the dry brown West. Much in 2002 to wide acclaim, this new version expands that of the meridian traverses America’s “flyover country,” those book with finer and larger reproductions, older photographs remote and sparsely populated landscapes with a long history never before seen or published, as well as new work made of repeated drought and failed dreams. Yet other parts of the specifically for this edition. This collector’s edition includes a meridian overlap bustling and contentious zones such as signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Edition of 25 signed and numbered prints the heavily fracked Bakken formation in North Dakota. Dirt Cash Meier Barn, 2012 Casa de Verano, El Vedado, 1999 Archival inkjet print Meridian interweaves both these stories: the enduring myths Archival inkjet print Image size: 27.7 x 35.5 cm | 11 x 14 inches and rich history of a place where so little meets the eye, Image size: 36 x 28.5 cm | 14 ⅛ x 11 ¼ inches Sheet size: 38 x 30 cm | 15 x 11 ¾ inches Sheet size: 40.6 x 50.8 cm | 16 x 20 inches alongside a portrayal of those who continue to live amidst its Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks vast and severe magnificence. The collector’s edition of Dirt Text by Joel Smith, Orlando Luis Pardo Lazo 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) Meridian includes a signed and numbered color print of Cash 40 x 30 cm | 15 ¾ x 11 ¾ inches 140 pages, 73 color, hardbound Meier Barn, 2012. 128 pages, 68 color, hardbound with slipcase ISBN 978-88-6208-470-3 ISBN 978-88-6208-258-7 $600 | €550 | £450 $750 | €550 | £500

42 Collector’s Editions 43 Ed Templeton Deformer

Eleven years in the making, and compiling more than 30 years' worth of material, Ed Templeton’s Deformer is a multimedia scrapbook of his upbringing in suburban Orange County, California. Its photographs give a sun-drenched glimpse of what it might be like to be young and alive in what Templeton refers to as “the suburban domestic incubator.” Deformer intertwines photographs, paintings, drawings, sketchbook pages, disciplinary letters from his grandfather, and religious Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage Cross, 2004 isolation and social criticism. This collector’s edition includes C-print a signed and numbered photograph. Image size: 29 x 20.3 cm | 11 ⅜ x 8 inches

24 x 29 cm | 9.5 x 11.5 inches 176 pages, 150 color, hardbound ISBN 978-88-6208-060-6 $600 | €380 | £300

Terry Richardson Kibosh

“Kibosh is the most important book of my career. This is my life's work. From the age of 16 when I first started to photograph for fun and then as a profession, I have always thought of Kibosh as the summary of my career.” This collector's edition includes the book Kibosh and the print Edition of 500 signed and numbered prints Untitled, 2004 signed and numbered by Terry Richardson. Untitled, 2004 C-print Image size: 16.4 x 24.7 cm | 6 ½ x 9 ¾ inches Sheet size: 20.3 x 25.4 cm | 7 ⅝ x 7 ½ inches

24 x 32.5 cm | 9 ½ x 15 ½ inches 320 pages, 250 color, clothbound ISBN 978-88-89431-30-6 $400 | €350 | £250

44 45

Toiletpaper

Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 9 Toiletpaper 14 Toiletpaper 17 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-294-5 ISBN 978-88-6208-536-6 ISBN 978-88-6208-613-4 $16 | €13 | £10 $16 | €13 | £10 $16 | €13 | £10 Toiletpaper was founded in 2010 by Maurizio Cattelan and Pierpaolo Ferrari with the art direction of Micol Talso as a picture-based magazine. Each picture in a Toiletpaper publication springs from an idea, often simple, but through a complex orchestration of people it becomes the materialization of the artists’ mental Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and outbursts. The resulting publications are themselves Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari works of art that, through the accessible and widely Toiletpaper 10 Toiletpaper 15 Toiletpaper 17 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies distributed media of magazines and books, challenge 40 pages, 22 color, softcover 40 pages, 22 color, softcover with 54 poker playing cards the limits of the contemporary art economy. ISBN 978-88-6208-339-3 ISBN 978-88-6208-556-4 22.5 x 29 cm | 9 x 11 ½ inches $16 | €13 | £10 $16 | €13 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-614-1 Maurizio Cattelan has exhibited internationally in $45 | €40 | £35 leading institutions and has participated in the Venice Biennale numerous times. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. Cattelan also conceived the art magazines Permanent Maurizio Cattelan and Pierpaolo Maurizio Cattelan and Maurizio Cattelan and Food and Charley. After the acclaimed 2011 retrospective Ferrari Pierpaolo Ferrari Pierpaolo Ferrari at the Guggenheim Museum in New York City, he has Toiletpaper 11 Toiletpaper 15 Toiletpaper 18 committed himself to publishing Toiletpaper magazine. 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 700 copies 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover with Toiletpaper foulard 40 pages, 22 color, softcover ISBN 978-88-6208-394-2 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-683-7 Pierpaolo Ferrari is a fashion and advertising $16 | €13 | £10 40 pages, 22 color, softcover $16 | €13 | £10 ISBN 978-88-6208-557-1 photographer and creative researcher. In 2007 he $45 | €40 | £35 began a collaboration with L’Uomo Vogue. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper.

Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 7 Toiletpaper 12 Toiletpaper 16 Toiletpaper 18 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies 40 pages, 22 color, softcover 40 pages, 22 color, softcover 40 pages, 22 color, softcover with a surprise... ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 ISBN 978-88-6208-585-4 22.5 x 29 cm | 9 x 11 ½ inches $16 | €13 | £10 $16 | €13 | £10 $16 | €13 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-684-4 $45 | €40 | £35

Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 8 Toiletpaper 13 Toiletpaper 16 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies 40 pages, 22 color, softcover 40 pages, 22 color, softcover with a Toiletpaper puzzle ISBN 978-88-6208-286-0 ISBN 978-88-6208-490-1 22.5 x 29 cm | 9 x 11 ½ inches $16 | €13 | £10 $16 | €13 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-586-1 $45 | €40 | £35

48 Toiletpaper 49 Maurizio Cattelan and ToiletMartin PaperParr is a collaboration between Pierpaolo Ferrari Toiletpaper Calendar 2017 Maurizio Cattelan and Pierpaolo Ferrari on the one 21 x 28 cm | 8 ¼ x 11 inches side, and Martin Parr on the other. The recipe is 13 pages, 13 color, wire-O very tasty: back-to-back images by the founders ISBN 978-88-6208-517-5 $20 | | €18 | £16.99 Kenzine is a collaboration between Toiletpaper of Toiletpaper and the British artist. The result magazine and the Parisian clothing label Kenzo. is a rapid succession of images in which irony, Founder Kenzo Takada is known for his synthesis subversion and provocation impel the viewer on to of Japanese style with Parisian high fashion. discover of the next pair of images.

Maurizio Cattelan and Kenzo and Toiletpaper Martin Parr, Maurizio Cattelan Martin Parr, Maurizio Cattelan Pierpaolo Ferrari Kenzine Vol. 3 and Pierpaolo Ferrari and Pierpaolo Ferrari Toiletpaper Calendar 2018 22.5 x 29 cm | 9 x 11 ½ inches ToiletMartin PaperParr ToiletMartin PaperParr Book 21 x 28 cm | 8 ¼ x 11 inches 40 pages, 22 color, softcover 22.5 x 29 cm | 9 x 11 ½ inches 28 x 36 cm | 11 x 14 ⅕ inches 13 pages, 13 color, wire-O ISBN 978-88-6208-385-0 40 pages, 22 color, softcover 192 pages, 120 color, hardbound ISBN 978-88-6208-555-7 $35 | €29 | £25 ISBN 978-88-6208-589-2 ISBN 978-88-6208-704-9 $20 | | €18 | £16.99 $18 | €15 | £13 $65 | €60 | £55

Maurizio Cattelan and Kenzo and Toiletpaper Martin Parr, Maurizio Cattelan Martin Parr, Maurizio Cattelan Pierpaolo Ferrari Kenzine Vol. 4 and Pierpaolo Ferrari and Pierpaolo Ferrari Toiletpaper Volume II: 22.5 x 29 cm | 9 x 11 ½ inches ToiletMartin PaperParr ToiletMartin PaperParr Book Platinum Collection 40 pages, 22 color, softcover Limited edition of 1000 copies Collector's Edition 22.9 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-430-7 with ToiletMartin PaperParr bag Limited edition of 300 copies 240 pages, 200 color, hardbound $35 | €29 | £25 22.5 x 29 cm | 9 x 11 ½ inches with a surprise... Limited to 1,000 copies 40 pages, 22 color, softcover 28 x 36 cm | 11 x 14 ⅕ inches Includes Toiletpaper watch ISBN 978-88-6208-594-6 192 pages, 120 color, hardbound ISBN 978-88-6208-445-1 $50 | €45 | £40 ISBN 978-88-6208-713-1 $150 | €130 | £100 $150 | €135 | £125

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Pierpaolo Ferrari and Pierpaolo Ferrari Toiletpaper Volume II ToiletMartin PaperParr 22.9 x 30.5 cm | 9 x 12 inches Calendar 2019 240 pages, 200 color, hardbound 21 x 28 cm | 8 ¼ x 11 inches ISBN 978-88-6208-427-7 7 pages, 14 color, wire-O $65 | €60 | £45 ISBN 978-88-6208-597-7 $22 | €20 | £17.99

Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari ToiletMartin PaperParr Calendar 2020 21 x 28 cm | 8 ¼ x 11 inches 7 pages, 14 color, wire-O ISBN 978-88-6208-670-7 $22 | €20 | £17.99

50 Toiletpaper 51 Backlist Photography

Mark Abrahams Peter Berlin Michael Christopher Brown Walt Cassidy Text by James Frey Icon, Artist, Photosexual Yo Soy Fidel New York: Club Kids 24 x 31.4 cm | 9 ½ x 12 ½ inches Edited by Michael Bullock Edited by Martin Parr Foreword by Mark Holgate 304 pages, 150 b&w, clothbound Text by Ted Stansfield, Text by Martin Parr, Jon Lee Anderson, 22.9 x 28 cm | 9 x 11 inches Rights world except Germany Jonathan D. Katz, Evan Moffitt Michael Christopher Brown 352 pages, 315 color and 85 b&w, ISBN 978-88-6208-138-2 21 x 30 cm | 8 ¼ x 11 ⅘ inches 31 x 24 cm | 12 ⅕ x 9 ½ inches hardbound $70 | €50 | £45 208 pages, 200 color and b&w, 152 pages, 110 color, hardbound ISBN 978-88-6208-657-8 hardbound ISBN 978-88-6208-602-8 $55 | €49 | £40 ISBN 978-88-6208-655-4 $50 | €40 | £35 $50 | €45 | £40

Ricky Adam Tom Bianchi Simon Burstall Gusmano Cesaretti Belfast Punk. Warzone Centre Fire Island Pines: Polaroids '93: Punching the Light Fragments of Los Angeles, 1997-2003 1975–1983 21 x 27.3 cm | 8 ¼ x 10 ¾ inches 1969–1989 25.5 x 30 cm | 10 x 11 ¾ inches Edited by Ben Smales. Text by 116 pages, 12 color and 50 b&w, In association with Alleged Press 176 pages, 85 b&w, hardbound Edmund White, Tom Bianchi hardbound Edited by Aaron Rose. Text by Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In ISBN 978-88-6208-510-6 21.5 x 25.5 cm | 8 ½ x 10 inches ISBN 978-88-6208-676-9 Jeffrey Deitch, Michael Mann he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In $40 | €35 | £30 fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound $50 | €40 | £35 24 x 30.5 cm | 9 ½ x 12 inches Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private moments.with These images, jacketpublished here for the first time, and accompanied by 164 pages, 100 b&w, hardbound Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a ISBNmagical bygone era. 978-88-6208-270-9 ISBN 978-88-6208-275-4 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | €40 | £35 $50 | €40 | £35

$ 50.00 | £ 35.00

Marco Anelli Tom Bianchi Gian Butturini Rachel Cobb Artist Studios New York 63 E 9th Street London Mistral: The Legendary Text by Chrissie Iles, Sean NYC Polaroids 1975-1983 Edited by Martin Parr. Text by Wind of Provence Corcoran 21.5 x 25.5 cm | 8 ½ x 10 inches Martin Parr, Allen Ginsberg, Introduction by Bill Buford 24 x 32 cm | 9 ⅖ x 12 ⅗ inches 186 pages, 150 color, hardbound Gian Butturini, Luciano Mondini 24,8 x 31.7 cm | 9 ¾ x 12 ½ inches 176 pages, 120 color, hardbound with jacket 25,4 x 30.5 cm | 10 x 12 inches 192 pages, 99 color, hardbound ISBN 978-88-6208-700-1 ISBN 978-88-6208-646-2 104 pages, 78 b&w, hardbound ISBN 978-88-6208-618-9 $45 | €40 | £35 $55 | €45 | £40 with jacket $50 | €40 | £35 ISBN 978-88-6208-558-8 $45 | €40 | £34

Guido Argentini Matthew Brandt Luca Campigotto Michel Comte Eros Lakes & Reservoirs Iconic China Michel Comte and MILK: 29.5 x 31 cm | 11 ⅗ x 12 ⅕ inches 35 x 28 cm | 13 ¾ x 11 inches Text by William M. Hunt A Collaboration 1996–2016 250 pages, 200 color, hardbound 176 pages, 120 color, hardbound 34 x 26 cm | 13 ⅜ x 10 inches Interview by Bobby Woods ISBN 978-88-6208-632-5 ISBN 978-88-6208-374-4 84 pages, 40 color, hardbound 24.1 x 34 cm | 9 ½ x 13 ⅜ inches $60 | €50 | £39 $65 | €50 | £40 ISBN 978-88-6208-566-3 336 pages, 265 color, clothbound $45 | €40 | £35 with jacket ISBN 978-88-6208-446-8 $75 | €65 | £50

Jacopo Benassi Robin Broadbent James Casebere Coppi Barbieri Bologna Portraits The Photographic Work of Works 1975–2010 Early Works 1992-1997 Text by Antonio Grulli Robin Broadbent Edited and with text by Okwui Foreword by Paolo Roversi 21 x 29.7 cm | 8 ⅕ x 11 ⅗ inches 21.6 x 28 cm | 9 x 11 ¾ inches Enwezor. Text by Toni Morrison, 28 x 36 cm | 11 x 14 ⅙ inches 212 pages, 150 b&w, hardbound 184 pages, 160 color and b&w, Hal Foster, Ford Morrison 192 pages, 82 color, hardbound ISBN 978-88-6208-650-9 hardbound with jacket 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches ISBN 978-88-6208-637-0 $60 | €50 | £39 ISBN 978-88-6208-530-4 320 pages, 250 color, hardbound $69 | €59 | £54 $50 | €45 | £38 with jacket ISBN 978-88-6208-186-3 $80 | €60 | £50

54 Backlist 55 Alessandro Cosmelli Terence Donovan Stephen Frailey Tria Giovan and Gaia Light Portraits Looking at Photography The Cuba Archive. Havana Buzz Text by Philippe Garner 20 x 24 cm | 7 ⅞ x 9⅖ inches Photographs 1990-1996 10.2 x 15.5 cm | 4 x 6 ⅛ inches 24.5 x 28 cm | 9 ¾ x 11 inches 200 pages, 100 color and b&w, Essey by Silvana Paternostro 224 pages, 170 color, softcover 176 pages, 160 color and b&w, hardbound 29.3 x 21 cm | 11 ½ x 8 ¼ inches with jacket hardbound ISBN 978-88-6208-702-5 168 pages, 125 color, hardbound ISBN 978-88-6208-560-1 ISBN 978-88-6208-482-6 $45 | €40 | £35 ISBN 978-88-6208-545-8 $30 | €28 | £25 $50 | €45 | £35 $40 | €35 | £30

Giacomo Costa Arthur Elgort Jill Freedman Nathaniel Goldberg A helpful guide to nowhere Jazz Resurrection City, 1968 Text by Jérôme Neutres 25 x 28 cm | 9 ⅘ x 11 inches Foreword by Wynton Marsalis 24.5 x 30 cm | 9 ⅗ x 11 ⅘ inches 27.5 x 37.6 cm | 10 ⅘ x 14 ⅘ inches 256 pages, 200 color and b&w, Introduction by Hank O’Neal 176 pages, 140 b&w, hardbound 200 pages, 39 color and 68 b&w, hardbound Edited by Marianne Houtenbos ISBN 978-88-6208-583-0 clothbound ISBN 978-88-6208-715-5 17.8 x 22.9 cm | 7 x 9 inches $45 | €40 | £35 ISBN 978-88-6208-649-3 $60 | €55 | £50 160 pages, 100 color and b&w, $80 | €65 | £59 hardbound ISBN 978-88-6208-608-0 $45 | €40 | £35

William Coupon Brad Elterman Adam Fuss Deborah Goodman Davis Portraits Dog Dance. The Photographs Water PhotoRx: Pharmacy in Foreword by Walter Isaacson of Brad Elterman 27.3 x 33 cm | 10 ¾ x 13 inches Photography Since 1850 Text by Anthony Bannon Edited by Sandy Kim 120 pages, 80 color and b&w, Edited by Shawn Waldron 29.2 x 31.7 cm | 11 ½ x 12 ½ inches Text By Olivier Zahm clothbound with jacket Text by David Campany 216 pages, 150 color, clothbound 16.8 x 23.8 cm | 6 ½ x 9 ½ inches ISBN 978-88-6208-587-8 24 x 29 cm | 9 ½ x 11 ½ inches with jacket 96 pages, 100 color and b&w, hardbound $55 | €45 | £39 160 pages, 100 color and b&w, ISBN 978-88-6208-603-5 ISBN 978-88-6208-297-6 clothbound $60 | €50 | £44 $35 | €29 | £25 ISBN 978-88-6208-554-0 $45 | €40 | £35

Alexandre de Mortemart Hans Feurer Matthew Frost Sarah Hadley Quest Text by Gianni Jetzer I Saw the Sign Lost Venice Foreword by Agathe Gaillard 24 x 34 cm | 9 ½ x 13 ½ inches 16.5 x 24.1 cm | 6 ½ x 9 ½ inches Text by Karen Haas, Susan 22 x 30 cm | 8 ⅔ x 11 ⅘ inches 200 pages, 175 color, clothbound 160 pages, 152 color, clothbound Burnstine 160 pages, 133 b&w, hardbound ISBN 978-88-6208-292-1 ISBN 978-88-6208-705-6 18.3 x 23.3 cm | 7 ⅕ x 9 ⅙ inches ISBN 978-88-6208-696-7 $65 | €50 | £40 $35 | €30 | £29 56 pages, 45 color and b&w, $50 | €45 | £40 hardbound ISBN 978-88-6208-706-3 $35 | €29 | £30

Jeremiah Dine Larry Fink Lee Gap-Chul Jason Hetherington and Mel Arter Daydreams Walking Fink on Warhol: New York The Seeker of Korea's Spirit Elements 25.4 x 25.4 cm | 10 x 10 inches Photographs of the 1960s Text by Sujong Song, 21 x 29.7 cm | 8 ¼ x 11 ¾ inches 232 pages, 197 color, hardbound Text by Kevin Moore Wendy Watress 96 pages, 41 color and 37 b&w, ISBN 978-88-6208-697-4 24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches 25.2 x 27.8 cm | 8 ¼ x 10 inches clothbound $60 | €55 | £50 128 pages, 80 b&w, clothbound 176 pages, 90 b&w, clothbound ISBN 978-88-6208-682-0 ISBN 978-88-6208-515-1 ISBN 978-88-6208-686-8 $45 | €39 | £34 $50 | €45 | £38 $60 | €50 | £45

56 Backlist 57 Max Hirshfeld Niko J. Kallianiotis David Lachapelle Builder Levy Sweet Noise: Love in Wartime America in a Trance Landscape Humanity in the Streets. Essays by Michael Berenbaum, 30.5 x 21.6 cm | 12 x 8 ½ inches Text by Shana Nys Dambrot, New York City 1960s-1980s Stuart Eizenstat 136 pages, 95 color, hardbound Paul Watson Text by Deborah Willis 18.5 x 24.1 cm | 7 ¼ x 9 ½ inches ISBN 978-88-6208-595-3 33 x 30 cm | 13 x 11 ¾ inches 24.3 x 30.5 cm | 9 ⅗ x 12 inches 200 pages, 1 color and 45 b&w, $44 | €35 | £30 88 pages, 80 color, softcover 124 pages, 100 b&w, hardbound hardbound ISBN 978-88-6208-331-7 ISBN 978-88-6208-612-7 ISBN 978-88-6208-660-8 $45 | €32 | £29 $49.95 | €40 | £35 $50 | €45 | £40

Rohina Hoffman Ruth Kaplan Astrid Kirchherr Joan Liftin Hair Stories Bathers Astrid Kirchherr with the Water for Tears Introduction by Emily Lambert- 24.7 x 30,5 cm | 9 ¾ x 12 inches Beatles 22.9 x 25.4 cm | 9 x 10 inches Clements. Essay by Esther R. Berry 112 pages, 70 b&w, clothbound Introduction by Vladislav Ginzburg 144 pages, 80 color, hardbound 18.5 x 26.6 cm | 7 ⅓ x 10 ½ inches ISBN 978-88-6208-548-9 21 x 26 cm | 8 ¼ x 10 ¼ inches ISBN 978-88-6208-596-0 92 pages, 38 color, hardbound $50 | €45 | £35 96 pages, 71 color and b&w, $50 | €40 | £34 ISBN 978-88-6208-640-0 hardbound $30 | €25 | £20 ISBN 978-88-6208-574-8 (English) ISBN 978-88-6208-575-5 (Italian) $30 | €25 | £22.5

Dennis Hopper Edward Keating Frédéric Lagrange Lima, Peru Colors. The Polaroids MAIN STREET: Mongolia Edited by Mario Testino Text by Aaron Rose The Lost Dream of Route 66 34.2 x 41.9 cm | 13 ½ x 16 ½ inches Text by Mario Vargas Llosa 23.5 x 20.3 cm | 9 ¼ x 8 inches Text by Charlie LeDuff 240 pages, 150 color, clothbound 23 x 33 cm | 9 x 13 inches 132 pages 120 color, clothbound 31.1 x 24.8 cm | 12 ¼ x 9 ¾ inches ISBN 978-88-6208-606-6 224 pages, 190 color, hardbound ISBN 978-88-6208-476-5 180 pages, 84 b&w, softcover $280 | €240 | £200 English, Italian & Spanish $45 | €40 | £30 ISBN 978-88-6208-688-2 ISBN 978-88-89431-92-4 $45 | €40 | £30 $65 | €50 | £35

Dennis Hopper David Lykes Keenan Antoine Le Grand Alexi Lubomirski In Dreams Fair Witness Portraits Diverse Beauty 23.5 x 20.3 cm | 9 ¼ x 8 inches Text by Eli Reed Introduction by Jean-Paul Goude Text by Lupita Nyong’o, 132 pages, 97 b&w, clothbound 24.1 x 20.3 cm | 9 ½ x 8 inches 27.5 x 27.5 cm | 11 x 11 inches Alexi Lubomirski ISBN 978-88-6208-643-1 160 pages, 100 b&w, hardbound 316 pages, 280 color and b&w, 25 x 34.5 cm | 9 ⅞ x 13 ½ inches $49.95 | €45 | £40 ISBN 978-88-6208-389-8 hardbound 192 pages, 135 color and b&w, $45 | €35 | £29 ISBN 978-88-6208-503-8 hardbound $50 | €45 | £35 ISBN 978-88-6208-479-6 $50 | €45 | £35

Kenro Izu James Klosty David Leventi Caleb Cain Marcus Seduction Greece 66 Opera A line in the sky 24 x 30 cm | 9 ½ x 11 ⅘ inches 28 x 28 cm | 11 x 11 inches Text by Plácido Domingo, Marvin 17.8 x 25.4 cm | 7 x 10 inches 160 pages, 100 color, hardbound 108 pages, 70 b&w, clothbound Heiferman, Thomas Mellins 48 pages, 19 color, softcover ISBN 978-88-6208-579-3 ISBN 978-88-6208-605-9 33.8 x 28 cm | 13 ¼ x 11 inches ISBN 978-88-6208-636-3 $50 | €45 | £35 $45 | €39 | £34 120 pages, 40 color, clothbound $30 | €25 | £20 with jacket ISBN 978-88-6208-397-3 $50 | €45 | £30

58 Backlist 59 Caleb Cain Marcus Dan Martensen Luca Missoni Sohei Nishino A brief movement after death Wolves Like Us: Portraits Moon Atlas Water Line. A Story of the Po 17.8 x 25.4 cm | 7 x 10 inches of the Angulo Brothers Preface by Maurizio Bortolotti River 48 pages, 20 color, softcover Text by Crystal Moselle, 26.5 x 33 cm | 10 ⅖ x 13 inches 24 x 24 cm | 9 ½ x 9 ½ inches ISBN 978-88-6208-604-2 Joseph Akel 148 pages, 70 color, hardbound 120 pages, 80 b&w, hardbound $30 | €25 | £20 21.6 x 28 cm | 8 ½ x 11 inches ISBN 978-88-6208-685-1 ISBN 978-88-6208-638-7 160 pages, 168 color, softcover $50 | €45 | £40 $35 | €30 | £25 ISBN 978-88-6208-443-7 $35 | €30 | £24

Caleb Cain Marcus Rania Matar Andrew Moore Bill Owens Iterations L’Enfant-Femme Detroit Disassembled Altamont 1969 Text by Richard Nonas Introduction by 22.5 x 33 cm | 10 x 13 inches Edited by Claudia Zanfi 24.2 x 31.7 cm | 9 ½ x 12 ½ inches Her Majesty Queen Noor 136 pages, 70 color, hardbound Text by Sasha Frere-Jones, 56 pages, 25 color, hardbound Text by Lois Lowry, Kristen Gresh ISBN 978-88-6208-118-4 Bill Owens, Claudia Zanfi ISBN 978-88-6208-659-2 24.1 x 31.7 cm | 9 ½ x 12 ½ inches $50 | €40 | £34.95 24.5 x 28 cm | 9 ⅗ x 11 inches $40 | €35 | £30 152 pages, 97 color, clothbound 96 pages, 59 color and b&w, ISBN 978-88-6208-450-5 hardbound $50 | €45 | £35 ISBN 978-88-6208-623-3 $40 | €34 | £29

Sarai Mari Susan Meiselas Andrew Moore Jean Pagliuso Speak Easy Mediations Dirt Meridian In Plain Sight. The Photographs 21 x 27 cm | 8 ¼ x 10 ½ inches 17.5 x 24 cm | 6 ⅞ x 9 ⅖ inches Text by Kent Haruf, Toby 1968-2017 160 pages, 100 color, hardbound 184 pages, 100 color and b&w, Jurovics, Inara Verzemnieks 24 x 29 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-507-6 hardbound 34.5 x 27.9 cm | 13 ½ x 11 inches 256 pages, 200 color and b&w, $45 | €40 | £35 ISBN 978-88-6208-569-4 (English) 132 pages, 60 color, hardbound hardbound with jacket $35 | €30 | £25 ISBN 978-88-6208-412-3 ISBN 978-88-6208-578-6 $50 | €45 | £35 $70 | €60 | £54

Maxim Marmur Joel Meyerowitz Andrew Moore Martin Parr The Coal People Cézanne’s Objects Blue Alabama Beach Therapy Text by Evgeny Berezner, Text by Joel Meyerowitz, Preface by Imani Rerry Text by Martin Parr Irina Chmyreva, Maxim Marmur Maggie Barrett Story by Madison Smartt Bell 30 x 22 cm | 11 ⅘ x 8 ⅔ inches 23 x 30 cm | 9 x 11 ⅘ inches 25.4 x 32 cm | 10 x 12 ⅝ inches 34.5 x 27 cm | 13 ⅗ x 10 ⅗ inches 120 pages, 75 color, hardbound 240 pages, 200 b&w, hardbound 116 pages, 50 color, clothbound 180 pages, 78 color, hardbound ISBN 978-88-6208-625-7 ISBN 978-88-6208-694-3 ISBN 978-88-6208-564-9 ISBN 978-88-6208-654-7 $45 | €40 | £30 $70 | €60 | £50 $50 | €45 | £35 $60 | €50 | £45

Sam Marie-Saint Renato Miracco Joan Myers Martin Parr Sodapop Oscar Wilde's Italian Dream Where the Buffalo Roamed. Think of Scotland 22.9 x 30.5 cm | 9 x 12 inches 1875-1900 Images from the New West 23 x 31.5 cm | 9 x 12 ½ inches 200 pages, 80 color and 70 b&w, Introduction by Philip Kennicott Essay by Lucy R. Lippard 144 pages, 100 color, hardbound hardbound Text by Renato Miracco 30.5 x 24 cm | 12 x 9 ¾ inches ISBN 978-88-6208-549-6 ISBN 978-88-6208-698-1 17 x 24 cm | 65/7 x 9 2/5 inches 148 pages, 102 color and b&w, $40 | €35 | £30 $60 | €55 | £50 160 pages, 33 color and b&w, hardbound hardbound ISBN 978-88-6208-656-1 Rights world except Germany $50 | €45 | £40 ISBN 978-88-6208-714-8 $29.95 | €25 | £22

60 Backlist 61 Jack Pierson Jamel Shabazz Hiroshi Sugimoto Joseph Szabo The Hungry Years Sights in the City: New York Dioramas Lifeguard Text by Eileen Myles Street Photographs 25.2 x 27.8 cm | 10 x 11 inches 29 x 23.5 cm | 11 ⅖ x 9 ¼ inches Quote by Stephen Shore 30.5 x 24.1 cm | 12 x 9 ½ inches 118 pages, 56 b&w, clothbound 96 pages, 60 b&w, hardbound 20.3 x 24.1 cm | 8 x 9 ½ inches 160 pages, 120 color and b&w, with jacket ISBN 978-88-6208-542-7 104 pages, 70 color, hardbound hardbound Rights world except France $40 | €35 | £29 ISBN 978-88-6208-562-5 ISBN 978-88-6208-522-9 ISBN 978-88-6208-327-0 $40 | €35 | £30 $50 | €45 | £38 $65 | €50 | £40

Jean Pigozzi David Shama Hiroshi Sugimoto Ed Thompson Charles and Saatchi. The Dogs Do Not Feed Alligators Seascapes | New edition and Julien Roubinet Foreword by Charles Saatchi 20.5 x 29 cm | 8 x 11 ½ inches 25.2 x 27.8 cm | 10 x 11 inches Ice Cream Headaches. Surf 24.9 x 32.8 cm | 9 ⅘ x 12 ⅘ inches 136 pages, 100 color, clothbound 282 pages, 213 b&w, clothbound Culture in New York & New Jersey 48 pages, 29 b&w, hardbound ISBN 978-88-6208-617-2 with jacket 21.5 x 27.8cm | 8 ½ x 11 inches ISBN 978-88-6208-592-2 $45 | €35 | £30 ISBN 978-88-6208-624-0 192 pages, 100 color, hardbound $49 | €45 | £39 $80 | €65 | £59 ISBN 978-88-6208-573-1 $45 | €39 | £32

Jean Pigozzi Joni Sternbach Hiroshi Sugimoto Alexey Titarenko ME + CO. The Selfies: 1972-2016 Surf Site Tin Type Theaters Nomenklatura of Signs Text by Ash Carter Text by Lyle Rexer, April M. Watson, Text by Hiroshi Sugimoto 25 x 27.6 cm | 9 ⅚ x 10 ⅞ inches 14 x 19.7cm | 5 ½ x 7 ¾ inches Chris Malloy, Johnny Abegg 25.2 x 27.8 cm | 10 x 11 inches 120 pages, 80 color and b&w, 168 pages, 160 illustrations, 30.5 x 24.8 cm | 12 x 9 ¾ inches 176 pages, 130 b&w, clothbound clothbound with jacket hardbound 192 pages, 123 b&w, hardbound with jacket ISBN 978-88-6208-699-8 ISBN 978-88-6208-550-2 ISBN 978-88-6208-380-5 Rights world except France $50 | €45 | £40 $40 | €35 | £25 $45 | €35 | £29 ISBN 978-88-6208-477-2 $60 | €50 | £40

Horacio Salinas Michael Stipe Hiroshi Sugimoto Charles H. Traub Photographs 19'' x 15'' Volume I Portraits Taradiddle Text by Elisabeth Biondi 22.9 x 33 cm | 9 x 13 inches 25.2 x 27.8 cm | 10 x 11 inches Text by David Campany 23.8 x 31.5 cm | 9 ⅓ x 12 ⅖ inches 72 pages, 35 color and b&w, 120 pages, 70 b&w, clothbound 29,8 x 24,1 cm | 11 ¾ x 9 ½ inches 48 pages, 30 color, hardbound hardbound with jacket 116 pages, 102 color, hardbound ISBN 978-88-6208-680-6 ISBN 978-88-6208-591-5 ISBN 978-88-6208-582-3 ISBN 978-88-6208-621-9 $50 | €45 | £40 $45 | €39 | £34 $50 | €40 | £35 $50 | €40 | £35

Mark Segal Michael Stipe Hiroshi Sugimoto Michael Turek Cheetah Our Interference Times: Architecture Siberia 35 x 24 cm | 13 ¾ x 9 ½ inches a visual record Text by Hiroshi Sugimoto 28.6 x 23.5 cm | 11 ¼ x 9 ¼ inches 240 pages, 180 color and b&w, 24.5 x 33 cm | 9 ¾ x 13 inches 25.2 x 27.8 cm | 10 x 11 inches 184 pages, 90 color, clothbound clothbound 200 pages, 150 color and b&w, 160 pages, 90 b&w, clothbound ISBN 978-88-6208-701-8 ISBN 978-88-6208-523-6 hardbound with jacket $50 | €45 | £40 $120 | €110 | £90 ISBN 978-88-6208-678-3 ISBN 978-88-6208-658-5 $60 | €50 | £45 $60 | €50 | £45

62 Backlist 63 Ken Van Sickle Stephan Würth Photography 1994-2009 Tennis Fan Introduction by Jim Wintner 20 x 25 cm | 7 ⅞ x 9 ⅚ inches 21 x 28 cm | 8 ¼ x 11 inches 100 pages, 64 b&w, hardbound 160 pages, 120 b&w, clothbound ISBN 978-88-6208-642-4 ISBN 978-88-6208-627-1 $40 | €35 | £29 $50 | €42 | £37

Catherine Wagner Place, History, and the Archive 30 x 24.5cm | 11 ⅘ x 9 ⅔ inches 336 pages, 250 color and b&w, hardbound ISBN 978-88-6208-598-4 $65 | €55 | £49

Gavin Watson Oh! What Fun We Had 30.5 x 24 cm | 12 x 9 ⅖ inches 176 pages, 200 color and b&w, hardbound ISBN 978-88-6208-634-9 $40 | €34 | £29

Weegee Weegee's Naked City 16.2 x 23.3 cm | 6 ⅖ x 9 ⅕ inches 292 pages, 239 b&w, clothbound with jacket ISBN 978-88-6208-695-0 $39.95 | €36 | £30

Allen Wheatcroft Bodylanguage 24.4 x 27 cm | 9 ⅗ x 10 ⅗ inches 88 pages, 70 color and b&w, hardbound ISBN 978-88-6208-703-2 $40 | €36 | £30

64 Backlist 65 Fashion & Lifestyle Antiques & Collectibles

David Casavant Christopher Niquet Jeppe Ugelvig John Goldberger David Casavant Archive Models Matter Fashion Work 1993 - 2019 Patek Philippe Steel Watches 21.4 x 28 cm | 8 ⅖ x 11 inches Edited with text by Christopher 25 Years of Art in Fashion Limited edition of 300 copies 304 pages, 250 color, hardbound Niquet. Preface by Steven Meisel Text by Jeppe Ugelvig numbered and signed by the author ISBN 978-88-6208-607-3 22 x 28 cm | 8 ½ x 11 inches 20 x 29 cm | 7 6⁄7 x 11 ⅖ inches 24 x 32.5 cm | 9 ½ x 12 ¾ inches $60 | €50 | £39 120 pages, 70 color and b&w, 192 pages, 200 color and b&w, 440 pages, 900 color, hardbound softcover softcover with cork, plexiglass slipcase ISBN 978-88-6208-519-9 ISBN 978-88-6208-709-4 ISBN 978-88-6208-304-1 $40 | €35 | £30 $45 | €40 | £35 $800 | €600 | £500

Arthur Elgort James Moore Jan Welters Manfred Rössler I Love... Photographs 1962-2006 Profile Zenith 16.5 x 21 cm | 6 ½ x 8 ¼ inches 25 x 33.5 cm | 10 x 13 ¼ inches Text by Iain R. Webb, Steve Hiett 21 x 29 cm | 8 ½ x 11 ½ inches 208 pages, 208 color and b&w, 278 pages, 190 color and b&w, 28 x 28 cm | 11 x 11 inches 328 pages, 700 color, hardbound flexibound hardbound 160 pages, 120 color and b&w, English & Italian ISBN 978-88-6208-673-8 ISBN 978-88-6208-494-9 clothbound ISBN 978-88-6208-068-2 (Italian) $45 | €40 | £35 $75 | €65 | £60 ISBN 978-88-6208-639-4 $150 | €99 | £80 $60 | €50 | £39

Embroidery Italian Fashion Brigitte Niedermair Text by Giusy Ferrè, Valentino, Me and Fashion Gianfranco Ferre, Anna Molinari, Edited with text by Roberto Cavalli, et al Charlotte Cotton 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by Gabriella Belli 280 pages, 240 color, clothbound 27 x 33 cm | 10 ⅗ x 13 inches with embroidery 278 pages, 112 color, clothbound ISBN 978-88-89431-23-8 ISBN 978-88-6208-679-0 $99 | €89 | £60 $70 | €60 | £55

Architecture & Design

Franco Gobbi Harri Peccinotti R & Company Fragile H.P. 20 Years of Discovery 22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches Text by Derek Birdsall 22.8 x 29.2 cm | 9 x 11 ½ inches 160 pages, 70 color and b&w, 23 x 30 cm | 9 ½ x 12 inches 240 pages, 200 color, hardbound clothbound 228 pages, 200 color, hardbound ISBN 978-88-6208-581-6 ISBN 978-88-6208-529-8 with jacket $50 | €40 | £34 $70 | €60 | £55 ISBN 978-88-6208-074-3 $60 | €45 | £34

Ben Hassett Takay Color Fluence. The Continuance of Text by Charlotte Cotton Yohji Yamamoto Edition of 1000 hand-numbered 26 x 34 cm | 10 ¼ x 13 ⅖ inches copies 208 pages, 130 b&w, hardbound 21.6 x 26.7 cm | 8 ½ x 10 ½ inches ISBN 978-88-6208-707-0 148 pages, 87 color and 9 b&w, $90 | €85 | £80 softcover with slipcase ISBN 978-88-6208-663-9 $60 | €50 | £45

66 Backlist 67 Contemporary Art

Mamma Andersson Colors: A Book About a Magazine Michael Danoff, Martin Z. Mike Mills Memory Banks About the Rest of the World Margulies and Katherine Hinds Graphics / Films Essay by Kevin Moore Text by Francesco Bonami Martin Z. Margulies Collection Vol. 1 In association with Alleged Press 24.5 x 31 cm | 9 ⅗ x 12 ⅕ inches Interview with Luciano Benetton, 24.1 x 27.9 cm | 9 ½ x 11 inches 24 x 31.5 cm | 9 x 12 inches 80 pages, 50 color and b&w, Oliviero Toscani 268 pages, 200 color, clothbound 164 pages, 100 b&w, hardbound hardbound 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches ISBN 978-88-6208-620-2 English & Italian ISBN 978-88-6208-601-1 240 pages, 300 color, clothbound $60 | €50 | £39 ISBN 978-88-6208-075-0 $45 | €39 | £34 with jacket $50 | €40 | £24.99 ISBN 978-88-6208-424-6 $50 | €45 | £35

Valérie Belin Andy Denzler Martin Z. Margulies Parallel Views: Italian and Japanese 21 x 27 cm | 8 1⁄4 x 10 1⁄2 inches Fragmented Identity Martin Z. Margulies Collection Vol. 2 Art from the 1950s, 60s and 70s 288 pages 122 color and b&w, 28 x 32 cm | 11 x 12 ⅝ inches 24.1 x 27.9 cm | 9 ½ x 11 inches Edited by Allan Schwartzman softcover with flaps 216 pages, 105 color, hardbound 584 pages, 400 color, clothbound 28 x 30.5 cm | 11 x 12 inches ISBN 978-88-6208-511-3 (English) ISBN 978-88-6208-559-5 ISBN 978-88-6208-641-7 408 pages, 249 color, clothbound ISBN 978-88-6208-512-0 (French) $55 | €50 | £40 $90 | €80 | £70 with jacket $55 | €50 | £40 ISBN 978-88-6208-400-0 $75 | €59 | £45

Louise Bourgeois David Goldes Barry McGee José Parlá Spiral Electricities Essay by Katya Tylevich Roots 22.9 x 29.9 cm | 9 x 11 ¾ inches 24.75 x 30.5 cm | 9 ¾ x 12 inches 24.8 x 33 cm | 9 ¾ x 13 inches 24.4 x 29.3 cm | 9 ⅝ x 11 ½ inches 80 pages, 48 color, clothbound with 160 pages, 100 color, hardbound 72 pages, 60 color and b&w, 96 pages, 101 color, hardbound jacket ISBN 978-88-6208-553-3 hardbound ISBN 978-88-6208-563-2 ISBN 978-88-6208-644-8 $50 | €45 | £35 ISBN 978-88-6208-616-5 $45 | €30 | £35 $50 | €40 | £35 $35 | €30 | £25

Fran Bull Natalie Frank Barry McGee José Parlá Choose your own title Tales of the Brothers Grimm In association with Alleged Press Segmented Realities 19.5 x 27.9 cm | 7 ⅔ x 11 inches Drawings by Natalie Frank Edited by Aaron Rose Text by Michael Rooks, Rey Parlá, 122 pages, 54 color and b&w, Edited by Karen Marta 24 x 31.5 cm | 9 ½ x 12 ½ inches Steve Swieter, Mike Jensen, Farzad hardbound Text by Claire Gilman, Linda 200 pages, 200 color, hardbound 24 x 29.2 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-651-6 Nochlin, Julie Taymor, Jack Zipes ISBN 978-88-6208-096-5 96 pages, 70 color, hardbound $50 | €42 | £37 22.8 x 30.5 cm | 9 x 12 inches $49.95 | €39.90 | £29.99 ISBN 978-88-6208-422-2 272 pages, 250 color, hardbound $45 | €40 | £30 ISBN 978-88-6208-386-7 $60 | €45 | £40

Cheim & Read JR and José Parlá Ryan McGinness Kenny Scharf Twenty One The Wrinkles of the City: #metadata Kolors 22.9 x 30.5 cm | 9 x 12 inches Havana Cuba Essays by Dieter Buchhart, In association with Standard Press 768 pages, 600 color, hardbound In association with Standard Press Andrew Blauvelt, Ben Sutton, Text by Jeffrey Deitch ISBN 978-88-6208-648-6 30 x 30 cm | 11 ¾ x 11 ¾ inches Carlo McCormick, Bill Powers 21.6 x 26.7 cm | 8 ½ x 10 ½ inches $105 | €90 | £80 160 pages, 150 color, hardbound 21.6 x 28 cm | 8 ½ x 11 inches 96 pages, 68 color, hardbound with jacket 168 pages, 100 color, hardbound ISBN 978-88-6208-287-7 ISBN 978-88-6208-250-1 ISBN 978-88-6208-572-4 $40 | €30 | £25 $49.95 | €39 | £35 $40 | €35 | £29

68 Backlist 69 Distributors

Artbook | D.A.P. Thames & Hudson

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70 71 Contacts

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Printed in April 2020 by Faenza Group SpA, Italy.

Unless otherwise indicated, all photographs are copyright the artists.

Cover: © Marco Anelli, Knifing (detail). From the book 7 Deaths of Maria Callas (pp. 8-9) Pages 4–5: © Martin Parr / Magnum Photos. From the book From the Pope to a Flat White. Ireland 1979-2019 (pp. 6–7) Pages 24–25: © Arthur Elgort. From the book I Love... (pp. 66) Pages 46–47: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From the magazine Toiletpaper (pp. 48–51) Pages 52–53: © Weegee / International Center of Photography / Getty Images. From the book Weegee's Naked City (p. 64)

Information in this catalogue was accurate when going to press. Prices, specifications, and terms are subject to change without notice.

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